From b9c1900657ce4cc3fc4d96c4a95eee176734f38b Mon Sep 17 00:00:00 2001 From: efrick2002 Date: Wed, 6 Dec 2023 00:49:50 +0000 Subject: [PATCH] added new outputs --- SongLyricsScraper/fix_schema.ipynb | 0 SongLyricsScraper/taylor_swift_test.csv | 1192 ++ SongLyricsScraper/taylor_swift_training.csv | 12712 ++++++++++++++++ data/prompts/conversation_style_taylor.json | 2875 ++++ ...t-ft_taylor_swift-taylor-test-outputs.json | 121 + .../llama-2-7b-chat-taylor-test-outputs.json | 121 + ...at-checkpoint-100-taylor-test-outputs.json | 121 + ...ift-checkpoint-10-taylor-test-outputs.json | 121 + ...chat_taylor_swift-taylor-test-outputs.json | 121 + generate_prompts/convert_to_fastchat.py | 22 + generate_prompts/taylor_test_set/output.jsonl | 17 + .../taylor_train_set/output.jsonl | 221 + generate_prompts/test_prompts.ipynb | 75 +- 13 files changed, 17715 insertions(+), 4 deletions(-) create mode 100644 SongLyricsScraper/fix_schema.ipynb create mode 100644 SongLyricsScraper/taylor_swift_test.csv create mode 100644 SongLyricsScraper/taylor_swift_training.csv create mode 100644 data/prompts/conversation_style_taylor.json create mode 100644 data/taylor_swift_model_ouputs/llama-2-7b-chat-ft_taylor_swift-taylor-test-outputs.json create mode 100644 data/taylor_swift_model_ouputs/llama-2-7b-chat-taylor-test-outputs.json create mode 100644 data/taylor_swift_model_ouputs/lyre-chat-checkpoint-100-taylor-test-outputs.json create mode 100644 data/taylor_swift_model_ouputs/lyre-chat_taylor_swift-checkpoint-10-taylor-test-outputs.json create mode 100644 data/taylor_swift_model_ouputs/lyre-chat_taylor_swift-taylor-test-outputs.json create mode 100644 generate_prompts/convert_to_fastchat.py create mode 100644 generate_prompts/taylor_test_set/output.jsonl create mode 100644 generate_prompts/taylor_train_set/output.jsonl diff --git a/SongLyricsScraper/fix_schema.ipynb b/SongLyricsScraper/fix_schema.ipynb new file mode 100644 index 0000000..e69de29 diff --git a/SongLyricsScraper/taylor_swift_test.csv b/SongLyricsScraper/taylor_swift_test.csv new file mode 100644 index 0000000..fb153fc --- /dev/null +++ b/SongLyricsScraper/taylor_swift_test.csv @@ -0,0 +1,1192 @@ +Unnamed: 0,id,lyrics,annotation,song,artist +4285,5651833,"[Verse 1] +When you think of all the late nights +Lame fights over the phone +Wake up in the mornin' with someone +But feelin' alone +[Refrain] +A heart is drawn around your name +In someone's handwriting, not mine +Sneakin' out into town +Holdin' hands, just killin' time +[Pre-Chorus] +Your past and mine are parallel lines +Stars all aligned and they intertwined +And taught you +The way you call me ""baby"" +Treat me like a lady +All that I can say is +[Chorus] +All of the girls you loved before (Ooh) +Made you the one I've fallen for +Every dead-end street led you straight to me +Now you're all I need, I'm so thankful for +All of the girls you loved before +But I love you more [Verse 2] +When I think of all the makeup +Fake love out on the town (Ooh) +Cryin' in the bathroom for some dude +Whose name I cannot remember now +[Refrain] +Secret jokes all alone +No one's home, sixteen and wild (Ooh) +Breakin' up, makin' up +Leave without sayin' goodbye (Ooh) +[Pre-Chorus] +And just know that +It's everything that made me +Now I call you ""baby"" +It's why you're so amazing +[Chorus] +All of the girls you loved before (Ooh) +Made you the one I've fallen for +Every dead-end street led you straight to me +Now you're all I need, I'm so thankful for +All of the girls you loved before +But I love you more [Bridge] +Your mother brought you up loyal and kind +Teenage love taught you there's good in goodbye +Every woman that you knew brought you here +I wanna teach you how forever feels +[Chorus] +Like the girls you loved before (Ooh) +Made you the one I've fallen for +Every dead-end street (Dead-end street) led you straight to me (Straight to me) +Now you're all I need (All I need), I'm so thankful for +All of the girls you loved before +But I love you more +[Outro] +(I love you more) +(I love you more)","“All Of The Girls You Loved Before” is a song by Taylor Swift, intended for her seventh studio album, Lover (2019), but was not included on the final tracklist for unknown reasons. +Snippets of the song leaked online in February 2023, and the full song appeared in its entirety for the first time on March 1, 2023. On March 16, 2023, to celebrate the beginning of her 2023 The Eras Tour, Swift revealed through Instagram Stories that the song would officially be released at midnight on March 17, 2023, along with three other tracks: “Eyes Open (Taylor’s Version),” “Safe and Sound (Taylor’s Version),” featuring Joy Williams and John Paul White, and “If This Was a Movie (Taylor’s Version).”",All Of The Girls You Loved Before,Taylor Swift +4345,4499925,"[Intro: Taylor Swift] +(Once, I had an empire) +(Once, I had an empire) +(Once, I had an empire) +[Verse 1: Taylor Swift] +Once, I had an empire in a golden age +I was held up so high, I used to be great +They used to cheer when they saw my face +Now, I fear I have fallen from grace +[Chorus: Taylor Swift, +Taylor Swift & Hayley Williams +] +And I +feel like my castle's crumbling down +And I watch all my bridges burn to the ground +And you don't want to know me, I will just let you down +You don't wanna know me now +[Verse 2: Hayley Williams, +Taylor Swift & Hayley Williams +] +Once, I was the great hope for a dynasty +Crowds would hang on my words and they trusted me +Their faith was strong, but I pushed it too far +I held that grudge 'til it tore me apart +[Pre-Chorus: Taylor Swift & Hayley Williams, +Taylor Swift +] +Power went to my head and I couldn't stop +Ones I loved tried to help, so I ran them off +And here I sit alone behind + walls of regret +Falling down like promises that I never kept [Chorus: Taylor Swift & Hayley Williams, +Taylor Swift +] +And I feel like my castle's crumbling down +And I watch all my bridges burn to the ground +And you don't want to know me, I will just let you down +You don't wanna know me now +[Bridge: Taylor Swift] +My foes and friends watch my reign end +I don't know how it could've ended this way +Smoke billows from my ships in the harbor +People look at me like I'm a monster +Now they're screamin' at the palace front gates +Used to chant my name +Now they're screaming that they hate me +Never wanted you to hate me +[Chorus: Taylor Swift, +Taylor Swift & Hayley Williams +] +My castle's crumbling down +And I watch all my bridges burn to the ground +And you don't want to know me, +I will just let you down + (Just let you down) +My castle's crumbling +down +You don't wanna know me +now +, now +[Outro: Taylor Swift] +(Once, I had an empire) +(Once, I had an empire) +(Once, I had an empire)","Swift wrote “Castles Crumbling” around 2010 for her third studio album, Speak Now. Since then, fans gained knowledge of the song, but no part of it was actually ever heard until it was released as a From The Vault track on Speak Now (Taylor’s Version) on July 7th, 2023, featuring Taylor’s long-time friend, Hayley Williams. +In June 2023, a fan gifted Hayley with a bracelet themed after Speak Now, fact to which she said that was “coming at a very interesting time.” Her reaction brought fans to speculate about her appearence on the album, which was later confirmed when Swift posted its tracklist. While announcing it, Taylor mentioned that Hayley’s band, Paramore, was a huge influence to her around the time that she wrote Speak Now. +Although “Castles Crumbling” marks their first collaboration, Hayley had already been a guest star during Swift’s 2011 Speak Now Tour, and had also made an appearence in the music video for her 2015 single, “Bad Blood.” Hayley is also heavily rumoured to have been the inspiration behind the song “Speak Now.” +Lastly, two days before the song came out, Swift revealed on Twitter that Paramore would be an opening act for several of Taylor’s The Eras Tour dates in 2024.",Castles Crumbling (Taylor’s Version) [From The Vault],Taylor Swift +4382,3281502,"[Verse 1] +Our secret moments in a crowded room +They got no idea about me and you +There is an indentation in the shape of you +Made your mark on me, a golden tattoo +[Pre-Chorus] +All of this silence and patience, pining and anticipation +My hands are shaking from holding back from you +Ha, ah, ah +All of this silence and patience, pining and desperately waiting +My hands are shaking from all this +Ah, ha, ha, ha-ah +[Chorus] +Say my name and everything just stops +I don't want you like a best friend +Only bought this dress so you could take it off +Take it off, ha, ha, ha-ah +Carve your name into my bedpost +’Cause I don't want you like a best friend +Only bought this dress so you could take it off +Take it off, ha, ha, ha-ah +[Verse 2] +Inescapable, I'm not even gonna try +And if I get burned, at least we were electrified +I’m spilling wine in the bathtub +You kiss my face and we're both drunk +Everyone thinks that they know us +But they know nothin' about [Pre-Chorus] +All of this silence and patience, pining and anticipation +My hands are shaking from holding back from you +Ha, ah, ah +All of this silence and patience, pining and desperately waiting +My hands are shaking from all this +Ah, ha, ha, ha-ah +[Chorus] +Say my name and everything just stops +I don't want you like a best friend +Only bought this dress so you could take it off +Take it off, ha, ha, ha-ah +Carve your name into my bedpost +'Cause I don't want you like a best friend +Only bought this dress so you could take it off +Take it off, ha, ha +[Post-Chorus] +Ha-ah-ah, ha-ah-ah, ha-ah-ah-ah +Only bought this dress so you could take it off +Ha-ah-ah, ha-ah-ah, ha-ah-ah-ah +Only bought this dress so you could take it off +[Bridge] +Flashback when you met me, your buzzcut and my hair bleached +Even in my worst times, you could see the best in me +Flashback to my mistakes, my rebounds, my earthquakes +Even in my worst lies, you saw the truth in me +And I woke up just in time, now I wake up by your side +My one and only, my lifeline +I woke up just in time, now I wake up by your side +My hands shake, I can't explain this +Ah, ha, ha, ha-ah [Chorus] +Say my name and everything just stops +I don't want you like a best friend +Only bought this dress so you could take it off +Take it off, ha, ha, ha-ah +Carve your name into my bedpost +’Cause I don’t want you like a best friend +Only bought this dress so you could take it off +Take it off, ha, ha, ha-ah +[Outro] +There is an indentation in the shape of you +Only bought this dress so you could take it off +You made your mark on me, golden tattoo +Only bought this dress so you could take it off","“Dress” is one of Taylor’s most sexually charged songs on reputation and it details Taylor’s wants and lusts over another lover. As the name implies, many of the sexual references throughout the song pertain to dresses and the main hook of the song is something Swift herself admitted feeling really proud of. Taylor has a history of fascination with dresses dating back to her country music roots from when she first stepped foot in the music industry. +This song is most likely about Swift’s boyfriend at the time it was written, the british actor Joe Alwyn, who is also rumored to be Taylor’s muse for many other songs, especially throughout her 2017 and 2019 albums, reputation and Lover, respectively. The couple dated from 2016 until 2023 and “Dress” seems to be detailing Swift’s point of view from the beginning of their relationship — the bridge, specially, is full with references to when and how they first met.",Dress,Taylor Swift +4386,3947016,"[Verse 1] +Let's break it down, I’ll take the story from the slammin' of the door +Thought it was perfect for a second, guess you weren't quite as sure +Maybe I’m a little hard to get, maybe you didn't have the patience +Let's assess the situation +That girl was biding her time, yeah, she was waiting on your cue +So, somehow, I'm not surprised to see her standin' there with you +Maybe she's a little overdressed and I can see the smile you're fakin' +And the deep breath you’re takin’ +[Pre-Chorus] +When you see me now, you're not lookin’ at her +Yeah, it's a long way down from the bridges you burned +Might wanna sit down, I'm calling you out +Right now +[Chorus] +You're a heartbreaker and she’s a little drama queen +I'm a little over it and she's still not me +So long and back to reality +But this song's for you and your drama queen +[Verse 2] +As I was saying, I was never quite a fan of little games +It doesn't take too long to see that boys like you are all the same +Maybe I'm a little less obsessed, but she's impressed +And I should mention, she's starving for attention [Pre-Chorus] +I can see it now, how it's all gonna be +When she freaks out, you'll be thinkin' of me +'Cause what went down is coming back around +You'll see +[Chorus] +'Cause you're a heartbreaker and she's a little drama queen +I'm a little over it and she's still not me +So long and back to reality +But this song's for you and your drama queen +[Bridge] +Sometimes you get just what you see +Like, you chose her when you could've had me +Everything's a mess now, watch her little meltdown +Wish you both success and I hope you're happy +[Chorus] +'Cause you're a heartbreaker, she's a little drama queen +I'm a little over it and she's still not me +So long and back to reality +But this song's for you and your drama +Heartbreaker and she's a little drama queen +I'm a little over it and she's still not me +So long and back to reality +But this song's for you and your drama queen [Outro] +Huh-oh, for you and your drama queen +Oh-oh-oh-oh, you and your drama queen +Huh-oh, baby, you're a drama queen","“Drama Queen” appears on Swift’s SONY Registry. Co-written by Martin Johnson, it was probably scrapped from 2010’s Speak Now — Johnson also helped write “If This Was a Movie,” which appeared on the album’s deluxe edition. +As noted by a fan who catalogues Swift’s unreleased tracks, the song appeared on databases around June 2009, so she probably wrote it in 2008 or early 2009. +A snippet of the song leaked in February of 2023.",Drama Queen,Taylor Swift +4424,8461583,"[Verse 1] +I washed my hands of us at the club +You made a mess of me +I pictured you with other girls in love +Then threw up on the street +Like waiting for a bus that never shows +You just start walkin' on +They say that if it's right, you know +Each bar plays our song +Nothing has ever felt so wrong +[Chorus] +Oh, my, love is a lie +Shit my friends say to get me by +It hits different +It hits different this time +Catastrophic blues +Movin' on was always easy for me to do +It hits different +It hits different 'cause it's you +[Post-Chorus] +('Cause it's you) +[Verse 2] +I used to switch out these Kens, I'd just ghost +Rip the band-aid off and skip town likе an asshole outlaw +Freedom felt like summеr then on the coast +Now the sun burns my heart and the sand hurts my feelings +And I never don't cry (And I never don't cry) at the bar +Yeah, my sadness is contagious (My sadness is contagious) +I slur your name 'til someone puts me in a car +I stopped receiving invitations [Chorus] +Oh, my, love is a lie +Shit my friends say to get me by +It hits different +It hits different this time +Catastrophic blues +Movin' on was always easy for me to do +It hits different +It hits different 'cause it's you +[Post-Chorus] +('Cause it's you) +[Bridge] +I find the artifacts, cried over a hat +Cursed the space that I needed +I trace the evidence, make it make some sense +Why the wound is still bleedin' +You were the one that I loved +Don't need another metaphor, it's simple enough +A wrinkle in time like the crease by your eyes +This is why they shouldn't kill off the main guy +Dreams of your hair and your stare and sense of belief +In the good in the world, you once believed in me +And I felt you and I held you for a while +Bet I could still melt your world +Argumentative, antithetical dream girl [Verse 3] +I heard your key turn in the door down the hallway +Is that your key in the door? +Is it okay? Is it you? +Or have they come to take me away? +To take me away +[Chorus] +Oh, my, love is a lie +Shit my friends say to get me by +It hits different (It hits different) +It hits different this time +Catastrophic blues +Movin' on was always easy for me to do +It hits different (It hits different) +It hits different 'cause it's you +[Outro] +Oh, my, love is a lie +Shit my friends say to get me by +'Cause it's you +Catastrophic blues +Movin' on was always easy for me to do +It hits different (Yeah) +It hits different 'cause it's you","“Hits Different” was a bonus track on the Target-exclusive Midnights: Lavender Edition. However, due to requests from fans, Taylor announced on May 24, 2023 that the track would be included on Midnights (Til Dawn Edition) which released on May 26, 2023 on streaming platforms. +This track describes Taylor in a state of heartbreak that she has previously not experienced. It “hits different”, that is, it is out of the ordinary. +While Taylor has previously shunned lovers who left her such as in “White Horse” and “Picture to Burn”, here, Taylor describes a situation of struggling to move on and wanting an ex back, similar to “Death by a Thousand Cuts”.",Hits Different,Taylor Swift +4472,9157172,"[Intro: Ice Spice] +Karma is that girl, like (Grrah) +[Verse 1: Taylor Swift] +You're talking shit for the hell of it +Addicted to betrayal, but you're relevant +You're terrified to look down +'Cause if you dare, you'll see the glare +Of everyone you burned just to get there +It's comin' back around +[Pre-Chorus: Taylor Swift] +And I keep my side of the street clean +You wouldn't know what I mean +[Chorus: Taylor Swift] +'Cause karma is my boyfriend +Karma is a god +Karma is the breeze in my hair on the weekend +Karma's a relaxing thought +Aren't you envious that for you it's not? +Sweet like honey, karma is a cat +Purring in my lap 'cause it loves me +Flexing likе a goddamn acrobat +Me and karma vibe like that [Verse 2: Ice Spice, +Ice Spice & Taylor Swift +] +Karma is your chеck's 'boutta bounce (Damn) +Karma is a fire in your house (Grrah) +And she 'boutta pop up unannounced (Like) +And she never leavin' you alone (Damn) +Watch her put ya opps on a throne (Damn) +Got you wavin' pretty +white flags +, feenin' for that +cash +Thinkin' it'll save ya, now you switchin' up your behavior +It's okay, baby, you ain't gotta worry, karma never gets lazy +So, I keep my head up, my bread up, I won't let up (Never) +Promise that you'll never endeavor with none lesser (Ever, ever) +I be draggin' that wagon, karma is a beauty +winning that pageant +, grrah +[Chorus: Taylor Swift, +Ice Spice +, +Taylor Swift & Ice Spice +] +'Cause karma is my boyfriend ( +Damn +) +Karma is a god +Karma is the breeze in my hair on the weekend +Karma's a relaxing thought +Aren't you envious that for you it's not? +Sweet like honey, karma is a cat +Purring in my lap 'cause it loves me +Flexing like a goddamn acrobat +Me and karma vibe like that + ( +Grrah +) +[Bridge: Taylor Swift] +Ask me what I learned from all those years +Ask me what I earned from all those tears +Ask me why so many fade, but I'm still here +(I'm still here, I'm still here) [Breakdown: Taylor Swift, +Ice Spice +, +Taylor Swift & Ice Spice +] +'Cause karma is the thunder +Rattlin' your ground +Karma's on your scent like a bounty hunter +And karma's gonna track you down +Step by step, from town to town +Sweet like justice, +karma is a queen +Karma takes all my friends to the summit ( +Facts +) +Karma is the guy on the screen +Coming straight home to me +[Chorus: Taylor Swift, +Ice Spice +, +Taylor Swift & Ice Spice +] +'Cause karma is my boyfriend ( +Karma is my boyfriend +) +Karma is a god ( +Damn +) +Karma is the breeze in my hair on the weekend (Weekend) +Karma's a relaxing thought +Aren't you envious that for you it's not? +Sweet like honey, karma is a cat +Purring in my lap 'cause it loves me +Flexing like a goddamn acrobat +Me and karma vibe like that +[Outro: Taylor Swift, +Ice Spice +] +Karma is my boyfriend +Karma is a god (Ah) +Karma is my bestie + (Mmm) +Karma's a relaxing thought +Karma's gonna hold you down","“Karma (Remix)” is a remix of Taylor Swift’s 2022 song “Karma” featuring rapper Ice Spice. +Swift announced the collaboration via Twitter alongside Midnights (Til Dawn Edition), featuring an extended version of “Snow On The Beach” with a new verse from Lana Del Rey. + + +Um. SO much to tell you. I’m a massive fan of this brilliant artist and after getting to know her I can confirm: she is THE ONE to watch. So delighted to say that Karma Featuring the incredible @icespicee_ will be out TOMORROW night at MIDNIGHT ET as a part of the new Midnights… pic.twitter.com/OaRrHBWTUw— Taylor Swift (@taylorswift13) May 24, 2023 + + +",Karma (Remix),Taylor Swift +4476,8442190,"[Intro] +Meet me at midnight +[Verse 1] +Staring at the ceiling with you +Oh, you don't ever say too much +And you don't really read into +My melancholia +[Pre-Chorus] +I been under scrutiny (Yeah, oh, yeah) +You handle it beautifully (Yeah, oh, yeah) +All this shit is new to me (Yeah, oh, yeah) +[Chorus] +I feel +The lavender haze creeping up on me +Surreal +I'm damned if I do give a damn what people say +No deal +The 1950s shit they want from me +I just wanna stay in that lavender haze +[Verse 2] +All they keep asking me (All they keep asking me) +Is if I'm gonna be your bride +The only kinda girl they see (Only kinda girl they see) +Is a one-night or a wife [Pre-Chorus] +I find it dizzying (Yeah, oh, yeah) +They're bringing up my history (Yeah, oh, yeah) +But you weren't even listening (Yeah, oh, yeah) +[Chorus] +I feel +The lavender haze creepin' up on me +Surreal +I'm damned if I do give a damn what people say +No deal +The 1950s shit they want from me +I just wanna stay in that lavender haze +[Post-Chorus] +That lavender haze +[Bridge] +Talk your talk and go viral +I just need this love spiral +Get it off your chest +Get it off my desk (Get it off my desk) +Talk your talk and go viral +I just need this love spiral +Get it off your chest +Get it off my desk [Chorus] +I feel (I feel) +The lavender haze creeping up on me +Surreal +I'm damned if I do give a damn what people say +No deal (No deal) +The 1950s shit they want from me +I just wanna stay in that lavender haze +[Outro] +Get it off your chest +Get it off my desk +That lavender haze +I just wanna stay +I just wanna stay in that lavender haze","“Lavender Haze,” the love life-inspired opening Midnights‘ track, captures the feelings of a honeymoon-style relationship and is inspired by the classic 50’s phrase of the same name. +Inspired by a line from a Mad Men episode, Swift wrote this song to convey the desire to focus on the passion of love rather than being swayed by the negative or unwanted remarks of others. +On an October 2022 Instagram post Swift compares her 6-year relationship at the time with british actor Joe Alwyn to the themes of the song, stating: +I think a lot of people have to deal with this now, not just ‘public figures’, because we live in the era of social media. If the world finds out that you’re in love with somebody, they’re going to weigh in on it. Like my relationship, for six years we’ve had to dodge weird rumors, tabloid stuff, and we just ignore it. +The track was unveiled in Taylor’s TikTok game show, Midnight Mayhem With Me.",Lavender Haze,Taylor Swift +4496,8485907,"[Verse 1] +When the morning came +We were cleaning incense off your vinyl shelf +'Cause we lost track of time again +Laughing with my feet in your lap +Like you were my closest friend +""How'd we end up on the floor, anyway?"" you say +""Your roommate's cheap-ass screw-top rosé, that's how"" +I see you every day now +[Chorus] +And I chose you +The one I was dancing with +In New York, no shoes +Looked up at the sky and it was +The burgundy on my t-shirt +When you splashed your wine into me +And how the blood rushed into my cheeks +So scarlet, it was +The mark thеy saw on my collarbone +The rust that grew bеtween telephones +The lips I used to call home +So scarlet, it was maroon +[Verse 2] +When the silence came +We were shaking, blind and hazy +How the hell did we lose sight of us again? +Sobbing with your head in your hands +Ain't that the way shit always ends? +You were standing hollow-eyed in the hallway +Carnations you had thought were roses, that's us +I feel you, no matter what +The rubies that I gave up [Chorus] +And I lost you +The one I was dancing with +In New York, no shoes +Looked up at the sky and it was (Maroon) +The burgundy on my t-shirt +When you splashed your wine into me +And how the blood rushed into my cheeks +So scarlet, it was (Maroon) +The mark they saw on my collarbone +The rust that grew between telephones +The lips I used to call home +So scarlet, it was maroon +[Bridge] +And I wake with your memory over me +That's a real fucking legacy, legacy (It was maroon) +And I wake with your memory over me +That's a real fucking legacy to leave +[Chorus] +The burgundy on my t-shirt +When you splashed your wine into me +And how the blood rushed into my cheeks +So scarlet, it was maroon +The mark they saw on my collarbone +The rust that grew between telephones +The lips I used to call home +So scarlet, it was maroon [Outro] +It was maroon +It was maroon","“Maroon” is the second song on Taylor Swift’s tenth album Midnights. It has similarities to “Red” and “Clean.” +While “Red” describes a love that was “burning red,” this track is a more grown-up version of a love story. It shows that shades of red were a constant in the relationship, but maroon is a brownish crimson color; it is not a straightforward red but allows for complexities and honesty.",Maroon,Taylor Swift +4505,8485905,"[Intro] +Rain +He wanted it comfortable, I wanted that pain +He wanted a bride, I was making my own name +Chasing that fame, he stayed the same +All of me changed like midnight +[Verse 1] +My town was a wasteland +Full of cages, full of fences +Pageant queens and big pretenders +But for some, it was paradise +My boy was a montage +A slow-motion, love potion +Jumping off things in the ocean +I broke his heart 'cause he was nice +He was sunshine, I was midnight rain +[Chorus] +He wanted it comfortable, I wanted that pain +He wanted a bride, I was making my own name +Chasing that fame, he stayed the same +All of me changed like midnight +[Verse 2] +It came like a postcard +Picture perfect shiny family +Holiday peppermint candy +But for him, it's every day +So I peered through a window +A deep portal, time travel +All the love we unravel +And the life I gave away +'Cause he was sunshine, I was midnight rain [Chorus] +He wanted it comfortable, I wanted that pain +He wanted a bride, I was making my own name +Chasing that fame, he stayed the same +All of me changed like midnight rain +He wanted it comfortable, I wanted that pain +He wanted a bride, I was making my own name +Chasing that fame, he stayed the same +All of me changed like midnight +[Outro] +I guess sometimes we all get +Just what we wanted, just what we wanted +And he never thinks of me +Except for when I'm on TV +I guess sometimes we all get +Some kind of haunted, some kind of haunted +And I never think of him +Except on midnights like this +(Midnights like this, midnights like this)","With the song utilizing an inside light pop rhythm with a mix of some synth sounds, “Midnight Rain” finds Taylor singing about ending a relationship to focus on her singing career more. It then ends off, with their relationship being forgotten, as if it never happened. +The song also reflects on a relationship where the two were opposites of each other, in which this case is “Sunshine” and “Midnight rain”. Each wants something different out of the relationship and has different expectations.",Midnight Rain,Taylor Swift +4516,5651836,"[Verse 1] +Want is the cigarette smoke on a jacket +You wore to the wrong part of town +Desire is the sound of the whiskey +Telling me you miss me, can you come around? +[Pre-Chorus] +Passion is a passing thing +It's accidental chemistry +Lust is a liar, a short-lived fire +It ain't what you and I are at all +[Chorus] +Oh, it's a need, it's a need +I would go anywhere that you lead +I am hopeless, breathless, burning slow +Touch me, hold me, tell me, ""I won't let you go"" +I won't leave, it's a need +[Verse 2] +Danger is a thousand prickles on my neck +That tell me to run or to freeze +Fear is the nightmare I had, you were with someone else +You forgot about me +[Pre-Chorus] +Passion is a passing thing +It's accidental chemistry +Caught up in a feeling, it can be deceiving +This is like breathing for me [Chorus] +Oh, it's a need, it's a need +I would go anywhere that you lead +I am hopeless, breathless, burning slow +Touch me, hold me, tell me, ""I won't let you go"" +I won't leave, it's a need +[Bridge] +Baby, it's always a new kiss every time we do this +The truth is it's essential to me +That you love me more than wishing, longing +[Chorus] +Oh, it's a need (It's a need), it's a need (Ah-ah, ah-ah) +I would go (I would go) anywhere (Anywhere) that you lead (Oh, oh) +I am hopeless, breathless, burning slow (Burning slow) +Touch me, hold me, tell me, ""I won't let you go"" +I won't leave (I won't leave), it's a need (Oh)","“Need” is an alleged reject from Swift’s August 2019 album, which the infamous group Taylor’s Inner Circle obtained in March 2020. The group describes the song, saying: +The music is unlike any other Taylor song with the chords played in a unique way starting and stopping (sometimes with vocal effects added over). Taylor gives fascinating insight into her thoughts on want, desire, passion, lust, danger, and fear. What Taylor needs most is to be with the man she loves. It’s essential, like breathing for her. The music is stripped down during the bridge. A really good song that would have fit well on the album and perhaps been a fan favorite. +The song appeared online in its entirety on March 1st, 2023",Need,Taylor Swift +4541,8485912,"[Intro] +I remember +[Verse 1] +Good girl, sad boy +Big city, wrong choices +We had one thing goin' on +I swear that it was somethin' +'Cause I don't remember who I was +Before you painted all my nights +A color I've searched for since +But one thing after another +Fuckin' situations, circumstances +Miscommunications, and I +Have to say, by the way +I just may like some explanations +[Chorus] +Can I ask you a question? +Did you ever have someone kiss you in a crowded room +And every single one of your friends was makin' fun of you +But fifteen seconds later, thеy were clappin' too? +Then what did you do? +Did you lеave her house in the middle of the night? Oh +Did you wish you'd put up more of a fight, oh +When she said it was too much? +Do you wish you could still touch her? +It's just a question [Verse 2] +Half-moon eyes, bad surprise +Did you realize out of time? +She was on your mind with some dickhead guy +That you saw that night +But you were on somethin' +It was one drink after another +Fuckin' politics and gender roles +And you're not sure and I don't know +Got swept away in the gray +I just may like to have a conversation +[Chorus] +Can I ask you a question? +Did you ever have someone kiss you in a crowded room +And every single one of your friends was makin' fun of you +But fifteen seconds later, they were clappin' too? +Then what did you do? +Did you leave her house in the middle of the night? Oh +Did you wish you'd put up more of a fight, oh +When she said it was too much? +Do you wish you could still touch her? +It's just a question +[Bridge] +Does it feel like everything's just like +Second best after that meteor strike? +And what's that that I heard? That you're still with her? +That's nice, I'm sure that's what's suitable +And right, but tonight [Chorus] +Can I ask you a question? (Can I ask you a question?) +Did you ever have someone kiss you in a crowded room (In a crowded room) +And every single one of your friends was makin' fun of you (Makin' fun of you) +But fifteen seconds later, they were clappin' too? +Then what did you do? (Do) +Did you leave her house in the middle of the night? Oh +Did you wish you'd put up more of a fight, oh (More of a fight) +When she said it was too much? +Do you wish you could still touch her? +It's just a question","Reflecting upon a past relationship on “Question…?,” Swift asks her former lover if their newer romantic experiences compare to the time that they spent together. Implicitly, she hopes that their ex is similarly unable to move on from her and that their newer attempts at love are only “second best after that meteor strike.” +The track opens with an interpolation from “Out of the Woods,” off of Swift’s 1989 album. Like “Question…?,” “Out of the Woods” is a song looking back on the memories of a now-dead relationship.",Question...?,Taylor Swift +4562,9538405,"[Verse 1] +I've known it from the very start +We’re a shot in the darkest dark +Oh no, oh no, I'm unarmed +The waiting is a sadness +Fading into madness +Oh no, oh no, it won't stop +[Refrain] +I’m standin' on a tightrope alone +I hold my breath a little bit longer +Halfway out the door, but it won't close +I'm holdin' out hope for you to +[Pre-Chorus] +Say, ""Don't go"" +I would stay forever if you say, ""Don't go"" +[Chorus] +Why'd you have to lead me on? +Why’d you have to twist the knife? +Walk away and leave me bleedin’, bleedin'? +Why’d you whisper in the dark +Just to leave me in the night? +Now your silence has me screamin', screamin' [Post-Chorus] +(Say) Say, ""(Don't) don’t (Go) go"" +I would stay forevеr if you (Say) say, ""(Don't) don't (Go) go"" +(Say, say, say, say) +[Verse 2] +Now I'm pacin' on shaky ground +Strike a match, then you blow it out +Oh no, oh no, it's not fair +'Cause you kiss mе and it stops time +And I'm yours, but you're not mine +Oh no, oh no, you're not there +[Refrain] +I'm standin' on the sidewalk alone +I wait for you to drive by +I'm tryna see the cards that you won't show +I'm about to fold unless you +[Pre-Chorus] +(Say) Say, ""(Don't) don't (Go) go"" +I would stay forever if you (Say) say, ""(Don't) don't (Go) go"" +[Chorus] +Why'd you have to lead me on? +Why'd you have to twist the knife? +Walk away and leave me bleedin', bleedin'? +Why'd you whisper in the dark +Just to leave me in the night? +Now your silence has me screamin', screamin' [Post-Chorus] +(Say) Say, ""(Don't) don't (Go) go"" +I would stay forever if you (Say) say, ""(Don't) don't (Go) go"" +(Say, say, say, say) +[Bridge] +Why'd you have to (Why'd you have to) +Make me want you? (Make me want you) +Why'd you have to (Why'd you have to) +Give me nothin' back? +Why'd you have to (Why'd you have to) +Make me love you? (Make me love you) +I said, ""I love you"" (I said, ""I love you"") +You say nothin' back +[Chorus] +Why'd you have to lead me on? (Oh) +Why'd you have to twist the knife? +Walk away and leave me bleedin', bleedin'? +Why'd you whisper in the dark +Just to leave me in the night? +Now your silence has me screamin', screamin' +[Post-Chorus] +(Say) Say, ""(Don't) don't (Go) go"" +I would stay forever if you (Say) say, ""(Don't) don't (Go) go,"" woah +(Say, say, say, say) [Outro] +But you won't, but you won't, but you won't +I would stay forever if you say, ""Don't go"" +But you won't, but you won't, but you won't","“Say Don’t Go” presents a heartfelt narrative of longing and heartbreak. The second vault track from Taylor Swift’s re-released version of 1989, it delves into the complexities of a relationship, where the protagonist feels vulnerable and uncertain. Painting a picture of emotional turmoil, including feelings of sadness, anxiety, and longing, the song encapsulates the desire for the other person to stay, juxtaposed with the pain of feeling led on, ignored and left behind. +The song was released on October 27, 2023, along with the rest of 1989 (Taylor’s Version).",Say Don’t Go (Taylor’s Version) [From The Vault],Taylor Swift +4567,8445376,"[Verse 1: Taylor Swift] +One night, a few moons ago +I saw flecks of what could've been lights +But it might just have been you +Passing by unbeknownst to me +Life is emotionally abusive +And time can't stop me quite like you did +And my flight was awful, thanks for asking +I'm unglued, thanks to you +[Chorus: Taylor Swift, +Taylor Swift & Lana Del Rey +] +And it's like snow at the beach +Weird, but fuckin' beautiful +Flying in a dream +Stars by the pocketful +You wanting me +Tonight feels impossible +But it's comin' down +No sound, it's all around +[Post-Chorus: Taylor Swift, +Lana Del Rey +] +Like snow on the beach +Like snow on the beach +Like snow on the beach +Like snow, ah [Verse 2: Taylor Swift, +Taylor Swift + & Lana Del Rey +] +This scene feels + like what I once saw +on a screen +I searched ""aurora borealis + green"" +I've never seen someone +lit from +within +Blurring + out my +periphery +My smile is +like I won a contest +And to hide that +would be so dishonest +And it's fine to +fake it 'til you make it +'Til +you + do, 'ti +l it's true +[Chorus: Taylor Swift & Lana Del Rey] +Now it's like snow at the beach +Weird, but fuckin' beautiful +Flying in a dream +Stars by the pocketful +You wanting me +Tonight feels impossible +But it's comin' down +No sound, it's all around +[Post-Chorus: Taylor Swift, +Taylor Swift & Lana Del Rey +] +Like snow on the beach +Like snow on the beach +Like snow on the beach +Like snow, ah [Bridge: Taylor Swift, +Taylor Swift & Lana Del Rey +] +I (I) can't (Can't) speak, afraid to jinx it +I (I) don't (Don't) even dare to wish it +But your eyes are flying saucers from another planet +Now I'm all for you like Janet +Can this be a real thing? +Can it? +[Chorus: Taylor Swift & Lana Del Rey, +Taylor Swift +] +Are we falling like snow at the beach? ( +Snow at the beach +) +Weird, but fuckin' beautiful +Flying in a dream ( +Flying in a dream +) +Stars by the pocketful +You wanting me ( +You wanting me +) +Tonight feels impossible +But it's comin' down +No sound, it's all around +[Post-Chorus: Taylor Swift, +Lana Del Rey +] +Like snow on the beach (Snow on the beach) +Like snow on the beach + (Flying in a dream) +Like snow on the beach + (You wanting me) +Like snow, ah +But it's comin' down +No sound, it's all around +[Outro: Taylor Swift] +Like snow on the beach +(It's comin' down, it's comin' down) +(It's comin' down, it's comin' down) +Like snow on the beach +(It's comin' down, it's comin' down) +(It's comin' down, it's comin' down) +(It's comin' down, it's comin' down) +(It's comin' down, it's comin' down) +(It's comin' down, it's comin' down) +(It's comin' down, it's comin' down)","In “Snow On the Beach”, Taylor Swift and Lana Del Rey sing about the rare phenomenon of two lovers simultaneously falling in love with each other. The song’s heart-warming lyrics are part of a light and dreamy track that compliment the duo’s heavenly vocals. +Ahead of its release, Swift explained the meaning behind “Snow On the Beach” on Instagram, and also expressed feeling “grateful for life” to get to collaborate for the first time with Del Rey, whom she called “one of the best musical artists ever” and admitted being a “massive fan” of hers, although not the first the time, since Taylor had already voiced her admiration for Lana’s work in the past. +“Snow on the Beach” was the final Midnights track to be announced on Midnights Mayhem with Me. Swift revealed the title of the song, and Lana Del Rey being featured on it, during the final episode of her TikTok series. +Rumors of the duo’s highly-anticipated collaboration first sparked in April 2022, after Lana Del Rey shared a picture of her next to Swift and producer Jack Antonoff, a mutual collaborator of both singers, presumed to be the link between them working together. +Upon “Snow On the Beach”’s release, Swift received criticism from fans and the media for continuing to relegate female artists featured in her songs, and not meeting the expectations of a duet with Del Rey, one of the biggest female artists of 2022. +As a consequence, a new version of the song was released on Taylor’s Til Dawn album reedition issued in May 2023, with one of the verses sung by Lana instead.",Snow On The Beach,Taylor Swift +4569,9157481,"[Verse 1: Taylor Swift] +One night, a few moons ago +I saw flecks of what could've been lights +But it might just have been you +Passing by unbeknownst to me +Life is emotionally abusive +And time can't stop me quite like you did +And my flight was awful, thanks for asking +I'm unglued, thanks to you +[Chorus: Taylor Swift, +Taylor Swift & Lana Del Rey +] +And it's like snow at the beach +Weird, but fuckin' beautiful +Flying in a dream +Stars by the pocketful +You wanting me +Tonight feels impossible +But it's comin' down +No sound, it's all around +[Post-Chorus: Taylor Swift & Lana Del Rey, +Lana Del Rey +] +Like snow on the beach +Like snow on the beach +Like snow on the beach +Like snow, +ah +, ah [Verse 2: Lana Del Rey, +Taylor Swift & Lana Del Rey +] +This scene feels like what I once saw on a screen +I searched ""aurora borealis green"" +I've never seen someone lit from within +Blurring out my periphery +My smile is + like I won a contest +And to hide that would be so dishonest +And it's fine + to fake it 'til you make it +'Til you do, 'til it's true +[Chorus: +Taylor Swift +, Taylor Swift & Lana Del Rey] +Now, it's like + snow at the beach +Weird, but fuckin' beautiful +Flying in a dream +Stars by the pocketful +You wanting me +Tonight feels impossible +But it's comin' down +No sound, it's all around +[Post-Chorus: Taylor Swift & Lana Del Rey, +Lana Del Rey +] +Like snow on the beach ( +Mmm +) +Like snow on the beach +Like snow on the beach ( +Mmm +) +Like snow, +ah +, ah [Bridge: Taylor Swift, +Lana Del Rey +, +Taylor Swift & Lana Del Rey +] +I ( +I +) can't ( +Can't +) speak, afraid to jinx it +I ( +I +) don't ( +Don't +) even dare to wish it +But your eyes are flying saucers from another planet +Now, I'm all for you like Janet +Can this be a real thing? +Can it? +[Chorus: Taylor Swift & Lana Del Rey, +Taylor Swift +] +Are we falling like snow at the beach? ( +Snow at the beach +) +Weird, but fuckin' beautiful +Flying in a dream ( +Flying in a dream +) +Stars by the pocketful +You wanting me ( +You wanting me +) +Tonight feels impossible +But it's comin' down +No sound, it's all around +[Post-Chorus: Taylor Swift & Lana Del Rey, +Taylor Swift +, +Lana Del Rey +] +Like snow on the beach ( +Snow on the beach +; +Mmm +) +Like snow on the beach ( +Flying in a dream +) +Like snow on the beach ( +You wanting me +; +Mmm +) +Like snow, ah +But it's comin' down +No sound, it's all around +[Outro: Lana Del Rey] +Like snow on the beach +Like snow, like snow, uh-huh, yeah","Answering to many fans and their wish for Lana Del Rey to take on a more prominent role in “Snow on the Beach,” Taylor Swift got back together in the studio with her co-star to re-record a new version of the Midnights track. +Upon its original release, “Snow on the Beach” received a mixed response among fans and critics due to the fact that Taylor didn’t give Del Rey her own verse and relegated her to only sing background vocals, which made her join a list of previous Swift collaborators (The Chicks, HAIM) that suffered the same fate. +On February 7, 2023, Lana shared on Instagram that before recording their collaboration, she had no prior knowledge of becoming the only featured artist on Midnights, and stated that she “would’ve sung the entire second verse if [she] had known.” +Announced on May 24, this “More Lana Del Rey” version of “Snow on the Beach” is included on the Til Dawn edition of Swift’s tenth studio album, issued seven months after Midnights‘ release, along with a remix of “Karma” and the arrival of “Hits Different” to streaming platforms.",Snow On The Beach (feat. More Lana Del Rey),Taylor Swift +4575,9539416,"[Verse 1] +Flamingo pink, Sunrise Boulevard +Clink, clink, being this young is art +Aquamarine, moonlit swimmin' pool +What if all I need is you? +[Pre-Chorus] +Got love-struck, went straight to my head +Got lovesick all over my bed +Love to think you’ll never forget +Handprints in wet cement +Adorned with smoke on my clothes +Lovelorn and nobody knows +Love thorns all over this rose +I'll pay the price, you won't +[Chorus] +But if I’m all dressed up +They might as well be lookin' at us +And if they call me a slut +You know it might be worth it for once +And if I'm gonna be drunk +I might as well be drunk in love +[Verse 2] +Send the code, he's waitin' there +The sticks and stones they throw froze mid-air +Everyone wants him, that was my crime +The wrong place at the right time +And I break down, then he's pullin' me in +In a world of boys, he's a gentleman [Pre-Chorus] +Got love-struck, went straight to my head (Straight to my head) +Got lovesick all over my bed (Over my bed) +Love to think you’ll never forget +We’ll pay the price, I guess +[Chorus] +But if I'm all dressed up (If I’m all dressed up) +They might as well be lookin' at us (Lookin' at us) +And if they call me a slut (If they call me a slut) +You know it might be worth it for once (Worth it for once) +And if I'm gonna be drunk +I might as well be drunk in love +[Bridge] +Half asleep +Takin’ your time in the tangerine +Neon light, this is luxury +You're not sayin' you're in love with me +But you're goin' to +Half awake +Takin' your chance, it's a big mistake +I said, +""It might blow up in your pretty face"" +I'm not sayin', ""Do it anyway"" (Do it anyway) +But you're going to [Outro] +(Up) +And if they call me a (Slut) +You know it might be worth it for once +And if I'm gonna be (Drunk) +I might as well be drunk in love","“Slut!” leans fully into Swift’s media reputation as a “slut,” accepting that branding as long as it means she’s dating “the one.” The song, the first From The Vault track from 1989 (Taylor’s Version), was ostensibly written around 2013-14, a time where Swift frequently embraced the negative media portrayal she got in her lyrics – perhaps most notably in “Blank Space.” +Taylor originally teased the track via a video she posted to her Instagram account on September 19, 2023. The video features a vault with the letters and symbols of the track title coming out of it. Taylor would reveal the full tracklist on September 20, 2023, and the song released with the rest of 1989 TV on October 27, 2023.",“Slut!” (Taylor’s Version) [From The Vault],Taylor Swift +4583,9538403,"[Verse 1] +You had people who called you on unmarked numbers +In my peripheral vision +I let it slide like a hose on a slippery plastic summer +All was quickly forgiven +You were so magnetic, it was almost obnoxious +Flush with the currency of cool +I was always turnin' out my empty pockets +And when it came to you +[Chorus] +I didn't come here to make friends +We were born to be suburban legends +When you hold me, it holds me together +And you kiss me in a way that's gonna screw me up forever +[Verse 2] +I had the fantasy that maybe our mismatched star signs +Would surprise the whole school +When I ended up back at our class reunion +Walkin' in with you +You'd be more than a chapter in my old diaries +With the pages ripped out +I am standin' in a 1950s gymnasium +And I can still see you now [Chorus] +I didn't come here to make friends +We were born to be suburban legends +When you hold me, it holds me together +And you kiss me in a way that's gonna screw me up forever +I know that you still remember +We were born to be national treasures +When you told me we'd get back together +And you kissed me in a way that's gonna screw me up forever +[Outro] +Tick-tock on the clock, I pace down your block +I broke my own heart 'cause you were too polite to do it +Waves crash on the shore, I dash to the door +You don't knock anymore and my whole life's ruined +Tick-tock on the clock, I pace down your block +I broke my own heart 'cause you were too polite to do it +Waves crash to the shore, I dash to the door +You don't knock anymore and I always knew it +That my life would be ruined","“Suburban Legends"" paints a vivid picture of a powerful relationship. The lyrics capture moments of magnetic attraction and the complexities of love. The chorus resonates with a sense of destiny, acknowledging that some bonds are destined for greatness, even amidst heartache, and reaffirms the profound impact of this connection on the protagonist’s life. +The song’s outro portrays the passage of time and the emotional turmoil that accompanies it. Swift skillfully employs imagery of a ticking clock, crashing waves, and the absence of a familiar knock to convey a sense of loss and longing. +The song was released on October 27, 2023, alongside the other vault tracks.",Suburban Legends (Taylor’s Version) [From The Vault],Taylor Swift +4654,8485914,"[Verse 1] +Draw the cat eye sharp enough to kill a man +You did some bad things, but I'm the worst of them +Sometimes I wonder which one'll be your last lie +They say looks can kill and I might try +I don't dress for women +I don't dress for men +Lately, I've been dressin' for revenge +[Chorus] +I don't start shit, but I can tell you how it ends +Don't get sad, get even +So on the weekends +I don't dress for friends +Lately, I've been dressin' for revenge +[Verse 2] +She needed cold, hard proof, so I gave her some +She had the envelope, where you think she got it from? +Now she gets the house, gets the kids, gets the pride +Picture me thick as thieves with your ex-wife +And she looks so pretty +Drivin' in your Benz +Lately, she's been dressin' for revenge +[Chorus] +She don't start shit, but she can tell you how it ends +Don't get sad, get even +So on the weekends +She don't dress for friends +Lately, she's been dressing for revenge [Bridge] +Ladies always rise above +Ladies know what people want +Someone sweet and kind and fun +The lady simply had enough +[Verse 3] +While he was doin' lines and crossin' all of mine +Someone told his white-collar crimes to the FBI +And I don't dress for villains +Or for innocents +I'm on my vigilante shit again +[Chorus] +I don't start shit, but I can tell you how it ends +Don't get sad, get even +So on the weekends +I don't dress for friends +Lately, I've been dressin' for revenge","“Vigilante Shit” follows the topic of a woman who’s seeking revenge. Swift and the subject of the song ostensibly obtain their revenge – instead of getting sad, they get even. +The themes of this song heavily parallels Swift 2020’s track “no body, no crime”, which also sees her involved in vigilantism. +Musically, this song continues with heavy synths reverberating, never quite building to its climax. The sultry, building tune creates a dreamy atmosphere similar to that of “Dress” or “Call It What You Want”, but the subject matter is considerably darker.",Vigilante Shit,Taylor Swift diff --git a/SongLyricsScraper/taylor_swift_training.csv b/SongLyricsScraper/taylor_swift_training.csv new file mode 100644 index 0000000..db5d4f1 --- /dev/null +++ b/SongLyricsScraper/taylor_swift_training.csv @@ -0,0 +1,12712 @@ +Unnamed: 0,id,lyrics,annotation,song,artist +4279,1999086,"[Verse 1: Alex Goot] +It feels like a perfect night to dress up like hipsters +And make fun of our ex's (oh oh oh oh) +It feels like a perfect night for breakfast at midnight +To fall in love with strangers (oh oh oh oh) +Yeah! We're happy, free, confused and lonely at the same time +It's miserable and magical, oh yeah +Tonight's the night when we forget about the deadlines +It's time (oh oh) +[Chours: Alex Goot, +Chrissy Costanza + & +both +] +I don't know about you but I'm feelin 22 +Everything will be alright if you'll keep me next to you +But you don't know about me +But I bet you want to +Everything will be alright if we just keep dancing like we're +22 (oh oh) +Yea, 22 (oh oh) +[Verse 2: Sam Tsui] +It seems like one of those nights this place is too crowded +Too many cool kids (woa oh) +It seems like one of those nights we ditch the whole scene +And end up dreaming instead of sleeping +Yea! We're happy, free, confused and lonely in the best way +It's miserable and magical, oh yea +Tonight's the night when we forget about the heartbreaks +It's time (oh oh) [Chours: Chrissy Costanza & Sam Tsui] +I don't know about you but I'm feelin 22 +Everything will be alright if you'll keep me next to you +But you don't know about me +But I bet you want to +Everything will be alright if we just keep dancing like we're… +22 (oh oh) +22 (oh oh) +[Bridge: King The Kid] +It feels like one of those nights (we ditch the whole scene) +It feels like one of those nights (we won't be sleepin) +It feels like one of those nights (you look like bad news) +I gotta have you, I gotta have you +[Chours: Alex Goot & Sam Tsui] +I don't know about you but I'm feelin 22 +Everything will be alright if you'll keep me next to you +But you don't know about me +But I bet you want to +Everything will be alright if we just keep dancing like we're… +22 (oh oh) +22 (oh oh) +[Outro] +It feels like one of those nights +It feels like one of those nights +It feels like one of those nights (we ditch the whole scene) +It feels like one of those nights (we won't be sleepin) +It feels like one of those nights (you look like bad news) +I gotta have you, I gotta have you","This is Alex Goot, Kurt Hugo Schneider, Against the Current, King The Kid, and Sam Tsui’s cover of the original “22” by Taylor Swift. + + +",22,Taylor Swift +4281,4782869,"[Verse 1] +I blew things out of proportion, now you're blue +Put you in jail for something you didn’t do +I pinned your hands behind your back, oh +Thought I had reason to attack, but no +[Pre-Chorus 1] +Fighting with a true love is boxing with no gloves +Chemistry 'til it blows up, 'til there’s no us +Why'd I have to break what I love so much? +It's on your face, and I'm to blame, I need to say +[Chorus] +Hey, it's all me, in my head +I'm the one who burned us down +But it's not what I meant +Sorry that I hurt you +I don't wanna do, I don’t wanna do this to you (Ooh) +I don’t wanna lose, I don't wanna lose this with you (Ooh) +I need to say, hey, it’s all me, just don't go +Meet me in the afterglow +[Verse 2] +It's so excruciating to see you low +Just wanna lift you up and not let you go +This ultraviolet morning light below +Tells me this love is worth the fight, oh [Pre-Chorus 2] +I lived like an island, punished you with silence +Went off like sirens, just crying +Why'd I have to break what I love so much? +It’s on your face, don't walk away, I need to say +[Chorus] +Hey, it's all me, in my head +I'm the one who burned us down +But it's not what I meant +I'm sorry that I hurt you +I don't wanna do, I don't wanna do this to you (Ooh) +I don't wanna lose, I don't wanna lose this with you (Ooh) +I need to say, hey, it's all me, just don't go +Meet me in the afterglow +[Bridge] +Tell me that you're still mine +Tell me that we'll be just fine +Even when I lose my mind +I need to say +Tell me that it's not my fault +Tell me that I'm all you want +Even when I break your heart +I need to say [Chorus] +Hey, it's all me, in my head +I'm the one who burned us down +But it's not what I meant +Sorry that I hurt you +I don't wanna do, I don't wanna do this to you (Ooh) +I don't wanna lose, I don't wanna lose this with you (Ooh) +I need to say, hey, it's all me, just don't go +Meet me in the afterglow","In “Afterglow,” Taylor sings about self-sabotaging a relationship, overreacting about a misunderstanding. Taking blame for the fight, she asks for forgiveness from her partner in order to save the relationship. +The title of this song was teased in Swift’s music video for her single “Lover”. In the video, a hand plays the words “After” and “Glow,” on a scrabble board. + +Notably, the board is titled “King of Hearts,” a nod to “King of My Heart,” which is a song on Swift’s album reputation, hinting that the two songs are about the same person, namely her steady boyfriend of over three years, actor Joe Alwyn.",Afterglow,Taylor Swift +4284,2364298,"[Verse 1] +I wake up +I stretch out +I wonder what you're doin' right now +Yeah I slept, in my makeup again +Tell myself 'I must be crazy' +Thinkin' 'bout him +I find myself something decent to wear +Take the towel out of my hair +About that time, you call me +And I'm reminded, without you +[Chorus] +I'd be a stranger in an all night diner +Waiting for a love to find her +Lonely like a harbor light +That's never seen a boat +Like a line in an old love letter +No one ever wrote +[Verse 2] +I go to work +Work all day +I'm a walking tape recorder +Of everything you say +Walk to the car, dig out my keys +Start thinkin' if you were with anyone but me [Chorus] +I'm a stranger in an all night diner +Waiting for a love to find her +Lonely like a harbor light +That's never seen a boat +Like a line in an old love letter +No one ever wrote +[Bridge] +There you are +On the street +Just standing there, waiting on me +I show you, my new shoes +You say you love them +'Nd baby without you - +[Chorus] +I'm a stranger in an all night diner +Waiting for a love to find her +Lonely like a harbor light +That's never seen a boat +Like a line in an old love letter +No one ever wrote +[Outro] +I wake up +I stretch out +I wonder what you're doin' right now","“All Night Diner” is one of Taylor Swift’s unreleased songs. +The song’s imaginative lyrics talk about how she would feel if she didn’t have this boy in her life.",All Night Diner,Taylor Swift +4286,102701,"[Verse 1] +I walked through the door with you, the air was cold +But something 'bout it felt like home somehow +And I left my scarf there at your sister's house +And you've still got it in your drawer, even now +[Verse 2] +Oh, your sweet disposition and my wide-eyed gaze +We're singing in the car, getting lost upstate +Autumn leaves falling down like pieces into place +And I can picture it after all these days +[Pre-Chorus] +And I know it's long gone and +That magic's not here no more +And I might be okay, but I'm not fine at all +Oh, oh, oh +[Chorus] +'Cause there we are again on that little town street +You almost ran the red 'cause you were lookin' over at me +Wind in my hair, I was there +I remember it all too well +[Verse 3] +Photo album on the counter, your cheeks were turning red +You used to be a little kid with glasses in a twin-sized bed +And your mother's telling stories 'bout you on the tee-ball team +You taught me 'bout your past, thinking your future was me [Pre-Chorus] +And I know it's long gone and +There was nothing else I could do +And I forget about you long enough +To forget why I needed to +[Chorus] +'Cause there we are again in the middle of the night +We're dancing ‘round the kitchen in the refrigerator light +Down the stairs, I was there +I remember it all too well, yeah +[Bridge] +Well, maybe we got lost in translation +Maybe I asked for too much +But maybe this thing was a masterpiece +'Til you tore it all up +Running scared, I was there +I remember it all too well +And you call me up again +Just to break me like a promise +So casually cruel in the name of being honest +I'm a crumpled up piece of paper lying here +'Cause I remember it all, all, all +Too well [Verse 4] +Time won't fly, it's like I'm paralyzed by it +I'd like to be my old self again, but I'm still trying to find it +After plaid shirt days and nights when you made me your own +Now, you mail back my things and I walk home alone +But you keep my old scarf from that very first week +'Cause it reminds you of innocence and it smells like me +You can't get rid of it +'Cause you remember it all too well, yeah +[Chorus] +'Cause there we are again when I loved you so +Back before you lost the one real thing you've ever known +It was rare, I was there +I remember it all too well +[Outro] +Wind in my hair, you were there +You remember it all +Down the stairs, you were there +You remember it all +It was rare, I was there +I remember it all too well","Widely regarded as one of Swift’s best songs, “All Too Well” sees her picking up shards of memories after a gut-wrenching breakup. She jumps through time to reflect on her best and worst memories with her ex, making the listener feel as though they were there with the couple. +Swift told Pop Dust that she began writing the song in a soundcheck for her 2011 tour in support of Speak Now. Co-writer Liz Rose explained that the song was initially 10-15 minutes long before she helped Swift pare it down, and Swift shared some of the original lyrics in a deluxe edition of her 2019 album, Lover. +Many believe Swift took inspiration from her relationship with actor Jake Gyllenhaal — the secret message “Maple Lattes” is hidden in the song’s liner notes, and the two shared those coffees in November 2010. In a 2015 interview with Howard Stern, Gyllenhaal claimed to not know that Swift wrote a song about him, though she seemingly told Vulture he reached out to her after hearing the album. +“All Too Well” was the fourth song to contribute to Swift’s “Track Five pattern,” a pattern fans have noted where she puts one of the most emotive songs on an album as the fifth track. Previous examples were “Cold As You,” “White Horse,” and “Dear John.”",All Too Well,Taylor Swift +4293,542396,"[Intro] +(Hey, hey, hey) +(Hey, hey, hey) +(Hey, hey, hey) +(Hey, hey, hey) +[Verse 1] +People like you always want back +The love they gave away +And people like me wanna believe you +When you say you've changed +The more I think about it now +The less I know +All I know is that you drove us +Off the road +[Chorus] +(Stay) Hey, all you had to do was stay +Had me in the palm of your hand, then +Why'd you have to go and lock me out when I let you in? +(Stay) Hey, now you say you want it back +Now that it's just too late, well, could've been easy +All you had to do was (Stay) +[Post-Chorus] +All you had to do was (Stay) +All you had to do was (Stay) +All you had to do was (Stay) +All you had to do was stay [Verse 2] +Here you are now, calling me up +But I don't know what to say +I've been pickin' up the pieces +Of the mess you made +People like you always want back +The love they pushed aside +But people like me are gone forever +When you say goodbye +[Chorus] +(Stay) Hey, all you had to do was stay +Had me in the palm of your hand, then +Why'd you have to go and lock me out when I let you in? +(Stay) Hey, now you say you want it back +Now that it's just too late, well, could've been easy +All you had to do was (Stay) +[Post-Chorus] +All you had to do was (Stay) +All you had to do was (Stay) +All you had to do was (Stay, stay, stay, stay, stay) +[Bridge] +Let me remind you +This was what you wanted (Oh, oh, oh-oh-oh) +You ended it +You were all I wanted (Oh, oh, oh-oh-oh) +But not like this +Not like this, not like this +Oh, all you had to do was [Chorus] +(Stay) Hey, all you had to do was stay +Had me in the palm of your hand, then +Why'd you have to go and lock me out when I let you in? +(Stay) Hey, now you say you want it back +Now that it's just too late, well, could've been easy +All you had to do was +(Stay) Hey, all you had to do was stay +Had me in the palm of your hand, then +Why'd you have to go and lock me out when I let you in? +(Stay) Hey, now you say you want it back +Now that it's just too late, well, it could've been easy (All you had to do was stay) +All you had to do was (Stay) +[Post-Chorus] +All you had to do was (Stay, oh) +All you had to do was (Stay) +All you had to do was (Stay, ooh) +All you had to do was (Stay)","“All You Had To Do Was Stay” discusses a crumbling relationship that falls apart due to a lover’s indecision. It’s part of Swift’s famous “track five” pattern — through the years, her fans have pointed out her tendency to make the most emotional song on the album the fifth track. +A big theme in Swift’s romantic songs is the prospect of a lover staying with her — see 2012’s “Stay Stay Stay,” 2017’s “New Year’s Day,” and 2019’s “The Archer,” another track five. +Swift gave fans a preview into the lyrics on October 18th, 2014, when she posted this picture on her Instagram: +",All You Had To Do Was Stay,Taylor Swift +4295,186996,"[Verse 1] +American boy, living life as it goes +Sitting on the fence posts +Living in the lie +American boy, living in the real world +Trying just to get the girl +Trying to survive +[Chorus] +The simple things in life are always new +Growing up on Sam Hill avenue +Mama makes her cookies and daddy's just +The greatest living hero that ever was +Nothing in the world can ever once destroy +The hope of an American boy +[Verse 2] +Living off of bar tips, trying for relationships +Looking for the love +Suddenly rise, an American beauty +Suddenly he cheats, sent from above +[Chorus] +The simple things in life are always new +Growing up on Sam Hill avenue +Mama makes her cookies and daddy's just +The greatest living hero that ever was +Nothing in the world can ever once destroy +The hope of an American boy [Verse 3] +American boy, raising little babies +Hearing daddy maybe, I'll be like you +Suddenly life, seems just like a new dawn +That's grown up, American boy +[Chorus] +The simple things in life are always new +Growing up on Grandview avenue +Mama makes her cookies and daddy's just +The greatest living hero that ever was +Nothing in the world will ever once destroy +No, nothing in the world will ever once destroy +The hope of an American boy","“American Boy” is one of Taylor Swift’s unreleased songs. +She sings about an American boy–much like she sang about an American girl–and his endless pursuit of the possibly dead American dream.",American Boy,Taylor Swift +4300,2466692,"[Verse 1] +Angelina’s got a pretty face +And really long brown hair +Lives somewhere in some wide open space +I’ve never been there +I guess some people come around and purpose she +But I don’t cause +[Chorus] +I have always been a bit reckless +And I am not your typical princess +I’m fine just a bit of a mess +And I’m not perfect you could say +I wasn’t brought up that way +[Verse 2] +Just watched Stephen run across the field +Watched him catch the ball +He’s got everything you’d wanna be +He’s funny, dark and tall +Watch him run across to Angelina +But I won’t cause +[Chorus] +I have always been a bit reckless +And I am not your typical princess +I’m fine just a bit of a mess +And I’m not perfect you could say +I wasn’t brought up that way [Bridge] +Stardom pushed across the line +Tripped over my two feet hey oh yeah +But ain’t it funny how +It all comes out +Isn’t life sweet? +[Chorus] +But, I have always been a bit reckless +I am not your typical princess +I’m fine just a bit of a mess +And I’m not perfect you could say, oh-oh +[Chorus] +I have always been a bit reckless +And I am not your typical princess +I’m fine just a bit of a mess +And I’m not perfect you could say +I wasn’t brought up that way","“Angelina,” one of Taylor’s unreleased songs, tells a story about a girl who is dating Taylor’s crush. It’s possible that the crush is Stephen Barker Liles of Love and Theft — Taylor wrote “Hey Stephen” about him, and it landed on her 2008 album Fearless.",Angelina,Taylor Swift +4302,8434253,"[Verse 1] +I have this thing where I get older, but just never wiser +Midnights become my afternoons +When my depression works the graveyard shift +, +all of the people +I've ghosted stand there in the room +[Pre-Chorus] +I should not be left to my own devices +They come with prices and vices +I end up in crisis +(Tale as old as time) +I wake up screaming from dreaming +One day, I'll watch as you're leaving +'Cause you got tired of my scheming +(For the last time) +[Chorus] +It's me, hi +I'm the problem, it's me +At teatime, everybody agrees +I'll stare directly at the sun, but never in the mirror +It must be exhausting always rooting for the anti-hero +[Verse 2] +Sometimes, I feel like everybody is a sexy baby +And I'm a monster on the hill +Too big to hang out, slowly lurching toward your favorite city +Pierced through the heart, but never killed [Pre-Chorus] +Did you hear my covert narcissism I disguise as altruism +Like some kind of congressman? +(A tale as old as time) +I wake up screaming from dreaming +One day, I'll watch as you're leaving +And life will lose all its meaning +(For the last time) +[Chorus] +It's me, hi +I'm the problem, it's me (I'm the problem, it's me) +At teatime, everybody agrees +I'll stare directly at the sun, but never in the mirror +It must be exhausting always rooting for the anti-hero +[Bridge] +I have this dream my daughter-in-law kills me for the money +She thinks I left them in the will +The family gathers 'round and reads it and then someone screams out +""She's laughing up at us from Hell"" +[Breakdown] +It's me, hi +I'm the problem, it's me +It's me, hi +I'm the problem, it's me +It's me, hi +Everybody agrees, everybody agrees [Chorus] +It's me, hi (Hi) +I'm the problem, it's me (I'm the problem, it's me) +At teatime (Teatime), everybody agrees (Everybody agrees) +I'll stare directly at the sun, but never in the mirror +It must be exhausting always rooting for the anti-hero","Described by Taylor herself as “one of my favorite songs that I have ever written”, “Anti-Hero” is the scintillating lead single from Midnights, her tenth studio album. Largely serving as a parallel to 2019’s “The Archer”, the song shows a darker self-perception from Swift than usual, and goes into detail about what she feels are her personal failures. +The track’s title and track number were revealed in the sixth video of her TikTok game Midnight Mayhem With Me on October 2nd, 2022. The next day, Swift released a ‘Behind The Song’ video to discuss the meaning and purpose behind the track, saying she “struggle[s] a lot with the idea that my life has become unmanageably sized"", and described the song as a “guided tour"" of the things she hates about herself. +On Halloween night of 2022, the song was announced to have debuted at #1 on the Billboard Hot 100. Marking her ninth number one single and fifth number one debut, “Anti-Hero” joined nine other songs from Midnights in constructing the entire top 10 – the first time ever in Billboard history.",Anti-Hero,Taylor Swift +4304,132101,"[Chorus] +Why would you wanna break +A perfectly good heart? +Why would you wanna take +Our love and tear it all apart now? +Why would you wanna make +The very first scar? +Why would you wanna break +A perfectly good heart? +[Verse] +Maybe I should've seen the signs +Should've read the writing on the wall +And realized by the distance in your eyes +That I would be the one to fall +[Pre-Chorus] +No matter what you say +I still can't believe that you would walk away +It don't make sense to me, but +[Chorus] +Why would you wanna break +A perfectly good heart? +Why would you wanna take +Our love and tear it all apart now? +Why would you wanna make +The very first scar? +Why would you wanna break +A perfectly good heart? [Bridge] +It's not unbroken anymore (It's not unbroken anymore) +How do I get it back the way it was before? +[Chorus] +Why would you wanna break +A perfectly good heart? +Why would you wanna take +Our love and tear it all apart now? +Why would you wanna make +The very first scar? +Why would you wanna break— +(Why) Would you wanna break it? +[Chorus] +Why would you wanna break +A perfectly good heart? +Why would you wanna take +Our love and tear it all apart now? +Why would you wanna make +The very first scar? +Why would you wanna break +A perfectly good heart? +[Post-Chorus] +Mmm-hmm","“Perfectly Good Heart” is one of Taylor Swift’s first breakup songs. In it, she describes her very first experience with heartbreak, yet also hints there are more to come in her future. +It appears as the fourteenth track on her eponymous debut, and is only available on the deluxe edition.",A Perfectly Good Heart,Taylor Swift +4305,5793977,"[Verse 1] +Salt air, and the rust on your door +I never needed anything more +Whispers of ""Are you sure?"" +""Never have I ever before"" +[Chorus] +But I can see us lost in the memory +August slipped away into a moment in time +'Cause it was never mine +And I can see us twisted in bedsheets +August sipped away like a bottle of wine +'Cause you were never mine +[Verse 2] +Your back beneath the sun +Wishin' I could write my name on it +Will you call when you're back at school? +I remember thinkin' I had you +[Chorus] +But I can see us lost in the memory +August slipped away into a moment in time +'Cause it was never mine +And I can see us twisted in bedsheets +August sipped away like a bottle of wine +'Cause you were never mine [Bridge] +Back when we were still changin' for the better +Wanting was enough +For me, it was enough +To live for the hope of it all +Cancel plans just in case you'd call +And say, ""Meet me behind the mall"" +So much for summer love and saying ""us"" +'Cause you weren't mine to lose +You weren't mine to lose, no +[Chorus] +But I can see us lost in the memory +August slipped away into a moment in time +'Cause it was never mine +And I can see us twisted in bedsheets +August sipped away like a bottle of wine +'Cause you were never mine +[Outro] +'Cause you were never mine +Never mine +But do you remember? +Remember when I pulled up and said ""Get in the car"" +And then canceled my plans just in case you'd call? +Back when I was livin' for the hope of it all, for the hope of it all +""Meet me behind the mall"" +(Remember when I pulled up and said ""Get in the car"") +(And then canceled my plans just in case you'd call?) +(Back when I was livin' for the hope of it all, for the hope of it all) +(""Meet me behind the mall"") +Remember when I pulled up and said ""Get in the car"" +And then canceled my plans just in case you'd call? +Back when I was livin' for the hope of it all (For the hope of it all) +For the hope of it all, for the hope of it all +(For the hope of it all, for the hope of it all)","“august” is another folklore track produced with Swift’s frequent collaborator and friend Jack Antonoff, who called the song one of his “favorite things [they’ve] done together.” +The song describes an ill-fated summer romance, similarly to Swift’s earlier works like 2006’s “Tim McGraw.” Fans believe it’s the second part of folklore’s “Teenage Love Triangle,” told from the point of view of the girl James cheated on Betty with. The storyline is preceded by “cardigan” and followed by “betty.” +In the folklore album prologue, Swift says the album is inspired by “the sun drenched month of August, sipped away like a bottle of wine.” It’s also worth noting that August is the eighth month of the year, and “august” is the eighth track on folklore—and folklore is Swift’s eighth album that has eight deluxe versions.",​august,Taylor Swift +4306,132080,"[Verse 1] +I don't know what I want, so don't ask me +'Cause I'm still trying to figure it out +Don't know what's down this road, I'm just walking +Trying to see through the rain coming down +Even though I'm not the only one +Who feels the way I do +[Chorus] +I'm alone, on my own, and that's all I know +I'll be strong, I'll be wrong, oh, but life goes on +Oh, I'm just a girl trying to find a place in this world +[Verse 2] +Got the radio on, my old blue jeans +And I'm wearing my heart on my sleeve +Feeling lucky today, got the sunshine +Could you tell me what more do I need? +And tomorrow's just a mystery, oh, yeah +But that's okay +[Chorus] +I'm alone, on my own, and that's all I know +I'll be strong, I'll be wrong, oh, but life goes on +Oh, I'm just a girl trying to find a place in this world [Bridge] +Maybe I'm just a girl on a mission +But I'm ready to fly +[Chorus] +I'm alone, on my own, and that's all I know +I'll be strong, I'll be wrong, oh, but life goes on +Oh, I'm alone, on my own, and that's all I know +Oh, I'm just a girl trying to find a place in this world +[Outro] +Oh, I'm just a girl +Oh, I'm just a girl, oh, oh +Oh, I'm just a girl","“A Place In This World” is a song written about the uncertainty of what the future holds, along with the acceptance that whether it all works out or doesn’t, life will go on. +The song was written when Taylor was thirteen, a common age for teenagers to begin concerning themselves with belonging somewhere. For Taylor, this journey was also about her pursuit to make her music known and develop her artistry, as well as the uncertainty artists face when they begin, especially at such a young age.",A Place In This World,Taylor Swift +4307,7076620,"[Intro] +What about your promises, promises? +What about your promises, promises, promises? No +[Verse 1] +What a shame +Didn't wanna be the one that got away, yeah +Big mistake, you broke the sweetest promise +That you never should have made +[Pre-Chorus] +I'm here on the kitchen floor +You call, but I won't hear it +You said, ""No one else"" +How could you do this, babe? +[Chorus] +(What about your promises, promises?) +You really blew this, babe +We ain't getting through this one, babe +This is the last time I'll ever call you, babe +(This is the last time, this is the last time) +This is the last time I'll ever call you, babe +(What about your promises, promises, promises? No) +[Verse 2] +What a waste +Takin' down the pictures and the plans we made, yeah +And it's strange how your face doesn't look so innocent +Your secret has its consequence and that's on you, babe [Pre-Chorus] +I break down every time you call +We're a wreck, you're the wrecking ball +We said, ""No one else"" +How could you do this, babe? +[Chorus] +(Oh, what about your promises, promises?) +You really blew this, babe +We ain't getting through this one, babe +This is the last time I'll ever call you, babe +(This is the last time, this is the last time) +This is the last time I'll ever call you +[Bridge] +Since you admitted it (Oh-oh), I keep picturin' (Oh-oh) +Her lips on your neck (Oh-oh), I can't unsee it +I hate that because of you, I can't love you, babe +What a shame, didn't want to be the one that got away +How could you do this, babe? (Babe) +[Chorus] +You really blew this, babe (Babe) +We ain't getting through this one, babe (Babe) +This is the last time I'll ever call you, babe (Babe) +(This is the last time, this is the last time) +This is the last time I'll ever call you [Outro] +I'm here on the kitchen floor +You call, but I won't hear it +You said, ""No one else"" +We ain't getting through this one, babe +I break down every time you call +We're a wreck, you're the wrecking ball +We said, ""No one else"" +This is the last time I'll ever call you, babe (Babe) +(What about your promises, promises?)","“Babe” is a song Taylor Swift wrote with Pat Monahan of Train while working on her 2012 album, Red. The track, which fans believe is about actor Jake Gyllenhaal, finds Taylor looking back on a failed relationship. She gave the song to Sugarland in 2018 before recording her own rendition for Red (Taylor’s Version). +Fans have pointed out several connections between “Babe” and other songs written for the Red album, including “All Too Well,” “Girl At Home,” and “The Last Time.”",Babe (Taylor’s Version) [From The Vault],Taylor Swift +4312,3774,"[Verse 1] +I'm so glad you made time to see me +How's life? Tell me, how's your family? +I haven't seen them in a while +You've been good, busier than ever +We small talk, work and the weather +Your guard is up and I know why +[Pre-Chorus] +Because the last time you saw me +Is still burned in the back of your mind +You gave me roses and I left them there to die +[Chorus] +So this is me swallowing my pride +Standin' in front of you sayin', ""I'm sorry for that night"" +And I go back to December all the time +It turns out freedom ain't nothing but missin' you +Wishin' I'd realized what I had when you were mine +I go back to December, turn around and make it alright +I go back to December all the time +[Verse 2] +These days, I haven't been sleeping +Stayin' up, playing back myself leavin' +When your birthday passed and I didn't call +Then I think about summer, all the beautiful times +I watched you laughing from the passenger side +And realized I loved you in the fall [Pre-Chorus] +And then the cold came, the dark days +When fear crept into my mind +You gave me all your love and all I gave you was goodbye +[Chorus] +So this is me swallowing my pride +Standin' in front of you, sayin', ""I'm sorry for that night"" +And I go back to December all the time +It turns out freedom ain't nothing but missin' you +Wishin' I'd realized what I had when you were mine +I go back to December, turn around and change my own mind +I go back to December all the time +[Bridge] +I miss your tanned skin, your sweet smile +So good to me, so right +And how you held me in your arms that September night +The first time you ever saw me cry +Maybe this is wishful thinkin' +Probably mindless dreaming +But if we loved again, I swear I'd love you right +I'd go back in time and change it, but I can't +So, if the chain is on your door, I understand +[Chorus] +But this is me swallowing my pride +Standin' in front of you, sayin', ""I'm sorry for that night"" +And I go back to December +It turns out freedom ain't nothing but missin' you +Wishin' I'd realized what I had when you were mine +I go back to December, turn around and make it alright +I go back to December, turn around and change my own mind +I go back to December all the time [Outro] +All the time","“Back to December” sees Taylor apologizing to her ex Taylor Lautner, actor and Valentine’s Day co-star, for ending their relationship. In a Facebook Live interview promoting his show Scream Queens, Taylor Lautner confirmed this song was about him. +The song was Swift’s first to feature orchestral arrangements, the second being fellow Speak Now track- ‘Haunted’. The song was successful, receiving critical acclaim and peaking at #6 on the Billboard Hot 100 chart. It went on to win two BMI Awards- ‘Publisher of the Year’ & ‘Award Winning Songs’, as well as a Teen Choice Award for ‘Choice Break-Up Song’. It was also notably written on a napkin in an airplane bathroom.",Back to December,Taylor Swift +4314,551262,"[Chorus] +'Cause, baby, now we got bad blood +You know it used to be mad love +So take a look what you've done +'Cause, baby, now we got bad blood, hey +Now we got problems +And I don't think we can solve them +You made a really deep cut +And, baby, now we got bad blood, hey +[Verse 1] +Did you have to do this? +I was thinking that you could be trusted +Did you have to ruin +What was shiny? Now it's all rusted +Did you have to hit me +Where I'm weak? Baby, I couldn't breathe +And rub it in so deep +Salt in the wound like you're laughin' right at me +[Pre-Chorus] +Oh, it's so sad to +Think about the good times +You and I +[Chorus] +'Cause, baby, now we got bad blood +You know it used to be mad love +So take a look what you've done +'Cause, baby, now we got bad blood, hey +Now we got problems +And I don't think we can solve them +You made a really deep cut +And, baby, now we got bad blood, hey [Verse 2] +Did you think we'd be fine? +Still got scars on my back from your knife +So don't think it's in the past +These kinda wounds, they last and they last +Now, did you think it all through? +All these things will catch up to you +And time can heal, but this won't +So if you're comin' my way, just don't +[Pre-Chorus] +Oh, it's so sad to +Think about the good times +You and I +[Chorus] +'Cause, baby, now we got bad blood +You know it used to be mad love +So take a look what you've done +'Cause, baby, now we've got bad blood, hey +Now we got problems +And I don't think we can solve them +You made a really deep cut +And, baby, now we've got bad blood, hey +[Bridge] +Band-aids don't fix bullet holes +You say sorry just for show +If you live like that, you live with ghosts +Band-aids don't fix bullet holes (Hey) +You say sorry just for show (Hey) +If you live like that, you live with ghosts (Hey), mmm +If you love like that, blood runs cold [Chorus] +'Cause, baby, now we got bad blood +You know it used to be mad love +So take a look what you've done +'Cause, baby, now we got bad blood, hey (Bad blood) +Now we got problems +And I don't think we can solve them (Don't think we can solve them) +You made a really deep cut +And, baby, now we got bad blood, hey ('Cause now we got bad blood) +'Cause, baby, now we got bad blood +You know it used to be mad love +So take a look what you've done (Look what you've done) +'Cause, baby, now we got bad blood, hey (Ooh, woah) +Now we got problems +And I don't think we can solve them +You made a really deep cut +And, baby, now we got bad blood, hey","As Swift said in her Rolling Stone interview: + +For years, I was never sure if we were friends or not. She would come up to me at awards shows and say something and walk away, and I would think, ‘Are we friends, or did she just give me the harshest insult of my life?’ Then last year, the other star crossed a line. +She did something so horrible. I was like, ‘Oh, we’re just straight-up enemies.’ And it wasn’t even about a guy! It had to do with business. She basically tried to sabotage an entire arena tour. She tried to hire a bunch of people out from under me. And I’m surprisingly non-confrontational – you would not believe how much I hate conflict. So now I have to avoid her. It’s awkward, and I don’t like it. + +Much speculation has been made about who this song is about, with one popular theory suggesting Katy Perry. Perry seemed to think so herself, tweeting the day after the Rolling Stone feature was published: + + + +",Bad Blood,Taylor Swift +4319,187017,"[Verse 1] +Your beautiful eyes +Stare right into mine +And sometimes, I think of you late at night +I don't know why +[Pre-Chorus] +I wanna be somewhere where you are +I wanna be where +[Chorus] +You're here, your eyes are lookin' into mine +So baby, make me fly +My heart has never felt this way before +I'm looking through your— +I'm looking through your eyes +[Verse 2] +I wake up, I'm alive +In only a little while, I'll cry +'Cause you're my lullaby +So baby, come hold me tight 'cause I +[Pre-Chorus] +I wanna be everything you need +I wanna be where [Chorus] +You're here, your eyes are lookin' into mine +So baby, make me fly +My heart has never felt this way before +I'm looking through your— +I'm looking through your eyes +[Bridge] +Just as long as you're mine +I'll be your everything tonight +Let me love you, kiss you +Oh, baby, let me miss you +Let me see your, dream about, dream about +Dream about your eyes +[Outro] +Ah, ah +Beautiful eyes","“Beautiful Eyes” is the title track of Taylor’s 2008 EP, released to hold fans over until her album Fearless. +The song describes Taylor’s affection for the partner she wants. Everything she does revolves around that person, because of their eyes.",Beautiful Eyes,Taylor Swift +4320,4968964,"[Verse 1] +Follow me home if you dare to +I wouldn't know where to lead you +Should I take chances when no one took chances on me? +So I watch from the dark, wait for my life to start +With no beauty in my memory +[Chorus] +All that I wanted was to be wanted +Too young to wander London streets, alone and haunted +Born into nothing +At least you have something, something to cling to +Visions of dazzling rooms I'll never get let into +And the memories were lost long ago +But at least you have beautiful ghosts +[Verse 2] +Perilous night, their voices calling +A flicker of light before the dawning +Out here, the wild ones are taming the fear within me +Scared to call them my friends and be broken again +Is this hope just a mystical dream? +[Chorus] +All that I wanted was to be wanted +Too young to wander London streets, alone and haunted +Born into nothing +At least you have something, something to cling to +Visions of dazzling rooms I'll never get let into +And the memories were lost long ago +But at least you have beautiful ghosts [Bridge] +And so maybe my home isn't what I had known +What I thought it would be +But I feel so alive with these phantoms of night +And I know that this life isn't safe, but it's wild and it's free +[Chorus] +All that I wanted was to be wanted +I'll never wander London streets, alone and haunted +Born into nothing +With them, I have something, something to cling to +I never knew I'd love this world they've let me into +And the memories were lost long ago +So I'll dance with these beautiful ghosts +And the memories were lost long ago +So I'll dance with these beautiful ghosts","Composed specifically for the motion picture adaption of CATS, “Beautiful Ghosts” follows Victoria’s yearning for a future as ethereal and exciting as what Grizabella laments after in “Memory.” Partnering powerful imagery with haunting vocals over orchestral accompaniment, the stripped-back production enhances a sense of nostalgia and lost times as reflected in the lyrics. +Whilst the radio version is performed by Taylor Swift, one of the song’s co-writers and the actress playing Bomblurina in the film adaptation, the version within the film is performed by Francesca Hayward, who plays Victoria.",Beautiful Ghosts,Taylor Swift +4321,96432,"[Verse 1] +Took a deep breath in the mirror +He didn't like it when I wore high heels +But I do +Turn the lock and put my headphones on +He always said he didn't get this song +But I do, I do +[Verse 2] +I walked in, expecting you'd be late +But you got here early and you stand and wave +I walk to you +You pull my chair out and help me in +And you don't know how nice that is +But I do +[Chorus] +And you throw your head back laughin' like a little kid +I think it's strange that you think I'm funny 'cause he never did +I've been spending the last eight months +Thinkin' all love ever does is break and burn and end +But on a Wednesday, in a café, I watched it begin again +[Verse 3] +You said you never met one girl who +Had as many James Taylor records as you +But I do +We tell stories and you don't know why +I'm comin' off a little shy +But I do [Chorus] +But you throw your head back laughin' like a little kid +I think it's strange that you think I'm funny 'cause he never did +I've been spending the last eight months +Thinkin' all love ever does is break and burn and end +But on a Wednesday, in a café, I watched it begin again +[Bridge] +And we walked down the block to my car +And I almost brought him up +But you start to talk about the movies +That your family watches every single Christmas +And I wanna talk about that +And for the first time, what's past is past +[Chorus] +'Cause you throw your head back laughin' like a little kid +I think it's strange that you think I'm funny 'cause he never did +I've been spending the last eight months +Thinkin' all love ever does is break and burn and end +But on a Wednesday, in a café, I watched it begin again +[Outro] +Hmm, hmm +But on a Wednesday, in a café, I watched it begin again","Swift closes the tumultuous Red album with “Begin Again,” on which she expresses her hope for a budding relationship while reflecting on past romantic mistakes. It ends the album on an optimistic note, serving as a departure from the themes of heartbreak on songs like “All Too Well” and “The Last Time.” +Swift released a music video for the song on October 23rd, 2012, the day after Red’s release. In the clip, Swift meets a new man in a Parisian café and the two roam the city together. She also released an Amazon-exclusive, limited edition physical single. +“Begin Again” received several award nominations, including for three American Country Awards and a Grammy for Best Country Song, but lost all critic’s-choice awards. It did, however, win two BMI Awards: Publisher of the Year and Country Awards Top 50 Songs.",Begin Again,Taylor Swift +4324,8485915,"[Verse 1] +Baby love, I think I've been a little too kind +Didn't notice you walkin' all over my peace of mind +In the shoes I gave you as a present +Puttin' someone first only works when you're in their top five +And by the way, I'm goin' out tonight +[Chorus] +Best believe I'm still bejeweled +When I walk in the room +I can still make the whole place shimmer +And when I meet the band +They ask, ""Do you have a man?"" +I could still say, ""I don't remember"" +Familiarity breeds contempt +Don't put mе in the basement +Whеn I want the penthouse of your heart +Diamonds in my eyes +I polish up real, I polish up real nice +[Post-Chorus] +Nice +[Verse 2] +Baby boy, I think I've been too good of a girl (Too good of a girl) +Did all the extra credit, then got graded on a curve +I think it's time to teach some lessons +I made you my world (Huh), have you heard? (Huh) +I can reclaim the land +And I miss you (Miss you), but I miss sparklin' (Nice) [Chorus] +Best believe I'm still bejeweled +When I walk in the room +I can still make the whole place shimmer +And when I meet the band +They ask, ""Do you have a man?"" +I could still say, ""I don't remember"" +Familiarity breeds contempt +Don't put me in the basement +When I want the penthouse of your heart +Diamonds in my eyes +I polish up real, I polish up real nice +[Post-Chorus] +Nice +[Bridge] +Sapphire tears on my face +Sadness became my whole sky +But some guy said my aura's moonstone +Just 'cause he was high +And we're dancin' all night +And you can try to change my mind +But you might have to wait in line +What's a girl gonna do? +A diamond's gotta shine [Chorus] +Best believe I'm still bejeweled +When I walk in the room +I can still make the whole place shimmer (Shimmer) +And when I meet the band +They ask, ""Do you have a man?"" +I could still say, ""I don't remember"" +Familiarity breeds contempt +Don't put me in the basement +When I want the penthouse of your heart +Diamonds in my eyes +I polish up real (Nice), I polish up real nice +[Outro] +And we're dancin' all night +And you can try to change my mind +But you might have to wait in line +What's a girl gonna do? What's a girl gonna do? +I polish up nice +Best believe I'm still bejeweled +When I walk in the room +I can still make the whole place shimmer","“Bejeweled” describes the narrator’s frustration with her lover, who does not value her as she deserves. In retaliation, she goes out for a night on the town. Despite her lover no longer being enchanted by her, she knows damn well that she can dazzle any room that she steps into. +This song appears to have taken place at the 2016 Met Gala, where Taylor was wearing a shiny dress and had a dance-off with actor Tom Hiddleston while seemingly having relationship issues with her then-boyfriend DJ Calvin Harris. +",Bejeweled,Taylor Swift +4326,7076619,"[Verse 1] +I know I'm probably better off on my own +Than lovin’ a man who didn't know what he had when he had it +And I see the permanent damage you did to me +Never again, I just wish I could forget when it was magic +[Pre-Chorus] +I wish it wasn't 4AM, standin’ in the mirror +Saying to myself, ""You know you had to do it"" +I know the bravest thing I ever did was run +[Chorus] +Sometimes, in the middle of the night, I can feel you again +But I just miss you and I just wish you were a better man +I know why we had to say goodbye like the back of my hand +But I just miss you and I just wish you were a better man +A better man +[Verse 2] +I know I'm probably better off all alone +Than needing a man who could change his mind at any given minute +And it was always on your terms, I waited on every careless word +Hoping they might turn sweet again like it was in the beginning +[Pre-Chorus] +But your jealousy, oh, I can hear it now +Talking down to me like I'd always be around +Push my love away like it was some kind of loaded gun +Oh, you never thought I'd run [Chorus] +Sometimes, in the middle of the night, I can feel you again +But I just miss you and I just wish you were a better man +I know why we had to say goodbye like the back of my hand +But I just miss you and I just wish you were a better man +A better man +[Bridge] +I hold onto this pride because, these days, it's all I have +And I gave to you my best +And we both know you can't say that +[Breakdown] +I wish you were a better man +I wonder what we would've become if you were a better man +We might still be in love if you were a better man +You would've been the one if you were a better man +[Chorus] +Sometimes, in the middle of the night, I can feel you again +But I just miss you and I just wish you were a better man +I know why we had to say goodbye like the back of my hand +But I just miss you and I just wish you were a better man +A better man +(Sometimes, in the middle of the night, I can feel you again) +We might still be in love, if you were a better man +(But I just miss you and I just wish you were a better man) +I know why we had to say goodbye like the back of my hand +But I just miss you and I just wish you were a better man +A better man [Outro] +We might still be in love if you were a better man +You would’ve been the one if you were a better man","A cut from the original 2012 Red album, “Better Man” captures the feeling of getting out of a toxic, perhaps abusive, relationship and accepting the sorrow that follows the breakup. Swift gave the song to Little Big Town in 2016, making it her first country song since she crossed over to pop with her 2014 record 1989. +Little Big Town’s rendition of the song won a Grammy for “Best Country Duo/Group Performance” at the 2018 Grammy Awards.",Better Man (Taylor’s Version) [From The Vault],Taylor Swift +4328,58813,"[Intro] +Now, go stand in the corner and think about what you did (Ha) +Haha, time for a little revenge +[Verse 1] +The story starts when it was hot and it was summer and +I had it all, I had him right there where I wanted him +She came along, got him alone, and let's hear the applause +She took him faster than you can say ""Sabotage"" +I never saw it coming, wouldn't have suspected it +I underestimated just who I was dealing with +She had to know the pain was beating on me like a drum +She underestimated just who she was stealing from +[Chorus] +She's not a saint and she's not what you think +She's an actress, woah +She's better known for the things that she does +On the mattress, woah +Soon, she's gonna find stealing other people's toys +On the playground won't make you many friends +She should keep in mind, she should keep in mind +There is nothing I do better than revenge, ha +[Verse 2] +She looks at life like it's a party and she's on the list +She looks at me like I'm a trend and she's so over it +I think her ever-present frown is a little troubling and +She thinks I'm psycho 'cause I like to rhyme her name with things +But sophistication isn't what you wear or who you know +Or pushing people down to get you where you wanna go +Oh, they didn't teach you that in prep school so it's up to me +But no amount of vintage dresses gives you dignity +(Think about what you did) [Chorus] +She's not a saint and she's not what you think +She's an actress, woah +She's better known for the things that she does +On the mattress, woah +Soon, she's gonna find stealing other people's toys +On the playground won't make you many friends +She should keep in mind, she should keep in mind +There is nothing I do better than revenge, ha +[Bridge] +I'm just another thing for you to roll your eyes at, honey +You might have him, but haven't you heard? +I'm just another thing for you to roll your eyes at, honey +You might have him, but I always get the last word +Woah, woah-ah-oh +[Chorus] +She's not a saint and she's not what you think +She's an actress, woah (She deserved it) +She's better known for the things that she does +On the mattress, woah +Soon, she's gonna find stealing other people's toys +On the playground won't make you many friends +She should keep in mind, she should keep in mind +There is nothing I do better than revenge [Outro] +Do you still feel like you know what you're doing? +'Cause I don't think you do, oh (No, no, no, no) +Do you still feel like you know what you're doing? (No) +I don't think you do, I don't think you do +Let's hear the applause (Come on, come on) +Come on, show me how much better you are +(So much better, yeah?) +See, you deserve some applause +'Cause you're so much better +She took him faster than you could say ""Sabotage""","“Better Than Revenge” is rumored to be about actress Camilla Belle, who infamously stole Joe Jonas' heart while he was dating Taylor. +Further evidence proves that this song is about Camilla Belle, if you take into consideration one of the last lines of the song, where she says the words “much better,” which is also the name of a Jonas Brothers' song.",Better Than Revenge,Taylor Swift +4329,8486443,"[Verse 1] +No words appear before me in the aftermath +Salt streams out my eyes and into my ears +Every single thing I touch becomes sick with sadness +'Cause it's all over now, all out to sea +[Chorus] +Goodbye, goodbye, goodbye +You were bigger than the whole sky +You were more than just a short time +And I've got a lot to pine about +I've got a lot to live without +I'm never gonna meet +What could've been, would've been +What should've been you +What could've been, would've been you +[Verse 2] +Did some bird flap its wings ovеr in Asia? +Did some force take you bеcause I didn't pray? +Every single thing to come has turned into ashes +'Cause it's all over, it's not meant to be +So I'll say words I don't believe +[Chorus] +Goodbye, goodbye, goodbye +You were bigger than the whole sky +You were more than just a short time +And I've got a lot to pine about +I've got a lot to live without +I'm never gonna meet +What could've been, would've been +What should've been you [Bridge] +What could've been, would've been you +What could've been, would've been +What should've been you +What could've been, would've been you +(What could've been, would've been you) +[Chorus] +Goodbye, goodbye, goodbye +You were bigger than the whole sky +You were more than just a short time +And I've got a lot to pine about +I've got a lot to live without +I'm never gonna meet +What could've been, would've been +What should've been you","“Bigger Than The Whole Sky” is the fifteenth track off Midnights (3am Edition) and the second bonus track on the album, which was surprise released at 3am, three hours after the original Midnights release. “Bigger Than The Whole Sky” is a song about losing someone important to you despite only spending a short time with them and wondering what it would have been like if things had turned out differently. Swift leaves the sort of loss open to interpretation, but it likely signifies a miscarriage or the loss of a loved one that was gone too soon. Additionally, parallels to “Would’ve, Could’ve, Should’ve”, the nineteenth track of Midnights (3am Edition), imply it could be about Swift ‘losing’ her childhood and innocence after allegedly being groomed by a 32-year-old John Mayer when she was 19.",Bigger Than The Whole Sky,Taylor Swift +4330,6959849,"[Verse 1: Justin Vernon] +The way I woke up was old +Was all fucking choke +And it ain't easier after a week +We're on a long byway standing +[Chorus: Justin Vernon & Taylor Swift] +Well, if you cannot tell I'll tell you right away +If I'll stay a spell, or if I cannot stay +I am less at ease, not the best at these +See the forest trees, call what's these what's these +[Post-Chorus: Justin Vernon] +What's these (What's these) +[Verse 2: Justin Vernon & Taylor Swift, +Justin Vernon +] +Hey Madeline +, thanks +For +to case out the fog +, +for Jennifer +Seems she needed you badly +[Chorus: Justin Vernon & Taylor Swift] +So, I beg on knees +Can we share IDs? +Will you always need? +We havе common needs +We can sure deplеte +We can be replete +Address table needs +It is swift your speed [Verse 3: Justin Vernon, +Justin Vernon & Taylor Swift +] +The way I wake up now is a brand new way +And, no, it ain't that way + like it was before +[Chorus: Justin Vernon & Taylor Swift, +J +ustin Vernon +] +So, I cannot leave +Yes, I must here stay +'Cause I know what's good +And I'll die that way +No, I cannot seem +To get a moment's peace +If there's a man like me +His birch ain't my tree +[Outro: Justin Vernon, +Justin Vernon & Taylor Swift +] +The way I wake up now +Is a brand new way +It ain't what it was before","“Birch” is the fourth track from Big Red Machine’s second studio album, How Long Do You Think It’s Gonna Last?, and is one of two Taylor Swift features on the album, the other being pre-release single “Renegade”. +This isn’t the first time the artists have collaborated, with Aaron Dessner responsible for producing Swift’s eighth and ninth studio albums folklore and evermore. Swift has also previously shared duets with Justin Vernon on her tracks “exile” and “evermore”, while Vernon also contributed backing vocals and played instruments for many other tracks on evermore.",Birch,Taylor Swift +4332,731773,"[Verse 1] +Nice to meet you, where you been? +I could show you incredible things +Magic, madness, heaven, sin +Saw you there and I thought +Oh my God, look at that face +You look like my next mistake +Love's a game, wanna play? +Hey, hey +New money, suit and tie +I can read you like a magazine +Ain't it funny, rumors fly +And I know you heard about me +So hey, let's be friends +I'm dying to see how this one ends +Grab your passport and my hand +I can make the good girls bad for a weekend +[Chorus] +So it's gonna be forever +Or it's gonna go down in flames +You can tell me when it's over +If the high was worth the pain +Got a long list of ex-lovers +They'll tell you I'm insane +'Cause you know I love the players +And you love the game +'Cause we're young and we're reckless +We'll take this way too far +It'll leave you breathless +Or with a nasty scar +Got a long list of ex-lovers +They'll tell you I'm insane +But I've got a blank space, baby +And I'll write your... name [Verse 2] +Cherry lips, crystal skies +I could show you incredible things +Stolen kisses, pretty lies +You're the Queen, baby, I'm your King +Find out what you want +Be that guy for a month +But, the worst is yet to come, oh no +Screaming, crying, perfect storms +I could make all the tables turn +Rose garden filled with thorns +Keep you second guessing like +""Oh my God, who is he? Who is he?"" +I get drunk on jealousy +But you'll come back each time you leave +'Cause, darling, I'm a nightmare dressed like a daydream +[Chorus] +So it's gonna be forever +Or it's gonna go down in flames +You can tell me when it's over +If the high was worth the pain +Got a long list of ex-lovers +They'll tell you I'm insane +'Cause you know I love the players +And you love the game +'Cause we're young and we're reckless +We'll take this way too far +It'll leave you breathless +Or with a nasty scar +Got a long list of ex-lovers +They'll tell you I'm insane +But I've got a blank space, baby +And I'll write your name... [Bridge] +Girls only want love if it's torture +Don't say I didn't, don't say I didn't warn you +It's torture, it's torture +Don't say I didn't warn you +It's torture, it's torture +Don't say I didn't warn you +[Chorus] +So it's gonna be forever +Or it's gonna go down in flames +You can tell me when it's over +If the high was worth the pain +Got a long list of ex-lovers +They'll tell you I'm insane +'Cause you know I love the players +And you love the game +'Cause we're young and we're reckless +We'll take this way too far +It'll leave you breathless +Or with a nasty scar +Got a long list of ex-lovers +They'll tell you I'm insane +But I've got a blank space, baby +And I'll write your name","“Blank Space” is an explosive metalcore cover of the hit song by Pop artist Taylor Swift. On this cover, besides adding hard-hitting bass and extreme scream-vocals, I Prevail takes a new spin on the story. Originally told from the girl’s perspective, “Blank Space” is now from the guy’s perspective, as he introduces himself as the bad boy to wreck her heart.",Blank Space,Taylor Swift +4333,70979,"[Chorus: Taylor Swift] +I wish I was strong enough to lift not one but both of us +Some day I will be strong enough to lift not one but both of us +[Verse 1: B.o.B] +Uhh +Ever thought about losing it +When your money’s all gone and you lose your whip +You might lose your grip when the landlord tell you that you due for rent +And the grass so green on the other side +Make a nigga wanna run straight through the fence +Open up the fridge 'bout 20 times +But you still can’t find no food in it +That’s foolishness +And sometimes I wonder, why we care so much about the way we look +And the way we talk and the way we act and the clothes we bought +How much that cost? +Does it even really matter? +'Cause if life is a uphill battle +But y’all tryna climb with the same ol’ ladder +In the same boat, with the same ol’ paddle +Why so shallow? I’m just askin' +What’s the pattern to the madness? +Everybody ain’t a number one draft pick +Most of us ain’t Hollywood actors +But if it’s all for one, and one for all +Then maybe one day, we all could ball +Do it one time for the underdogs +Sincerely yours, from one of y'all [Chorus: Taylor Swift] +I wish I was strong enough to lift not one but both of us +Some day I will be strong enough to lift not one but both of us +[Verse 2: B.o.B] +I could feel your pain, I could feel your struggle +You just wanna live, but everything's so low +That you could drown in a puddle +That’s why I gotta hold us up, yeah, hold us up +For all the times no one’s ever spoke for us +To every single time that they play this song +You can say that that’s what Bobby Ray wrote for us +When the tides get too high +And the sea up underneath gets so deep +And you feel like you’re just another person +Getting lost in the crowd, way up high in the nosebleeds +Uh, because we've both been there, both of us +But we still stand tall with our shoulders up +And even though we always against the odds +These are the things that’ve molded us +And if life hadn’t chosen us +Sometimes I wonder where I would've wound up +'Cause if it was up to me, I’d make a new blueprint +Then build it from the ground up, hey +But if it’s all for one, and one for all +Then maybe one day, we all could ball +Do it one time for the underdogs +From Bobby Ray, to all of y’all [Chorus: Taylor Swift] +I wish I was strong enough to lift not one but both of us +Some day I will be strong enough to lift not one but both of us","Strange Clouds‘ third single was one that shocked fans when it was announced in March 2012 that B.o.B had collaborated with country singer Taylor Swift. The song’s uplifting lyrics coupled with Taylor’s melodic and catchy hook made the song a success, with it going on to be certified Platinum in the US and Australia.",Both of Us,Taylor Swift +4334,5793962,"[Verse 1] +Betty, I won't make assumptions +About why you switched your homeroom, but +I think it's 'cause of me +Betty, one time, I was riding on my skateboard +When I passed your house +It's like I couldn't breathe +[Pre-Chorus] +You heard the rumors from Inez +You can't believe a word she says +Most times, but this time, it was true +The worst thing that I ever did +Was what I did to you +[Chorus] +But if I just showed up at your party +Would you have me? Would you want me? +Would you tell me to go fuck myself +Or lead me to the garden? +In the garden, would you trust me +If I told you it was just a summer thing? +I'm only seventeen, I don't know anything +But I know I miss you +[Verse 2] +Betty, I know where it all went wrong +Your favorite song was playing +From the far side of the gym +I was nowhere to be found +I hate the crowds, you know that +Plus, I saw you dance with him [Pre-Chorus] +You heard the rumors from Inez +You can't believe a word she says +Most times, but this time, it was true +The worst thing that I ever did +Was what I did to you +[Chorus] +But if I just showed up at your party +Would you have me? Would you want me? +Would you tell me to go fuck myself +Or lead me to the garden? +In the garden, would you trust me +If I told you it was just a summer thing? +I'm only seventeen, I don't know anything +But I know I miss you +[Bridge] +I was walking home on broken cobblestones +Just thinking of you when she pulled up like +A figment of my worst intentions +She said, ""James, get in, let's drive"" +Those days turned into nights +Slept next to her, but +I dreamt of you all summer long [Verse 3] +Betty, I'm here on your doorstep +And I planned it out for weeks now +But it's finally sinkin' in +Betty, right now is the last time +I can dream about what happens when +You see my face again +[Pre-Chorus] +The only thing I wanna do +Is make it up to you +So I showed up at your party +Yeah, I showed up at your party +[Chorus] +Yeah, I showed up at your party +Will you have me? Will you love me? +Will you kiss me on the porch +In front of all your stupid friends? +If you kiss me, will it be just like I dreamed it? +Will it patch your broken wings? +I'm only seventeen, I don't know anything +But I know I miss you +[Outro] +Standing in your cardigan +Kissin' in my car again +Stopped at a streetlight +You know I miss you","“betty” touches on the aftermath of “august,” which describes a summer love that was doomed from the start. Listeners learn that while the summer affair was going on, the speaker, James, was still dating their classmate, Betty. +The song takes a more feminist approach, portraying the narrator as a person named James who can’t own up to their mistakes, all while Betty flourishes on her own and recognizes her worth. +Sonically, the song exudes a strong sense of nostalgia, delivering production and instrumentals reminiscent to Taylor’s earlier projects like Fearless and Speak Now, both of which were records written by Taylor in her similarly naïve adolescence. +“betty” is believed to be the third part of folklore’s “Teenage Love Triangle,” told from the point of view of James. The storyline is preceded by “cardigan” and “august.” +Interestingly, James' gender is never explicitly stated—James and Inez (mentioned in the pre-chorus) are, in fact, the names of Blake Lively and Ryan Reynolds‘ eldest daughters—leading some to believe that James could be a girl and that the Teenage Love Triangle is, in fact, a sapphic love story. +However, Taylor confirmed James' gender while explaining the song on country radio: +[James] has lost the love of his life basically and doesn’t understand how to get it back…Everybody makes mistakes, everybody really messes up sometimes and this is a song that I wrote from the perspective of a 17-year-old boy. I’ve always loved that in music you can kinda slip into different identities and you can sing from other people’s perspectives. So that’s what I did on this one–and I named all the characters in this story after my friends' kids.""",​betty,Taylor Swift +4337,187116,"[Verse 1] +Emily comes home from school +Grabs onto her daddy's hand +He says ""Baby girl, what's wrong with you?"" +She says ""Please don't make me go back there again"" +She said ""I wish there was some way to make them stop it"" +So he drives down to that principal's office and says +[Chorus] +""I didn't bring her up so they could cut her down +I didn't bring her here so they could shut her out +I live my whole damn life to see that little girl's smile +So why are tears pouring down that sweet face? +She wasn't brought up that way"" +[Verse 2] +Emily's home late again +He sees that boy drive away +Oh, but something's different this time +She doesn't have too much to say +She said ""He tried but there's just some things I won't do"" +And through the tears she said ""I couldn't do that to you"" +And he said +[Chorus] +""I didn't bring you up so he could wear you down +Take that innocent heart and turn it inside out +I live my whole damn life to see my little girl's smile +So don't let nobody take that away +You weren't brought up that way"" [Verse 3] +The phone rings on a rainy night, says ""It's Officer Tate"" +He said ""Sir, there's been an accident +You better come down here right away +A drunken driver missed an overpass +And Emily, she's fading fast"" +He says ""God, I didn't bring her up to watch them lay her down +Nearly killed me the day they put her own momma in the ground +Only thing that kept me alive was that little girl's smile +So please don't take that away, it won't be easy taking her today +She wasn't brought up that way"" +[Outro] +He stands over the hospital bed +Emily opens her eyes","“Brought Up That Way” is one of Taylor Swift’s unreleased songs, which tells the story of a widowed father and his daughter.",Brought Up That Way,Taylor Swift +4338,98894,"[Verse 1: Taylor Swift] +I see your face in my mind as I drive away +'Cause none of us thought it was gonna end that way +People are people and sometimes, we change our minds +But it's killing me to see you go after all this time +[Verse 2: Taylor Swift +with Colbie Caillat +] +Music starts playing like the end of a sad movie +It's the kind of ending you don't really wanna see +'Cause it's tragedy and it'll only bring you down +Now, I don't know what to be without you around +[Pre-Chorus: Taylor Swift +with Colbie Caillat +] +And we know it's never simple, never easy +Never a clean break, +no one here to save me +You're the only thing I know like the back of my hand +[Chorus: Taylor Swift +with Colbie Caillat +] +And I can't +breathe + without you, but I have to +Breathe without you, but I have to +[Verse 3: Taylor Swift +with Colbie Caillat +] +Never wanted this, never wanna see you hurt +Every little bump in the road, I tried to swerve +But people are people and sometimes, it doesn't work out +Nothing we say is gonna save us from the fall out [Pre-Chorus: Taylor Swift +with Colbie Caillat +] +And we know it's never simple, never easy +Never a clean break, +no one here to save me +You're the only thing I know like the back of my hand +[Chorus: Taylor Swift +with Colbie Caillat +] +And I can't +breathe without you, but I have to +Breathe without you but I have to +[Bridge: Taylor Swift +with Colbie Caillat +] +It's 2 A.M +, feeling like I just +lost a friend +Hope you know it's +not easy, easy for me +It's 2 A.M +, feeling like +I just lost a friend +Hope you know this ain't easy, easy for me +[Pre-Chorus: Taylor Swift +with Colbie Caillat +] +And we know it's never simple, never easy +Never a clean break, +no one here to save me +, oh-oh +[Chorus: Taylor Swift +with Colbie Caillat +] +I can't +breathe without you, but I have to +Breathe without you, but I have to +Breathe +without you, but I have to +[Outro: Taylor Swift & Colbie Caillat] +I'm sorry, I'm sorry (Mmm) +I'm sorry, (Yeah, yeah) I'm sorry +I'm sorry, I'm sorry +I'm sorry","“Breathe” is a country-pop song performed by American singer-songwriter Taylor Swift, featuring Colbie Caillat as the co-writer and backing vocals. The song was written by Swift and Caillat and produced by Nathan Chapman with Swift’s aid. It is the seventh track from Swift’s second studio album, Fearless released in 2008. The song was written about the end of a friendship. Musically, the song is driven by acoustic guitar. +The song received favorable responses from contemporary music critics. “Breathe” was nominated for the Grammy Award for Best Pop Collaboration with Vocals, but lost to Jason Mraz and Caillat’s “Lucky”. “Breathe” peaked at number eighty-seven on the Billboard Hot 100. Its appearance tied Swift with Hannah Montana (Miley Cyrus) for two records on the Billboard Hot 100.",Breathe,Taylor Swift +4340,187131,"[Verse 1] +Any day now, they're talking war +I can see the look that's in your eyes +They're not talking a week or two +Oh, daddy can I go with you? +Oh, daddy can I go with you? +[Verse 2] +You pack a suitcase, take a picture from the wall +I always knew this time would come +When I ask how long you think you're going to be +You say, this crazy world's come undone +[Verse 3] +Summer's over and leaves begin to fall +And another winter's on the way +I knew I wasn't going to take this very well +But I'd give anything to have you here today +[Verse 4] +Everyday now they're talking war +& I know this time is like it's never been before +We're not talking about a week or two +[Outro] +Oh, daddy can I go with you? +Oh, daddy can I go with you? +Oh, daddy can I go with you?","“Can I Go With You” is one of Taylor Swift’s unrealeased songs. She sings as a girl whose father is a soldier about to be sent to war. She knows he’ll be gone for a long time, and she wants to go with him.",Can I Go with You,Taylor Swift +4341,187271,"[Verse 1] +It wasn't just like a movie +The rain didn't soak through my clothes, down to my skin +I'm drivin' away and I, I guess you could say +This is the last time I'll drive this way again +Lost in the gray and I try to grab at the fray +'Cause I, I still love you, but I can't +[Chorus] +Bye, bye to everything I thought was on my side +Bye, bye, baby +I want you bad, but it's come down to nothing +And all I have is your sympathy +'Cause you took me home but you just couldn't keep me +Bye, bye, baby +Bye, bye, baby +[Verse 2] +The picture frame is empty +On the dresser, vacant just like me +I see your writing on the dash +Then back to your hesitation +I was so sure of everything +Everything I thought we'd always have +Guess I never doubted it +Then the here and the now floods in +Feels like I'm becoming a part of your past [Chorus] +Bye, bye to everything I thought was on my side +Bye, bye, baby +I want you bad, but it's come down to nothing +And all I have is your sympathy +'Cause you took me home but you just couldn't keep me +Bye, bye, baby +[Bridge] +And there's so much that I can't touch +You're all I want, but it's not enough this time +And all the pages are just slipping through my hands +And I'm so scared of how this ends +[Chorus] +Bye, bye to everything I thought was on my side +Bye, bye, baby +I want you bad, but it's come down to nothing +And all I have is your sympathy +'Cause you took me home but you just couldn't keep me +[Chorus] +Bye, bye to everything I thought was on my side +Bye, bye, baby +I want you bad, but it's come down to nothing +And all I have is your sympathy +'Cause you took me home but you just couldn't keep me +Oh, you took me home, I thought you were gonna keep me +Bye, bye, baby +Bye, bye, baby","“Bye Bye Baby” was originally an album outtake from Taylor Swift’s second studio album Fearless, before being re-recorded for Fearless (Taylor’s Version). A picture of Taylor’s early concept tracklist for Fearless shows that the original title for this song was “The One Thing”. Multiple lyrics were changed from the demo to final production. It was likely taken off of the original tracklist because of its similarities to Michelle Branch’s Goodbye To You. +",Bye Bye Baby (Taylor’s Version) [From the Vault],Taylor Swift +4342,3300013,"[Verse 1] +My castle crumbled overnight +I brought a knife to a gunfight +They took the crown, but it's alright +All the liars are calling me one +Nobody's heard from me for months +I'm doin' better than I ever was +'Cause +[Chorus] +My baby's fit like a daydream +Walkin' with his head down +I'm the one he's walking to +So call it what you want, yeah +Call it what you want to +My baby's fly like a jet stream +High above the whole scene +Loves me like I'm brand new +So call it what you want, yeah +Call it what you want to +[Verse 2] +All my flowers grew back as thorns +Windows boarded up after the storm +He built a fire just to keep me warm +All the drama queens taking swings +All the jokers dressing up as kings +They fade to nothing when I look at him [Pre-Chorus] +And I know I make the same mistakes every time +Bridges burn, I never learn +At least I did one thing right +I did one thing right +I'm laughing with my lover, makin' forts under covers +Trust him like a brother +Yeah, you know I did one thing right +Starry eyes sparkin' up my darkest night +[Chorus] +My baby's fit like a daydream +Walkin' with his head down +I'm the one he's walking to +So call it what you want, yeah +Call it what you want to +My baby's fly like a jet stream +High above the whole scene +Loves me like I'm brand new +( +Call it what you want, call it what you want, call it +) +So call it what you want, yeah +Call it what you want to +[Bridge] +I want to wear his initial on a chain 'round my neck +Chain 'round my neck +Not because he owns me +But 'cause he really knows me +Which is more than they can say, I +I recall late November +Holding my breath, slowly, I said +""You don't need to save me +But would you run away with me?"" +Yes (Would you run away?) [Chorus] +My baby's fit like a daydream +Walkin' with his head down +I'm the one he's walking to +( +Call it what you want, call it what you want, call it +) +So call it what you want, yeah (Call it what you want it to) +Call it what you want to +My baby's fly like a jet stream (Oh) +High above the whole scene +Loves me like I'm brand new +( +Call it what you want, call it what you want, call it +) +So call it what you want, yeah +Call it what you want to +[Outro] +( +Call it what you want, call it +) +( +Call it what you want, call it what you want, call it +) +( +Call it what you want, call it what you want, call it +) +( +Call it what you want, call it what you want, call it +) +( +Call it what you want, call it what you want, call it +) +( +Call it what you want, call it what you want, call it +) +( +Call it what you want, call it what you want, call it +) +Call it what you want, yeah +Call it what you want to","“Call It What You Want” was first announced on social media on November 2nd, 2017, which was coincidentally the 13th anniversary of Taylor meeting the man who signed her to Big Machine Records, Scott Borchetta. +After the song was announced, many fans were quick to point out lyric parallels between the bridge of this track and her 2008 hit “Love Story,” on which Taylor daydreams about running away with her boyfriend. +In 2019, Taylor reflected on songs like “Call It What You Want” from her album ‘reputation’ as the ones that told the true love story of her relationship. +In her September 2019 interview with Rolling Stone, she tells us that it’s about her “newly quiet, cozy world that was happening on [her] own terms for the first time.”",Call It What You Want,Taylor Swift +4344,5816082,"[Verse 1] +Vintage tee, brand new phone +High heels on cobblestones +When you are young, they assume you know nothing +Sequin smile, black lipstick +Sensual politics +When you are young, they assume you know nothing +[Chorus] +But I knew you +Dancin' in your Levi's +Drunk under a streetlight, I +I knew you +Hand under my sweatshirt +Baby, kiss it better, I +[Refrain] +And when I felt like I was an old cardigan +Under someone's bed +You put me on and said I was your favorite +[Verse 2] +A friend to all is a friend to none +Chase two girls, lose the one +When you are young, they assume you know nothing [Chorus] +But I knew you +Playing hide-and-seek and +Giving me your weekends, I +I knew you +Your heartbeat on the High Line +Once in twenty lifetimes, I +[Refrain] +And when I felt like I was an old cardigan +Under someone's bed +You put me on and said I was your favorite +[Bridge] +To kiss in cars and downtown bars +Was all we needed +You drew stars around my scars +But now I'm bleedin' +[Chorus] +'Cause I knew you +Steppin' on the last train +Marked me like a bloodstain, I +I knew you +Tried to change the ending +Peter losing Wendy, I +I knew you +Leavin' like a father +Running like water, I +And when you are young, they assume you know nothing [Verse 3] +But I knew you'd linger like a tattoo kiss +I knew you'd haunt all of my what-ifs +The smell of smoke would hang around this long +'Cause I knew everything when I was young +I knew I'd curse you for the longest time +Chasin' shadows in the grocery line +I knew you'd miss me once the thrill expired +And you'd be standin' in my front porch light +And I knew you'd come back to me +You'd come back to me +And you'd come back to me +And you'd come back +[Refrain] +And when I felt like I was an old cardigan +Under someone's bed +You put me on and said I was your favorite",The cabin in candlelight version of “cardigan” takes the acoustic feel of the original even farther by removing all the percussion and harmonies to spotlight Taylor’s enchanting vocal. The track was released just six days after folklore along with an accompanying music video. The video contains behind-the-scene footage from the album’s photoshoot.,​cardigan (cabin in candlelight version),Taylor Swift +4346,7823793,"[Verse 1] +Oh, Carolina creeks running through my veins +Lost I was born, lonesome I came +Lonesome I'll always stay +Carolina knows why, for years, I roam +Free as these birds, light as whispers +Carolina knows +[Pre-Chorus] +And you didn't see me here +No, they never did see me here +And she's in my dreams +[Chorus] +Into the mist, into the clouds +Don't leave +I make a fist, I'll make it count +And there are places I will never, ever go +And things that only Carolina will ever know +[Verse 2] +Carolina stains on the dress she left +Indelible scars, pivotal marks +Blue as the life she fled +Carolina pines, won't you cover me? +Hide me like robes down the back road +Muddy these webs we weave [Pre-Chorus] +And you didn't see me here +Oh, they never did see me +And she's in my dreams +[Chorus] +Into the mist, into the clouds +Don't leave +I make a fist, I'll make it count +And there are places I will never, ever go +And things that only Carolina will ever know +[Bridge] +And you didn't see me here +They never did see me here +No, you didn't see me here +They never saw me +[Outro] +Oh, Carolina knows why for years they've said +That I was guilty as sin and sleep in a liar's bed +But the sleep comes fast and I'll meet no ghosts +It's between me, the sand, and the sea +Carolina knows","Inspired by and written for the 2022 movie Where the Crawdads Sing, “Carolina” follows the life and adventures of a young girl named Kya as she grows up isolated in the marsh of North Carolina. Swift wrote the haunting song entirely by herself, with frequent collaborator Aaron Dessner on the production side. +Fans discovered that the official page for the movie on Instagram was hinting at the song to be released on June 24, 2022. A day before, Taylor’s team page on Twitter officially confirmed the release date.",Carolina,Taylor Swift +4347,2834159,"[Verse 1] +I don’t need a lot +But there's one thing +Love has taught me +It’s to never expect too much +Don’t need a believable touch +I just need you +I just need you +And I might, I found life +Why should we be wasting time? +[Chorus] +You don’t know what you missed +When I look into your eyes like this +And you should be in front of me +Seeing everything to see +Looking at you +Check out this view +[Verse 2] +Think of a quiet beach +Think of how the waves crash down +Think about a summer’s eve +No offense to them but they ain't got nothing on you +Walking with you +In the light or in the dark +Well nothing shadows who you are [Chorus] +And you don’t know what you missed +When I look into your eyes like this +And you should be in front of me +Seeing everything to see +Looking at you +Check out this view +[Bridge] +I look outside the window +Everyday see something new +But all I ever wanted was a +Window looking at you, at you +[Chorus] +And you don’t know what you missed +When I look into your eyes like this +And you should be in front of me +Seeing everything to see +You don’t know what you missed +When I look into your eyes like this +And you should be in front of me +Seeing everything to see +Looking at you +Check out this view","“Check Out This View” is one of Taylor Swift’s unrealeased songs. +She sings about a boy she’s in love with, and talks about how wonderful he makes her feel.",Check Out This View,Taylor Swift +4348,6260160,"[Verse 1] +You booked the night train for a reason +So you could sit there in this hurt +Bustling crowds or silent sleepers +You're not sure which is worse +[Chorus] +Because I dropped your hand while dancing +Left you out there standing +Crestfallen on the landing +Champagne problems +Your mom's ring in your pocket +My picture in your wallet +Your heart was glass, I dropped it +Champagne problems +[Verse 2] +You told your family for a reason +You couldn't keep it in +Your sister splashed out on the bottle +Now no one's celebrating +[Chorus] +Dom Pérignon, you brought it +No crowd of friends applauded +Your hometown skeptics called it +Champagne problems +You had a speech, you're speechless +Love slipped beyond your reaches +And I couldn't give a reason +Champagne problems [Bridge] +Your Midas touch on the Chevy door +November flush and your flannel cure +""This dorm was once a madhouse"" +I made a joke, ""Well, it's made for me"" +How evergreen, our group of friends +Don't think we'll say that word again +And soon they'll have the nerve to deck the halls +That we once walked through +One for the money, two for the show +I never was ready so I watch you go +Sometimes you just don't know the answer +'Til someone's on their knees and asks you +""She would've made such a lovely bride +What a shame she's fucked in the head,"" they said +But you'll find the real thing instead +She'll patch up your tapestry that I shred +[Chorus] +And hold your hand while dancing +Never leave you standing +Crestfallen on the landing +With champagne problems +Your mom's ring in your pocket +Her picture in your wallet +You won't remember all my +Champagne problems [Outro] +You won't remember all my +Champagne problems","“champagne problems” tells the story of a woman who shocks her would-be fiancé and their loved ones by turning down a marriage proposal right before Christmas. In an essay about evermore, Swift stated that the song depicts “longtime college sweethearts [who] had very different plans for the same night, one to end it and one who brought a ring.” +The song implies that the protagonist has a history of mental illness, which the town subsequently stigmatizes in their gossip surrounding the failed proposal. Mental health is a topic especially personal to Swift, who has been transparent publicly about her own struggles. As quoted in an interview with the Zach Sang show: +I definitely don’t feel good all the time, and I don’t think anybody does…there have been times where I needed to take years off because I just felt exhausted, or I felt, like, really low or really bad.",​champagne problems,Taylor Swift +4349,98895,"[Verse 1] +And it's a sad picture, the final blow hits you +Somebody else gets what you wanted again and +You know it's all the same, another time and place +Repeating history and you're getting sick of it +But I believe in whatever you do +And I'll do anything to see it through +[Chorus] +Because these things will change +Can you feel it now? +These walls that they put up to hold us back will fall down +This revolution, the time will come +For us to finally win +And we'll sing hallelujah, we'll sing hallelujah +Oh, oh +[Verse 2] +So we've been outnumbered, raided, and now, cornered +It's hard to fight when the fight ain’t fair +We're getting stronger now, find things they never found +They might be bigger but we're faster and never scared +You can walk away, say we don't need this +But there's something in your eyes says we can beat this +[Chorus] +'Cause these things will change +Can you feel it now? +These walls that they put up to hold us back will fall down +This revolution, the time will come +For us to finally win +And we'll sing hallelujah, we'll sing hallelujah +Oh, oh [Bridge] +Tonight, we stand, get off our knees +Fight for what we've worked for all these years +And the battle was long, it's the fight of our lives +But we'll stand up champions tonight +[Chorus] +It was the night things changed +Can you see it now? +These walls that they put up to hold us back fell down +It's a revolution, throw your hands up +'Cause we never gave in +And we'll sing hallelujah, we sang hallelujah +Hallelujah","The thirteenth track of Swift’s sophomore album is about her path into the spotlight. At age sixteen, she was signed to the emerging Big Machine Records, which was the smallest record label in Nashville. There were only about a dozen employees, and she was the only artist. Despite the unpromising situation, she trusted that the label would eventually rise. +After writing the beginning of it, she let the track rest for a while, waiting for a significant moment in her life that could conclude it. That moment came in 2007 when she won the Horizon Award at the CMAs. After looking out into the audience and seeing her manager Scott Borchetta, crying, she felt like she could finally finish the song, and did so the following day. +That’s when I finished it, because I knew I couldn’t finish it until something like that happened. It was absolutely the most amazing night of my life, getting to see the emotion of all the people who worked so hard for me.",Change,Taylor Swift +4350,186835,"[Verse 1] +Please take down the mistletoe +'Cause I don't want to think about that right now +'Cause everything I want is miles away +In a snow covered little town +My momma's in the kitchen, worrying about me +Season's greetings, hope you're well +Well I'm doing alright +If you were wondering +Lately I can never tell +[Chorus] +I know this shouldn't be a lonely time +But there were Christmases when you were mine +[Verse 2] +I've been doing fine without you, really +Up until the nights got cold +And everybody's here, except you, baby +Seems like everyone's got someone to hold +[Chorus] +But for me it's just a lonely time +'Cause there were Christmases when you were mine +[Verse 3] +Merry Christmas, everybody +That'll have to be something I just say this year +I'll bet you got your mom another sweater +And were your cousins late again? +When you were putting up the lights this year +Did you notice one less pair of hands? [Chorus] +I know this shouldn't be a lonely time +But there were Christmases when I didn't wonder how you are tonight +'Cause there were Christmases when you were mine +[Outro] +You were mine","The second track in Taylor Swift’s Christmas EP The Taylor Swift Holiday Collection, “Christmases When You Were Mine” is an original Christmas song with a slow country-pop sound written by Swift herself. +The song focuses on the longing felt during Christmas time after losing someone that the narrator is still in love with.",Christmases When You Were Mine,Taylor Swift +4351,186861,"[Verse 1] +What if ribbons and bows didn't mean a thing? +Would the song still survive without five golden rings? +Would you still wanna kiss without mistletoe? +What would happen if God never let it snow? +What would happen if Christmas carols told a lie? +Tell me, what would you find? +[Chorus] +You'd see that today holds something special +Something holy, not superficial +So here's to the birthday boy who saved our lives +It's something we all try to ignore +And put a wreath up on your door +So here's something you should know that is for sure +Christmas must be something more +[Verse 2] +What if angels did not pay attention to +All the things that we wished they would always do? +What if happiness came in a cardboard box? +Then I think there is something we all forgot +What would happen if presents all went away? +Tell me, what would you find? +[Chorus] +You'd see that today holds something special +Something holy, not superficial +So here's to the birthday boy who saved our lives +It's something we all try to ignore +And put a wreath up on your door +So here's something you should know that is for sure +Christmas must be something more [Bridge] +We get so caught up in all of it +Business and relationships +Hundred-mile-an-hour lives +And it's this time of year +And everybody's here +It seems the last thing on your mind +[Chorus] +Is that the day holds something special +Something holy, not superficial +So here's to Jesus Christ who saved our lives +It's something we all try to ignore +And put a wreath up on your door +But here's something you should know that is for sure +Christmas must be something +Christmas must be something +Christmas must be something more +[Outro] +There's gotta be more +There's gotta be more","Written and sung by Taylor, “Christmas Must Be Something More” explores the meaning of Christmas in a different perspective than many Christmas carols. +Tay wonders what would become of Christmas Day if there were no material things like gifts — would people still celebrate the birth of the Savior Jesus Christ, or would it just be some random day in December? She concludes that the true meaning of Christmas is the recognition and celebration of the man who sacrificed himself to save us all from our sins.",Christmas Must Be Something More,Taylor Swift +4353,7416216,"[Intro] +My winter nights are taken up by static +Stress and holiday shopping traffic +But I close my eyes and I'm somewhere else +Just like magic +[Verse 1] +In my heart is a Christmas tree farm +Where the people would come +To dance under sparkling lights +Bundled up in their mittens and coats +And the cider would flow +And I just wanna be there tonight +[Pre-Chorus] +Sweet dreams of holly and ribbon +Mistakes are forgiven +And everythin' is icy and blue +And you would be there too +[Chorus] +Under the mistlеtoe +Watchin' the fire glow +And tеllin' me, ""I love you"" +Just bein' in your arms +Takes me back to that little farm +Where every wish comes true [Verse 2] +In my heart is a Christmas tree farm +There's a light in the barn +We'd run inside out from the cold +In the town, kids are dreamin' of sleighs +And they're warm and they're safe +They wake to see a blanket of snow +[Pre-Chorus] +Sweet dreams of holly and ribbon +Mistakes are forgiven +And everythin' is icy and blue +And you would be there too +[Chorus] +Under the mistletoe +Watchin' the fire glow +And tellin' me, ""I love you"" +Just bein' in your arms +Takes me back to that little farm +Where every wish comes true +Baby, yeah +[Bridge] +And when I'm feelin' alone +You remind me of home +Oh, baby, baby, Merry Christmas +And when the world isn't fair +I pretend that we're there +Baby, baby, Merry Christmas (To you) [Chorus] +Under the mistletoe (To you) +Watching the fire glow +And tellin' me, ""I love you"" +[Outro] +Oh, baby, baby, Merry Christmas +Oh, baby, baby, Merry Christmas (Darling) +Oh, baby, baby, Merry Christmas +I love you +Oh, baby, baby, Merry Christmas +Oh, baby, baby, Merry Christmas (I just want you to know) +Oh, baby, baby, Merry Christmas +May your every wish come true +Merry Christmas","“Christmas Tree Farm” is a reimagined version of American singer-songwriter Taylor Swift’s 2019 Christmas single with a 70-piece orchestra. The song was initially released exclusively on Amazon Music, but a year later on November 22, 2022, it was officially released on all streaming platforms.",Christmas Tree Farm (Old Timey Version),Taylor Swift +4356,551081,"[Verse 1] +The drought was the very worst, ah-ah, ah-ah +When the flowers that we'd grown together died of thirst +It was months and months of back and forth, ah-ah, ah-ah +You're still all over me like a wine-stained dress I can't wear anymore +[Pre-Chorus] +Hung my head as I lost the war +And the sky turned black like a perfect storm +[Chorus] +The rain came pouring down +When I was drownin', that's when I could finally breathe +And by mornin' +Gone was any trace of you, I think I am finally clean +[Verse 2] +There was nothin' left to do, ah-ah, ah-ah +When the butterflies turned to dust that covered my whole room +So I punched a hole in the roof, ah-ah, ah-ah +Let the flood carry away all my pictures of you +[Pre-Chorus] +The water filled my lungs, I screamed so loud +But no one heard a thing [Chorus] +The rain came pouring down +When I was drownin', that's when I could finally breathe +And by mornin' +Gone was any trace of you, I think I am finally clean +[Post-Chorus] +I think I am finally clean +Ah-ah-ah-ah-ah +Said, I think I am finally clean +Ah-ah-ah-ah +[Bridge] +Ten months sober, I must admit +Just because you're clean, don't mean you don't miss it +Ten months older, I won't give in +Now that I'm clean, I'm never gonna risk it +The drought was the very worst, ah-ah, ah-ah +When the flowers that we'd grown together died of thirst (Oh) +[Chorus] +The rain came pouring down +When I was drownin', that's when I could finally breathe +And by mornin' +Gone was any trace of you, I think I am finally clean +The rain came pouring down +When I was drownin', that's when I could finally breathe +And by mornin' +Gone was any trace of you, I think I am finally clean [Outro] +Finally clean +Think I'm finally clean +Ah-ah, ah-ah +Think I'm finally clean","In an interview with Elle magazine, Taylor said the following about “Clean”: +“Clean” I wrote as I was walking out of Liberty in London. Someone I used to date— it hit me that I’d been in the same city as him for two weeks and I hadn’t thought about it. When it did hit me, it was like, ‘Oh, I hope he’s doing well’. And nothing else. And you know how it is when you’re going through heartbreak. A heartbroken person is unlike any other person. Their time moves at a completely different pace than ours. It’s this mental, physical, emotional ache and feeling so conflicted. Nothing distracts you from it. Then time passes, and the more you live your life and create new habits, you get used to not having a text message every morning saying, ‘Hello, beautiful. Good morning.’ You get used to not calling someone at night to tell them how your day was. You replace these old habits with new habits, like texting your friends in a group chat all day and planning fun dinner parties and going out on adventures with your girlfriends, and then all of a sudden one day you’re in London and you realize you’ve been in the same place as your ex for two weeks and you’re fine. And you hope he’s fine. The first thought that came to my mind was – I’m finally clean. +“Clean” has a different meaning to fans who’ve had struggles with mental illness, addiction, and abuse – it’s about being quite literally clean. While Taylor didn’t think of that meaning originally, she immediately accepted the fandom-wide meaning once she heard of it. +Taylor gave several inspirational speeches before performing “Clean” during her 1989 World Tour. Taylor said the following before performing “Clean” in Tokyo on May 5th: + + + +The hidden message to Clean is “She lost him, but she found herself, and somehow that was everything.” This song is not just about losing someone you love – it’s also about losing yourself. Being clean is about moving on as a person and really taking care of yourself mentally.",Clean,Taylor Swift +4358,132082,"[Verse 1] +You have a way of coming easily to me +And when you take, you take the very best of me +So I start a fight 'cause I need to feel something +And you do what you want 'cause I'm not what you wanted +[Chorus] +Oh, what a shame, what a rainy ending +Given to a perfect day +Just walk away, ain't no use defending +Words that you will never say +And now that I'm sitting here thinking it through +I've never been anywhere cold as you +[Verse 2] +You put up walls and paint them all a shade of gray +And I stood there loving you and wished them all away +And you come away with a great little story +Of a mess of a dreamer with the nerve to adore you +[Chorus] +Oh, what a shame, what a rainy ending +Given to a perfect day +So just walk away, ain't no use defending +Words that you will never say +And now that I'm sitting here thinking it through +I've never been anywhere cold as you [Bridge] +You never did give a damn thing, honey +But I cried, cried for you +And I know you wouldn't have told nobody +If I died, died for you, died for you +[Chorus] +Oh, what a shame, what a rainy ending +Given to a perfect day, oh +Every smile you fake is so condescending +Counting all the scars you made +And now that I'm sitting here thinking it through +I've never been anywhere cold as you +Ooh-oh","“Cold as You” is the fifth track of Swift’s debut album and details her experience with an emotionally unavailable guy. Unlike Shakespeare who compares his lover to a summer’s day Swift compares her lover to a cold, rainy day. She told Rolling Stone that this is her favorite song on the album. In the interview, she said: +The hook is ‘I’ve never been anywhere cold as you.’ I love a line in a song where afterward you’re just like ‘burn.’ +Swift penned this song with her frequent collaborator Liz Rose. She explained it in publicity materials: +I wrote this song with Liz, and I think the lyrics to this song are some of the best we’ve ever written. It’s about that moment where you realize someone isn’t at all who you thought they were, and that you’ve been trying to make excuses for someone who doesn’t deserve them. And that some people are just never going to love you. We were halfway through writing this when I started singing ‘And now that I’m sitting here thinking it through, I’ve never been anywhere cold as you’. +Notably, “Cold As You” is responsible for beginning Taylor’s track record of the 5th song of each of her albums being “emotional vulnerable” ballads.",Cold as You,Taylor Swift +4359,6260162,"[Verse 1] +It's been a long time +And seeing the shape of your name +Still spells out pain +It wasn't right +The way it all went down +Looks like you know that now +[Chorus] +Yes, I got your letter +Yes, I'm doing better +It cut deep to know ya, right to the bone +Yes, I got your letter +Yes, I'm doing better +I know that it's over, I don't need your +Closure, your closure +[Verse 2] +Don't treat me like +Some situation that needs to be handled +I'm fine with my spite +And my tears and my beers and my candles +I can feel you + +smoothing me over +[Chorus] +Yes, I got your letter +Yes, I'm doing bettеr +It cut deep to know ya, right to the bone +Yes, I got your lеtter +Yes, I'm doing better +I know that it's over, I don't need your +Closure, your closure +Your closure, your closure [Bridge] +I know I'm just a wrinkle in your new life +Staying friends would iron it out so nice +Guilty, guilty, reaching out across the sea +That you put between you and me +But it's fake and it's oh-so unnecessary +[Chorus] +Yes, I got your letter +Yes, I'm doing better +It cut deep to know ya, right to the bone +Yes, I got your letter +Yes, I'm doing better +I know that it's over, I don't need your +Closure, closure, your closure +Your closure","Closure is the 14th track on evermore. It is a wild industrial-folk number with Nine Inch Nails-style drums. +In her Apple Music Awards 2020 interview, Taylor notes that closure is one of the overarching themes in the album: “Evermore deals a lot in endings of all sorts, shapes, and sizes, all the kinds of ways we can end a relationship, a friendship, something toxic, and the pain that goes along with that.” +The track is supposedly about Taylor’s former friendship with model Karlie Kloss. Lyrics like “staying friends” and “new life” suggest that they are no longer friends, especially as Taylor and Karlie have no longer been seen together. As she recently married, Karlie’s “new life” has spent large amounts of time with her extended Kushner family, Scooter Braun, and new friends.",​closure,Taylor Swift +4360,186911,"[Verse 1] +I could go back to every laugh +But I don't wanna go there anymore +And I know all the steps up to your door +But I don't wanna go there anymore +[Pre-Chorus] +Talk to the wind, talk to the sky +Talk to the man with the reasons why +And let me know what you find +[Chorus] +I'll leave my window open +'Cause I'm too tired at night to call your name +Just know I'm right here hoping +That you'll come in with the rain +[Verse 2] +I could stand up and sing you a song +But I don't wanna have to go that far +And I, I've got you down, I know you by heart +And you don't even know where I start +[Pre-Chorus] +Talk to yourself, talk to the tears +Talk to the man who put you here +And don't wait for the sky to clear [Chorus] +I'll leave my window open +'Cause I'm too tired at night to call your name +Just know I'm right here hoping +That you'll come in with the rain +[Bridge] +I've watched you so long, screamed your name +I don't know what else I can say +[Chorus] +But I'll leave my window open +'Cause I'm too tired at night for all these games +Just know I'm right here hoping +That you'll come in with the rain +[Outro] +I could go back to every laugh +But I don't wanna go there anymore","“Come in with the Rain” is track number four off the platinum edition of Taylor Swift’s second studio album Fearless. +“Come in with the rain” is an old expression meaning that when bad times come, people come to their senses and realize what they wanted was there the whole time. In this song, Taylor is tired of trying to get this guy to like her, so she is just going to wait until he realizes himself that he likes her. She isn’t going to sing songs about him or keep trying to get his attention, but sooner or later he will come to her.",Come In With the Rain,Taylor Swift +4361,6260173,"[Verse 1] +And the tennis court was covered up +With some tent-like thing +And you asked me to dance +But I said, ""Dancin' is a dangerous game"" +Oh, I thought +This is gonna be one of those things +Now I know +I'm never gonna love again +[Refrain] +I've got some tricks up my sleeve +Takes one to know one +You're a cowboy like me +[Verse 2] +Never wanted love +Just a fancy car +Now I'm waiting by the phone +Like I'm sitting in an airport bar +[Refrain] +You had some tricks up your sleeve +Takes one to know one +You're a cowboy like me [Chorus] +Perched in the dark +Tellin' all the rich folks anything they wanna hear +Like it could be love +I could be the way forward +Only if they pay for it +You're a bandit like me +Eyes full of stars +Hustling for the good life, never thought I'd meet you here +It could be love +We could be the way forward +And I know I'll pay for it +[Chorus] +You're a cowboy like me +Perched in the dark +Tellin' all the rich folks anything they wanna hear +Like it could be love +I could be the way forward +Only if they pay for it +You're a bandit like me +Eyes full of stars +Hustlin' for the good life, never thought I'd meet you here +It could be love +We could be the way forward +And I know I'll pay for it [Bridge] +And the skeletons in both our closets +Plotted hard to fuck this up +And the old men that I've swindled +Really did believe I was the one +And the ladies lunchin' have their stories about +When you passed through town +Oh, but that was all before I locked it down +[Verse 3] +Now you hang from my lips +Like the Gardens of Babylon +With your boots beneath my bed +Forever is the sweetest con +[Refrain] +I've had some tricks up my sleeve +Takes one to know one +You're a cowboy like me +[Outro] +And I'm never gonna love again +I'm never gonna love again +I'm never gonna love again","“cowboy like me” is the 11th track on Taylor Swift’s ninth studio album, evermore. It is a country song reminiscent of Taylor’s early days. It tells the story of two swindlers who fall in love through a cat-and-mouse fling “while hanging out at fancy resorts trying to score rich romantic beneficiaries”. Produced by her frequent collaborator Aaron Dessner, the track’s arrangement gradually builds throughout the song, featuring instrumentation consistent with Swift and Dessner’s country-folk aesthetic. Marcus Mumford, lead singer of Mumford & Sons, provides backing vocals for the track.",​cowboy like me,Taylor Swift +4364,4712978,"[Intro] +( +Yeah, yeah, yeah, yeah +) +[Verse 1] +Fever dream high in the quiet of the night +You know that I caught it ( +Oh yeah, you're right, I want it +) +Bad, bad boy, shiny toy with a price +You know that I bought it ( +Oh yeah, you're right, I want it +) +[Pre-Chorus] +Killing me slow, out the window +I'm always waiting for you to be waiting below +Devils roll the dice, angels roll their eyes +What doesn't kill me makes me want you more +[Chorus] +And it's new, the shape of your body +It's blue, the feeling I've got +And it's ooh, woah-oh +It's a cruel summer +It's cool, that's what I tell 'em +No rules in breakable heaven +But ooh, woah-oh +It's a cruel summer with you +[Verse 2] +Hang your head low in the glow of the vending machine +I'm not dying ( +Oh yeah, you're right, I want it +) +We say that we'll just screw it up in these trying times +We're not trying ( +Oh yeah, you're right, I want it +) [Pre-Chorus] +So cut the headlights, summer's a knife +I'm always waiting for you just to cut to the bone +Devils roll the dice, angels roll their eyes +And if I bleed, you'll be the last to know, oh +[Chorus] +It's new, the shape of your body +It's blue, the feeling I've got +And it's ooh, woah-oh +It's a cruel summer +It's cool, that's what I tell 'em +No rules in breakable heaven +But ooh, woah-oh +It's a cruel summer with you +[Bridge] +I'm drunk in the back of the car +And I cried like a baby comin' home from the bar (Oh) +Said, ""I'm fine,"" but it wasn't true +I don't wanna keep secrets just to keep you +And I snuck in through the garden gate +Every night that summer just to seal my fate (Oh) +And I scream, ""For whatever it's worth +I love you, ain't that the worst thing you ever heard?"" +He looks up, grinnin' like a devil [Chorus] +It's new, the shape of your body +It's blue, the feeling I've got +And it's ooh, woah-oh +It's a cruel summer +It's cool, that's what I tell 'em +No rules in breakable heaven +But ooh, woah-oh +It's a cruel summer with you +[Outro] +I'm drunk in the back of the car +And I cried like a baby comin' home from the bar (Oh) +Said, ""I'm fine,"" but it wasn't true +I don't wanna keep secrets just to keep you +And I snuck in through the garden gate +Every night that summer just to seal my fate (Oh) +And I scream, ""For whatever it's worth +I love you, ain't that the worst thing you ever heard?"" +( +Yeah, yeah, yeah, yeah +)","“Cruel Summer” narrates the fragility and uncertainty at the beginning of Taylor’s relationship with Joe Alwyn. The two met officially at the Met Gala in May 2016, although she was dating DJ Calvin Harris at the time and started seeing Tom Hiddleston shortly after. The fling between the two likely began soon after, lining up with the summer of 2016. Moreover, Taylor seems to suggest that she secretly fell in love with Joe, who she describes as a “bad boy,” during what was supposed to be a physical relationship. +Swift’s release of Lover comes accompanied with a personal journal, where she describes the summer of 2016 as “the apocalypse,” summarizing how painful it was for her. +Taylor’s vulnerability and the theme of this song is similar to the November 2017 track “Delicate.”",Cruel Summer,Taylor Swift +4365,2466693,"[Verse 1] +I’ve been counting days and +I’ve been being patient +About a little thing called love +Crossing all my fingers +Letting my heart linger +Trying to get some help from up above +[Pre-Chorus] +I don’t want to jinx my luck +I’ve left it all behind me +And I’ve been hoping every day +That someday you will find me +[Chorus] +So I cross my heart and hope for you +Knock on wood and rope the moon +I’ll pray for you and me and hope I’m right +And I wait around that old wishing well +You never know if time will tell +I cross my heart and hope for you tonight +[Verse 2] +Dreaming of you baby +I’ve been thinking maybe +There is something I can do +‘Cause I’ve been on the verge of +Running around in circles +Baby all I want is you [Pre-Chorus] +I don’t want to jinx my luck +I’ve left it all behind me +And I’ve been hoping every day +That someday you will find me +[Chorus] +So I cross my heart and hope for you +Knock on wood and rope the moon +I’ll pray for you and me and hope I’m right +And I wait around that old wishing well +You never know if time will tell +I cross my heart and hope for you tonight +[Bridge] +Do you believe in miracles +Please tell me if you’ve seen one +I’d like to know just where to go +Because I think I need one +[Chorus x2] +So I cross my heart and hope for you +Knock on wood and rope the moon +I’ll pray for you and me and hope I’m right +And I wait around that old wishing well +You never know if time will tell +I cross my heart and hope for you tonight So I cross my heart and hope for you +Knock on wood and rope the moon +I’ll pray for you and me and hope I’m right +And I wait around that old wishing well +You never know if time will tell +I cross my heart and hope for you tonight",‘Cross My Heart’ is an unreleased acoustic song written by Taylor Swift when she was 12 or 13. This song is about wishing for a relationship with someone.,Cross My Heart,Taylor Swift +4366,4765965,"[Verse 1] +We were in the backseat +Drunk on something stronger than the drinks in the bar +""I rent a place on Cornelia Street"" +I say casually in the car +We were a fresh page on the desk +Filling in the blanks as we go +As if the street lights pointed in an arrow head +Leading us home +[Chorus] +And I hope I never lose you, hope it never ends +I'd never walk Cornelia Street again +That's the kinda heartbreak time could never mend +I'd never walk Cornelia Street again +And baby, I get mystified by how this city screams your name +And baby, I'm so terrified of if you ever walk away +I'd never walk Cornelia Street again +I'd never walk Cornelia Street again +[Verse 2] +Windows flung right open, autumn air +Jacket 'round my shoulders is yours +We bless the rains on Cornelia Street +Memorize the creaks in the floor +Back when we were card sharks, playing games +I thought you were leading me on +I packed my bags, left Cornelia Street +Before you even knew I was gone [Pre-Chorus] +But then you called, showed your hand +I turned around before I hit the tunnel +Sat on the roof, you and I +[Chorus] +I hope I never lose you, hope it never ends +I'd never walk Cornelia Street again +That's the kinda heartbreak time could never mend +I'd never walk Cornelia Street again +And baby, I get mystified by how this city screams your name (City screams your name) +And baby, I'm so terrified of if you ever walk away +I'd never walk Cornelia Street again +I'd never walk Cornelia Street again +[Bridge] +You hold my hand on the street +Walk me back to that apartment +Years ago, we were just inside +Barefoot in the kitchen +Sacred new beginnings +That became my religion, listen +[Chorus] +I hope I never lose you +I'd never walk Cornelia Street again +Oh, never again +And baby, I get mystified by how this city screams your name (City screams your name) +And baby, I'm so terrified of if you ever walk away +I'd never walk Cornelia Street again +I'd never walk Cornelia Street again [Post-Chorus] +I don't wanna lose you (Hope it never ends) +I'd never walk Cornelia Street again +I don't wanna lose you (Yeah) +[Outro] +""I rent a place on Cornelia Street"" +I say casually in the car","“Cornelia Street” focuses on the central role the Manhattan street played in Taylor’s memories of an early relationship. Taylor really did rent an apartment on the street in 2016 and 2017 while she was renovating her Tribeca apartment. +The end of the song features the sound of a windshield wiper, to bring the scene in “the backseat” of a car to life.",Cornelia Street,Taylor Swift +4367,6260168,"[Verse 1: Taylor Swift] +Break my soul in two looking for you +But you're right here +If I can't relate to you anymore +Then who am I related to? +And if this is the long haul +How'd we get here so soon? +Did I close my fist around something delicate? +Did I shatter you? +[Chorus: Taylor Swift] +And I'm sitting on a bench in Coney Island +Wondering, where did my baby go? +The fast times, the bright lights, the merry go +Sorry for not making you my centerfold +Over and over +Lost again with no surprises +Disappointments, close your eyes +And it gets colder and colder +When the sun goes down +[Verse 2: Matt Berninger +with Taylor Swift +] +The question pounds my head +What's a lifetime of achievement +If I pushed you to the edge +But you were too polite to leave me? +And do you miss the rogue +Who coaxed you into paradise and left you there? +Will you forgive my soul +When you're too wise to trust me and too old to care? [Chorus: Taylor Swift +with Matt Berninger +] +'Cause we were like the mall before the internet +It was the one place to be +The mischief, the gift-wrapped suburban dreams +Sorry for not winning you an arcade ring +Over and over +Lost again with no surprises +Disappointments, close your eyes +And it gets colder and colder +When the sun goes down +[Bridge: Taylor Swift, +Matt Berninger +, +Both +] +Were you waiting at our old spot +In the tree line by the gold clock +Did I leave you hanging every single day? +Were you standing in the hallway +With a big cake, happy birthday +Did I paint your bluest skies the darkest grey? +A universe away +And when I got into the accident +The sight that flashed before me was your face +But when I walked up to the podium +I think that I forgot to say your name +[Chorus: Taylor Swift & Matt Berninger] +I'm on a bench in Coney Island +Wondering, where did my baby go? +The fast times, the bright lights, the merry go +Sorry for not making you my centerfold +Over and over +Lost again with no surprises +Disappointments, close your eyes +And it gets colder and colder +When the sun goes down [Outro: Taylor Swift & Matt Berninger] +When the sun goes down +The sight that flashed before me was your face +When the sun goes down +But I think that I forgot to say your name +Over and over +Sorry for not making you my, making you my +Making you my centerfold","“coney island” marks Swift’s first collaboration with The National after working heavily with band member Aaron Dessner on both the writing and production of evermore and folklore. +Like much of The National’s extensive catalogue, the track is subdued and melancholic sonically. Through the use of back-and-forth conversational lyrics littered with imagery that is rich with bygone experiences, it evokes a heavy feeling of loss and nostalgia for a past relationship where effort was not equal from both sides. +The lyrics contrast with the title location itself–Coney Island–a neighborhood in Brooklyn, New York that is famous as a tourist destination for its lively carnival park setting. Additionally, the community district is Brooklyn 13, a number that is particularly special to Swift.",​coney island,Taylor Swift +4368,187143,"[Verse 1] +I'd never gone with the wind, just let it flow +Let it take me where it wants to go +'Til you open the door, there's so much more +I'd never seen it before +I was tryin' to fly but I couldn't find wings +But you came along and you changed everything +[Chorus] +You lift my feet off the ground +You spin me around +You make me crazier, crazier +Feels like I'm fallin' and I am lost in your eyes +You make me crazier, crazier, crazier +[Verse 2] +I've watched from a distance as you made life your own +Every sky was your own kind of blue +And I wanted to know how that would feel +And you made it so real +You showed me somethin' that I couldn't see +You opened my eyes +And you made me believe +[Chorus] +You lift my feet off the ground +You spin me around +You make me crazier, crazier +Feels like I'm fallin' and I am lost in your eyes +You make me crazier, crazier, crazier, oh [Bridge] +Baby, you showed me what livin' is for +I don't wanna hide anymore +Oh-oh +[Chorus] +You lift my feet off the ground +You spin me around +You make me crazier, crazier +Feels like I'm fallin' and I am lost in your eyes +You make me crazier, crazier, crazier +Crazier, crazier","“Crazier” is a song about being in love with someone who makes your world more beautiful. Taylor wrote and performed the track for the Hannah Montana movie, which starred Miley Cyrus and Lucas Till, who went on to star in Taylor’s “You Belong With Me” video. +",Crazier,Taylor Swift +4370,3306080,"[Verse 1] +I, I loved you in secret +First sight, yeah, we love without reason +Oh, twenty-five years old +Oh, how were you to know? And +My, my love had been frozen +Deep blue, but you painted me golden +Oh, and you held me close +Oh, how was I to know? I– +[Pre-Chorus] +Could've spent forever with your hands in my pockets +Picture of your face in an invisible locket +You said there was nothing in the world that could stop it +I had a bad feeling +And darling, you had turned my bed into a sacred oasis +People started talking, putting us through our paces +I knew there was no one in the world who could take it +I had a bad feeling +[Chorus] +But we were dancing +Dancing with our hands tied, hands tied +Yeah, we were dancing +Like it was the first time, first time +Yeah, we were dancing +Dancing with our hands tied, hands tied +Yeah, we were dancing +And I had a bad feeling +But we were dancing [Verse 2] +I, I loved you in spite of +Deep fears that the world would divide us +So, baby, can we dance +Oh, through an avalanche? And +Say, say that we got it +I'm a mess, but I'm the mess that you wanted +Oh, 'cause it's gravity +Oh, keeping you with me, I– +[Pre-Chorus] +Could've spent forever with your hands in my pockets +Picture of your face in an invisible locket +You said there was nothing in the world that could stop it +I had a bad feeling +[Chorus] +But we were dancing +Dancing with our hands tied, hands tied +Yeah, we were dancing +Like it was the first time, first time +Yeah, we were dancing +Dancing with our hands tied, hands tied +Yeah, we were dancing (Knew we had our hands tied) +And I had a bad feeling +But we were dancing [Bridge] +I'd kiss you as the lights went out +Swaying as the room burned down +I'd hold you as the water rushes in +If I could dance with you again +I'd kiss you as the lights went out +Swaying as the room burned down +I'd hold you as the water rushes in +If I could dance with you again (Again) +[Chorus] +Dancing with our hands tied, hands tied +Oh, yeah, we were dancing +Like it was the first time, first time (First time, first time) +Yeah, we were dancing (Oh) +Dancing with our hands tied, hands tied (Dancing with our hands tied) +Yeah, we were dancing (Ooh) +And I had a bad feeling (Had a bad feeling) +But we were dancing +[Outro] +(Ooh-ooh, ooh-ooh) +Hands tied, hands tied (Dancing)","“Dancing With Our Hands Tied” shows a different side of Taylor’s sound not present in much of her previous music. The song has house music vibes and heavy beat drops. In the last chorus of the song Taylor also hits notes in vocal ranges she has not hit in the history of her music career, the notes F5 and G5.",Dancing With Our Hands Tied,Taylor Swift +4372,78585,"[Verse 1] +Long were the nights when +My days once revolved around you +Counting my footsteps +Praying the floor won't fall through again +And my mother accused me of losing my mind +But I swore I was fine +You paint me a blue sky +Then go back and turn it to rain +And I lived in your chess game +But you changed the rules everyday +Wondering which version of you I might get on the phone tonight +Well, I stopped pickin' up and this song is to let you know why +[Chorus] +Dear John, I see it all now that you're gone +Don't you think I was too young to be messed with? +The girl in the dress cried the whole way home +I should've known +[Verse 2] +Well, maybe it's me +And my blind optimism to blame +Or maybe it's you and your sick need +To give love and take it away +And you'll add my name to your long list of traitors +Who don't understand +And I look back in regret how I ignored when they said +""Run as fast as you can"" [Chorus] +Dear John, I see it all now that you're gone +Don't you think I was too young to be messed with? +The girl in the dress cried the whole way home +Dear John, I see it all now, it was wrong +Don't you think nineteen's too young +To be played by your dark, twisted games when I loved you so? +I should've known +[Bridge] +You are an expert at sorry and keeping lines blurry +Never impressed by me acing your tests +All the girls that you've run dry have tired lifeless eyes +'Cause you burned them out +But I took your matches before fire could catch me +So don't look now +I'm shining like fireworks over your sad empty town +Oh, oh +[Chorus] +Dear John, I see it all now that you're gone +Don't you think I was too young to be messed with? +The girl in the dress cried the whole way home +I see it all now that you're gone +Don't you think I was too young to be messed with? +The girl in the dress wrote you a song +You should've known [Outro] +You should've known +Don't you think I was too young? +You should've known","“Dear John” is a reflection on Taylor’s short-lived relationship with fellow singer-songwriter John Mayer. Taylor conveys her feelings of frustration over the way she was treated by John and how she disregarded the warnings from others. +Besides the obvious song title, there are multiple references to Mayer directly, including the mention of their over ten-year age gap. Sonically, Taylor purposefully added guitar slurring to the background instrumentals, a guitar playing technique seen all throughout Mayer’s music. +The two notably collaborated on Mayer’s 2010 song “Half of My Heart,” which was released 4 months before “Dear John”. +Besides John’s public statement to Rolling Stone in 2012, Mayer also replied to “Dear John” three years later, in his 2013 song “Paper Doll.” In the song, John directly replies to Taylor’s line, “you paint me a blue sky then go back and turn it to rain” with, “and if those angel wings don’t fly, someone’s going to paint you another sky.” +Notably, “Dear John” was the third song to contribute to Taylor’s streak of having “emotional vulnerable” ballads as the 5th track of an album.",Dear John,Taylor Swift +4374,4765964,"[Verse 1] +My love was as cruel as the cities I lived in +Everyone looked worse in the light +There are so many lines that I've crossed unforgiven +I'll tell you the truth but never goodbye +[Chorus] +I don't wanna look at anything else now that I saw you +I don't wanna think of anything else now that I thought of you +I've been sleepin' so long in a twenty-year dark night +And now I see daylight, I only see daylight +[Verse 2] +Luck of the draw only draws the unlucky +And so I became the butt of the joke +I wounded the good and I trusted the wicked +Clearin' the air, I breathed in the smoke +[Pre-Chorus] +Maybe you ran with the wolves and refused to settle down +Maybe I've stormed out of every single room in this town +Threw out our cloaks and our daggers because it's morning now +It's brighter now, now +[Chorus] +I don't wanna look at anything else now that I saw you +(I can never look away) +I don't wanna think of anything else now that I thought of you +(Things will never be the same) +I've been sleepin' so long in a twenty-year dark night +(Now I'm wide awake) +And now I see daylight (Daylight), I only see daylight (Daylight) [Post-Chorus] +I only see daylight, daylight, daylight, daylight +I only see daylight, daylight, daylight, daylight +[Bridge] +And I can still see it all (In my mind) +All of you, all of me (Intertwined) +I once believed love would be (Black and white) +But it's golden (Golden) +And I can still see it all (In my head) +Back and forth from New York (Sneakin' in your bed) +I once believed love would be (Burnin' red) +But it's golden +Like daylight, like daylight +Like daylight, daylight +[Chorus] +I don't wanna look at anything else now that I saw you +(I can never look away) +And I don't wanna think of anything else now that I thought of you +(Things will never be the same) +I've been sleepin' so long in a twenty-year dark night +(Now I'm wide awake) +And now I see daylight (I see daylight), I only see daylight (Ah) +[Post-Chorus] +I only see daylight, daylight, daylight, daylight +I only see daylight, daylight, daylight, daylight (Ah) +(And I can still see it all) +I only see daylight, daylight, daylight, daylight +(And I can still see it all, back and forth from New York) +I only see daylight, daylight, daylight, daylight +(I once believed love would be burning red) [Outro] +Like daylight +It's golden like daylight +You gotta step into the daylight and let it go +Just let it go, let it go +[Spoken Outro] +I wanna be defined by the things that I love +Not the things I hate +Not the things I'm afraid of, I'm afraid of +Or the things that haunt me in the middle of the night +I, I just think that +You are what you love","In the final song on her album Lover, Taylor Swift sings about struggling through previous relationships, beginning to doubt her ability to find true love, until she meets someone who brightens her life in a new way. +She refers to being unlucky in love in the past, but when she meets her new partner, she only wants to focus on them and their happiness together.",Daylight,Taylor Swift +4376,8486436,"[Verse 1] +Dear reader, if it feels like a trap +You're already in one +Dear reader, get out your map +Pick somewhere and just run +Dear reader, burn all the files +Desert all your past lives +And if you don't recognize yourself +That means you did it right +[Chorus] +Never take advice from someone who's falling apart +Never take advice from someone who's falling apart (You should find another) +[Verse 2] +Dear reader, bend when you can +Snap when you have to +Dear reader, you don't have to answer +Just 'cause they asked you +(You should find another) +Dear reader, the greatest of luxuries is your secrets +Dear reader, when you aim at the devil +Make sure you don't miss +[Chorus] +Never take advice from someone who's falling apart +Never take advice from someone who's falling apart [Bridge] +So I wander through these nights +I prefer hiding in plain sight +My fourth drink in my hand +These desperate prayers of a cursed man +Spilling out to you for free +But darling, darling, please +You wouldn't take my word for it if you knew who was talking +If you knew where I was walking +To a house, not a home, all alone 'cause nobody's there +Where I pace in my pen and my friends found friends who care +No one sees when you lose when you're playing solitaire +[Outro] +You should find another guiding light, guiding light +But I shine so bright +You should find another guiding light, guiding light +But I shine so bright +You should find another, you should find another (Guiding light) +Find another, you should find another +You should find another","“Dear Reader” is the final track of the 3AM edition of Taylor Swift’s 2022 album Midnights. The song is written from the perspective of an advice columnist, and in it, Taylor attempts to give the listener (or reader) life advice. She advises the listener to, among other things, be wary, reinvent themselves, bend when they can but not bend over for others who ask of them, and keep secrets. These are all meant not to be trusted, as the narrator themself warns the listener not to. In the song “Dear Reader”, the narrator has come into a very isolated, desperate life, which provides a fitting finale to an album touching on self-doubt, mistrust, and pain throughout.",Dear Reader,Taylor Swift +4377,4782863,"[Intro] +My, my, my, my +My, my, my, my +My, my, my, my +My, my, my, my +My, my, my, my +My, my, my, my +My, my, my, my +My, my, my, my +[Chorus] +Saying goodbye is death by a thousand cuts +Flashbacks waking me up +I get drunk, but it's not enough +’Cause the morning comes and you're not my baby +I look through the windows of this love +Even though we boarded them up +Chandelier's still flickering here +’Cause I can't pretend it's okay when it's not +It's death by a thousand cuts +[Verse] +I dress to kill my time, I take the long way home +I ask the traffic lights if it'll be alright +They say, ""I don't know"" +And what once was ours is no one's now +I see you everywhere, the only thing we share +Is this small town +You said it was a great love, one for the ages +But if the story’s over, why am I still writing pages? [Chorus] +’Cause saying goodbye is death by a thousand cuts +Flashbacks waking me up +I get drunk, but it's not enough +’Cause the morning comes and you're not my baby +I look through the windows of this love +Even though we boarded them up +Chandelier's still flickering here +'Cause I can’t pretend it's okay when it's not +It's death by a thousand cuts +[Bridge] +My heart, my hips, my body, my love +Tryna find a part of me that you didn't touch +Gave up on me like I was a bad drug +Now I'm searching for signs in a haunted club +Our songs, our films, united we stand +Our country, guess it was a lawless land +Quiet my fears with the touch of your hand +Paper cut stings from our paper-thin plans +My time, my wine, my spirit, my trust +Tryna find a part of me you didn't take up +Gave you too much, but it wasn't enough +But I'll be alright, it's just a thousand cuts +[Chorus] +I get drunk, but it's not enough +'Cause you're not my baby +I look through the windows of this love +Even though we boarded them up +Chandelier's still flickering here +'Cause I can't pretend it's okay when it's not +No, it's not +It's death by a thousand cuts (You didn't touch) [Post-Chorus] +Tryna find a part of me that you didn't touch +My body, my love, my trust (It's death by a thousand cuts) +But it wasn't enough, it wasn't enough, no, no +[Outro] +I take the long way home +I ask the traffic lights if it'll be alright +They say, ""I don't know""","“Death By A Thousand Cuts” compares the possible break-up of a relationship to a slow, painful death. It was inspired by the Netflix film Someone Great, rather than an aspect of Swift’s personal relationship, although she had dreams that she was going through the same thing in her life.",Death By A Thousand Cuts,Taylor Swift +4378,3306086,"[Intro] +Don't blame me, love made me crazy +If it doesn't, you ain't doin' it right +Lord, save me, my drug is my baby +I'll be usin' for the rest of my life +[Verse 1] +I've been breakin' hearts a long time +And toyin' with them older guys +Just playthings for me to use +Somethin' happened for the first time +In the darkest little paradise +Shaking, pacin', I just need you +[Pre-Chorus] +For you, I would cross the line +I would waste my time, I would lose my mind +They say, ""She's gone too far this time"" +[Chorus] +Don't blame me, love made me crazy +If it doesn't, you ain't doin' it right +Lord, save me, my drug is my baby +I'll be usin' for the rest of my life +Don't blame me, love made me crazy +If it doesn't, you ain't doin' it right +Oh, Lord, save me, my drug is my baby +I'll be usin' for the rest of my life [Verse 2] +My name is whatever you decide and +I'm just gonna call you mine +I'm insane, but I'm your baby (Your baby) +Echoes (Echoes) of your name inside my mind +Halo hidin' my obsession +I once was poison ivy, but now, I'm your daisy +[Pre-Chorus] +And, baby, for you, I (I) would (Would) fall from grace +Just (Just) to (To) touch your face, if (If) you (You) walk away +I'd beg ya on my knees to stay +[Chorus] +Don't blame me, love made me crazy +If it doesn't, you ain't doin' it right +Lord, save me, my drug is my baby +I'll be usin' for the rest of my life (Yeah, ooh) +Don't blame me, love made me crazy +If it doesn't, you ain't doin' it right +Oh, Lord, save me, my drug is my baby +I'll be usin' for the rest of my life +[Bridge] +I get so high, oh +Every time you're, every time you're lovin' me +You're lovin' me +Trip of my life, oh +Every time you're, every time you're touchin' me +You're touchin' me +Every time you're, every time you're lovin' me [Breakdown] +Oh, Lord, save me, my drug is my baby +I'll be usin' for the rest of my life +(Usin' for the rest of my life, oh, woah) +[Chorus] +Don't blame me, love made me crazy +If it doesn't, you ain't doin' it right (Doin' it right, no) +Lord, save me, my drug is my baby +I'll be usin' for the rest of my life (Oh) +Don't blame me, love made me crazy (Ooh) +If it doesn't, you ain't doin' it right (You ain't doin', babe) +Oh, Lord, save me, my drug is my baby +I'll be usin' for the rest of my life (I'll be usin', I'll be usin') +[Outro] +I get so high, oh +Every time you're, every time you're lovin' me +You're lovin' me +Oh, Lord, save me, my drug is my baby +I'll be usin' for the rest of my life","On this midtempo synthpop track, Taylor compares being in love to drug addiction. +The track notably has significant sonic and thematic similarities to Hozier’s 2013 track, “Take Me To Church,” from which it may have drawn inspiration. More broadly, the comparison of love to a drug has appeared in many popular songs over the years, including Kesha’s 2010 track “Your Love Is My Drug” and 2013’s “Dark Horse,” by Taylor’s former rival, Katy Perry.",Don’t Blame Me,Taylor Swift +4380,3645367,"This ain't for the best +My reputation's never been worse, so +You must like me for me +We can't make +Any promises now, can we, babe? +But you can make me a drink +Dark night on the East Side, where you at? +Phone lights up my nightstand in the black +Come here, you can meet me in the back +Dark jeans and your Nikes, look at you +Oh never seen that color blue +Just think of the fun things we could do +'Cause I like you +This ain't for the best +My reputation's never been worse, so +You must like me for me +Yeah, I want you +We can't make +Any promises now, can we, babe? +But you can make me a drink +Is it cool that I said all that? +Is it chill that you're in my head? +'Cause I know that it's delicate (delicate) +Is it cool that I said all that +Is it too soon to do this yet? +'Cause I know that it's delicate +Isn't it? Isn't it? Isn't it? Isn't it? +Isn't it? Isn't it? Isn't it? Isn't it? +Delicate Third floor on the West Side, me and you +Handsome, your mansion with a view +Do the girls back home touch you like I do? +Long night, with your hands up in my hair +Echoes of your footsteps on the stairs +Stay here, honey, I don't wanna share +'Cause I like you +This ain't for the best +My reputation's never been worse, so +You must like me for me +Yeah, I want you +We can't make +Any promises now, can we, babe? +But you can make me a drink +Is it cool that I said all that? +Is it chill that you're in my head? +'Cause I know that it's delicate (delicate) +Is it cool that I said all that +Is it too soon to do this yet? +'Cause I know that it's delicate +Isn't it? Isn't it? Isn't it? Isn't it? +Isn't it? Isn't it? Isn't it? Isn't it? +Delicate Sometimes I wonder when you sleep +Are you ever dreaming of me? +Sometimes when I look into your eyes +I pretend you're mine, all the time +'Cause I like you +Is it cool that I said all that? +Is it chill that you're in my head? +'Cause I know that it's delicate (delicate) +Yeah, I want you +Is it cool that I said all that +Is it too soon to do this yet? +'Cause I know that it's delicate (delicate) +'Cause I like you +Is it cool that I said all that? +Is it chill that you're in my head? +'Cause I know that it's delicate (delicate) +Yeah, I want you +Is it cool that I said all that +Is it too soon to do this yet? +'Cause I know that it's delicate +Delicate","“Delicate (Radio Disney Version)” is an radio-edited version of the song, “Delicate.” The song was edited by changing “dive bar” to “dark night” and taking “damn” out of the song both times it is said. The changes were made so that the song can play on Radio Disney, a radio station for children.Expand Share",Delicate (Radio Disney Version),Taylor Swift +4381,6260167,"[Verse 1] +Hey, Dorothea, do you ever stop and think about me? +When we were younger, down in the park +Honey, makin' a lark of the misery +You got shiny friends since you left town +A tiny screen's the only place I see you now +And I got nothin' but well wishes for ya +[Pre-Chorus] +Ooh +This place is the same as it ever was +Ooh +But you won't like it that way +[Chorus] +It's never too late to come back to my side +The stars in your eyes shined brighter in Tupelo +And if you're ever tired of bеin' known for who you know +You know that you'll always know me +Dorothea, uh-uh +Dorothea, ah-ah +[Post-Chorus] +Ooh +You'rе a queen sellin' dreams, sellin' makeup and magazines +Ooh +From you, I'd buy anything [Verse 2] +Hey, Dorothea, do you ever stop and think about me? +When it was calmer, skippin' the prom +Just to piss off your mom and her pageant schemes +And damn, Dorothea, they all wanna be ya +But are you still the same soul I met under the bleachers? Well +[Pre-Chorus] +Ooh +I guess I'll never know +Ooh +And you'll go on with the show +[Chorus] +But it's never too late to come back to my side +The stars in your eyes shined brighter in Tupelo +And if you're ever tired of bein' known for who you know +You know, you'll always know me +Dorothea, uh-uh +Dorothea, ah-ah +[Outro] +Ooh, ooh +Ooh-woo-ooh-ooh-ooh, ooh-ooh-ooh-ooh +Ooh, ooh +Ooh-woo-ooh-ooh-ooh, ooh-ooh-ooh +Dorothea (Ah-ah-ah) +Ah-ah +Ooh","“dorothea” is the eighth song on evermore, as well as the first song that Taylor Swift wrote for this album. +Swift referred to the titular character as a “girl who left her small town to chase down Hollywood dreams.” “tis the damn season” is likely the story of her return back home for the holidays. +“dorothea” itself seems to be told from the point of view of an old hometown lover. +Taylor has clarified the Dorothea narrative is “not a direct continuation of the betty/james/august storyline, but in [her] mind Dorothea went to the same school as Betty, James, and Inez.”",​dorothea,Taylor Swift +4384,9199814,"[Verse 1: Taylor Swift] +Just breathe, just relax, it'll be okay +Just an hour 'til your car's in the driveway +Just the first time ever hangin' out with you tonight +I've got my money on things goin' badly +Got a history of stories ending sadly +Still hoping that the fire won't burn me +Just one time, just one time +[Chorus: Taylor Swift] +All I know is this could either break my heart or bring it back to life +Got a feelin' your electric touch could fill this ghost town up with life +And I want you now, wanna need you forever +In the heat of your electric touch, mmm +[Verse 2: Patrick Stump, +Taylor Swift & Patrick Stump +] +I've been left in the rain lost and pining +I'm tryin' hard not to look like I'm trying +'Cause every time I tried hard for love, it fell apart (Woah) +I've gotten used to no one callin' my phone +I've grown accustomed to sleepin' alone +Still, I know that all it takes is to get it right +Just one time +, just one time +[Chorus: Taylor Swift & Patrick Stump] +All I know is this could either break my heart or bring it back to life +Got a feelin' your electric touch could fill this ghost town up with life +And I want you now, wanna need you forever +In the heat of your electric touch, mmm [Bridge: Taylor Swift, +Patrick Stump +] +I was thinking just one time ( +Just one time +) +Maybe the stars align ( +Just one time +) +And maybe I call you mine +And you won't need space +Or string me along while you decide +And just one time ( +Just one time +) +Maybe the moment's right ( +The moment's right +) +It's 8:05 and I see two headlights +[Chorus: Both, +Taylor Swift, + +Patrick Stump +] +All I know is this could either break my heart +or bring it back to life +Got a feelin' your electric + touch ( +Ooh +) +All I know + is this could either break my heart or bring it back to life +Got a feelin' your electric touch could fill this ghost town up with life + ( +Life +) +And I want you now +, wanna need you forever +In the heat of your electric touch, mmm","“Electric Touch” sees Swift and Patrick Stump of Fall Out Boy long for hope, vulnerability, and the uncertainty of new love while they also share their perspectives on the potential risks and rewards of opening themselves up to new romantic possibilities. +Swift announced that “Electric Touch” would serve as the first vault track on her re-recorded edition of Speak Now. She further revealed that Fall Out Boy with whom she had performed at the 2013 Victoria’s Secret Fashion Show, would be featured on the song. Notably, Patrick Stump–the lead singer of Fall Out Boy–had also made a special guest appearance during Taylor Swift’s Red Tour. +The decision to feature Fall Out Boy on the track was explained by Swift in a post announcing the album’s rerecording: +Since Speak Now was all about my songwriting, I decided to go to the artists who I feel influenced me most powerfully as a lyricist at that time and ask them to sing on the album. +Swift has often mentioned the influence Fall Out Boy have had on her songwriting over the years, revealing to Zane Lowe that Pete Wentz and previous collaborator Lana Del Rey are her favorite lyricists and telling Rolling Stone in 2019: +I love Fall Out Boy so much. Their songwriting really influenced me, lyrically, maybe more than anyone else. They take a phrase and they twist it. “Loaded God complex/Cock it and pull it”? When I heard that, I was like, “I’m dreaming.”",Electric Touch (Taylor’s Version) [From The Vault],Taylor Swift +4385,4499926,"[Verse 1] +Hey, I knew I'd run into you somewhere +It's been a while, I didn't mean to stare +I heard she's nothin' like me +I'm sure she'll make you happy +[Chorus] +But don't you, don't you +Smile at me and ask me how I've been +Don't you say you've +Missed me if you don't want me again +You don't know how much I feel I love you still +So why don't you, don't you? +[Post-Chorus] +Ah, ah, ah, ah +Ah, ah, ah +[Verse 2] +Sometimes, I really wish that I could hate you +I've tried, but that's just somethin' I can't do +My heart knows what the truth is +I swore I wouldn't do this +[Chorus] +But don't you, don't you +Smile at me and ask me how I've been +Don't you say you've +Missed me if you don't want me again +You don't know how much I feel I love you still +So why don't you, don't you? [Bridge] +So I'll walk out of here tonight +Try to go on with my life +And you can say we're still friends +(But I don't wanna pretend) +So if I see you again +[Chorus] +Don't you (Don't you), don't you +Smile at me and ask me how I've been +Don't you (Don't you) say you've +Missed me if you don't want me again +You don't (You don't) know how much I feel I love you still +So why don't you, don't you? +[Outro] +Ah, ah, ah, ah +Don't you (Ah, ah, ah)","Formerly one of Taylor Swift’s rarest unreleased songs, “Don’t You” was added to the tracklist of Swift’s re-release of her sophomore album. +It describes Swift running into her ex, and the encounter causing her to remember their past together and feel the pain of their history together that hurt her. She doesn’t understand how this person doesn’t feel the same pain that she does, but resigns herself to moving on with her life, and rejecting the person’s desire to pretend to stay friends. +On April 2nd 2021, Taylor posted a video on her social media where the vault was opened and words with the letters mixed up came out of it. This song was reversed and used as the background music for the video.",Don’t You (Taylor’s Version) [From the Vault],Taylor Swift +4387,423314,"[Verse 1] +There I was again tonight forcing laughter, faking smiles +Same old tired, lonely place +Walls of insincerity +Shifting eyes and vacancy vanished when I saw your face +All I can say is it was enchanting to meet you +Your eyes whispered ""have we met?"" +Across the room your silhouette starts to make it's way to me +The playful conversation starts +Counter all your quick remarks like passing notes in secrecy +All I can say is it was enchanting to meet you +Oh, Taylor, I was so enchanted to meet you too +[Chorus] +This night is sparkling, don't you let it go +I'm wonderstruck, blushing all the way home +I'll spend forever wondering if you knew +I was enchanted to meet you too +[Verse 2] +The lingering question kept me up +2 AM, who do you love? +I wondered till I'm wide awake +Now I'm pacing back and forth, wishing you were at my door +I'd open up and you would say +It was enchanting to meet you +Oh, Taylor, I was so enchanted to meet you too [Chorus] +This night is sparkling, don't you let it go +I'm wonderstruck, blushing all the way home +I'll spend forever wondering if you knew +I was enchanted to meet you too +[Bridge] +This is me praying that this was the very first page +Not where the story line ends +My thoughts will echo your name until I see you again +These are the words I held back as I was leaving too soon +I was enchanted to meet you too +Please don't be in love with someone else +Please don't have somebody waiting on you +Please don't be in love with someone else +Please don't have somebody waiting on you +[Chorus] +This night is sparkling, don't you let it go +I'm wonderstruck, blushing all the way home +I'll spend forever wondering if you knew +This night is flawless, don't you let it go +I'm wonderstruck, dancing around all alone +Taylor I'll spend my whole life wondering if you knew +I was enchanted to meet you too [Outro] +I was never in love with someone else +I never had somebody waiting on me +'Cause you were all of my dreams come true +And I just wish you knew +Taylor, I was so in love with you","This song is a cover of Taylor Swift’s “Enchanted”, posted to Adam Young’s blog on Valentine’s Day 2011. This version retains most of the lyrics, with some minor changes to reflect Adam’s personal feelings and to personalise the song for Taylor. +Adam and Taylor had previously met through email and had been communicating for some time, and the pair met again at a party. This party is described fully in detail during the song and describes Taylor’s childful infatuation with Adam. +Hearing this song, Adam wrote this as a response to Enchanted as a whole, of how he fell in love with Taylor at first sight and shared the same feelings. Along with this, Adam’s signature passionate vocals and electronic production give this song a very powerful and unique sound. +Taylor never replied to Adam’s gesture, and this song was removed from the blog post after a few months. Taylor then began dating Jake Gyllenhall and Adam stopped pursuing the matter. +Most of the song’s annotations and meanings can be found on the original version of “Enchanted” on Country Genius.",Enchanted,Taylor Swift +4391,5793963,"[Verse 1] +Keep your helmet, keep your life, son +Just a flesh wound, here's your rifle +Crawling up the beaches now +""Sir, I think he's bleeding out"" +And some things you just can't speak about +[Chorus] +With you I serve, with you I fall down, down +Watch you breathe in, watch you breathing out, out +[Verse 2] +Something med school did not cover +Someone's daughter, someone's mother +Holds your hand through plastic now +""Doc, I think she's crashing out"" +And some things you just can't speak about +[Bridge] +Only twenty minutes to sleep +But you dream of some epiphany +Just one single glimpse of relief +To make some sense of what you've seen +[Chorus] +With you I serve, with you I fall down, down (Down) +Watch you breathe in, watch you breathing out, out +With you I serve (With you I serve), with you I fall down (Down), down (Down) +Watch you breathe in (Watch you breathe in), watch you breathing out (Out), out (Out) [Outro] +Only twenty minutes to sleep +But you dream of some epiphany +Just one single glimpse of relief +To make some sense of what you've seen","“epiphany” describes someone hoping to find peace in their dreams despite living in a world of chaos and violence, specifically in the midst of the current COVID-19 pandemic. In the folklore album prologue, Swift explains that the song touches on her grandfather’s experience in the military.",​epiphany,Taylor Swift +4392,6260141,"[Verse 1: Taylor Swift] +Gray November +I've been down since July +Motion capture +Put me in a bad light +I replay my footsteps on each stepping stone +Trying to find the one where I went wrong +Writing letters +Addressed to the fire +[Chorus: Taylor Swift] +And I was catchin' my breath +Starin' out an open window, catchin' my death +And I couldn't be sure +I had a feeling so peculiar +That this pain would be for +Evermore +[Verse 2: Taylor Swift] +Hey, December +Guess I'm feeling unmoored +Can't remember +What I used to fight for +I rewind thе tape, but all it does is pause +On thе very moment all was lost +Sending signals +To be double-crossed [Chorus: Taylor Swift] +And I was catchin' my breath +Barefoot in the wildest winter, catchin' my death +And I couldn't be sure +I had a feeling so peculiar +That this pain would be for +Evermore +[Post-Chorus: Justin Vernon] +(Evermore) +[Bridge: Justin Vernon, +Taylor Swift +] +Can't not think of all the cost +And the things that will be lost +Oh, can we just get a pause? +To be certain we'll be tall again +Whether weather be the frost +Or the violence of the dog days +I'm on waves, out being tossed +Is there a line that I could just go cross? +And when I was shipwrecked + (Can't think of all the cost now) +I thought of you + (All the things that will be lost now) +In the cracks of light + (Can we just get a pause?) +I dreamed of you + (To be certain we'll be tall again) +(If you think of all the cost) +It was real enough + (Whether weather be the frost) +To get me through + (Or the violence of the dog days) +(Or the violence of the dog days) +(Out on waves, being tossed) +(I'm on waves, out being tossed) +But I swear + (Is there a line that we can just go cross?) +You were there [Chorus: Taylor Swift & Justin Vernon] +And I was catchin' my breath +Floors of a cabin creakin' under my step +And I couldn't be sure +I had a feeling so peculiar +This pain wouldn't be for +Evermore +[Outro: Taylor Swift, +Justin Vernon +, +Both +] +Evermore ( +Evermore +) +Evermore + ( +Evermore +) +This pain wouldn't be for evermore +Evermore","The titular closing track on the standard edition of evermore is a meditative piano ballad tracking the narrator’s journey from a seemingly unending period of deep depression and hurt to a place of hope. +Like “happiness,” “evermore” deals strongly with themes of mental health, though this track lays out a more linear path towards healing. Fittingly, Swift has publicly discussed her struggles with significant periods of depression in the past.",​evermore,Taylor Swift +4394,187197,"[Intro] +Everybody's waiting +Everybody's watching +Even when you're sleeping +Keep your eyes open +[Verse 1] +The tricky thing is yesterday we were just children +Playing soldiers, just pretending +Dreaming dreams with happy endings +In backyards, winning battles with our wooden swords +But now we've stepped into a cruel world +Where everybody stands and keeps score +Keep your eyes open +[Chorus] +Everybody's waiting for you to break down +Everybody's watching to see the fallout +Even when you're sleeping, sleeping +Keep your eyes open +Keep your eyes open +Keep your eyes open +[Verse 2] +So here you are, two steps ahead and staying on guard +Every lesson forms a new scar +They never thought you'd make it this far +But turn around (Turn around) +Oh, they've surrounded you, it's a showdown (Showdown) +And nobody comes to save you now +But you got something they don't +Yeah, you got something they don't [Pre-Chorus] +You just gotta keep your eyes open +[Chorus] +Everybody's waiting for you to break down +Everybody's watching to see the fallout +Even when you're sleeping, sleeping +Keep your eyes open +Keep your eyes open +Keep your eyes— +[Bridge] +Keep your feet ready, heartbeat steady +Keep your eyes open +Keep your aim locked, the night goes dark +Keep your eyes open +(Keep your eyes open) +(Keep your eyes open) +(Keep your eyes open) +(Keep your eyes open) +[Chorus] +Everybody's waiting for you to break down +Everybody's watching to see the fallout +Even when you're sleeping, sleeping +Keep your eyes open +Keep your eyes open +Keep your eyes open +Keep your eyes open +Keep your eyes open","“Eyes Open” is one of two songs Taylor wrote for the soundtrack of the first Hunger Games movie, but it is not included in the film. The song appears to be about Katniss’s relationship with the Capitol, and serves as a warning for her not to trust anyone. +Taylor teased the song at a concert in Auckland prior to its release, performing it on an acoustic guitar to give fans a feel for the track. It debuted on Billboard Top 100 at number 19 and was received with general critical acclaim from contemporary critics. +",Eyes Open,Taylor Swift +4395,4782865,"[Verse 1] +We were crazy to think +Crazy to think that this could work +Remember how I said I'd die for you? +We were stupid to jump +In the ocean separating us +Remember how I’d fly to you? +[Pre-Chorus] +And I can't talk to you when you're like this +Staring out the window like I’m not your favorite town +I'm New York City +I still do it for you, babe +They all warned us about times like this +They say the road gets hard and you get lost +When you're led by blind faith, blind faith +[Chorus] +But we might just get away with it +Religion's in your lips +Even if it's a false god +We'd still worship +We might just get away with it +The altar is my hips +Even if it's a false god +We'd still worship this love +We’d still worship this love +We’d still worship this love [Verse 2] +I know heaven's a thing +I go there when you touch me, honey +Hell is when I fight with you +But we can patch it up good +Make confessions and we’re begging for forgiveness +Got the wine for you +[Pre-Chorus] +And you can't talk to me when I'm like this +Daring you to leave me just so I can try and scare you +You're the West Village +You still do it for me, babe +They all warned us about times like this +They say the road gets hard and you get lost +When you’re led by blind faith, blind faith +[Chorus] +But we might just get away with it +Religion's in your lips +Even if it's a false god +We'd still worship +We might just get away with it +The altar is my hips +Even if it's a false god +We'd still worship this love +We'd still worship this love +We'd still worship this love, ah [Outro] +Still worship this love +Even if it's a false god +Even if it's a false god +Still worship this love","“False God” uses heavy religious imagery to compare Swift’s relationship with her then boyfriend, Joe Alwyn, to something all-powerful and greater than themselves.",False God,Taylor Swift +4396,5793983,"[Verse 1: Justin Vernon] +I can see you standing, honey +With his arms around your body +Laughin', but the joke's not funny at all +And it took you five whole minutes +To pack us up and leave me with it +Holdin' all this love out here in the hall +[Chorus: Justin Vernon] +I think I've seen this film before +And I didn't like the ending +You're not my homeland anymore +So what am I defending now? +You were my town, now I'm in exile, seein' you out +I think I've seen this film before +[Post-Chorus: Justin Vernon] +Ooh, ooh, ooh +[Verse 2: Taylor Swift] +I can see you starin', honey +Like he's just your understudy +Like you'd get your knuckles bloody for me +Second, third, and hundredth chances +Balancin' on breaking branches +Those eyes add insult to injury [Chorus: Taylor Swift] +I think I've seen this film before +And I didn't like the ending +I'm not your problem anymore +So who am I offending now? +You were my crown, now I'm in exile, seein' you out +I think I've seen this film before +So I'm leaving out the side door +[Bridge: Justin Vernon, +Taylor Swift + & +Both +] +So step right out, there is no amount +Of crying I can do for you +All this time +We always walked a very thin line +You didn't even hear me out ( +You didn't even hear me out +) +You never gave a warning sign ( +I gave so many signs +) +All this time +I never learned to read your mind ( +Never learned to read my mind +) +I couldn't turn things around ( +You never turned things around +) +'Cause you never gave a warning sign ( +I gave so many signs +) +So many signs, so many signs +You didn't even see the signs +[Chorus: Taylor Swift & Justin Vernon, +Taylor Swift +] +I think I've seen this film before +And I didn't like the ending +You're not my homeland anymore +So what am I defending now? +You were my town, now I'm in exile, seein' you out +I think I've seen this film before +So I'm leavin' out the side door [Outro: Justin Vernon & +Taylor Swift +] +So step right out, there is no amount +Of crying I can do for you +All this time +We always walked a very thin line +You didn't even hear me out ( +Didn't even hear me out +) +You never gave a warning sign ( +I gave so many signs +) +All this time +I never learned to read your mind ( +Never learned to read my mind +) +I couldn't turn things around ( +You never turned things around +) +'Cause you never gave a warning sign ( +I gave so many signs +) +You never gave a warning sign (All this time) +( +So many times +) I never learned to read your mind +( +So many signs +) I couldn't turn things around (I couldn't turn things around) +'Cause you never gave a warning sign (You never gave a warning sign) +You never gave a warning sign +Ah, ah","“exile” describes two ex-lovers seeing each other following a break-up. Justin Vernon describes feelings of confusion about how quickly a lover moved on, while Swift offers a perspective about repeated warning signs that the relationship was no longer working. It’s also worth noting the contrast between Vernon’s rougher voice and Swift’s smoother one, which mirrors the contrast between their views of the relationship. +The song prompted many comparisons to Swift’s 2012 track “The Last Time,” another song that discusses the downfall of a relationship. Much like “exile,” Swift and featured artist Gary Lightbody’s voices contrast in tone, highlighting their differences. +“exile” is one of many folklore songs to contain a movie motif — other songs to do so include “the 1,” “this is me trying,” and “hoax.” It’s also her first collaboration with Bon Iver, who she called one of her “musical heroes” in an Instagram post announcing folklore.",​exile,Taylor Swift +4399,98890,"[Verse 1] +There's something 'bout the way +The street looks when it's just rained +There's a glow off the pavement, you walk me to the car +And you know I wanna ask you to dance right there +In the middle of the parking lot, yeah +Oh, yeah +[Verse 2] +We're driving down the road, I wonder if you know +I'm trying so hard not to get caught up now +But you're just so cool, run your hands through your hair +Absentmindedly making me want you +[Chorus] +And I don't know how it gets better than this +You take my hand and drag me head first, fearless +And I don't know why but with you, I'd dance +In a storm in my best dress, fearless +[Verse 3] +So, baby, drive slow 'til we run out of road +In this one horse town, I wanna stay right here +In this passenger's seat +You put your eyes on me +In this moment now, capture it, remember it [Chorus] +'Cause I don't know how it gets better than this +You take my hand and drag me head first, fearless +And I don't know why but with you, I'd dance +In a storm in my best dress, fearless +[Bridge] +Well, you stood there with me in the doorway +My hands shake, I'm not usually this way but +You pull me in and I'm a little more brave +It's the first kiss, it's flawless, really something +It's fearless +Oh, yeah +[Chorus] +'Cause I don't know how it gets better than this +You take my hand and drag me head first, fearless +And I don't know why but with you, I'd dance +In a storm in my best dress, fearless +'Cause I don't know how it gets better than this +You take my hand and drag me head first, fearless +And I don't know why but with you, I'd dance +In a storm in my best dress, fearless +[Outro] +Oh, oh +Oh, yeah","“Fearless” is about the feelings present when a new relationship begins. It is the title track of Taylor’s sophomore album and has become a fan-favorite over the years. +Taylor explained a bit about what the word “fearless” means to her in the album booklet: +To me, ‘fearless’ is not the absence of fear. It’s not being completely unafraid. To me, fearless is having fears. Fearless is having doubts. Lots of them. To me, fearless is living in spite of those things that scare you to death. Fearless is falling madly in love again, even though you’ve been hurt before. […] No matter what love throws at you, you have to believe in it. You have to believe in love stories and Prince Charmings and happily ever after. That’s why I write these songs. Because I think love is fearless.",Fearless,Taylor Swift +4402,124513,"[Verse 1] +Once upon a time +I believe it was a Tuesday when I caught your eye +And we caught onto something +I hold onto the night +You looked me in the eye and told me you loved me +Were you just kidding? +'Cause it seems to me +This thing is breaking down, we almost never speak +I don't feel welcome anymore +Baby, what happened? Please, tell me +'Cause one second, it was perfect +Now, you're halfway out the door +[Chorus] +And I stare at the phone, he still hasn't called +And then you feel so low you can't feel nothing at all +And you flashback to when he said, ""Forever and always"" +Oh, and it +rains in your bedroom +Everything is wrong +It rains when you're here and it rains when you're gone +'Cause I was there when you said, ""Forever and always"" +[Verse 2] +Was I out of line? +Did I say something way too honest, made you run and hide +Like a scared little boy? +I looked into your eyes +Thought I knew you for a minute, now, I'm not so sure +So here's to everything coming down to nothing +Here's to silence that cuts me to the core +Where is this going? +Thought I knew for a minute, but I don't anymore [Chorus] +And I stare at the phone, he still hasn't called +And then you feel so low you can't feel nothing at all +And you flashback to when he said, ""Forever and always"" +Oh, and it rains in your bedroom +Everything is wrong +It rains when you're here and it rains when you're gone +'Cause I was there when you said, ""Forever and always"" +You didn't mean it, baby, I don't think so +[Bridge] +Oh, back up, baby, back up +Did you forget everything? +Back up, baby, back up +Did you forget everything? +[Chorus] +'Cause it rains in your bedroom +Everything is wrong +It rains when you're here and it rains when you're gone +'Cause I was there when you said, ""Forever and always"" +Oh, I stare at the phone, he still hasn't called +And then you feel so low you can't feel nothing at all +And you flashback to when we said, ""Forever and always"" +And it rains in your bedroom +Everything is wrong +It rains when you're here and it rains when you're gone +'Cause I was there when you said, ""Forever and always"" [Outro] +You didn't mean it, baby +You said, ""Forever and always"", yeah","“Forever & Always” is the eleventh track off Taylor Swift’s second studio album, Fearless. +The song was inspired by her recent break up with Joe Jonas. She described it as a song about a relationship with a man who she could feel was “slowly slipping away.” +It’s about watching somebody fade away in a relationship. They said they were going to be with you forever, that they loved you, and then something changed in the relationship and you don’t know what it is, but you’re watching them slowly drift. That emotion of rejection, for me, usually starts out sad and then gets mad. This song starts with this pretty melody that’s easy to sing along with, then in the end I’m basically screaming it because I’m so mad. I’m really proud of that. +The song talks about holding on to every moment with him, since things won’t last. +On the Platinum Editon of the album, the song was redone with a softer piano melody. +https://youtu.be/gD24sRU7Swk",Forever & Always,Taylor Swift +4403,98888,"[Verse 1] +You take a deep breath and you walk through the doors +It's the mornin' of your very first day +You say ""hi"" to your friends you ain't seen in a while +Try and stay out of everybody's way +It's your freshman year and you're gonna be here +For the next four years in this town +Hopin' one of those senior boys will wink at you and say +""You know, I haven't seen you around before"" +[Chorus] +'Cause when you're fifteen and somebody tells you they love you +You're gonna believe them +And when you're fifteen, feelin' like there's nothin' to figure out +Well, count to ten, take it in +This is life before you know who you're gonna be +Fifteen +[Verse 2] +You sit in class next to a redhead named Abigail +And soon enough, you're best friends +Laughin' at the other girls who think they're so cool +We'll be outta here as soon as we can +And then, you're on your very first date and he's got a car +And you're feelin' like flyin' +And your mama's waitin' up and you're thinkin' he's the one +And you're dancin' 'round your room when the night ends +When the night ends [Chorus] +'Cause when you're fifteen and somebody tells you they love you +You're gonna believe them +And when you're fifteen and your first kiss +Makes your head spin 'round +But in your life, you'll do things greater than +Dating the boy on the football team +But I didn't know it at fifteen +[Bridge] +When all you wanted was to be wanted +Wish you could go back and tell yourself what you know now +Back then, I swore I was gonna marry him someday +But I realized some bigger dreams of mine +And Abigail gave everything she had +To a boy who changed his mind +And we both cried +[Chorus] +'Cause when you're fifteen and somebody tells you they love you +You're gonna believe them +And when you're fifteen, don't forget to look before you fall +I've found time can heal most anything +And you just might find who you're supposed to be +I didn't know who I was supposed to be +At fifteen [Post-Chorus] +La-la-la, la-la-la, la-la-la-la +La-la-la, la-la-la, la-la-la-la +La-la-la, la-la-la +[Outro] +Your very first day +Take a deep breath, girl +Take a deep breath as you walk through the doors","In “Fifteen,” Taylor looks back at her freshman year at Hendersonville High. Taylor wrote the song about her best friend, Abigail Anderson, who she met during ninth grade and is still best friends with.",Fifteen,Taylor Swift +4406,3283019,"[Intro] +No, nothin' good starts in a getaway car +[Verse 1] +It was the best of times, the worst of crimes +I struck a match and blew your mind +But I didn’t mean it and you didn't see it +The ties were black, the lies were white +In shades of gray in candlelight +I wanted to leave him, I needed a reason +[Pre-Chorus] +""X"" marks the spot where we fell apart +He poisoned the well, I was lyin' to myself +I knew it from the first Old Fashioned, we were cursed +We never had a shotgun shot in the dark (Oh) +[Chorus] +You were drivin’ the getaway car +We were flyin', but we'd never get far +Don't pretend it's such a mystery +Think about the place where you first met me +Ridin' in a getaway car +There were sirens in the beat of your heart +Shoulda known I'd be the first to leave +Think about the place where you first met me [Post-Chorus] +In a getaway car (Oh-oh-oh) +No, they never get far (Oh-oh-ah) +No, nothin' good starts in a getaway car +[Verse 2] +It was the great escape, the prison break +The light of freedom on my face +But you weren’t thinkin’ and I was just drinkin' +While he was runnin’ after us, I was screamin', ""Go, go, go"" +But with three of us, honey, it's a sideshow +And a circus ain't a love story and now we’re both sorry (We're both sorry) +[Pre-Chorus] +""X"" marks the spot where we fell apart +He poisoned the well, every man for himself +I knew it from the first Old Fashioned, we were cursed +It hit you like a shotgun shot to the heart (Oh) +[Chorus] +You were drivin' the getaway car +We were flyin', but we'd never get far +Don't pretend it's such a mystery +Think about the place where you first met me +Ridin' in a getaway car +There were sirens in the beat of your heart +Shoulda known I'd be the first to leave +Think about the place where you first met me [Post-Chorus] +In a getaway car (Oh-oh-oh) +No, they never get far (Oh-oh-ah) +No, nothin' good starts in a getaway car +[Bridge] +We were jet-set, Bonnie and Clyde (Oh-oh) +Until I switched to the other side, to the other side +It's no surprise I turned you in (Oh-oh) +'Cause us traitors never win +[Breakdown] +I'm in a getaway car +I left you in a motel bar +Put the money in a bag and I stole the keys +That was the last time you ever saw me (Oh) +[Chorus] +Drivin' the getaway car +We were flyin', but we'd never get far (Don't pretend) +Don't pretend it's such a mystery +Think about the place where you first met me +Ridin' in a getaway car +There were sirens in the beat of your heart (Shoulda known) +Shoulda known I'd be the first to leave +Think about the place where you first met me [Post-Chorus] +In a getaway car (Oh-oh-oh) +No, they never get far, oh-oh-ah +No, nothin' good starts in a getaway car +[Outro] +I was ridin' in a getaway car +I was cryin' in a getaway car +I was dyin' in a getaway car +Said goodbye in a getaway car +Ridin' in a getaway car +I was cryin' in a getaway car +I was dyin' in a getaway car +Said goodbye in a getaway car","Taylor uses the image of criminals in a speeding car as the central metaphor for a doomed romance. She likens her rebound relationship with Tom Hiddleston to a “getaway car” ride used to get away from a crime scene, or her failed relationship with Calvin Harris. +Like on her 2014 track “Wonderland,” she includes a pop-culture reference to connect her experiences to something that listeners are familiar with, adding another layer of livelihood to the story. +Co-writer Jack Antonoff, also known by his stage name Bleachers, has released a song called “Rollercoaster” that contains similar melodies and another shotgun metaphor.",Getaway Car,Taylor Swift +4407,7076622,"[Verse 1] +He says he doesn't believe anything much he hears these days +He says, ""Why fall in love, just so you can watch it go away?"" +He spends most of his nights wishing it was how it used to be +He spends most of his flights getting pulled down by gravity +[Pre-Chorus] +I call, just checkin' up on him +He's up, 3AM, pacin' +He says, ""It's not just a phase I'm in"" +My voice comes out beggin' +[Chorus] +All this time, I didn't know +You were breakin' down +I'd fall to pieces on the floor +If you weren't around +Too young to know it gets better +I'll be summer sun for you forever +Forever winter if you go +[Verse 2] +He seems fine most of the time, forcing smiles and never minds +His laugh is a symphony, when the lights go out, it's hard to breathe +I pull at every thread trying to solve the puzzles in his head +Live my life scared to death he'll decide to leave instead [Pre-Chorus] +I call, just checkin' up on him +He's up, 5AM, wasted +Long gone, not even listening +My voice comes out screamin' +[Chorus] +All this time, I didn't know +You were breakin' down +I'd fall to pieces on the floor +If you weren't around +Too young to know it gets better +I'll be summer sun for you forever +Forever winter if you go +[Bridge] +If I was standing there in your apartment +I'd take that bomb in your head and disarm it +I'd say, ""I love you even at your darkest and +Please, don't go"" +[Chorus] +I didn't know +You were breakin' down +I'd fall to pieces on the floor +If you weren't around +Too young to know it gets better +I'll be summer sun for you forever +Forever winter if you go [Post-Chorus] +(Ooh, ooh, ooh) +I'll be your summer sun forever +(Ooh, ooh, ooh) At 3AM, pacin' +All this time, I didn't know +(Ooh, ooh, ooh) At 5AM, wasted +I'd be in pieces on the floor +Forever winter if you go +[Outro] +He says he doesn't believe anything much he hears these days +I say, ""Believe in one thing, I won't go away""","On the passionate winter ballad dubbed “Forever Winter,” Swift sings about her constant worry and stress over the actions of her friend. The heartfelt track describes Taylor’s anxiety regarding a loved one who suffers from a mental illness, most likely depression, and her desperation about wanting to be a summer sun — a warm piece of light — in their life, which, at the time, felt like the winter: cold and dark. +This song is highly rumoured to be about Swift’s old high school friend, Jeff Lang, who was struggling with addiction and mental health issues. He died two weeks after the release of her third studio album, Speak Now and, the day after his funeral, Swift attended the BMI Awards and dedicated the award she won to Jeff, saying: +Yesterday, I sang at the funeral of one of my best friends and he was 21, and I used to play my songs for him first, so I would like to thank Jeff Lang. + +An old picture of Jeff Lang and Taylor Swift. +",Forever Winter (Taylor’s Version) [From The Vault],Taylor Swift +4409,3280165,"[Intro: James Reynolds] +Gorgeous +[Verse 1] +You should take it as a compliment +That I got drunk and made fun of the way you talk +You should think about the consequence +Of your magnetic field bein' a little too strong +And I got a boyfriend, he's older than us +He's in the club doin' I don't know what +You're so cool, it makes me hate you so much (I hate you so much) +[Pre-Chorus] +Whisky on ice, Sunset and Vine +You've ruined my life by not bein' mine +[Chorus] +You're so gorgeous +I can't say anything to your face +'Cause look at your face ( +Gorgeous +) +And I'm so furious +At you for makin' me feel this way +But what can I say? You're gorgeous +[Verse 2] +You should take it as a compliment +That I'm talkin' to everyone here but you (But you, but you) +And you should think about the consequence +Of you touchin' my hand in a darkened room (Dark room, dark room) +If you've got a girlfriend, I'm jealous of her +But if you're single, that's honestly worse +'Cause you're so gorgeous it actually hurts (Honey, it hurts) [Pre-Chorus] +Ocean blue eyes lookin' in mine +I feel like I might sink and drown and die +[Chorus] +You're so gorgeous +I can't say anything to your face (To your face) +'Cause look at your face (Look at your face; +Gorgeous +) +And I'm so furious +At you for makin' me feel this way (Feel this way) +But what can I say? You're gorgeous +[Bridge] +You make me so happy it turns back to sad (Yeah) +There's nothin' I hate more than what I can't have (And) +You are so gorgeous, it makes me so mad (Mm) +You make me so happy it turns back to sad (Yeah) +There's nothin' I hate more than what I can't have (And) +Guess I'll just stumble on home to my cats (Ugh) alone +Unless you wanna come along (Oh) +[Chorus] +You're so gorgeous (Gorgeous) +I can't say anything to your face (To your face) +'Cause look at your face (Look at your face; +Gorgeous +) +And I'm so furious (I'm so furious) +At you for making me feel this way (Feel this way) +But what can I say? (I say) You're gorgeous [Outro] +You make me so happy it turns back to sad (Yeah) +There's nothin' I hate more than what I can't have (And) +You are so gorgeous, it makes me so mad (Mm) +You're gorgeous +You make me so happy it turns back to sad (Turns back to sad) +There's nothin' I hate more than what I can't have (What I can't have) +You are so gorgeous, it makes me so mad (Mm) +You're gorgeous","“Gorgeous” describes a fully intoxicating infatuation in the form of seemingly unrequited love. The man in Taylor’s attention is so impossibly attractive, she feels compelled to be with him even though she already has a boyfriend. The song seems to play with the rumors that Taylor cheated on Calvin Harris with Tom Hiddleston in 2016. Furthermore, the chorus seems to mock the perception that most of Taylor’s discography is comprised of lighthearted, simple songs about boys. +As the third song released from reputation, it was first teased on October 19, 2017, when Taylor posted a short snippet of the track on Instagram. She also hosted a secret album listening party at her home in Rhode Island for a handpicked selection of fans the night before. Some of these fans, along with those who attended the London Secret Session the week before, took to social media to express their love for the song. +Fans have speculated the song is about Taylor’s rumored boyfriend, British actor Joe Alwyn. During the Rhode Island secret session, she told fans that this song and all the other positive love songs on the album are about him. Although they are not allowed to say much until the album comes out, she wanted her fans to clarify this in online discussions. She also liked multiple posts on Tumblr about this subject as further confirmation.",Gorgeous,Taylor Swift +4411,103836,"[Intro] +Don't look at me, you got a girl at home +And everybody knows that, everybody knows that, ah-ah +Don't look at me, you got a girl at home +And everybody knows that +[Verse 1] +I don't even know her +But I feel a responsibility +To do what's upstanding and right +It's kinda like a code, yeah +And you've been getting closer and closer +And crossing so many lines +[Pre-Chorus] +And it would be a fine proposition +If I was a stupid girl +But, honey, I am no one's exception +This, I have previously learned +[Chorus] +So don't look at me, you got a girl at home +And everybody knows that, everybody knows that, ah-ah +Don't look at me, you got a girl at home +And everybody knows that, everybody knows that +I see you turn off your phone +And now you've got me alone, and I say +Don't look at me, you got a girl at home +And everybody knows that, everybody knows that [Verse 2] +I just want to make sure +You understand perfectly +You're the kind of man who makes me sad +While she waits up +You chase down the newest thing +And take for granted what you have +[Pre-Chorus] +And it would be a fine proposition +If I was a stupid girl +And, yeah, I might go with it +If I hadn't once been just like her +[Chorus] +So don't look at me, you got a girl at home +And everybody knows that, everybody knows that, ah-ah +Don't look at me, you got a girl at home +And everybody knows that, everybody knows that +I see you turn off your phone +And now you've got me alone, and I say +Don't look at me, you got a girl at home +And everybody knows that, everybody knows that +[Post-Chorus] +Oh-oh-oh, oh-oh-oh +Oh-oh-oh, oh-oh-oh [Bridge] +Call a cab, lose my number +You're about to lose your girl +Call a cab, lose my number +Let's consider this lesson learned +[Chorus] +Don't look at me, you got a girl at home +And everybody knows that, everybody knows that, ah-ah +Don't look at me, you got a girl at home +And everybody knows that, everybody knows that +Want to see you pick up your phone +And tell her you're coming home +Don't look at me, you got a girl at home +And everybody knows that, everybody knows that +[Outro] +Don't look at me, you got a girl at home +And everybody knows that, everybody knows that +It would be a fine proposition +If I hadn't once been just like her","“Girl at Home” is a song off the deluxe edition of Taylor Swift’s fourth studio album, Red. +Taylor describes a man who attempted to hit on her even though he already had a girlfriend at the time. She refuses, since she had “once been just like her.” +Taylor talked to Yahoo about the song. +And there’s a song called ‘Girl at Home,’ which was about a guy who had a girlfriend, and I just felt like it was disgusting that he was flirting with other girls.",Girl at Home,Taylor Swift +4412,2466700,"[Verse 1] +My name's Gracie +I'll be five in May +Kind of scared cause +I've never been on a plane +My mama says that it'll be alright +Cause I'm going to see my daddy tonight +And she says that +[Chorus] +There's a whole a lot of good people in heaven +And I don't wanna get there too soon +And I know there's a God because I met him +And I see it when I'm looking at you +There ain't no accidents in what we do +[Verse 2] +My name's Heather +Guess we're on the same flight +Don't mind Gracie +She could talk to you all night +She's finally well enough to travel +Doctor says she's in the clear +She's been in and out of hospital +Since the beginning of the year [Chorus] +There's a whole a lot of good people in heaven +And I don't wanna get there too soon +And I know there's a God because I met him +And I see it when I'm looking at you +There ain't no accidents in what we do +[Verse 3] +James T. Johnson +That's her daddy's name +He's been overseas +It'll be a year today +He never talked about being scared over the phone +He just said me and Gracie will come and take him on +[Chorus] +There's a whole a lot of good people in heaven +And I don't wanna get there too soon +And I know there's a God because I met him +And I see it when I'm looking at you +There ain't no accidents in what we do +[Verse 4] +And the people that we meet +As we go through the rain +There are no accidents in what we do",Swift wrote “Gracie” about a young girl named Gracie Johnson who she met on a flight before releasing her 2006 debut album. Gracie had leukemia and passed away in 2019. Swift included a picture of herself with Gracie in the lyric video for “Love Story (Taylor’s Version)” in 2021.,Gracie,Taylor Swift +4415,52592,"[Verse 1] +You and I walk a fragile line +I have known it all this time +But I never thought I'd live to see it break +It's getting dark and it's all too quiet +And I can't trust anything now +And it's coming over you like it's all a big mistake +[Pre-Chorus] +Woah, holding my breath +Won't lose you again +Something's made your eyes go cold +[Chorus] +Come on, come on, don't leave me like this +I thought I had you figured out +Something's gone terribly wrong +You're all I wanted +Come on, come on, don't leave me like this +I thought I had you figured out +Can't breathe whenever you're gone +Can't turn back now, I'm haunted +[Verse 2] +Stood there and watched you walk away +From everything we had +But I still mean every word I said to you +He will try to take away my pain +And he just might make me smile +But the whole time, I'm wishing he was you instead [Pre-Chorus] +Oh, holding my breath +Won't see you again +Something keeps me holding onto nothing +[Chorus] +Come on, come on, don't leave me like this +I thought I had you figured out +Something's gone terribly wrong +You're all I wanted +Come on, come on, don't leave me like this +I thought I had you figured out +Can't breathe whenever you're gone +Can't turn back now, I'm haunted +[Bridge] +I know, I know +I just know +You're not gone +You can't be gone, no +[Chorus] +Come on, come on, don't leave me like this +I thought I had you figured out +Something's gone terribly wrong +Won't finish what you started +Come on, come on, don't leave me like this +I thought I had you figured out +Can't breathe whenever you're gone +I can't go back, I'm haunted [Outro] +Oh-oh, oh-oh, oh-oh, oh +You and I walk a fragile line +I have known it all this time +Never ever thought I'd see it break +Never thought I'd see it","In “Haunted,” Taylor writes about a past relationship in this song which the memory of will not escape her mind. The boy and the relationship will haunt her for the rest of her life. +On the Speak Now World Tour, Taylor revved up the drama for the song by starting it with bells and wearing a dark, ripped-up dress. +",Haunted,Taylor Swift +4416,8486446,"[Verse 1] +We were supposed to be just friends +You don't live in my part of town, but maybe I'll see you out some weekend +Depending on what kind of mood and situationship I'm in +And what's in my system +[Chorus] +I think there's been a glitch, oh, yeah +Five seconds later, I'm fastening myself to you with a stitch, oh, yeah +And I'm not even sorry, nights are so starry +Blood moonlit +It must be counterfeit +I think there's been a glitch, oh, yeah +[Verse 2] +I was supposed to sweat you out +In search of glorious happenings of happenstance on someone else's playground +But it's been two-thousand one-hundred ninety days of our love blackout +(Our love is blacking out) +The system's breaking down +(The system's breaking down) +[Chorus] +I think there's been a glitch, oh, yeah +Five seconds later, I'm fastening myself to you with a stitch, oh, yeah +And I'm not even sorry, nights are so starry +Blood moonlit +It must be counterfeit +I think there's been a glitch [Bridge] +A brief interruption, a slight malfunction +I'd go back to wanting dudes who give nothing +I thought we had no chance +And that's romance, let's dance +[Chorus] +Glitch, oh, yeah +Five seconds later, I'm fastening myself to you with a stitch, oh, yeah +And I'm not even sorry, nights are so starry +Blood moonlit +It must be counterfeit (It must be counterfeit) +I think there's been a glitch","“Glitch” reflects on a relationship that was never meant to be. It started off through friendship, casually evolved into friendship with benefits, but somehow turned into a true romance, so unlikely that it must have been a glitch. +This is likely inspired by Taylor’s own current relationship with Joe Alwyn, which, as documented through songs like “Cornelia Street” and “Cruel Summer”, started out as casual flirtation and friends with benefits before evolving into a serious relationship.",Glitch,Taylor Swift +4417,6260161,"[Intro] +Gleaming, twinkling +Eyes like sinking +Ships on waters +So inviting, I almost jump in +[Chorus] +But I don't like a gold rush, gold rush +I don't like anticipatin' my face in a red flush +I don't like that anyone would die to feel your touch +Everybody wants you +Everybody wonders what it would be like to love you +Walk past, quick brush +I don't like slow motion, double vision in rose blush +I don't like that falling feels like flying 'til the bone crush +Everybody wants you +But I don't like a gold rush +[Verse 1] +What must it be like to grow up that beautiful? +With your hair falling into place like dominoes +I see me padding across your wooden floors +With my Eagles T-shirt hanging from the door +[Refrain] +At dinner parties, I call you out on your contrarian shit +And the coastal town we wandered 'round had nеver seen a love as pure as it +And thеn it fades into the gray of my day-old tea +'Cause it could never be [Chorus] +'Cause I don't like a gold rush, gold rush +I don't like anticipatin' my face in a red flush +I don't like that anyone would die to feel your touch +Everybody wants you +Everybody wonders what it would be like to love you +Walk past, quick brush +I don't like slow motion, double vision in rose blush +I don't like that falling feels like flying 'til the bone crush +Everybody wants you +But I don't like a gold rush +[Verse 2] +What must it be like to grow up that beautiful? +With your hair falling into place like dominoes +My mind turns your life into folklore +I can't dare to dream about you anymore +[Refrain] +At dinner parties, I won't call you out on your contrarian shit +And the coastal town we never found will never see a love as pure as it +'Cause it fades into the gray of my day-old tea +'Cause it will never be +[Outro] +Gleaming, twinkling +Eyes like sinking +Ships on waters +So inviting, I almost jump in","“gold rush” is a song depicting the jealousy the narrator has because she is attracted to someone who everyone admires. +Because of this, she has to stop picturing her life with them. She is singing about dreaming for someone that everybody else wants. She is daydreaming about someone then snapping out of it. She is catching herself getting the idea of this person stuck in her head. +The narrator’s dislike of jealousy and anxiety in relationships, and possible self-esteem issues, leads them to decide their fantasy relationship isn’t worth it without giving it a try.",​gold rush,Taylor Swift +4419,6260166,"[Verse 1] +Honey, when I'm above the trees +I see this for what it is +But now I'm right down in it, all the years I've given +Is just shit we're dividin' up +Showed you all of my hiding spots +I was dancing when the music stopped +And in the disbelief, I can't face reinvention +I haven't met the new me yet +[Chorus] +There'll be happiness after you +But there was happiness because of you +Both of these things can be true +There is happiness +[Post-Chorus] +Past the blood and bruise +Past the curses and cries +Beyond the terror in the nightfall +Haunted by the look in my eyes +That would've loved you for a lifetime +Leave it all behind +And there is happiness +[Verse 2] +Tell me, when did your winning smile +Begin to look like a smirk? +When did all our lessons start to look like weapons +Pointed at my deepest hurt? +I hope she'll be a beautiful fool +Who takes my spot next to you +No, I didn't mean that +Sorry, I can't see facts through all of my fury +You haven't met the new me yet [Chorus] +There'll be happiness after me +But there was happiness because of me +Both of these things, I believe +There is happiness +[Post-Chorus] +In our history, across our great divide +There is a glorious sunrise +Dappled with the flickers of light +From the dress I wore at midnight, leave it all behind +And there is happiness +[Bridge] +I can't make it go away by making you a villain +I guess it's the price I paid for seven years in Heaven +And I pulled your body into mine +Every goddamn night, now I get fake niceties +No one teaches you what to do +When a good man hurts you +And you know you hurt him too +[Verse 3] +Honey, when I'm above the trees +I see it for what it is +But now my eyes leak acid rain on the pillow where you used to lay your head +After giving you the best I had +Tell me what to give after that +All you want from me now is the green light of forgiveness +You haven't met the new me yet +And I think she'll give you that [Chorus] +There'll be happiness after you +But there was happiness because of you too +Both of these things can be true +There is happiness +[Post-Chorus] +In our history, across our great divide +There is a glorious sunrise +Dappled with the flickers of light +From the dress I wore at midnight, leave it all behind +Oh, leave it all behind +Leave it all behind +And there is happiness","Despite its appearance, “happiness” has a deceptive title—as Taylor acknowledged herself during the “willow” premiere. It’s a classic Taylor track about moving on from a decaying relationship, but acknowledging the bits of joy that existed within a more destructive, hurtful context. It’s ultimately a hopeful song—what was bad was also good at times, and there will be good things still to come. +She also mentioned that this was the last song written on the album—finished just a week before release.",​happiness,Taylor Swift +4420,4499977,"[Verse 1] +She's real pretty if you’re into that brunette +Looks good without any makeup on +Green eyes kind of thing +Uh huh +She's spontaneous, she ain't afraid of anything +She’s not the jealous type +She's the type you give a diamond ring +[Pre-Chorus] +And I came along, just after she walked out +Picking up the pieces 'til I've figured out +[Chorus] +There's a girl that you want +She's everything that I am not +And you can't stop thinking about her +There's a thin little line +And it’s like you cross it every time +When you can’t stop thinking about her +[Verse 2] +She came from a really small town +She liked to watch football with you +Well, I'd learn football too, if you wanted me to +Uh huh +She’s really good with babies, she'd be a great mother +She said I should really meet her sometime +Uh huh [Pre-Chorus] +It's getting old, I wonder if you've seen +The favorite conversation’s killing me +[Chorus] +There's a girl that you want +She's everything that I am not +And you can't stop thinking about her +There's a thin little line +And it's like you cross it every time +When you can't stop thinking about her +[Bridge] +Don't you know I was a 4.0 in school?","“Her” seems to be about the same situation as 2006’s “Teardrops on My Guitar” and Swift’s unreleased track “Permanent Marker.” Much like on the other unreleased track “Angelina,” Swift describes the “other girl” that stole her crush’s heart. It leaked online in October 2021.",Her,Taylor Swift +4421,154241,"[Verse 1: Tim McGraw] +Bet your window's rolled down and your hair's pulled back +And I bet you got no idea you're going way too fast +You're trying not to think about what went wrong +Trying not to stop 'til you get where you goin' +You're trying to stay awake so I bet you turn on the radio +And the song goes +[Pre-Chorus: Taylor Swift] +I can't live without you, I can't live without you, baby +I can't live without you, I can't live without you, baby, oh, baby +[Chorus: Tim McGraw] +The highway won't hold you tonight +The highway don't know you're alive +The highway don't care if you're all alone +But I do, I do +The highway won't dry your tears +The highway don't need you here +The highway don't care if you're coming home +But I do, I do +[Verse 2: Tim McGraw & Taylor Swift] +I bet you got a dead cell phone in your shotgun seat +Yeah, I bet you're bending God's ear talking 'bout me +You're trying not to let the first tear fall out +You're trying not to think about turning around +You're trying not to get lost in the sound but that song is always on +So you sing along [Pre-Chorus: Taylor Swift] +I can't live without you, I can't live without you, baby +I can't live without you, I can't live without you, baby, oh baby +[Chorus: Tim McGraw] +The highway won't hold you tonight +The highway don't know you're alive +The highway don't care if you're all alone +But I do, I do +The highway won't dry your tears +The highway don't need you here +The highway don't care if you're coming home +But I do, I do +[Pre-Chorus: Taylor Swift] +I can't live without you, I can't live without you, baby +I can't live without you, I can't live without you, baby, oh baby +[Bridge: Tim McGraw & +Taylor Swift +] +The highway don't care +The highway don't care +The highway don't care +But I do, I do +I can't live without you, I can't live without you, baby +I can't live without I can't live without you, baby, oh baby +The highway don't care +The highway don't care +The highway don't care +But I do, I do +I can't live without you, I can't live without you, baby +I can't live without I can't live without you, baby +The highway don't care +The highway don't care +The highway don't care +But I do, I do +I can't live without you, I can't live without you, baby +I can't live without I can't live without you, baby, oh baby +The highway don't care +The highway don't care +The highway don't care +But I do, I do [Outro: Taylor Swift] +I can't live without you, I can't live without you, baby","Three of country’s brightest stars team up for a song about both relationships and road safety. Tim McGraw tells a story in which a not-so-great driver is distracted, and turns on the radio, which happens to be playing a nonexistent Taylor Swift song, to tune out her thoughts. Keith Urban plays a guitar solo towards the end of the track. +Funnily, Taylor’s first big hit was called “Tim McGraw.” + + +",Highway Don’t Care,Taylor Swift +4422,101934,"[Intro] +Mmm-mm, mm-mm +Mmm-mm, mm-mm +Mmm-mm, mm-mm, yeah +[Verse 1] +Hey, Stephen, I know looks can be deceiving +But I know I saw a light in you +And as we walked, we were talking +I didn't say half the things I wanted to +Of all the girls tossing rocks at your window +I'll be the one waiting there even when it's cold +Hey, Stephen, boy, you might have me believing +I don't always have to be alone +[Chorus] +'Cause I can't help it if you look like an angel +Can't help it if I wanna kiss you in the rain so +Come feel this magic I've been feeling since I met you +Can't help it if there's no one else +Mmm, I can't help myself +[Verse 2] +Hey, Stephen, I've been holding back this feeling +So I got some things to say to you, ha +I've seen it all, so I thought +But I never seen nobody shine the way you do +The way you walk, way you talk, way you say my name +It's beautiful, wonderful, don't you ever change +Hey, Stephen, why are people always leaving? +I think you and I should stay the same [Chorus] +'Cause I can't help it if you look like an angel +Can't help it if I wanna kiss you in the rain so +Come feel this magic I've been feeling since I met you +Can't help it if there's no one else +Mmm, I can't help myself +[Bridge] +They're dimming the street lights, you're perfect for me +Why aren't you here tonight? +I'm waiting alone now, so come on and come out +And pull me near and shine, shine, shine +[Breakdown] +Hey, Stephen, I could give you fifty reasons +Why I should be the one you choose +All those other girls, well, they're beautiful +But would they write a song for you? (Ha-ha) +[Chorus] +I can't help it if you look like an angel +Can't help it if I wanna kiss you in the rain so +Come feel this magic I've been feeling since I met you +Can't help it if there's no one else +Mmm, I can't help myself +If you look like an angel +Can't help it if I wanna kiss you in the rain so +Come feel this magic I've been feeling since I met you +Can't help it if there's no one else +Mmm, I can't help myself [Outro] +Myself +Can't help myself +I can't help myself","“Hey Stephen” was written for Stephen Barker Liles from the country music duo Love And Theft, who were an opening act on her Fearless Tour in 2008. The song’s hidden message in the album booklet for Fearless was “Love and Theft,” confirming the mysterious Stephen’s identity. +Little did Taylor know, Stephen returned her feelings — he even wrote a song for her called “Try To Make It Anyway!” +",Hey Stephen,Taylor Swift +4423,8486442,"[Verse 1] +Lock broken, slur spoken +Wound open, game token +I didn't know you were keeping count +Rain soaking, blind hoping +You said I was freeloading +I didn't know you were keeping count +[Chorus] +High infidelity +Put on your records and regret me +I bent the truth too far tonight +I was dancing around, dancing around it +High infidelity +Put on your headphones and burn my city +Your picket fence is sharp as knives +I was dancing around, dancing around it +[Refrain] +Do you really wanna know where I was April 29th? +Do I really have to chart the constellations in his eyes? +[Verse 2] +Storm coming, good husband +Bad omen +Dragged my feet right down the aisle +At the house lonely, good money +I'd pay if you'd just know me +Seemed like the right thing at the time [Refrain] +You know there's many different ways that you can kill the one you love +The slowest way is never loving them enough +Do you really wanna know where I was April 29th? +Do I really have to tell you how he brought me back to life? +[Chorus] +High infidelity +Put on your records and regret me +I bent the truth too far tonight +I was dancing around, dancing around it +High infidelity +Put on your headphones and burn my city +Your picket fence is sharp as knives +I was dancing around, dancing around it +[Refrain] +Do you really want to know where I was April 29th? +Do I really have to chart the constellations in his eyes? +You know there's many different ways that you can kill the one you love +The slowest way is never loving them enough +[Chorus] +High infidelity +Put on your records and regret meeting me +I bent the truth too far tonight +I was dancing around, dancing around it +High infidelity +Put on your headphones and burn my city +Your picket fence is sharp as knives +I was dancing around, dancing around it [Non-Lyrical Break] +[Post-Chorus] +Oh, there's many different ways that you can kill the one you love +And it's never enough, it's never enough +[Outro] +Lock broken, slur spoken +Wound open, game token +I didn't know you were keeping count +Rain soaking, blind hoping +You said I was freeloading +I didn't know you were keeping count +But, oh, you were keeping count","“High Infidelity” continues a pattern of Swift exploring the nuances of cheating and infidelity, which started in 2017’s “Gorgeous.” Swift then got deeper into the subject throughout her 2020 albums, folklore and evermore, with songs such as “illicit affairs” and “ivy.” +However, in this specific track, Swift delves in-depth into the games played within an unstable relationship and the intense pain of infidelity, caused both to the cheating partner and the partner being cheated on.",High Infidelity,Taylor Swift +4427,5793957,"[Verse 1] +My only one +My smoking gun +My eclipsed sun +This has broken me down +My twisted knife +My sleepless night +My winless fight +This has frozen my ground +[Chorus] +Stood on the cliffside screaming, ""Give me a reason"" +Your faithless love's the only hoax I believe in +Don't want no other shade of blue but you +No other sadness in the world would do +[Verse 2] +My best laid plan +Your sleight of hand +My barren land +I am ash from your fire +[Chorus] +Stood on the cliffside screaming, ""Give me a reason"" +Your faithless love's the only hoax I believe in +Don't want no other shade of blue but you +No other sadness in the world would do [Bridge] +You know I left a part of me back in New York +You knew the hero died so what's the movie for? +You knew it still hurts underneath my scars +From when they pulled me apart +You knew the password so I let you in the door +You knew you won so what's the point of keeping score? +You knew it still hurts underneath my scars +From when they pulled me apart +But what you did was just as dark +(Ah, ah, ah) +Darling, this was just as hard +As when they pulled me apart +[Outro] +My only one +My kingdom come undone +My broken drum +You have beaten my heart +Don't want no other shade of blue but you +No other sadness in the world would do","An appropriate final track to an album filled with melancholy and darkness, “hoax” narrates the struggles Taylor endures in a toxic relationship. Although she has been driven to the edge of hopelessness by her lover, Taylor is unable to let go of her doomed relationship. +According to an interview with co-writer Aaron Dessner, “hoax” and “the 1” were the final songs written after the rest of the album was completed, and the two agreed that they should be added to the record as “bookends”. Musically, the song shares some similarities to “cardigan,” the second track of folklore. +Additionally, in conversation with Dessner during folklore: the long pond studio sessions, Swift stated that the song was her first time exploring multiple themes in one piece: +I think I said, “What if not all of these feelings are about the same person? What if I’m writing about several different, very fractured situations? Like one is about love, and one is about a business thing that really hurt, and one is about a sort of relationship that I considered family, but that really hurt.” […] I definitely had the moment of doubt. I had the moment of like, “I don’t usually do this, I usually know exactly what I’m writing about,” and I was really happy when you kind of pushed me forward, like, “Nope, do the thing that makes you uncomfortable.”",​hoax,Taylor Swift +4428,102718,"[Verse 1] +I was reminiscing just the other day +While having coffee all alone, and Lord, it took me away +Back to a first-glance feeling on New York time +Back when you fit in my poems like a perfect rhyme +Took off faster than a green light, go +Hey, you skip the conversation when you already know +I left a note on the door with a joke we'd made +And that was the first day +[Chorus] +And darling, it was good +Never looking down +And right there where we stood +Was holy ground +[Verse 2] +Spinning like a girl in a brand new dress +We had this big wide city all to ourselves +We blocked the noise with the sound of, ""I need you"" +And for the first time, I had something to lose +And I guess we fell apart in the usual way +And the story's got dust on every page +But sometimes, I wonder how you think about it now +And I see your face in every crowd [Chorus] +'Cause darling, it was good +Never looking down +And right there where we stood +Was holy ground +[Bridge] +Tonight, I'm gonna dance +For all that we've been through +But I don't wanna dance +If I'm not dancing with you +Tonight, I'm gonna dance +Like you were in this room +But I don't wanna dance +If I'm not dancing with you +[Chorus] +It was good +Never looking down +And right there where we stood +Was holy ground +[Outro] +Tonight, I'm gonna dance +For all that we've been through +But I don't wanna dance +If I'm not dancing with you +Tonight, I'm gonna dance +Like you were in this room +But I don't wanna dance +If I'm not dancing with you","“Holy Ground” is the the first of two of Swift’s songs that Jeff Bhasker has produced, the first being “The Lucky One.” When she started writing the song, she knew she wanted Bhasker to produce the track. Taylor contacted him and he agreed to produce the song. As a result, “Holy Ground” sounds different from any of Taylor’s previous work. +In the song, Taylor is looking back at a whirl wind relationship from her past. She’s realizing just because the relationship didn’t last, doesn’t mean it wasn’t a good memory or that it was wasted time. The memories are still important and sacred. Just because Taylor and the guy weren’t meant to be, doesn’t mean she can’t look back fondly at the time they spent together. Every mistake is a lesson learned. +The song’s hidden message is “When you came to the show in SD” which leads to assumption that this song was penned about Joe Jonas who was spotted at Taylor’s San Diego show during the Speak Now tour +",Holy Ground,Taylor Swift +4429,102706,"[Verse 1] +I bet this time of night, you’re still up +I bet you’re tired from a long, hard week +I bet you’re sittin' in your chair by the window +Looking out at the city, and I bet +Sometimes, you wonder 'bout me +[Chorus] +And I just wanna tell you +It takes everything in me not to call you +And I wish I could run to you +And I hope you know that +Every time I don’t, I almost do, I almost do +[Verse 2] +I bet you think I either moved on or hate you +‘Cause each time you reach out, there’s no reply +I bet it never, ever occurred to you +That I can’t say hello to you and risk another goodbye +[Chorus] +And I just wanna tell you +It takes everything in me not to call you +And I wish I could run to you +And I hope you know that +Every time I don’t, I almost do, I almost do [Bridge] +Oh, we made quite a mess, babe +It’s probably better off this way +And I confess, babe +In my dreams, you’re touching my face +And asking me if I want to try again with you +And I almost do +[Chorus] +And I just wanna tell you +It takes everything in me not to call you +And I wish I could run to you +And I hope you know that +Every time I don’t, I almost do, I almost do +[Outro] +I bet this time of night, you’re still up +I bet you’re tired from a long, hard week +I bet you’re sittin' in your chair by the window +Looking out at the city, and I hope +Sometimes, you wonder 'bout me","“I Almost Do,” is a song that describes the internal conflict that goes on when reminiscing about a romance. Taylor commented on the song saying— +“I Almost Do'” is a song I wrote about the conflict that you feel when you want to take someone back, and you want to give it another try, but you know you can’t. And you can’t because you know it’s hurt you so deeply that you know that you couldn’t bear to go through that again. So you’re sitting there and wondering where they are and hope that they think about you and that you’re almost picking up the phone call, but you just can’t. I think I needed to write this song in order to not call that person actually. I think that writing the song was what I did instead of picking up the phone. +The same relationship she wrote this song about left her so emotional that she suffered six months of writing block prior to being able to begin writing Red, as she mentioned to USA Today. +There’s a kind of bad that gets so overpowering you can’t even write about it. When you feel pain that is so far past dysfunctional, that leaves you with so many emotions that you can’t filter them down to simple emotions to write about. That’s when you know you really need to get out. +The hidden message written in the album for “I Almost Do” reads, “Wrote this instead of calling.”",I Almost Do,Taylor Swift +4431,4499979,"[Intro] +I-I-I-I +[Verse 1] +You brush past me in the hallway +And you don't think I, I, I can see ya, do ya? +I’ve been watchin' you for ages +And I spend my time tryin' not to feel it +[Pre-Chorus] +But what would you do if I went to touch you now? +What would you do if they never found us out? +What would you do if we never made a sound? +[Chorus] +’Cause I can see you waitin' down the hall from me +And I could see you up against the wall with me +And what would you do? Baby, if you only knew +That I can see you +[Post-Chorus] +I-I-I-I +[Verse 2] +And we kept everything professional +But something's changed, it's somethin' I, I like +They keep watchful eyes on us +So it's best that we move fast and keep quiet +You won't believe half the things I see inside my head +Wait 'til you see half the things that haven’t happened yet [Pre-Chorus] +But what would you do if I went to touch you now? +What would you do if they never found us out? +What would you do if we never made a sound? +[Chorus] +’Cause I can see you waitin' down the hall from me +And I could see you up against the wall with me +And what would you do? Baby, if you only knew, oh, oh, oh +That I could see you throw your jacket on the floor +I could see you, make me want you even more +What would you do? Baby, if you only knew +That I can see you +[Post-Chorus] +I-I-I-I +[Bridge] +I can see you in your suit and your necktie +Passed me a note sayin’, ""Meet me tonight"" +Then we kiss and you know I won't ever tell, yeah +And I could see you being my addiction +You can see me as a secret mission +Hide away and I will start behaving myself +[Pre-Chorus] +I-I-I-I +Oh-oh, oh, oh [Chorus] +I can see you waitin' down the hall from me +And I could see you up against the wall with me +And what would you do? Baby, if you only knew, oh +That I could see you throw your jacket on the floor +I could see you, make me want you even more +What would you do? Baby, if you only knew +That I can see you, oh, I can see you +[Outro] +Oh, I see you, I see you, baby +I see you +(I-I-I-I) I see you, I see you, baby +Oh, baby","“I Can See You” shows Swift seductively addressing her potential lover. Ensnared with a sexual atmosphere, she continuously challenges and invites her partner to explore their newfound relationship, both romantically and sexually. +With similar themes, this song is reminiscent of her 2017 reputation track, “Dress,” which delved into her sexual admiration of her now ex-boyfriend Joe Alwyn. Although this track does not seem to address anyone in particular and was originally written around 2010 for the first version of Swift’s Speak Now album, it emphasizes Taylor’s recent use of rock and alternative sonics. +The blend of synthesizer, guitar and bass mash up to create a rather new and fresh sound to Taylor. The experimental sound, in which Swift also later went on to dive into throughout albums like 2017’s reputation and 2022’s Midnights, have always made Swift’s discography as a whole interesting to listen to. Especially around the time her 2014 album, 1989, in which she fully embraced Pop music and Pop influences in her songs, she talked about how she always wanted to be experimental with her art – during a 2015 interview for extratv, she said: +I think that it’s important to experiment with different things. I think that the direction you wanna go musically, it has to surprise people. There are a lot of my songwriting that I haven’t explored yet. +“I Can See You” is a magnetic blend of atmospheric production, enticing melodies, and Taylor Swift’s signature storytelling prowess. It captures the essence of longing, secrecy, and the undeniable attraction between two souls who dance on the edge of temptation.",I Can See You (Taylor’s Version) [From The Vault],Taylor Swift +4432,187250,"[Verse 1] +I don't think that passenger seat +Has ever looked this good to me +He tells me about his night +And I count the colors in his eyes +He'll never fall in love, he swears +As he runs his fingers through his hair +I’m laughing 'cause I hope he's wrong +And I don't think it ever crossed his mind +He tells a joke, I fake a smile +But I know all his favorite songs +[Chorus] +And I could tell you his favorite color's green +He loves to argue, born on the seventeenth +His sister's beautiful, he has his father's eyes +And if you asked me if I love him +I'd lie +[Verse 2] +He looks around the room +Innocently overlooks the truth +Shouldn't a light go on? +Doesn't he know that I've had him memorized for so long? +He sees everything in black and white +Never let nobody see him cry +I don't let nobody see me wishin' he was mine [Chorus] +I could tell you his favorite color's green +He loves to argue, born on the seventeenth +His sister's beautiful, he has his father's eyes +And if you asked me if I love him +I'd lie +[Bridge] +He stands there, then walks away +My God, if I could only say +I'm holding every breath for you +He'd never tell you, but he can play guitar +I think he can see through everything but my heart +First thought when I wake up +Is, ""My God, he’s beautiful"" +So I put on my makeup +And pray for a miracle +[Chorus] +Yes, I could tell you his favorite color's green +He loves to argue, oh, and it kills me +His sister's beautiful, he has his father's eyes +And if you asked me if I love him +If you asked me if I love him +I’d lie","“I’d Lie” is a love story about a girl knowing almost all there is to know about a boy she likes, such as his birthday, favorite color, family, etc., however she won’t ever tell anyone if she really does like him.",I’d Lie,Taylor Swift +4433,542383,"[Intro] +Oh, oh, oh +Oh, oh, oh +Oh-oh, oh-oh +[Verse 1] +Stand there like a ghost +Shaking from the rain, rain +She'll open up the door and say, ""Are you insane?"" +Say it's been a long six months +And you were too afraid to tell her what you want, want +[Pre-Chorus] +And that's how it works +That's how you get the girl +And then, you say +[Chorus] +I want you for worse or for better +I would wait forever and ever +Broke your heart, I'll put it back together +I would wait forever and ever +And that's how it works +That's how you get the girl, girl (Oh-oh, oh) +And that's how it works +That's how you get the girl, girl [Verse 2] +Remind her how it used to be, be, yeah-yeah +With pictures in frames of kisses on cheeks, cheeks +Tell her how you must have lost your mind, ooh-ooh +When you left her all alone +And never told her why, why +[Pre-Chorus] +And that's how it works +That's how you lost the girl +And now, you say +[Chorus] +I want you for worse or for better +I would wait forever and ever (Ever and ever) +Broke your heart, I'll put it back together +I would wait forever and ever +And that's how it works +That's how you get the girl, girl (Oh-oh, oh-oh) +And that's how it works +That's how you get the girl, girl +Yeah, yeah +[Bridge] +And you know +Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh +That I don't want you to go, oh, oh [Breakdown] +Remind me how it used to be +Pictures in frames of kisses on cheeks +And say you want me, yeah-yeah +And then you say +[Chorus] +I want you for worse or for better (Worse or for better) +I would wait forever and ever (Ever and ever) +Broke your heart, I'll put it back together +I want you forever and ever (I would wait forever and ever) +And that's how it works +That's how you get the girl, girl (This is how it works) +And that's how it works +That's how you get the girl, girl (Get the girl) +(That's how it works) +And that's how it works +That's how you get the girl, girl +(Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh) +And that's how it works +That's how you get the girl, girl +(Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh) +[Outro] +And that's how it works +That's how you got the girl","Taylor Swift unveiled a little snippet of this song in her Diet Coke ad. + + + + +The song works as an advice to a guy who wants to get a girl back. She suggests better tactics than the ones her former lovers seemed to have used on her, described in songs like “We Are Never Ever Getting Back Together”. +The song has also been rumored to be about the on/off relationship between Justin Bieber and Selena Gomez.",How You Get The Girl,Taylor Swift +4434,2927948,"[Verse 1: ZAYN] +Been sittin' eyes wide open +Behind these four walls, hopin' you'd call +It's just a cruel existence +Like there's no point hopin' at all +[Pre-Chorus: ZAYN] +Baby, baby, I feel crazy +Up all night, all night and every day +Give me somethin', oh, but you say nothin' +What is happening to me? +[Chorus: ZAYN] +I don't wanna live forever +'Cause I know I'll be living in vain +And I don't wanna fit wherever +I just wanna keep calling your name +Until you come back home +I just wanna keep calling your name +Until you come back home +I just wanna keep calling your name +Until you come back home +[Verse 2: Taylor Swift] +I'm sittin' eyes wide open +And I got one thing stuck in my mind +Wonderin' if I dodged a bullet +Or just lost the love of my life, oh [Pre-Chorus: Taylor Swift] +Baby, baby, I feel crazy +Up all night, all night and every day +I gave you somethin', but you gave me nothin' +What is happening to me? +[Chorus: ZAYN, +Taylor Swift +, +Both +] +I don't wanna live forever +'Cause I know I'll be living in vain +And I don't wanna fit ( +Fit, babe +) wherever ( +Wherever +) +I just wanna keep calling your name +Until you come back home +I just wanna keep calling your name +Until you come back home +I just wanna keep calling your name +Until you come back + home +[Bridge: Taylor Swift, +ZAYN +, +Both +] +I've been looking sad in all the nicest places +Baby, baby, I feel crazy +I see you around in all these empty faces +Up all night, all night and every day +I've been looking sad in all the nicest places +Give me somethin', oh, but you say nothin' +Now I'm in a cab, I tell 'em where your place is +What is happening to me? [Chorus: ZAYN, +Taylor Swift +, +Both +] +I don't wanna live forever +'Cause I know I'll be living in vain +And I don't wanna fit (I don't wanna fit, +fit, babe +) wherever ( +Wherever +) +I just wanna keep calling your name +Until you come back home + (Home) +I just wanna keep calling your name +Until you come back home + (Back, woah) +I just wanna keep calling your name +Until you come back home + (I don't wanna fit) +[Post-Chorus: ZAYN & Taylor Swift, +ZAYN +] +I just wanna keep calling your name +Until you come back home ( +Back home, until you, baby +) +I just wanna keep calling your name +Until you come back home +[Outro: Taylor Swift, +ZAYN +] +I just wanna keep callin' your name +Until you come back home +Until you come back home","“I Don’t Wanna Live Forever” is a sultry ode about feeling like life is hopeless without an ex-lover, written for the Fifty Shades of Grey sequel, Fifty Shades Darker. The song is performed as a duet between music sensations ZAYN and Taylor Swift. Swift also co-wrote the song with producers Jack Antonoff and Sam Dew. +The track is Taylor Swift’s first release in 2016 besides singles from her fifth album 1989. Meanwhile, it’s one of many for ZAYN, who dropped his debut album Mind of Mine in March of that year. +Swift first revealed the track on her social media accounts, debuting the single art and a clip from the song on Instagram. Zayn later posted a photo on Instagram with Swift under the caption “#IDontWannaLiveForever.” +",I Don’t Wanna Live Forever,Taylor Swift +4435,4499978,"[Verse 1: Taylor Swift] +3 AM and I'm still awake, I'll bet you're just fine +Fast asleep in your city that's better than mine +And the girl in your bed has a fine pedigree +And I'll bet your friends tell you she's better than me, huh +[Verse 2: Taylor Swift] +Well, I tried to fit in with your upper-crust circles +Yeah, they let me sit in back when we were in love +Oh, they sit around talkin' about the meaning of life +And the book that just saved 'em that I hadn't heard of +[Chorus: Taylor Swift & Chris Stapleton, +Taylor Swift +] +But now that we're done and it's over +I bet you couldn't believe +When you realized I'm harder to forget than I was to leave +And I bet you think about me +[Verse 3: Taylor Swift] +You grew up in a silver-spoon gated community +Glamorous, shiny, bright Beverly Hills +I was raised on a farm, no, it wasn't a mansion +Just livin' room dancin' and kitchen table bills +[Verse 4: Taylor Swift & Chris Stapleton] +But you know what they say, you can't help who you fall for +And you and I fell like an early spring snow +But reality crept in, you said we're too different +You laughed at my dreams, rolled your eyes at my jokes [Chorus: Taylor Swift & Chris Stapleton, +Taylor Swift +] +Mr. Superior Thinkin' +Do you have all the space that you need? +I don't have to be your shrink to know that you'll never be happy +And I bet you think about me +[Post-Chorus: Taylor Swift, +Taylor Swift & Chris Stapleton +] +I bet you think about +me, yes +I bet you think about me +[Bridge: Taylor Swift & Chris Stapleton, +Taylor Swift +] +Oh, block it all out +The voices so loud, sayin' +""Why did you let her go?"" +Does it make you feel sad +That the love that you're lookin' for +Is the love that you had? +[Verse 5: Taylor Swift] +Now you're out in the world, searchin' for your soul +Scared not to be hip, scared to get old +Chasing make-believe status, last time you felt free +Was when none of that shit mattered 'cause you were with me +[Chorus: Taylor Swift & Chris Stapleton, +Taylor Swift +] +But now that we're done and it's over +I bet it's hard to believe +But it turned out I'm harder to forget than I was to leave +And, yeah +, I bet you think about me [Post-Chorus: Taylor Swift, +Taylor Swift & Chris Stapleton +] +I bet you think about +me, yes +I bet you think about me +[Outro: Taylor Swift, +Taylor Swift & Chris Stapleton +] +I bet you think about me when you're out +At your +cool indie music concerts every week +I bet you think about me in your house +With your organic shoes and your million-dollar couch +I bet you think about me when you say +""Oh my god, she's insane, she wrote a song about me"" +I bet you think about me","In “I Bet You Think About Me,” Taylor confronts her ex now that she was able to move on, knowing he still hasn’t. Using an angry and disappointed tone, Taylor puts the blame on her lover for leaving for superficial reasons, which included differences in background and upbringing. +The subject of the song is probably Jake Gyllenhaal, who Taylor dated back in 2010. Although Taylor was brought up in Pennsylvania on her family’s farm before moving to Tennesee as she grew older, Jake was born to a film producer and screenwriter, with an entirely different upbringing from Taylor. +The song was initially teased with the Vault track video Taylor posted in hint of the vault tracks for the re-recorded album. On October 15, 2021, Taylor secretly released a message on Apple Music, which contained a spoken 31-second track, and the fully confirmed track list. Fans noticed “I Bet You Think About Me” was labeled “explicit,” leading fans to believe the snippet from the vault is this song. +In the music video, Swift portrays herself as her ex’s vision of her on his wedding day. Her ex, who is impersonated by Miles Teller, keeps seeing Swift and the color red, an indication that he is still thinking about her, even on his own wedding. As he dances with her while she wears in a wedding dress, his world turns to the color red and he realizes she is not real, and that she is the embodiment of his recurrent thoughts about her. It’s interesting to point out that the music video was co-written and produced by Blake Lively, one of Swift’s best friends. The music video has several easter eggs, most notably the cake, Red’s promotional ring and most importantly the iconic scarf Swift offered to the bride. One last fun fact is the bride in the video being Teller’s real-life wife, Keleigh Sperry.",I Bet You Think About Me (Taylor’s Version) [From the Vault],Taylor Swift +4437,186961,"[Verse 1] +Last night, I heard my own heart beating +Sounded like footsteps on my stairs +Six months gone and I'm still reaching +Even though I know you're not there +I was playing back a thousand memories, baby +Thinking 'bout everything we've been through +Maybe I've been going back too much lately +When time stood still and I had you +[Chorus] +Come back, come back, come back to me like +You would, you would if this was a movie +Stand in the rain outside 'til I came out +Come back, come back, come back to me like +You could, you could if you just said you're sorry +I know that we could work it out somehow +But if this was a movie, you'd be here by now +[Verse 2] +I know people change and these things happen +But I remember how it was back then +Wrapped up in your arms and our friends were laughin' +'Cause nothing like this ever happened to them +Now I'm pacing down the hall, chasing down your street +Flashback to the night when you said to me +That nothing's gonna change, not for me and you +Back before I knew how much I had to lose [Chorus] +Come back, come back, come back to me like +You would, you would if this was a movie +Stand in the rain outside 'til I came out +Come back, come back, come back to me like +You could, you could if you just said you're sorry +I know that we could work it out somehow +But if this was a movie, you'd be here by now +[Bridge] +If you're out there, if you're somewhere, if you're moving on +I've been waiting for you every day since you've been gone +I just want it back the way it was before +And I just wanna see you back at my front door +[Breakdown] +And I say, ""Come back, come back, come back to me like +You would before you said it's not that easy +Before the fight, before I locked you out +But I take it all back now"" +[Chorus] +Come back, come back, come back to me like +You would, you would if this was a movie +Stand in the rain outside 'til I came out +Come back, come back, come back to me like +You could, you could if you just said you're sorry +I know that we could work it out somehow +But if this was a movie, you'd be here by now [Outro] +You'd be here by now +It's not the kind of ending you wanna see now +Baby, what about the ending? +Oh, I thought you'd be here by now +Oh, oh, oh, oh, oh, oh +Thought you'd be here by now","In “If This Was A Movie,” Taylor daydreams about a lost love coming back to her. The track was made available on the deluxe edition of Taylor’s album Speak Now. (2010). Lyrically and thematically, it resembles her 2008 song “Breathe.” The song is the only one on the album to feature a co-writer. +The track has received some backlash for supposedly being grammatically incorrect.",If This Was a Movie,Taylor Swift +4438,3306083,"[Verse 1] +I never trust a narcissist, but they love me +So I play 'em like a violin +And I make it look, oh, so easy +'Cause for every lie I tell them, they tell me three +This is how the world works +Now all he thinks about is me +[Pre-Chorus] +I can feel the flames on my skin +Crimson red paint on my lips +If a man talks shit, then I owe him nothin' +I don't regret it one bit 'cause he had it comin' +[Chorus] +They say I did somethin' bad +Then why's it feel so good? +They say I did somethin' bad +But why's it feel so good? +Most fun I ever had +And I'd do it over and over and over again if I could +It just felt so good, good +[Post-Chorus] +Ra-di-di-di-di-di-di-di-di-di-da-da +Ra-di-di-di-di-di-di-di-di-di-da-da +Ra-di-di-di-di-di-di-di-di-di-da-da +Da-da, da, da [Verse 2] +I never trust a playboy, but they love me +So I fly 'em all around the world +And I let them think they saved me +They never see it comin', what I do next +This is how the world works +You gotta leave before you get left +[Pre-Chorus] +I can feel the flames on my skin +He says, ""Don't throw away a good thing"" +But if he drops my name, then I owe him nothin' +And if he spends my change, then he had it comin' +[Chorus] +They say I did somethin' bad ( +Da-da +) +Then why's it feel so good? +They say I did somethin' bad +But why's it feel so good? +Most fun I ever had +And I'd do it over and over and over again if I could +It just felt so good, good +[Post-Chorus] +Ra-di-di-di-di-di-di-di-di-di-da-da +Ra-di-di-di-di-di-di-di-di-di-da-da +(It just felt so good) +Ra-di-di-di-di-di-di-di-di-di-da-da +Da-da, da, da [Bridge] +They're burning all the witches, even if you aren't one +They got their pitchforks and proof, their receipts and reasons +They're burning all the witches, even if you aren't one +So light me up (Light me up), light me up (Light me up) +Light me up, go ahead and light me up (Light me up) +Light me up (Light me up), light me up (Light me up) +Light me up (Light me up), light me up +[Chorus] +They say I did somethin' bad (Oh) +Then why's it feel so good? (So good) +They say I did somethin' bad +But why's it feel so (Good) good? +Most fun I ever had (Most fun I ever had) +And I'd do it over and over and over again if I could +It just felt so good (Good), good +[Post-Chorus] +Ra-di-di-di-di-di-di-di-di-di-da-da + (Bad) +Ra-di-di-di-di-di-di-di-di-di-da-da +Oh, they say I did somethin' bad (They say I did somethin' bad) +Ra-di-di-di-di-di-di-di-di-di-da-da +Then why's it feel so good, good? +[Outro] +So good (Bad), why's it feel so good? +Why's it feel, why's it feel so good? (Bad) +It just felt so good, good","“I Did Something Bad” explores Swift’s new darker trap sound in the reputation era as it drifts away from previous record 1989. +Like 2014’s “Blank Space,” “I Did Something Bad” plays on the media and public’s perception of Taylor, with her singing as the character they portray her as. +The song was initially teased with the lyric “they’re burning all the witches” in the music video for “…Ready For It?” on a set piece.",I Did Something Bad,Taylor Swift +4440,92224,"[Intro] +[Verse 1] +Once upon a time, a few mistakes ago +I was in your sights, you got me alone +You found me, you found me +You found me-e-e-e-e +I guess you didn't care and I guess I liked that +And when I fell hard, you took a step back +Without me, without me +Without me-e-e-e-e +[Pre-Chorus] +And he's long gone when he's next to me +And I realize the blame is on me +[Chorus] +'Cause I knew you were trouble when you walked in +So shame on me now +Flew me to places I'd never been +'Til you put me down, oh +I knew you were trouble when you walked in +So shame on me now +Flew me to places I'd never been +Now, I'm lying on the cold, hard ground [Post-Chorus] +Oh, oh-oh +Trouble, trouble, trouble +Oh, oh-oh +Trouble, trouble, trouble +[Verse 2] +No apologies, he'll never see you cry +Pretends he doesn't know that he's the reason why +You're drowning, you're drowning +You're drowning-ing-ing-ing-ing +And I heard you moved on from whispers on the street +A new notch in your belt is all I'll ever be +And now, I see, now, I see +Now, I see-e-e-e-e +[Pre-Chorus] +He was long gone when he met me +And I realize the joke is on me, yeah +[Chorus] +I knew you were trouble when you walked in (Oh) +So shame on me now +Flew me to places I'd never been +'Til you put me down, oh +I knew you were trouble when you walked in +So shame on me now +Flew me to places I'd never been (Yeah) +Now, I'm lying on the cold, hard ground [Post-Chorus] +Oh, oh-oh +Trouble, trouble, trouble (Yeah, trouble) +Oh, oh-oh +Trouble, trouble, trouble +[Bridge] +And the saddest fear +Comes creeping in +That you never loved me +Or her, or anyone, or anything, yeah +[Chorus] +I knew you were trouble when you walked in +So shame on me now +Flew me to places I'd never been (Never been) +'Til you put me down, oh +I knew you were trouble when you walked in (Knew it right there) +So shame on me now (Knew it right there) +Flew me to places I'd never been (Ooh) +Now, I'm lying on the cold, hard ground +[Post-Chorus] +Oh, oh-oh +Trouble, trouble, trouble (Oh) +Oh, oh-oh +Trouble, trouble, trouble +I knew you were trouble when you walked in +Trouble, trouble, trouble +I knew you were trouble when you walked in +Trouble, trouble, trouble [Outro]","Taylor Swift expresses her guilt in “I Knew You Were Trouble” due to a relationship destined to fail. With its sound playing between electropop and dubstep, this song marks the significant period in which Swift began to move further away from her country roots and into more pop influences. TIME congratulated Swift on being “the first major artist to fuse country and dubstep.” +It was originally released on October 9, 2012 as the third promo single from Red, and later as an official single on November 27, 2012. +The song was an international commercial success, charting as a top ten hit in more than a dozen countries. In the U.S., it debuted at number three, mainly due to digital sales of 416,000. Later, it peaked at number two, becoming one of her many top-two hits including “You Belong with Me” and “Today Was a Fairytale.”. As of 2019, the song has sold 5.42 million copies in the United States. +The hidden message for the track is “When you saw me dancing”, which leads to speculation that the song is about Harry Styles — whom Taylor is said to have first met backstage at the 2012 Kids Choice Awards. +Her and Selena Gomez were seen dancing to One Direction’s performance of “What Makes You Beautiful”. + + +",I Knew You Were Trouble,Taylor Swift +4442,4782856,"[Verse 1] +How many days did I spend thinking +'Bout how you did me wrong, wrong, wrong? +Lived in the shade you were throwing +'Til all of my sunshine was gone, gone, gone +And I couldn't get away from ya +In my feelings more than Drake, so yeah +Your name on my lips, tongue-tied +Free rent, living in my mind +[Pre-Chorus] +But then something happened one magical night +[Chorus] +I forgot that you existed +And I thought that it would kill me, but it didn't +And it was so nice +So peaceful and quiet +I forgot that you existed +It isn't love, it isn't hate, it's just indifference +I forgot that you +[Verse 2] +Got out some popcorn +As soon as my rep started going down, down, down +Laughed on the school yard +As soon as I tripped up and hit the ground, ground, ground +And I would've stuck around for ya +Would've fought the whole town, so yeah +Would've been right there, front row +Even if nobody came to your show [Pre-Chorus] +But you showed who you are, then one magical night +[Chorus] +I forgot that you existed +And I thought that it would kill me, but it didn't +And it was so nice +So peaceful and quiet +I forgot that you existed +It isn't love, it isn't hate, it's just indifference +I forgot that you +[Bridge] +Sent me a clear message +Taught me some hard lessons +I just forget what they were +It's all just a blur +[Chorus] +I forgot that you existed +And I thought that it would kill me, but it didn't +And it was so nice +So peaceful and quiet +I forgot that you existed +I did, I did, I did +It isn't hate, it's just indifference +It isn't love, it isn't hate, it's just indifference +So, yeah","The opening track of Lover sees Swift letting go of the qualms and struggles she described throughout her previous album, 2017’s reputation. It allows her to formally conclude those situations, contextualize the following track, “Cruel Summer,” and focus on the true theme of the album: the several types of love she experiences in her life. +The track has an upbeat and light sound, accentuated by the short piano chords and the faded out vocals in the background. This choice seems deliberate, given the fun, carefree mood of the song.",I Forgot That You Existed,Taylor Swift +4443,187203,"[Verse 1] +Wish I had concentrated +They said love was complicated +But it's something I just fell into +And it was overrated +But just look what I've created +I came out alive but I'm black and blue +[Pre-Chorus] +Before you ask me if I’m alright +Think about what I had to do, yeah +[Chorus] +Wake up and smell the breakup +Fix my heart, put on my makeup +Another mess I didn't plan +And I'll bet you thought you'd beat me +Wish you could only see +I got an ""I heart question mark"" +Written on the back of my hand +[Verse 2] +I'd be fine if you just walked by +But you had to talk about why +You were wrong and I was right +But I can't believe you made me +Sit at home, cry like a baby +Wait right by the phone every night [Pre-Chorus] +And now you ask about you and I +There's no you and I +Remember what you put me through, I had to +[Chorus] +Wake up and smell the breakup +Fix my heart, put on my makeup +Another mess I didn't plan +And I'll bet you thought you'd beat me +Wish you could only see +I got an ""I heart question mark"" +Written on the back of my hand +[Bridge] +And when you're home all alone at night +You'll still wonder why +You took everything I had, oh, baby +I haven't thought about you and I +There's no you and I +And I know someday you will +[Chorus] +Wake up and smell the breakup +Realize that we won't make up +It didn't go the way you planned +And you'll know you didn't beat me +When you look down and see +I got an ""I heart question mark"" +Written on the back of my hand [Outro] +Written on the back of my hand +An ""I heart question mark,"" yeah +Written on the back of my hand","In “I Heart ?”, Taylor speaks off a recent break up. The break seems to have been rough, so the question mark could stand for her pondering love. She isn’t sure why what happened did, so she is unsure who to love. +Amusingly, Taylor was clearly a big fan of writing this song as a teenager. When she participated in a photoshoot for Abercrombie at age fourteen, you can see ‘I <3 ?’ written on her hand! +",I Heart ?,Taylor Swift +4446,5793974,"[Verse 1] +Make sure nobody sees you leave +Hood over your head, keep your eyes down +Tell your friends you're out for a run +You’ll be flushed when you return +Take the road less traveled by +Tell yourself you can always stop +What started in beautiful rooms +Ends with meetings in parking lots +[Chorus] +And that's the thing about illicit affairs +And clandestine meetings and longing stares +It's born from just one single glance +But it dies and it dies and it dies +A million little times +[Verse 2] +Leave the perfume on the shelf +That you picked out just for him +So you leave no trace behind +Like you don’t even exist +Take the words for what they are +A dwindling, mercurial high +A drug that only worked +The first few hundred times [Chorus] +And that's the thing about illicit affairs +And clandestine meetings and stolen stares +They show their truth one single time +But they lie and they lie and they lie +A million little times +[Bridge] +And you wanna scream +Don't call me ""kid,"" don't call me ""baby"" +Look at this godforsaken mess that you made me +You showed me colors you know I can't see with anyone else +Don't call me ""kid,"" don't call me ""baby"" +Look at this idiotic fool that you made me +You taught me a secret language I can't speak with anyone else +[Outro] +And you know damn well +For you, I would ruin myself +A million little times","“illicit affairs” tackles the idea of infidelity, which she first discussed on 2006’s “Should’ve Said No.” In the decade since she released “Should’ve Said No,” Swift’s conception of infidelity has changed from one of blanket condemnation to a significantly more nuanced and sympathetic take recognizing both “the dwindling, mercurial high” that infidelity can bring but also the heartbreak that it inevitably results in.",​illicit affairs,Taylor Swift +4447,552920,"So over the years, a lot of people have asked me to sort of describe my song writing process from beginning to end +How long does it take, where do you write, what are the circumstances, do you start with music, do you start with lyrics, and my answer is always that it happens differently every time, and that's why I'm still so in love with song writing +So what I've done here is shown you three different examples of the beginning stages of these songs and how they each started, different ways +So I'll explain them to you and maybe that will help you understand kind of how I put songs together +I sent this voice memo to +Ryan Tedder + because I'd always wanted to work with him, and finally we scheduled some studio time +So I always wanna be prepared +I wanted to send him the idea that I was working on before we went into the studio just in case he wrote back and said ""I can't stand that, I wanna work on something else, think of something else"" +So I just sat down with the piano, put my phone on top of the piano and just kind of explained to him where I wanted to go with the song, how I saw the melody sitting in and we ended up recording the song the next day and it ended up being on the record called "" +I Know Places +"" +So this was the voice memo that I sent to him the night before we ended up finishing the song +""Okay so this is kind of this rough idea thing: +Uh-uh-uh-oh, oh-oh-oh-i +Oh-oh-oh, oh-oh-oh-i +Oh-oh-oh-oh, oh-oh-oh-i-i-i +Na na na na waiting at the back door +They're around and the vultures come around +And you know that they won't, they won't us +Say what they want 'bout, say what they want 'bout us +And you come and sing and listen +I would not think about it but I'm not done +Every know that a thing or two about it, thing or two about it, I +'Cause they got the cages, they got the boxes +And guns +They are the hunters we are the foxes +And we run +Baby, I know some places we won't be found +And they'll be chasing their tails trying to track us down +'Cause I, I know places we can hide +I know places, I know places +Uh-uh-uh-i, uh-uh-uh-i, oh-oh-i, uh-uh-uh-i, know places"" +Or whatever +I don't know, but that's basically just like a dark, really dark lyric, like, bridge thing and it's about, like, everybody's, like, trying to get into and ruin a love or whatever, and it's like you just, whatever, you know, and the chorus would just go to that major and just be like ooh chorus +So I hope you like it, it wouldn't be a piano thing +It would be, like, [*vocalizing*] +Like, very, like, beat. Now I'm just making weird sounds +Hope you like it!","The voice memo for “I Know Places”, the twelfth track on 1989, is one of the three voice memos on the deluxe version of the album, which is exclusively available at Target. +Taylor included three different voice memos of her describing the creation of three songs from her album to give fans some insight on her writing process. The voice memos also included an early version of each of the songs.",I Know Places (Voice Memo),Taylor Swift +4448,83166,"[Verse 1] +I guess you really did it this time +Left yourself in your war path +Lost your balance on a tightrope +Lost your mind trying to get it back +[Pre-Chorus] +Wasn't it easier in your lunchbox days? +Always a bigger bed to crawl into +Wasn't it beautiful when you believed in everything +And everybody believed in you? +[Chorus] +It's alright, just wait and see +Your string of lights is still bright to me, oh +Who you are is not where you've been +You're still an innocent +You're still an innocent +[Verse 2] +Did some things you can't speak of +But at night, you live it all again +You wouldn't be shattered on the floor now +If only you had seen what you know now then +[Pre-Chorus] +Wasn't it easier in your firefly-catching days? +When everything out of reach +Someone bigger brought down to you +Wasn't it beautiful running wild 'til you fell asleep +Before the monsters caught up to you? [Chorus] +It's alright, just wait and see +Your string of lights is still bright to me, oh +Who you are is not where you've been +You're still an innocent +It's okay, life is a tough crowd +Thirty-two and still growing up now +Who you are is not what you did +You're still an innocent +[Bridge] +Time turns flames to embers +You'll have new Septembers +Every one of us has messed up, too, ooh +Minds change like the weather +I hope you remember +Today is never too late to be brand new, oh +[Chorus] +It's alright, just wait and see +Your string of lights is still bright to me, oh +Who you are is not where you've been +You're still an innocent +It's okay, life is a tough crowd +Thirty-two and still growing up now +Who you are is not what you did +You're still an innocent +You're still an innocent [Outro] +Lost your balance on a tightrope, oh +It's never too late to get it back","Taylor penned “Innocent” after Kanye West stormed the stage at the 2009 Video Music Awards after Taylor won an award for her “You Belong With Me” music video. In the song, she forgives Kanye, talking about how the incident doesn’t define him. “Innocent” is about learning from one’s mistakes and becoming a better person, which Kanye sadly did not do. Taylor later performed this song at the 2010 VMAs. +Mistakes are discussed on several tracks of Speak Now, including “Back To December” and “Dear John.”",Innocent,Taylor Swift +4453,132098,"[Verse 1] +Friday night beneath the stars +In a field behind your yard +You and I are painting pictures in the sky +And sometimes, we don't say a thing +Just listen to the crickets sing +Everything I need is right here by my side +[Pre-Chorus] +And I know everything about you +I don't wanna live without you +[Chorus] +I'm only up when you're not down +Don't wanna fly if you're still on the ground +It's like no matter what I do +Well, you drive me crazy half the time +The other half, I'm only tryin' to +Let you know that what I feel is true +And I'm only me when I'm with you +[Verse 2] +Just a small-town boy and girl +Livin' in a crazy world +Tryna figure out what is and isn't true +And I don't try to hide my tears +My secrets or my deepest fears +Through it all, nobody gets me like you do [Pre-Chorus] +And you know everything about me +You say that you can't live without me +[Chorus] +I'm only up when you're not down +Don't wanna fly if you're still on the ground +It's like no matter what I do +Well, you drive me crazy half the time +The other half, I'm only tryin' to +Let you know that what I feel is true +And I'm only me when I'm with you +[Bridge] +When I'm with anybody else +It's so hard to be myself +And only you can tell +[Chorus] +That I'm only up when you're not down +Don't wanna fly if you're still on the ground +It's like no matter what I do +Well, you drive me crazy half the time +The other half, I'm only tryin' to +Let you know that what I feel is true +And I'm only me +Who I wanna be +Well, I'm only me when I'm with you [Outro] +With you +Uh-huh-huh, yeah","“I’m Only Me When I’m With You” is the twelfth song from the bonus track version of Taylor’s debut eponymous album, Taylor Swift. +The song is about Taylor and her best friend Abigail Anderson. It speaks volumes of how they know each other so well and feel free to be themselves when they are together. The video features Abigail and other of Swift’s friends and family. It has a laid-back setting and shows a more family oriented side of her. +Even though the song is about Abigail, the video implies that she loves her family deeply, and would be nothing without them. +https://youtu.be/AlTfYj7q5gQ",I’m Only Me When I’m With You,Taylor Swift +4454,132100,"[Verse 1] +She can't see the way your eyes +Light up when you smile +She'll never notice how you stop and stare +Whenever she walks by +[Pre-Chorus] +And you can't see me wanting you the way you want her +But you are everything to me +[Chorus] +And I just wanna show you +She don't even know you +She's never gonna love you like I want to +And you just see right through me +But if you only knew me +We could be a beautiful miracle, unbelievable +Instead of just invisible +[Post-Chorus] +Oh, yeah, oh +[Verse 2] +There's a fire inside of you +That can't help but shine through +She's never gonna see the light +No matter what you do [Pre-Chorus] +And all I think about is how to make you think of me +And everything that we could be +[Chorus] +And I just wanna show you +She don't even know you +She's never gonna love you like I want to +And you just see right through me +But if you only knew me +We could be a beautiful miracle, unbelievable +Instead of just invisible +[Bridge] +Like shadows in a faded light +Oh, we're invisible +I just wanna open your eyes +And make you realize +[Chorus] +I just wanna show you +She don't even know you +Baby, let me love you, let me want you +You just see right through me +But if you only knew me +We could be a beautiful miracle, unbelievable +Instead of just invisible [Post-Chorus] +Oh, yeah +[Outro] +She can't see the way your eyes +Light up when you smile","The thirteenth track on Taylor Swift’s eponymous debut album finds her lamenting on someone who doesn’t even notice her. +People have theorized that the song is about Drew Hardwick, the person who inspired “Teardrops On My Guitar,” where she also conveys a similar feeling of longing for a boy she likes as she talks about not being able to sleep at night because of him. +It has never been confirmed, but in an email exchange about her summer days at Jersey Shore, she said that she was inspired to write this song as she looked back on one of the summers she spent there. +She frequented the Shore until she was about fourteen years old, which was also the same age she was when she was in love with Drew. (It was her freshman year in high school at the time). If this song was inspired by her last summer at the shore, which would’ve been right after her freshman year, the dates would line up perfectly to further indicate that this song is about Drew. +The song is also comparable to “You Belong With Me,” in that in both songs the boy is dating a girl who isn’t as good for him as Taylor would be.",Invisible,Taylor Swift +4455,5793972,"[Verse 1] +Green was the color of the grass +Where I used to read at Centennial Park +I used to think I would meet somebody there +Teal was the color of your shirt +When you were sixteen at the yogurt shop +You used to work at to make a little money +[Chorus] +Time, curious time +Gave me no compasses, gave me no signs +Were there clues I didn't see? +And isn't it just so pretty to think +All along there was some +Invisible string +Tying you to me? +Ooh-ooh-ooh-ooh +[Verse 2] +Bad was the blood of the song in the cab +On your first trip to LA +You ate at my favorite spot for dinner +Bold was the waitress on our three-year trip +Getting lunch down by the Lakes +She said I looked like an American singer [Chorus] +Time, mystical time +Cutting me open, then healing me fine +Were there clues I didn't see? +And isn't it just so pretty to think +All along there was some +Invisible string +Tying you to me? +Ooh-ooh-ooh-ooh +[Bridge] +A string that pulled me +Out of all the wrong arms, right into that dive bar +Something wrapped all of my past mistakes in barbed wire +Chains around my demons +Wool to brave the seasons +One single thread of gold +Tied me to you +[Verse 3] +Cold was the steel of my axe to grind +For the boys who broke my heart +Now I send their babies presents +Gold was the color of the leaves +When I showed you around Centennial Park +Hell was the journey, but it brought me heaven [Chorus] +Time, wondrous time +Gave me the blues and then purple-pink skies +And it's cool, b +aby, with me +And isn't it just so pretty to think +All along there was some +Invisible string +Tying you to me? +Ooh-ooh-ooh-ooh +Me +Ooh-ooh-ooh-ooh +[Outro] +(Ah-ah-ah) +(Ah-ah-ah)","“invisible string” references an east Asian folk myth about a red thread of fate tying two soulmates together. Like on Swift’s 2019 track “Lover,” she expresses gratitude for past romantic failures since they paved the way for her relationship with Joe Alwyn. +The song includes several nods to Swift’s past work, including October 2014’s “Bad Blood” and November 2017’s “Delicate.” Like on October 2012’s “Red” and August 2019’s “Daylight,” she uses the connotations of different colors to convey the intensity of her love for a partner.",​invisible string,Taylor Swift +4456,4765979,"[Verse 1] +I think he knows +His footprints on the sidewalk +Lead to where I can't stop +Go there every night +I think he knows +His hands around a cold glass +Make me wanna know that +Body like it's mine +[Pre-Chorus] +He got that boyish look that I like in a man +I am an architect, I'm drawing up the plans +It's like I'm 17, nobody understands +No one understands +[Chorus] +He got my heartbeat +Skipping down 16th Avenue +Got that, ah, I mean +Wanna see what's under that attitude like +I want you, bless my soul +And I ain't gotta tell him, I think he knows +I think he knows +[Verse 2] +I think he knows +When we get all alone +I'll make myself at home +And he'll want me to stay +I think he knows +He'd better lock it down +Or I won't stick around +'Cause good ones never wait (Ha) [Pre-Chorus] +He got that boyish look that I like in a man +I am an architect, I'm drawing up the plans +He's so obsessed with me and, boy, I understand +Boy, I understand +[Chorus] +He got my heartbeat (Heartbeat) +Skipping down 16th Avenue +Got that, ah, I mean (I mean) +Wanna see what's under that attitude like +I want you, bless my soul +And I ain't gotta tell him, I think he knows +I think he knows +[Post-Chorus] +I want you, bless my +I want you, bless my +I want you, bless my +I want you, bless my soul +[Bridge] +Lyrical smile, indigo eyes, hand on my thigh +We could follow the sparks, I'll drive +Lyrical smile, indigo eyes, hand on my thigh +We could follow the sparks, I'll drive +""So where we gonna go?"" +I whisper in the dark +""Where we gonna go?"" +I think he knows [Chorus] +He got my heartbeat (Heartbeat) +Skipping down 16th Avenue (Baby) +Got that, ah, I mean (I mean) +Wanna see what's under that attitude like (Yeah) +I want you, bless my soul +And I ain't gotta tell him, I think he knows +I think he knows +[Post-Chorus] +I want you, bless my +I want you, bless my +I want you, bless my (Oh, baby) +I want you, bless my soul (He got my heartbeat) +I want you, bless my (Skipping down 16th Avenue, baby) +I want you, bless my +I want you, bless my soul +And I ain't gotta tell him, I think he knows","“I Think He Knows” is an uptempo song on which Swift describes her attraction to Joe Alwyn, her boyfriend as of the track’s release. Like on her 2010 song “Last Kiss,” Swift includes several small details about her lover and his mannerisms, which emphasizes her attention and observation. +It’s also worth noting the confidence Swift exudes in the second verse and pre-chorus — this song follows “The Archer,” a vulnerable track about her insecurities in a relationship.",I Think He Knows,Taylor Swift +4457,9538404,"[Intro] +( +Is it? Is it? Is it? Is it? Is it? +) +[Verse 1] +Once the flight had flown (Uh-huh) +With the wilt of the rose (Uh-huh) +I slept all alone (Uh-huh) +You still wouldn't go +[Pre-Chorus] +Let's fast forward to three hundred takeout coffees later +I see your profile and your smile on unsuspecting waiters +You dream of my mouth before it called you a lying traitor +You search in every maiden's bed for somethin' greater, baby +[Chorus] +Was it over when she laid down on your couch? +Was it over when he unbuttoned my blouse? +""Come here,"" I whispered in your ear +In your dream as you passеd out, baby +Was it over then? And is it over now? +[Post-Chorus] +( +Is it? Is it? Is it? +) +[Verse 2] +Whеn you lost control (Uh-huh) +Red blood, white snow (Uh-huh) +Blue dress on a boat (Uh-huh) +Your new girl is my clone [Bridge] +And did you think I didn't see you? +There were flashin' lights +At least I had the decency +To keep my nights out of sight +Only rumors 'bout my hips and thighs +And my whispered sighs +Oh, Lord, I think about jumpin' +Off of very tall somethings +Just to see you come runnin' +And say the one thing I've been wanting, but no +[Pre-Chorus] +Let's fast forward to three hundred awkward blind dates later (Oh) +If she's got blue eyes, I will surmise that you'll probably date her (Oh, no) +You dream of my mouth before it called you a lying traitor (Oh) +You search in every model's bed for somethin' greater, baby +[Chorus] +Was it over when she laid down on your couch? +Was it over when he unbuttoned my blouse? +""Come here,"" I whispered in your ear +In your dream as you passed out, baby +Was it over then? And is it over now? +[Post-Chorus] +Uh-huh +( +Is it? Is it? Is it? +) +Uh-huh +( +Is it? Is it? +) [Bridge] +Think I didn't see you? +There were flashin' lights +At least I had the decency +To keep my nights out of sight +Only rumors 'bout my hips and thighs +And my whispered sighs +Oh, Lord, I think about jumpin' +Off of very tall somethings +Just to see you come runnin' (Runnin') +And say the one thing I've been wanting, but no +[Outro] +(Flashin' lights; Oh, Lord; Oh) +Let's fast forward to three hundred takeout coffees later (Oh) +(Flashin' lights) I was hoping you'd be there +And say the one thing (Oh, Lord) +I've been wanting (Oh, Lord) +But no +( +Was it? Was it? Was it? Was it? Was it? Was it? +)","“Is It Over Now?,” the closing vault track on Taylor’s Version of 1989, explores feelings of heartbreak and reflection in a relatable way: sharing moments of loneliness and memories of past experiences with a former love. +The chorus asks if the relationship has truly ended, touching on intimate moments and the pain of betrayal. Swift’s lyrics capture the mixed emotions that often come with a breakup, but ultimately emphasizes the self-respect she has: a theme shared by other vault tracks like “Now That We Don’t Talk.”",Is It Over Now? (Taylor’s Version) [From The Vault],Taylor Swift +4458,6260178,"[Verse 1] +When the dinner is cold and the chatter gets old +You ask for the tab +Or that moment again, he's insisting that friends +Look at each other like that +When the words of a sister come back in whispers +That prove she was not +In fact what she seemed, not a twin from your dreams +She's a crook who was caught +[Chorus] +That old familiar body ache +The snaps from the same little breaks in your soul +You know when it's time to go +[Verse 2] +Twenty years at your job, then the son of the boss +Gets the spot that was yours +Or trying to stay for the kids, when keeping it how it is +Will only break their hearts worse +[Chorus] +That old familiar body ache +The snaps from the same little breaks in your soul +You know when it's time to go [Post-Chorus] +Sometimes, givin' up is the strong thing +Sometimes, to run is the brave thing +Sometimes, walkin' out is the one thing +That will find you the right thing +Sometimes, givin' up is the strong thing +Sometimes, to run is the brave thing +Sometimes, walkin' out is the one thing +That will find you the right thing +[Verse 3] +Fifteen years, fifteen million tears +Begging 'til my knees bled +I gave it my all, he gave me nothin' at all +Then wondered why I left +Now he sits on his throne in his palace of bones +Praying to his greed +He's got my past frozen behind glass +But I've got me +[Chorus] +That old familiar body ache +The snaps from the same little breaks in my soul +I know when it's time to go +[Post-Chorus] +Sometimes, givin' up is the strong thing +Sometimes, to run is the brave thing +Sometimes, walkin' out is the one thing +That will find you the right thing +Sometimes, givin' up is the strong thing +Sometimes, to run is the brave thing +Sometimes, walkin' out is the one thing +That will find you the right thing [Outro] +That will find you the right thing +And you know in your soul +And you know in your soul +When it's time to go +And, well, you know, you know, you know, you know +When it's time to go +So then you go and then you go +You just go","In addition to the fifteen tracks released on the standard issue of evermore, two bonus tracks–“it’s time to go” and “​r​ight where you left me”–were made available on the physical deluxe edition of the album. The songs were released digitally on January 7, 2021. +On “it’s time to go” Swift depicts situations where relationships have turned sour, notably mentioning her highly-publicized legal battle with her former label, Big Machine Records, for the ownership rights to the masters of her first six studio albums.",​it’s time to go,Taylor Swift +4459,4782870,"[Intro] +Ooh +Ooh +[Verse 1] +School bell rings, walk me home +Sidewalk chalk covered in snow +Lost my gloves, you give me one +""Wanna hang out?"" Yeah, sounds like fun +Video games, you pass me a note +Sleeping in tents +[Chorus] +It's nice to have a friend (Ooh) +It's nice to have a friend (Ooh) +[Verse 2] +Light pink sky, up on the roof +Sun sinks down, no curfew +Twenty questions, we tell the truth +You've been stressed out lately, yeah, me too +Something gave you the nerve +To touch my hand +[Chorus] +It's nice to have a friend (Ooh) +It's nice to have a friend (Ooh) [Instrumental Bridge] +[Verse 3] +Church bells ring, carry me home +Rice on the ground looks like snow +Call my bluff, call you ""Babe"" +Have my back, yeah, every day +Feels like home, stay in bed +The whole weekend +[Chorus] +It's nice to have a friend (Ooh) +It's nice to have a friend (Ooh) +It's nice to have a friend (Ooh) +(Ooh)","Infused with steel drums and choral backing vocals, “It’s Nice to Have a Friend” is a dreamy track that follows two friends from childhood to their marriage. The narrative is similar to Swift’s 2006 track “Mary’s Song (Oh My My My).” +Producer Frank Dukes confirmed via Instagram that the song includes a sample played and sung by students from the Regent Park School of Music, based in Toronto, Canada. Royalties from the use of this sample will help fund the school’s curriculum.",It’s Nice To Have A Friend,Taylor Swift +4460,6260153,"[Verse 1] +How's one to know? +I'd meet you where the spirit meets the bones +In a faith-forgotten land +In from the snow +Your touch brought forth an incandescent glow +Tarnished but so grand +[Pre-Chorus] +And the old widow goes to the stone every day +But I don't, I just sit here and wait +Grieving for the living +[Chorus] +Oh, goddamn +My pain fits in the palm of your freezing hand +Taking mine, but it's been promised to another +Oh, I can't +Stop you putting roots in my dreamland +My house of stone, your ivy grows +And now I'm covered in you +[Verse 2] +I wish to know +The fatal flaw that makes you long to be +Magnificently cursed +He's in the room +Your opal eyes are all I wish to see +He wants what's only yours [Chorus] +Oh, goddamn +My pain fits in the palm of your freezing hand +Taking mine, but it's been promised to another +Oh, I can't +Stop you putting roots in my dreamland +My house of stone, your ivy grows +And now I'm covered +[Verse 3] +Clover blooms in the fields +Spring breaks loose, the time is near +What would he do if he found us out? +Crescent moon, coast is clear +Spring breaks loose, but so does fear +He's gonna burn this house to the ground +How's one to know? +I'd live and die for moments that we stole +On begged and borrowed time +So tell me to run +Or dare to sit and watch what we'll become +And drink my husband's wine +[Chorus] +Oh, goddamn +My pain fits in the palm of your freezing hand +Taking mine, but it's been promised to another +Oh, I can't +Stop you putting roots in my dreamland +My house of stone, your ivy grows +And now I'm covered in you +And I'm covered in you [Bridge] +So yeah, it's a fire +It's a goddamn blaze in the dark +And you started it +You started it +So yeah, it's a war +It's the goddamn fight of my life +And you started it +You started it +[Chorus] +Oh, I can't +Stop you putting roots in my dreamland +My house of stone, your ivy grows +And now I'm covered +In you, in you +Now I'm covered in you +In you","“ivy,” the tenth track from evermore, tells the story of a married woman falling in love with a person who is not her husband, leading to an affair. +Swift has sung about infidelity in previous songs, including sister album folklore’s “august” and “illicit affairs”—also a track ten. +Alongside “tolerate it” and “no body, no crime,"" “ivy” is part of the “unhappily ever after” anthology of marriages, which reunites infidelity, pure toleration and even murder.",​ivy,Taylor Swift +4462,552952,"This is another way I've written songs recently +This is a song I did with +Jack Antonoff +, and Jack is one of my friends and so we were hanging out and he pulled out his phone and goes ""I made this amazing track the other day. It's so cool, I love these guitar sounds."" +And he played it for me and immediately I could hear this finished song in my head, and I just said ""Please, please let me have that. Let me play with it, like send it to me"" +And so he sent it to me and I was on tour and this was me playing the track on my laptop recording me singing the vocal into my phone and it ended up being a song called "" +I Wish You Would +"", because Jack wrote back and said ""I love that"" +So this is another way of writing, it's writing to track: +Okay so this is an idea called ""I Wish You Would"". It's kind of about this guy who's like, he's driving down the street at the middle of the night and he passes his ex-girlfriend's house and it's like, he thinks she hates him, but she's still in love with him, very dramatic. This track is sick, hope you like this +It's 2 am, in your car +Windows down, past my street the memories start +It's in the past +You drive straight ahead +You thinking that I hate you now +'Cause you still don't know what I never said +I wish you would come back +Wish I never hung up the phone like I did +I wish you knew that +I'd never forget you as long as I live, and I +Wish you were right here, right now, it's all good +I wish you would +Do you like it!?","The voice memo for “I Wish You Would”, the seventh track on 1989, is one of the three voice memos on the deluxe version of the album, which is exclusively available at Target. +Taylor included three different voice memos of her describing the creation of three songs from her album to give fans some insight on her writing process. The voice memos also included an early version of each of the songs.",I Wish You Would (Voice Memo),Taylor Swift +4465,6478856,"[Verse 1] +I like the way you sound in the mornin' +We're on the phone and without a warnin' +I realize your laugh is the best sound +I have ever heard +I like the way I can't keep my focus +I watch you talk, you didn't notice +I hear the words, but all I can think is +""We should be together"" +[Pre-Chorus] +Every time you smile, I smile +And every time you shine, I'll shine for you +[Chorus] +Woah-oh, I'm feelin' you, baby +Don't be afraid to jump, then fall +Jump, then fall into me +Baby, I'm never gonna leave you +Say that you wanna be with me too +'Cause I'ma stay through it all +So, jump, then fall +[Verse 2] +Huh, well, I like the way your hair falls in your face +You got the keys to me, I love each freckle on your face, oh +I've never been so wrapped up, honey +I like the way you're everything I ever wanted +I had time to think it oh-over +And all I can say is, ""Come closer"" +Take a deep breath and jump, then fall into me [Pre-Chorus] +'Cause every time you smile, I smile +And every time you shine, I'll shine for you +[Chorus] +Woah-oh, I'm feelin' you, baby +Don't be afraid to jump, then fall +Jump, then fall into me +Baby, I'm never gonna leave you +Say that you wanna be with me too +'Cause I'ma stay through it all +So, jump, then fall +[Bridge] +The bottom's gonna drop out from under our feet +I'll catch you, I'll catch you +When people say things that bring you to your knees +I'll catch you +The time is gonna come when you're so mad you could cry +But I'll hold you through the night until you smile +[Chorus] +Woah-oh, I need you, baby +Don't be afraid, please, jump, then fall +Jump, then fall into me +Baby, I'm never gonna leave you +Say that you wanna be with me too +'Cause I'ma stay through it all +So, jump, then fall +Jump, then fall, baby +Jump, then fall into me, into me [Outro] +Every time you smile, I smile +And every time you shine, I'll shine +And every time you're here +Baby, I'll show you, I'll show you +You can jump, then fall, jump, then fall +Jump, then fall into me, into me, yeah","“Jump Then Fall (Taylor’s Version)” is the fourteenth track from Swift’s first-re-recorded album, Fearless (Taylors’s Version). +Lyrically, the song finds Swift telling a summer lover that no matter the difficulty they might eventually face, she will be there with him, as she wants him to be with her. +Swift explained the track to MTV News back in 2009, describing it as bouncy, happy, lovely and a feel-good song.",Jump Then Fall (Taylor’s Version),Taylor Swift +4466,3305019,"[Verse 1] +I'm perfectly fine, I live on my own +I made up my mind, I'm better off bein' alone +We met a few weeks ago +Now you try on callin' me ""baby"" like tryin' on clothes +[Pre-Chorus] +Salute to me, I'm your American queen +And you move to me like I'm a Motown beat +And we rule the kingdom inside my room +'Cause all the boys and their expensive cars +With their Range Rovers and their Jaguars +Never took me quite where you do +[Chorus] +And all at once, you are the one I have been waiting for +King of my heart, body and soul, ooh-woah +And all at once, you're all I want, I'll never let you go +King of my heart, body and soul, ooh-woah +[Post-Chorus] +And all at once, I've been waiting, waiting +Ooh-woah, ooh-woah +And all at once, you are the one, I have been waiting, waiting +Body and soul, ooh-woah +And all at once [Verse 2] +Late in the night, the city's asleep +Your love is a secret I'm hoping, dreaming, dying to keep +Change my priorities +The taste of your lips is my idea of luxury +[Pre-Chorus] +Salute to me, I'm your American queen +And you move to me like I'm a Motown beat +And we rule the kingdom inside my room (Inside my room, oh) +'Cause all the boys and their expensive cars +With their Range Rovers and their Jaguars +Never took me quite where you do (Where you do) +[Chorus] +And all at once, you are the one I have been waiting for +King of my heart, body and soul, ooh-woah +And all at once, you're all I want, I'll never let you go +King of my heart (My heart), body and soul, ooh-woah +[Post-Chorus] +And all at once (Hey), I've been waiting, waiting (Waiting) +Ooh-woah, ooh-woah +And all at once, you are the one I have been waiting (Waiting), waiting (Waiting) +Body and soul, ooh-woah +And all at once [Bridge] +Is this the end of all the endings? +My broken bones are mending +With all these nights we're spending +Up on the roof with a school girl crush +Drinking beer out of plastic cups +Say you fancy me, not fancy stuff +Baby, all at once, this is enough +[Breakdown] +And all at once, you are the one I have been waiting for +King of my heart, body and soul, ooh-woah +[Chorus] +And all at once, you are the one I have been waiting for +King of my heart, body and soul, ooh-woah +And all at once, you're all I want, I'll never let you go +King of my heart (My heart), body and soul (My soul), ooh-woah +[Post-Chorus] +And all at once, I've been waiting, waiting +Ooh-woah, ooh-woah (Ooh-woah) +And all at once, you are the one I have been waiting, waiting +Body and soul, ooh-woah +And all at once","During a Secret Session hosted by iHeart Radio, Swift revealed that the goal for the 10th reputation track was to make each session of the song sound like a move forward in a relationship – she also said that it’s something she’s been wanting to do for years, but finally succeeded with this song. +“King of My Heart” was first teased on October 26th, 2017, during Swift’s music video for her single “…Ready For It?”, where its song title was hinted at by a red graffiti crowned heart, which was in the background on a wall. + +Taylor also makes other references to kingdoms throughout reputation, in songs like “Look What You Made Me Do” and “Call It What You Want.” However, the kingdom in which she refers to in “King Of My Heart” is definitely a more intimate, just between her and her lover, personal, and special.",King of My Heart,Taylor Swift +4468,132661,"[Verse 1] +I still remember the look on your face +Lit through the darkness at 1:58 +The words that you whispered for just us to know +You told me you loved me, so why did you go away? +Away +[Verse 2] +I do recall now, the smell of the rain +Fresh on the pavement +, +I ran off the plane +That July ninth, the beat of your heart +It jumps through your shirt, I can still feel your arms +[Pre-Chorus] +But now I'll go +Sit on the floor wearing your clothes +All that I know is I don't know +How to be something you miss +[Chorus] +I never thought we'd have a last kiss +I never imagined we'd end like this +Your name, forever the name on my lips +[Verse 3] +I do remember the swing of your step +The life of the party, you're showing off again +And I'd roll my eyes and then you'd pull me in +I'm not much for dancing, but for you, I did +Because I love your handshake, meeting my father +I love how you walk with your hands in your pockets +How you'd kiss me when I was in the middle of saying something +There's not a day I don't miss those rude interruptions [Pre-Chorus] +And I'll go +Sit on the floor wearing your clothes +All that I know is I don't know +How to be something you miss +[Chorus] +I never thought we'd have a last kiss +I never imagined we'd end like this +Your name, forever the name on my lips, ooh +[Bridge] +So I'll watch your life in pictures like I used to watch you sleep +And I feel you forget me like I used to feel you breathe +And I'll keep up with our old friends just to ask them how you are +Hope it's nice where you are +[Verse 4] +And I hope the sun shines and it's a beautiful day +And something reminds you you wish you had stayed +You can plan for a change in the weather and time +But I never planned on you changing your mind +[Pre-Chorus] +So, I'll go +Sit on the floor wearing your clothes +All that I know is I don't know +How to be something you miss [Chorus] +I never thought we'd have a last kiss +I never imagined we'd end like this +Your name, forever the name on my lips +[Outro] +Just like our last kiss +Forever the name on my lips +Forever the name on my lips +Just like our last","In this emotional ballad, Taylor describes her feelings surrounding her break up with Jonas Brothers member Joe Jonas. The secret message for this song is “forever and always” which is a callback to a song penned about her break-up with Joe. While “Forever & Always” highlights the angry, confused emotions she felt when he left her, “Last Kiss” highlights the sort of melancholy, nostalgic sadness that follows; the gloomy calm after the storm. She reflects on their relationship together, and how in those moments she never thought it would end. +The song has a 27 second intro, which could possibly reflect the 27 second break up phone call she had with Joe Jonas. +",Last Kiss,Taylor Swift +4469,4072964,"[Verse 1] +Little girl, she looks around +She's standing in the open ground +Looks up at the girl alone singing through the microphone +Girl gives girl a little smile +And just one wink that could have run a mile +But life is full of empty days +But the little girl said, ""I'm gonna be like that someday"" +[Chorus] +I, I remember the eyes +Of the kid in the crowd +Who cut me down to size +And realizing is crying out loud +For every kid on stage +There is a kid in the crowd +[Verse 2] +Girl on stage holds her hand +Backed up by a country band +Looking down with eyes of grace +Looked upon that young girl's face +And when she smiled at that eight-year-old +Endless thoughts that can never be told +Wiped away those empty days +And the little girl said, ""I'm gonna be like that someday"" [Chorus] +I, I remember the eyes +Of the kid in the crowd +Who cut me down to size +And realizing is crying out loud +For every kid on stage +There is a kid in the crowd +[Bridge] +[?] are like moonlit skies +And lovin' eyes are like fireflies +Wannabes, they really can be +But the little girl, that little girl was me +[Chorus] +I, I remember the time +I was a kid in the crowd +With the dream in my eyes +Realizing is crying out loud +There was a kid on stage +I was the kid in the crowd +[Outro] +Oh, oh +I'm still the kid in the crowd","An unreleased song from a 2003 demo album, Taylor Swift’s “Kid In The Crowd” was known only by title until the release of Lover in 2019. In the journals released alongside the album, Swift revealed some of the lyrics she wrote in March 2003.",Kid in the Crowd,Taylor Swift +4470,186824,"[Chorus] +Last Christmas I gave you my heart +But the very next day, you gave it away +This year, to save me from tears +I will give it to someone special +[Verse 1] +Once bitten and twice shied +I keep my distance but you still catch my eye +Tell me baby +Do you recognize me +Well, it has been a year, it does not surprise me +Merry Christmas, I wrapped it up and sent it +With a note saying 'I love you', I meant it +Now I know what a fool I've been +But if you kiss me now, I know you would fool me again +[Chorus] +Last Christmas I gave you my heart +But the very next day, you gave it away +This year, to save me from tears +I will give it to someone special +Last Christmas I gave you my heart +But the very next day, you gave it away +This year, to save me from tears +I will give it to someone special [Verse 2] +A crowded room and friends with tired eyes +I am hiding from you and your soul of ice +My God, I thought you were someone to rely on +Me, I guess I was a shoulder to cry on +A face on a lover with a fire in his heart +A girl on a cover but you tore her apart +Maybe this year +Maybe this year I will give it to someone special +[Chorus] +Because last Christmas I gave you my heart +But the very next day, you gave it away +This year, to save me from tears +I will give it to someone special +Last Christmas I gave you my heart +But the very next day, you gave it away +This year, to save me from tears +I will give it to someone special +And last Christmas +And this year +It won't be anything like, anything like +Last Christmas I gave you my heart +But the very next day, you gave it away +This year, to save me from tears +I will give it to someone special","This is Taylor Swift’s cover of the very popular song by British pop duo Wham! +It was released as the number 1 single off her Christmas album entitled Sounds of the Season: The Taylor Swift Holiday Collection +Taylor is known to be a big fan of the Christmas holidays and even grew up on a Christmas tree farm +",Last Christmas,Taylor Swift +4475,132663,"[Verse 1] +I said, ""Remember this moment"" +In the back of my mind +The time we stood with our shaking hands +The crowds in stands went wild +We were the kings and the queens +And they read off our names +The night you danced like you knew our lives +Would never be the same +You held your head like a hero +On a history book page +It was the end of a decade +But the start of an age +[Chorus] +Long live the walls we crashed through +How the kingdom lights shined just for me and you +I was screaming, ""Long live all the magic we made"" +And bring on all the pretenders +One day, we will be remembered +[Verse 2] +I said, ""Remember this feeling"" +I pass the pictures around +Of all the years that we stood there on the sidelines +Wishing for right now +We are the kings and the queens +You traded your baseball cap for a crown +When they gave us our trophies +And we held them up for our town +And the cynics were outraged +Screaming, ""This is absurd"" +'Cause for a moment, a band of thieves +In ripped up jeans got to rule the world [Chorus] +Long live the walls we crashed through +How the kingdom lights shined just for me and you +I was screaming, ""Long live all the magic we made"" +And bring on all the pretenders, I'm not afraid +Long live all the mountains we moved +I had the time of my life fighting dragons with you +I was screaming, ""Long live that look on your face"" +And bring on all the pretenders +One day, we will be remembered +[Bridge] +Hold on to spinning around +Confetti falls to the ground +May these memories break our fall +Will you take a moment? Promise me this +That you'll stand by me forever +But if, God forbid, fate should step in +And force us into a goodbye +If you have children some day +When they point to the pictures +Please, tell 'em my name +Tell 'em how the crowds went wild +Tell 'em how I hope they shine +Long live the walls we crashed through +I had the time of my life with you [Chorus] +Long, long live the walls we crashed through +How the kingdom lights shined just for me and you +And I was screaming, ""Long live all the magic we made"" +And bring on all the pretenders, I'm not afraid +Singing, ""Long live all the mountains we moved"" +I had the time of my life fighting dragons with you +And long, long live that look on your face +And bring on all the pretenders +One day, we will be remembered","“Long Live” is the last track on the standard version of Taylor’s 2010 album, Speak Now. In the song, Taylor finds herself looking back at her fondest memories of her career, none of which would be possible without her fanbase and band, who the song is dedicated to. +The secret message for this song in the CD’s lyric booklet is “For You.” +",Long Live,Taylor Swift +4477,4782854,"[Intro: Idris Elba & +James Corden +] +We can go drivin' in, on my scooter +Uh, you know, just 'round London ( +Oh, I'd— +) +[Verse 1] +I love my hometown as much as Motown, I love SoCal +And you know I love Springsteen, faded blue jeans, Tennessee whiskey +But somethin' happened, I heard him laughin' +I saw the dimples first and then I heard the accent +[Pre-Chorus] +They say, ""Home is where the heart is"" +But that's not where mine lives +[Chorus] +You know I love a London boy +I enjoy walkin' Camden Market in the afternoon +He likes my American smile, like a child when our eyes meet +Darling, I fancy you +Took me back to Highgate, met all of his best mates +So I guess all the rumors are true +You know I love a London boy +Boy, I fancy you (Ooh) +[Verse 2] +And now I love high tea, stories from Uni' and the West End +You can find me in the pub, we are watchin' rugby with his school friends +Show me a gray sky, a rainy cab ride +Babes, don't threaten me with a good time [Pre-Chorus] +They say, ""Home is where the heart is"" +But, God, I love the English +[Chorus] +You know I love a London boy +I enjoy nights in Brixton, Shoreditch in the afternoon +He likes my American smile, like a child when our eyes meet +Darling, I fancy you +Took me back to Highgate, met all of his best mates +So I guess all the rumors are true +You know I love a London boy +Boy, I fancy you +[Bridge] +So please show me Hackney +Doesn't have to be Louis V up on Bond Street +Just wanna be with you +Wanna be with you +Stick with me, I'm your queen +Like a Tennessee Stella McCartney on the Heath +Just wanna be with you (Wanna be with you) +Wanna be with you, oh, woah +[Chorus] +You know I love a London boy +I enjoy walkin' Soho, drinkin' in the afternoon (Yeah) +He likes my American smile, like a child when our eyes meet +Darling, I fancy you (You) +Took me back to Highgate, met all of his best mates +So I guess all the rumors are true (Yeah) +You know I love a London boy (Oh) +Boy (Oh), I fancy you (I fancy you; ooh) [Outro] +So please show me Hackney +Doesn't have to be Louis V up on Bond Street +Just wanna be with you (Ooh) +I, oh, I, I fancy you, oh, woah-ah-ah (Ooh) +Stick with me, I'm your queen +Like a Tennessee Stella McCartney on the Heath +Just wanna be with you (Ooh), wanna be with you +I fancy you (Yeah), I fancy you, ah-ah (Ooh)","“London Boy” is most likely an ode to Swift’s boyfriend as of the song’s release, British actor Joe Alwyn. Other songs on the album, including the title track, are assumed to be about their relationship. +Having mostly escaped the public eye during her relationship with Alwyn, Swift finally shares some of the most memorable experiences she’s enjoyed. +This track is notable for using an interpolation of the rhythm on Cautious Clay’s “Cold War,” making Clay only the second artist ever to be interpolated on one of Swift’s songs (after Right Said Fred on “Look What You Made Me Do”).",London Boy,Taylor Swift +4478,3310192,"I don't like your +little games +Don't like your tilted stage +The role you made me play +Of the fool, no, I don't like you +I don't like your perfect crime +How you laugh when you lie +You said the gun was mine +Isn't cool, no, I don't like you (oh) +But I got smarter, +I got harder in the nick of time +Honey, I rose up from the dead, I do it all the time +I've got a list of names and yours is in red, underlined +I check it once, then I check it twice, oh! +Ooh, look what you made me do +Look what you made me do +Look what you just made me do +Look what you just made me +Ooh, look what you made me do +Look what you made me do +Look what you just made me do +Look what you just made me do +I don't like your kingdom keys +They once belonged to me +You asked me for a place to sleep +Locked me out and threw a feast (what?) +The world moves on, another day, another drama, drama +But not for me, not for me, all I think about is karma +And then the world moves on, but one thing's for sure +Maybe I got mine, +but you'll all get yours But I got smarter, I got harder in the nick of time +Honey, I rose up from the dead, I do it all the time +I've got a list of names and yours is in red, underlined +I check it once, then I check it twice, oh! +Ooh, look what you made me do +Look what you made me do +Look what you just made me do +Look what you just made me +Ooh, look what you made me do +Look what you made me do +Look what you just made me do +Look what you just made me do +I don't trust nobody and nobody trusts me +I'll be the actor starring in your bad dreams +I don't trust nobody and nobody trusts me +I'll be the actor starring in your bad dreams +I don't trust nobody and nobody trusts me +I'll be the actor starring in your bad dreams +I don't trust nobody and nobody trusts me +I'll be the actor starring in your bad dreams +Ooh, look what you made me do +Look what you made me do +Look what you just made me do +Look what you just made me +Ooh, look what you made me do +Look what you made me do +Look what you just made me +I'm sorry, the old Frank can't come to the phone right now +Why? Oh, cause he's dead! (Oh) Ooh, look what you made me do +Look what you made me do +Look what you just made me do +Look what you just made me +Ooh, look what you made me do +Look what you made me do +Look what you just made me do +Look what you just made me do +Ooh, look what you made me do +Look what you made me do +Look what you just made me do +Look what you just made me +Ooh, look what you made me do +Look what you made me do +Look what you just made me do +Look what you just made me do","This is a song that I loved because when I was in high school, I had problems with a classmate to the point of inventing things about me.Expand Share",Look What You Made Me Do,Taylor Swift +4480,6260174,"[Verse 1] +Fatefully +I tried to pick my battles 'til the battle picked me +Misery +Like the war of words I shouted in my sleep +And you passed right by +I was in the alley, surrounded on all sides +The knife cuts both ways +If the shoe fits, walk in it 'til your high heels break +[Chorus] +And I fell from the pedestal +Right down the rabbit hole +Long story short, it was a bad time +Pushed from the precipice +Clung to the nearest lips +Long story short, it was the wrong guy +[Post-Chorus] +Now I'm all about you +I'm all about you, ah +Yeah, yeah +I'm all about you, ah +Yeah, yeah +[Verse 2] +Actually +I always felt I must look better in the rear view +Missing me +At the golden gates they once held the keys to +When I dropped my sword +I threw it in the bushes and knocked on your door +And we live in peace +But if someone comes at us, this time, I'm ready [Chorus] +'Cause I fell from the pedestal +Right down the rabbit hole +Long story short, it was a bad time +Pushed from the precipice +Clung to the nearest lips +Long story short, it was the wrong guy +[Post-Chorus] +Now I'm all about you +I'm all about you, ah +Yeah, yeah +I'm all about you +[Bridge] +No more keepin' score +Now I just keep you warm (Keep you warm) +No more tug of war +Now I just know there's more (Know there's more) +No more keepin' score +Now I just keep you warm (Keep you warm) +And my waves meet your shore +Ever and evermore +[Verse 3] +Past me +I wanna tell you not to get lost in these petty things +Your nemeses +Will defeat themselves before you get the chance to swing +And he's passing by +Rare as the glimmer of a comet in the sky +And he feels like home +If the shoe fits, walk in it everywhere you go [Chorus] +And I fell from the pedestal +Right down the rabbit hole +Long story short, it was a bad time +Pushed from the precipice +Climbed right back up the cliff +Long story short, I survived +[Post-Chorus] +Now I'm all about you +(And now) I'm all about you, ah +(And now) I'm all about you +(And now) I'm all about you, ah +Yeah, yeah +I'm all about you +(And now) Yeah, yeah +I'm all about you +[Outro] +Long story short, it was a bad time +Long story short, I survived","“long story short” is a brisk-paced overview of the public demonizations that Taylor has experienced since her feud with Kanye West in 2016. The drama has taken subject in numerous songs of Taylor’s, appearing all the way back on her sixth studio album, reputation. However, “long story short” offers a confirmation of resolution and peace, with Taylor finally feeling confident that that stage of her life has subsided. +“long story short” is a particular ode to Taylor’s then boyfriend, Joe Alwyn, who she began dating around the time of the drama. Chronicled in a handful of Taylor’s songs, “long story short” further emphasizes that Alwyn has been her “safe place” throughout turmoil.",​l​ong story short,Taylor Swift +4481,4508914,"[Verse 1] +We could leave the Christmas lights up 'til January +And this is our place, we make the rules +And there's a dazzling haze, a mysterious way about you, dear +Have I known you twenty seconds or twenty years? +[Chorus] +Can I go where you go? +Can we always be this close? +Forever and ever, ah +Take me out and take me home +You're my, my, my, my lover +[Verse 2] +We could let our friends crash in the living room +This is our place, we make the call +And I'm highly suspicious that everyone who sees you wants you +I've loved you three summers now, honey, but I want 'em all +[Chorus] +Can I go where you go? +Can we always be this close? +Forever and ever, ah +Take me out and take me home (Forever and ever) +You're my, my, my, my lover [Bridge] +Ladies and gentlemen, will you please stand? +With every guitar string scar on my hand +I take this magnetic force of a man to be my lover +My heart's been borrowed and yours has been blue +All's well that ends well to end up with you +Swear to be overdramatic and true to my lover +And you'll save all your dirtiest jokes for me +And at every table, I'll save you a seat, lover +[Chorus] +Can I go where you go? +Can we always be this close? +Forever and ever, ah +Take me out and take me home (Forever and ever) +You're my, my, my, my +Oh, you're my, my, my, my +Darling, you're my, my, my, my lover","The title track of Lover was first unveiled in Swift’s September 2019 Vogue cover story, along with a pair of lyrics from its bridge. The interviewer described the song as a “romantic, haunting, waltzy, singer-songwritery nugget.” Swift announced the song’s release date during an acceptance speech at the 2019 Teen Choice Awards. Three days later, the song appeared on iTunes, revealing that it’s the third track on the album. +The song is a romantic track dedicated to Swift’s partner of three years, Joe Alwyn. It takes a wedding-like perspective on their relationship and shares information about their romance. A Twitter user who attended one of the secret sessions alleged that “‘Lover’ is Taylor’s favorite [original] song of all time,” having asked her directly during a Q&A. +On the day of its release, “Lover” reached number #1 on the US iTunes charts, making it her 35th song to do so. With this milestone, she extends her record as the female with the most #1 singles in iTunes' history. +The music video for the song was released on August 22, 2019, immediately following Swift’s Lover’s Lounge on YouTube. It features Swift and her love interest in a house inside a snow globe, illustrating the ups and downs of a relationship in progress. During Swift’s livestream, she further revealed that the concept for the music video originated from a lyric in her 1989 song, “You Are In Love”: +And so it goes +You two are dancing in a snow globe, ‘round and 'round",Lover,Taylor Swift +4484,98867,"[Verse 1] +We were both young when I first saw you +I close my eyes and the flashback starts +I'm standing there +On a balcony in summer air +See the lights, see the party, the ball gowns +See you make your way through the crowd +And say, ""Hello"" +Little did I know +[Pre-Chorus] +That you were Romeo, you were throwing pebbles +And my daddy said, ""Stay away from Juliet"" +And I was crying on the staircase +Begging you, ""Please don't go,"" and I said +[Chorus] +Romeo, take me somewhere we can be alone +I'll be waiting, all there's left to do is run +You'll be the prince and I'll be the princess +It's a love story, baby, just say, ""Yes"" +[Verse 2] +So I sneak out to the garden to see you +We keep quiet 'cause we're dead if they knew +So close your eyes +Escape this town for a little while, oh, oh [Pre-Chorus] +'Cause you were Romeo, I was a scarlet letter +And my daddy said, ""Stay away from Juliet"" +But you were everything to me +I was begging you, ""Please don't go,"" and I said +[Chorus] +Romeo, take me somewhere we can be alone +I'll be waiting, all there's left to do is run +You'll be the prince and I'll be the princess +It's a love story, baby, just say, ""Yes"" +Romeo, save me, they're trying to tell me how to feel +This love is difficult, but it's real +Don't be afraid, we'll make it out of this mess +It's a love story, baby, just say, ""Yes"" +[Post-Chorus] +Oh, oh +[Bridge] +But I got tired of waiting +Wondering if you were ever coming around +My faith in you was fading +When I met you on the outskirts of town and I said +[Chorus] +""Romeo, save me, I've been feeling so alone +I keep waiting for you, but you never come +Is this in my head? I don't know what to think"" +He knelt to the ground and pulled out a ring, and said +""Marry me, Juliet, you'll never have to be alone +I love you and that's all I really know +I talked to your dad, go pick out a white dress +It's a love story, baby, just say 'Yes'"" [Outro] +Oh, oh, oh +Oh, oh, oh +'Cause we were both young when I first saw you","Taylor was inspired to write “Love Story” when she was going through a difficult situation with a boy she liked, whom she wasn’t “officially” dating. The song has been rumored to be about two singers – the first being Joe Jonas, since it was recorded in March of 2008, just a few months before she began actually dating him. Other songs such as “Forever & Always” and “Last Kiss” are more explicitly about him. +The second rumored subject of the song is Boys Like Girls front-man, Martin Johnson whom Swift had a brief fling with in 2008 and collaborated with to pen the band’s track “Two is Better Than One” and Taylor’s song “If This Was a Movie”. This is a fitting match for the “star-crossed lovers” theme of the song as sources claimed that although the pair were into each other, Taylor’s publicists felt he was not a good match for her “American sweetheart” image – with him being a punk rocker who was going through personal issues at the time. +She chose to portray the story of Romeo and Juliet in the song, because she felt like she could relate. +I used to be in high school where you see [a boyfriend] every day. Then I was in a situation where it wasn’t so easy for me, and I wrote this song because I could relate to the whole Romeo and Juliet thing. +The lyrics talk about disapproval against the relationship, and her desire to go somewhere far away with him, and escape the people who look down on them. +“Love Story” peaked at #1 on Billboard’s Hot Country Songs, and at #5 on the Billboard Hot 100, just weeks after its release. + +The song’s music video was described as timeless, by Swift. +‘Love Story’’s plot was a timeless scenario: I think it could happen in the 1700s, the 1800s, or 2008 +The video won the CMT Music Awards for “Video of the Year,” as well as “Female Video of the Year.” + +In February 2021, “Love Story” became the first official re-release from Taylor’s backcatalog following contractual disputes with Scooter Braun. It marked the beginning of a new chapter in her career as she sought autonomy and freedom from what she perceived as a manipulative business relationship.",Love Story,Taylor Swift +4489,2940047,"[Verse 1] +Come on, gather 'round, I'm gonna tell you how the fire went out +Sorry for the inconvenience, I didn't mean to let you down +We were supposed to be forever but it's too bad you didn't see that to me +You were the perfect view of misery +[Chorus] +I never talked about the tears I cried +All the sleepless nights or the endless fights +I never talked about the +days he called +There was something wrong, it was all my fault +I had it all, what a shame, what a fall now +But in case you haven't heard the news +There wasn't much love to lose +[Verse 2] +Let's talk about that golden boy that I met on a winter night +How was I supposed to know that he was just as cold inside? +He smiled and I smiled, well the camera's in your mind +And I lied, I swore that everything was fine +[Chorus] +I never talked about the tears I cried +All the sleepless nights or the endless fights +I never talked about the +nights he called +There was something wrong, it was all my fault +I had it all, what a shame, what a fall now +But in case you haven't heard the news +There wasn't much love to lose [Bridge] +I know you wanna talk about me +How I gave up on love so foolishly +But keep in mind +[Chorus] +I never talked about the tears I cried +All the sleepless nights or the endless fights +I never talked about the +nights he called +There was something wrong, it was all my fault +I had it all, what a shame, what a fall now +But in case you haven't heard the news +There wasn't much love to lose +[Outro] +Come on, gather 'round, I'm gonna tell you how the fire went out","Fed up with questions about why her relationship went sour, Tay sets the record straight and lets questioners know what it was really like.",Love to Lose,Taylor Swift +4490,187260,"[Verse 1] +There's a little girl in this little town +With a little too much heart to go around +Live forever, never say never +You could do better, that's what she says +[Chorus] +Mama named her Lucky on a starlit night +A rabbit foot in her pocket, she dances in spite +Of the fact that she's different +And yet she's the same +And she says, ""Do-do-do-do-do-do-do-do +Do-do-do-do-do-do-do, do-do-do-do +Do-do-do, do-do-do, do-do-do-do +Lucky you, lucky you"" +[Verse 2] +She sings her little song, she walks along +A little pathway headed for the skies +Left to travels, lives they unravel +Mind over matter, that's what she says +[Chorus] +Mama named her Lucky on a starlit night +A rabbit foot in her pocket, she dances in spite +Of the fact that she's different +And yet she's the same +And she says, ""Do-do-do-do-do-do-do-do +Do-do-do-do-do-do-do, do-do-do-do +Do-do-do, do-do-do, do-do-do-do +Lucky you, lucky you, lucky you"" [Bridge] +Maybe she'll sing you do-do-do-do +Maybe she'll bring you into the skies +Honey, she'll love you, funny how some view +Angels above you aren't so far away +[Chorus] +Mama named her Lucky on a starlit night +A rabbit foot in her pocket, she dances in spite +Of the fact that she's different +And yet she's the same +And she says, ""Lucky you, lucky you""","The enlivening country song “Lucky You” is considered the first of countless tracks Swift has written. The lyrics share a positive outlook on the life of a girl named Lucky, who lives without any worries. +Finished when Taylor was just twelve years old, the song was reportedly created after a computer repairman came to her house and taught her how to play three chords on a guitar.",Lucky You,Taylor Swift +4492,132095,"[Verse 1] +She said +I was seven and you were nine +I looked at you like the stars that shined +In the sky, the pretty lights +And our daddies used to joke about the two of us +Growing up and falling in love +And our mamas smiled and rolled their eyes +And said, +""Oh, my, my, my"" +[Chorus] +Take me back to the house in the backyard tree +Said you'd beat me up, you were bigger than me +You never did, you never did +Take me back when our world was one block wide +I dared you to kiss me and ran when you tried +Just two kids, you and I +Oh, my, my, my, my +[Verse 2] +Well, I was sixteen when suddenly +I wasn't that little girl you used to see +But your eyes still shined like pretty lights +And our daddies used to joke about the two of us +They never believed we'd really fall in love +And our mamas smiled and rolled their eyes +And said, ""Oh, my, my, my"" [Chorus] +Take me back to the creek beds we turned up +2 AM riding in your truck +And all I need is you next to me +Take me back to the time we had our very first fight +The slamming of doors 'stead of kissing goodnight +You stayed outside 'til the morning light +Oh, my, my, my, my +[Bridge] +A few years had gone and come around +We were sitting at our favorite spot in town +And you looked at me, got down on one knee +[Chorus] +Take me back to the time when we walked down the aisle +Our whole town came and our mamas cried +You said, ""I do,"" and I did, too +Take me home where we met so many years before +We'll rock our babies on that very front porch +After all this time, you and I +[Outro] +And I'll be eighty-seven, you'll be eighty-nine +I'll still look at you like the stars that shine +In the sky, oh, my, my, my","“Mary’s Song (Oh My My My)” was inspired by Taylor’s next-door neighbors, an old couple that had known each other since they were just kids. They were talking with Taylor one night about how they met, and she was touched by the story.",Mary’s Song (Oh My My My),Taylor Swift +4494,5793964,"[Verse 1] +What did you think I'd say to that? +Does a scorpion sting when fighting back? +They strike to kill, and you know I will +You know I will +What do you sing on your drive home? +Do you see my face in the neighbor's lawn? +Does she smile? +Or does she mouth, ""Fuck you forever""? +[Pre-Chorus] +Every time you call me crazy, I get more crazy +What about that? +And when you say I seem angry, I get more angry +[Chorus] +And there's nothing like a mad woman +What a shame she went mad +No one likes a mad woman +You made her like that +And you'll poke that bear 'til her claws come out +And you find something to wrap your noose around +And there's nothing like a mad woman +[Verse 2] +Now I breathe flames each time I talk +My cannons all firin' at your yacht +They say, ""Move on,"" but you know I won't +And women like hunting witches too +Doing your dirtiest work for you +It's obvious that wanting me dead +Has really brought you two together [Pre-Chorus] +Every time you call me crazy, I get more crazy +What about that? +And when you say I seem angry, I get more angry +[Chorus] +And there's nothing like a mad woman +What a shame she went mad +No one likes a mad woman +You made her like that +And you'll poke that bear 'til her claws come out +And you find something to wrap your noose around +And there's nothing like a mad woman +[Bridge] +I'm taking my time, taking my time +'Cause you took everything from me +Watching you climb, watching you climb +Over people like me +The master of spin has a couple side flings +Good wives always know +She should be mad, should be scathing like me, but +No one likes a mad woman +[Outro] +What a shame she went mad +You made her like that","Much like her previous songs “Blank Space” and “Look What You Made Me Do,” which she references throughout the song, Swift connects the concept of a delusional woman to her personal life, particularly her battles with Scooter Braun and Scott Borchetta over owning her music and rapper Kanye West after he defamed her on his song “Famous.” +Some of the story may originate from Rebekah Harkness, who Swift based earlier folklore track “the last great american dynasty” on.",​mad woman,Taylor Swift +4495,132654,"[Verse 1] +You, with your words like knives +And swords and weapons that you use against me +You have knocked me off my feet again +Got me feeling like I'm nothing +You, with your voice like nails on a chalkboard +Calling me out when I'm wounded +You, pickin' on the weaker man +[Pre-Chorus] +Well, you can take me down +With just one single blow +But you don't know what you don't know +[Chorus] +Someday, I'll be livin' in a big, ole city +And all you're ever gonna be is mean +Someday, I'll be big enough so you can't hit me +And all you're ever gonna be is mean +Why you gotta be so mean? +[Verse 2] +You, with your switching sides +And your wildfire lies and your humiliation +You have pointed out my flaws again +As if I don't already see them +I walk with my head down, trying to block you out +'Cause I'll never impress you +I just wanna feel okay again [Pre-Chorus] +I bet you got pushed around +Somebody made you cold +But the cycle ends right now +'Cause you can't lead me down that road +And you don't know what you don't know +[Chorus] +Someday, I'll be livin' in a big, ole city +And all you're ever gonna be is mean +Someday, I'll be big enough so you can't hit me +And all you're ever gonna be is mean +Why you gotta be so mean? +[Bridge] +And I can see you years from now in a bar +Talking over a football game +With that same big, loud opinion +But nobody's listening +Washed up and ranting about the same old bitter things +Drunk and grumblin' on about how I can't sing +But all you are is mean +[Buildup] +All you are is mean +And a liar, and pathetic +And alone in life, and mean +And mean, and mean, and mean [Chorus] +But someday, I'll be livin' in a big, ole city +And all you're ever gonna be is mean +Yeah, someday, I'll be big enough so you can't hit me +And all you're ever gonna be is mean +Why you gotta be so mean? +Someday, I'll be livin' in a big, ole city +(Why you gotta be so mean?) +And all you're ever gonna be is mean +(Why you gotta be so mean?) +Someday, I'll be big enough so you can't hit me +(Why you gotta be so mean?) +And all you're ever gonna be is mean +Why you gotta be so mean?","Swift wrote “Mean” in response to music critic Bob Lefsetz, who gave her a cruel review after a February 2010 performance with Stevie Nicks. Lefsetz claimed that Swift “can’t sing” and that the performance “shortened her career,” but she ultimately proved him wrong. +Swift released the song as a single in March 2011, and its accompanying music video was directed by Declan Whitebloom, who also directed the music video for “Ours.” The video includes cameos from actress Joey King and singer-songwriter Presley Cash, who both play people experiencing bullying. +The song received positive reviews from outlets like Entertainment Weekly, and won two Grammy awards — Best Country Song and Best Country Solo Performance.",Mean,Taylor Swift +4498,6260158,"[Verse 1] +Never be so kind +You forget to be clever +Never be so clever +You forget to be kind +[Pre-Chorus] +And if I didn't know better +I'd think you were talking to me now +If I didn't know better +I'd think you were still around +[Chorus] +What died didn't stay dead +What died didn't stay dead +You're alive, you're alive in my head +What died didn't stay dead +What died didn't stay dead +You're alive, so alive +[Verse 2] +Never be so politе +You forget your power +Nevеr wield such power +You forget to be polite [Pre-Chorus] +And if I didn't know better +I'd think you were listening to me now +If I didn't know better +I'd think you were still around +[Chorus] +What died didn't stay dead +What died didn't stay dead +You're alive, you're alive in my head +What died didn't stay dead +What died didn't stay dead +You're alive, so alive +[Bridge] +The autumn chill that wakes me up +You loved the amber skies so much +Long limbs and frozen swims +You'd always go past where our feet could touch +And I complained the whole way there +The car ride back and up the stairs +I should've asked you questions +I should've asked you how to be +Asked you to write it down for me +Should've kept every grocery store receipt +'Cause every scrap of you would be taken from me +Watched as you signed your name Marjorie +All your closets of backlogged dreams +And how you left them all to me [Chorus] +What died didn't stay dead +What died didn't stay dead +You're alive, you're alive in my head +What died didn't stay dead +What died didn't stay dead +You're alive, so alive +[Outro] +And if I didn't know better +I'd think you were singing to me now +If I didn't know better +I'd think you were still around +I know better +But I still feel you all around +I know better +But you're still around","“marjorie” is track 13 off of Taylor Swift’s ninth album evermore, and is a tribute to her late grandmother Marjorie Finlay. Appropriately, “epiphany” (the 13th track on evermore’s sister album, folklore), was in part about her grandfather, Dean. +Marjorie, who passed in 2003, was an opera singer and helped inspire Taylor to pursue music. In the album notes, Marjorie is credited with background vocals. +Given that evermore also has a track titled “dorothea,” fan speculation suggests that this song may also allude to the story of Marjorie West, a four year-old girl who disappeared in Pennsylvania, where Swift grew up. Dorothea was the name of Marjorie West’s sister, and was reportedly the last person to see her before she went missing.",​marjorie,Taylor Swift +4499,8400683,"[Verse 1] +Once upon a time, the planets and the fates +And all the stars aligned +You and I ended up in the same room +At the same time +[Pre-Chorus] +And the touch of a hand lit the fuse +Of a chain reaction of countermoves +To assess the equation of you +Checkmate, I couldn't lose +[Chorus] +What if I told you none of it was accidental? +And the first night that you saw me +Nothing was gonna stop me +I laid the groundwork, and then +Just like clockwork +The dominoes cascaded in a line +What if I told you I'm a mastermind? +And now you're mine +It was all by dеsign +'Cause I'm a mastermind +[Verse 2] +You see, all the wisеst women +Had to do it this way +'Cause we were born to be the pawn +In every lover's game [Pre-Chorus] +If you fail to plan, you plan to fail +Strategy sets the scene for the tale +I'm the wind in our free-flowing sails +And the liquor in our cocktails +[Chorus] +What if I told you none of it was accidental? +And the first night that you saw me +I knew I wanted your body +I laid the groundwork, and then +Just like clockwork +The dominoes cascaded in a line +What if I told you I'm a mastermind? +And now you're mine +It was all my design +'Cause I'm a mastermind +[Bridge] +No one wanted to play with me as a little kid +So I've been scheming like a criminal ever since +To make them love me and make it seem effortless +This is the first time I've felt the need to confess +And I swear +I'm only cryptic and Machiavellian +'Cause I care [Chorus] +So I told you none of it was accidental +And the first night that you saw me +Nothing was gonna stop me +I laid the groundwork, and then +Saw a wide smirk on your face +You knew the entire time +You knew that I'm a mastermind +And now you're mine +Yeah, all you did was smile +'Cause I'm a mastermind","“Mastermind” is the closing track to the standard edition of Taylor Swift’s tenth studio album, Midnights. She revealed the song’s title and track number in the first video of her TikTok game Midnights Mayhem With Me on September 21st, 2022. Swift reaffirms that she thinks that she and her long-time partner actor Joe Alwyn were meant for each other, but she also schemed and made up a plan to ensure that they would be together. Once she admits this to her lover, he just smiles because he already knew that something like that was in her nature. +All’s well that ends well to end up with you. +The title is also a nod to her fans calling Swift a “mastermind” for her careful planning of Easter eggs and releases.",Mastermind,Taylor Swift +4501,4472545,"[Intro: Taylor Swift] +I promise that you'll never find another like me +[Verse 1: Taylor Swift] +I know that I'm a handful, baby, uh +I know I never think before I jump +And you're the kinda guy the ladies want +(And there's a lotta cool chicks out there) +I know that I went psycho on the phone +I never leave well enough alone +And trouble's gonna follow where I go +(And there's a lotta cool chicks out there) +[Pre-Chorus: Taylor Swift] +But one of these things is not like the others +Like a rainbow with all of the colors +Baby doll, when it comes to a lover +I promise that you'll never find another like +[Chorus: Taylor Swift] +Me-e-e, ooh-ooh-ooh-ooh +I'm the only one of me +Baby, that's the fun of me +Eeh-eeh-eeh, ooh-ooh-ooh-ooh +You're the only one of you +Baby, that's the fun of you +And I promise that nobody's gonna love you like me-e-e [Verse 2: Brendon Urie, +Taylor Swift +] +I know I tend to make it about me +I know you never get just what you see +But I will never bore you, baby +(And there's a lotta lame guys out there) +And when we had that fight out in the rain +You ran after me and called my name +I never wanna see you walk away +(And there's a lotta lame guys out there) +[Pre-Chorus: Both, +Brendon Urie +] +'Cause one of these things is not like the others +Livin' in winter, I am your summer +Baby doll, when it comes to a lover +I promise that you'll never find another like +[Chorus: Brendon Urie, +Both +] +Me-e-e, ooh-ooh-ooh-ooh +I'm the only one of me +Let me keep you company +Eeh-eeh-eeh, ooh-ooh-ooh-ooh +You're the only one of you +Baby, that's the fun of you +And I promise that nobody's gonna love you like me-e-e +[Bridge: Brendon Urie, +Taylor Swift +, +Both +] +Girl, there ain't no ""I"" in ""team"" +But you know there is a ""me"" +Strike the band up, one, two, three +I promise that you'll never find another like me +Girl, there ain't no ""I"" in ""team"" +But you know there is a ""me"" +And you can't spell ""awesome"" without ""me"" +I promise that you'll never find another like [Chorus: Both, +Taylor Swift +, +Brendon Urie +] +Me-e-e ( +Yeah +), ooh-ooh-ooh-ooh ( +And I want ya, baby +) +I'm the only one of me ( +I'm the only one of me +) +Baby, that's the fun of me ( +Baby, that's the fun of me +) +Eeh-eeh-eeh, ooh-ooh-ooh-ooh ( +Oh +) +You're the only one of you ( +Oh +) +Baby, that's the fun of you +And I promise that nobody's gonna love you like me-e-e +[Outro: Brendon Urie, +Taylor Swift +, +Both +] +Girl, there ain't no ""I"" in ""team"" ( +Ooh-ooh-ooh-ooh +) +But you know there is a ""me"" +I'm the only one of me + ( +Oh-oh +) +Baby, that's the fun of me +( +Eeh-eeh-eeh, ooh-ooh-ooh-ooh +) +Strike the band up, one, two, three +You can't spell ""awesome"" without ""me"" +You're the only one of you + (Yeah, yeah) +Baby, that's the fun of you +And I promise that nobody's gonna love you like me-e-e","Taylor Swift teaches listeners a lesson about self-love and confidence with “ME!” featuring Panic! at the Disco frontman Brendon Urie. It’s a stark turn from her sixth studio album, reputation, released in 2017, which is known for its dark visuals and mature themes. +After a YouTube credits leak the day before its release, the collaboration was confirmed by Swift herself when she appeared with Robin Roberts on ABC. Before Swift went on air, a Spotify billboard in London, England began to promote the track. +The music video for the song gained 65.2 million views on YouTube in its first 24 hours, making it the biggest 24-hour debut for a female or solo artist on the platform, as well as breaking the record for the biggest 24-hour VEVO debut, which she previously achieved with “Look What You Made Me Do.” It also broke the record for most first-day plays on US pop radio, another record previously held by “LWYMMD.” +Contradicting her own pattern, this is the first cover of one of Taylor’s lead singles to not feature a picture of herself.",ME!,Taylor Swift +4503,1543455,"[SANTANA] +You were in college working part time waitin' tables +Left a small town, never looked back +I was a flight risk with a fear of falling +Wonderin' why we bother with love if it never lasts +I say, ""Can you believe it?"" +As we're lyin' on the couch +The moment I could see it +Yes, yes, I can see it now +Do you remember, we were sittin' there by the water? +You put your arm around me for the first time +You made a rebel of a careless man's careful daughter +You are the best thing that's ever been mine +Flash forward and we're takin' on the world together +And there's a drawer of my things at your place +You learn my secrets and you figure out why I'm guarded +You say we'll never make my parents' mistakes +But we got bills to pay +We got nothing figured out +When it was hard to take +Yes, yes, this is what I thought about Do you remember, we were sittin' there by the water? +You put your arm around me for the first time +You made a rebel of a careless man's careful daughter +You are the best thing that's ever been mine +Do you remember all the city lights on the water? +You saw me start to believe for the first time +You made a rebel of a careless man's careful daughter +You are the best thing that's ever been mine +Ah-oh-oh +And I remember that fight, 2:30AM +When everything was slippin' right out of our hands +I ran out crying and you followed me out into the street +Braced myself for the goodbye +'Cause that's all I've ever known +Then you took me by surprise +You said, ""I'll never leave you alone"" +You said, ""I remember how we felt sitting by the water +And every time I look at you, it's like the first time +I fell in love with a careless man's careful daughter +She is the best thing that's ever been mine"" +Ooh, oh +You made a rebel of a careless man's careful daughter +You are the best thing that's ever been mine Do you believe it? +We're gonna make it now +And I can see it +I can see it now","Santana (played by Naya Rivera) sings this cover of Taylor Swift’s “Mine” to express her feelings for Brittany (played by Heather Morris), since the choir room is the only place in the world where she can do this through the song. After the song, Santana officially breaks up with Brittany. It is featured in The Break-Up, the fourth episode of Season Four. + + +",Mine,Taylor Swift +4506,7078185,"[Verse 1] +I know that you like me +And it's kinda frightenin' standin' here waitin', waitin' +And I became hypnotized +By freckles and bright eyes, tongue-tied +[Pre-Chorus] +But now, you're so far away and I'm down +Feelin' like a face in the crowd +I'm reachin' for you, terrified +[Chorus] +'Cause you could be the one that I love +I could be the one that you dream of +A message in a bottle is all I can do +Standin' here, hopin' it gets to you +You could be the one that I keep, and I +I could be the reason you can't sleep at night +A mеssage in a bottle is all I can do +Standin' herе, hopin' it gets to you +[Verse 2] +These days I'm restless +Workdays are endless, look how you made me, made me +But time moves faster +Replayin' your laughter, disaster [Pre-Chorus] +'Cause now, you're so far away and I'm down +Feelin' like a face in the crowd +I'm reachin' for you, terrified, 'cause +[Chorus] +'Cause you could be the one that I love +I could be the one that you dream of +A message in a bottle is all I can do +Standin' here, hopin' it gets to you (It gets to you) +You could be the one that I keep, and I (Ah) +I could be the reason you can't sleep at night (At) +A message in a bottle is all I can do +Standin' here, hopin' it gets to you +[Bridge] +How is it in London? (London) +Where were you while I'm wonderin' (Wonderin') +If I'll ever see you again? +You could be the one that I love, mm-mm +And now I'm standin' here, hopin' it gets to you +[Chorus] +'Cause you could be the one that I love (Yeah, yeah) +I could be the one that you dream of (Of) +A message in a bottle is all I can do +Standin' here, hopin' it gets to you (It gets to you) +You could be the one that I keep, and I +I could be the reason you can't sleep at night (I can't sleep at night) +A message in a bottle is all I can do (Yeah, yeah) +Standin' here, hopin' it gets to you (Yeah, yeah) [Outro] +(Love) You could be the one that I love +(Love) You could be the one that I love +(Love) My love +And now I'm standin' here, hopin' this gets to you","“Message In A Bottle (Taylor’s Version) [From The Vault]” is Swift’s admission of fascination and admiration for a new potential lover. Although frightening, this new infatuation carries with it hopes of being true love. The song seems to be connected thematically to “Come Back… Be Here,” which talks about Swift struggling to have a long-distance relationship with someone. It is rumored that the subject of both songs is Harry Styles, whom Swift dated towards the end of 2012. +A “message in a bottle” is a form of communication used by castaways looking for rescue. Similarly, Taylor uses it to express her readiness for commitment to someone seemingly far away for now, specifically in “London,” conveniently being the capital city of Harry Styles' home country. With the outro’s lyrics differing from those in the chorus, it seems that this song is an actual “message in a bottle” to her potential lover. +The song’s pop sound, with an upbeat tempo brought on by drums and a guitar, is very familiar to songs on Swift’s 1989. The similarities between this song and ones on 1989 make sense, since this is the first track Taylor wrote with Max Martin and Shellback. Both producers contributed on many songs on 1989, most notably “Wildest Dreams,” “Style,” “Blank Space” and “Shake It Off.”",Message In A Bottle (Taylor’s Version) [From The Vault],Taylor Swift +4510,5793981,"[Verse 1] +I want you to know +I'm a mirrorball +I'll show you every version of yourself tonight +I'll get you out on the floor +Shimmering beautiful +And when I break, it's in a million pieces +[Chorus] +Hush, when no one is around, my dear +You'll find me on my tallest tiptoes +Spinning in my highest heels, love +Shining just for you +Hush, I know they said the end is near +But I'm still on my tallest tiptoes +Spinning in my highest heels, love +Shining just for you +[Verse 2] +I want you to know +I'm a mirrorball +I can change everything about me to fit in +You are not like the regulars +The masquerade revelers +Drunk as they watch my shattered edges glisten [Chorus] +Hush, when no one is around, my dear +You'll find me on my tallest tiptoes +Spinning in my highest heels, love +Shining just for you +Hush, I know they said the end is near +But I'm still on my tallest tiptoes +Spinning in my highest heels, love +Shining just for you +[Bridge] +And they called off the circus, burned the disco down +When they sent home the horses and the rodeo clowns +I'm still on that tightrope +I'm still trying everything to get you laughing at me +And I'm still a believer, but I don't know why +I've never been a natural, all I do is try, try, try +I'm still on that trapeze +I'm still trying everything to keep you looking at me +[Outro] +Because I'm a mirrorball +I'm a mirrorball +And I'll show you every version of yourself tonight","On “mirrorball,” the sixth track off of Taylor Swift’s surprise eighth studio album, folklore, she compares herself to a reflective disco ball: she sees herself as reflecting all the personalities around her, she entertains others, and she shatters like glass when her heart is broken.",​mirrorball,Taylor Swift +4511,4765976,"[Verse 1] +You know I adore you, I'm crazier for you +Than I was at sixteen, lost in a film scene +Waving homecoming queens, marching band playing +I'm lost in the lights +American glory faded before me +Now I'm feeling hopeless, ripped up my prom dress +Running through rose thorns, I saw the scoreboard +And ran for my life (Ah) +[Pre-Chorus] +No cameras catch my pageant smile +I counted days, I counted miles +To see you there, to see you there +It's been a long time coming, but +[Chorus] +It's you and me, that's my whole world +They whisper in the hallway, ""She's a bad, bad girl"" (Okay) +The whole school is rolling fake dice +You play stupid games, you win stupid prizes +It's you and me, there's nothing like this +Miss Americana and The Heartbreak Prince (Okay) +We're so sad, we paint the town blue +Voted most likely to run away with you [Verse 2] +My team is losing, battered and bruising +I see the high fives between the bad guys +Leave with my head hung, you are the only one +Who seems to care +American stories burning before me +I'm feeling helpless, the damsels are depressed +Boys will be boys then, where are the wise men? +Darling, I'm scared (Ah) +[Pre-Chorus] +No cameras catch my muffled cries +I counted days, I counted miles +To see you there, to see you there +And now the storm is coming, but +[Chorus] +It's you and me, that's my whole world +They whisper in the hallway, ""She's a bad, bad girl"" (Okay) +The whole school is rolling fake dice +You play stupid games, you win stupid prizes +It's you and me, there's nothing like this +Miss Americana and The Heartbreak Prince (Okay) +We're so sad, we paint the town blue +Voted most likely to run away with you [Bridge] +And I don't want you to (Go), I don't really wanna (Fight) +'Cause nobody's gonna (Win), I think you should come home +And I don't want you to (Go), I don't really wanna (Fight) +'Cause nobody's gonna (Win), I think you should come home +And I don't want you to (Go), I don't really wanna (Fight) +'Cause nobody's gonna (Win), just thought you should know +And I'll never let you (Go) 'cause I know this is a (Fight) +That someday we're gonna (Win) +[Chorus] +It's you and me, that's my whole world +They whisper in the hallway, ""She's a bad, bad girl"" +Oh, I just thought you should know (You should know) +It's you and me, there's nothing like this (Like this) +Miss Americana and The Heartbreak Prince (Okay) +We're so sad, we paint the town blue (Paint it blue) +Voted most likely to run away with you +[Post-Chorus] +And I don't want you to (Go), I don't really wanna (Fight) +'Cause nobody's gonna (Win), I think you should come home +And I'll never let you (Go) 'cause I know this is a (Fight) +That someday we're gonna (Win), just thought you should know +[Outro] +It's you and me, that's my whole world +They whisper in the hallway, ""She's a bad, bad girl"" +""She's a bad, bad girl""","“Miss Americana & The Heartbreak Prince” is a layered song that can be interpreted as describing a high school romance or Swift’s reasons for becoming politically vocal. It inspired the name of Swift’s January 2020 documentary Miss Americana, which detailed how revelations in her personal life pushed her to speak her mind more often. +Like “ME!” and “The Man,” this song was produced by Joel Little. It’s the darkest-sounding song he worked on for the album, and it’s reminiscent of Lorde’s 2013 album Pure Heroine, which he also produced.",Miss Americana & The Heartbreak Prince,Taylor Swift +4513,4499981,"[Verse 1] +Mr. ""Perfect face"" +Mr. ""Here to stay"" +Mr. ""Looked me in the eye and told me you would never go away"" +Everything was right +Mr. ""I've been waitin' for you all my life"" +Mr. ""Every single day until the end, I will be by your side"" +[Pre-Chorus] +But that was when I got to know Mr. ""Change of heart"" +Mr. ""Leaves me all alone,"" I fall apart +It takes everything in me just to get up each day +But it's wonderful to see that you're okay +[Chorus] +Hello, Mr. ""Perfectly fine"" +How's your heart after breakin' mine? +Mr. ""Always at the right place at the right time,"" baby +Hello, Mr. ""Casually cruel"" +Mr. ""Everything revolves around you"" +I've been Miss Misery since your goodbye +And you're Mr. ""Perfectly fine"" +[Verse 2] +Mr. ""Never told me why"" +Mr. ""Never had to see me cry"" +Mr. ""Insincere apology so he doesn't look like the bad guy"" +He goes about his day +Forgets he ever even heard my name +Well, I thought you might be different than the rest, I guess you're all the same [Pre-Chorus] +'Cause I hear he's got his arm 'round a brand-new girl +I've been pickin' up my heart, he's been pickin' up her +And I never got past what you put me through +But it's wonderful to see that it never phased you +[Chorus] +Hello, Mr. ""Perfectly fine"" +How's your heart after breakin' mine? +Mr. ""Always at the right place at the right time,"" baby +Hello, Mr. ""Casually cruel"" +Mr. ""Everything revolves around you"" +I've been Miss Misery since your goodbye +And you're Mr. ""Perfectly fine"" +[Verse 3] +So dignified in your well-pressed suit +So strategized, all the eyes on you +Sashay your way to your seat +It's the best seat, in the best room +Oh, he's so smug, Mr. ""Always wins"" +So far above me in every sense +So far above feeling anything +[Bridge] +And it's really such a shame +It's such a shame +'Cause I was Miss ""Here to stay"" +Now I'm Miss ""Gonna be alright someday"" +And someday maybe you'll miss me +But by then, you'll be Mr. ""Too late"" [Chorus] +Goodbye, Mr. ""Perfectly fine"" +How's your heart after breakin' mine? +Mr. ""Always at the right place at the right time,"" baby +Goodbye, Mr. ""Casually cruel"" +Mr. ""Everything revolves around you"" +I've been Miss Misery for the last time +And you're Mr. ""Perfectly fine"" +[Outro] +You're perfectly fine +Mr. ""Looked me in the eye and told me you would never go away"" +You said you'd never go away","The track’s subject matter deals with a player-type boy who makes wonderful promises to Taylor that he will stay, only to turn around and run off once he’s bored. The song allegedly refers to Joe Jonas, who Taylor was dating at the time, and has since moved on. Joe is now married to Sophie Turner, who showed her admiration for the song, regardless of what it discusses, to which Taylor then replied, proving it’s all good between all parties. +The track has hallmarks in both sound and lyrics from her Fearless era. The upbeat drums accompanied with subtle rock inspired guitars and analogue synths underneath a song about naïve love and heartbreak that causes more inconvenience and annoyance than it does pain are staples of that era. +Taylor released this “From the Vault” song as a surprise promotional single at 9:00 AM EDT on April 7th, two days before the release date of Fearless (Taylor’s Version).",Mr. Perfectly Fine (Taylor’s Version) [From the Vault],Taylor Swift +4514,132659,"[Verse 1] +Your little hand's wrapped around my finger +And it's so quiet in the world tonight +Your little eyelids flutter 'cause you're dreaming +So I tuck you in, turn on your favourite nightlight +[Pre-Chorus] +To you, everything's funny +You got nothing to regret +I'd give all I have, honey +If you could stay like that +[Chorus] +Oh, darling, don't you ever grow up +Don't you ever grow up, just stay this little +Oh, darling, don't you ever grow up +Don't you ever grow up, it could stay this simple +I won't let nobody hurt you +Won't let no one break your heart +And no one will desert you +Just try to never grow up +[Post-Chorus] +Never grow up +[Verse 2] +You're in the car, on the way to the movies +And you're mortified your mom's dropping you off +At fourteen, there's just so much you can't do +And you can't wait to move out someday and call your own shots [Pre-Chorus] +But don't make her drop you off around the block +Remember that she's gettin' older, too +And don't lose the way that you dance around +In your PJs getting ready for school +[Chorus] +Oh, darling, don't you ever grow up +Don't you ever grow up, just stay this little +Oh, darling, don't you ever grow up +Don't you ever grow up, it could stay this simple +No one's ever burned you +Nothing's ever left you scarred +And even though you want to +Just try to never grow up +[Bridge] +Take pictures in your mind of your childhood room +Memorize what it sounded like when your dad gets home +Remember the footsteps, remember the words said +And all your little brother's favorite songs +I just realized everything I have is, someday, gonna be gone +[Verse 3] +So, here I am in my new apartment +In a big city, they just dropped me off +It's so much colder than I thought it would be +So I tuck myself in and turn my nightlight on [Chorus] +Wish I'd never grown up +I wish I'd never grown up +Oh, I don't wanna grow up +Wish I'd never grown up, I could still be little +Oh, I don't wanna grow up +Wish I'd never grown up, it could still be simple +Oh, darling, don't you ever grow up +Don't you ever grow up, just stay this little +Oh, darlin', don't you ever grow up +Don't you ever grow up, it could stay this simple +I won't let nobody hurt you (Never grow up) +Won't let no one break your heart +And even though you want to +Please, try to never grow up +[Outro] +Oh, oh (Never grow up) +Don't you ever grow up +Oh (Never grow up) +Just never grow up","“Never Grow Up” is track number eight off Taylor Swift’s third album, Speak Now. +She wrote the song when she was in her late teens, but during one of her performances, she dedicated it to the baby of one of her dear friends, model Jamie King, after she made Taylor the godmother. +I wrote it when I was like 18 or 19, but my friend just had a baby and she made me godmother of it and I was holding this little baby the other night, and I was just thinking differently. When you’re holding onto something that’s so innocent and so perfect and has no idea what’s coming for it with the world. The world is going to throw so many things at you as we grow up. +https://youtu.be/U7M-p8SbbKc +King wasn’t at the performance, but she was touched by it after seeing a video clip, to which she responded via Twitter. +This is so beautiful Tay – Leo Thames is so blessed.",Never Grow Up,Taylor Swift +4517,711148,"[Verse 1] +""I need you now"" +Read letters that I wrote on the wall +And the message that I left when I called +I need you now +Words I said drowned out by the rain +Waiting there for you, but you never came +My world's a little colder now +But I'm keeping warm somehow +[Chorus] +So here you are at my window +Guess nobody told you +I don't need you, don't need you +And I waited, so frustrated +Who's gonna hold you? +I don't need you, don't need you now +[Verse 2] +""I need you now"" +Words I heard you whisper to me +When we were walking down a one-way street +And you need me now +That's what you've been telling my friends +But I've come too far to go back there again +My heart, my mind, and numbers have changed +You might as well forget my name [Chorus] +So here you are at my window +Guess nobody told you +I don't need you, don't need you +And I waited, so frustrated +Who's gonna hold you? +I don't need you, don't need you now +[Bridge] +""I need you now"" +Read letters that I wrote on the wall +And the message that I left when I called +[Chorus] +So here you are at my window +Guess nobody told you +I don't need you, don't need you +And I waited, so frustrated +So who's gonna hold you? +I don't need you now +[Breakdown] +And I don't look for your car +I don't wonder where you are +I don't dream about you +'Cause I don't need you now +I don't dream about the way +That I never heard you say +""I need you, I need you"" +I don't need you now [Outro] +Don't need you +I don't need you now","“Need You Now” is one of the many leaked unreleased songs by Taylor Swift from her early years as a a young singer-songwriter in Nashville. Written by Swift in her teens, the song was co-written with one of her early collaborators, Robert Ellis Orall, who also co-wrote with Swift and Angelo Petragalia on the album track from her eponymous debut album, “A Place In This World”. +The song is about moving on from someone who couldn’t reciprocate the love, patience and respect you have invested in the relationship despite this person trying to win you back again by connecting with your common friends and personally paying you a visit to your house. +“Need You Now” is another one of those ironic Taylor Swift song titles such as “Forever & Always”, from the 2010 GRAMMY Album of the Year awardee, “Fearless”, as the song depicts someone confronting an ex-partner and declaring that they actually no longer need them and their broken promises and neglect of the relationship. +Fans have noticed the song’s similarities to Swift’s acclaimed album track, “All Too Well”, from her fourth studio album, “RED”.",Need You Now,Taylor Swift +4518,5793982,"[Verse 1] +We gather here, we line up, weepin' in a sunlit room +And if I'm on fire, you'll be made of ashes, too +Even on my worst day, did I deserve, babe +All the hell you gave me? +'Cause I loved you, I swear I loved you +'Til my dying day +[Chorus] +I didn't have it in myself to go with grace +And you're the hero flying around, saving face +And if I'm dead to you, why are you at the wake? +Cursing my name, wishing I stayed +Look at how my tears ricochet +[Verse 2] +We gather stones, never knowing what they'll mean +Some to throw, some to make a diamond ring +You know I didn't want to have to haunt you +But what a ghostly scene +You wear the same jewels that I gave you +As you bury me +[Chorus] +I didn't have it in myself to go with grace +'Cause when I'd fight, you used to tell me I was brave +And if I'm dead to you, why are you at the wake? +Cursing my name, wishing I stayed +Look at how my tears ricochet [Bridge] +And I can go anywhere I want +Anywhere I want, just not home +And you can aim for my heart, go for blood +But you would still miss me in your bones +And I still talk to you (When I'm screaming at the sky) +And when you can't sleep at night + +(You hear my stolen lullabies) +[Chorus] +I didn't have it in myself to go with grace +And so the battleships will sink beneath the waves +You had to kill me, but it killed you just the same +Cursing my name, wishing I stayed +You turned into your worst fears +And you're tossing out blame, drunk on this pain +Crossing out the good years +And you're cursing my name, wishing I stayed +Look at how my tears ricochet","Swift shared via Instagram that “my tears ricochet” is about an “embittered tormentor showing up at the funeral of his fallen object of obsession.” She revealed in a YouTube livechat that it was the first song she wrote for folklore. +Some fans believe it connects to Swift’s personal life as well — with the song really being about Scott Borchetta’s betrayal of Swift when she left Big Machine records for Republic. +In addition, on August 2017’s “Look What You Made Me Do,” Swift infamously proclaimed “the old Taylor” dead. The prominent funeral imagery makes it sound like Swift may be mourning this metaphorical murder.",​my tears ricochet,Taylor Swift +4520,552892,"[Verse 1] +We're all bored, we're all so tired of everything +We wait for trains that just aren't comin' +We show off our different scarlet letters +Trust me, mine is better +We're so young, but we're on the road to ruin +We play dumb, but we know exactly what we're doin' +We cry tears of mascara in the bathroom +Honey, life is just a classroom +Ah-ah-ah-ah-ah-ah +[Chorus] +'Cause baby, I could build a castle +Out of all the bricks they threw at me +And every day is like a battle +But every night with us is like a dream +Baby, we're the new romantics, come on, come along with me +Heartbreak is the national anthem, we sing it proudly +We are too busy dancin' to get knocked off our feet +Baby, we're the new romantics +The best people in life are free +[Verse 2] +We're all here, the lights and noise are blinding +We hang back, it's all in the timing +It's poker, he can't see it in my face +But I'm about to play my Ace, ah +We need love, but all we want is danger +We team up, then switch sides like a record changer +The rumors are terrible and cruel +But, honey, most of them are true +Ah-ah-ah-ah-ah-ah [Chorus] +'Cause baby, I could build a castle +Out of all the bricks they threw at me +And every day is like a battle +But every night with us is like a dream +Baby, we're the new romantics, come on, come along with me +Heartbreak is the national anthem, we sing it proudly +We are too busy dancin' (Yeah) to get knocked off our feet (Hey) +Baby, we're the new romantics +The best people in life are free +[Post-Chorus] +(Oh, oh, oh-oh, oh) Oh +(Oh, oh, oh-oh, oh) So, come on, come along with me +(Oh, oh, oh-oh, oh) The best people in life are free +(Oh, oh, oh-oh, oh) +[Bridge] +Please, take my hand and +Please, take me dancing and +Please, leave me stranded +It's so romantic (It's so romantic) +Ah-ah-ah-ah-ah-ah +[Chorus] +'Cause baby, I could build a castle (Oh) +Out of all the bricks they threw at me (At me) +And every day is like a battle (Oh) +But every night with us is like a dream (Is like a dream) +'Cause baby, I could build a castle (Castle) +Out of all the bricks they threw at me (And) +And every day is like a battle (Oh) +But every night with us is like a dream +Baby, we're the new romantics, come on, come along with me +Heartbreak is the national anthem, we sing it proudly +We are too busy dancin' (Hey) to get knocked off our feet +Baby, we're the new romantics +The best people in life are free","“New Romantics” is a satirical song discussing how “new romantics” view love and life. It addresses the nonchalant and whimsical nature of the way young adults approach love. Notably, Taylor doesn’t segregate herself from these young adults. Her constant use of personal pronouns such as “we” and “I” indicate that she has also embraced this mindset. +In past albums, Taylor approached love from very extreme stances namely: + +Extremely idealistically i.e. “Love Story” + +A bitter or angry reponse to breakups i.e “Picture to Burn” + +An extremely heartbroken, torn apart stance i.e. “Dear John” + + +However, this album introduces Taylor’s new mindset and approach towards love. We see her transition through a breakup and making the discovery that love is not a fairytale, and the chances of a happy ending is very unlikely – so it’s better to live life freely and not take relationships too seriously. Notably, the album begins with “Welcome to New York,” which marks the beginning of her transition, and this song, as the last track on the deluxe edition, indicates how she will be heading into the future – free falling. +",New Romantics,Taylor Swift +4521,3281524,"[Verse 1] +There's glitter on the floor after the party +Girls carrying their shoes down in the lobby +Candle wax and Polaroids on the hardwood floor +You and me from the night before, but +[Chorus] +Don’t read the last page +But I stay when you're lost and I'm scared and you’re turning away +I want your midnights +But I'll be cleaning up bottles with you on New Year's Day +[Verse 2] +You squeeze my hand three times in the back of the taxi +I can tell that it's gonna be a long road +I'll be there if you're the toast of the town, babe +Or if you strike out and you're crawling home +[Chorus] +Don't read the last page +But I stay when it’s hard or it’s wrong or we're making mistakes +I want your midnights +But I’ll be cleaning up bottles with you on New Year's Day +[Post-Chorus] +Hold on to the memories, they will hold on to you +Hold on to the memories, they will hold on to you +Hold on to the memories, they will hold on to you +And I will hold on to you [Bridge] +Please don't ever become a stranger +Whose laugh I could recognize anywhere +Please don't ever become a stranger +Whose laugh I could recognize anywhere +[Verse 3] +There’s glitter on the floor after the party +Girls carrying their shoes down in the lobby +Candle wax and Polaroids on the hardwood floor +You and me forevermore +[Chorus] +Don't read the last page +But I stay when it's hard or it's wrong or we're making mistakes +I want your midnights +But I'll be cleaning up bottles with you on New Year's Day +[Post-Chorus] +Hold on to the memories, they will hold on to you +Hold on to the memories, they will hold on to you +Hold on to the memories, they will hold on to you +And I will hold on to you +[Outro] +Please don't ever become a stranger +(To the memories, they will hold on to you) +Whose laugh I could recognize anywhere +(Hold on to the memories, they will hold on to you) +Please don't ever become a stranger +(Hold on to the memories, they will hold on to you) +Whose laugh I could recognize anywhere +(I will hold on to you)","The closing track on reputation uses a New Year’s party as a metaphor to discuss holding on to people and memories from both good and bad times. Taylor recognizes that when the ‘parties’ in her life are over and the ‘new year’ begins, such memories are all she will have left to hold on to and learn from. She relates a lasting love to someone who shares a midnight kiss with you on New Year’s, but who still stays with you the next morning for the aftermath of the party and begins the new year together with you. +Musically, the song is reminiscent of Taylor’s older tracks, with sparse production and simply guitar and piano as backing. Contrasting many prior songs on the album where Taylor takes shots at various people, she creates a more mature image here–thankful for her past and ready to ‘clean up’ and move on in the future.",New Year’s Day,Taylor Swift +4524,186955,"[Verse 1] +Elevator buttons and morning air +Strangers' silence makes me want to take the stairs +If you were here, we'd laugh about their vacant stares +But right now, my time is theirs +Seems like there's always someone who disapproves +They'll judge it like they know about me and you +And the verdict comes from those with nothing else to do +The jury's out, but my choice is you +[Chorus] +So don't you worry your pretty little mind +People throw rocks at things that shine +And life makes love look hard +The stakes are high, the water's rough +But this love is ours +[Verse 2] +You never know what people have up their sleeves +Ghosts from your past gonna jump out at me +Lurking in the shadows with their lip gloss smiles +But I don't care, 'cause right now, you're mine +And you'll say +[Chorus] +Don't you worry your pretty little mind +People throw rocks at things that shine +And life makes love look hard +The stakes are high, the water's rough +But this love is ours [Bridge] +And it's not theirs to speculate if it's wrong and +Your hands are tough, but they are where mine belong and +I'll fight their doubt and give you faith with this song for you +'Cause I love the gap between your teeth +And I love the riddles that you speak +And any snide remarks from my father about your tattoos +Will be ignored, 'cause my heart is yours +[Chorus] +So don't you worry your pretty little mind +People throw rocks at things that shine +And life makes love look hard +And don't you worry your pretty little mind +People throw rocks at things that shine +But they can't take what's ours +They can't take what's ours +The stakes are high, the water's rough +But this love is ours","“Ours” is a track on the deluxe edition of Taylor Swift’s 2010 album Speak Now. Like her song “Love Story,” it tells the tale of a love frowned upon by others.",Ours,Taylor Swift +4525,6260165,"[Intro: HAIM] +He did it +He did it +[Verse 1: Taylor Swift] +Este's a friend of mine +We meet up every Tuesday night for dinner and a glass of wine +Este's been losin' sleep +Her husband's actin' different and it smells like infidelity +She says, ""That ain't my Merlot on his mouth +That ain't my jewelry on our joint account"" +No, there ain't no doubt +I think I'm gonna call him out +[Chorus: Taylor Swift & HAIM] +She says, ""I think he did it, but I just can't prove it"" +I think he did it, but I just can't prove it +I think he did it, but I just can't prove it +No, no body, no crime +But I ain't lettin' up until the day I die +[Post-Chorus: HAIM] +No, no +I think he did it +No, no +He did it [Verse 2: Taylor Swift] +Este wasn't there Tuesday night at Olive Gardеn +At her job or anywhere +Hе reports his missing wife +And I noticed when I passed his house +His truck has got some brand new tires +And his mistress moved in +Sleeps in Este's bed and everything +No, there ain't no doubt +Somebody's gotta catch him out 'cause +[Chorus: Taylor Swift & +HAIM +] +I think he did it, but I just can't prove it +(He did it) +I think he did it, but I just can't prove it +(He did it) +I think he did it, but I just can't prove it +No, no body, no crime +But I ain't lettin' up until the day I die +[Post-Chorus: HAIM & +Taylor Swift +] +No, no +I think he did it +No, no +He did it +[Bridge: Taylor Swift & +Danielle Haim +] +Good thing my daddy made me get a boating license when I was fifteen +And I've cleaned enough houses to know how to cover up a scene +Good thing Este's sister's gonna swear she was with me ( +She was with me, dude +) +Good thing his mistress took out a big life insurance policy [Chorus: Taylor Swift] +They think she did it, but they just can't prove it +They think she did it, but they just can't prove it +She thinks I did it, but she just can't prove it +[Outro: Taylor Swift & HAIM] +No, no body, no crime +I wasn't lettin' up until the day he +No, no body, no crime +I wasn't lettin' up until the day he +No, no body, no crime +I wasn't lettin' up until the day he died","“no body, no crime” is an imaginative take on Swift’s part on a true crime story, featuring HAIM band member Este Haim—good friends of Swift's—as the center of a missing persons case after being cheated on by her husband. The track itself is a return to Swift’s country roots, and its credits include instrumentals from Josh Kaufman from Bonny Light Horseman and Muzz.","​no body, no crime",Taylor Swift +4526,4809175,"[Verse 1: Taylor Swift] +They tell you while you're young +""Girls, go out and have your fun"" +Then they hunt and slay the ones who actually do it +Criticize the way you fly +When you're soaring through the sky +Shoot you down and then they sigh +And say, ""She looks like she's been through it"" +[Pre-Chorus: Taylor Swift] +Lord, what will become of me +Once I've lost my novelty? +[Chorus: Taylor Swift] +I've had too much to drink tonight +And I know it's sad, but this is what I think about +And I wake up in the middle of the night +It's like I can feel time moving +How can a person know everythin' at eighteen +But nothin' at twenty-two? +And will you still want me +When I'm nothing new? +[Verse 2: Phoebe Bridgers] +How long will it be cute, all this cryin' in my room? +When you can't blame it on my youth +And roll your eyes with affection +And my cheeks are growing tired +From turning red and faking smiles +Are we only biding time 'til I lose your attention? [Pre-Chorus: Taylor Swift, +Phoebe Bridgers +] +And someone else lights up the room ( +Ah +) +People love an ingénue ( +Ah +) +[Chorus: Phoebe Bridgers, +Taylor Swift +] +I've had ( +I've had +) too much to drink tonight +How did I go from growin' up to breaking down? +And I wake up ( +Wake up +) in the middle of the night +It's like I can feel time movin' +How can a person know everything at eighteen +But nothing at twenty-two? +And will you still want me +When I'm nothing new? +[Bridge: Taylor Swift, +Both +, +Phoebe Bridgers +] +I know someday I'm gonna meet her, it's a +fever dream +The kind of radiance you only have at + +seventeen +She'll know the way and then she'll say she got the +map from me +I'll say I'm happy for her +, then I'll cry +myself to sleep +Oh, woah, oh (Oh) +Oh, woah, oh, woah, oh (Oh) +[Chorus: Taylor Swift, +Phoebe Bridgers +, +Both +] +I've had ( +I've had +) too much to drink tonight +But I wonder if they'll miss me once they drive me out +I wake up ( +Wake up +) in the middle of the night +And I can feel time moving +How can a person know everything at eighteen +But nothing at twenty-two? +And will you still want me +Will you still want me +Will you still want me +When I'm nothing new?","Swift mentions “Nothing New” in the journals she released alongside her 2019 record Lover. In the journal, she reveals she wrote it for her 2012 record Red — she later included it on 2021’s Red (Taylor’s Version) as a “From the Vault” track. +The track was inspired by Joni Mitchell’s “A Case Of You.”",Nothing New (Taylor’s Version) [From The Vault],Taylor Swift +4527,5191847,"[Verse 1] +It keeps me awake, the look on your face +The moment you heard the news +You're screaming inside and frozen in time +You did all that you could do +The game was rigged, the ref got tricked +The wrong ones think they’re right +You were outnumbered this time +[Chorus] +But only the young, only the young +Only the young, only the young +Can run +Can run +So run, and run, and run +[Verse 2] +So every day now +You brace for the sound you've only heard on TV +You go to class, scared +Wondering where the best hiding spot would be +And the big bad man and his big bad clan +Their hands are stained with red +Oh, how quickly they forget +[Pre-Chorus] +They aren't gonna help us +Too busy helping themselves +They aren't gonna change this +We gotta do it ourselves +They think that it's over +But it's just begun [Chorus] +Only one thing can save us +Only the young ( +Only the young +) +Only the young ( +Only the young +) +Only the young ( +Only the young +) +Only the young +Only the young ( +Only the young +) +Only the young ( +Only the young +) +Only the young ( +Only the young +) +Only the young +Only the young ( +Only the young +; Don't say you're too tired to fight) +Only the young ( +Only the young +; It's just a matter of time) +Only the young ( +Only the young +; Up there's the finish line) +Only the young +Can run +[Post-Chorus] +Don't say you're too tired to fight +It's just a matter of time (Can run) +Up there's the finish line (So run, and run, and run) +Don't say you're too tired to fight +It's just a matter of time (So run) +Up there's the finish line (And run, and run, and run) +[Outro] +Only the young +Only the young +Only the young","“Only The Young” is a political anthem encouraging young adults and teenagers to use their voice for what they believe in. Swift first announced the song in an interview with Variety, then released it alongside her Taylor Swift: Miss Americana documentary in late January 2020. +According to Variety, Swift wrote the song following the 2018 U.S. midterm elections, in which Republicans won most votes. This was the first election where Swift broke her infamous political silence — she publicly endorsed two Democrats in a post on Tumblr and Instagram before Election Day. +The song debuted at #1 on the US iTunes chart, making it Swift’s 38th song to do this, and extending her record as the artist with the most #1s in US iTunes history.",Only The Young,Taylor Swift +4528,9666585,"[Verse 1] +You went to a party +I heard from everybody +You part the crowd like the Red Sea +Don't even get me started +Did you get anxious though +On the way home? +I guess I'll never, ever know +Now that we don't talk +[Verse 2] +You grew your hair long +You got new icons +And from the outside +It looks like you're tryin' lives on +I miss the old ways +You didn't have to change +But I guess I don't have a say +Now that we don't talk +[Chorus] +I call my mom, she said that it was for the best +Remind myself, the morе I gave, you'd want me less +I cannot bе your friend, so I pay the price of what I lost +And what it cost, now that we don't talk [Bridge] +What do you tell your friends we +Shared dinners, long weekends with? +Truth is, I can't pretend it's +Platonic, it's just ended, so +[Chorus] +I call my mom, she said to get it off my chest (Off my chest) +Remind myself the way you faded 'til I left (Until I left) +I cannot be your friend, so I pay the price of what I lost (Of what I lost) +And what it cost, now that we don't talk +[Outro] +I don't have to pretend I like acid rock +Or that I'd like to be on a mega yacht +With important men who think important thoughts +Guess maybe I am better off now that we don't talk +And the only way back to my dignity +Was to turn into a shrouded mystery +Just like I had been when you were chasing me +Guess this is how it has to be now that we don't talk","“Now That We Don’t Talk” explores the feelings that arise as a once-important relationship fades away, painting a picture of change and distance between two people who used to be close. In the verses, Swift talks about noticing changes in the other person’s life, while the chorus captures the struggle of accepting the end of a relationship. The song ends on a note of acceptance and a newfound sense of self, with Swift telling herself that no longer talking to her partner is how it has to be. +As of 1989 (Taylor’s Version)’s release, this is the shortest song on Taylor’s discography. Additionally, during an interview for Tumblr Music, Swift has said that the reason this song was left out of the 2014 version of 1989 was because they couldn’t get the production right at the time.",Now That We Don’t Talk (Taylor’s Version) [From The Vault],Taylor Swift +4529,539592,"[Verse 1] +Looking at it now +It all seems so simple +We were lying on your couch +I remember +You took a Polaroid of us +Then discovered (Then discovered) +The rest of the world was black and white +But we were in screaming color +And I remember thinking +[Chorus] +Are we out of the woods yet? Are we out of the woods yet? +Are we out of the woods yet? Are we out of the woods? +Are we in the clear yet? Are we in the clear yet? +Are we in the clear yet, in the clear yet? Good +Are we out of the woods yet? Are we out of the woods yet? +Are we out of the woods yet? Are we out of the woods? +Are we in the clear yet? Are we in the clear yet? +Are we in the clear yet, in the clear yet? Good +(Are we out of the woods?) +[Verse 2] +Looking at it now +Last December (Last December) +We were built to fall apart +Then fall back together (Back together) +Ooh, your necklace hanging from my neck +The night we couldn't quite forget +When we decided, we decided +To move the furniture so we could dance +Baby, like we stood a chance +Two paper airplanes flying, flying, flying +And I remember thinking [Chorus] +Are we out of the woods yet? Are we out of the woods yet? +Are we out of the woods yet? Are we out of the woods? +Are we in the clear yet? Are we in the clear yet? +Are we in the clear yet, in the clear yet? Good +Are we out of the woods yet? Are we out of the woods yet? +Are we out of the woods yet? (Oh) Are we out of the woods? +Are we in the clear yet? Are we in the clear yet? +Are we in the clear yet, in the clear yet? Good +(Are we out of the woods?) +[Bridge] +Remember when you hit the brakes too soon? +Twenty stitches in the hospital room +When you started crying, baby, I did too +But when the sun came up, I was looking at you +Remember when we couldn't take the heat? +I walked out, I said, ""I'm setting you free"" +But the monsters turned out to be just trees +When the sun came up, you were looking at me +You were looking at me, oh +You were looking at me +(Are we out of the woods yet? Are we out of the woods yet?) +(Are we out of the woods yet? Are we out of the woods?) +I remember +(Are we in the clear yet? Are we in the clear yet?) +(Are we in the clear yet, in the clear yet? Good) +Oh, I remember [Chorus] +Are we out of the woods yet? Are we out of the woods yet? (Yeah) +Are we out of the woods yet? Are we out of the woods? +Are we in the clear yet? Are we in the clear yet? (Say, are we?) +Are we in the clear yet, in the clear yet? Good +Are we out of the woods yet? Are we out of the woods yet? +Are we out of the woods yet? Are we out of the woods? +Are we in the clear yet? (Yeah) Are we in the clear yet? (Yeah) +Are we in the clear yet, in the clear yet? Good (Clear yet? Good) +Are we out of the woods yet? Are we out of the woods yet? +Are we out of the woods yet? Are we out of the woods? +Are we in the clear yet? Are we in the clear yet? +Are we in the clear yet, in the clear yet? Good (Do you remember?) +Are we out of the woods yet? Are we out of the woods yet? +Are we out of the woods yet? Are we out of the woods? +Are we in the clear yet? Are we in the clear yet? +Are we in the clear yet, in the clear yet? Good","“Out Of The Woods” captures the anxiety and excitement of a past relationship that Taylor treasures the memories of. It was the second promo single released from 1989, and later became the sixth official single. It was co-written by Jack Antonoff of Fun. and Bleachers, who worked on many songs for the album, and later joined Taylor to create her 2017 album reputation. It is known that she was writing to track for this song, something she was not used to at the time. +A short preview of the song was shown on Good Morning America on October 13th, 2014, and the full version was released the next day. The song’s music video was premiered on December 31st, 2015, during ABC’s annual Dick Clark’s New Year’s Rockin' Eve broadcast. +The song’s hidden message is, “They loved each other recklessly.” +The blue dress that Taylor Swift wore in the music video made a return at the beginning of the 2017 “Look What You Made Me Do” music video: +",Out Of The Woods,Taylor Swift +4530,8486438,"[Verse 1] +""Your ex-friend's sister +Met someone at a club and he kissed her +Turns out, it was that guy you hooked up with ages ago +Some wannabe Z-lister +And all the outfits were terrible +2003 unbearable +Did you see the photos?"" +No, I didn't, but thanks, though +[Pre-Chorus] +I'm so in love that I might stop breathing +Drew a map on your bedroom ceiling +No, I didn't see the news +'Cause we were somewhere else +Stumbled down pretend alleyways +Cheap wine, make believe it's champagne +I was taken by the view +[Chorus] +Like we were in Paris +Like we were somewhere else +Like we were in Paris, oh +We were somewhere else +[Verse 2] +Privacy sign on the door +And on my page and on the whole world +Romance is not dead if you keep it just yours +Levitate above all the messes made +Sit quiet by my side in the shade +And not the kind that's thrown +I mean, the kind under where a tree has grown [Pre-Chorus] +I'm so in love that I might stop breathing +Drew a map on your bedroom ceiling +No, I didn't see the news +'Cause we were somewhere else +Stumbled down pretend alleyways +Cheap wine, make believe it's champagne +I was taken by the view +[Chorus] +Like we were in Paris, oh +Like we were somewhere else +Like we were in Paris, oh +We were somewhere else +[Bridge] +I wanna brainwash you +Into loving me forever +I wanna transport you +To somewhere the culture's clever +Confess my truth +In swooping, sloping, cursive letters +Let the only flashing lights be the tower at midnight +In my mind +[Breakdown] +We drew a map on your bedroom ceiling +No, I didn't see the news +'Cause we were somewhere else +In an alleyway, drinking champagne [Chorus] +'Cause we were in Paris +Yes, we were somewhere else +My love, we were in Paris +Yes, we were somewhere else","“Paris” is the sixteenth track on Taylor Swift’s tenth album, Midnights. It was released as apart of the surprise drop of Midnights 3AM edition and is the third Taylor swift song to have a city in the title – the others being “London Boy” and “Welcome To New York”. +Lyrically the song discusses being in love with someone and ignoring or blocking out other distractions, like gossip and paparazzi, because of being consumed with and transported by life with this person and making imagined adventures out of simple things with them.",Paris,Taylor Swift +4533,187430,"[Verse 1] +I know he loved you a long time ago +I ain't jealous of you, just thought you should know +You were never good enough for him or anything like me +So you might as well sit back 'cause I ain't trying to show maturity +[Chorus] +""X"" is the shape I drew through your face +In permanent marker, oh, yeah +Just like the mark you knew you were making +Who do you think you are +To write on his heart in permanent marker? +[Verse 2] +I found that picture of you in that green dress +He sure had a good time cleaning up that mess +He found thirty other pieces but he'll never find them all +Tried to tape it back together, now he knows to keep it off the wall +[Chorus] +""X"" is the shape I drew through your face +In permanent marker, oh, yeah +Just like the mark you knew you were making +Who do you think you are +To write on his heart in permanent marker? +""X"" is the shape I drew through your face +In permanent marker, oh, yeah +Oh, just like the mark you knew you were making +Who do you think you are +To write on his heart? +""X"" is the shape I drew through your face +In permanent marker, oh, yeah +Just like the mark that you knew that you were making +Who do you think you are +To write on his heart in permanent marker? [Outro] +In permanent marker +Oh, permanent marker, yeah","“Permanent Marker” is an unreleased song from Taylor Swift, with it’s studio version leaking online in 2014. The song was rumored to have been intended for Swift’s 2008 album, Fearless +Taylor performed the song live a few times at different concerts between 2006 and 2008. +It has been theorised that this song is about a girlfriend of Taylor’s brother, Austin Swift, who she didn’t like.",Permanent Marker,Taylor Swift +4534,4782857,"[Verse 1] +The moon is high +Like your friends were the night that we first met +Went home and tried to stalk you on the internet +Now I've read all of the books beside your bed +The wine is cold +Like the shoulder that I gave you in the street +Cat and mouse for a month or two or three +Now I wake up in the night and watch you breathe +[Pre-Chorus] +(Ayy) +Kiss me once 'cause you know I had a long night (Oh) +Kiss me twice 'cause it's gonna be alright (Uh) +Three times 'cause I waited my whole life (One, two, one, two, three, four) +[Chorus] +I like shiny things, but I'd marry you with paper rings +Uh-huh, that's right +Darling, you're the one I want, and +I hate accidents, except when we went from friends to this +Uh-huh, that's right +Darling, you're the one I want +In paper rings, in picture frames, in dirty dreams +Oh, you're the one I want [Verse 2] +In the winter, in the icy outdoor pool +When you jumped in first, I went in too +I'm with you even if it makes me blue +Which takes me back +To the color that we painted your brother's wall +Honey, without all the exes, fights and flaws +We wouldn't be standing here so tall, so +[Pre-Chorus] +(Ayy) +Kiss you once 'cause I know you had a long night (Oh) +Kiss you twice 'cause it's gonna be alright (Uh) +Three times 'cause you waited your whole life (One, two, one, two, three, four) +Ah +[Chorus] +I like shiny things, but I'd marry you with paper rings +Uh-huh, that's right +Darling, you're the one I want, and +I hate accidents, except when we went from friends to this +Uh-huh, that's right +Darling, you're the one I want +In paper rings, in picture frames, in dirty dreams +Oh, you're the one I want [Bridge] +I want to drive away with you +I want your complications too +I want your dreary Mondays +Wrap your arms around me, baby boy +I want to drive away with you +I want your complications too +I want your dreary Mondays +Wrap your arms around me, baby boy +Uh-huh +[Chorus] +I like shiny things, but I'd marry you with paper rings +Ah-ah, that's right, you're the one I want +I hate accidents, except when we went from friends to this +Ah-ah, darling, you're the one I want +I like shiny things, but I'd marry you with paper rings +Uh-huh, that's right +Darling, you're the one I want, and +I hate accidents, except when we went from friends to this +Uh-huh, that's right +Darling, you're the one I want +In paper rings, in picture frames, in all my dreams +You're the one I want +In paper rings, in picture frames, in all my dreams +Oh, you're the one I want [Outro] +You're the one I want, one I want +You're the one I want, one I want","In this song, Swift reveals her commitment to her lover, recounting the story of their love and declaring that she is so willing to stay with him forever, she would forgo any formalities and marry him with homemade paper rings. +Swift has shared the concept of this song at the secret sessions with some fans: +The whole song is just basically reminiscing on fun memories. And then in the chorus, it talks about how […], your whole life you talk with your friends about how, like, ‘Oh my God. Do you wanna get married? What do you want your ring to look like? What kind of ring do you want?’ I don’t know, I just feel like if you really love someone, love someone, you’d be like, ‘I don’t care.’ And so, it talks about that concept as the hook.",Paper Rings,Taylor Swift +4535,5793961,"[Verse 1] +Our coming-of-age has come and gone +Suddenly, this summer, it's clear +I never had the courage of my convictions +As long as danger is near +And it's just around the corner, darlin' +'Cause it lives in me +No, I could never give you peace +[Chorus] +But I'm a fire and I'll keep your brittle heart warm +If your cascade, ocean wave blues come +All these people think love's for show +But I would die for you in secret +The devil's in the details, but you got a friend in me +Would it be enough if I could never give you peace? +[Verse 2] +Your integrity makes me seem small +You paint dreamscapes on the wall +I talk shit with my friends, it's like I'm wasting your honor +And you know that I'd swing with you for the fences +Sit with you in the trenches +Give you my wild, give you a child +Give you the silence that only comes when two people understand each other +Family that I chose, now that I see your brother as my brother +Is it enough? +But there's robbers to the east, clowns to the west +I'd give you my sunshine, give you my best +But the rain is always gonna come if you're standin' with me [Chorus] +But I'm a fire and I'll keep your brittle heart warm +If your cascade, ocean wave blues come +All these people think love's for show +But I would die for you in secret +The devil's in the details, but you got a friend in me +Would it be enough if I could never give you peace? +Would it be enough if I could never give you peace? +Would it be enough if I could never give you peace?","“peace” is a calm tune describing Swift’s maturation and changing view of romance. Like August 2019’s “The Archer,” Swift explains her shortcomings in a relationship and hopes that her partner will stay with her in spite of them. However, unlike her own personal flaws explored in “The Archer,” this song focuses on Swift’s fame — she worries that their lack of privacy could drive her partner away.",​peace,Taylor Swift +4538,96342,"[Verse 1] +Loving him is like driving a new Maserati down a dead-end street +Faster than the wind, passionate as sin, ending so suddenly +Loving him is like trying to change your mind once you're already flying through the free fall +Like the colors in autumn, so bright just before they lose it all +[Chorus] +Losing him was blue like I'd never known +Missing him was dark gray, all alone +Forgetting him was like trying to know somebody you've never met +But loving him was red +[Post-Chorus] +(Red, red) +(Red, red) +Loving him was red +(Red, red) +(Red, red) +[Verse 2] +Touching him was like realizing all you ever wanted was right there in front of you +Memorizing him was as easy as knowing all the words to your old favorite song +Fighting with him was like trying to solve a crossword and realizing there's no right answer +Regretting him was like wishing you never found out that love could be that strong +[Chorus] +Losing him was blue like I'd never known +Missing him was dark gray, all alone (Whoa) +Forgetting him was like trying to know somebody you've never met +But loving him was red [Post-Chorus] +(Red, red) +Oh, red (Red, red) +Burning red (Red, red) +(Red, red) +[Bridge] +Remembering him comes in flashbacks and echoes +Tell myself it's time now, gotta let go +But moving on from him is impossible +When I still see it all in my head +In burning red +Burning, it was red +[Chorus] +Oh, losing him was blue like I'd never known +Missing him was dark gray, all alone (Whoa) +Forgetting him was like trying to know somebody you've never met +'Cause loving him was red +[Post-Chorus] +(Red, red) Yeah, yeah, red (Red, red) +Burning red (Red, red) +(Red, red) +[Breakdown] +And that's why (Red, red) he's spinning 'round in my head +Comes back to me (Red, red), burning red +(Red, red) Yeah, yeah +(Red, red) [Outro] +His love was like driving a new Maserati down a dead-end street","The title track of Swift’s album compares the emotions she felt in a relationship to colors. It was originally released as a promotional single, but was re-released as the album’s fifth official single a year later. +It is generally believed that the song is about actor Jake Gyllenhaal, since the hidden message of the song, “SAG,” could be interpreted as Swift and Gyllenhaal or Sagittarius, the zodiac sign of the two. It’s also possible that the song drew inspiration from both relationships.",Red,Taylor Swift +4539,132097,"[Verse 1] +I was ridin' shotgun with my hair undone +In the front seat of his car +He's got a one-hand feel on the steering wheel +The other on my heart +I look around, turn the radio down +He says, ""Baby, is something wrong?"" +I say, ""Nothin', I was just thinkin' +How we don't have a song"" +And he says +[Chorus] +Our song is the slamming screen door +Sneakin' out late, tapping on your window +When we're on the phone and you talk real slow +'Cause it's late and your mama don't know +Our song is the way you laugh +The first date: ""Man, I didn't kiss her, and I should have"" +And when I got home, 'fore I said amen +Askin' God if he could play it again +[Verse 2] +I was walking up the front porch steps +After everything that day +Had gone all wrong or been trampled on +And lost and thrown away +Got to the hallway, well on my way +To my lovin' bed +I almost didn't notice all the roses +And the note that said [Chorus] +Our song is the slamming screen door +Sneakin' out late, tapping on your window +When we're on the phone and you talk real slow +'Cause it's late and your mama don't know +Our song is the way you laugh +The first date: ""Man, I didn't kiss her, and I should have"" +And when I got home, 'fore I said amen +Askin' God if he could play it again +[Post-Chorus] +Da-da-da-da +[Bridge] +I've heard every album, listened to the radio +Waited for somethin' to come along +That was as good as our song +[Chorus] +'Cause our song is the slamming screen door +Sneakin' out late, tappin' on his window +When we're on the phone and he talks real slow +'Cause it's late and his mama don't know +Our song is the way he laughs +The first date: ""Man, I didn't kiss him, and I should have"" +And when I got home, 'fore I said amen +Askin' God if he could play it again [Post-Chorus] +Play it again, oh, yeah +Oh, oh, yeah +[Outro] +I was ridin' shotgun with my hair undone +In the front seat of his car +I grabbed a pen and an old napkin +And I wrote down our song","Swift solely composed “Our Song” for the talent show of her freshman year in high school.. It’s about Taylor’s first boyfriend, Drew Dunlop. It was included on Taylor Swift due to its popularity with her classmates. However, Swift herself never assumed it would even be on an album. +Taylor talked to The Boot about the story behind the song: +I wrote this song in my freshman year of high school, for my ninth grade talent show. So I was sitting there thinking, “I’ve gotta write a song that’s gonna relate to everyone in the talent show, and it’s gotta be upbeat.” And at that time, I was dating a guy, and we didn’t have a song. So I went ahead and wrote us one, and I played it at the talent show at the end of the year. +The uptempo track is musically driven mainly by banjo and lyrically describes a young couple who use the events in their lives in place of a regular song. + +Rumored song subject, Drew Dunlop, pictured with his current girlfriend",Our Song,Taylor Swift +4540,132079,"[Verse 1] +State the obvious, I didn't get my perfect fantasy +I realize you love yourself more than you could ever love me +So go and tell your friends that I'm obsessive and crazy +That's fine, you won't mind if I say +By the way +[Chorus] +I hate that stupid old pickup truck you never let me drive +You're a redneck heartbreak who's really bad at lyin' +So watch me strike a match on all my wasted time +As far as I'm concerned, you're just another picture to burn +[Verse 2] +There's no time for tears, I'm just sittin' here planning my revenge +There's nothing stoppin' me from goin' out with all of your best friends +And if you come around sayin' sorry to me +My daddy's gonna show ya how sorry you'll be +[Chorus] +'Cause I hate that stupid old pickup truck you never let me drive +You're a redneck heartbreak who's really bad at lyin' +So watch me strike a match on all my wasted time +As far as I'm concerned, you're just another picture to burn +[Bridge] +And if you're missing me, you'd better keep it to yourself +'Cause coming back around here would be bad for your health [Chorus] +'Cause I hate that stupid old pickup truck you never let me drive +You're a redneck heartbreak who's really bad at lyin' +So watch me strike a match on all my wasted time +In case you haven't heard +I really, really hate that stupid old pickup truck you never let me drive +You're a redneck heartbreak who's really bad at lyin' +So watch me strike a match on all my wasted time +As far as I'm concerned, you're just another picture to burn +[Outro] +Burn, burn, burn, baby, burn +You're just another picture to burn +Baby, burn","“Picture to Burn” is an angsty breakup song about Jordan Alford, who went on to date, and later marry, one of Taylor’s former friends named Chelsea. Chelsea told Daily Mail: +[Jordan and I] just thought it was funny. [Jordan] was like, ‘I’m not a redneck! She makes me look like some redneck!’ but other than that we just thought it was kind of funny. […] [After I began dating him, Taylor and I] exchanged a few words over a locker fight. We were 14, we were just being girly, snarky. +The song is the fourth single from Swift’s debut album and peaked at #3 on Billboard’s US Hot Country Songs. The track’s music video featured Taylor’s high school best friend Abigail Anderson, who she wrote “Fifteen” about.",Picture to Burn,Taylor Swift +4542,6959851,"[Verse 1: Taylor Swift] +I tapped on your window on your darkest night +The shape of you was jagged and weak +There was nowhere for me to stay, but I stayed anyway +And if I would've known +How many pieces you had crumbled into +I might have let them lay +[Chorus: Taylor Swift, +Taylor Swift & Justin Vernon +] +Are you really gonna talk about timing in times like these? +And let all your damage damage me +And carry your baggage up my street +And make me your future history, it’s time +You've come a long way, open the blinds, let me see your face +You wouldn't be the first renegade + to need somebody +[Post-Chorus: Taylor Swift, +Taylor Swift & Justin Vernon +] +Is it insensitive for me to say +"" +Get your shit together + so I can love you""? +Is it really your anxiety that stops you +From giving me +everything +Or do you just not want to? +[Verse 2: Taylor Swift] +I tapped on your window on your darkest night +The shape of you was jagged and weak +There was nowhere for me to stay, but I stayed anyway +You fire off missiles ’cause you hate yourself +But do you know you're demolishing me? +And then you squeeze my hand as I'm about to leave [Chorus: Taylor Swift, +Taylor Swift & Justin Vernon +] +Are you really gonna +talk about timing in times like these? +And let all your damage damage me +And carry your baggage up my street +And make me your future history, it's time +You've come a long way, open the blinds, let me see your face +You wouldn't be the first renegade to need somebody +[Post-Chorus: Taylor Swift +with Justin Vernon +] +Is it insensitive for me to say +"" +Get your shit together + so I can love you""? +Is it really your anxiety that stops you +From giving me +everything +Or do you just not want to? +[Bridge: Taylor Swift] +And if I would've known +How sharp the pieces were you'd crumbled into +I might’ve let them lay +[Chorus: Taylor Swift] +Are you really gonna talk about timing in times like these? +And let all your damage damage me +And carry your baggage up my street +And make me your future history, it’s time +You've come a long way, open the blinds, let me see your face +You wouldn’t be the first renegade to need somebody [Outro: Taylor Swift, +Justin Vernon +] +To need somebody, to need somebody +To need somebody, to need +Are you really gonna talk about timing in times like these? +And let all your damage damage me +And carry your baggage up my street +And make me your future history, it's time +Is it insensitive for me to say +""Get your shit together so I can love you""? +You've come a long way, open the blinds, let me see your face +You wouldn't be the first renegade to need somebody +Is it really your anxiety that stops you +From giving me everything +Or do you just not want to?","“Renegade” describes being with someone who deals with mental health issues, while expressing both sympathy and frustration for how it affects the relationship. Fans believe it may take inspiration from Swift’s relationship with Joe Alwyn, who stayed by her side through the mental health battles she describes on songs like “The Archer.” +“Renegade” is one of two Taylor Swift collaborations on How Long Do You Think It’s Gonna Last?, along with “Birch,” both of which she helped co-write. As reported by Secretly Store, Swift recorded her vocals while quarantining with Aaron Dessner ahead of the 2021 Grammys, where Swift and Dessner won the Album of the Year accolade for folklore. +This isn’t the first time Taylor and Justin Vernon have vocals on the same track, with them both also featuring on four of Swift’s 2020 Dessner produced tracks (They duetted on exile and evermore, whilst Vernon also provided backing vocals for her tracks ivy and marjorie).",Renegade,Taylor Swift +4544,3221550,"[Verse 1] +Knew he was a killer first time that I saw him +Wondered how many girls he had loved and left haunted +But if he's a ghost, then I can be a phantom +Holdin' him for ransom, some +Some boys are tryin' too hard, he don't try at all, though +Younger than my exes, but he act like such a man, so +I see nothin' better, I keep him forever +Like a vendetta-ta +[Pre-Chorus] +I, I, I see how this is gon' go +Touch me and you'll never be alone +I-Island breeze and lights down low +No one has to know +[Chorus] +In the middle of the night, in my dreams +You should see the things we do, baby, mmm +In the middle of the night, in my dreams +I know I'm gonna be with you, so I take my time +Are you ready for it? +[Verse 2] +Knew I was a robber first time that he saw me +Stealin' hearts and runnin' off and never sayin' sorry +But if I'm a thief, then he can join the heist and +We'll move to an island and +And he can be my jailer, Burton to this Taylor +Every love I've known in comparison is a failure +I forget their names now, I'm so very tame now +Never be the same now, now [Pre-Chorus] +I, I, I see how this is gon' go (Go) +Touch me and you'll never be alone +I-Island breeze and lights down low (Low) +No one has to know (No one has to know) +[Chorus] +In the middle of the night, in my dreams (Yeah) +You should see the things we do (We do), baby, mmm (Mmm) +In the middle of the night (The night) in my dreams (My dreams) +I know I'm gonna be with you, so I take my time +Are you ready for it? Oh +Are you ready for it? +[Refrain] +Baby, let the games begin +Let the games begin +Let the games begin, ah-ah +Baby, let the games begin +Let the games begin +Let the games begin +[Pre-Chorus] +I, I, I see how this is gon' go +Touch me and you'll never be alone +I-Island breeze and lights down low +No one has to know [Chorus] +In the middle of the night (Night), in my dreams (My dreams) +You should see the things we do (We do), baby (Baby), mmm (Yeah) +In the middle of the night, in my dreams (My dreams) +I know I'm gonna be with you, so I take my time (Yeah) +In the middle of the night +[Refrain] +Baby, let the games begin +Let the games begin +Let the games begin +Are you ready for it? +Baby, let the games begin +Let the games begin +Let the games begin +Are you ready for it?","The first promotional single from Taylor Swift’s sixth album, reputation, debuted in an ad shown during a college football game between Florida State and Alabama. After its TV premiere, the song was also featured in an ABC ad. +As opposed to Swift’s first reputation single “Look What You Made Me Do,” this song sounds more like the songs from her 1989 album. The song contains dark, luscious production and sexually suggestive lyrics that may remind some fans of “I Know Places.”",...Ready for It?,Taylor Swift +4546,6263242,"[Verse 1] +Friends break up, friends get married +Strangers get born, strangers get buried +Trends change, rumors fly through new skies +But I'm right where you left me +Matches burn after the other +Pages turn and stick to each other +Wages earned and lessons learned +But I, I'm right where you left me +[Pre-Chorus] +Help, I'm still at the restaurant +Still sitting in a corner I haunt +Cross-legged in the dim light +They say, ""What a sad sight,"" I +I swear you could hear a hair pin drop +Right when I felt the moment stop +Glass shattered on the white cloth +Everybody moved on, I, I stayed there +Dust collected on my pinned-up hair +They expected me to find somewhere +Some perspective, but I sat and stared right where +[Chorus] +You left me, you left me no, oh, you left me no +You left me no choice but to stay here forever +You left me, you left me no, oh, you left me no +You left me no choice but to stay here forever [Bridge] +Did you ever hear about the girl who got frozen? +Time went on for everybody else, she won't know it +She's still twenty-three inside her fantasy +How it was supposed to be +Did you hear about the girl who lives in delusion? +Breakups happen every day, you don't have to lose it +She's still twenty-three inside her fantasy +And you're sitting in front of me +[Pre-Chorus] +At the restaurant +When I was still the one you want +Cross-legged in the dim light +Everything was just right, I +I could feel the mascara run +You told me that you met someone +Glass shattered on the white cloth +Everybody moved on +Help, I'm still at the restaurant +Still sitting in a corner I haunt +Cross-legged in the dim light +They say, ""What a sad sight,"" I, I stayed there +Dust collected on my pinned-up hair +I'm sure that you got a wife out there +Kids and Christmas, but I'm unaware 'cause I'm right where +I cause no harm, mind my business +If our love died young, I can't bear witness, and it's been so long +If you ever think you got it wrong, I'm right where [Chorus] +You left me, you left me no, oh, you left me no +You left me no choice but to stay here forever +You left me, you left me no, oh, you left me no +You left me no choice but to stay here forever","In addition to the fifteen tracks released on the standard issue of evermore, two bonus tracks–“right where you left me” and “it’s time to go”–were made available on the physical deluxe edition of the album. +On January 7, 2021, both bonus tracks were available on all streaming platforms, as well as both lyric videos on YouTube.",​r​ight where you left me,Taylor Swift +4548,187432,"[Verse 1] +I remember you bare feet, down the hallway +I remember your little laugh +Race cars on the kitchen floor, plastic dinosaurs +I love you to the moon and back +I remember your blue eyes looking into mine +Like we had our own secret club +I remember you dancing before bed time +Then jumping on me waking me up +I can still feel you hold my hand, little man +And even the moment I knew +You fought it hard like an army guy +Remember I leaned in and whispered to you +[Chorus] +""Come on, baby, with me +We're going to fly away from here +You were my best four years"" +[Verse 2] +I remember the drive home +When the blind hope turned to crying and screaming, ""Why?"" +Flowers pile up in the worst way, no one knows what to say +About a beautiful boy who died +And it's about to be Halloween +You could be anything you wanted, if you were still here +I remember the last day, when I kissed your face +And whispered in your ear [Chorus] +""Come on, baby, with me +We're going to fly away from here +Out of this curtained room and this hospital grey +We'll just disappear +Come on, baby, with me +We're going to fly away from here +You were my best four years"" +[Bridge] +What if I'm standing in your closet trying to talk to you? +And what if I kept the hand-me-downs you won't grow into? +And what if I really thought some miracle would see us through? +What if the miracle was even getting one moment with you? +[Chorus] +Come on, baby, with me +We're going to fly away from here +Come on, baby, with me +We're going to fly away from here +You were my best four years +[Outro] +I remember you bare feet, down the hallway +I love you to the moon and back","Swift wrote “Ronan” about a three-year-old boy named Ronan Thompson, who died of neuroblastoma after an eight-month battle in 2011. Ronan’s mother, Maya Thompson, who gets credit as a co-writer on the song, wrote about Ronan’s journey and the progression of his illness on a blog called Rockstar Ronan, which she now uses to write letters to Ronan about her life and his siblings. +Little did Maya know, Swift stumbled on the blog around the time Ronan died. She invited Maya backstage at her 2011 Speak Now Tour and they exchanged contact information. Shortly after, Swift told Maya she wrote “Ronan” as a tribute to her son and wanted to perform the song at a 2011 awareness fundraiser for Stand Up To Cancer. Maya recalled the phone call in a 2012 blog post: +‘I wrote a song for Ronan,’ [Taylor] said. The tears started pouring down my cheeks as soon as I heard her say those words. But her words didn’t stop there. Not only did she write a song for you, but she wanted to know if it would be alright to perform it on the nationally televised Stand Up 2 Cancer show which is on every major network and is seen in over 100 countries. She wanted to know if she could use a picture of you in the background while she sang the song. She wanted to make me co-author of the song with her. She talked about how reading this blog and following our story has inspired her, and how amazing she thinks I am and all I am doing to bring awareness to childhood cancer. +Swift has only performed “Ronan” a few times in her whole career, once on the Stand Up to Cancer telethon and a second time when the Thompson family went to her 1989 Tour in 2015. After meeting with the Thompson family, Swift asked if she could perform “Ronan” in his honor that night, and Maya wrote about the evening on her blog. Maya mentioned that she felt Ronan’s presence during the song, which she usually couldn’t listen to without sobbing. +Notably, Swift’s mother was diagnosed with cancer in 2015, shortly before she performed “Ronan” at the 1989 Tour — her battle inspired Swift’s raw 2019 song “Soon You’ll Get Better.” +After Big Machine Records sold Swift’s masters to mogul Scooter Braun in 2019, Maya expressed her fear and disappointment about Braun owning “Ronan” in two tweets. In July 2021, Maya announced on her blog that Swift rerecorded “Ronan” for Red (Taylor’s Version), allowing them to regain control of Ronan’s story. +All proceeds from “Ronan” went to charities that help fund cancer research, including the Thompson family’s own foundation they founded in Ronan’s name.",Ronan,Taylor Swift +4553,102726,"[Verse 1] +Long handwritten note deep in your pocket +Words, how little they mean when you're a little too late +I stood right by the tracks, your face in a locket +Good girls, hopeful they'll be and long they will wait +[Chorus] +We had a beautiful magic love there +What a sad, beautiful, tragic love affair +[Verse 2] +In dreams, I meet you in warm conversation +We both wake in lonely beds, different cities +And time is taking its sweet time erasing you +And you've got your demons, and darling, they all look like me +[Chorus] +'Cause we had a beautiful magic love there +What a sad, beautiful, tragic love affair +[Bridge] +Distance, timing +Breakdown, fighting +Silence, the train runs off its tracks +Kiss me, try to fix it +Could you just try to listen? +Hang up, give up +And for the life of us we can't get back [Breakdown] +A beautiful, magic love there +What a sad, beautiful, tragic +Beautiful, tragic, beautiful +[Chorus] +What we had, a beautiful magic love there +What a sad, beautiful, tragic, love affair +We had a beautiful magic love there +What a sad, beautiful, tragic love affair","Taylor wrote this song on a ukulele on her tour bus after a show of the Speak Now World Tour, reflecting on a relationship that was “sad, beautiful and tragic.” It is speculated that it is about Taylor Lautner, but there is some reason to believe it could possibly be about Jake Gyllenhaal.",Sad Beautiful Tragic,Taylor Swift +4554,62236,"[Verse 1: Taylor Swift] +I remember tears streaming down your face when I said, ""I'll never let you go"" +When all those shadows almost killed your light +I remember you said, ""Don't leave me here alone"" +But all that's dead and gone and passed tonight +[Chorus: Taylor Swift with Joy Williams of The Civil Wars backup] +Just close your eyes +The sun is going down +You'll be alright +No one can hurt you now +Come morning light +You and I'll be safe and sound +[Verse 2: Taylor Swift with John Paul White of The Civil Wars backup] +Don't you dare look out your window +Darling, everything's on fire +The war outside our door keeps raging on +Hold on to this lullaby +Even when (the) music's gone +Gone +[Chorus] +Just close your eyes +The sun is going down +You'll be alright +No one can hurt you now +Come morning light +You and I'll be safe and sound [Bridge: Taylor Swift with The Civil Wars backup] +Ooh, ooh +Ooh, ooh +Oh (Oh) +Oh (Oh) +Ooh, ooh +Ooh, ooh +Oh +Oh +[Chorus: Taylor Swift & The Civil Wars] +Just close your eyes +You'll be alright +Come morning light +You and I'll be safe and sound +[Outro: Taylor Swift with The Civil Wars backup] +Ooh, ooh +Ooh, ooh +Ooh, ooh +Ooh, ooh +Ooh, ooh +Ooh, ooh","Inspired by the first Hunger Games movie, “Safe & Sound” is a lullaby sung by Katniss' character to her 12-year-old sister Prim. In the song, Katniss promises to protect her and keep them both safe, even though she knows she probably can’t. The haunting song was written by Swift and features the duo The Civil Wars with their signature intricate harmonies. +The song is not in the movie soundtrack, but it was released on the album The Hunger Games: Songs From District 12 and Beyond, which is a compilation of songs that were inspired by the movie from various artists. Swift also contributed “Eyes Open” and The Civil Wars contributed “Kingdom Come.”",Safe & Sound,Taylor Swift +4556,5793979,"[Verse 1] +Please picture me in the trees +I hit my peak at seven +Feet in the swing over the creek +I was too scared to jump in +But I, I was high in the sky +With Pennsylvania under me +Are there still beautiful things? +[Chorus] +Sweet tea in the summer +Cross your heart, won't tell no other +And though I can’t recall your face +I still got love for you +Your braids like a pattern +Love you to the Moon and to Saturn +Passed down like folk songs +The love lasts so long +[Bridge] +And I've been meaning to tell you +I think your house is haunted +Your dad is always mad and that must be why +And I think you should come live with me +And we can be pirates +Then you won't have to cry +Or hide in the closet +And just like a folk song +Our love will be passed on [Verse 2] +Please picture me in the weeds +Before I learned civility +I used to scream ferociously +Any time I wanted +I, I +[Chorus] +Sweet tea in the summer +Cross my heart, won’t tell no other +And though I can't recall your face +I still got love for you +Pack your dolls and a sweater +We'll move to India forever +Passed down like folk songs +Our love lasts so long","This song is about one of Taylor’s childhood friends who seemed to have had an unhappy life at home. Taylor reflects back on her innocence back then, how she thought that their problems could be easily solved. +This is reminiscent of the song “It’s Nice to Have A Friend”, from August 2019’s Lover album, which talks about a childhood friend that Taylor grows up with and eventually marries. +On August 20, 2020, Taylor included “seven” on the folklore: the escapism chapter EP, indicating that it fits thematically with folklore’s other songs about seeking relief from unpleasantness.",​seven,Taylor Swift +4558,186846,"[Chorus] +Santa baby, slip a sable under the tree, for me +I have been an awful good girl, Santa baby +So hurry down the chimney tonight +Santa baby, a '54 convertible, too, light blue +Well I will wait up for you, dear, Santa baby +So hurry down the chimney tonight, yeah +[Verse 1] +Think of all the fun I have missed +Think of all the boys I have not kissed +Next year I could be just as good +If you check off my Christmas list +[Chorus] +Santa baby, I want a yacht and really that is not a lot +I have been an angel all year, Santa baby +So hurry down the chimney tonight +Santa, honey, there is one more thing I really do need, the deed +To a platinum mine, Santa honey +So hurry down the chimney tonight +[Verse 2] +Come and trim my Christmas tree +With some decorations bought at Tiffany's +I really do believe in you +Let us see if you believe in me [Chorus] +Santa baby, forgot to mention one little thing +A ring +And I do not mean on the phone +, Santa baby +So hurry down the chimney tonight","Taylor Swift covers a classic 1953 Christmas song originally by Eartha Kitt. This has been covered by many artists over the decades. +",Santa Baby,Taylor Swift +4560,5199033,"​藤井風「Shake It Off」の歌詞 +[Verse 1] +I stay out too late +Got nothing in my brain +That's what people say.. Mmm +That's what people say.. Mmm +I go on too many dates +But I can't make them stay +At least that's what people say.. Mmm +That's what people say.. Mmm +[Pre-Chorus 1] +But I keep cruising +Can't stop, won't stop moving +It's like I got this music +In my mind +Saying it's gonna be alright +[Chorus] +Cause the players gonna play, play, play, play, play +And the haters gonna hate, hate, hate, hate, hate +Baby I'm just gonna shake, shake, shake, shake, shake +Shake it off +Shake it off +Heartbreakers gonna break, break, break, break, break +And the fakers gonna fake, fake, fake, fake, fake +Baby I'm just gonna shake, shake, shake, shake, shake +Shake it off +Shake it off [Verse 2] +I never miss a beat +I'm lightning on my feet +That's what they don’t see.. Mmm +That's what they don’t see.. Mmm +I'm dancing on my own +I make the moves up as I go +That's what they don't know.. Mmm +That’s what they don’t know.. Mmm +[Pre-Chorus 2] +But I keep cruising +Can't stop, won't stop grooving +It's like I got this music +In my mind +Saying it's gonna be alright +[Chorus] +Cause the players gonna play, play, play, play, play +And the haters gonna hate, hate, hate, hate, hate +Baby I'm just gonna shake, shake, shake, shake, shake +Shake it off +Shake it off +Heartbreakers gonna break, break, break, break, break +And the fakers gonna fake, fake, fake, fake, fake +Baby I'm just gonna shake, shake, shake, shake, shake +Shake it off +Shake it off [Interlude] +""Hey--- +Just think while you've been gettin' down and out about the liars and the dirty dirty cheats of the world.. +You could've been gettin' down +To this! Sick! Beat!"" +[Bridge] +My ex man brought his new girlfriend +She's like 'oh my God!' +But I'm just gonna shake +And to the fella over there +With the hella good hair +Won't you come on over +Baby we can shake shake shake.. +[Chorus] +Cause the players gonna play, play, play, play, play +And the haters gonna hate, hate, hate, hate, hate +Baby I'm just gonna shake, shake, shake, shake, shake +Shake it off +Shake it off +Heartbreakers gonna break, break, break, break, break +And the fakers gonna fake, fake, fake, fake, fake +Baby I'm just gonna shake, shake, shake, shake, shake +Shake it off +Shake it off","超有名なPopソング ”Shake It Off""、藤井風のジャズっぽいアレンジ、ジャズっぽいハーモニーが、ぐっと大人っぽくエモーショナルで、どこかR＆Bの雰囲気を醸し出しています。 +“Shake It off” is a cover by 藤井風 (Fujii Kaze) derived from “Shake It Off,” which is originally performed by Taylor Swift. The cover from Fujii turned the famous pop song into an emotional cover accompanied with a jazz-style arrangement and harmonies.",Shake It Off,Taylor Swift +4564,132094,"[Verse 1] +It's strange to think the songs we used to sing +The smiles, the flowers, everything is gone +Yesterday, I found out about you +Even now, just lookin' at you feels wrong +[Pre-Chorus] +You say that you'd take it all back +Given one chance +It was a moment of weakness +And you said yes +[Chorus] +You should've said no, you should've gone home +You should've thought twice 'fore you let it all go +You should've known that word +'Bout what you did with her'd get back to me (Get back to me) +And I should've been there in the back of your mind +I shouldn't be asking myself why +You shouldn't be begging for forgiveness at my feet +You should've said no +Baby, and you might still have me +[Verse 2] +You can see that I've been cryin' +And baby, you know all the right things to say +But do you honestly expect me to believe +We could ever be the same? [Pre-Chorus] +You say that the past is the past +You need one chance +It was a moment of weakness +And you said yes +[Chorus] +You should've said no, you should've gone home +You should've thought twice 'fore you let it all go +You should've known that word +'Bout what you did with her’d get back to me (Get back to me) +And I should've been there in the back of your mind +I shouldn't be asking myself why +You shouldn't be begging for forgiveness at my feet +You should've said no +Baby, and you might still have me +Oh, oh +[Bridge] +I can't resist +Before you go, tell me this +Was it worth it? +Was she worth this? +No, no +No, no, no, no [Chorus] +You should've said no, you should've gone home +You should've thought twice 'fore you let it all go +You should've known that word +'Bout what you did with her’d get back to me (Get back to me) +And I should've been there, in the back of your mind +I shouldn't be asking myself why +You shouldn't be begging for forgiveness at my feet +You should've said no +Baby, and you might still have me","“Should’ve Said No” was a last minute addition to Taylor Swift. The song is about a former lover of Taylor’s who cheated on her. She wrote this song in five minutes, and according to the song’s secret message in the album lyric booklet, the boy in question’s name is Sam. This is in reference to highschool flame, Sam Armstrong, who confirmed he had a relationship with Taylor. Some of the lines were things she actually said to him. + +Taylor pictured here with Sam",Should’ve Said No,Taylor Swift +4565,186852,"[Verse 1] +Silent night, holy night +All is calm and all is bright +Round yon virgin mother and child +Holy infant so tender and mild +Sleep in heavenly peace +Sleep in heavenly peace +[Verse 2] +Silent night, holy night +Shepherds quake at the sight +Glories stream from Heaven afar +Heavenly hosts sing Hallelujah +Christ the Saviour is born +Christ our Saviour is born +[Verse 3] +Silent night, holy night +Son of God +Love's pure light +Radiant beams from thy holy face +With the dawn of redeeming grace +Jesus Lord at thy birth +Jesus Lord at thy birth +[Outro] +Hallelujah! +Hallelujah! +Hallelujah! +Christ the Saviour is born","Taylor Swift’s version of the famous Christmas carol first composed in 1818 by Austrian church organist Franz Xaver Gruber, set as the fourth track on her first Christmas EP, Sounds of the Season. Swift’s version omits the fourth and final verse of the initial version.",Silent Night,Taylor Swift +4568,3306084,"[Verse 1] +See you in the dark +All eyes on you, my magician +All eyes on us +You make everyone disappear and +Cut me into pieces +Gold cage, hostage to my feelings +Back against the wall +Trippin', trip-trippin' when you're gone +[Pre-Chorus] +'Cause we break down a little +But when you get me alone, it's so simple +'Cause, baby, I know what you know +We can feel it +[Chorus] +And all the pieces fall right into place +Gettin' caught up in a moment, lipstick on your face +So it goes +I'm yours to keep and I'm yours to lose +You know I'm not a bad girl, but I do bad things with you +So it goes +[Verse 2] +Met you in a bar +All eyes on me, your illusionist +All eyes on us +I make all your gray days clear and +Wear you like a necklace +I'm so chill, but you make me jealous +But I got your heart +Skippin', skip-skippin' when I'm gone [Pre-Chorus] +'Cause we break down a little +But when I get you alone, it's so simple +'Cause, baby, I know what you know +We can feel it +[Chorus] +And all the pieces fall right into place +Gettin' caught up in a moment, lipstick on your face +So it goes +I'm yours to keep and I'm yours to lose +You know I'm not a bad girl, but I do bad things with you +So it goes +[Refrain] +Come here, dressed in black now +So, so, so it goes +Scratches down your back now +So, so, so it goes +[Bridge] +You did a number on me +But, honestly, baby, who's countin'? +I did a number on you +But, honestly, baby, who's countin'? +You did a number on me +But, honestly, baby, who's countin'? +Who's countin'? (One, two, three) [Chorus] +And all the pieces fall (Pieces fall) right into place +Gettin' caught up in a moment (Caught up, caught up), lipstick on your face +So it goes +I'm yours to keep (Oh) and I'm yours to lose (Baby) +You know I'm not a bad girl, but I (I do) do bad things with you +So it goes +[Refrain] +Come here, dressed in black now +So, so, so it goes +Scratches down your back now +So, so, so it goes +Come here, dressed in black now +So, so, so it goes +Scratches down your back now +So, so, so it goes","The 7th track on Swift’s 2017 album, reputation, details a sexual relationship between Taylor and her partner, which is something she also sings about on some other tracks throughout the album, more notoriously on “Dress.” +The line “so it goes” originates from the novel Slaughterhouse-Five by Kurt Vonnegut, written in 1969. He says the line several times in the novel whenever a death occurs, as a narrative transition to another subject. + +This could be symbolic to Swift’s reputation album as a whole, since she has publicly said the “old Taylor” is dead. This album is her transition into the “new” Taylor – so it goes. +Taylor’s use of the phrase could also mean something similar to “That’s life; life goes on.” Even when they “break down a little,” she and her boyfriend are still secure in their relationship and they still keep trying.",So It Goes...,Taylor Swift +4570,5477841,"[Verse 1] +The buttons of my coat were tangled in my hair +In doctor's office lighting, I didn't tell you I was scared +That was the first time we were there +Holy orange bottles, each night, I pray to you +Desperate people find faith, so now I pray to Jesus too +And I say to you... +[Chorus] +Ooh-ah +Soon, you'll get better +Ooh-ah +Soon, you'll get better +Ooh-ah +You'll get better soon +'Cause you have to +[Verse 2] +I know delusion when I see it in the mirror +You like the nicer nurses, you make the best of a bad deal +I just pretend it isn't real +I'll paint the kitchen neon, I'll brighten up the sky +I know I'll never get it, there's not a day that I won't try +And I say to you... +[Chorus] +Ooh-ah +Soon, you'll get better +Ooh-ah +Soon, you'll get better +Ooh-ah +You'll get better soon +'Cause you have to [Bridge] +And I hate to make this all about me +But who am I supposed to talk to? +What am I supposed to do +If there's no you? +[Pre-Chorus] +This won't go back to normal, if it ever was +It's been years of hoping, and I keep saying it because +'Cause I have to +[Chorus] +Ooh +You'll get better +Ooh +You'll get better +Ooh-ah +You'll get better soon +'Cause you have to","After telling Billboard she might never play the emotional song live, Swift performed this piano version of her August 2019 track “Soon You’ll Get Better” to help Global Citizen raise money for COVID-19 relief. She wrote the song about her mother’s cancer, but the lyrics can be applied to the victims of COVID-19 and their families as well. +During her Lover’s Lounge livestream the night before Lover’s release, Swift admitted this was the hardest song on the album for her to write, as well as explaining that her family discussed whether she should put it on the record. She later told Billboard she wasn’t sure whether she would ever play it live, though she ultimately did to help Global Citizen raise money for COVID-19 relief in April 2020. +This is the second song Swift has written for her mother — her 2008 song “The Best Day” describes their relationship through Swift’s childhood and teenage years.",Soon You’ll Get Better (One World: Together At Home),Taylor Swift +4572,132652,"[Verse 1] +The way you move is like a full on rainstorm and I'm a house of cards +You're the kind of reckless that should send me runnin' +But I kinda know that I won't get far +And you stood there in front of me, just close enough to touch +Close enough to hope you couldn't see what I was thinkin' of +[Chorus] +Drop everything now, meet me in the pouring rain +Kiss me on the sidewalk, take away the pain +'Cause I see sparks fly whenever you smile +Get me with those green eyes, baby, as the lights go down +Give me something that'll haunt me when you're not around +'Cause I see sparks fly whenever you smile +[Verse 2] +My mind forgets to remind me you're a bad idea +You touch me once and it's really somethin' +You find I'm even better than you imagined I would be +I'm on my guard for the rest of the world +But with you, I know it's no good +And I could wait patiently, but I really wish you would +[Chorus] +Drop everything now, meet me in the pouring rain +Kiss me on the sidewalk, take away the pain +'Cause I see sparks fly whenever you smile +Get me with those green eyes, baby, as the lights go down +Give me something that'll haunt me when you're not around +'Cause I see sparks fly whenever you smile [Bridge] +I run my fingers through your hair and watch the lights go wild +Just keep on keepin' your eyes on me, it's just wrong enough to make it feel right +And lead me up the staircase, won't you whisper soft and slow? +I'm captivated by you, baby, like a firework show +[Chorus] +Drop everything now, meet me in the pouring rain +Kiss me on the sidewalk (Ah-ah), take away the pain +'Cause I see sparks fly whenever you smile +Get me with those green eyes, baby, as the lights go down +Give me something that'll haunt me when you're not around +'Cause I see sparks fly whenever you smile +[Outro] +And the sparks fly +Oh, baby, smile +And the sparks fly","“Sparks Fly” was written when Taylor was sixteen, after playing with her crush Jake Owen in a bar in Portland, Oregon. Due to the demand from fans after a performance of the song was uploaded to YouTube, Taylor decided to rework it and put it on Speak Now. The hints that the track is about Jake are more noticeable in the original lyrics.",Sparks Fly,Taylor Swift +4574,50968,"[Verse 1] +I am not the kind of girl +Who should be rudely bargin' in on a white veil occasion +But you are not the kind of boy +Who should be marrying the wrong girl +I sneak in and see your friends +And her snotty little family all dressed in pastel +And she is yelling at a bridesmaid +Somewhere back inside a room +Wearin' a gown shaped like a pastry +[Pre-Chorus] +This is surely not what you thought it would be +I lose myself in a daydream +Where I stand and say +[Chorus] +Don't say yes, run away now +I'll meet you when you're out +Of the church, at the back door +Don't wait or say a single vow +You need to hear me out +And they said, ""Speak now"" +[Verse 2] +Fond gestures are exchanged +And the organ starts to play a song that sounds like a death march +And I am hiding in the curtains +It seems that I was uninvited by your lovely bride-to-be [Pre-Chorus] +She floats down the aisle like a pageant queen +But I know you wish it was me +You wish it was me, don't you? +[Chorus] +Don't say yes, run away now +I'll meet you when you're out +Of the church, at the back door +Don't wait or say a single vow +You need to hear me out +And they said, ""Speak now"" +Don't say yes, run away now (Run away now) +I'll meet you when you're out +Of the church, at the back door +Don't wait or say a single vow (Say a single vow) +Your time is running out +And they said, ""Speak now"" +[Post-Chorus] +Ooh (Run away now), la +Ooh (Say a single vow), ooh +[Bridge] +I hear the preacher say +""Speak now or forever hold your peace"" +There's the silence, there's my last chance +I stand up with shaky hands, all eyes on me +Horrified looks from everyone in the room +But I'm only lookin' at you [Verse 3] +I am not the kind of girl +Who should be rudely bargin' in on a white veil occasion +But you are not the kind of boy +Who should be marrying the wrong girl, haha +[Chorus] +So, don't say yes, run away now +I'll meet you when you're out +Of the church, at the back door +Don't wait or say a single vow +You need to hear me out +They said, ""Speak now"" +And you say, ""Let's run away now (Run away now) +I'll meet you when I'm out +Of my tux, at the back door +Baby, I didn't say my vows (Say a single vow) +So glad you were around +When they said, 'Speak now'""","“Speak Now” transports listeners to Taylor’s daydream where she crashes her ex’s wedding so he won’t be stuck with a girl who doesn’t treat him right. It’s rumored to be inspired by Hayley Williams of Paramore, who had to attend the wedding of ex-boyfriend and ex-bandmate Josh Farro in April 2010.",Speak Now,Taylor Swift +4576,102205,"[Verse 1] +I'm walking fast through the traffic lights +Busy streets and busy lives +And all we know is touch and go +We are alone with our changing minds +We fall in love 'til it hurts or bleeds +Or fades in time +[Chorus] +And I never (Never) +Saw you coming +And I’ll never (Never) +Be the same +[Verse 2] +You come around and the armor falls +Pierce the room like a cannonball +Now, all we know is don’t let go +We are alone, just you and me +Up in your room and our slates are clean +Just twin fire signs, four blue eyes +[Pre-Chorus] +So you were never a saint +And I've loved in shades of wrong +We learn to live with the pain +Mosaic broken hearts +But this love is brave and wild [Chorus] +And I never (Never) +Saw you coming +And I’ll never (Never) +Be the same +[Bridge] +This is a state of grace +This is the worthwhile fight +Love is a ruthless game +Unless you play it good and right +These are the hands of fate +You’re my Achilles heel +This is the golden age +Of something good and right and real +[Chorus] +And I never (Never) +Saw you coming +And I’ll never +Be the same +[Chorus] +And I never (Never) +Saw you coming +And I’ll never + (So you were never a saint) +(And I've loved in shades of wrong) +Be the same + (We learn to live with the pain) +(Mosaic broken hearts) +(But this love is brave and wild) [Outro] +This is a state of grace +This is the worthwhile fight +Love is a ruthless game +Unless you play it good and right","“State of Grace” was released as the fourth and final promotional single from Red, and was the only promotional single that wasn’t re-issued as an official single. +Lyrically, the song serves as a warning for what love can be – both amazing and devastating. Essentially it can go both ways, depending on how we go about it. +Throughout the song, we see Swift detailing the beginning of a love with all its possibilities, as well an utterly romantic sentiment and charm about the uncertainty and expectations that come along with any new beginning.",State of Grace,Taylor Swift +4579,132093,"[Verse 1] +Cory's eyes are like a jungle +He smiles, it's like the radio +He whispers songs into my window +In words that nobody knows +There's pretty girls on every corner +They watch him as he's walking home +Saying, ""Does he know?"" +Will you ever know? +[Chorus] +You're beautiful, every little piece, love +Don't you know you're really gonna be someone? +Ask anyone +And when you find everything you looked for +I hope your life leads you back to my door +Oh, but if it don't +Stay beautiful +[Verse 2] +Cory finds another way to be +The highlight of my day +I'm taking pictures in my mind +So I can save 'em for a rainy day +It's hard to make a conversation +When he's taking my breath away +I should say, ""Hey, by the way"" [Chorus] +You're beautiful, every little piece, love +Don't you know you're really gonna be someone? +Ask anyone +And when you find everything you looked for +I hope your life leads you back to my door +Oh, but if it don't +Stay beautiful +[Bridge] +If you and I are a story +That never gets told +If what you are is a daydream +I'll never get to hold, at least you'll know +[Chorus] +You're beautiful, every little piece, love +Don't you know you're really gonna be someone? +Ask anyone +And when you find everything you looked for +I hope your life leads you back to my front door +Oh, but if it don't +Will you stay beautiful, beautiful, beautiful? +Beautiful, beautiful, beautiful +[Outro] +La-la-la +Oh-oh-oh +Oh-oh-oh-oh +Oh, but if it don't +Stay beautiful, stay beautiful +Na-na-na, na-na","“Stay Beautiful” is a cute, heartfelt song about a boy Taylor had a crush on in high school. It epitomizes high school relationships, acknowledging that things may not work out between the two, but still enjoying their present romance. +Swift talked a little bit about the meaning behind this song. +After hearing my songs, a lot of people ask me, “How many boyfriends have you had?‘” And I always tell them that more of my songs come from observation than actual experience. In other words, you don’t have to date someone to write a song about them. This is a song I wrote about a guy I never dated! Wow, right? This song is about a guy I thought was cute, and never really talked to him much. But something about him inspired this song, just watching him.",Stay Beautiful,Taylor Swift +4580,102708,"[Verse 1] +I'm pretty sure we almost broke up last night +I threw my phone across the room, at you +I was expecting some dramatic turn away +But you stayed +This morning, I said we should talk about it +'Cause I read you should never leave a fight unresolved +That's when you came in wearing a football helmet +And said, ""Okay, let's talk"" +And I said +[Chorus] +Stay, stay, stay +I've been loving you for quite some time, time, time +You think that it's funny when I'm mad, mad, mad +But I think that it's best if we both stay +[Verse 2] +Before you, I'd only dated self-indulgent takers +Who took all of their problems out on me +But you carry my groceries and now, I'm always laughing +And I love you because you have given me +No choice but to +[Chorus] +Stay, stay, stay +I've been loving you for quite some time, time, time +You think that it's funny when I'm mad, mad, mad +But I think that it's best if we both stay, stay, stay, stay [Bridge] +You took the time to memorize me +My fears, my hopes, and dreams +I just like hanging out with you all the time +All those times that you didn't leave, it's been occurring to me +I'd like to hang out with you for my whole life +[Breakdown] +Stay and I'll be loving you for quite some time +No one else is gonna love me when I get mad, mad, mad +So I think that it's best if we both stay, stay +Stay, stay, stay, stay! +[Chorus] +Stay, stay, stay +I've been loving you for quite some time, time, time +You think that it's funny when I'm mad, mad, mad +But I think that it's best if we both stay, stay +Stay, stay, stay, stay! +[Outro] +Stay, stay, stay +I've been loving you for quite some time, time, time +You think that it's funny when I'm mad, mad, mad +But I think that it's best if we both stay +(Ha-ha-ha, it's so fun)","“Stay Stay Stay” finds Swift imagining what a perfect relationship would be like. She wishes this perfect man she has imagined would stay, because she longs for true love. +In the hidden message of this track she wrote: +Daydreaming about real love.",Stay Stay Stay,Taylor Swift +4581,187436,"[Verse 1] +Let me know, how's it feel +To be under my skin, wrapped around my heart +Is it like anywhere you've been? +And everything I do, I do it just for you +[Chorus] +So why the hell don't you love me? +Why the hell don't you need me like I need you? +Why you so far above me? +Don't you know that there's nothing I wouldn't do? +But I was just a toy, which you destroyed +Stupid boy +[Verse 2] +I have been looking in, trying to read your mind +Give you the benefit of the doubt, every single time +And then you walk right by, I'm screaming out inside +[Chorus] +Why the hell don't you love me? +Why the hell don't you need me like I need you? +Why you so far above me? +Don't you know that there's nothing I wouldn't do? +But I was just a toy, which you destroyed +Stupid boy [Bridge] +What happens when you wake up, to see that you've lost? +You take one look at me, cause that's what it cost +I just wanna be everything you need +Cause you're everything to me +[Chorus] +So why the hell don't you love me? +Why the hell don't you need me like I need you? +Why you so far above me? +Don't you know that there's nothing I wouldn't do? +But I was just a toy, which you destroyed +Stupid boy +[Outro] +Let me know, how's it feel to be under my skin","“Stupid Boy” is an angsty track written by Taylor in her early teens. It hasn’t been officially released, but it can be found online with some searching.",Stupid Boy,Taylor Swift +4582,542390,"[Verse 1] +Midnight +You come and pick me up, no headlights +A long drive +Could end in burning flames or paradise +Fade into view, oh +It's been a while since I have even heard from you +(Heard from you) +[Pre-Chorus] +And I should just tell you to leave, 'cause I +Know exactly where it leads, but I +Watch us go 'round and 'round each time +[Chorus] +You got that James Dean daydream look in your eye +And I got that red lip classic thing that you like +And when we go crashing down, we come back every time +'Cause we never go out of style, we never go out of style +You got that long hair, slicked back, white t-shirt +And I got that good girl faith and a tight little skirt +And when we go crashing down, we come back every time +'Cause we never go out of style, we never go out of style +[Verse 2] +So it goes +He can't keep his wild eyes on the road, mmm +Takes me home +The lights are off, he's taking off his coat, mmm, yeah +I say, ""I heard, oh +That you've been out and about with some other girl"" +Some other girl [Pre-Chorus] +He says, ""What you heard is true, but I +Can't stop thinking 'bout you and I"" +I said, ""I've been there too a few times"" +[Chorus] +'Cause you got that James Dean daydream look in your eye +And I got that red lip classic thing that you like +And when we go crashing down, we come back every time +'Cause we never go out of style, we never go out of style +You got that long hair, slicked back, white t-shirt +And I got that good girl faith and a tight little skirt (A tight little skirt) +And when we go crashing down, we come back every time +'Cause we never go out of style (We never go, we never go), we never go out of style +[Bridge] +Take me home (Ah) +Just take me home (Ah) +Yeah, just take me home (Ah) +Oh-oh, woah-oh, oh (Out of style) +[Chorus] +Oh, you got that James Dean daydream look in your eye +And I got that red lip classic thing that you like +And when we go crashing down (And when we go), we come back every time +'Cause we never go out of style, we never go out of style","“Style” details a tumultuous relationship between two people who keep coming back to each other. Swift seems to have taken inspiration from her romance with Harry Styles, even referencing some of his band’s music. +Swift teased lyrics from a song in a since-deleted Instagram post from October 2014. She released it as the album’s third single in February 2015, following “Shake It Off” and “Blank Space,” along with a music video starring Dominic Sherwood. +As of December 2015, RIAA has certified the song triple platinum, with over three million units sold in the United States, and it’s also been certified triple platinum in Canada. It’s also double platinum in Australia, gold in New Zealand, and gold in the United Kingdom. +Swift’s friend Lorde shared via Twitter that this is her favorite song on 1989.",Style,Taylor Swift +4584,102731,"[Chorus] +I said, ""Oh, my, what a marvelous tune"" +It was the best night, never would forget how he moved +The whole place was dressed to the nines +And we were dancing, dancing +Like we're made of starlight +Like we're made of starlight +[Verse 1] +I met Bobby on the boardwalk, summer of '45 +Picked me up, late one night out the window +We were 17 and crazy, running wild, wild +Can't remember what song it was playing when we walked in +The night we snuck into a yacht club party +Pretending to be a duchess and a prince +[Chorus] +And I said, ""Oh, my, what a marvelous tune"" +It was the best night, never would forget how he moved +The whole place was dressed to the nines +And we were dancing, dancing +Like we're made of starlight, starlight +Like we're made of starlight, starlight +[Verse 2] +He said, “Look at you, worrying too much about things you can't change +You'll spend your whole life singing the blues if you keep thinking that way"" +He was trying to skip rocks on the ocean, saying to me +""Don't you see the starlight, starlight? +Don't you dream impossible things?"" [Chorus] +Like, ""Oh, my, what a marvelous tune"" +It was the best night, never would forget how he moved +The whole place was dressed to the nines +And we were dancing, dancing +Like we're made of starlight, starlight +Like we're made of starlight, starlight +[Bridge] +Ooh-ooh, he's talking crazy +Ooh-ooh, dancing with me +Ooh-ooh, we could get married +Have ten kids and teach 'em how to dream +[Guitar Solo] +[Chorus] +Oh, my, what a marvelous tune +It was the best night, never would forget how he moved +The whole place was dressed to the nines +And we were dancing, dancing +Like we're made of starlight, starlight +Like we're made of starlight, starlight +[Breakdown] +Like we're made of starlight, starlight +Like we dream impossible dreams +Like starlight, starlight +Like we dream impossible dreams [Outro] +Don't you see the starlight, starlight? +Don't you dream impossible things?","This 1940’s themed song was inspired by Ethel and Bobby Kennedy. +Starlight is a song I wrote actually after seeing a picture of um, Ethel and Bobby Kennedy when they were seventeen. I saw this picture about a year a half ago, and I didn’t know anything about like, what they were doing or what was going on in the picture, but I just thought ‘They look like they’re having the best night.’ And, um, and so I wrote this song about what the night might’ve been like. And um, I ended up meeting Ethel and going and playing it for her and she just loved it. It was such a fun moment when she was just in love with the song and so happy about it and um, it’s just this adorable picture that to me, it just like brought forth all these potentials for how that night could’ve been. +–Taylor Swift +Taylor Swift also briefly dated Conor Kennedy earlier in 2012, who is also rumored to have part in inspiring this song.",Starlight,Taylor Swift +4586,186963,"[Verse 1] +Tall, dark, and superman +He puts papers in his briefcase and drives away +To save the world or go to work +It's the same thing to me +He's got his mother's eyes, his father's ambition +I wonder if he knows how much that I miss him +I hang on every word you say, yay +And you smile and say, ""How are you?” +I say, ""Just fine"" +I always forget to tell you, I love you +I love you forever +[Chorus] +I watch superman fly away +You've got a busy day today +Go save the world, I'll be around +And I watch superman fly away +Come back, I'll be with you someday +I'll be right here on the ground +When you come back down +[Verse 2] +Tall, dark and beautiful +He's complicated, he's irrational +But I hope someday you'll take me away and save the day, yeah +Something in his deep brown eyes has me sayin' +He's not all bad like his reputation +And I can't hear one single word they say +And you'll leave, got places to be and I'll be okay +I always forget to tell you I love you +I loved you from the very first day [Chorus] +I watch superman fly away +You've got a busy day today +Go save the world, I'll be around +I watch superman fly away +Come back, I'll be with you someday +I'll be right here on the ground +When you come back down +[Bridge] +And I watch you fly around the world +And I hope you don't save some other girl +Don't forget, don't forget about me +I'm far away, but I never let you go +I'm love-struck and looking out the window +Don't forget, don't forget where I'll be +Right here, wishing the flowers were from you +Wishing the card was from you +Wishing the call was from you +'Cause I loved you from the very first day +[Chorus] +I watch superman fly away +You've got a busy day today +Go save the world, I'll be around +Forever and ever here +I watch superman fly away +I swear, I'll be with you someday +I'll be right here on the ground +When you come back down [Outro] +La, la, la, la, la, la +La, la, la, la, la, la +When you come back down","“Superman” is a track on the deluxe edition of Taylor Swift’s 2010 album Speak Now. In the song, Taylor describes a boy who left her and hopes he will eventually come back to her when the time is right. +Taylor has been quoted to say the following about the inspiration of the track: + +The song is rumored to be about John Mayer, whom Taylor briefly dated in 2010.",Superman,Taylor Swift +4587,186915,"[Verse 1] +This is wrong but I can't help but feel like +There ain’t nothing more right babe +Misty morning comes again and I can't +Help but wish I could see your face +And I knew from the first note played +I'd be breaking all my rules to see you +You smile that beautiful smile and all the girls in the front row +Scream your name +[Chorus] +So dim that spotlight, tell me things like +""I can't take my eyes off of you"" +I'm no one special, just another wide-eyed girl +Who's desperately in love with you +Give me a photograph to hang on my wall, superstar +[Verse 2] +Morning loneliness +Comes around when I'm not dreaming about you +When my world wakes up today +You'll be in another town +And I knew when I saw your face +I'd be counting down the ways to see you +You smile that beautiful smile and all the girls in the front row Scream your name [Chorus] +So dim that spotlight, tell me things like +""I can't take my eyes off of you"" +I'm no one special, just another wide-eyed girl +Who's desperately in love with you +Give me a photograph to hang on my wall, superstar +[Bridge] +You played in bars, you play guitar +And I'm invisible and everyone knows who you are +And you'll never see, you sing me to sleep +Every night from the radio +[Chorus] +So dim that spotlight, tell me things like +""I can't take my eyes off of you"" +I'm no one special, just another wide-eyed girl +Who's desperately in love with you +Give me a photograph to hang on my wall, superstar +[Outro] +Sweet, sweet superstar +Superstar","“Superstar” is a track from the platinum edition of Taylor Swift’s second studio album, Fearless. +It is about Taylor’s celebrity crush, and how much she is infatuated with him. Although she knows that she’s just another fan of his and that he’ll probably never notice her, she still dreams about him feeling the same way about her, as she does about him. +It is speculated that this song was written about country music star, Jake Owen, whom Taylor opened for in 2006. +Taylor reflected on this experience in a 2006 MySpace blogpost: +",SuperStar,Taylor Swift +4588,241562,"[Verse 1] +Hit the ground, hit the ground, hit the ground, oh, oh +Only sound, only sound that you hear is, ""No"" +You never saw it comin', slipped when you started runnin' +And now you've come undone, and I, I, I, I +[Pre-Chorus] +Seen you fall, seen you crawl on your knees, eh, ayy +Seen you lost in a crowd, seen your colors fade +Wish I could make it better, someday you won't remember +This pain you thought would last forever and ever +[Chorus] +There you'll stand, ten feet tall +I will say, ""I knew it all along"" +Your eyes, wider than distance +This life is sweeter than fiction +[Verse 2] +Just a shot, just a shot in the dark, oh, oh +All you got, all you got are your shattered hopes +They never saw it comin', you hit the ground runnin' +And now you're on to somethin', I, I, I say +[Pre-Chorus] +""What a sight, what a sight"" when the light came on +Proved me right, proved me right when you proved them wrong +And, in this perfect weather, it's like we don't remember +The rain we thought would last forever and ever [Chorus] +There you'll stand, ten feet tall +I will say, ""I knew it all along"" +Your eyes, wider than distance +This life is sweeter than fiction +There you'll stand, next to me (Next to me) +All at once, the rest is history (Ooh) +Your eyes, wider than distance +This life is sweeter than fiction (Sweeter than fiction) +[Bridge] +I'll be one of the many sayin' +""Look at you now, look at you now and now"" +I'll be one of the many saying +""You've made us proud, you've made us proud, proud"" +I'll be one of the many sayin' +""Look at you now, look at you now and now"" +I'll be one of the many sayin' +""You've made us proud, you've made us proud, proud"" +And when they call your name +And they put your picture in a frame +You know that I'll be there time and again +'Cause I loved you when, when you +[Pre-Chorus] +Hit the ground, hit the ground, hit the ground, oh, oh +Only sound, only sound that you heard was, ""No"" +Now, in this perfect weather, it's like we don't remember +The rain we thought would last forever and ever (Forever) [Chorus] +There you'll stand, ten feet tall (Ten feet tall) +I will say, ""I knew it all along"" (Along) +Your eyes, wider than distance (I knew it all along) +This life is sweeter than fiction (Sweeter than fiction) +There you'll stand, next to me (Next to me) +All at once, the rest is history (Ooh) +Your eyes, wider than distance (I knew it all along) +This life is sweeter than fiction (It's sweeter than fiction) +[Outro] +It's sweeter than fiction +It's sweeter, yeah +It's sweeter, it's sweeter +It's sweeter than fiction","“Sweeter Than Fiction” is an empowering song from the soundtrack for the British feel good film, One Chance, about Paul Potts, a singer who won Britain’s Got Talent in 2007. It was the lead single from the soundtrack, and was released on October 21st, 2013. Little did fans know, this was a hint at the pop direction that Taylor would embark in for her fifth studio album. +This song was Taylor’s first time working with Jack Antonoff, who is part of both Fun. and Bleachers. The two went on to collaborate in many of Swift’s tracks between 2014 and 2023.",Sweeter Than Fiction,Taylor Swift +4590,8485919,"[Verse 1] +I spy with my little tired eye +Tiny as a firefly +A pebble that we picked up last July +Down deep inside your pocket +We almost forgot it +Does it ever miss Wicklow sometimes? +Ooh, ooh +[Chorus] +They said the end is comin' +Everyone’s up to somethin' +I find myself runnin' home to your sweet nothings +Outside, they’re push and shovin' +You're in the kitchen hummin' +All that you ever wanted from me was sweet nothin' +[Verse 2] +On the way home +I wrote a poem +You say, ""What a mind"" +This happens all the time +Ooh, ooh +[Chorus] +'Causе they said the end is comin' +Evеryone's up to somethin’ +I find myself runnin’ home to your sweet nothings +Outside, they're push and shovin’ +You're in the kitchen hummin' +All that you ever wanted from me was nothin' [Bridge] +Industry disruptors and soul deconstructors +And smooth-talking hucksters out glad-handing each other +And the voices that implore, ""You should be doing more"" +To you, I can admit that I’m just too soft for all of it +Ooh +[Chorus] +They said the end is comin' +Everyone's up to somethin' +I find myself runnin' home to your sweet nothings +Outside, they're push and shovin' +You're in the kitchen hummin' +All that you ever wanted from me was sweet nothin' +They said the end is comin' (They said the end is comin') +Everyone's up to somethin' (Everyone's up to somethin') +I find myself runnin' home to your sweet nothings +Outside, they're push and shovin' (Outside, they're push and shovin') +You're in the kitchen hummin' (You're in the kitchen hummin') +All that you ever wanted from me was sweet nothin'","“Sweet Nothing,” the twelfth track on Midnights, is a slow, soft love song which seems to reflect the concept of soft words exchanged between lovers that are often called “sweet nothings”. The song follows Taylor’s simple gratitude and love of the life that she has built with boyfriend Joe Alwyn. Swift speaks of how she finds peace in her romantic relationship with her partner who asks “sweet nothing” of her as opposed to the pressures she faces from the media, a topic Swift has written about frequently, namely in her 2017 album reputation and the Midnights lead single “Anti-Hero”. +The song is written by Taylor Swift and Joe Alwyn under the alias, William Bowery. This is not the first time that Alwyn/Bowery has been featured as a writer on one of Swift’s tracks. Bowery has writing credits on folklore’s track 4, “exile”, and track 14 “betty”, and evermore’s “champagne problems”, “coney island”, and the titular closing track “evermore”.",Sweet Nothing,Taylor Swift +4595,57189,"[Verse 1] +Drew looks at me +I fake a smile so he won't see +That I want and I'm needing +Everything that we should be +[Pre-Chorus] +I'll bet she's beautiful, that girl he talks about +And she's got everything that I have to live without +[Verse 2] +Drew talks to me +I laugh 'cause it's just so funny +That I can't even see +Anyone when he's with me +[Pre-Chorus] +He says he's so in love, he's finally got it right +I wonder if he knows he's all I think about at night +[Chorus] +He's the reason for the teardrops on my guitar +The only thing that keeps me wishin' on a wishing star +He's the song in the car I keep singing, don't know why I do +[Verse 3] +Drew walks by me +Can he tell that I can't breathe? +And there he goes, so perfectly +The kind of flawless I wish I could be [Pre-Chorus] +She'd better hold him tight, give him all her love +Look in those beautiful eyes and know she's lucky 'cause +[Chorus] +He's the reason for the teardrops on my guitar +The only thing that keeps me wishin' on a wishing star +He's the song in the car I keep singing, don't know why I do +[Pre-Chorus] +So I'll drive home alone as I turn off the light +I'll put his picture down and maybe get some sleep tonight +[Chorus] +'Cause he's the reason for the teardrops on my guitar +The only one who's got enough of me to break my heart +He's the song in the car I keep singing, don't know why I do +[Outro] +He's the time taken up, but there's never enough +And he's all that I need to fall into +Drew looks at me +I fake a smile, so he won't see","“Teardrops On My Guitar” illustrates the unrequited love Taylor felt for classmate Drew Hardwick. Taylor told fans that Drew would often ask her for advice and date ideas for his girlfriend, and she would give him ideas to be a good friend. Surprisingly, in 2015, Drew was arrested for child abuse – maybe it’s a good thing they were never really together!",Teardrops On My Guitar,Taylor Swift +4598,2016042,"[Verse 1] +It was something like a perfect start to this love yesterday +But now who are you? +I thought I knew +Your eyes happen now to look right through me +It’s like you forgot the words you whispered to me +They weren't true +It's like it wasn't you +[Chorus] +Could you tell me what did I do? +Because it can't be we're already through +Did you sell me out for a fool after you held me? +Was that just what you do? +What did you need from me? +Tell me +[Verse 2] +Take time to realize +I know that people change their minds +But that was something I wished you would say to my face +But you ran away +[Chorus] +Could you tell me what did I do? +Because it can't be we're already through +Did you sell me out for a fool after you held me? +Was that just what you do? +What did you need from me? +Tell me [Bridge] +If I had a reason or a simple goodbye +Baby, even a lie +Yeah, yeah +[Chorus] +Tell me what did I do +'Cause, baby, suddenly we're already through +Did you sell me out for a fool after you held me? +Was that just what you do? +What did you need from me? +And tell me +[Outro] +And tell me +Oh-oh-oh, oh-yeah +And tell me +Tell me","This song is one of the famous unreleased by Taylor Swift, always confused with Tell me Why, song from the second album of this artist.",Tell Me,Taylor Swift +4599,124510,"[Verse 1] +I took a chance, I took a shot +And you might think I'm bulletproof, but I'm not +You took a swing, I took it hard +And down here from the ground, I see who you are +[Chorus] +I'm sick and tired of your attitude +I'm feeling like I don't know you +You tell me that you love me, then cut me down +And I need you like a heartbeat +But you know you got a mean streak +That makes me run for cover when you're around +And here's to you and your temper +Yes, I remember what you said last night +And I know that you see what you're doing to me +Tell me why +[Verse 2] +You could write a book on how to ruin someone's perfect day +Well, I get so confused and frustrated +Forget what I'm trying to say, oh +[Chorus] +I'm sick and tired of your reasons +I got no one to believe in +You tell me that you want me, then push me around +And I need you like a heartbeat +But you know you got a mean streak +That makes me run for cover when you're around +Here's to you and your temper +Yes, I remember what you said last night +And I know that you see what you're doing to me +Tell me why [Bridge] +Why do you have to make me feel small +So you can feel whole inside? +Why do you have to put down my dreams +So you're the only thing on my mind? +[Chorus] +I'm sick and tired of your attitude +I'm feeling like I don't know you +You tell me that you want me, then cut me down +I'm sick and tired of your reasons +I've got no one to believe in +You ask me for my love, then you push me around +Here's to you and your temper +Yes, I remember what you said last night +And I know that you see what you're doing to me +Tell me why (Why) +Tell me why (Why) +[Outro] +I take a step back, let you go +I told you I'm not bulletproof +Now you know","Taylor Swift co-wrote this with her frequent collaborator Liz Rose. She explained that the song was inspired by her frustration at a boy that she liked who kept acting up. +I walked into Liz’s house, and I said, ‘I can’t believe what’s going on right now, I’ve gotta tell you about this.’ I told her all about it. She goes, ‘If you could say everything you were thinking to him right now, what would you start with?’ I would say to him, ‘I’m sick and tired of your attitude, I feel like I don’t even know you’ … and I just started rambling, and she was writing down everything that I was saying, and so, we turned it into a song.",Tell Me Why,Taylor Swift +4602,2973355,"[Verse 1: Taylor Swift] +You said, ""I know"" +When I said, ""I need some time, need some space +To think about all of this"" +And you watched me go +And I knew my words were hard to hear +And harder to ever take back +[Pre-Chorus: Taylor Swift] +And I said, ""When can I-I-I come back?"" +[Chorus: Taylor Swift, +Keith Urban +] +And you said, ""That's when +When I wake up in the morning +That's when, when it's sunny or storming +Laughing, when I'm crying +And that's when I'll be waiting at the front gate +That's when, when I see your face +I'll let you in, and baby, that's when"" +Mm, mm +[Verse 2: Keith Urban, +Taylor Swift +] +I said, ""I know"" +When you said, ""I did you wrong, made mistakes +And put you through all of this"" +(Through all of this) +Then through the phone +Came all your tears +And I said, ""Leave those all in our past"" [Pre-Chorus: Keith Urban] +And you said, ""When can I-I-I come back?"" +[Chorus: Keith Urban & Taylor Swift] +And I said, ""That's when +When I wake up in the morning +That's when, when it's sunny or storming +Laughing, when I'm crying +And that's when I'll be waiting at the front gate +That's when, when I see your face +I'll let you in, and baby, that's when"" +[Bridge: Taylor Swift] +And you said, ""Honestly +When you were gone +Did you ever think of me?"" +And I said +[Chorus: Taylor Swift, +Taylor Swift & Keith Urban +] +""That's when, when I woke up in the morning +That's when it was sunny or storming +Laughing, +when I was crying +And that's when you were waiting at the front gate +That's when, when I saw your face +You let me in, and baby, that's when"" [Outro: Taylor Swift, +Taylor Swift & Keith Urban +] +That's when, when I wake up in the morning (Yeah) +That's when, when it's sunny or storming +When I'm laughing, when I'm crying +(That's when I'll be waiting at the front gate) +That's when I miss you, that's when I want you +(That's when, when I see your face) +That's when I love you, that's when","“That’s When” is a duet describing the aftermath of a relationship breakup, with Swift in the role of the individual who stepped away from a relationship due to needing space and Keith Urban contemplating whether he should take her back. It was originally written for Swift’s sophomore album, Fearless, but was cut. In April 2021 it was one of the “From the Vault” tracks on Swift’s re-release of Fearless. +The demo version was sung only by Swift, with notably different lyrics, and Swift in the position of needing to decide whether to take back the other person in the relationship. Swift has previously performed with Urban and opened for him on tour, and he covered her 2019 ballad “Lover”.",That’s When (Taylor’s Version) [From the Vault],Taylor Swift +4603,5794073,"[Verse 1] +I'm doing good, I'm on some new shit +Been saying ""yes"" instead of ""no"" +I thought I saw you at the bus stop, I didn't though +I hit the ground running each night +I hit the Sunday matinée +You know the greatest films of all time were never made +[Pre-Chorus] +I guess you never know, never know +And if you wanted me, you really should've showed +And if you never bleed, you're never gonna grow +And it's alright now +[Chorus] +But we were something, don't you think so? +Roaring twenties, tossing pennies in the pool +And if my wishes came true +It would've been you +In my defense, I have none +For never leaving well enough alone +But it would've been fun +If you would've been the one +(Ooh) +[Verse 2] +I have this dream you're doing cool shit +Having adventures on your own +You meet some woman on the internet and take her home +We never painted by the numbers, baby +But we were making it count +You know the greatest loves of all time are over now [Pre-Chorus] +I guess you never know, never know +And it's another day waking up alone +[Chorus] +But we were something, don't you think so? +Roaring twenties, tossing pennies in the pool +And if my wishes came true +It would've been you +In my defense, I have none +For never leaving well enough alone +But it would've been fun +If you would've been the one +[Bridge] +I, I, I persist and resist the temptation to ask you +If one thing had been different +Would everything be different today? +[Chorus] +We were something, don't you think so? +Rosé flowing with your chosen family +And it would've been sweet +If it could've been me +In my defense, I have none +For digging up the grave another time +But it would've been fun +If you would've been the one +(Ooh)","“the 1,” the second single from the album, centers around the nostalgic remembrance of myths and lost loves. Taylor contemplates an alternate life in which her old wishes had “come true” and resulted in a relationship with an ex-lover. +Sharing a similar sentiment to Swift’s track “I Almost Do” from October 2012’s Red, “the 1” is a callback to the folk moments from the same record, folk music being a defining influence on folklore.",​the 1,Taylor Swift +4605,4721067,"[Verse 1] +Combat, I'm ready for combat +I say I don't want that, but what if I do? +'Cause cruelty wins in the movies +I've got a hundred thrown-out speeches I almost said to you +[Pre-Chorus] +Easy they come, easy they go +I jump from the train, I ride off alone +I never grew up, it's getting so old +Help me hold on to you +[Chorus] +I've been the archer, I've been the prey +Who could ever leave me, darling +But who could stay? +[Verse 2] +Dark side, I search for your dark side +But what if I'm alright, right, right, right here? +And I cut off my nose just to spite my face +Then I hate my reflection for years and years +[Pre-Chorus] +I wake in the night, I pace like a ghost +The room is on fire, invisible smoke +And all of my heroes die all alone +Help me hold on to you [Chorus] +I've been the archer, I've been the prey +Screaming, who could ever leave me, darling +But who could stay? +(I see right through me, I see right through me) +[Bridge] +'Cause they see right through me +They see right through me +They see right through +Can you see right through me? +They see right through +They see right through me +I see right through me +I see right through me +[Pre-Chorus] +All the king's horses, all the king's men +Couldn't put me together again +'Cause all of my enemies started out friends +Help me hold on to you +[Chorus] +I've been the archer, I've been the prey +Who could ever leave me, darling +But who could stay? +(I see right through me, I see right through me) +Who could stay? +Who could stay? +Who could stay? +You could stay +You could stay [Outro] +Combat, I'm ready for combat","“The Archer” is a mid-tempo track about Swift’s insecurities in a relationship. It’s the third song released from 2019’s Lover, preceded by “ME!” and “You Need To Calm Down.” +Swift first teased “The Archer” in the music video for “ME!,” which features a scene with a band of Cupid-esque angels—Cupid is often depicted as an archer, who shoots arrows at people to make them fall in love. Swift later teased it more directly in the music video for “You Need To Calm Down,” when Hayley Kiyoko shot an arrow into a target with a 5 on it. +“The Archer” follows what Swift’s fans deem the “Track #5 Theory,” which surmises that some of Swift’s most vulnerable, emotional tracks are the fifth track on their respective albums. +There’s also a potential connection with the song’s title and Swift’s zodiac sign. Born on December 13, 1989, Swift is a Sagittarius; otherwise known as the archer sign.",The Archer,Taylor Swift +4607,5817277,"[Verse] +I'm five years old, it's getting cold, I've got my big coat on +I hear your laugh and look up smiling at you, I run and run +Past the pumpkin patch and the tractor rides +Look now, the sky is gold +I hug your legs and fall asleep on the way home","“The Best Day” is a cover of American singer-songwriter Taylor Swift’s song of the same name. Cook mentioned his cover of the song in February 2018, over two years before it would finally be released: + + +Wow one of my fav songwriters @taylorswift13 rep-ing our song Unlock ItActually been planning to do a cover of The Best Day for a while now, need to do thatCongrats to master lockpick @Iifesim & crew @charli_xcx @kimpetras @JAYBUMAOM https://t.co/vHdbZqGf6W— A. G. Cook (@agcook404) February 8, 2018 + + +",The Best Day,Taylor Swift +4611,8486441,"[Verse 1] +My knuckles were bruised like violets +Sucker punching walls, cursed you as I sleep-talked +Spineless in my tomb of silence +Tore your banners down, took the battle underground +And maybe it was egos swinging +Maybe it was her +Flashes of the battle come back to me in a blur +[Chorus] +All that bloodshed, crimson clover +Uh-huh, sweet dream was over +My hand was the one you reached for +All throughout the Great War +Always remember +Uh-huh, tears on the lеtter +I vowed not to cry anymore +If wе survived the Great War +[Verse 2] +You drew up some good faith treaties +I drew curtains closed, drank my poison all alone +You said I have to trust more freely +But diesel is desire, you were playing with fire +And maybe it's the past that's talking +Screaming from the crypt +Telling me to punish you for things you never did +So I justified it [Chorus] +All that bloodshed, crimson clover +Uh-huh, the bombs were closer +My hand was the one you reached for +All throughout the Great War +Always remember +Uh-huh, the burning embers +I vowed not to fight anymore +If we survived the Great War +[Post-Chorus] +Uh-huh, uh-huh +[Bridge] +It turned into something bigger +Somewhere in the haze, got a sense I'd been betrayed +Your finger on my hairpin triggers +Soldier down on that icy ground +Looked up at me with honor and truth +Broken and blue, so I called off the troops +That was the night I nearly lost you +I really thought I'd lost you +[Verse 3] +We can plant a memory garden +Say a solemn prayer, place a poppy in my hair +There's no morning glory, it was war, it wasn't fair +And we will never go back [Chorus] +To that bloodshed, crimson clover +Uh-huh, the worst was over +My hand was the one you reached for +All throughout the Great War +Always remember +Uh-huh, we're burned for better +I vowed I would always be yours +'Cause we survived the Great War +[Outro] +Uh-huh, uh-huh +I will always be yours +'Cause we survived the Great War +Uh-huh +I vow I will always be yours","The first bonus track off Midnights (3am Edition) sees Taylor Swift compare her relationship to “The Great War.” Detailing a devastating conflict within a romantic relationship, Swift delivers a hopeful message as the couple emerges from the tension together, promising to stick together as they push through times. +Serving as the introductory track for Midnights‘ first deluxe, it sets a heavy tone for whats to come—Swift’s deepest and darkest fears that haunt her during her sleepless nights.",The Great War,Taylor Swift +4612,5793971,"[Verse 1] +Is it romantic how all my elegies eulogize me? +I'm not cut out for all these cynical clones +These hunters with cell phones +[Chorus] +Take me to the Lakes, where all the poets went to die +I don't belong and, my beloved, neither do you +Those Windermere peaks look like a perfect place to cry +I'm setting off, but not without my muse +[Verse 2] +What should be over, burrowed under my skin +In heart-stopping waves of hurt +I've come too far to watch some namedropping sleaze +Tell me what are my words worth +[Chorus] +Take me to the Lakes, where all the poets went to die +I don't belong and, my beloved, neither do you +Those Windermere peaks look like a perfect place to cry +I'm setting off, but not without my muse +[Bridge] +I want auroras and sad prose +I want to watch wisteria grow right over my bare feet +'Cause I haven't moved in years +And I want you right here +A red rose grew up out of ice frozen ground +With no one around to tweet it +While I bathe in cliffside pools +With my calamitous love and insurmountable grief [Chorus] +Take me to the Lakes, where all the poets went to die +I don't belong and, my beloved, neither do you +Those Windermere peaks look like a perfect place to cry +I'm setting off, but not without my muse +No, not without you","Per the unforeseen announcement of Taylor Swift’s eighth studio album “folklore” and the subsequent release of the album’s track list, “the lakes” is the featured bonus track on the eight physical deluxe editions of the album. It was previously unavailable on digital sales or streaming platforms until Taylor officially released the deluxe version of the album on these platforms on August 18, 2020. +On August 20, 2020, Swift introduced a subdivision of the album in thematical chapters, and “the lakes” is featured in the first group, “folklore: the escapism chapter”, together with five other songs.",​the lakes,Taylor Swift +4613,5793985,"[Verse 1] +Rebekah rode up on the afternoon train, it was sunny +Her saltbox house on the coast took her mind off St. Louis +Bill was the heir to the Standard Oil name and money +And the town said, ""How did a middle-class divorcée do it?"" +The wedding was charming, if a little gauche +There's only so far new money goes +They picked out a home and called it ""Holiday House"" +Their parties were tasteful, if a little loud +The doctor had told him to settle down +It must have been her fault his heart gave out +[Chorus] +And they said +""There goes the last great American dynasty +Who knows, if she never showed up, what could've been +There goes the maddest woman this town has ever seen +She had a marvelous time ruining everything"" +[Verse 2] +Rebekah gave up on the Rhode Island set forever +Flew in all her Bitch Pack friends from the city +Filled the pool with champagne and swam with the big names +And blew through the money on the boys and the ballet +And losing on card game bets with Dalí [Chorus] +And they said +""There goes the last great American dynasty +Who knows, if she never showed up, what could've been +There goes the most shameless woman this town has ever seen +She had a marvelous time ruining everything"" +[Bridge] +They say she was seen on occasion +Pacing the rocks, staring out at the midnight sea +And in a feud with her neighbor +She stole his dog and dyed it key lime green +Fifty years is a long time +Holiday House sat quietly on that beach +Free of women with madness, their men and bad habits +And then it was bought by me +[Chorus] +Who knows, if I never showed up, what could've been +There goes the loudest woman this town has ever seen +I had a marvelous time ruining everything +[Outro] +I had a marvelous time ruining everything +A marvelous time ruining everything +A marvelous time +I had a marvelous time","“the last great american dynasty” follows the story of Rebekah Harkness, a patron of the arts, and founder of the Rebekah Harkness Foundation. +In 2013, Swift bought a Rhode Island mansion once owned by Rebekah Harkness. The mansion is known as “Holiday House.” +Taylor draws subtle comparisons between herself and Rebekah Harkness in the song. She likens her star-studded parties to the bevy of famous composers and and dancers that once frequented Holiday house in Harkness' days. Also similar to Taylor Swift, Rebekah Harkness was often a target of harsh criticism from the tabloids, and people alike. +This song is reminiscent of “The Lucky One” from her album Red where Taylor Swift sang of an unnamed Hollywood star who moved away from the limelight and from under the microscope of the media, into a life of solitude. +The style of the song follows Taylor Swift’s familiar contemporary pop sound. She spends most of the song singing in a low octave, transitioning to a higher octave only towards the end of the song. The song has elements of folk music in it too, matching the overall theme of the album.",​the last great american dynasty,Taylor Swift +4614,102711,"[Verse 1: Gary Lightbody] +Find myself at your door +Just like all those times before +I’m not sure how I got there +All roads, they lead me here +I imagine you are home +In your room, all alone +And you open your eyes into mine +And everything feels better +[Pre-Chorus: Both] +And right before your eyes +I'm breaking, no past +No reasons why +Just you and me +[Chorus: Both] +This is the last time I'm asking you this +Put my name at the top of your list +This is the last time I'm asking you why +You break my heart in the blink of an eye (Eye, eye) +[Verse 2: Taylor Swift] +You find yourself at my door +And just like all those times before +You wear your best apology +But I was there to watch you leave +And all the times I let you in +Just for you to go again +Disappear when you come back +Everything is better [Pre-Chorus: Both] +And right before your eyes +I'm aching, run fast +Nowhere to hide +Just you and me +[Chorus: Both] +This is the last time I'm asking you this +Put my name at the top of your list +This is the last time I'm asking you why +You break my heart in the blink of an eye (Eye, eye) +[Guitar Solo] +[Bridge: Taylor Swift, +Gary Lightbody + & +Both +] +This is the last time you tell me I've got it wrong +This is the last time I say it's been you all along +This is the last time I let you in my door +This is the last time, I won't hurt you anymore +Oh-ho, oh-ho, oh-ho, oh-ho +Oh-ho, oh-ho, oh-ho, oh-ho +[Chorus: Both] +This is the last time I'm asking you this +Put my name at the top of your list +This is the last time I'm asking you why +You break my heart in the blink of an eye [Post-Chorus: Taylor Swift & +Gary Lightbody +] +This is the last time I'm asking you this +(This is the last time I'm asking you this) +Put my name at the top of your list +(Put my name at the top of your list) +This is the last time I'm asking you why +(This is the last time I'm asking you why) +You break my heart in the blink of an eye +(You break my heart) +[Outro: Both] +This is the last time I'm asking you, last time I'm asking you +Last time I'm asking you this +This is the last time I'm asking you, last time I'm asking you +Last time I'm asking you this +This is the last time I'm asking you, last time I'm asking you +Last time I'm asking you this +This is the last time I'm asking you, last time I'm asking you +Last time I'm asking you this","This song ties into the theme of what can happen throughout a relationship similar to one in songs like “I Almost Do” or “We Are Never Ever Getting Back Together”. The relationship has been very on and off and as “We Are Never Getting Back Together” says in a funny, mocking way, this song sincerely and rawly states – this is the last time. Swift has finally had enough of this relationship, the uncertainty, and the hurt. +In the hidden message of this track in the album cover Swift wrote: “LA on Break”. This seems to hint that this person may have broken up with her while he was in LA on his break. Perhaps in Hollywood on a break from acting. This may be pointing at Taylor’s ex, actor Jake Gyllenhaal. The pair broke up after he did not pitch to her birthday, as he was in LA to promote his movie Love and Other Drugs. This was detailed in her track “The Moment I Knew.”",The Last Time,Taylor Swift +4617,102727,"[Verse 1] +New to town with a made-up name +In the angel's city, chasing fortune and fame +And the camera flashes make it look like a dream +You had it figured out since you were in school +Everybody loves pretty, everybody loves cool +So overnight, you look like a sixties queen +[Pre-Chorus 1] +Another name goes up in lights +Like diamonds in the sky +[Chorus 1] +And they’ll tell you now, you’re the lucky one +Yeah, they’ll tell you now, you’re the lucky one +But can you tell me now, you’re the lucky one? +Oh, oh, oh +[Verse 2] +Now, it’s big black cars and Riviera views +And your lover in the foyer doesn’t even know you +And your secrets end up splashed on the news front page +And they tell you that you’re lucky, but you’re so confused +'Cause you don’t feel pretty, you just feel used +And all the young things line up to take your place [Pre-Chorus 2] +Another name goes up in lights +You wonder if you’ll make it out alive +[Chorus 1] +And they’ll tell you now, you’re the lucky one +Yeah, they’ll tell you now, you’re the lucky one +But can you tell me now, you’re the lucky one? +Oh, oh, oh +[Verse 3] +It was a few years later, I showed up here +And they still tell the legend of how you disappeared +How you took the money and your dignity and got the hell out +They say you bought a bunch of land somewhere +Chose the rose garden over Madison Square +And it took some time, but I understand it now +[Pre-Chorus 3] +'Cause now, my name is up in lights +But I think you got it right +[Chorus 2] +Let me tell you now, you’re the lucky one +Let me tell you now, you’re the lucky one +Let me tell you now, you’re the lucky one, oh, oh, oh +And they’ll tell you now, you’re the lucky one +Yeah, they’ll tell you now, you’re the lucky one +And they’ll tell you now, you’re the lucky one, oh, oh, oh +Oh, whoa, oh, oh","The song is about a star who had it all- and who was also exposed to all, the tabloids, lights, and cameras. After her secrets were being leaked all over the world she was done, she moved away to a life of solitude and nobody knew where she had gone. +Swift reportedly wrote this song in Australia, and although she doesn’t say who the song is about (she set a rule against this herself), the song is rumored to be about Joni Mitchell and Kim Wilde, the lyrics: “They say you bought a bunch of land somewhere, chose the rose garden over Madison Square.” could possibly be referencing how Wilde left her career to become a landscape gardener. The main melody is also sampled from Wilde’s “Four Letter Word” +The song ends with Taylor understanding why the star chose that path, and how Taylor feels that she’s becoming the “The Lucky One”.",The Lucky One,Taylor Swift +4618,103834,"[Verse 1] +You should've been there +Should've burst through the door +With that ""Baby, I'm right here"" smile +And it would've felt like +A million little shining stars had just aligned +And I would've been so happy +[Verse 2] +Christmas lights glisten +I've got my eye on the door +Just waiting for you to walk in +But the time is ticking +People ask me how I've been +As I comb back through my memory +How you said you'd be here +You said you'd be here +[Chorus] +And it was like slow motion +Standing there in my party dress +In red lipstick +With no one to impress +And they're all laughing +As I'm looking around the room +But there was one thing missing +And that was the moment I knew [Verse 3] +And the hours pass by +Now I just wanna be alone +But your close friends always seem to know +When there's something really wrong +So they follow me down the hall +And there in the bathroom +I try not to fall apart +And the sinking feeling starts +As I say hopelessly +""He said he'd be here"" +[Chorus] +And it was like slow motion +Standing there in my party dress +In red lipstick +With no one to impress +And they're all laughing +And asking me about you +But there was one thing missing (Missing) +And that was the moment I knew +[Bridge] +What do you say +When tears are streaming down your face +In front of everyone you know? +And what do you do +When the one who means the most to you +Is the one who didn't show? [Breakdown] +You should've been here +And I would've been so happy +[Chorus] +And it was like slow motion +Standing there in my party dress +In red lipstick +With no one to impress +And they're all standing around me, singing +""Happy birthday to you"" +But there was one thing missing +And that was the moment I knew +Oh-oh-oh-oh-oh-oh-oh, I knew +Oh-oh-oh-oh-oh-oh-oh +[Outro] +You called me later +And said, ""I'm sorry I didn't make it"" +And I said, ""I'm sorry, too"" +And that was the moment I knew","“The Moment I Knew” tells the true story of how Taylor’s then-boyfriend, Jake Gyllenhaal, didn’t show up to her birthday party. When he called her later to say sorry, Taylor says sorry too but for a completely different reason. The heartbreaking simplicity of the lyrics is reminiscent of her 2006 track “A Perfectly Good Heart.” +This song appears only on the Target deluxe edition of Red.",The Moment I Knew,Taylor Swift +4619,4765529,"[Verse 1] +I would be complex, I would be cool +They'd say I played the field before I found someone to commit to +And that would be okay for me to do +Every conquest I had made would make me more of a boss to you +[Pre-Chorus] +I’d be a fearless leader, I'd be an alpha type +When everyone believes ya, what's that like? +[Chorus] +I’m so sick of running as fast as I can +Wonderin' if I'd get there quicker if I was a man +And I'm so sick of them comin' at me again +'Cause if I was a man, then I'd be the man +I'd be the man (Man) +I’d be the man (Man) +[Verse 2] +They’d say I hustled, put in the work +They wouldn't shake their heads and question how much of this I deserve +What I was wearing, if I was rude +Could all be separated from my good ideas and power moves +[Pre-Chorus] +And they would toast to me, oh (Ayy), let the players play +I’d be just like Leo in Saint-Tropez [Chorus] +I'm so sick of running as fast as I can +Wonderin' if I'd get there quicker if I was a man +And I’m so sick of them comin' at me again +'Cause if I was a man, then I'd be the man +I'd be the man (Man) +I'd be the man (Man) +[Bridge] +What's it like to brag about raking in dollars +And getting bitches and models? +And it's all good if you're bad +And it's okay if you're mad +If I was out flashin' my dollars +I'd be a bitch, not a baller +They'd paint me out to be bad +So it's okay that I'm mad +[Chorus] +I'm so sick of running as fast as I can +Wonderin' if I'd get there quicker if I was a man + (You know that) +And I'm so sick of them comin' at me again (Comin' at me again) +'Cause if I was a man (If I was a man), then I'd be the man (Then I'd be the man) +I'm so sick of running as fast as I can (As fast as I can) +Wonderin' if I'd get there quicker if I was a man (Hey) +And I'm so sick of them comin' at me again (Comin' at me again) +'Cause if I was a man (If I was a man), then I'd be the man +I'd be the man (Man) +I'd be the man (Man, oh) +I'd be the man (Man, yeah) +I'd be the man (Man, I'd be the man) [Outro] +If I was a man +Then I'd be the man","“The Man” was confirmed as an official Lover track in Taylor’s Vogue interview from August 8, 2019. In the song, Taylor “plays with the idea of perception.” According to Vogue, ""she has often wondered how she would be written and spoken about if she were a man.” +Taylor explains: +It’s a thought experiment of sorts: ‘If I had made all the same choices, all the same mistakes, all the same accomplishments, how would it read?’ +On January 27, 2020, the song was confirmed by Billboard’s Senior Director of Charts, Gary Trust, as the fourth official single off of Lover after it was sent to both pop and adult pop radio.",The Man,Taylor Swift +4621,186922,"[Verse 1] +In the heat of the fight, I walked away +Ignoring words that you were saying +Tryin' to make me stay +I said, ""This time I've had enough"" +And you've called a hundred times +But I'm not picking up +[Pre-Chorus] +'Cause I'm so mad +I might tell you that it's over +But if you look a little closer +[Chorus] +I said, ""Leave,"" but all I really want is you +To stand outside my window throwing pebbles +Screaming, ""I'm in love with you"" +Wait there in the pouring rain, coming back for more +And don't you leave, 'cause I know all I need is on +The other side of the door +[Verse 2] +Me and my stupid pride are sitting here alone +Going through the photographs, staring at the phone +I keep going back over things we both said +And I remember the slamming door +And all the things that I misread [Pre-Chorus] +So, babe, if you know everything +Tell me why you couldn't see +When I left, I wanted you to chase after me, yeah +[Chorus] +I said, ""Leave,"" but all I really want is you +To stand outside my window throwing pebbles +Screaming, ""I'm in love with you"" +Wait there in the pouring rain, coming back for more +And don't you leave, 'cause I know all I need is on +The other side of the door +[Bridge] +And I'll scream out the window +""I can't even look at you"" +""I don't need you,"" but I do, I do, I do +I'll say, ""There's nothing you can say"" +""To make this right again, I mean it, I mean it"" +What I mean is +[Chorus] +I said, ""Leave,"" but, baby, all I want is you +To stand outside my window throwing pebbles +Screaming, ""I'm in love with you"" +Wait there in the pouring rain, coming back for more +And don't you leave, 'cause I know all I need is on +The other side of the door [Outro] +With your face and the beautiful eyes +And the conversation with the little white lies +And the faded picture of a beautiful night +You carried me from your car up the stairs +And I broke down crying, was she worth this mess? +After everything and that little black dress +After everything, I must confess, I need you","“The Other Side Of The Door” tells the story of a relationship Taylor has inadvertently ruined and one that she wants back. It’s an extremely dramatic case in which she and her lover have fought, screamed, and miscommunicated with each other. During their argument Taylor said things she now regrets and wishes she could take back. She’s not quite brave enough to really do it, though (apart from in a song), and so she hopes her ex will just see how badly she wants him back.",The Other Side Of The Door,Taylor Swift +4622,132091,"[Verse 1] +I didn't know what I would find +When I went looking for a reason, I know +I didn't read between the lines +And, baby, I've got nowhere to go +[Pre-Chorus] +I tried to take the road less traveled by +But nothing seems to work the first few times +Am I right? +[Chorus] +So how can I ever try to be better? +Nobody ever lets me in +I can still see you, this ain't the best view +On the outside looking in +I've been a lot of lonely places +I've never been on the outside +[Verse 2] +You saw me there, but never knew +That I would give it all up to be +A part of this, a part of you +And now, it's all too late, so you see +[Pre-Chorus] +You could've helped if you had wanted to +But no one notices until it's too late to do anything [Chorus] +How can I ever try to be better? +Nobody ever lets me in +I can still see you, this ain't the best view +On the outside looking in +I've been a lot of lonely places +I've never been on the outside +[Post-Chorus] +Oh, yeah +[Chorus] +How can I ever try to be better? +Nobody ever lets me in +And I can still see you, this ain't the best view +On the outside looking in +I've been a lot of lonely places +I've never been on the outside +[Outro] +Oh-oh +Oh, oh-oh +Oh-oh +Oh-oh","“The Outside” was written by Swift about loneliness. She wrote it when just she was 12 years old. +In an interview with Entertainment Weekly, she talked about this song: +It’s about what I was going through at the time. I was a complete outcast at school and never fit in, never felt like I belonged. A lot of times back then when I was 12 or 13, I would write songs about relationships, when I wasn’t in relationships, because I would look at other people and try to observe what they were going through. But in the case of ”The Outside,” I was writing exactly what I saw. I was writing from pain. And I’ve always felt so lucky, because I’ve never needed an escape like drinking or drugs or anything like that to escape from the bad days. Music has always been that escape for me.",The Outside,Taylor Swift +4624,132656,"[Verse 1] +I used to think, one day, we'd tell the story of us +How we met and the sparks flew instantly +And people would say, ""They're the lucky ones"" +I used to know my place was the spot next to you +Now, I'm searching the room for an empty seat +'Cause lately, I don't even know what page you're on +[Pre-Chorus] +Oh, a simple complication +Miscommunications lead to fallout +So many things that I wish you knew +So many walls up, I can't break through +[Chorus] +Now, I'm standin' alone in a crowded room +And we're not speakin' +And I'm dyin' to know +Is it killin' you like it's killin' me? Yeah +I don't know what to say since the twist of fate +When it all broke down +And the story of us looks a lot like a tragedy now +[Post-Chorus] +Next chapter [Verse 2] +How'd we end up this way? +See me nervously pulling at my clothes and trying to look busy +And you're doin' your best to avoid me +I'm starting to think, one day, I'll tell the story of us +How I was losing my mind when I saw you here +But you held your pride like you should've held me +[Pre-Chorus] +Oh, I'm scared to see the ending +Why are we pretending this is nothin'? +I'd tell you I miss you, but I don't know how +I've never heard silence quite this loud +[Chorus] +Now, I'm standin' alone in a crowded room +And we're not speakin' +And I'm dyin' to know +Is it killin' you like it's killin' me? Yeah +I don't know what to say since the twist of fate +When it all broke down +And the story of us looks a lot like a tragedy now +[Bridge] +This is lookin' like a contest +Of who can act like they care less +But I liked it better when you were on my side +The battle's in your hands now +But I would lay my armor down +If you said you'd rather love than fight [Pre-Chorus] +So many things that you wish I knew +But the story of us might be ending soon +[Chorus] +Now, I'm standin' alone in a crowded room +And we're not speakin' +And I'm dyin' to know +Is it killin' you like it's killin' me? Yeah +And I don't know what to say since the twist of fate +When it all broke down +And the story of us looks a lot like a tragedy now, now, now +And we're not speakin' +And I'm dyin' to know +Is it killin' you like it's killin' me? Yeah +I don't know what to say since the twist of fate +'Cause we're going down +And the story of us looks a lot like a tragedy now +[Outro] +The end","Swift wrote “The Story of Us” after an awkward encounter with ex John Mayer at the 2010 CMT Music Awards, where both parties tried to ignore each other’s presence. She told USA Today that she came up with the song concept after returning home from the event, after telling her mom she felt like she was “standing alone in a crowded room” throughout the evening. +Swift released the song as the fourth single from Speak Now in April 2011, and the music video came out the next month. Swift recruited Noble Jones to direct the video, which they filmed in the library at Vanderbilt University. +The hidden message for this song was “CMT Awards” in the album booklet, leading fans to speculate that the subject of this song is ex John Mayer, who attended the 2010 awards show.",The Story Of Us,Taylor Swift +4626,124511,"[Verse 1] +He is sensible and so incredible +And all my single friends are jealous +He says everything I need to hear and it's like +I couldn't ask for anything better +He opens up my door and I get into his car +And he says you look beautiful tonight +And I feel perfectly fine +[Chorus] +But I miss screaming and fighting and kissing in the rain +And it's 2AM and I'm cursing your name +You're so in love that you act insane +And that's the way I loved you +Breaking down and coming undone +It's a roller coaster kind of rush +And I never knew I could feel that much +And that's the way I loved you +[Verse 2] +He respects my space +And never makes me wait +And he calls exactly when he says he will +He's close to my mother +Talks business with my father +He's charming and endearing +And I'm comfortable [Chorus] +But I miss screaming and fighting and kissing in the rain +And it's 2AM and I'm cursing your name +You're so in love that you acted insane +And that's the way I loved you +Breaking down and coming undone +It's a roller coaster kind of rush +And I never knew I could feel that much +And that's the way I loved you +[Bridge] +He can't see the smile I'm faking +And my heart's not breaking +'Cause I'm not feeling anything at all +And you were wild and crazy +Just so frustrating +Intoxicating, complicated +Got away by some mistake and now +[Chorus] +I miss screaming and fighting and kissing in the rain +It's 2AM and I'm cursing your name +I'm so in love that I acted insane +And that's the way I loved you +Breaking down and coming undone +It's a roller coaster kind of rush +And I never knew I could feel that much +And that's the way I loved you, oh, oh [Outro] +And that's the way I loved you, oh, oh +Never knew I could feel that much +And that's the way I loved you","In “The Way I Loved You,” Taylor finds herself missing the passionate, albeit unstable, relationship she had with her ex. She acknowledges how perfect her current relationship is, but her feelings for him don’t compare to the fireworks she used to feel.",The Way I Loved You,Taylor Swift +4627,7076625,"[Chorus] +I wish I could fly +I'd pick you up and we'd go back in time +I'd write this in the sky +I miss you like it was the very first night +[Verse 1] +And so it goes +Every weekend, this same party +I never go alone +And I don't seem broken-hearted +My friends all say they know +Everything I'm going through +I drive down different roads +But they all lead back to you +[Pre-Chorus] +'Cause they don't know about the night in the hotel +They weren't ridin' in the car when we both fell +Didn't read the note on the Polaroid picture +They don't know how much I miss you +[Chorus] +I wish I could fly +I'd pick you up and we'd go back in time +I'd write this in the sky +I miss you like it was the very first night [Verse 2] +And so it was +We never saw it comin' +Not trying to fall in love +But we did like children runnin' +Back then, we didn't know +We were built to fall apart +We broke the status quo +Then we broke each other's hearts +[Pre-Chorus] +But don't forget about the night out in L.A +Dance in the kitchen, chase me down through the hallway +No one knows about the words that we whispered +No one knows how much I miss you +[Chorus] +I wish I could fly +I'd pick you up and we'd go back in time +I'd write this in the sky +I miss you like it was the very first night +[Post-Chorus] +Take me away, take me away +Take me away to you, to you +Take me away, take me away +Take me away to you, to you [Bridge] +I remember the night at the hotel +I was ridin' in the car when we both fell +I'm the one on the phone as you whisper +""Do you know how much I miss you?"" +[Breakdown] +I wish that we could go back in time +And I'd say to you +""I miss you like it was the very first night"" +[Chorus] +I wish I could fly +I'd pick you up and we'd go back in time +I'd write this in the sky +I miss you like it was the very first night +[Post-Chorus] +Take me away (Take me), take me away (Take me) +Take me away (Take me) to you, to you +Take me away (Take me), take me away (Take me) +Take me away (Take me) to you, to you","In “The Very First Night,” Swift reminisces about a past relationship she remembers fondly. Although both at different parts in their lives, she wishes they could go back to the time when they were together. +With a combination of drums, acoustic guitar and her vocals, Swift creates an atmosphere of rush and haste, which is reminiscent of young love. To stress the magnitude of her emotions, she employs repetition multiple time throughout the song, most notably in the refrain.",The Very First Night (Taylor’s Version) [From The Vault],Taylor Swift +4630,3021464,"[Verse 1] +Walking downtown shuffling my feet +I try to dream my dreams above the concrete +Store windows, traveled for miles +But something I passed really caught my eye +It was cracked down the middle, permanent scars +But I fell in love with this here guitar +[Chorus] +Nice to meet you, can I teach you +All I know, can you show me what you do +Where have you been +What have you seen +Who were you before you even knew me +Have you been played for endless hours +Or were you left in the corner +Or were you someone's best friend +This here guitar +[Verse 2] +It was my baby, anyone could see +I love the cracks, the curves, the hidden beauty +But I can't help wondering why +It came to me and where we'll say goodbye +The cracks down the middle +Can't see where they are +Since I fell in love with this here guitar [Chorus] +Nice to meet you, can I teach you +All I know, can you show me what you do +Where have you been +What have you seen +Who were you before you even knew me +Have you been played for endless hours +Or were you left in the corner +Or were you someone's best friend +This here guitar +[Bridge] +Were you a present from a father to a son? +Did he forget you +Or just play you 'til you came undone? +Hey, did some primadonna love you +'Til she got her fame and fortune? +I won't do that to you +[Chorus] +Nice to meet you, can I teach you +All I know, can you show me what you do +Where have you been? +What have you seen? +Who were you before you even knew me? +Have you been played for endless hours +Or were you left in the corner +Or were you someone's best friend? +This here guitar +You're my guitar +This here guitar",“This Here Guitar” is about how Taylor fell in love with her first guitar.,This Here Guitar,Taylor Swift +4631,187442,"[Verse 1] +Beneath the chandelier of stars and atmosphere +Tangled like the roots on the ground +The windows opened up +The wind is blowing and we're both not making a sound +It's like I'm melting on into you +Give me a reason why we should ever move +And +[Chorus] +Tell me +You'll never leave me +And I'm not crazy and +This is really happening +That this is really happening +[Verse 2] +Could this be better? +You write me letters +Though you see me every day +You tend to treat me like +My name is up in lights +It really blows me away +Lock me up in a dark room +And I still can't take my eyes off you [Chorus] +Tell me +You'll never leave me +And I'm not crazy and +This is really happening +That this is really happening +[Bridge] +All those kisses up against your car +For all those wishes on planes +We thought were stars +Memories like photographs +Oh, baby, here we are +[Chorus] +Tell me +You'll never leave me +And I'm not crazy and +Oh, this is really happening +Oh, oh, baby +[Chorus] +Tell me +You'll always need me +That I drive you crazy +And this is really happening +Oh, that this is really happening [Outro] +Tell me, oh +You'll always need me +(Need me, tell me) +(Baby) +That I drive you crazy +(Oh) +That this is really happening","“This Is Really Happening” is about a fairytale-esque relationship in which Swift thought she was dreaming. Although she never released it, she gave it to Britni Hoover, who released her version in 2007. +Some fans believe the song has sexual implications, but it can also be interpreted in a PG fashion.",This Is Really Happening,Taylor Swift +4632,5793975,"[Verse 1] +I've been having a hard time adjusting +I had the shiniest wheels, now they're rusting +I didn't know if you'd care if I came back +I have a lot of regrets about that +Pulled the car off the road to the lookout +Could've followed my fears all the way down +And maybe I don't quite know what to say +But I'm here in your doorway +[Chorus] +I just wanted you to know that this is me trying +I just wanted you to know that this is me trying +[Verse 2] +They told me all of my cages were mental +So I got wasted like all my potential +And my words shoot to kill when I'm mad +I have a lot of regrets about that +I was so ahead of the curve, the curve became a sphere +Fell behind all my classmates and I ended up here +Pouring out my heart to a stranger +But I didn't pour the whiskey +[Chorus] +I just wanted you to know that this is me trying +I just wanted you to know that this is me trying [Post-Chorus] +At least I'm trying +[Bridge] +And it's hard to be at a party when I feel like an open wound +It's hard to be anywhere these days when all I want is you +You're a flashback in a film reel + +on the one screen in my town +[Chorus] +And I just wanted you to know that this is me trying +(And maybe I don't quite know what to say) +I just wanted you to know that this is me trying +[Outro] +At least I'm trying","Much like Swift’s August 2019 track “Afterglow,” “this is me trying” sees her accepting fault for relationship issues and making an effort to repair them. Fear, alcohol, and a sense of failure and isolation complicate the healing process, but she takes the first step by having the humility to admit things are difficult and uncertain. +October 2014’s “I Wish You Would,” another collaboration with Jack Antonoff, offers a similar narrative with parallels in imagery and language (driving cars, flashbacks, anger, and regrets), but here she is more proactively taking risks and putting herself out there, even though she still doesn’t have the perfect solution.",​this is me trying,Taylor Swift +4633,3283031,"[Verse 1] +It was so nice throwing big parties +Jump into the pool from the balcony +Everyone swimming in a champagne sea +And there are no rules when you show up here +Bass beat rattling the chandelier +Feeling so Gatsby for that whole year +[Pre-Chorus] +So why'd you have to rain on my parade? +I'm shaking my head and locking the gates +[Chorus] +This is why we can't have nice things, darling +Because you break them, I had to take them away +This is why we can't have nice things, honey (Oh) +Did you think I wouldn't hear all the things you said about me? +This is why we can't have nice things +[Verse 2] +It was so nice being friends again +There I was, giving you a second chance +But you stabbed me in the back while shaking my hand +And therein lies the issue, friends don't try to trick you +Get you on the phone and mind-twist you +And so I took an axe to a mended fence [Pre-Chorus] +But I'm not the only friend you've lost lately (Mm-mm) +If only you weren't so shady +[Chorus] +This is why we can't have nice things, darling (Yeah) +Because you break them, I had to take them away +This is why we can't have nice (Nice things) things (Baby), honey +Did you think I wouldn't hear all the things you said about me? +This is why we can't have— +[Bridge] +Here's a toast to my real friends +They don't care about the he-said, she-said +And here's to my baby +He ain't reading what they call me lately +And here's to my mama +Had to listen to all this drama +And here's to you +'Cause forgiveness is a nice thing to do +Haha, I can't even say it with a straight face +[Chorus] +This is why we can't have nice things, darling (Darling) +Because you break them, I had to take them away +This is why we can't have nice (Uh-uh) things (Oh, no), honey (Baby, oh) +Did you think I wouldn't hear all the things you said about me? +This is why we can't have nice things, darling +(And here's to my real friends) +Because you break them, I had to take them +(And here's to my baby) +Nice things, honey +(They didn't care about that he-said, she-said) +Did you think I wouldn't hear all the things you said about me? +This is why we can't have nice things","On this lighthearted, anthemic, and almost comical track Taylor Swift throws some major shade at all the haters. +During the Secret Sessions held before the release of reputation, Taylor told fans that this song drew on her experiences with fame and the media. She stated that she’d throw extravagant parties and invite her friends on stage with her during the 1989 tour as a nice gesture, to share her success with those around her. However, the media eventually turned that against her, questioning and criticizing her need for a “squad” which led her to essentially move out of the public eye completely and go on a sabbatical for the next year. +Many have also speculated that this song specifically references her ongoing feud with rapper, Kanye West.",This Is Why We Can’t Have Nice Things,Taylor Swift +4634,551097,"[Verse 1] +Clear blue water +High tide came and brought you in +And I could go on and on, on and on and I will +Skies grew darker +Currents swept you out again +And you were just gone and gone, gone and gone +[Pre-Chorus] +In silent screams and wildest dreams +I never dreamed of this +[Chorus] +This love is good, this love is bad +This love is alive back from the dead, oh-oh, oh +These hands had to let it go free, and +This love came back to me, oh-oh, oh +Oh-oh, oh-oh, oh +[Verse 2] +Tossing, turning +Struggled through the night with someone new +Baby, I could go on and on, on and on +Lantern, burning +Flickered in my mind, only you +But you were still gone, gone, gone [Pre-Chorus] +Been losing grip on sinking ships +You showed up just in time +[Chorus] +This love is good, this love is bad +This love is alive back from the dead, oh-oh, oh +These hands had to let it go free, and +This love came back to me, oh-oh, oh +This love left a permanent mark +This love is glowing in the dark, oh-oh, oh +These hands had to let it go free, and +This love came back to me, oh-oh, oh +[Post-Chorus] +(This love, this love, this love, this love, oh-oh, oh) +(This love, this love, this love, this love, oh-oh, oh) +(This love, this love, this love, this love, oh-oh, oh) +(This love, this love, this love, this love) +[Bridge] +Your kiss, my cheek, I watched you leave +Your smile, my ghost, I fell to my knees +When you're young, you just run +But you come back to what you need [Chorus] +This love is good, this love is bad +This love is alive back from the dead, oh-oh, oh +These hands had to let it go free, and +This love came back to me, oh-oh, oh +(This love) This love left a permanent mark +(This love) This love is glowing in the dark, oh-oh, oh +(This love) These hands had to let it go free, and +(This love) This love came back to me, oh-oh, oh +[Post-Chorus] +(This love, this love, this love, this love, oh-oh, oh) +(This love, this love, this love, this love, oh-oh, oh) +(This love, this love, this love, this love) +This love, this love came back to me, oh-oh, oh","The 11th track on 1989 finds Taylor using cyclical metaphors to ponder on the cycles of a relationship. Sometimes it’s good, sometimes it’s bad, but regardless, it’s still love. It also explores on the idea of fate — a quite common thread throughout Swift’s whole discography —: If a relationship is not supposed to happen at this point in time, you have to let the other person go, even if you don’t want to, and if it’s meant to be, they’ll eventually come back to your life. +Following the release of 1989, Swift told Yahoo! that she considers “This Love” to be the first song in which she really experimented with different vocal recording styles. She goes on to explore more of that side of music in her following album: 2017’s reputation. +As documented by a Tumblr user, this was the first song Swift have written to 1989, right after she dropped her 2012 album Red, and started out with the chorus as a short poem written in her book. +Additionally, despite having writing credits in all of the songs in the album, “This Love” is the only one she wrote all by herself.",This Love,Taylor Swift +4638,132092,"[Verse 1] +Seems the only one who doesn't see your beauty +Is the face in the mirror looking back at you +You walk around here thinking you're not pretty +But that's not true +'Cause I know you +[Chorus] +Hold on, baby, you're losing it +The water's high, you're jumping into it and letting go +And no one knows +That you cry, but you don't tell anyone +That you might not be the golden one +And you're tied together with a smile +But you're coming undone, oh +[Verse 2] +I guess it's true that love was all you wanted +'Cause you're giving it away like it's extra change +Hoping it will end up in his pocket (Pocket) +But he leaves you out like a penny in the rain +Oh, 'cause it's not his price to pay +It's not his price to pay +[Chorus] +Hold on, baby, you're losing it +The water's high, you're jumping into it and letting go +And no one knows +That you cry, but you don't tell anyone +That you might not be the golden one +And you're tied together with a smile +But you're coming undone, oh +Oh, oh [Chorus] +Hold on, baby, you're losing it +The water's high, you're jumping into it and letting go +And no one knows +That you cry but you don't tell anyone +That you might not be the golden one +And you're tied together with a smile +But you're coming undone, oh +[Outro] +You're tied together with a smile +But you're coming undone, oh, oh-oh +Goodbye, baby +With a smile, baby, baby +Oh","“Tied Together with a Smile” is a song about a friend of Taylor’s with an eating disorder. She talked about it in an interview with Entertainment Weekly: +I wrote [“Tied Together with a Smile”] about one of my friends, who is this beauty queen, pageant princess — a gorgeous, popular girl in high school. Every guy wanted to be with her, every girl wanted to be her. I wrote that song the day I found out she had an eating disorder. There are a couple songs on the album like that, that are just watching other people and making observations. But most of the songs on the album are about actual people that have been in my life. I tend to be kind of blatantly obvious, and with my songs, I’ll even mention names a lot of times. +Bulimia nervosa is an eating disorder in which sufferers binge eat then get rid of the food by making themselves throw up or other methods of purging. The disorder can disrupt homeostasis and harm the digestive system. Only 6% of sufferers seek help, despite the possible health consequences. +If you or a loved one are suffering an eating disorder, do not hesitate to get help. Visit a website such as nationaleatingdisorders.org and call the hotline phone number listed.",Tied Together with a Smile,Taylor Swift +4639,9199321,"[Verse 1] +Down the block, there's an antique shop +And something in my head said, ""Stop,"" so I walked in +On the counter was a cardboard box +And the sign said, ""Photos: twenty-five cents each"" +Black and white, saw a 30s bride +And school lovers laughin' on the porch of their first house +The kinda love that you only find once in a lifetime +The kind you don't put down +[Pre-Chorus] +And that's when I called you and it's so hard to explain +But in those photos, I saw us instead +And, somehow, I know that you and I would've found each other +In another life, you still would've turned my head even if wе'd met +[Chorus] +On a crowded street in 1944 +And you werе headed off to fight in the war +You still would've been mine +We would have been timeless +I would've read your love letters every single night +And prayed to God you'd be comin' home all right +And you would've been fine +We would have been timeless +'Cause I believe that we were supposed to find this +So, even in a different life, you still would've been mine +We would've been timeless [Verse 2] +I had to smile when it caught my eye +There was one of a teenage couple in the driveway +Holdin' hands on the way to a dance +And the date on the back said 1958 +Which brought me back to the first time I saw you +Time stood still like somethin' in this old shop +I thought about it as I started lookin' 'round +At these precious things that time forgot +[Pre-Chorus] +That's when I came upon a book covered in cobwebs +Story of a romance torn apart by fate +Hundreds of years ago, they fell in love, like we did +And I'd die for you in the same way if I first saw your face +[Chorus] +In the fifteen hundreds off in a foreign land +And I was forced to marry another man +You still would've been mine +We would have been timeless +I would've read your love letters every single night +And run away and left it all behind +You still would've been mine +We would've been timeless +'Cause I believe that we were supposed to find this +So, even in a different life, you still would've been mine +We would've been timeless [Bridge] +Time breaks down your mind and body +Don't you let it touch your soul +It was like an age-old classic +The first time that you saw me +The story started when you said, ""Hello"" +[Chorus] +In a crowded room a few short years ago +And sometimes there's no proof, you just know +You're always gonna be mine +We're gonna be +I'm gonna love you when our hair is turnin' gray +We'll have a cardboard box of photos of the life we've made +And you'll say, ""Oh my, we really were timeless"" +[Post-Chorus] +We're gonna be timeless, timeless +You still would've been mine +We would've been +Even if we'd met on a crowded street in 1944 +You still would've been mine +We would've been +[Outro] +Down the block, there's an antique shop +And somethin' in my head said, ""Stop,"" so I walked in","In the nostalgic “Timeless,” the narrator ruminates on the idea of fate, wistfully imagining herself and her lover throughout time. The song is ultimately about a love so powerful that it would still come to fruition even under circumstances that made it close to impossible to exist. +Reminiscent of her classic country songs, including “Untouchable (Taylor’s Version)” and “I Bet You Think About Me (Taylor’s Version),” the mixture of piano, drums and guitar creates a sentimental and historic tone to the song. In an effort to detail the inevitable occurrence of her love story, the rhythm and tempo of the music accelerates each time in the chorus. +The lyric video depicts photos and videos of her grandmother and grandfather, showcasing their love story in small fragments. This notes the second time Taylor mentioning and detailing parts of her grandparents life. She first introduced her grandmother on evermore’s “marjorie”, while tributing her grandfather on folklore’s “epiphany.”",Timeless (Taylor’s Version) [From The Vault],Taylor Swift +4640,132077,"[Verse 1] +He said the way my blue eyes shined +Put those Georgia stars to shame that night +I said, ""That's a lie"" +Just a boy in a Chevy truck +That had a tendency of gettin' stuck +On backroads at night +[Pre-Chorus] +And I was right there beside him all summer long +And then the time we woke up to find that summer gone +[Chorus] +But when you think Tim McGraw +I hope you think my favorite song +The one we danced to all night long +The moon like a spotlight on the lake +When you think happiness +I hope you think that little black dress +Think of my head on your chest +And my old faded blue jeans +When you think Tim McGraw +I hope you think of me +[Verse 2] +September saw a month of tears +And thankin' God that you weren't here +To see me like that +But in a box beneath my bed +Is a letter that you never read +From three summers back [Pre-Chorus] +It's hard not to find it all a little bittersweet +And lookin' back on all of that, it's nice to believe +[Chorus] +When you think Tim McGraw +I hope you think my favorite song +The one we danced to all night long +The moon like a spotlight on the lake +When you think happiness +I hope you think that little black dress +Think of my head on your chest +And my old faded blue jeans +When you think Tim McGraw +I hope you think of me +[Bridge] +And I'm back for the first time since then +I'm standin' on your street +And there's a letter left on your doorstep +And the first thing that you'll read +[Chorus] +Is, ""When you think Tim McGraw +I hope you think my favorite song +Someday you'll turn your radio on +I hope it takes you back to that place"" +When you think happiness +I hope you think that little black dress +Think of my head on your chest +And my old faded blue jeans +When you think Tim McGraw +I hope you think of me [Outro] +Oh, think of me, mmm +He said the way my blue eyes shined +Put those Georgia stars to shame that night +I said, ""That's a lie""","“Tim McGraw,” which Taylor wrote in her freshman math class, was her debut single and first-ever published song. At the time, she was dating a senior named Drew Dunlap and believed they would break up before he left for college, so she wrote this song hoping to memorialize their time together. +The Tim McGraw song in question was 2004’s “Can’t Tell Me Nothin'.” Taylor got to perform the song for a crowd Tim was in at the 2007 ACMs. The two later collaborated on Tim’s 2013 track “Highway Don’t Care.” +In 2018 Taylor also performed “Tim McGraw” live with Faith Hill and TimMcGraw himself during the Nashville leg of her reputation tour! + + +",Tim McGraw,Taylor Swift +4642,6260163,"[Verse 1] +If I wanted to know who you were hanging with +While I was gone, I would've asked you +It's the kind of cold, fogs up windshield glass +But I felt it when I passed you +There's an ache in you, put there by the ache in me +But if it's all the same to you +It's the same to me +[Chorus] +So we could call it even +You could call me ""babe"" for the weekend +​'Tis the damn season +, +write this down +I'm stayin' at my parents' house +And the road not taken looks real good now +And it always leads to you and my hometown +[Verse 2] +I parkеd my car right between the Methodist +And thе school that used to be ours +The holidays linger like bad perfume +You can run, but only so far +I escaped it too, remember how you watched me leave +But if it's okay with you, it's okay with me +[Chorus] +We could call it even +You could call me ""babe"" for the weekend +​'Tis the damn season, write this down +I'm stayin' at my parents' house +And the road not taken looks real good now +Time flies, messy as the mud on your truck tires +Now I'm missing your smile, hear me out +We could just ride around +And the road not taken looks real good now +And it always leads to you and my hometown [Bridge] +Sleep in half the day just for old times' sake +I won't ask you to wait if you don't ask me to stay +So I'll go back to L.A. and the so-called friends +Who'll write books about me if I ever make it +And wonder about the only soul +Who can tell which smiles I'm fakin' +And the heart I know I'm breakin' is my own +To leave the warmest bed I've ever known +We could call it even +Even though I'm leaving +And I'll be yours for the weekend +​'Tis the damn season +[Chorus] +We could call it even +You could call me ""babe"" for the weekend +​'Tis the damn season, write this down +I'm stayin' at my parents' house +And the road not taken looks real good now +Time flies, messy as the mud on your truck tires +Now I'm missing your smile, hear me out +We could just ride around +And the road not taken looks real good now +And it always leads to you and my hometown [Outro] +It always leads to you and my hometown","“‘tis the damn season” is the fourth track on evermore, and marks the first time that Taylor Swift has cursed in a song title. +In the liner notes of the album, Swift wrote that one of the song storylines on evermore was about “what happens when [Dorothea] comes back [from Hollywood] for the holidays and rediscovers an old flame.” This likely refers to “‘tis the damn season” given the lyrical mentions of both Los Angeles and the winter holidays. Notably, evermore was released two weeks prior to Christmas 2020, making the title timely yet ironic. +Swift also teased the title in an Instagram story two days before she announced the album. +",​’tis the damn season,Taylor Swift +4644,6260164,"[Verse 1] +I sit and watch you readin' with your head low +I wake and watch you breathin' with your eyes closed +I sit and watch you +I notice everything you do or don't do +You're so much older and wiser, and I +[Chorus] +I wait by the door like I'm just a kid +Use my best colors for your portrait +Lay the table with the fancy shit +And watch you tolerate it +If it's all in my head, tell me now +Tell me I've got it wrong somehow +I know my love should be celebrated +But you tolerate it +[Verse 2] +I greet you with a battle hero's welcome +I take your indiscretions all in good fun +I sit and listеn +I polish plates until they gleam and glistеn +You're so much older and wiser, and I +[Chorus] +I wait by the door like I'm just a kid +Use my best colors for your portrait +Lay the table with the fancy shit +And watch you tolerate it +If it's all in my head, tell me now +Tell me I've got it wrong somehow +I know my love should be celebrated +But you tolerate it [Bridge] +While you were out buildin' other worlds, where was I? +Where's that man who'd throw blankets over my barbed wire? +I made you my temple, my mural, my sky +Now I'm beggin' for footnotes in the story of your life +Drawin' hearts in the byline +Always takin' up too much space or time +You assume I'm fine, but what would you do if I (I) +[Chorus] +Break free and leave us in ruins? +Took this dagger in me and removed it +Gain the weight of you, then lose it +Believe me, I could do it +If it's all in my head, tell me now +Tell me I've got it wrong somehow +I know my love should be celebrated +But you tolerate it +[Outro] +I sit and watch you","Throughout Swift’s discography, track 5’s are known to be her most vulnerable songs on each album. “tolerate it” is no different — It tells a story about the continuous struggle of wanting love from someone who isn’t even paying attention to anything you do for them. +During her interview for Apple Music Awards 2020, Taylor talked about how she wrote this based on the 1938 novel by Daphne du Maurier, Rebecca, stating that she had also felt like the narrator at some point in her life: +When I was reading Rebecca by Daphne Du Maurier, I was thinking, “Wow, her husband just tolerates her. She’s doing all these things and she’s trying so hard and she’s trying to impress him and he’s just tolerating her the whole time.” There was a part of me that was relating to that, because at some point in my life, I felt that way.",​tolerate it,Taylor Swift +4645,102684,"[Verse 1] +Put your lips close to mine +As long as they don't touch +Out of focus, eye to eye +'Til the gravity's too much +And I'll do anything you say +If you say it with your hands +And I'd be smart to walk away +But you're quicksand +[Chorus] +This slope is treacherous +This path is reckless +This slope is treacherous +And I-I-I like it +[Verse 2] +I can't decide if it's a choice +Getting swept away +I hear the sound of my own voice +Asking you to stay +And all we are is skin and bone +Trained to get along +Forever going with the flow +But you're friction [Chorus] +This slope is treacherous +This path is reckless +This slope is treacherous +I, I, I like it +[Bridge] +Two headlights shine through the sleepless night +And I will get you, get you alone +Your name has echoed through my mind +And I just think you should, think you should know +That nothing safe is worth the drive +And I would follow you, follow you home +I'll follow you, follow you home +[Chorus] +This hope is treacherous +This daydream is dangerous +This hope is treacherous +I-I-I, I-I-I, I-I-I +[Bridge] +Two headlights shine through the sleepless night +And I will get you, get you alone +Your name has echoed through my mind +And I just think you should, think you should know +That nothing safe is worth the drive +And I would follow you, follow you home +I'll follow you, follow you home +I'll follow you, follow you home +I'll follow you, follow you home [Outro] +This slope is treacherous +I-I-I like it","Something that is treacherous is something harmful and possibly deceptive — Taylor uses this word to describe a relationship that might not be the best one for her. The song contains strong sensual undertones and while at no point references directly anything explicitly sexual, some of the lyrics can nonetheless be interpreted as a metaphor for sex. Looking at the song through this lens, it can be seen as Taylor realizing that this relationship is moving extremely fast and might be unhealthy. +There are various rumored subjects of the song including John Mayer and Jake Gyllenhaal. The secret message for “Treacherous” featured in the Red album booklet is “won’t stop ‘til it’s over”, a lyric featured on The Temper Trap song – “Sweet Disposition.”. This song is referenced on “All Too Well” – another song thought to be about Jake. +However, the song is most likely about Harry Styles. Taylor confirmed to USA Today that “Treacherous” and “I Knew You Were Trouble” are about the same person, and hints in “I Knew You Were Trouble” point to Harry being the inspiration. +The biggest hint however lies in the songs hidden clue. The hidden message – “won’t stop ‘til it’s over” – is from the track “Sweet Disposition”. This song also contains the lyrics: +Won’t stop to surrender +Harry had a rendition of this tattooed on his arm in April 2012, around the time he was dating Taylor + +Taylor admitted to mocking Harry on his erroneous tattoo and The Temper Trap even recounted in an interview of a time Taylor ran into them: +She was like “Hey”, you know, “I’m a big fan” blah, blah, blah. And she goes “Ah, it’s my boyfriend’s birthday soon I wanna give him a present – here’s a piece of paper, can you please write down the lyrics to ""Sweet Disposition”, sign it, I wanna give it to him. So I had this dilemma in my mind at that point – do I write the wrong lyrics? Do I write the right lyrics? I kept it real, I wrote the right lyrics man… And they broke up soon after. +This seemed to be Harry’s favorite track at the time he dated Taylor (around April 2012) as he tweeted lyrics to the song on multiple occasions. +",Treacherous,Taylor Swift +4647,642957,"[Verse 1: Martin Johnson] +I remember what you wore on the first day +You came into my life and I thought +""Hey, you know, this could be something"" +'Cause everything you do and words you say +You know that it all takes my breath away +And now I'm left with nothing +[Chorus: Martin Johnson & Taylor Swift] +So maybe it's true that I can't live without you +And maybe two is better than one +But there's so much time to figure out the rest of my life +And you've already got me coming undone +And I'm thinking two is better than one +[Verse 2: Martin Johnson & +Taylor Swift +] +I remember every look upon your face +The way you roll your eyes, the way you taste +You make it hard for breathing +'Cause when I close my eyes and drift away +I think of you and everything's okay +I'm finally now believing +[Chorus: Martin Johnson & Taylor Swift] +Then maybe it's true that I can't live without you +And maybe two is better than one +But there's so much time to figure out the rest of my life +And you've already got me coming undone +And I'm thinking two is better than one [Bridge: Martin Johnson] +I remember what you wore on the first day +You came into my life and I thought, hey (Hey, hey) +[Chorus: Martin Johnson & Taylor Swift] +Maybe it's true that I can't live without you +And maybe two is better than one +But there's so much time to figure out the rest of my life +And you've already got me coming undone +[Outro: Martin Johnson & Taylor Swift] +And I'm thinking, ooh, I can't live without you +'Cause, baby, two is better than one +There's so much time to figure out the rest of my life +But I'll figure out with all that's said and done +Two is better than one +Two is better than one","“Two Is Better Than One” is the second single off the Boys Like Girls' album Love Drunk and features pop starlet, Taylor Swift, who also co-wrote the song. The pair also collaborated to pen the track “You’ll Always Find Your Way Back Home” for the soundtrack of Hannah Montana: The Movie. +This song performed well on charts, even reaching number 18 on the Canadian Billboard Hot 100. +The song laments on the singer’s realization that he needs a particular person in his life despite his previous doubts. This reflective, sombre piece is a love story at heart like many of the other tracks on Love Drunk, but takes a more vulnerable and delicate approach than many of the band’s more uptempo, rock songs. +Interestingly, Taylor and Martin are also rumored to have had a brief relationship at the time the song was written.",Two Is Better Than One,Taylor Swift +4650,186908,"[Verse 1] +Untouchable like a distant diamond sky +I'm reaching out and I just can't tell you why +I'm caught up in you, I'm caught up in you +[Pre-Chorus] +Untouchable, burning brighter than the sun +And when you're close, I feel like coming undone +[Chorus] +In the middle of the night when I'm in this dream +It's like a million little stars spelling out your name +You got to come on, come on, say that we'll be together +Come on, come on, little taste of heaven +[Verse 2] +It's half full and I won't wait here all day +I know you're saying that you'd be here anyway +[Pre-Chorus] +But you're untouchable, burning brighter than the sun +And now that you're close, I feel like coming undone +[Chorus] +In the middle of the night when I'm in this dream +It's like a million little stars spelling out your name +You got to come on, come on, say that we'll be together +Come on, come on, oh +In the middle of the night waking from this dream +I want to feel you by my side, standing next to me +You got to come on, come on, say that we'll be together +Come on, come on, little taste of heaven [Bridge] +I'm caught up in you +Oh-oh, oh, oh-oh +But you're untouchable, burning brighter than the sun +Now that you're close, I feel like coming undone +[Chorus] +In the middle of the night when I'm in this dream +It's like a million little stars spelling out your name +You got to come on, come on, say that we'll be together +Come on, come on, oh-oh-oh +In the middle of the night when I'm in this dream +It's like a million little stars spelling out your name +You got to come on, come on, say that we'll be together +Come on, come on, come on +In the middle of the night waking from this dream +I want to feel you by my side, standing next to me +You got to come on, come on, say that we'll be together +Come on, come on, little taste of heaven +[Outro] +Oh-oh, oh-oh-oh, oh +And in the middle of the night when I'm in this dream +It's like a million little stars spelling out your name +You got to come on, come on, oh, come on, come on +Come on, come on, oh, oh, oh, oh +Like a million little stars spelling out your name +They're spelling out your name, oh","“Untouchable” was originally sung by Luna Halo, a rock band formed in 1999 by Nathan Barlowe and Jonny MacIntosh. +Taylor covered the originally upbeat rock song as a slow and soothing ballad and added it to the platinum edition of her second studio album, Fearless.",Untouchable,Taylor Swift +4652,3021501,"[Verse 1] +I got a little thing I call self control +'Cause I get a little crazy when I let too much go +Love’s a little messy, and you are too +Right now, I’m scared of both of you +I laugh, and I play, and I wasn’t gonna stray +Swore I’d never let a man in my way +You’re the last thing I needed today +[Chorus] +And I don’t know +Where I lost control +And couldn’t take it any longer +Must have been somewhere between +Your smile and the way you say my name +I can’t win, so I give in +The more I fight, it just gets stronger +You’re an inconvenient kind of satisfaction +Welcome distraction, welcome distraction +[Verse 2] +Gone and spilled my coffee tryna get to the phone +'Cause it might be you, you just never know +Can’t talk to my friends without you coming up +It’s even kind of cute the way you cuss +I wrote your name down a hundred thousand times +'Cause it looks so good right next to mine +You’re the last thing I needed tonight [Chorus] +And I don’t know +Where I lost control +And couldn’t take it any longer +Must have been somewhere between +Your smile and the way you say my name +I can’t win, so I give in +The more I fight, it just gets stronger +You’re an inconvenient kind of satisfaction +Welcome distraction +[Bridge] +I’m acting like a girl with nothing to lose +When did I stop caring about anything but you? +[Chorus] +And I don’t know +Where I lost control +And couldn’t take it any longer +Must have been somewhere between +Your smile and the way you say my name +I can’t win, so I give in +The more I fight, it just gets stronger +You’re an inconvenient kind of satisfaction +[Outro] +Welcome distraction, welcome distraction +Welcome distraction, welcome distraction, oh, oh","One of Taylor Swift’s unreleased songs. She sings about not wanting to get involved in a serious relationship, but evidently falling for a guy that she can’t stay away from.",Welcome Distraction,Taylor Swift +4653,540670,"[Verse 1] +Walkin' through a crowd, the village is aglow +Kaleidoscope of loud heartbeats under coats +Everybody here wanted somethin' more +Searchin' for a sound we hadn't heard before +And it said +[Chorus] +Welcome to New York, it's been waitin' for you +Welcome to New York, welcome to New York +Welcome to New York, it's been waitin' for you +Welcome to New York, welcome to New York +It's a new soundtrack, I could dance to this beat, beat forevermore +The lights are so bright, but they never blind me, me +Welcome to New York, it's been waitin' for you +Welcome to New York, welcome to New York +[Verse 2] +When we first dropped our bags on apartment floors +Took our broken hearts, put them in a drawer +Everybody here was someone else before +And you can want who you want +Boys and boys and girls and girls +[Chorus] +Welcome to New York, it's been waitin' for you +Welcome to New York, welcome to New York +Welcome to New York, it's been waitin' for you +Welcome to New York, welcome to New York +It's a new soundtrack, I could dance to this beat, beat forevermore +The lights are so bright, but they never blind me, me +Welcome to New York (New York), it's been waitin' for you +Welcome to New York, welcome to New York [Bridge] +Like any great love, it keeps you guessing +Like any real love, it's ever-changing +Like any true love, it drives you crazy +But you know you wouldn't change anything, anything, anything +[Chorus] +Welcome to New York, it's been waitin' for you +Welcome to New York, welcome to New York +Welcome to New York, it's been waitin' for you +Welcome to New York, welcome to New York +It's a new soundtrack, I could dance to this beat +The lights are so bright, but they never blind me +Welcome to New York (New soundtrack), it's been waitin' for you +Welcome to New York, the lights are so bright, but they never blind me +Welcome to New York, so bright, they never blind me, yeah +Welcome to New York, welcome to New York","The opening track for 1989 introduced the world to a brand new Taylor Swift. After experimenting with electronic pop elements on Red, her country starlet persona was all but gone with the release of 1989. +The title is a literal way for Taylor to welcome fans to her new sound. Paralleling her own move from Nashville to New York, 1989 as an album reflects her new lifestyle—moving from her country roots to the big city with all its glitz and glamour. She told Rolling Stone in September 2014: +I really like my life right now…I love the album I made. I love that I moved to New York. So in terms of being happy, I’ve never been closer to that. +Taylor teased the lyrics on Instagram on October 14, 2014, and it premiered on October 20 to everyone who pre-ordered the album. +As proof of her love for her adopted hometown, all proceeds from sales of the single went to New York City Public Schools. The city also showed love back when they made Taylor a tourism ambassador. +Despite all this, the song had mixed reviews, even being called “the worst NYC anthem of all time.” +",Welcome to New York,Taylor Swift +4655,187445,"[Verse 1] +We used to walk along the streets +When the porch lights were shining bright +Before I had somewhere to be +Back when we had all night and we were happy +I do recall a good while back, + +we snuck into the circus +You threw your arms around my neck, back when I deserved it +And we were happy +[Chorus] +When it was good, baby, it was good, baby +We showed 'em all up +No one could touch the way we laughed in the dark +Talking 'bout your daddy's farm we were gonna buy someday +And we were happy +[Verse 2] +We used to watch the sun go down on the boats in the water +That's sorta how I feel right now +And goodbye's so much harder 'cause we were happy +[Chorus] +When it was good, baby, it was good, baby +We showed 'em all up +No one could touch the way we laughed in the dark +Talking 'bout your daddy's farm we were gonna buy someday +And we were happy +We were happy [Bridge] +Oh, I hate those voices telling me I'm not in love anymore +But they don't give me choices and that's what these tears are for +'Cause we were happy +We were happy +[Chorus] +When it was good, baby, it was good, baby +We showed 'em all up +No one could touch the way we laughed in the dark +Talking 'bout your daddy's farm +And you were gonna marry me +And we were happy +We were happy +Oh-oh-oh-oh +We were happy","“We Were Happy” was a formerly unreleased song by Taylor Swift, detailing her feelings of guilt due to falling out of love with a boy, and the lost future they dreamed of together. It was written in 2005 with Liz Rose, and considered for her sophomore album Fearless before being turned down. +On April 3 2021, Swift announced on Twitter that the fans had cracked the code of the Vault songs, and it would be featured on her re-release of Fearless.",We Were Happy (Taylor’s Version) [From the Vault],Taylor Swift +4657,98893,"[Verse 1] +Say you're sorry, that face of an angel +Comes out just when you need it to +As I paced back and forth all this time +'Cause I honestly believed in you +Holdin' on, the days drag on +Stupid girl, I shoulda known, I shoulda known +[Chorus] +That I'm not a princess, this ain't a fairytale +I'm not the one you'll sweep off her feet, lead her up the stairwell +This ain't Hollywood, this is a small town +I was a dreamer before you went and let me down +Now, it's too late for you and your white horse +To come around +[Verse 2] +Maybe I was naive, got lost in your eyes +And never really had a chance +My mistake, I didn't know to be in love +You had to fight to have the upper hand +I had so many dreams about you and me +Happy endings, now, I know +[Chorus] +That I'm not a princess, this ain't a fairytale +I'm not the one you'll sweep off her feet, lead her up the stairwell +This ain't Hollywood, this is a small town +I was a dreamer before you went and let me down +Now, it's too late for you and your white horse +To come around [Bridge] +And there you are on your knees +Beggin' for forgiveness, beggin' for me +Just like I always wanted +But I'm so sorry +[Chorus] +'Cause I'm not your princess, this ain't our fairytale +I'm gonna find someone someday who might actually treat me well +This is a big world, that was a small town +There in my rear view mirror disappearing now +And it's too late for you and your white horse +Now, it's too late for you and your white horse +To catch me now +[Outro] +Oh, whoa, whoa, whoa +Try and catch me now, oh +It's too late to catch me now","Swift told Billboard magazine: “It’s one of the songs that I am really proud of on the record because it’s so sparse – it’s guitar, piano and cello. It talks about falling in love and the fairy tales that you are going to have with this person, and then there is that moment where you realize that it is not going to happen. That moment is the most earth shattering moment.” +Of note, “White Horse” was the second song to contribute to Taylor’s streak of 5th song of the album “emotional vulnerable” ballads.",White Horse,Taylor Swift +4661,551256,"[Verse 1] +He said, ""Let's get out of this town +Drive out of the city, away from the crowds"" +I thought, ""Heaven can't help me now"" +Nothing lasts forever +But this is gonna take me down +[Pre-Chorus] +He's so tall and handsome as hell +He's so bad, but he does it so well +I can see the end as it begins +My one condition is +[Chorus] +Say you'll remember me +Standin' in a nice dress +Starin' at the sunset, babe +Red lips and rosy cheeks +Say you'll see me again +Even if it's just in your +Wildest dreams, ah, ha +Wildest dreams, ah, ha +[Verse 2] +I said, ""No one has to know what we do"" +His hands are in my hair, his clothes are in my room +And his voice is a familiar sound +Nothin' lasts forever +But this is gettin' good now [Pre-Chorus] +He's so tall and handsome as hell +He's so bad, but he does it so well +And when we've had our very last kiss +My last request is +[Chorus] +Say you'll remember me +Standin' in a nice dress +Starin' at the sunset, babe +Red lips and rosy cheeks +Say you'll see me again +Even if it's just in your +Wildest dreams, ah, ha +Wildest dreams, ah, ha +[Bridge] +You'll see me in hindsight +Tangled up with you all night +Burnin' it down +Someday, when you leave me +I bet these memories +Follow you around +You'll see me in hindsight +Tangled up with you all night +Burnin' (Burnin') it (It) down (Down) +Someday, when you leave me +I bet these memories +Follow (Follow) you (You) around +(Follow you around) [Breakdown] +Say you'll remember me +Standing in a nice dress +Starin' at the sunset, babe +Red lips and rosy cheeks +Say you'll see me again +Even if it's just pretend +[Chorus] +Say you'll remember me +Standin' in a nice dress +Starin' at the sunset, babe +Red lips and rosy cheeks +Say you'll see me again +Even if it's just in your (Just pretend, just pretend) +Wildest dreams, ah, ha (Ah) +In your wildest dreams, ah, ha +Even if it's just in your +In your wildest dreams, ah, ha +In your wildest dreams, ah, ha","The ninth track and fifth single on 1989 is about Swift hoping her lover will remember their best moments after they’re over. It expresses mixed feelings: hoping that they last, but knowing that they’ll end. +Surprisingly, the famous figure who gets the most elaborate attention is Lana Del Rey: Swift flat-out mimics her on “Wildest Dreams,” flitting between a fluttery soprano and deadpan alto, flipping lyrics so Lana — “His hands are in my hair, his clothes are in my room” — that it’s hard to tell if the song is homage or parody. +-Billboard Magazine +In the US, the song reached number five, becoming her fifth consecutive top ten from 1989. + +According to Swift, the beats heard at the beginning of the song resemble her real heartbeats.",Wildest Dreams,Taylor Swift +4664,6260155,"[Verse 1] +I'm like the water when your ship rolled in that night +Rough on the surface, but you cut through like a knife +And if it was an open-shut case +I never would've known from that look on your face +Lost in your current like a priceless wine +[Chorus] +The more that you say, the less I know +Wherever you stray, I follow +I'm begging for you to take my hand +Wreck my plans, that's my man +[Verse 2] +Life was a willow and it bent right to your wind +Head on the pillow, I could feel you sneakin' in +As if you were a mythical thing +Like you were a trophy or a champion ring +And there was one prize I'd cheat to win +[Chorus] +The more that you say, the less I know +Wherever you stray, I follow +I'm begging for you to take my hand +Wreck my plans, that's my man +You know that my train could take you home +Anywhere else is hollow +I'm begging for you to take my hand +Wreck my plans, that's my man [Bridge] +Life was a willow and it bent right to your wind +They count me out time and time again +Life was a willow and it bent right to your wind +But I come back stronger than a '90s trend +[Verse 3] +Wait for the signal, and I'll meet you after dark +Show me the places where the others gave you scars +Now this is an open-shut case +I guess I should've known from the look on your face +Every bait-and-switch was a work of art +[Chorus] +The more that you say, the less I know +Wherever you stray, I follow +I'm begging for you to take my hand +Wreck my plans, that's my man +You know that my train could take you home +Anywhere else is hollow +I'm begging for you to take my hand +Wreck my plans, that's my man +The more that you say, the less I know +Wherever you stray, I follow +I'm begging for you to take my hand +Wreck my plans, that's my man +You know that my train could take you home +Anywhere else is hollow +I'm begging for you to take my hand +Wreck my plans, that's my man [Outro] +Hey, that's my man +That's my man +Yeah, that's my man +Every bait-and-switch was a work of art +That's my man +Hey, that's my man +I'm begging for you to take my hand +Wreck my plans, that's my man","“willow” is the lead single of evermore, Swift’s second surprise album of 2020 and her ninth record overall. She released the accompanying music video at midnight EST on December 11th, 2020, alongside the evermore album. +During an interview for Apple Music Awards 2020, Swift revealed that she purposefully chose “willow” as the starting track for evermore because she thought the music that Aaron Dessner had written felt “witchy” and “magical” and that was a great vibe to set for the album. +Swift hinted at this song title twice during the folklore era: the first time being a framed willow tree photo in an Instagram post, and the second one being a subtle reference included in a tweet thanking Rolling Stone for ranking folklore as the best album of 2020.",​willow,Taylor Swift +4666,551089,"[Verse 1] +Flashing lights +And we took a wrong turn +And we fell down a rabbit hole +You held on tight to me +'Cause nothing's as it seems +And spinning out of control +[Pre-Chorus] +Didn't they tell us ""Don't rush into things""? +Didn't you flash your green eyes at me? +Haven't you heard what becomes of curious minds? +Ooh, didn't it all seem new and exciting? +I felt your arms twistin' around me +I should have slept with one eye open at night +[Chorus] +We found Wonderland, you and I got lost in it +And we pretended it could last forever (Eh, eh) +We found Wonderland, you and I got lost in it +And life was never worse, but never better (Eh, eh) +[Post-Chorus] +(Eh, eh, eh, eh, eh, eh) +In Wonderland +(Eh, eh, eh, eh, eh, eh) +In Wonderland +(Eh, eh, eh, eh, eh, eh) +In Wonderland +(Eh, eh, eh, eh, eh, eh) +In Wonderland [Verse 2] +So, we went on our way +Too in love to think straight +All alone, or so it seemed +But there were strangers watchin' +And whispers turned to talkin' +And talking turned to screams, oh +[Pre-Chorus] +Didn't they tell us ""Don't rush into things""? +Didn't you flash your green eyes at me? +Didn't you calm my fears with a Cheshire cat smile? +Ooh, didn't it all seem new and exciting? +I felt your arms twistin' around me +It's all fun and games 'til somebody loses their mind +But darling +[Chorus] +We found Wonderland, you and I got lost in it +And we pretended it could last forever (Eh, eh) +We found Wonderland, you and I got lost in it +And life was never worse but never better (Eh, eh) +[Post-Chorus] +(Eh, eh, eh, eh, eh, eh) +In Wonderland +(Eh, eh, eh, eh, eh, eh) Eh, eh +In Wonderland +(Eh, eh, eh, eh, eh, eh) +In Wonderland +(Eh, eh, eh, eh, eh, eh) Woah +In Wonderland [Bridge] +I reached for you, but you were gone +I knew I had to go back home +You searched the world for somethin' else +To make you feel like what we had +And in the end, in Wonderland, we both went mad +Oh +[Chorus] +We found Wonderland, you and I got lost in it +And we pretended it could last forever (Last forever; Eh, eh) +We found Wonderland, you and I got lost in it (Got lost in it) +And life was never worse but never better (Never better; Eh, eh) +(Eh, eh, eh, eh, eh) +We found Wonderland, you and I got lost in it +(Eh, eh, eh, eh, eh) +And we pretended it could last forever (In Wonderland) +(Eh, eh, eh, eh, eh) +We found Wonderland, you and I got lost in it (Lost in it) +(Eh, eh, eh, eh, eh) +And life was never worse but never better +In Wonderland","“Wonderland” is a bonus track from the Deluxe Edition of 1989. It is a description of a toxic relationship, from beginning to end. It uses the story of Alice In Wonderland as inspiration for the highs and lows of enjoying this state of relationship wanderlust, irrespective of negative consequences. +Taylor posted this lyric teaser on her Instagram in December 2014: +You searched the world for something else to make you feel like what we had. And in the end, in Wonderland, we both went mad. +Interestingly, Taylor also did a photoshoot with fashion magazine Wonderland in November 2014, with many fans surprised by her different look. +",Wonderland,Taylor Swift +4667,2975370,"[Verse 1: Taylor Swift] +Once the last drop of rain has dried off the pavement +Shouldn't I find a stain? But I never do +The way the tires turn stones on old county roads +They leave 'em muddy underneath, reminds me of you +You find graffiti on the walls of old bathroom stalls, you know +You can scratch it right off, it's how it used to be +But like the dollar in your pocket, it's been spent and traded in +You can't change where it's been, reminds me of me +[Chorus: Taylor Swift & Maren Morris] +I lived and I learned +Had you, got burned +Held out and held on +God knows, too long, and wasted time +Lost tears, swore that I'd get out of here +But no amount of freedom gets you clean +I've still got you all over me +[Verse 2: Taylor Swift, +Taylor Swift & Maren Morris +] +The best and worst day of June +Was the one that I met you +With your +hands in your pockets +And your ""Don't you wish you had me?"" grin +Well I did, so I smiled, and I melted like a child +Now, every breath of air I breathe +reminds me of then [Chorus: Taylor Swift & Maren Morris] +And I lived and I learned +Had you, got burned +Held out and held on +God knows, too long, and wasted time +Lost tears, swore that I'd get out of here +But no amount of freedom gets you clean +I've still got you all over me +[Instrumental Break] +[Chorus: Taylor Swift, +Taylor Swift & Maren Morris +] +I lived and I learned +And found out what it was to turn around +And see that we +Were never really meant to be +So I lied, and I cried +And I watched a part of myself die +'Cause no amount of freedom gets you clean +I've still got you all over me +[Outro: Taylor Swift, +Taylor Swift & Maren Morris +] +I've still got +you all over me +Still got you all over me","“You All Over Me” is a once-unreleased song that leaked in 2017, written in 2008 for Swift’s sophomore album, Fearless. Swift released the song in March 2021 as a single from her Fearless (Taylor’s Version) project. The song marks the first time that Swift has worked with Maren Morris on record. +Lyrically, the song contains similar thematic elements to her 2014 song “Clean” and describes the feeling of still being connected to a former lover.",You All Over Me (Taylor’s Version) [From the Vault],Taylor Swift +4668,551103,"[Verse 1] +One look, dark room, meant just for you +Time moved too fast, you play it back +Buttons on a coat, lighthearted joke +No proof, not much, but you saw enough +Small talk, he drives, coffee at midnight +The light reflects the chain on your neck +He says, ""Look up"" and your shoulders brush +No proof, one touch, but you felt enough +[Chorus] +You can hear it in the silence (Silence), silence (Silence), you +You can feel it on the way home (Way home), way home (Way home), you +You can see it with the lights out (Lights out), lights out (Lights out) +You are in love, true love +You are in love +[Verse 2] +Morning, his place, burnt toast, Sunday +You keep his shirt, he keeps his word +And for once, you let go of your fears and your ghosts +One step, not much, but it said enough +You kiss on sidewalks, you fight and you talk +One night, he wakes, strange look on his face +Pauses, then says ""You're my best friend"" +And you knew what it was, he is in love [Chorus] +You can hear it in the silence (Silence), silence (Silence), you +You can feel it on the way home (Way home), way home (Way home), you +You can see it with the lights out (Lights out), lights out (Lights out) +You are in love, true love +[Bridge] +And so it goes +You two are dancing in a snow globe, 'round and 'round +And he keeps a picture of you in his office downtown +And you understand now +Why they lost their minds and fought the wars +And why I've spent my whole life trying to put it into words +[Breakdown] +'Cause you can hear it in the silence +You can feel it on the way home +You can see it with the lights out +You are in love, true love +You are in love +[Chorus] +You can hear it in the silence (Silence), silence (Silence), you +You can feel it on the way home (Way home), way home (Way home), you +You can see it with the lights out (Lights out), lights out (Lights out) +You are in love, true love +You are in love (Ah) +You can hear it in the silence (Silence), silence (Silence), you (Ah) +You can feel it on the way home (Way home), way home (Way home), you (Ah) +You can see it with the lights out (Lights out), lights out (Lights out) +You are in love, true love +You are in love","Taylor Swift told Jimmy Kimmel: +It’s a song I wrote that is loosely based on… I wrote it with my friend Jack Antonoff (of Fun. and Bleachers) who’s dating my friend Lena [Dunham]. Jack sent me this song, it was just an instrumental track he was working on and immediately I knew the song it needed to be. And I wrote it as a kind of commentary on what their relationship has been like. So it’s actually me looking and going and ‘this happened and that happened then that happened’ and that’s how you knew, “You are in love”. + + + + +This song along with “Wonderland” and “New Romantics” are only available in the deluxe version of 1989, which was exclusively sold at Target.",You Are In Love,Taylor Swift +4669,98869,"[Verse 1] +You're on the phone with your girlfriend, she's upset +She's going off about something that you said +'Cause she doesn't get your humor like I do +I'm in the room, it's a typical Tuesday night +I'm listening to the kind of music she doesn't like +And she'll never know your story like I do +[Pre-Chorus] +But she wears short skirts, I wear T-shirts +She's Cheer Captain and I'm on the bleachers +Dreaming 'bout the day when you wake up and find +That what you're looking for has been here the whole time +[Chorus] +If you could see that I'm the one who understands you +Been here all along, so why can't you see? +You belong with me, you belong with me +[Verse 2] +Walking the streets with you and your worn-out jeans +I can't help thinking this is how it ought to be +Laughing on a park bench, thinking to myself +Hey, isn't this easy? +And you've got a smile that could light up this whole town +I haven't seen it in a while since she brought you down +You say you're fine, I know you better than that +Hey, whatcha doing with a girl like that? [Pre-Chorus] +She wears high heels, I wear sneakers +She's Cheer Captain and I'm on the bleachers +Dreaming 'bout the day when you wake up and find +That what you're looking for has been here the whole time +[Chorus] +If you could see that I'm the one who understands you +Been here all along, so why can't you see? +You belong with me +Standing by and waiting at your back door +All this time, how could you not know, baby? +You belong with me, you belong with me +[Bridge] +Oh, I remember you driving to my house +In the middle of the night +I'm the one who makes you laugh +When you know you're 'bout to cry +And I know your favorite songs +And you tell me 'bout your dreams +Think I know where you belong +Think I know it's with me +[Chorus] +Can't you see that I'm the one who understands you +Been here all along, so why can't you see? +You belong with me +Standing by and waiting at your back door +All this time, how could you not know, baby? +You belong with me, you belong with me [Outro] +You belong with me +Have you ever thought just maybe +You belong with me? +You belong with me","“You Belong with Me” tells the story of a boy who is too wrapped up in a toxic relationship to see how much another girl likes him. It appears on Taylor’s sophomore album, Fearless. +Taylor said the following about the track on a page on Big Machine Records' website, which has since been removed: +I had overheard a friend of mine talking to his girlfriend and he was completely on the defensive, saying [things like] ‘I love you more than anything! Baby, I’m so sorry.’ She was just yelling at him! I felt so bad for him at that moment. So I came up with the first line ‘you’re on the phone with your girlfriend, she’s upset, she’s going off about something that you said,’ and I ran that into the storyline that I’m in love with him and he should be with me instead of her.",You Belong With Me,Taylor Swift +4670,84880,"[Verse 1] +I remember when we broke up the first time +Saying, ""This is it, I've had enough,"" 'cause like +We hadn't seen each other in a month +When you said you needed space (What?) +Then you come around again and say +""Baby, I miss you and I swear I'm gonna change, trust me"" +Remember how that lasted for a day? +I say, ""I hate you,"" we break up, you call me, ""I love you"" +[Pre-Chorus] +Ooh-ooh-ooh-ooh-ooh +We called it off again last night, but +Ooh-ooh-ooh-ooh-ooh +This time, I'm telling you, I'm telling you +[Chorus] +We are never, ever, ever getting back together +We are never, ever, ever getting back together +You go talk to your friends, talk to my friends, talk to me +But we are never, ever, ever, ever getting back together +Like, ever +[Verse 2] +I'm really gonna miss you picking fights +And me falling for it, screaming that I'm right +And you would hide away and find your peace of mind +With some indie record that's much cooler than mine [Pre-Chorus] +Ooh-ooh-ooh-ooh-ooh +You called me up again tonight, but +Ooh-ooh-ooh-ooh-ooh +This time, I'm telling you, I'm telling you +[Chorus] +We (We) are never, ever, ever getting back together +We are never, ever, ever getting back together +You go talk to your friends, talk to my friends, talk to me (Talk to me) +But we are never, ever, ever, ever getting back together +[Post-Chorus] +Ooh-ooh-ooh-ooh-ooh (Yeah) +Ooh-ooh-ooh-ooh-ooh-ooh (Yeah) +Ooh-ooh-ooh-ooh-ooh (Yeah) +Oh-oh-oh +[Bridge] +I used to think that we were forever, ever +And I used to say, ""Never say never"" +Ugh, so he calls me up and he's like, ""I still love you"" +And I'm like, ""I just, I mean, this is exhausting, you know? +Like, we are never getting back together, like, ever"" +[Chorus] +(No) We are never, ever, ever getting back together +We are never, ever, ever (Ooh) getting back together +You go talk to your friends, talk to my friends, talk to me +But we are never, ever, ever, ever getting back together [Outro] +We (Ooh-ooh-ooh-ooh-ooh, ooh-ooh-ooh, no) +Getting back together +We (Ooh-ooh-ooh-ooh-ooh, oh, oh) +Getting back together (Yeah) +You go talk to your friends, talk to my friends, talk to me (Talk to me) +But we are never, ever, ever, ever getting back together","Taylor Swift refuses to continue an on-and-off relationship with her boyfriend and declares that “We Are Never Ever Getting Back Together”. +The song was released as the lead single for Taylor Swift’s fourth studio album, Red. It received a Grammy Award nomination for Record of the Year and was Swift’s first #1 on Billboard’s Hot 100.",We Are Never Ever Getting Back Together,Taylor Swift +4671,3021521,"[Verse 1] +Here I am, once again +In your driveway, thinking I should be leaving +I should go but it's so entertaining watching you breathing +You went and got to me like +The stupid song on the radio that you try to forget +But it sticks in your head +So goodbye, it's not goodnight +Cause I'll be seeing you in my dreamin' +[Chorus] +Boy, you got me like a shot to the heart +Got me shakin' so bad, spilled my coffee in the car +Caught a red light I ran right through +Gotta call my friends, tell them all about you +Always looking like one of those nights +When you're thinkin' 'bout kissing 'til the morning light +You got me, you do +[Verse 2] +In a daze, pull the shades +Close my eyes and picture you at my window +I relax, I go back to all the things you said +That only I know +[Chorus] +Boy, you got me like a shot to the heart +Got me shakin' so bad, spilled my coffee in the car +Caught a red light I ran right through +Gotta call my friends, tell them all about you +Always looking like one of those nights +When you're thinkin' 'bout kissing 'til the morning light +You got me, you do [Bridge] +I'm runnin' right out to my car +And I pull out the drive +It's only been ten minutes +But I have to see you one more time +[Chorus] +Boy, you got me like a shot to the heart +Got me shakin' so bad, spilled my coffee in the car +Caught a red light I ran right through +Gotta call my friends, tell them all about you +Always looking like one of those nights +When you're thinkin' 'bout kissing 'til the morning light +You got me, you do","In “You Do,” Taylor describes how one boy has absolutely captivated her.",You Do,Taylor Swift +4675,4625737,"[Verse 1] +You are somebody that I don't know +But you're takin' shots at me like it's Patrón +And I'm just like, damn, it's 7 AM +Say it in the street, that's a knock-out +But you say it in a Tweet, that's a cop-out +And I'm just like, ""Hey, are you okay?"" +[Pre-Chorus] +And I ain't tryna mess with your self-expression +But I've learned a lesson that stressin' and obsessin' 'bout somebody else is no fun +And snakes and stones never broke my bones +[Chorus] +So oh-oh, oh-oh, oh-oh, oh-oh, oh-oh +You need to calm down, you're being too loud +And I'm just like oh-oh, oh-oh, oh-oh, oh-oh, oh-oh (Oh) +You need to just stop, like can you just not step on my gown? +You need to calm down +[Verse 2] +You are somebody that we don't know +But you're comin' at my friends like a missile +Why are you mad when you could be GLAAD? (You could be GLAAD) +Sunshine on the street at the parade +But you would rather be in the dark ages +Makin' that sign must've taken all night [Pre-Chorus] +You just need to take several seats and then try to restore the peace +And control your urges to scream about all the people you hate +'Cause shade never made anybody less gay +[Chorus] +So oh-oh, oh-oh, oh-oh, oh-oh, oh-oh +You need to calm down, you're being too loud +And I'm just like oh-oh, oh-oh, oh-oh, oh-oh, oh-oh (Oh) +You need to just stop, like can you just not step on his gown? +You need to calm down +[Bridge] +And we see you over there on the internet +Comparing all the girls who are killing it +But we figured you out +We all know now we all got crowns +You need to calm down +[Chorus] +Oh-oh, oh-oh, oh-oh, oh-oh, oh-oh +You need to calm down (You need to calm down) +You're being too loud (You're being too loud) +And I'm just like oh-oh, oh-oh, oh-oh, oh-oh, oh-oh (Oh) +You need to just stop (Can you stop?) +Like can you just not step on our gowns? +You need to calm down","“You Need To Calm Down” finds Taylor Swift addressing various detractors who post hurtful comments online, following themes of self-love and being true to one’s identity which previously appeared on “ME!” from April 2019. Her second collaboration with producer Joel Little, it’s also the second single from her seventh studio album, Lover. +In the second verse, Swift continues to show her support for the LGBTQ+ community, following a June 2019 letter to Senator Lamar Alexander, as well as a petition she created to fight for legal equality among all people, regardless of sexuality or gender. It’s also significant to note that Swift released the song in June, which is recognized as Pride Month. +A music video for the song was released on June 17, 2019 after its official premiere on Good Morning America. It features cameos from several LGBT celebrities, including Hayley Kiyoko, Laverne Cox, the cast of Queer Eye, and Todrick Hall, who co-executive produced the video. At the end of the video, Katy Perry appears in the midst of a food fight, signifying the end of her “feud” with Swift. +Swift teased the lyric and title “You Need To Calm Down” in the April 2019 music video for “ME!.” In the beginning of the video, Swift argues with featured artist Brendon Urie, and he tells her that she needs to calm down.",You Need To Calm Down,Taylor Swift +4676,57418,"[Verse 1] +All this time I was wasting hoping you would come around +I've been giving out chances every time and all you do is let me down +And it's taken me this long, baby, but I've figured you out +And you're thinking we'll be fine again, but not this time around +[Chorus] +You don't have to call anymore +I won't pick up the phone +This is the last straw +Don't wanna hurt anymore +And you can tell me that you're sorry +But I don't believe you, baby, like I did before +You're not sorry (No, no, no, no) +[Verse 2] +You're looking so innocent, I might believe you if I didn't know +Could've loved you all my life if you hadn't left me waiting in the cold +And you've got your share of secrets +And I'm tired of being last to know, oh +And now, you're asking me to listen 'cause it's worked each time before +[Chorus] +But you don't have to call anymore +I won't pick up the phone +This is the last straw +Don't wanna hurt anymore +And you can tell me that you're sorry +But I don't believe you, baby, like I did before +You're not sorry (No, no, no, no) +You're not sorry (No, no, no, no) [Bridge] +You had me crawling for you, honey, and it never would've gone away, no +You used to shine so bright, but I watched all of it fade +[Chorus] +So you don't have to call anymore +I won't pick up the phone +This is the last straw +There's nothing left to beg for +And you can tell me that you're sorry +But I don't believe you, baby, like I did before +You're not sorry (No, no, no, no) +You're not sorry (No, no, no, no) +(No, no, no, no, no, no, no, no, no, no, no, no) +Woah, oh, oh-oh, oh-oh-oh +(Oh, oh, oh, no, no, no, no, no, no)","“You’re Not Sorry” is a country song performed by American singer-songwriter Taylor Swift. The song was solely written by Swift and produced by Nathan Chapman with Swift’s aid. It was released on October 28, 2008 by Big Machine Records as a promotional single from Swift’s second studio album, Fearless on iTunes, though it is no longer available. +A remix version for the television episode of CSI: Crime Scene Investigation that Swift made an appearance in was later released. +Swift wrote “You’re Not Sorry”, inspired by an ex-boyfriend who was revealed to be opposite of what he appeared to be. The song is a power ballad with country and rock music influences.",You’re Not Sorry,Taylor Swift +4677,9157489,"[Verse 1] +You say, ""I don't understand,"" and I say, ""I know you don't"" +We thought a cure would come through in time, now, I fear it won't +Remember lookin' at this room, we loved it 'cause of the light +Now, I just sit in the dark and wonder if it's time +[Pre-Chorus] +Do I throw out everything we built or keep it? +I'm getting tired even for a phoenix +Always risin' from the ashes +Mendin' all her gashes +You might just have dealt the final blow +[Chorus] +Stop, you're losin' me +Stop, you're losin' me +Stop, you're losin' me +I can't find a pulse +My heart won't start anymore for you +'Cause you're losin' me +[Verse 2] +Every mornin', I glared at you with storms in my eyes +How can you say that you love someone you can't tell is dyin'? +I sent you signals and bit my nails down to the quick +My face was gray, but you wouldn't admit that we were sick [Pre-Chorus] +And the air is thick with loss and indecision +I know my pain is such an imposition +Now, you're runnin' down the hallway +And you know what they all say +""You don't know what you got until it's gone"" +[Chorus] +Stop, you're losin' me +Stop, you're losin' me +Stop, you're losin' me +I can't find a pulse +My heart won't start anymore for you +'Cause you're losin' me +'Cause you're losin' me +Stop (Stop) 'cause you're losin' me +[Post-Chorus] +My heart won't start anymore +(Stop 'cause you're losin' me) +My heart won't start anymore +(Stop 'cause you're losin' me) +[Bridge] +How long could we be a sad song +'Til we were too far gone to bring back to life? +I gave you all my best me's, my endless empathy +And all I did was bleed as I tried to be the bravest soldier +Fighting in only your army, frontlines, don't you ignore me +I'm the best thing at this party (You're losin' me) +And I wouldn't marry me either +A pathological people pleaser +Who only wanted you to see her +And I'm fadin', thinkin' +""Do something, babe, say something"" (Say something) +""Lose something, babe, risk something"" (You're losin' me) +""Choose something, babe, I got nothing"" (I got nothing) +""To believe, unless you're choosin' me"" [Outro] +You're losin' me +Stop (Stop, stop), you're losin' me +Stop (Stop, stop), you're losin' me +I can't find a pulse +My heart won't start anymore","Released only on CD, exclusively available to purchase at Swift’s The Eras Tour, “You’re Losing Me” is a From The Vault track of her tenth studio album, Midnights. The track was also available to purchase for 24 hours on Taylor’s website, but isn’t available on any streaming platforms yet. +The song is rumoured to be detailing Swift’s point of view in the breakup of her six-year long relationship with British actor Joe Alwyn. +Interestingly, “You’re Losing Me” is also the second song on Swift’s discography to feature the sample of her own heartbeat — the first time she did it was on her 2014 single, “Wildest Dreams.”",You’re Losing Me (From The Vault),Taylor Swift +4678,8486447,"[Verse 1] +If you would've blinked, then I would've +Looked away at the first glance +If you tasted poison, you could've +Spit me out at the first chance +And if I was some paint, did it splatter +On a promising grown man? +And if I was a child, did it matter +If you got to wash your hands? +[Pre-Chorus] +Ooh, all I used to do was pray +Would've, could've, should've +If you'd never looked my way +[Chorus] +I would've stayed on my knees +And I damn sure never would've danced with the devil +At nineteen +And the God's honest truth is that the pain was heaven +And now that I'm grown, I'm scared of ghosts +Memories feel like weapons +And now that I know, I wish you'd left me wondering +[Verse 2] +If you never touched me, I would've +Gone along with the righteous +If I never blushed, then they could've +Never whispered about this +And if you never saved me from boredom +I could've gone on as I was +But, Lord, you made me feel important +And then you tried to erase us [Pre-Chorus] +Ooh, you're a crisis of my faith +Would've, could've, should've +If I'd only played it safe +[Chorus] +I would've stayed on my knees +And I damn sure never would've danced with the devil +At nineteen +And the God's honest truth is that the pain was heaven +And now that I'm grown, I'm scared of ghosts +Memories feel like weapons +And now that I know, I wish you'd left me wondering +[Bridge] +God rest my soul +I miss who I used to be +The tomb won't close +Stained glass windows in my mind +I regret you all the time +I can't let this go +I fight with you in my sleep +The wound won't close +I keep on waiting for a sign +I regret you all the time [Verse 3] +If clarity's in death, then why won't this die? +Years of tearing down our banners, you and I +Living for the thrill of hitting you where it hurts +Give me back my girlhood, it was mine first +[Chorus] +And I damn sure never would've danced with the devil +At nineteen +And the God's honest truth is that the pain was heaven +And now that I'm grown, I'm scared of ghosts +Memories feel like weapons +And now that I know, I wish you'd left me wondering +[Outro] +God rest my soul +I miss who I used to be +The tomb won't close +Stained glass windows in my mind +I regret you all the time +I can't let this go +I fight with you in my sleep +The wound won't close +I keep on waiting for a sign +I regret you all the time +Oh, God rest my soul +I miss who I used to be +The tomb won't close +Stained glass windows in my mind +I regret you all the time +I can't let this go +I fight with you in my sleep +The wound won't close +I keep on waiting for a sign +I regret you all the time","In “Would’ve, Could’ve, Should’ve”, Taylor uses morbid and religious overtones in order to express regret for a youthful relationship that left her deeply scarred. This draws on themes such as those in previous songs “A Perfectly Good Heart” and “Dear John”, where the singer’s naivete was similarly trampled on. +“Would’ve, Could’ve, Should’ve” draws on Taylor’s relationship with John Mayer, which took place when she was nineteen and he was thirty-two. The age difference was highly criticized at the time, but the young Taylor stuck to her rebellious guns. Now, with more than a decade of experience accumulated since the end of the relationship, Taylor now regrets it, given its power imbalance, the untimely taking of her innocence, and the lasting trauma she maintains from it. She laments that she was enabled to leap too quickly into things she should have taken her time with. +The song itself is filled with heavy, threatening drums that provide a rock feel, juxtaposed with vocal background harmonies reminiscent of religious choirs. This combines to create an ominous track with sobering associations. Sonically, there is a somewhat comparable feel to Taylor’s earlier songs “Haunted” and “Don’t Blame Me”, albeit with a much different message.","Would’ve, Could’ve, Should’ve",Taylor Swift +4679,8485908,"[Verse 1] +Summer went away, still, the yearning stays +I play it cool with the best of them +I wait patiently, he's gonna notice me +It's okay, we're the best of friends +Anyway +I hear it in your voice, you're smoking with your boys +I touch my phone as if it's your face +I didn't choose this town, I dream of getting out +There's just one who could make me stay +All my days +[Pre-Chorus] +From sprinkler splashes to fireplace ashes +I waited ages to see you there +I search the party of better bodies +Just to learn that you never cared +[Chorus] +You're on your own, kid +You always have been +[Verse 2] +I see the great escape, + +so long, Daisy May +I picked the petals, he loves me not +Something different bloomed, writing in my room +I play my songs in the parking lot +I'll run away [Pre-Chorus] +From sprinkler splashes to fireplace ashes +I called a taxi to take me there +I search the party of better bodies +Just to learn that my dreams aren't rare +[Chorus] +You're on your own, kid +You always have been +[Instrumental Break] +[Bridge] +From sprinkler splashes to fireplace ashes +I gave my blood, sweat, and tears for this +I hosted parties and starved my body +Like I'd be saved by a perfect kiss +The jokes weren't funny +, +I took the money +My friends from home don't know what to say +I looked around in a blood-soaked gown +And I saw something they can't take away +'Cause there were pages turned with the bridges burned +Everything you lose is a step you take +So, make the friendship bracelets, take the moment and taste it +You've got no reason to be afraid [Chorus] +You're on your own, kid +Yeah, you can face this +You're on your own, kid +You always have been","“You’re On Your Own, Kid” recounts a young person who longs for love but eventually understands that they are on their own as the song progresses toward its conclusion. The verses take you through her younger life and the music builds as she matures through the song. +As the song builds into a frenzy, the audience receive a glimpse into Taylor’s past life: she writes a song, burns the lyrics or letters into ashes. Suddenly, she’s on her own, figuring out how to be herself. +The song utilizes a soft-pulsing percussive beat that slowly blossoms into an alt-pop soundscape. Lyrically and vocally, it sounds like something from Red, but with a darker sheen. +The song parallels Lover’s “It’s Nice To Have a Friend”, also about school kids falling in love. Musically, both have similar, short rhyming couplets.","You’re On Your Own, Kid",Taylor Swift diff --git a/data/prompts/conversation_style_taylor.json b/data/prompts/conversation_style_taylor.json new file mode 100644 index 0000000..abac5a8 --- /dev/null +++ b/data/prompts/conversation_style_taylor.json @@ -0,0 +1,2875 @@ +[ + { + "id":8485915, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of self-empowerment and resilience after a relationship where one's worth was underappreciated. The lyrics should reflect themes of reclaiming independence, with metaphors of sparkle and shine to signify personal growth and confidence. The song should have a catchy chorus that emphasizes remaining radiant and fabulous in the face of adversity, with a bridge that adds a twist of emotional depth. The musical style should blend country roots with pop sensibility, featuring Taylor's signature storytelling approach, and should fit well within her discography, resonating with the narrative of overcoming and evolving past a former love." + }, + { + "from":"gpt", + "value":"[Verse 1]\nBaby love, I think I've been a little too kind\nDidn't notice you walkin' all over my peace of mind\nIn the shoes I gave you as a present\nPuttin' someone first only works when you're in their top five\nAnd by the way, I'm goin' out tonight\n[Chorus]\nBest believe I'm still bejeweled\nWhen I walk in the room\nI can still make the whole place shimmer\nAnd when I meet the band\nThey ask, \"Do you have a man?\"\nI could still say, \"I don't remember\"\nFamiliarity breeds contempt\nDon't put m\u0435 in the basement\nWh\u0435n I want the penthouse of your heart\nDiamonds in my eyes\nI polish up real, I polish up real nice\n[Post-Chorus]\nNice\n[Verse 2]\nBaby boy, I think I've been too good of a girl (Too good of a girl)\nDid all the extra credit, then got graded on a curve\nI think it's time to teach some lessons\nI made you my world (Huh), have you heard? (Huh)\nI can reclaim the land\nAnd I miss you (Miss you), but I miss sparklin' (Nice) [Chorus]\nBest believe I'm still bejeweled\nWhen I walk in the room\nI can still make the whole place shimmer\nAnd when I meet the band\nThey ask, \"Do you have a man?\"\nI could still say, \"I don't remember\"\nFamiliarity breeds contempt\nDon't put me in the basement\nWhen I want the penthouse of your heart\nDiamonds in my eyes\nI polish up real, I polish up real nice\n[Post-Chorus]\nNice\n[Bridge]\nSapphire tears on my face\nSadness became my whole sky\nBut some guy said my aura's moonstone\nJust 'cause he was high\nAnd we're dancin' all night\nAnd you can try to change my mind\nBut you might have to wait in line\nWhat's a girl gonna do?\nA diamond's gotta shine [Chorus]\nBest believe I'm still bejeweled\nWhen I walk in the room\nI can still make the whole place shimmer (Shimmer)\nAnd when I meet the band\nThey ask, \"Do you have a man?\"\nI could still say, \"I don't remember\"\nFamiliarity breeds contempt\nDon't put me in the basement\nWhen I want the penthouse of your heart\nDiamonds in my eyes\nI polish up real (Nice), I polish up real nice\n[Outro]\nAnd we're dancin' all night\nAnd you can try to change my mind\nBut you might have to wait in line\nWhat's a girl gonna do? What's a girl gonna do?\nI polish up nice\nBest believe I'm still bejeweled\nWhen I walk in the room\nI can still make the whole place shimmer" + } + ] + }, + { + "id":7076622, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional depth of supporting a loved one through their struggles. The lyrics should reflect the themes of helplessness and devotion, with a narrative that unfolds through intimate conversations and late-night worries. Incorporate a blend of melancholy and hopeful tones, akin to Swift's storytelling ability, and ensure the chorus emphasizes the promise of being an unwavering source of comfort\u2014like the \"summer sun\" that remains forever, even if faced with the prospect of \"forever winter\" should the loved one leave. The song should resonate with Swift's signature acoustic sound, blending soft guitar strings with her clear, emotive vocals, and building up to an anthem-like bridge that offers a poignant plea for the loved one to stay." + }, + { + "from":"gpt", + "value":"[Verse 1]\nHe says he doesn't believe anything much he hears these days\nHe says, \"Why fall in love, just so you can watch it go away?\"\nHe spends most of his nights wishing it was how it used to be\nHe spends most of his flights getting pulled down by gravity\n[Pre-Chorus]\nI call, just checkin' up on him\nHe's up, 3AM, pacin'\nHe says, \"It's not just a phase I'm in\"\nMy voice comes out beggin'\n[Chorus]\nAll this time, I didn't know\nYou were breakin' down\nI'd fall to pieces on the floor\nIf you weren't around\nToo young to know it gets better\nI'll be summer sun for you forever\nForever winter if you go\n[Verse 2]\nHe seems fine most of the time, forcing smiles and never minds\nHis laugh is a symphony, when the lights go out, it's hard to breathe\nI pull at every thread trying to solve the puzzles in his head\nLive my life scared to death he'll decide to leave instead [Pre-Chorus]\nI call, just checkin' up on him\nHe's up, 5AM, wasted\nLong gone, not even listening\nMy voice comes out screamin'\n[Chorus]\nAll this time, I didn't know\nYou were breakin' down\nI'd fall to pieces on the floor\nIf you weren't around\nToo young to know it gets better\nI'll be summer sun for you forever\nForever winter if you go\n[Bridge]\nIf I was standing there in your apartment\nI'd take that bomb in your head and disarm it\nI'd say, \"I love you even at your darkest and\nPlease, don't go\"\n[Chorus]\nI didn't know\nYou were breakin' down\nI'd fall to pieces on the floor\nIf you weren't around\nToo young to know it gets better\nI'll be summer sun for you forever\nForever winter if you go [Post-Chorus]\n(Ooh, ooh, ooh)\nI'll be your summer sun forever\n(Ooh, ooh, ooh) At 3AM, pacin'\nAll this time, I didn't know\n(Ooh, ooh, ooh) At 5AM, wasted\nI'd be in pieces on the floor\nForever winter if you go\n[Outro]\nHe says he doesn't believe anything much he hears these days\nI say, \"Believe in one thing, I won't go away\"" + } + ] + }, + { + "id":83166, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of personal growth and redemption after a mistake. The lyrics should reflect a journey from loss and self-doubt to the realization that past actions don't define the present self, using metaphors related to childhood innocence and the passage of time. The song should have a reflective yet uplifting tone, with a chorus that reassures the listener of their inner light and innocence, despite life's challenges. Incorporate elements of country and pop that Taylor Swift is known for, ensuring the melody supports a narrative of hope and self-forgiveness." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI guess you really did it this time\nLeft yourself in your war path\nLost your balance on a tightrope\nLost your mind trying to get it back\n[Pre-Chorus]\nWasn't it easier in your lunchbox days?\nAlways a bigger bed to crawl into\nWasn't it beautiful when you believed in everything\nAnd everybody believed in you?\n[Chorus]\nIt's alright, just wait and see\nYour string of lights is still bright to me, oh\nWho you are is not where you've been\nYou're still an innocent\nYou're still an innocent\n[Verse 2]\nDid some things you can't speak of\nBut at night, you live it all again\nYou wouldn't be shattered on the floor now\nIf only you had seen what you know now then\n[Pre-Chorus]\nWasn't it easier in your firefly-catching days?\nWhen everything out of reach\nSomeone bigger brought down to you\nWasn't it beautiful running wild 'til you fell asleep\nBefore the monsters caught up to you? [Chorus]\nIt's alright, just wait and see\nYour string of lights is still bright to me, oh\nWho you are is not where you've been\nYou're still an innocent\nIt's okay, life is a tough crowd\nThirty-two and still growing up now\nWho you are is not what you did\nYou're still an innocent\n[Bridge]\nTime turns flames to embers\nYou'll have new Septembers\nEvery one of us has messed up, too, ooh\nMinds change like the weather\nI hope you remember\nToday is never too late to be brand new, oh\n[Chorus]\nIt's alright, just wait and see\nYour string of lights is still bright to me, oh\nWho you are is not where you've been\nYou're still an innocent\nIt's okay, life is a tough crowd\nThirty-two and still growing up now\nWho you are is not what you did\nYou're still an innocent\nYou're still an innocent [Outro]\nLost your balance on a tightrope, oh\nIt's never too late to get it back" + } + ] + }, + { + "id":4765976, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of youthful rebellion and bittersweet nostalgia, set against the backdrop of an American high school. The lyrics should express the intense devotion between two outsiders, their struggle against the rumor mill, and the feeling of being misunderstood by those around them. Include vivid imagery that evokes the drama of teenage years, such as homecoming queens, marching bands, and prom dresses, while also delving into themes of hopelessness and defiance. The song should have a storytelling approach, with emotional pre-choruses and anthemic choruses that echo the ups and downs of young love and the desire to escape the small-town scrutiny." + }, + { + "from":"gpt", + "value":"[Verse 1]\nYou know I adore you, I'm crazier for you\nThan I was at sixteen, lost in a film scene\nWaving homecoming queens, marching band playing\nI'm lost in the lights\nAmerican glory faded before me\nNow I'm feeling hopeless, ripped up my prom dress\nRunning through rose thorns, I saw the scoreboard\nAnd ran for my life (Ah)\n[Pre-Chorus]\nNo cameras catch my pageant smile\nI counted days, I counted miles\nTo see you there, to see you there\nIt's been a long time coming, but\n[Chorus]\nIt's you and me, that's my whole world\nThey whisper in the hallway, \"She's a bad, bad girl\" (Okay)\nThe whole school is rolling fake dice\nYou play stupid games, you win stupid prizes\nIt's you and me, there's nothing like this\nMiss Americana and The Heartbreak Prince (Okay)\nWe're so sad, we paint the town blue\nVoted most likely to run away with you [Verse 2]\nMy team is losing, battered and bruising\nI see the high fives between the bad guys\nLeave with my head hung, you are the only one\nWho seems to care\nAmerican stories burning before me\nI'm feeling helpless, the damsels are depressed\nBoys will be boys then, where are the wise men?\nDarling, I'm scared (Ah)\n[Pre-Chorus]\nNo cameras catch my muffled cries\nI counted days, I counted miles\nTo see you there, to see you there\nAnd now the storm is coming, but\n[Chorus]\nIt's you and me, that's my whole world\nThey whisper in the hallway, \"She's a bad, bad girl\" (Okay)\nThe whole school is rolling fake dice\nYou play stupid games, you win stupid prizes\nIt's you and me, there's nothing like this\nMiss Americana and The Heartbreak Prince (Okay)\nWe're so sad, we paint the town blue\nVoted most likely to run away with you [Bridge]\nAnd I don't want you to (Go), I don't really wanna (Fight)\n'Cause nobody's gonna (Win), I think you should come home\nAnd I don't want you to (Go), I don't really wanna (Fight)\n'Cause nobody's gonna (Win), I think you should come home\nAnd I don't want you to (Go), I don't really wanna (Fight)\n'Cause nobody's gonna (Win), just thought you should know\nAnd I'll never let you (Go) 'cause I know this is a (Fight)\nThat someday we're gonna (Win)\n[Chorus]\nIt's you and me, that's my whole world\nThey whisper in the hallway, \"She's a bad, bad girl\"\nOh, I just thought you should know (You should know)\nIt's you and me, there's nothing like this (Like this)\nMiss Americana and The Heartbreak Prince (Okay)\nWe're so sad, we paint the town blue (Paint it blue)\nVoted most likely to run away with you\n[Post-Chorus]\nAnd I don't want you to (Go), I don't really wanna (Fight)\n'Cause nobody's gonna (Win), I think you should come home\nAnd I'll never let you (Go) 'cause I know this is a (Fight)\nThat someday we're gonna (Win), just thought you should know\n[Outro]\nIt's you and me, that's my whole world\nThey whisper in the hallway, \"She's a bad, bad girl\"\n\"She's a bad, bad girl\"" + } + ] + }, + { + "id":132652, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the exhilarating rush of a risky romance, with vivid imagery like a rainstorm and fireworks to convey intense emotion. The lyrics should explore the theme of being irresistibly drawn to someone despite knowing they might be trouble, featuring a chorus that emphasizes the electric connection felt when the love interest smiles. The musical arrangement should complement the storytelling, hinting at the country-pop sound of Swift's earlier work, with an emphasis on acoustic elements that build to an anthemic chorus." + }, + { + "from":"gpt", + "value":"[Verse 1]\nThe way you move is like a full on rainstorm and I'm a house of cards\nYou're the kind of reckless that should send me runnin'\nBut I kinda know that I won't get far\nAnd you stood there in front of me, just close enough to touch\nClose enough to hope you couldn't see what I was thinkin' of\n[Chorus]\nDrop everything now, meet me in the pouring rain\nKiss me on the sidewalk, take away the pain\n'Cause I see sparks fly whenever you smile\nGet me with those green eyes, baby, as the lights go down\nGive me something that'll haunt me when you're not around\n'Cause I see sparks fly whenever you smile\n[Verse 2]\nMy mind forgets to remind me you're a bad idea\nYou touch me once and it's really somethin'\nYou find I'm even better than you imagined I would be\nI'm on my guard for the rest of the world\nBut with you, I know it's no good\nAnd I could wait patiently, but I really wish you would\n[Chorus]\nDrop everything now, meet me in the pouring rain\nKiss me on the sidewalk, take away the pain\n'Cause I see sparks fly whenever you smile\nGet me with those green eyes, baby, as the lights go down\nGive me something that'll haunt me when you're not around\n'Cause I see sparks fly whenever you smile [Bridge]\nI run my fingers through your hair and watch the lights go wild\nJust keep on keepin' your eyes on me, it's just wrong enough to make it feel right\nAnd lead me up the staircase, won't you whisper soft and slow?\nI'm captivated by you, baby, like a firework show\n[Chorus]\nDrop everything now, meet me in the pouring rain\nKiss me on the sidewalk (Ah-ah), take away the pain\n'Cause I see sparks fly whenever you smile\nGet me with those green eyes, baby, as the lights go down\nGive me something that'll haunt me when you're not around\n'Cause I see sparks fly whenever you smile\n[Outro]\nAnd the sparks fly\nOh, baby, smile\nAnd the sparks fly" + } + ] + }, + { + "id":2975370, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the bittersweet reminiscence of a past relationship, incorporating vivid imagery like rain on pavement and graffiti on bathroom walls. The lyrics should evoke a journey from naivety to wisdom, a blend of regret and growth, with a chorus that emphasizes the inescapable imprint of a former love. Emulate Taylor's narrative storytelling approach, blending country roots with a pop sensibility, and include an instrumental break to convey a reflective mood." + }, + { + "from":"gpt", + "value":"[Verse 1: Taylor Swift]\nOnce the last drop of rain has dried off the pavement\nShouldn't I find a stain? But I never do\nThe way the tires turn stones on old county roads\nThey leave 'em muddy underneath, reminds me of you\nYou find graffiti on the walls of old bathroom stalls, you know\nYou can scratch it right off, it's how it used to be\nBut like the dollar in your pocket, it's been spent and traded in\nYou can't change where it's been, reminds me of me\n[Chorus: Taylor Swift & Maren Morris]\nI lived and I learned\nHad you, got burned\nHeld out and held on\nGod knows, too long, and wasted time\nLost tears, swore that I'd get out of here\nBut no amount of freedom gets you clean\nI've still got you all over me\n[Verse 2: Taylor Swift, \nTaylor Swift & Maren Morris\n]\nThe best and worst day of June\nWas the one that I met you\nWith your \nhands in your pockets\nAnd your \"Don't you wish you had me?\" grin\nWell I did, so I smiled, and I melted like a child\nNow, every breath of air I breathe \nreminds me of then [Chorus: Taylor Swift & Maren Morris]\nAnd I lived and I learned\nHad you, got burned\nHeld out and held on\nGod knows, too long, and wasted time\nLost tears, swore that I'd get out of here\nBut no amount of freedom gets you clean\nI've still got you all over me\n[Instrumental Break]\n[Chorus: Taylor Swift, \nTaylor Swift & Maren Morris\n]\nI lived and I learned\nAnd found out what it was to turn around\nAnd see that we\nWere never really meant to be\nSo I lied, and I cried\nAnd I watched a part of myself die\n'Cause no amount of freedom gets you clean\nI've still got you all over me\n[Outro: Taylor Swift, \nTaylor Swift & Maren Morris\n]\nI've still got \nyou all over me\nStill got you all over me" + } + ] + }, + { + "id":7076619, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional complexity of a failed relationship and the longing for what could have been. The lyrics should reflect on personal growth and the bravery of walking away, while still harboring feelings for the past. Incorporate a narrative that progresses from heartache to empowerment, with a chorus that resonates with the bittersweet sentiment of missing someone yet wishing they had been a better partner. The song should have a melodic pop-country blend, embodying Swift's signature storytelling and vocal delivery." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI know I'm probably better off on my own\nThan lovin\u2019 a man who didn't know what he had when he had it\nAnd I see the permanent damage you did to me\nNever again, I just wish I could forget when it was magic\n[Pre-Chorus]\nI wish it wasn't 4AM, standin\u2019 in the mirror\nSaying to myself, \"You know you had to do it\"\nI know the bravest thing I ever did was run\n[Chorus]\nSometimes, in the middle of the night, I can feel you again\nBut I just miss you and I just wish you were a better man\nI know why we had to say goodbye like the back of my hand\nBut I just miss you and I just wish you were a better man\nA better man\n[Verse 2]\nI know I'm probably better off all alone\nThan needing a man who could change his mind at any given minute\nAnd it was always on your terms, I waited on every careless word\nHoping they might turn sweet again like it was in the beginning\n[Pre-Chorus]\nBut your jealousy, oh, I can hear it now\nTalking down to me like I'd always be around\nPush my love away like it was some kind of loaded gun\nOh, you never thought I'd run [Chorus]\nSometimes, in the middle of the night, I can feel you again\nBut I just miss you and I just wish you were a better man\nI know why we had to say goodbye like the back of my hand\nBut I just miss you and I just wish you were a better man\nA better man\n[Bridge]\nI hold onto this pride because, these days, it's all I have\nAnd I gave to you my best\nAnd we both know you can't say that\n[Breakdown]\nI wish you were a better man\nI wonder what we would've become if you were a better man\nWe might still be in love if you were a better man\nYou would've been the one if you were a better man\n[Chorus]\nSometimes, in the middle of the night, I can feel you again\nBut I just miss you and I just wish you were a better man\nI know why we had to say goodbye like the back of my hand\nBut I just miss you and I just wish you were a better man\nA better man\n(Sometimes, in the middle of the night, I can feel you again)\nWe might still be in love, if you were a better man\n(But I just miss you and I just wish you were a better man)\nI know why we had to say goodbye like the back of my hand\nBut I just miss you and I just wish you were a better man\nA better man [Outro]\nWe might still be in love if you were a better man\nYou would\u2019ve been the one if you were a better man" + } + ] + }, + { + "id":7416216, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that encapsulates the warm, nostalgic feelings of a cozy holiday season. The song should include vivid imagery of a Christmas tree farm, sparkling lights, and joyful festivities. Emphasize themes of home, love, and the magic of Christmas, with a touch of romanticism under the mistletoe and the comforting glow of a fireplace. The musical tone should be uplifting and melodic, capturing the spirit of holiday togetherness and the simple pleasures of winter romance, reminiscent of Taylor Swift's heartfelt storytelling and country-pop roots." + }, + { + "from":"gpt", + "value":"[Intro]\nMy winter nights are taken up by static\nStress and holiday shopping traffic\nBut I close my eyes and I'm somewhere else\nJust like magic\n[Verse 1]\nIn my heart is a Christmas tree farm\nWhere the people would come\nTo dance under sparkling lights\nBundled up in their mittens and coats\nAnd the cider would flow\nAnd I just wanna be there tonight\n[Pre-Chorus]\nSweet dreams of holly and ribbon\nMistakes are forgiven\nAnd everythin' is icy and blue\nAnd you would be there too\n[Chorus]\nUnder the mistl\u0435toe\nWatchin' the fire glow\nAnd t\u0435llin' me, \"I love you\"\nJust bein' in your arms\nTakes me back to that little farm\nWhere every wish comes true [Verse 2]\nIn my heart is a Christmas tree farm\nThere's a light in the barn\nWe'd run inside out from the cold\nIn the town, kids are dreamin' of sleighs\nAnd they're warm and they're safe\nThey wake to see a blanket of snow\n[Pre-Chorus]\nSweet dreams of holly and ribbon\nMistakes are forgiven\nAnd everythin' is icy and blue\nAnd you would be there too\n[Chorus]\nUnder the mistletoe\nWatchin' the fire glow\nAnd tellin' me, \"I love you\"\nJust bein' in your arms\nTakes me back to that little farm\nWhere every wish comes true\nBaby, yeah\n[Bridge]\nAnd when I'm feelin' alone\nYou remind me of home\nOh, baby, baby, Merry Christmas\nAnd when the world isn't fair\nI pretend that we're there\nBaby, baby, Merry Christmas (To you) [Chorus]\nUnder the mistletoe (To you)\nWatching the fire glow\nAnd tellin' me, \"I love you\"\n[Outro]\nOh, baby, baby, Merry Christmas\nOh, baby, baby, Merry Christmas (Darling)\nOh, baby, baby, Merry Christmas\nI love you\nOh, baby, baby, Merry Christmas\nOh, baby, baby, Merry Christmas (I just want you to know)\nOh, baby, baby, Merry Christmas\nMay your every wish come true\nMerry Christmas" + } + ] + }, + { + "id":98890, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the youthful and romantic essence of a couple fearlessly falling in love. The song should include vivid imagery of rain-soaked streets and spontaneous dancing, embodying a sense of carefree adventure and bravery in love. The lyrics should convey the excitement and nervousness of new romance, with a chorus that emphasizes being fearless in the face of love, willing to dance through a storm in the best dress, and the thrill of a first kiss. The music should have a country-pop crossover appeal with a catchy, uplifting melody that Taylor Swift is known for." + }, + { + "from":"gpt", + "value":"[Verse 1]\nThere's something 'bout the way\nThe street looks when it's just rained\nThere's a glow off the pavement, you walk me to the car\nAnd you know I wanna ask you to dance right there\nIn the middle of the parking lot, yeah\nOh, yeah\n[Verse 2]\nWe're driving down the road, I wonder if you know\nI'm trying so hard not to get caught up now\nBut you're just so cool, run your hands through your hair\nAbsentmindedly making me want you\n[Chorus]\nAnd I don't know how it gets better than this\nYou take my hand and drag me head first, fearless\nAnd I don't know why but with you, I'd dance\nIn a storm in my best dress, fearless\n[Verse 3]\nSo, baby, drive slow 'til we run out of road\nIn this one horse town, I wanna stay right here\nIn this passenger's seat\nYou put your eyes on me\nIn this moment now, capture it, remember it [Chorus]\n'Cause I don't know how it gets better than this\nYou take my hand and drag me head first, fearless\nAnd I don't know why but with you, I'd dance\nIn a storm in my best dress, fearless\n[Bridge]\nWell, you stood there with me in the doorway\nMy hands shake, I'm not usually this way but\nYou pull me in and I'm a little more brave\nIt's the first kiss, it's flawless, really something\nIt's fearless\nOh, yeah\n[Chorus]\n'Cause I don't know how it gets better than this\nYou take my hand and drag me head first, fearless\nAnd I don't know why but with you, I'd dance\nIn a storm in my best dress, fearless\n'Cause I don't know how it gets better than this\nYou take my hand and drag me head first, fearless\nAnd I don't know why but with you, I'd dance\nIn a storm in my best dress, fearless\n[Outro]\nOh, oh\nOh, yeah" + } + ] + }, + { + "id":552920, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the intimate behind-the-scenes glimpse of her songwriting process. The song should begin with a conversational intro, reflecting on the unpredictability and passion for crafting music. It should include a voice memo feel, with raw vocal melodies and a rough sketch of lyrics that explore the theme of protecting a fragile love from external threats, using metaphors like hunters, foxes, and being chased. The song should build up to a catchy, major-key chorus that contrasts the darker verses, and the instrumentation should evolve from a simple piano to a beat-driven production, embodying the transformation from an idea to a full-fledged pop anthem." + }, + { + "from":"gpt", + "value":"So over the years, a lot of people have asked me to sort of describe my song writing process from beginning to end\nHow long does it take, where do you write, what are the circumstances, do you start with music, do you start with lyrics, and my answer is always that it happens differently every time, and that's why I'm still so in love with song writing\nSo what I've done here is shown you three different examples of the beginning stages of these songs and how they each started, different ways\nSo I'll explain them to you and maybe that will help you understand kind of how I put songs together\nI sent this voice memo to \nRyan Tedder\n because I'd always wanted to work with him, and finally we scheduled some studio time\nSo I always wanna be prepared\nI wanted to send him the idea that I was working on before we went into the studio just in case he wrote back and said \"I can't stand that, I wanna work on something else, think of something else\"\nSo I just sat down with the piano, put my phone on top of the piano and just kind of explained to him where I wanted to go with the song, how I saw the melody sitting in and we ended up recording the song the next day and it ended up being on the record called \"\nI Know Places\n\"\nSo this was the voice memo that I sent to him the night before we ended up finishing the song\n\"Okay so this is kind of this rough idea thing:\nUh-uh-uh-oh, oh-oh-oh-i\nOh-oh-oh, oh-oh-oh-i\nOh-oh-oh-oh, oh-oh-oh-i-i-i\nNa na na na waiting at the back door\nThey're around and the vultures come around\nAnd you know that they won't, they won't us\nSay what they want 'bout, say what they want 'bout us\nAnd you come and sing and listen\nI would not think about it but I'm not done\nEvery know that a thing or two about it, thing or two about it, I\n'Cause they got the cages, they got the boxes\nAnd guns\nThey are the hunters we are the foxes\nAnd we run\nBaby, I know some places we won't be found\nAnd they'll be chasing their tails trying to track us down\n'Cause I, I know places we can hide\nI know places, I know places\nUh-uh-uh-i, uh-uh-uh-i, oh-oh-i, uh-uh-uh-i, know places\"\nOr whatever\nI don't know, but that's basically just like a dark, really dark lyric, like, bridge thing and it's about, like, everybody's, like, trying to get into and ruin a love or whatever, and it's like you just, whatever, you know, and the chorus would just go to that major and just be like ooh chorus\nSo I hope you like it, it wouldn't be a piano thing\nIt would be, like, [*vocalizing*]\nLike, very, like, beat. Now I'm just making weird sounds\nHope you like it!" + } + ] + }, + { + "id":4809175, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the vulnerability and introspection of young adulthood, reflecting on the fleeting nature of youth and the fear of losing one's allure with age. The lyrics should explore the pressures placed on young women, the duality of being encouraged to enjoy life yet criticized for doing so, and the existential dread of becoming 'nothing new.' The song should include a blend of melancholic verses and a catchy, poignant chorus, with a bridge that conveys the bittersweet realization of inevitable change. Incorporate Taylor Swift's narrative storytelling and emotional depth, with a touch of Phoebe Bridgers' indie-folk sensibility, to create a reflective and relatable anthem." + }, + { + "from":"gpt", + "value":"[Verse 1: Taylor Swift]\nThey tell you while you're young\n\"Girls, go out and have your fun\"\nThen they hunt and\u2005slay\u2005the ones who\u2005actually do it\nCriticize the way you\u2005fly\nWhen you're soaring through the sky\nShoot you down and then they sigh\nAnd say, \"She looks like she's been through it\"\n[Pre-Chorus: Taylor Swift]\nLord, what will become of me\nOnce I've lost my novelty?\n[Chorus: Taylor Swift]\nI've had too much to drink tonight\nAnd I know it's sad, but this is what I think about\nAnd I wake up in the middle of the night\nIt's like I can feel time moving\nHow can a person know everythin' at eighteen\nBut nothin' at twenty-two?\nAnd will you still want me\nWhen I'm nothing new?\n[Verse 2: Phoebe Bridgers]\nHow long will it be cute, all this cryin' in my room?\nWhen you can't blame it on my youth\nAnd roll your eyes with affection\nAnd my cheeks are growing tired\nFrom turning red and faking smiles\nAre we only biding time 'til I lose your attention? [Pre-Chorus: Taylor Swift, \nPhoebe Bridgers\n]\nAnd someone else lights up the room (\nAh\n)\nPeople love an ing\u00e9nue (\nAh\n)\n[Chorus: Phoebe Bridgers, \nTaylor Swift\n]\nI've had (\nI've had\n) too much to drink tonight\nHow did I go from growin' up to breaking down?\nAnd I wake up (\nWake up\n) in the middle of the night\nIt's like I can feel time movin'\nHow can a person know everything at eighteen\nBut nothing at twenty-two?\nAnd will you still want me\nWhen I'm nothing new?\n[Bridge: Taylor Swift, \nBoth\n, \nPhoebe Bridgers\n]\nI know someday I'm gonna meet her, it's a \nfever dream\nThe kind of radiance you only have at\n \nseventeen\nShe'll know the way and then she'll say she got the \nmap from me\nI'll say I'm happy for her\n, then I'll cry \nmyself to sleep\nOh, woah, oh (Oh)\nOh, woah, oh, woah, oh (Oh)\n[Chorus: Taylor Swift, \nPhoebe Bridgers\n, \nBoth\n]\nI've had (\nI've had\n) too much to drink tonight\nBut I wonder if they'll miss me once they drive me out\nI wake up (\nWake up\n) in the middle of the night\nAnd I can feel time moving\nHow can a person know everything at eighteen\nBut nothing at twenty-two?\nAnd will you still want me\nWill you still want me\nWill you still want me\nWhen I'm nothing new?" + } + ] + }, + { + "id":187436, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love and the pain of feeling undervalued in a relationship. The lyrics should convey deep emotional vulnerability and a sense of longing, with a chorus that emphasizes the heartache of loving someone who doesn't love you back. The song should have a confessional tone, mirroring Swift's narrative songwriting style, and include specific details that make the story feel personal and relatable. Musically, aim for a blend of country-pop elements characteristic of Swift's earlier work, with a catchy melody that underscores the emotional weight of the lyrics." + }, + { + "from":"gpt", + "value":"[Verse 1]\nLet me know, how's it feel\nTo be under my skin, wrapped around my heart\nIs it like anywhere you've been?\nAnd everything I do, I do it just for you\n[Chorus]\nSo why the hell don't you love me?\nWhy the hell don't you need me like I need you?\nWhy you so far above me?\nDon't you know that there's nothing I wouldn't do?\nBut I was just a toy, which you destroyed\nStupid boy\n[Verse 2]\nI have been looking in, trying to read your mind\nGive you the benefit of the doubt, every single time\nAnd then you walk right by, I'm screaming out inside\n[Chorus]\nWhy the hell don't you love me?\nWhy the hell don't you need me like I need you?\nWhy you so far above me?\nDon't you know that there's nothing I wouldn't do?\nBut I was just a toy, which you destroyed\nStupid boy [Bridge]\nWhat happens when you wake up, to see that you've lost?\nYou take one look at me, cause that's what it cost\nI just wanna be everything you need\nCause you're everything to me\n[Chorus]\nSo why the hell don't you love me?\nWhy the hell don't you need me like I need you?\nWhy you so far above me?\nDon't you know that there's nothing I wouldn't do?\nBut I was just a toy, which you destroyed\nStupid boy\n[Outro]\nLet me know, how's it feel to be under my skin" + } + ] + }, + { + "id":7076625, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of reminiscing about a past relationship, with a blend of wistful nostalgia and the longing to turn back time to relive the love that was lost. The lyrics should convey a deep yearning and personal reflection, similar to the provided song, with references to specific memories and moments shared between lovers. The musical style should combine Swift's signature storytelling ability with a catchy, melodic chorus that emphasizes the theme of missing someone as if it were the very first night. Include vivid imagery and emotional undertones that are characteristic of Swift's songwriting, as well as a bridge that brings a poignant, reflective climax to the song." + }, + { + "from":"gpt", + "value":"[Chorus]\nI wish I could fly\nI'd pick you up and we'd go back in time\nI'd write this in the sky\nI miss you like it was the very first night\n[Verse 1]\nAnd so it goes\nEvery weekend, this same party\nI never go alone\nAnd I don't seem broken-hearted\nMy friends all say they know\nEverything I'm going through\nI drive down different roads\nBut they all lead back to you\n[Pre-Chorus]\n'Cause they don't know about the night in the hotel\nThey weren't ridin' in the car when we both fell\nDidn't read the note on the Polaroid picture\nThey don't know how much I miss you\n[Chorus]\nI wish I could fly\nI'd pick you up and we'd go back in time\nI'd write this in the sky\nI miss you like it was the very first night [Verse 2]\nAnd so it was\nWe never saw it comin'\nNot trying to fall in love\nBut we did like children runnin'\nBack then, we didn't know\nWe were built to fall apart\nWe broke the status quo\nThen we broke each other's hearts\n[Pre-Chorus]\nBut don't forget about the night out in L.A\nDance in the kitchen, chase me down through the hallway\nNo one knows about the words that we whispered\nNo one knows how much I miss you\n[Chorus]\nI wish I could fly\nI'd pick you up and we'd go back in time\nI'd write this in the sky\nI miss you like it was the very first night\n[Post-Chorus]\nTake me away, take me away\nTake me away to you, to you\nTake me away, take me away\nTake me away to you, to you [Bridge]\nI remember the night at the hotel\nI was ridin' in the car when we both fell\nI'm the one on the phone as you whisper\n\"Do you know how much I miss you?\"\n[Breakdown]\nI wish that we could go back in time\nAnd I'd say to you\n\"I miss you like it was the very first night\"\n[Chorus]\nI wish I could fly\nI'd pick you up and we'd go back in time\nI'd write this in the sky\nI miss you like it was the very first night\n[Post-Chorus]\nTake me away (Take me), take me away (Take me)\nTake me away (Take me) to you, to you\nTake me away (Take me), take me away (Take me)\nTake me away (Take me) to you, to you" + } + ] + }, + { + "id":3300013, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures the essence of overcoming hardships and finding solace in a loving relationship. The lyrics should reflect a journey from a metaphorical downfall, hinted at by references to a crumbled castle and a lost crown, to a serene state of being cherished and supported by a significant other. Incorporate imagery of resilience, like flowers regrowing as thorns and weathering a storm, alongside tender moments of personal connection and trust. The musical composition should blend Taylor Swift's signature confessional storytelling with a catchy, dreamy chorus that emphasizes the theme of calling the relationship whatever one wants, symbolizing freedom and disregard for outside opinions." + }, + { + "from":"gpt", + "value":"[Verse 1]\nMy castle crumbled overnight\nI brought a knife to a gunfight\nThey took the crown, but it's alright\nAll the liars are calling me one\nNobody's heard from me for months\nI'm doin' better than I ever was\n'Cause\n[Chorus]\nMy baby's fit like a daydream\nWalkin' with his head down\nI'm the one he's walking to\nSo call it what you want, yeah\nCall it what you want to\nMy baby's fly like a jet stream\nHigh above the whole scene\nLoves me like I'm brand new\nSo call it what you want, yeah\nCall it what you want to\n[Verse 2]\nAll my flowers grew back as thorns\nWindows boarded up after the storm\nHe built a fire just to keep me warm\nAll the drama queens taking swings\nAll the jokers dressing up as kings\nThey fade to nothing when I look at him [Pre-Chorus]\nAnd I know I make the same mistakes every time\nBridges burn, I never learn\nAt least I did one thing right\nI did one thing right\nI'm laughing with my lover, makin' forts under covers\nTrust him like a brother\nYeah, you know I did one thing right\nStarry eyes sparkin' up my darkest night\n[Chorus]\nMy baby's fit like a daydream\nWalkin' with his head down\nI'm the one he's walking to\nSo call it what you want, yeah\nCall it what you want to\nMy baby's fly like a jet stream\nHigh above the whole scene\nLoves me like I'm brand new\n(\nCall it what you want, call it what you want, call it\n)\nSo call it what you want, yeah\nCall it what you want to\n[Bridge]\nI want to wear his initial on a chain 'round my neck\nChain 'round my neck\nNot because he owns me\nBut 'cause he really knows me\nWhich is more than they can say, I\nI recall late November\nHolding my breath, slowly, I said\n\"You don't need to save me\nBut would you run away with me?\"\nYes (Would you run away?) [Chorus]\nMy baby's fit like a daydream\nWalkin' with his head down\nI'm the one he's walking to\n(\nCall it what you want, call it what you want, call it\n)\nSo call it what you want, yeah (Call it what you want it to)\nCall it what you want to\nMy baby's fly like a jet stream (Oh)\nHigh above the whole scene\nLoves me like I'm brand new\n(\nCall it what you want, call it what you want, call it\n)\nSo call it what you want, yeah\nCall it what you want to\n[Outro]\n(\nCall it what you want, call it\n)\n(\nCall it what you want, call it what you want, call it\n)\n(\nCall it what you want, call it what you want, call it\n)\n(\nCall it what you want, call it what you want, call it\n)\n(\nCall it what you want, call it what you want, call it\n)\n(\nCall it what you want, call it what you want, call it\n)\n(\nCall it what you want, call it what you want, call it\n)\nCall it what you want, yeah\nCall it what you want to" + } + ] + }, + { + "id":9199814, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional vulnerability and cautious optimism of a person on the verge of a potentially transformative romantic experience. The song should combine Taylor's narrative-driven lyricism with a blend of her country roots and pop sensibilities, including a duet section reminiscent of her collaboration with another artist. The themes should revolve around the anticipation of love, the fear of past relationship failures, and the electrifying potential of a new connection, capturing the essence of a make-or-break moment that could either ignite a passionate romance or lead to heartbreak." + }, + { + "from":"gpt", + "value":"[Verse 1: Taylor Swift]\nJust breathe, just relax, it'll be okay\nJust an hour 'til your car's in the driveway\nJust the first time ever hangin' out with you tonight\nI've got my money on things goin' badly\nGot a history of stories ending sadly\nStill hoping that the fire won't burn me\nJust one time, just one time\n[Chorus: Taylor Swift]\nAll I know is this could either break my heart or bring it back to life\nGot a feelin' your electric touch could fill this ghost town up with life\nAnd I want you now, wanna need you forever\nIn the heat of your electric touch, mmm\n[Verse 2: Patrick Stump, \nTaylor Swift & Patrick Stump\n]\nI've been left in the rain lost and pining\nI'm tryin' hard not to look like I'm trying\n'Cause every time I tried hard for love, it fell apart (Woah)\nI've gotten used to no one callin' my phone\nI've grown accustomed to sleepin' alone\nStill, I know that all it takes is to get it right\nJust one time\n, just one time\n[Chorus: Taylor Swift & Patrick Stump]\nAll I know is this could either break my heart or bring it back to life\nGot a feelin' your electric touch could fill this ghost town up with life\nAnd I want you now, wanna need you forever\nIn the heat of your electric touch, mmm [Bridge: Taylor Swift, \nPatrick Stump\n]\nI was thinking just one time (\nJust one time\n)\nMaybe the stars align (\nJust one time\n)\nAnd maybe I call you mine\nAnd you won't need space\nOr string me along while you decide\nAnd just one time (\nJust one time\n)\nMaybe the moment's right (\nThe moment's right\n)\nIt's 8:05 and I see two headlights\n[Chorus: Both, \nTaylor Swift,\n \nPatrick Stump\n]\nAll I know is this could either break my heart \nor bring it back to life\nGot a feelin' your electric\n touch (\nOoh\n)\nAll I know\n is this could either break my heart or bring it back to life\nGot a feelin' your electric touch could fill this ghost town up with life\n (\nLife\n)\nAnd I want you now\n, wanna need you forever\nIn the heat of your electric touch, mmm" + } + ] + }, + { + "id":5793957, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the raw emotion of heartbreak and betrayal, using vivid metaphors such as \"my smoking gun\" and \"my eclipsed sun\" to depict the pain of a lost love. The song should have a poetic and melancholic tone, with a chorus that emphasizes the singular obsession with a faithless lover, declaring \"your faithless love's the only hoax I believe in.\" Include a bridge that references personal scars and a past that can't be forgotten, resonating with themes of love, loss, and the bittersweet longing for something that is damaging yet irreplaceable. The overall musical style should be reminiscent of Swift's intimate, narrative-driven ballads, with a focus on acoustic elements that complement the emotional depth of the lyrics." + }, + { + "from":"gpt", + "value":"[Verse 1]\nMy only one\nMy smoking gun\nMy eclipsed sun\nThis has broken me down\nMy twisted knife\nMy sleepless night\nMy\u2005winless\u2005fight\nThis has frozen\u2005my ground\n[Chorus]\nStood on the cliffside screaming,\u2005\"Give me a reason\"\nYour faithless love's the only hoax I\u205fbelieve\u205fin\nDon't\u205fwant no other\u205fshade of blue\u205fbut you\nNo other sadness in the world would do\n[Verse 2]\nMy best laid plan\nYour sleight of hand\nMy barren land\nI am ash from your fire\n[Chorus]\nStood on the cliffside screaming, \"Give me a reason\"\nYour faithless love's the only hoax I believe in\nDon't want no other shade of blue but you\nNo other sadness in the world would do [Bridge]\nYou know I left a part of me back in New York\nYou knew the hero died so what's the movie for?\nYou knew it still hurts underneath my scars\nFrom when they pulled me apart\nYou knew the password so I let you in the door\nYou knew you won so what's the point of keeping score?\nYou knew it still hurts underneath my scars\nFrom when they pulled me apart\nBut what you did was just as dark\n(Ah, ah, ah)\nDarling, this was just as hard\nAs when they pulled me apart\n[Outro]\nMy only one\nMy kingdom come undone\nMy broken drum\nYou have beaten my heart\nDon't want no other shade of blue but you\nNo other sadness in the world would do" + } + ] + }, + { + "id":132654, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that addresses overcoming bullying and rising above a person who is cruel and mean-spirited. The song should convey a narrative of empowerment and feature a catchy chorus that emphasizes triumph over adversity, with lyrics that call out the aggressor's behavior and project a future where the singer is successful and unbothered by past negativity. The musical arrangement should include elements of country-pop akin to Taylor Swift's early work, with an acoustic guitar base and a build-up to a powerful, anthemic bridge." + }, + { + "from":"gpt", + "value":"[Verse 1]\nYou, with your words like knives\nAnd swords and weapons that you use against me\nYou have knocked me off my feet again\nGot me feeling like I'm nothing\nYou, with your voice like nails on a chalkboard\nCalling me out when I'm wounded\nYou, pickin' on the weaker man\n[Pre-Chorus]\nWell, you can take me down\nWith just one single blow\nBut you don't know what you don't know\n[Chorus]\nSomeday, I'll be livin' in a big, ole city\nAnd all you're ever gonna be is mean\nSomeday, I'll be big enough so you can't hit me\nAnd all you're ever gonna be is mean\nWhy you gotta be so mean?\n[Verse 2]\nYou, with your switching sides\nAnd your wildfire lies and your humiliation\nYou have pointed out my flaws again\nAs if I don't already see them\nI walk with my head down, trying to block you out\n'Cause I'll never impress you\nI just wanna feel okay again [Pre-Chorus]\nI bet you got pushed around\nSomebody made you cold\nBut the cycle ends right now\n'Cause you can't lead me down that road\nAnd you don't know what you don't know\n[Chorus]\nSomeday, I'll be livin' in a big, ole city\nAnd all you're ever gonna be is mean\nSomeday, I'll be big enough so you can't hit me\nAnd all you're ever gonna be is mean\nWhy you gotta be so mean?\n[Bridge]\nAnd I can see you years from now in a bar\nTalking over a football game\nWith that same big, loud opinion\nBut nobody's listening\nWashed up and ranting about the same old bitter things\nDrunk and grumblin' on about how I can't sing\nBut all you are is mean\n[Buildup]\nAll you are is mean\nAnd a liar, and pathetic\nAnd alone in life, and mean\nAnd mean, and mean, and mean [Chorus]\nBut someday, I'll be livin' in a big, ole city\nAnd all you're ever gonna be is mean\nYeah, someday, I'll be big enough so you can't hit me\nAnd all you're ever gonna be is mean\nWhy you gotta be so mean?\nSomeday, I'll be livin' in a big, ole city\n(Why you gotta be so mean?)\nAnd all you're ever gonna be is mean\n(Why you gotta be so mean?)\nSomeday, I'll be big enough so you can't hit me\n(Why you gotta be so mean?)\nAnd all you're ever gonna be is mean\nWhy you gotta be so mean?" + } + ] + }, + { + "id":539592, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that encapsulates the feeling of navigating a tumultuous relationship, using vivid imagery like \"Polaroid of us\" and metaphors such as \"two paper airplanes flying\" to convey the ups and downs. The song should have an anthemic chorus that repeats a central question reflecting the uncertainty of the relationship's outcome, similar to \"Are we out of the woods yet?\" Incorporate a bridge that shifts the tone with a moment of reflection, akin to \"Remember when you hit the brakes too soon?\" The overall vibe should be a mix of introspective verses and a powerful, catchy chorus that captures the essence of hope and resilience in the face of adversity." + }, + { + "from":"gpt", + "value":"[Verse 1]\nLooking at it now\nIt all seems so simple\nWe were lying on your couch\nI remember\nYou took a Polaroid of us\nThen discovered (Then discovered)\nThe rest of the world was black and white\nBut we were in screaming color\nAnd I remember thinking\n[Chorus]\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet?\nAre we in the clear yet, in the clear yet? Good\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet?\nAre we in the clear yet, in the clear yet? Good\n(Are we out of the woods?)\n[Verse 2]\nLooking at it now\nLast December (Last December)\nWe were built to fall apart\nThen fall back together (Back together)\nOoh, your necklace hanging from my neck\nThe night we couldn't quite forget\nWhen we decided, we decided\nTo move the furniture so we could dance\nBaby, like we stood a chance\nTwo paper airplanes flying, flying, flying\nAnd I remember thinking [Chorus]\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet?\nAre we in the clear yet, in the clear yet? Good\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? (Oh) Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet?\nAre we in the clear yet, in the clear yet? Good\n(Are we out of the woods?)\n[Bridge]\nRemember when you hit the brakes too soon?\nTwenty stitches in the hospital room\nWhen you started crying, baby, I did too\nBut when the sun came up, I was looking at you\nRemember when we couldn't take the heat?\nI walked out, I said, \"I'm setting you free\"\nBut the monsters turned out to be just trees\nWhen the sun came up, you were looking at me\nYou were looking at me, oh\nYou were looking at me\n(Are we out of the woods yet? Are we out of the woods yet?)\n(Are we out of the woods yet? Are we out of the woods?)\nI remember\n(Are we in the clear yet? Are we in the clear yet?)\n(Are we in the clear yet, in the clear yet? Good)\nOh, I remember [Chorus]\nAre we out of the woods yet? Are we out of the woods yet? (Yeah)\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet? (Say, are we?)\nAre we in the clear yet, in the clear yet? Good\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? (Yeah) Are we in the clear yet? (Yeah)\nAre we in the clear yet, in the clear yet? Good (Clear yet? Good)\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet?\nAre we in the clear yet, in the clear yet? Good (Do you remember?)\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet?\nAre we in the clear yet, in the clear yet? Good" + } + ] + }, + { + "id":102731, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the nostalgic romance of a timeless summer night. The lyrics should convey a story of young love and adventure, set in a bygone era, with imagery of dancing under the stars and living in the moment. Include a catchy, memorable chorus that mentions \"marvelous tunes\" and \"dancing like we're made of starlight,\" and weave in a narrative that involves sneaking into an upscale party and dreaming of grand, impossible things. The melody should be enchanting and dreamy, reminiscent of Swift's ethereal and narrative songwriting style." + }, + { + "from":"gpt", + "value":"[Chorus]\nI said, \"Oh, my, what a marvelous tune\"\nIt was the best night, never would forget how he moved\nThe whole place was dressed to the nines\nAnd we were dancing, dancing\nLike we're made of starlight\nLike we're made of starlight\n[Verse 1]\nI met Bobby on the boardwalk, summer of '45\nPicked me up, late one night out the window\nWe were 17 and crazy, running wild, wild\nCan't remember what song it was playing when we walked in\nThe night we snuck into a yacht club party\nPretending to be a duchess and a prince\n[Chorus]\nAnd I said, \"Oh, my, what a marvelous tune\"\nIt was the best night, never would forget how he moved\nThe whole place was dressed to the nines\nAnd we were dancing, dancing\nLike we're made of starlight, starlight\nLike we're made of starlight, starlight\n[Verse 2]\nHe said, \u201cLook at you, worrying too much about things you can't change\nYou'll spend your whole life singing the blues if you keep thinking that way\"\nHe was trying to skip rocks on the ocean, saying to me\n\"Don't you see the starlight, starlight?\nDon't you dream impossible things?\" [Chorus]\nLike, \"Oh, my, what a marvelous tune\"\nIt was the best night, never would forget how he moved\nThe whole place was dressed to the nines\nAnd we were dancing, dancing\nLike we're made of starlight, starlight\nLike we're made of starlight, starlight\n[Bridge]\nOoh-ooh, he's talking crazy\nOoh-ooh, dancing with me\nOoh-ooh, we could get married\nHave ten kids and teach 'em how to dream\n[Guitar Solo]\n[Chorus]\nOh, my, what a marvelous tune\nIt was the best night, never would forget how he moved\nThe whole place was dressed to the nines\nAnd we were dancing, dancing\nLike we're made of starlight, starlight\nLike we're made of starlight, starlight\n[Breakdown]\nLike we're made of starlight, starlight\nLike we dream impossible dreams\nLike starlight, starlight\nLike we dream impossible dreams [Outro]\nDon't you see the starlight, starlight?\nDon't you dream impossible things?" + } + ] + }, + { + "id":132092, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional depth and vulnerability of a person struggling with self-perception and hidden pain. The song should have an acoustic, confessional feel, reminiscent of Swift\u2019s earlier country-pop work, with lyrics that convey the experience of maintaining a facade of happiness while internally grappling with insecurity and the desire to be loved. Include metaphorical language that reflects the themes of concealment and inner turmoil, similar to how \"tied together with a smile\" illustrates a forced, fragile cheerfulness." + }, + { + "from":"gpt", + "value":"[Verse 1]\nSeems the only one who doesn't see your beauty\nIs the face in the mirror looking back at you\nYou walk around here thinking you're not pretty\nBut that's not true\n'Cause I know you\n[Chorus]\nHold on, baby, you're losing it\nThe water's high, you're jumping into it and letting go\nAnd no one knows\nThat you cry, but you don't tell anyone\nThat you might not be the golden one\nAnd you're tied together with a smile\nBut you're coming undone, oh\n[Verse 2]\nI guess it's true that love was all you wanted\n'Cause you're giving it away like it's extra change\nHoping it will end up in his pocket (Pocket)\nBut he leaves you out like a penny in the rain\nOh, 'cause it's not his price to pay\nIt's not his price to pay\n[Chorus]\nHold on, baby, you're losing it\nThe water's high, you're jumping into it and letting go\nAnd no one knows\nThat you cry, but you don't tell anyone\nThat you might not be the golden one\nAnd you're tied together with a smile\nBut you're coming undone, oh\nOh, oh [Chorus]\nHold on, baby, you're losing it\nThe water's high, you're jumping into it and letting go\nAnd no one knows\nThat you cry but you don't tell anyone\nThat you might not be the golden one\nAnd you're tied together with a smile\nBut you're coming undone, oh\n[Outro]\nYou're tied together with a smile\nBut you're coming undone, oh, oh-oh\nGoodbye, baby\nWith a smile, baby, baby\nOh" + } + ] + }, + { + "id":102701, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the nostalgia and heartache of a past relationship, weaving a narrative that reflects on intimate moments and the bittersweet memories that linger after a breakup. Incorporate vivid imagery and emotional storytelling to create a sense of longing and reflection, much like the detailed recollections of lost love found in \"All Too Well.\" The song should feature acoustic elements, a soft yet powerful vocal delivery, and a build-up to a cathartic bridge, embodying Taylor Swift's signature blend of country roots and pop sensibility." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI walked through the door with you, the air was cold\nBut something 'bout it felt like home somehow\nAnd I left my scarf there at your sister's house\nAnd you've still got it in your drawer, even now\n[Verse 2]\nOh, your sweet disposition and my wide-eyed gaze\nWe're singing in the car, getting lost upstate\nAutumn leaves falling down like pieces into place\nAnd I can picture it after all these days\n[Pre-Chorus]\nAnd I know it's long gone and\nThat magic's not here no more\nAnd I might be okay, but I'm not fine at all\nOh, oh, oh\n[Chorus]\n'Cause there we are again on that little town street\nYou almost ran the red 'cause you were lookin' over at me\nWind in my hair, I was there\nI remember it all too well\n[Verse 3]\nPhoto album on the counter, your cheeks were turning red\nYou used to be a little kid with glasses in a twin-sized bed\nAnd your mother's telling stories 'bout you on the tee-ball team\nYou taught me 'bout your past, thinking your future was me [Pre-Chorus]\nAnd I know it's long gone and\nThere was nothing else I could do\nAnd I forget about you long enough\nTo forget why I needed to\n[Chorus]\n'Cause there we are again in the middle of the night\nWe're dancing \u2018round the kitchen in the refrigerator light\nDown the stairs, I was there\nI remember it all too well, yeah\n[Bridge]\nWell, maybe we got lost in translation\nMaybe I asked for too much\nBut maybe this thing was a masterpiece\n'Til you tore it all up\nRunning scared, I was there\nI remember it all too well\nAnd you call me up again\nJust to break me like a promise\nSo casually cruel in the name of being honest\nI'm a crumpled up piece of paper lying here\n'Cause I remember it all, all, all\nToo well [Verse 4]\nTime won't fly, it's like I'm paralyzed by it\nI'd like to be my old self again, but I'm still trying to find it\nAfter plaid shirt days and nights when you made me your own\nNow, you mail back my things and I walk home alone\nBut you keep my old scarf from that very first week\n'Cause it reminds you of innocence and it smells like me\nYou can't get rid of it\n'Cause you remember it all too well, yeah\n[Chorus]\n'Cause there we are again when I loved you so\nBack before you lost the one real thing you've ever known\nIt was rare, I was there\nI remember it all too well\n[Outro]\nWind in my hair, you were there\nYou remember it all\nDown the stairs, you were there\nYou remember it all\nIt was rare, I was there\nI remember it all too well" + } + ] + }, + { + "id":186835, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a bittersweet holiday season, where the protagonist is grappling with the memories of past Christmases shared with a now-absent loved one. The lyrics should evoke a sense of nostalgia and a poignant longing amidst the festive surroundings, with contrasting themes of warmth from family and the chill of personal loneliness. The melody should complement the introspective and narrative-driven verses, leading up to a memorable, emotionally charged chorus that underscores the sentiment of the season being a time for togetherness, which highlights the protagonist's sense of isolation." + }, + { + "from":"gpt", + "value":"[Verse 1]\nPlease take down the mistletoe\n'Cause I don't want to think about that right now\n'Cause everything I want is miles away\nIn a snow covered little town\nMy momma's in the kitchen, worrying about me\nSeason's greetings, hope you're well\nWell I'm doing alright\nIf you were wondering\nLately I can never tell\n[Chorus]\nI know this shouldn't be a lonely time\nBut there were Christmases when you were mine\n[Verse 2]\nI've been doing fine without you, really\nUp until the nights got cold\nAnd everybody's here, except you, baby\nSeems like everyone's got someone to hold\n[Chorus]\nBut for me it's just a lonely time\n'Cause there were Christmases when you were mine\n[Verse 3]\nMerry Christmas, everybody\nThat'll have to be something I just say this year\nI'll bet you got your mom another sweater\nAnd were your cousins late again?\nWhen you were putting up the lights this year\nDid you notice one less pair of hands? [Chorus]\nI know this shouldn't be a lonely time\nBut there were Christmases when I didn't wonder how you are tonight\n'Cause there were Christmases when you were mine\n[Outro]\nYou were mine" + } + ] + }, + { + "id":6260174, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of overcoming personal struggles and finding peace in a new love. The lyrics should reflect the journey from battling adversity, symbolized by the imagery of war and falling from grace, to embracing a newfound relationship that feels like home. The song should have a reflective yet uplifting tone, with a chorus that emphasizes the theme of resilience and survival, akin to the line \"long story short, I survived.\" The musical arrangement should be in line with Swift's pop sensibilities, incorporating both acoustic and electronic elements to create a sound that's both intimate and anthemic." + }, + { + "from":"gpt", + "value":"[Verse 1]\nFatefully\nI tried to pick my battles 'til the battle picked me\nMisery\nLike the war of words I shouted in my sleep\nAnd you passed right by\nI was in the alley, surrounded on all sides\nThe knife cuts both ways\nIf the shoe fits, walk in it 'til your high heels break\n[Chorus]\nAnd I fell from the pedestal\nRight down the rabbit hole\nLong story short, it was a bad time\nPushed from the precipice\nClung to the nearest lips\nLong story short, it was the wrong guy\n[Post-Chorus]\nNow I'm all about you\nI'm all about you, ah\nYeah, yeah\nI'm all about you, ah\nYeah, yeah\n[Verse 2]\nActually\nI always felt I must look better in the rear view\nMissing me\nAt the golden gates they once held the keys to\nWhen I dropped my sword\nI threw it in the bushes and knocked on your door\nAnd we live in peace\nBut if someone comes at us, this time, I'm ready [Chorus]\n'Cause I fell from the pedestal\nRight down the rabbit hole\nLong story short, it was a bad time\nPushed from the precipice\nClung to the nearest lips\nLong story short, it was the wrong guy\n[Post-Chorus]\nNow I'm all about you\nI'm all about you, ah\nYeah, yeah\nI'm all about you\n[Bridge]\nNo more keepin' score\nNow I just keep you warm (Keep you warm)\nNo more tug of war\nNow I just know there's more (Know there's more)\nNo more keepin' score\nNow I just keep you warm (Keep you warm)\nAnd my waves meet your shore\nEver and evermore\n[Verse 3]\nPast me\nI wanna tell you not to get lost in these petty things\nYour nemeses\nWill defeat themselves before you get the chance to swing\nAnd he's passing by\nRare as the glimmer of a comet in the sky\nAnd he feels like home\nIf the shoe fits, walk in it everywhere you go [Chorus]\nAnd I fell from the pedestal\nRight down the rabbit hole\nLong story short, it was a bad time\nPushed from the precipice\nClimbed right back up the cliff\nLong story short, I survived\n[Post-Chorus]\nNow I'm all about you\n(And now) I'm all about you, ah\n(And now) I'm all about you\n(And now) I'm all about you, ah\nYeah, yeah\nI'm all about you\n(And now) Yeah, yeah\nI'm all about you\n[Outro]\nLong story short, it was a bad time\nLong story short, I survived" + } + ] + }, + { + "id":3221550, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a romantic adventure wrapped in mystery and allure, much like a game of cat and mouse. The lyrics should convey a story of two people, each with a hint of a dark past, who find an intoxicating connection with one another. Incorporate themes of daring love, the thrill of the chase, and the excitement of a secret romance. The song should have a dynamic and catchy chorus that asks, \"Are you ready for it?\" to emphasize the anticipation and build-up of the relationship. The musical arrangement should be pop-centric, with a hint of electric edge, reflecting Swift's more recent work." + }, + { + "from":"gpt", + "value":"[Verse 1]\nKnew he was a killer first time that I saw him\nWondered how many girls he had loved and left haunted\nBut if he's a ghost, then I can be a phantom\nHoldin' him for ransom, some\nSome boys are tryin' too hard, he don't try at all, though\nYounger than my exes, but he act like such a man, so\nI see nothin' better, I keep him forever\nLike a vendetta-ta\n[Pre-Chorus]\nI, I, I see how this is gon' go\nTouch me and you'll never be alone\nI-Island breeze and lights down low\nNo one has to know\n[Chorus]\nIn the middle of the night, in my dreams\nYou should see the things we do, baby, mmm\nIn the middle of the night, in my dreams\nI know I'm gonna be with you, so I take my time\nAre you ready for it?\n[Verse 2]\nKnew I was a robber first time that he saw me\nStealin' hearts and runnin' off and never sayin' sorry\nBut if I'm a thief, then he can join the heist and\nWe'll move to an island and\nAnd he can be my jailer, Burton to this Taylor\nEvery love I've known in comparison is a failure\nI forget their names now, I'm so very tame now\nNever be the same now, now [Pre-Chorus]\nI, I, I see how this is gon' go (Go)\nTouch me and you'll never be alone\nI-Island breeze and lights down low (Low)\nNo one has to know (No one has to know)\n[Chorus]\nIn the middle of the night, in my dreams (Yeah)\nYou should see the things we do (We do), baby, mmm (Mmm)\nIn the middle of the night (The night) in my dreams (My dreams)\nI know I'm gonna be with you, so I take my time\nAre you ready for it? Oh\nAre you ready for it?\n[Refrain]\nBaby, let the games begin\nLet the games begin\nLet the games begin, ah-ah\nBaby, let the games begin\nLet the games begin\nLet the games begin\n[Pre-Chorus]\nI, I, I see how this is gon' go\nTouch me and you'll never be alone\nI-Island breeze and lights down low\nNo one has to know [Chorus]\nIn the middle of the night (Night), in my dreams (My dreams)\nYou should see the things we do (We do), baby (Baby), mmm (Yeah)\nIn the middle of the night, in my dreams (My dreams)\nI know I'm gonna be with you, so I take my time (Yeah)\nIn the middle of the night\n[Refrain]\nBaby, let the games begin\nLet the games begin\nLet the games begin\nAre you ready for it?\nBaby, let the games begin\nLet the games begin\nLet the games begin\nAre you ready for it?" + } + ] + }, + { + "id":5817277, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of childhood nostalgia, incorporating vivid imagery of autumnal scenery such as pumpkin patches and golden skies. The song should evoke the warmth of family memories and convey a sense of innocence and comfort, similar to the tender and reflective narrative found in the verse provided. The lyrics should be personal and emotionally resonant, featuring a storytelling approach characteristic of Taylor Swift's songwriting, with a focus on the small, yet poignant moments that define the simplicity of youth." + }, + { + "from":"gpt", + "value":"[Verse]\nI'm five years old, it's getting cold, I've got my big coat on\nI hear your\u2005laugh\u2005and look up\u2005smiling at you, I run and\u2005run\nPast the pumpkin patch and the tractor rides\nLook now, the\u205fsky\u205fis\u205fgold\nI hug your\u205flegs and fall\u205fasleep on the way home" + } + ] + }, + { + "id":132077, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of youthful summer love with nostalgic country vibes. The lyrics should reflect on cherished memories and the bittersweet passage of time, using specific imagery such as dancing under the moonlight, a cherished article of clothing, and a poignant keepsake that stirs up past emotions. The song should convey the hope that a certain melody or symbol will remind a lost love of the singer, with a tender and storytelling approach characteristic of Taylor Swift's earlier country work." + }, + { + "from":"gpt", + "value":"[Verse 1]\nHe said the way my blue eyes shined\nPut those Georgia stars to shame that night\nI said, \"That's a lie\"\nJust a boy in a Chevy truck\nThat had a tendency of gettin' stuck\nOn backroads at night\n[Pre-Chorus]\nAnd I was right there beside him all summer long\nAnd then the time we woke up to find that summer gone\n[Chorus]\nBut when you think Tim McGraw\nI hope you think my favorite song\nThe one we danced to all night long\nThe moon like a spotlight on the lake\nWhen you think happiness\nI hope you think that little black dress\nThink of my head on your chest\nAnd my old faded blue jeans\nWhen you think Tim McGraw\nI hope you think of me\n[Verse 2]\nSeptember saw a month of tears\nAnd thankin' God that you weren't here\nTo see me like that\nBut in a box beneath my bed\nIs a letter that you never read\nFrom three summers back [Pre-Chorus]\nIt's hard not to find it all a little bittersweet\nAnd lookin' back on all of that, it's nice to believe\n[Chorus]\nWhen you think Tim McGraw\nI hope you think my favorite song\nThe one we danced to all night long\nThe moon like a spotlight on the lake\nWhen you think happiness\nI hope you think that little black dress\nThink of my head on your chest\nAnd my old faded blue jeans\nWhen you think Tim McGraw\nI hope you think of me\n[Bridge]\nAnd I'm back for the first time since then\nI'm standin' on your street\nAnd there's a letter left on your doorstep\nAnd the first thing that you'll read\n[Chorus]\nIs, \"When you think Tim McGraw\nI hope you think my favorite song\nSomeday you'll turn your radio on\nI hope it takes you back to that place\"\nWhen you think happiness\nI hope you think that little black dress\nThink of my head on your chest\nAnd my old faded blue jeans\nWhen you think Tim McGraw\nI hope you think of me [Outro]\nOh, think of me, mmm\nHe said the way my blue eyes shined\nPut those Georgia stars to shame that night\nI said, \"That's a lie\"" + } + ] + }, + { + "id":8485908, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of youthful longing and the realization of independence. The song should explore themes of unrequited love, personal growth, and the bittersweet journey towards self-reliance. It should include vivid imagery, such as contrasting the innocence of \"sprinkler splashes\" with the maturity of \"fireplace ashes,\" and portray the transformation from naive hopes to understanding one's own strength. The musical arrangement should be reminiscent of Swift's narrative-driven songwriting, with an instrumental break that allows for an emotional buildup, leading to a powerful and reflective bridge. The tone should blend melancholy with empowerment, encapsulating the dichotomy of growing pains and self-discovery." + }, + { + "from":"gpt", + "value":"[Verse 1]\nSummer went away, still, the yearning stays\nI play it cool with the best of them\nI wait patiently, he's gonna notice me\nIt's okay, we're the best of friends\nAnyway\nI hear it in your voice, you're smoking with your boys\nI touch my phone as if it's your face\nI didn't choose this town, I dream of getting out\nThere's just one who could make me stay\nAll my days\n[Pre-Chorus]\nFrom sprinkler splashes to fireplace ashes\nI waited ages to see you there\nI search the party of better bodies\nJust to learn that you never cared\n[Chorus]\nYou're on your own, kid\nYou always have been\n[Verse 2]\nI see the great escape,\n \nso long, Daisy May\nI picked the petals, he loves me not\nSomething different bloomed, writing in my room\nI play my songs in the parking lot\nI'll run away [Pre-Chorus]\nFrom sprinkler splashes to fireplace ashes\nI called a taxi to take me there\nI search the party of better bodies\nJust to learn that my dreams aren't rare\n[Chorus]\nYou're on your own, kid\nYou always have been\n[Instrumental Break]\n[Bridge]\nFrom sprinkler splashes to fireplace ashes\nI gave my blood, sweat, and tears for this\nI hosted parties and starved my body\nLike I'd be saved by a perfect kiss\nThe jokes weren't funny\n, \nI took the money\nMy friends from home don't know what to say\nI looked around in a blood-soaked gown\nAnd I saw something they can't take away\n'Cause there were pages turned with the bridges burned\nEverything you lose is a step you take\nSo, make the friendship bracelets, take the moment and taste it\nYou've got no reason to be afraid [Chorus]\nYou're on your own, kid\nYeah, you can face this\nYou're on your own, kid\nYou always have been" + } + ] + }, + { + "id":132080, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of youthful introspection and the search for one's place in the world. The lyrics should convey the uncertainty and determination of a young person facing life's challenges, with a tone that is both vulnerable and hopeful. The song should include a catchy chorus that emphasizes the theme of self-reliance and personal growth, and it should be delivered with the emotional depth and narrative storytelling that are characteristic of Taylor Swift's early country-pop era." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI don't know what I want, so don't ask me\n'Cause I'm still trying to figure it out\nDon't know what's down this road, I'm just walking\nTrying to see through the rain coming down\nEven though I'm not the only one\nWho feels the way I do\n[Chorus]\nI'm alone, on my own, and that's all I know\nI'll be strong, I'll be wrong, oh, but life goes on\nOh, I'm just a girl trying to find a place in this world\n[Verse 2]\nGot the radio on, my old blue jeans\nAnd I'm wearing my heart on my sleeve\nFeeling lucky today, got the sunshine\nCould you tell me what more do I need?\nAnd tomorrow's just a mystery, oh, yeah\nBut that's okay\n[Chorus]\nI'm alone, on my own, and that's all I know\nI'll be strong, I'll be wrong, oh, but life goes on\nOh, I'm just a girl trying to find a place in this world [Bridge]\nMaybe I'm just a girl on a mission\nBut I'm ready to fly\n[Chorus]\nI'm alone, on my own, and that's all I know\nI'll be strong, I'll be wrong, oh, but life goes on\nOh, I'm alone, on my own, and that's all I know\nOh, I'm just a girl trying to find a place in this world\n[Outro]\nOh, I'm just a girl\nOh, I'm just a girl, oh, oh\nOh, I'm just a girl" + } + ] + }, + { + "id":2466693, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures a narrative of yearning and hopeful anticipation for love. The lyrics should reflect a blend of patience and earnest desire, with metaphors like \"crossing my heart,\" \"knocking on wood,\" and \"roping the moon\" to convey a sense of romantic superstition and whimsy. The song should embody a sense of optimism and the longing for a destined meeting, reminiscent of Swift's narrative-driven, country-pop sound, complete with a catchy chorus and an emotional bridge that ponders the existence of miracles in love." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI\u2019ve been counting days and\nI\u2019ve been being patient\nAbout a little thing called love\nCrossing all my fingers\nLetting my heart linger\nTrying to get some help from up above\n[Pre-Chorus]\nI don\u2019t want to jinx my luck\nI\u2019ve left it all behind me\nAnd I\u2019ve been hoping every day\nThat someday you will find me\n[Chorus]\nSo I cross my heart and hope for you\nKnock on wood and rope the moon\nI\u2019ll pray for you and me and hope I\u2019m right\nAnd I wait around that old wishing well\nYou never know if time will tell\nI cross my heart and hope for you tonight\n[Verse 2]\nDreaming of you baby\nI\u2019ve been thinking maybe\nThere is something I can do\n\u2018Cause I\u2019ve been on the verge of\nRunning around in circles\nBaby all I want is you [Pre-Chorus]\nI don\u2019t want to jinx my luck\nI\u2019ve left it all behind me\nAnd I\u2019ve been hoping every day\nThat someday you will find me\n[Chorus]\nSo I cross my heart and hope for you\nKnock on wood and rope the moon\nI\u2019ll pray for you and me and hope I\u2019m right\nAnd I wait around that old wishing well\nYou never know if time will tell\nI cross my heart and hope for you tonight\n[Bridge]\nDo you believe in miracles\nPlease tell me if you\u2019ve seen one\nI\u2019d like to know just where to go\nBecause I think I need one\n[Chorus x2]\nSo I cross my heart and hope for you\nKnock on wood and rope the moon\nI\u2019ll pray for you and me and hope I\u2019m right\nAnd I wait around that old wishing well\nYou never know if time will tell\nI cross my heart and hope for you tonight So I cross my heart and hope for you\nKnock on wood and rope the moon\nI\u2019ll pray for you and me and hope I\u2019m right\nAnd I wait around that old wishing well\nYou never know if time will tell\nI cross my heart and hope for you tonight" + } + ] + }, + { + "id":52592, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional turbulence of a failing relationship, with vivid imagery of fear and longing. The song should include a delicate balance of vulnerability and strength, infused with a sense of haunting regret. Reflect Taylor Swift's narrative songwriting approach, where the lyrics convey a deep sense of personal reflection and a storyline that listeners can relate to. The music should be evocative, with a blend of country and pop elements, featuring an engaging chorus that highlights the desperation and resolve of holding onto a love that's slipping away." + }, + { + "from":"gpt", + "value":"[Verse 1]\nYou and I walk a fragile line\nI have known it all this time\nBut I never thought I'd live to see it break\nIt's getting dark and it's all too quiet\nAnd I can't trust anything now\nAnd it's coming over you like it's all a big mistake\n[Pre-Chorus]\nWoah, holding my breath\nWon't lose you again\nSomething's made your eyes go cold\n[Chorus]\nCome on, come on, don't leave me like this\nI thought I had you figured out\nSomething's gone terribly wrong\nYou're all I wanted\nCome on, come on, don't leave me like this\nI thought I had you figured out\nCan't breathe whenever you're gone\nCan't turn back now, I'm haunted\n[Verse 2]\nStood there and watched you walk away\nFrom everything we had\nBut I still mean every word I said to you\nHe will try to take away my pain\nAnd he just might make me smile\nBut the whole time, I'm wishing he was you instead [Pre-Chorus]\nOh, holding my breath\nWon't see you again\nSomething keeps me holding onto nothing\n[Chorus]\nCome on, come on, don't leave me like this\nI thought I had you figured out\nSomething's gone terribly wrong\nYou're all I wanted\nCome on, come on, don't leave me like this\nI thought I had you figured out\nCan't breathe whenever you're gone\nCan't turn back now, I'm haunted\n[Bridge]\nI know, I know\nI just know\nYou're not gone\nYou can't be gone, no\n[Chorus]\nCome on, come on, don't leave me like this\nI thought I had you figured out\nSomething's gone terribly wrong\nWon't finish what you started\nCome on, come on, don't leave me like this\nI thought I had you figured out\nCan't breathe whenever you're gone\nI can't go back, I'm haunted [Outro]\nOh-oh, oh-oh, oh-oh, oh\nYou and I walk a fragile line\nI have known it all this time\nNever ever thought I'd see it break\nNever thought I'd see it" + } + ] + }, + { + "id":186961, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the heartache of longing for a lost love and the wishful thinking of romantic reconciliation, akin to an idealized movie scene. The lyrics should reflect a mix of nostalgia and hope, with references to specific memories and a narrative that conveys the yearning for an apology and a second chance. The song should include vivid imagery of waiting and flashbacks, and convey the emotional intensity of wanting someone to \"come back\" against the odds, set to a melody that blends country roots with pop sensibility." + }, + { + "from":"gpt", + "value":"[Verse 1]\nLast night, I heard my own heart beating\nSounded like footsteps on my stairs\nSix months gone and I'm still reaching\nEven though I know you're not there\nI was playing back a thousand memories, baby\nThinking 'bout everything we've been through\nMaybe I've been going back too much lately\nWhen time stood still and I had you\n[Chorus]\nCome back, come back, come back to me like\nYou would, you would if this was a movie\nStand in the rain outside 'til I came out\nCome back, come back, come back to me like\nYou could, you could if you just said you're sorry\nI know that we could work it out somehow\nBut if this was a movie, you'd be here by now\n[Verse 2]\nI know people change and these things happen\nBut I remember how it was back then\nWrapped up in your arms and our friends were laughin'\n'Cause nothing like this ever happened to them\nNow I'm pacing down the hall, chasing down your street\nFlashback to the night when you said to me\nThat nothing's gonna change, not for me and you\nBack before I knew how much I had to lose [Chorus]\nCome back, come back, come back to me like\nYou would, you would if this was a movie\nStand in the rain outside 'til I came out\nCome back, come back, come back to me like\nYou could, you could if you just said you're sorry\nI know that we could work it out somehow\nBut if this was a movie, you'd be here by now\n[Bridge]\nIf you're out there, if you're somewhere, if you're moving on\nI've been waiting for you every day since you've been gone\nI just want it back the way it was before\nAnd I just wanna see you back at my front door\n[Breakdown]\nAnd I say, \"Come back, come back, come back to me like\nYou would before you said it's not that easy\nBefore the fight, before I locked you out\nBut I take it all back now\"\n[Chorus]\nCome back, come back, come back to me like\nYou would, you would if this was a movie\nStand in the rain outside 'til I came out\nCome back, come back, come back to me like\nYou could, you could if you just said you're sorry\nI know that we could work it out somehow\nBut if this was a movie, you'd be here by now [Outro]\nYou'd be here by now\nIt's not the kind of ending you wanna see now\nBaby, what about the ending?\nOh, I thought you'd be here by now\nOh, oh, oh, oh, oh, oh\nThought you'd be here by now" + } + ] + }, + { + "id":4072964, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the nostalgic journey of a young girl's aspirations to be on stage, inspired by a performer she admires. The lyrics should reflect the perspective of both the aspiring little girl and the performer, emphasizing the cyclical nature of inspiration and the connection between artist and audience. Incorporate country music elements and a narrative that unfolds through detailed storytelling, akin to Swift's early work, with a chorus that highlights the emotional realization of dreams and the profound impact of seeing oneself in another's success." + }, + { + "from":"gpt", + "value":"[Verse 1]\nLittle girl, she looks around\nShe's standing in the open ground\nLooks up at the girl alone singing through the microphone\nGirl gives girl a little smile\nAnd just one wink that could have run a mile\nBut life is full of empty days\nBut the little girl said, \"I'm gonna be like that someday\"\n[Chorus]\nI, I remember the eyes\nOf the kid in the crowd\nWho cut me down to size\nAnd realizing is crying out loud\nFor every kid on stage\nThere is a kid in the crowd\n[Verse 2]\nGirl on stage holds her hand\nBacked up by a country band\nLooking down with eyes of grace\nLooked upon that young girl's face\nAnd when she smiled at that eight-year-old\nEndless thoughts that can never be told\nWiped away those empty days\nAnd the little girl said, \"I'm gonna be like that someday\" [Chorus]\nI, I remember the eyes\nOf the kid in the crowd\nWho cut me down to size\nAnd realizing is crying out loud\nFor every kid on stage\nThere is a kid in the crowd\n[Bridge]\n[?] are like moonlit skies\nAnd lovin' eyes are like fireflies\nWannabes, they really can be\nBut the little girl, that little girl was me\n[Chorus]\nI, I remember the time\nI was a kid in the crowd\nWith the dream in my eyes\nRealizing is crying out loud\nThere was a kid on stage\nI was the kid in the crowd\n[Outro]\nOh, oh\nI'm still the kid in the crowd" + } + ] + }, + { + "id":1543455, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional journey of young love, from the uncertainty and fear of heartbreak to the surprise of finding a lasting connection. The song should explore themes of rebellion, coming of age, and the pivotal moments that define a relationship, such as the first time embracing by the water or facing challenges together. The narrative should unfold with vivid imagery, reflecting on both the sweet and trying times, culminating in the realization that they have something special worth fighting for. The tone should blend Taylor Swift's signature storytelling with a touch of nostalgia and a strong emphasis on personal growth and the impact of love." + }, + { + "from":"gpt", + "value":"[SANTANA]\nYou were in college working part time waitin' tables\nLeft a small town, never looked back\nI was a flight risk with a fear of falling\nWonderin' why we bother with love if it never lasts\nI say, \"Can you believe it?\"\nAs we're lyin' on the couch\nThe moment I could see it\nYes, yes, I can see it now\nDo you remember, we were sittin' there by the water?\nYou put your arm around me for the first time\nYou made a rebel of a careless man's careful daughter\nYou are the best thing that's ever been mine\nFlash forward and we're takin' on the world together\nAnd there's a drawer of my things at your place\nYou learn my secrets and you figure out why I'm guarded\nYou say we'll never make my parents' mistakes\nBut we got bills to pay\nWe got nothing figured out\nWhen it was hard to take\nYes, yes, this is what I thought about Do you remember, we were sittin' there by the water?\nYou put your arm around me for the first time\nYou made a rebel of a careless man's careful daughter\nYou are the best thing that's ever been mine\nDo you remember all the city lights on the water?\nYou saw me start to believe for the first time\nYou made a rebel of a careless man's careful daughter\nYou are the best thing that's ever been mine\nAh-oh-oh\nAnd I remember that fight, 2:30AM\nWhen everything was slippin' right out of our hands\nI ran out crying and you followed me out into the street\nBraced myself for the goodbye\n'Cause that's all I've ever known\nThen you took me by surprise\nYou said, \"I'll never leave you alone\"\nYou said, \"I remember how we felt sitting by the water\nAnd every time I look at you, it's like the first time\nI fell in love with a careless man's careful daughter\nShe is the best thing that's ever been mine\"\nOoh, oh\nYou made a rebel of a careless man's careful daughter\nYou are the best thing that's ever been mine Do you believe it?\nWe're gonna make it now\nAnd I can see it\nI can see it now" + } + ] + }, + { + "id":62236, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift, capturing the emotional intensity and tender reassurance found in her song \"Safe & Sound\" featuring The Civil Wars. The lyrics should express a comforting message amidst a backdrop of turmoil and darkness, with acoustic and folk influences that underscore the vulnerability and warmth of the narrative. The song should include soothing choruses with harmonies similar to those provided by The Civil Wars, creating a lullaby-like quality that offers a sense of protection and solace." + }, + { + "from":"gpt", + "value":"[Verse 1: Taylor Swift]\nI remember tears streaming down your face when I said, \"I'll never let you go\"\nWhen all those shadows almost killed your light\nI remember you said, \"Don't leave me here alone\"\nBut all that's dead and gone and passed tonight\n[Chorus: Taylor Swift with Joy Williams of The Civil Wars backup]\nJust close your eyes\nThe sun is going down\nYou'll be alright\nNo one can hurt you now\nCome morning light\nYou and I'll be safe and sound\n[Verse 2: Taylor Swift with John Paul White of The Civil Wars backup]\nDon't you dare look out your window\nDarling, everything's on fire\nThe war outside our door keeps raging on\nHold on to this lullaby\nEven when (the) music's gone\nGone\n[Chorus]\nJust close your eyes\nThe sun is going down\nYou'll be alright\nNo one can hurt you now\nCome morning light\nYou and I'll be safe and sound [Bridge: Taylor Swift with The Civil Wars backup]\nOoh, ooh\nOoh, ooh\nOh (Oh)\nOh (Oh)\nOoh, ooh\nOoh, ooh\nOh\nOh\n[Chorus: Taylor Swift & The Civil Wars]\nJust close your eyes\nYou'll be alright\nCome morning light\nYou and I'll be safe and sound\n[Outro: Taylor Swift with The Civil Wars backup]\nOoh, ooh\nOoh, ooh\nOoh, ooh\nOoh, ooh\nOoh, ooh\nOoh, ooh" + } + ] + }, + { + "id":4721067, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift, capturing the introspective and vulnerable narrative of someone who feels like both the hero and the victim in their own story, akin to \"The Archer.\" The lyrics should weave a tale of personal struggles with trust and self-image, using metaphors of combat and cinematic references. The song should have a hauntingly melodic tune that reflects the complexities of growth and the fear of intimacy, with poetic lines that echo the uncertainty of relationships and the desire to be understood and held onto." + }, + { + "from":"gpt", + "value":"[Verse 1]\nCombat, I'm ready for combat\nI say I don't want that, but what if I do?\n'Cause cruelty wins in the movies\nI've got a hundred thrown-out speeches I almost said to you\n[Pre-Chorus]\nEasy they come, easy they go\nI jump from the train, I ride off alone\nI never grew up, it's getting so old\nHelp me hold on to you\n[Chorus]\nI've been the archer, I've been the prey\nWho could ever leave me, darling\nBut who could stay?\n[Verse 2]\nDark side, I search for your dark side\nBut what if I'm alright, right, right, right here?\nAnd I cut off my nose just to spite my face\nThen I hate my reflection for years and years\n[Pre-Chorus]\nI wake in the night, I pace like a ghost\nThe room is on fire, invisible smoke\nAnd all of my heroes die all alone\nHelp me hold on to you [Chorus]\nI've been the archer, I've been the prey\nScreaming, who could ever leave me, darling\nBut who could stay?\n(I see right through me, I see right through me)\n[Bridge]\n'Cause they see right through me\nThey see right through me\nThey see right through\nCan you see right through me?\nThey see right through\nThey see right through me\nI see right through me\nI see right through me\n[Pre-Chorus]\nAll the king's horses, all the king's men\nCouldn't put me together again\n'Cause all of my enemies started out friends\nHelp me hold on to you\n[Chorus]\nI've been the archer, I've been the prey\nWho could ever leave me, darling\nBut who could stay?\n(I see right through me, I see right through me)\nWho could stay?\nWho could stay?\nWho could stay?\nYou could stay\nYou could stay [Outro]\nCombat, I'm ready for combat" + } + ] + }, + { + "id":102684, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a risky and enthralling romantic attraction, utilizing vivid imagery and metaphors such as \"quicksand\" and \"treacherous slopes\" to convey the dangerous allure of the relationship. The song should have an introspective verse and a catchy, repetitive chorus that emphasizes the theme of irresistible danger. Include a bridge that deepens the narrative with a sense of urgency and longing, akin to a sleepless night and the determination to follow someone home, underscoring the overarching message that the riskiest ventures may be the most rewarding. The tone should be a blend of vulnerability and boldness, characteristic of Taylor Swift's storytelling style in her ballads." + }, + { + "from":"gpt", + "value":"[Verse 1]\nPut your lips close to mine\nAs long as they don't touch\nOut of focus, eye to eye\n'Til the gravity's too much\nAnd I'll do anything you say\nIf you say it with your hands\nAnd I'd be smart to walk away\nBut you're quicksand\n[Chorus]\nThis slope is treacherous\nThis path is reckless\nThis slope is treacherous\nAnd I-I-I like it\n[Verse 2]\nI can't decide if it's a choice\nGetting swept away\nI hear the sound of my own voice\nAsking you to stay\nAnd all we are is skin and bone\nTrained to get along\nForever going with the flow\nBut you're friction [Chorus]\nThis slope is treacherous\nThis path is reckless\nThis slope is treacherous\nI, I, I like it\n[Bridge]\nTwo headlights shine through the sleepless night\nAnd I will get you, get you alone\nYour name has echoed through my mind\nAnd I just think you should, think you should know\nThat nothing safe is worth the drive\nAnd I would follow you, follow you home\nI'll follow you, follow you home\n[Chorus]\nThis hope is treacherous\nThis daydream is dangerous\nThis hope is treacherous\nI-I-I, I-I-I, I-I-I\n[Bridge]\nTwo headlights shine through the sleepless night\nAnd I will get you, get you alone\nYour name has echoed through my mind\nAnd I just think you should, think you should know\nThat nothing safe is worth the drive\nAnd I would follow you, follow you home\nI'll follow you, follow you home\nI'll follow you, follow you home\nI'll follow you, follow you home [Outro]\nThis slope is treacherous\nI-I-I like it" + } + ] + }, + { + "id":96432, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that tells a story of newfound hope in love after a period of heartbreak, with introspective verses and a catchy, uplifting chorus. The lyrics should reflect on past insecurities and celebrate the small, meaningful gestures of a new potential love interest, contrasting the old with the new. Include specific narrative details, such as meeting in a caf\u00e9, that paint a vivid picture of the beginning stages of a romantic relationship. The song should have a confessional tone, characteristic of Taylor Swift's storytelling, and contain acoustic elements that complement the emotional depth of the lyrics." + }, + { + "from":"gpt", + "value":"[Verse 1]\nTook a deep breath in the mirror\nHe didn't like it when I wore high heels\nBut I do\nTurn the lock and put my headphones on\nHe always said he didn't get this song\nBut I do, I do\n[Verse 2]\nI walked in, expecting you'd be late\nBut you got here early and you stand and wave\nI walk to you\nYou pull my chair out and help me in\nAnd you don't know how nice that is\nBut I do\n[Chorus]\nAnd you throw your head back laughin' like a little kid\nI think it's strange that you think I'm funny 'cause he never did\nI've been spending the last eight months\nThinkin' all love ever does is break and burn and end\nBut on a Wednesday, in a caf\u00e9, I watched it begin again\n[Verse 3]\nYou said you never met one girl who\nHad as many James Taylor records as you\nBut I do\nWe tell stories and you don't know why\nI'm comin' off a little shy\nBut I do [Chorus]\nBut you throw your head back laughin' like a little kid\nI think it's strange that you think I'm funny 'cause he never did\nI've been spending the last eight months\nThinkin' all love ever does is break and burn and end\nBut on a Wednesday, in a caf\u00e9, I watched it begin again\n[Bridge]\nAnd we walked down the block to my car\nAnd I almost brought him up\nBut you start to talk about the movies\nThat your family watches every single Christmas\nAnd I wanna talk about that\nAnd for the first time, what's past is past\n[Chorus]\n'Cause you throw your head back laughin' like a little kid\nI think it's strange that you think I'm funny 'cause he never did\nI've been spending the last eight months\nThinkin' all love ever does is break and burn and end\nBut on a Wednesday, in a caf\u00e9, I watched it begin again\n[Outro]\nHmm, hmm\nBut on a Wednesday, in a caf\u00e9, I watched it begin again" + } + ] + }, + { + "id":6260162, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the bittersweet sentiment of moving on from a past relationship, with a focus on self-healing and empowerment. The song should include poignant lyrics that tell the story of receiving a letter from an ex and realizing that closure isn't needed from them to be okay. Emulate Swift's narrative-driven songwriting, with emotionally charged verses and a catchy, defiant chorus that conveys the message of doing better and finding closure independently. The musical style should reflect the blend of country roots and pop sensibility typical of Swift's earlier works." + }, + { + "from":"gpt", + "value":"[Verse 1]\nIt's been a long time\nAnd seeing the shape of your name\nStill spells out pain\nIt wasn't right\nThe way it all went down\nLooks like you know that now\n[Chorus]\nYes, I got your letter\nYes, I'm doing better\nIt cut deep to know ya, right to the bone\nYes, I got your letter\nYes, I'm doing better\nI know that it's over, I don't need your\nClosure, your closure\n[Verse 2]\nDon't treat me like\nSome situation that needs to be handled\nI'm fine with my spite\nAnd my tears and my beers and my candles\nI can feel you\n \nsmoothing me over\n[Chorus]\nYes, I got your letter\nYes, I'm doing bett\u0435r\nIt cut deep to know ya, right to the bone\nYes, I got your l\u0435tter\nYes, I'm doing better\nI know that it's over, I don't need your\nClosure, your closure\nYour closure, your closure [Bridge]\nI know I'm just a wrinkle in your new life\nStaying friends would iron it out so nice\nGuilty, guilty, reaching out across the sea\nThat you put between you and me\nBut it's fake and it's oh-so unnecessary\n[Chorus]\nYes, I got your letter\nYes, I'm doing better\nIt cut deep to know ya, right to the bone\nYes, I got your letter\nYes, I'm doing better\nI know that it's over, I don't need your\nClosure, closure, your closure\nYour closure" + } + ] + }, + { + "id":8486446, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of an unexpected romance rekindling despite the initial intention of staying friends. The lyrics should reflect a struggle between rational intentions and irresistible attraction, with specific references to the passage of time and celestial imagery like starry nights and a blood moon. Include a catchy chorus that uses the metaphor of a 'glitch' to describe the sudden shift in feelings, and infuse the verses with vivid storytelling that hints at a deeper emotional conflict. The song should have a modern pop sound with elements of Swift's signature confessional lyrics and a touch of electronic influence to match the glitch theme." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWe were supposed to be just friends\nYou don't live in my part of town, but maybe I'll see you out some weekend\nDepending on what kind of mood and situationship I'm in\nAnd what's in my system\n[Chorus]\nI think there's been a glitch, oh, yeah\nFive seconds later, I'm fastening myself to you with a stitch, oh, yeah\nAnd I'm not even sorry, nights are so starry\nBlood moonlit\nIt must be counterfeit\nI think there's been a glitch, oh, yeah\n[Verse 2]\nI was supposed to sweat you out\nIn search of glorious happenings of happenstance on someone else's playground\nBut it's been two-thousand one-hundred ninety days of our love blackout\n(Our love is blacking out)\nThe system's breaking down\n(The system's breaking down)\n[Chorus]\nI think there's been a glitch, oh, yeah\nFive seconds later, I'm fastening myself to you with a stitch, oh, yeah\nAnd I'm not even sorry, nights are so starry\nBlood moonlit\nIt must be counterfeit\nI think there's been a glitch [Bridge]\nA brief interruption, a slight malfunction\nI'd go back to wanting dudes who give nothing\nI thought we had no chance\nAnd that's romance, let's dance\n[Chorus]\nGlitch, oh, yeah\nFive seconds later, I'm fastening myself to you with a stitch, oh, yeah\nAnd I'm not even sorry, nights are so starry\nBlood moonlit\nIt must be counterfeit (It must be counterfeit)\nI think there's been a glitch" + } + ] + }, + { + "id":132663, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the nostalgia and triumph of reflecting on past glories and youthful achievements. The lyrics should evoke a sense of reminiscence over the highs of a bygone era, celebrating victories and acknowledging the fleeting nature of these moments. It should hold an anthemic quality, with a chorus that pays tribute to the enduring memories and the legacy left behind. Emphasize the themes of camaraderie, dreams realized, and the bittersweet passage of time, all wrapped in Swift's signature blend of storytelling and pop-country musicality." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI said, \"Remember this moment\"\nIn the back of my mind\nThe time we stood with our shaking hands\nThe crowds in stands went wild\nWe were the kings and the queens\nAnd they read off our names\nThe night you danced like you knew our lives\nWould never be the same\nYou held your head like a hero\nOn a history book page\nIt was the end of a decade\nBut the start of an age\n[Chorus]\nLong live the walls we crashed through\nHow the kingdom lights shined just for me and you\nI was screaming, \"Long live all the magic we made\"\nAnd bring on all the pretenders\nOne day, we will be remembered\n[Verse 2]\nI said, \"Remember this feeling\"\nI pass the pictures around\nOf all the years that we stood there on the sidelines\nWishing for right now\nWe are the kings and the queens\nYou traded your baseball cap for a crown\nWhen they gave us our trophies\nAnd we held them up for our town\nAnd the cynics were outraged\nScreaming, \"This is absurd\"\n'Cause for a moment, a band of thieves\nIn ripped up jeans got to rule the world [Chorus]\nLong live the walls we crashed through\nHow the kingdom lights shined just for me and you\nI was screaming, \"Long live all the magic we made\"\nAnd bring on all the pretenders, I'm not afraid\nLong live all the mountains we moved\nI had the time of my life fighting dragons with you\nI was screaming, \"Long live that look on your face\"\nAnd bring on all the pretenders\nOne day, we will be remembered\n[Bridge]\nHold on to spinning around\nConfetti falls to the ground\nMay these memories break our fall\nWill you take a moment? Promise me this\nThat you'll stand by me forever\nBut if, God forbid, fate should step in\nAnd force us into a goodbye\nIf you have children some day\nWhen they point to the pictures\nPlease, tell 'em my name\nTell 'em how the crowds went wild\nTell 'em how I hope they shine\nLong live the walls we crashed through\nI had the time of my life with you [Chorus]\nLong, long live the walls we crashed through\nHow the kingdom lights shined just for me and you\nAnd I was screaming, \"Long live all the magic we made\"\nAnd bring on all the pretenders, I'm not afraid\nSinging, \"Long live all the mountains we moved\"\nI had the time of my life fighting dragons with you\nAnd long, long live that look on your face\nAnd bring on all the pretenders\nOne day, we will be remembered" + } + ] + }, + { + "id":132659, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the bittersweet emotions of watching someone grow up and the desire to protect them from the complexities of life. The song should have tender verses that paint vivid images of childhood and innocence, a pre-chorus that offers heartfelt advice, and a chorus that pleads for time to stand still. The lyrics should evoke a sense of nostalgia and the longing to preserve simplicity, while the melody should be gentle and acoustic, reminiscent of Swift's early country-pop era. The overall tone should be both touching and reflective, with a bridge that encourages cherishing memories before they fade." + }, + { + "from":"gpt", + "value":"[Verse 1]\nYour little hand's wrapped around my finger\nAnd it's so quiet in the world tonight\nYour little eyelids flutter 'cause you're dreaming\nSo I tuck you in, turn on your favourite nightlight\n[Pre-Chorus]\nTo you, everything's funny\nYou got nothing to regret\nI'd give all I have, honey\nIf you could stay like that\n[Chorus]\nOh, darling, don't you ever grow up\nDon't you ever grow up, just stay this little\nOh, darling, don't you ever grow up\nDon't you ever grow up, it could stay this simple\nI won't let nobody hurt you\nWon't let no one break your heart\nAnd no one will desert you\nJust try to never grow up\n[Post-Chorus]\nNever grow up\n[Verse 2]\nYou're in the car, on the way to the movies\nAnd you're mortified your mom's dropping you off\nAt fourteen, there's just so much you can't do\nAnd you can't wait to move out someday and call your own shots [Pre-Chorus]\nBut don't make her drop you off around the block\nRemember that she's gettin' older, too\nAnd don't lose the way that you dance around\nIn your PJs getting ready for school\n[Chorus]\nOh, darling, don't you ever grow up\nDon't you ever grow up, just stay this little\nOh, darling, don't you ever grow up\nDon't you ever grow up, it could stay this simple\nNo one's ever burned you\nNothing's ever left you scarred\nAnd even though you want to\nJust try to never grow up\n[Bridge]\nTake pictures in your mind of your childhood room\nMemorize what it sounded like when your dad gets home\nRemember the footsteps, remember the words said\nAnd all your little brother's favorite songs\nI just realized everything I have is, someday, gonna be gone\n[Verse 3]\nSo, here I am in my new apartment\nIn a big city, they just dropped me off\nIt's so much colder than I thought it would be\nSo I tuck myself in and turn my nightlight on [Chorus]\nWish I'd never grown up\nI wish I'd never grown up\nOh, I don't wanna grow up\nWish I'd never grown up, I could still be little\nOh, I don't wanna grow up\nWish I'd never grown up, it could still be simple\nOh, darling, don't you ever grow up\nDon't you ever grow up, just stay this little\nOh, darlin', don't you ever grow up\nDon't you ever grow up, it could stay this simple\nI won't let nobody hurt you (Never grow up)\nWon't let no one break your heart\nAnd even though you want to\nPlease, try to never grow up\n[Outro]\nOh, oh (Never grow up)\nDon't you ever grow up\nOh (Never grow up)\nJust never grow up" + } + ] + }, + { + "id":3306084, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a mysterious and intense romantic relationship. The lyrics should depict a dynamic where both individuals are equally captivated and empowered, with imagery of magic, illusions, and a touch of the forbidden. The song should evoke a sense of being lost in the moment, with a recurring motif that suggests a cycle of passion and complexity. Include a catchy chorus that emphasizes how everything falls into place when they're together, hinting at a love that's both thrilling and slightly dangerous. The musical arrangement should be pop-centric with a hint of darkness, reflecting the mood of a secretive romance." + }, + { + "from":"gpt", + "value":"[Verse 1]\nSee you in the dark\nAll eyes on you, my magician\nAll eyes on us\nYou make everyone disappear and\nCut me into pieces\nGold cage, hostage to my feelings\nBack against the wall\nTrippin', trip-trippin' when you're gone\n[Pre-Chorus]\n'Cause we break down a little\nBut when you get me alone, it's so simple\n'Cause, baby, I know what you know\nWe can feel it\n[Chorus]\nAnd all the pieces fall right into place\nGettin' caught up in a moment, lipstick on your face\nSo it goes\nI'm yours to keep and I'm yours to lose\nYou know I'm not a bad girl, but I do bad things with you\nSo it goes\n[Verse 2]\nMet you in a bar\nAll eyes on me, your illusionist\nAll eyes on us\nI make all your gray days clear and\nWear you like a necklace\nI'm so chill, but you make me jealous\nBut I got your heart\nSkippin', skip-skippin' when I'm gone [Pre-Chorus]\n'Cause we break down a little\nBut when I get you alone, it's so simple\n'Cause, baby, I know what you know\nWe can feel it\n[Chorus]\nAnd all the pieces fall right into place\nGettin' caught up in a moment, lipstick on your face\nSo it goes\nI'm yours to keep and I'm yours to lose\nYou know I'm not a bad girl, but I do bad things with you\nSo it goes\n[Refrain]\nCome here, dressed in black now\nSo, so, so it goes\nScratches down your back now\nSo, so, so it goes\n[Bridge]\nYou did a number on me\nBut, honestly, baby, who's countin'?\nI did a number on you\nBut, honestly, baby, who's countin'?\nYou did a number on me\nBut, honestly, baby, who's countin'?\nWho's countin'? (One, two, three) [Chorus]\nAnd all the pieces fall (Pieces fall) right into place\nGettin' caught up in a moment (Caught up, caught up), lipstick on your face\nSo it goes\nI'm yours to keep (Oh) and I'm yours to lose (Baby)\nYou know I'm not a bad girl, but I (I do) do bad things with you\nSo it goes\n[Refrain]\nCome here, dressed in black now\nSo, so, so it goes\nScratches down your back now\nSo, so, so it goes\nCome here, dressed in black now\nSo, so, so it goes\nScratches down your back now\nSo, so, so it goes" + } + ] + }, + { + "id":4625737, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that addresses the themes of online conflict and the importance of self-expression without attacking others. Incorporate a catchy, pop-infused chorus that emphasizes the message of staying composed and not letting negativity affect one's peace. The song should have a vibrant, anthemic quality with clever, contemporary lyrics that advocate for positivity and inclusivity, similar to the attitude and energy found in Swift's \"You need to calm down.\"" + }, + { + "from":"gpt", + "value":"[Verse 1]\nYou are somebody that I don't know\nBut you're takin' shots at me like it's Patr\u00f3n\nAnd I'm just like, damn, it's 7 AM\nSay it in the street, that's a knock-out\nBut you say it in a Tweet, that's a cop-out\nAnd I'm just like, \"Hey, are you okay?\"\n[Pre-Chorus]\nAnd I ain't tryna mess with your self-expression\nBut I've learned a lesson that stressin' and obsessin' 'bout somebody else is no fun\nAnd snakes and stones never broke my bones\n[Chorus]\nSo oh-oh, oh-oh, oh-oh, oh-oh, oh-oh\nYou need to calm down, you're being too loud\nAnd I'm just like oh-oh, oh-oh, oh-oh, oh-oh, oh-oh (Oh)\nYou need to just stop, like can you just not step on my gown?\nYou need to calm down\n[Verse 2]\nYou are somebody that we don't know\nBut you're comin' at my friends like a missile\nWhy are you mad when you could be GLAAD? (You could be GLAAD)\nSunshine on the street at the parade\nBut you would rather be in the dark ages\nMakin' that sign must've taken all night [Pre-Chorus]\nYou just need to take several seats and then try to restore the peace\nAnd control your urges to scream about all the people you hate\n'Cause shade never made anybody less gay\n[Chorus]\nSo oh-oh, oh-oh, oh-oh, oh-oh, oh-oh\nYou need to calm down, you're being too loud\nAnd I'm just like oh-oh, oh-oh, oh-oh, oh-oh, oh-oh (Oh)\nYou need to just stop, like can you just not step on his gown?\nYou need to calm down\n[Bridge]\nAnd we see you over there on the internet\nComparing all the girls who are killing it\nBut we figured you out\nWe all know now we all got crowns\nYou need to calm down\n[Chorus]\nOh-oh, oh-oh, oh-oh, oh-oh, oh-oh\nYou need to calm down (You need to calm down)\nYou're being too loud (You're being too loud)\nAnd I'm just like oh-oh, oh-oh, oh-oh, oh-oh, oh-oh (Oh)\nYou need to just stop (Can you stop?)\nLike can you just not step on our gowns?\nYou need to calm down" + } + ] + }, + { + "id":187116, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that tells a poignant narrative about a father's love and protection for his daughter, Emily, as she faces the harsh realities of life, from bullying at school to a challenging relationship and a tragic accident. The song should capture the emotional depth and storytelling found in Swift's ballads, with verses that detail the struggles and a chorus that emphasizes the father's perspective on raising his daughter with care and resilience. The tone should be both tender and powerful, reflecting the bond between parent and child, and the desire to shield one's loved ones from life's cruelties." + }, + { + "from":"gpt", + "value":"[Verse 1]\nEmily comes home from school\nGrabs onto her daddy's hand\nHe says \"Baby girl, what's wrong with you?\"\nShe says \"Please don't make me go back there again\"\nShe said \"I wish there was some way to make them stop it\"\nSo he drives down to that principal's office and says\n[Chorus]\n\"I didn't bring her up so they could cut her down\nI didn't bring her here so they could shut her out\nI live my whole damn life to see that little girl's smile\nSo why are tears pouring down that sweet face?\nShe wasn't brought up that way\"\n[Verse 2]\nEmily's home late again\nHe sees that boy drive away\nOh, but something's different this time\nShe doesn't have too much to say\nShe said \"He tried but there's just some things I won't do\"\nAnd through the tears she said \"I couldn't do that to you\"\nAnd he said\n[Chorus]\n\"I didn't bring you up so he could wear you down\nTake that innocent heart and turn it inside out\nI live my whole damn life to see my little girl's smile\nSo don't let nobody take that away\nYou weren't brought up that way\" [Verse 3]\nThe phone rings on a rainy night, says \"It's Officer Tate\"\nHe said \"Sir, there's been an accident\nYou better come down here right away\nA drunken driver missed an overpass\nAnd Emily, she's fading fast\"\nHe says \"God, I didn't bring her up to watch them lay her down\nNearly killed me the day they put her own momma in the ground\nOnly thing that kept me alive was that little girl's smile\nSo please don't take that away, it won't be easy taking her today\nShe wasn't brought up that way\"\n[Outro]\nHe stands over the hospital bed\nEmily opens her eyes" + } + ] + }, + { + "id":186911, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures a bittersweet sense of longing and the refusal to return to past memories, using vivid imagery such as talking to the wind and leaving a window open in anticipation. The lyrics should reflect a mix of hope and weariness, with a chorus that conveys a yearning for someone's return, while the verses delve into the nuances of a past relationship. Emphasize the melodic storytelling and emotional resonance characteristic of Swift's music, and ensure the song includes a bridge that intensifies the emotional plea." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI could go back to every laugh\nBut I don't wanna go there anymore\nAnd I know all the steps up to your door\nBut I don't wanna go there anymore\n[Pre-Chorus]\nTalk to the wind, talk to the sky\nTalk to the man with the reasons why\nAnd let me know what you find\n[Chorus]\nI'll leave my window open\n'Cause I'm too tired at night to call your name\nJust know I'm right here hoping\nThat you'll come in with the rain\n[Verse 2]\nI could stand up and sing you a song\nBut I don't wanna have to go that far\nAnd I, I've got you down, I know you by heart\nAnd you don't even know where I start\n[Pre-Chorus]\nTalk to yourself, talk to the tears\nTalk to the man who put you here\nAnd don't wait for the sky to clear [Chorus]\nI'll leave my window open\n'Cause I'm too tired at night to call your name\nJust know I'm right here hoping\nThat you'll come in with the rain\n[Bridge]\nI've watched you so long, screamed your name\nI don't know what else I can say\n[Chorus]\nBut I'll leave my window open\n'Cause I'm too tired at night for all these games\nJust know I'm right here hoping\nThat you'll come in with the rain\n[Outro]\nI could go back to every laugh\nBut I don't wanna go there anymore" + } + ] + }, + { + "id":5793983, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of a failing relationship, using poignant and metaphorical lyrics to depict the sense of betrayal and the realization that the love is no longer reciprocated. The song should follow a narrative structure, incorporating a duet format to express both perspectives, akin to the dynamic between Swift and Justin Vernon in \"exile.\" Emphasize the theme of missed warnings and ignored pleas, and ensure the melody conveys a melancholic and reflective mood, typical of Swift's folk and indie-influenced tracks from her \"Folklore\" album." + }, + { + "from":"gpt", + "value":"[Verse 1: Justin Vernon]\nI can see you standing, honey\nWith his arms around your body\nLaughin', but the joke's not\u2005funny\u2005at all\nAnd it\u2005took you five whole minutes\nTo pack\u2005us up and leave me with it\nHoldin' all this love out here in the hall\n[Chorus: Justin Vernon]\nI think I've seen this film before\nAnd I didn't like the ending\nYou're not my homeland anymore\nSo what am I defending now?\nYou were my town, now I'm in exile, seein' you out\nI think I've seen this film before\n[Post-Chorus: Justin Vernon]\nOoh, ooh, ooh\n[Verse 2: Taylor Swift]\nI can see you starin', honey\nLike he's just your understudy\nLike you'd get your knuckles bloody for me\nSecond, third, and hundredth chances\nBalancin' on breaking branches\nThose eyes add insult to injury [Chorus: Taylor Swift]\nI think I've seen this film before\nAnd I didn't like the ending\nI'm not your problem anymore\nSo who am I offending now?\nYou were my crown, now I'm in exile, seein' you out\nI think I've seen this film before\nSo I'm leaving out the side door\n[Bridge: Justin Vernon, \nTaylor Swift\n & \nBoth\n]\nSo step right out, there is no amount\nOf crying I can do for you\nAll this time\nWe always walked a very thin line\nYou didn't even hear me out (\nYou didn't even hear me out\n)\nYou never gave a warning sign (\nI gave so many signs\n)\nAll this time\nI never learned to read your mind (\nNever learned to read my mind\n)\nI couldn't turn things around (\nYou never turned things around\n)\n'Cause you never gave a warning sign (\nI gave so many signs\n)\nSo many signs, so many signs\nYou didn't even see the signs\n[Chorus: Taylor Swift & Justin Vernon, \nTaylor Swift\n]\nI think I've seen this film before\nAnd I didn't like the ending\nYou're not my homeland anymore\nSo what am I defending now?\nYou were my town, now I'm in exile, seein' you out\nI think I've seen this film before\nSo I'm leavin' out the side door [Outro: Justin Vernon & \nTaylor Swift\n]\nSo step right out, there is no amount\nOf crying I can do for you\nAll this time\nWe always walked a very thin line\nYou didn't even hear me out (\nDidn't even hear me out\n)\nYou never gave a warning sign (\nI gave so many signs\n)\nAll this time\nI never learned to read your mind (\nNever learned to read my mind\n)\nI couldn't turn things around (\nYou never turned things around\n)\n'Cause you never gave a warning sign (\nI gave so many signs\n)\nYou never gave a warning sign (All this time)\n(\nSo many times\n) I never learned to read your mind\n(\nSo many signs\n) I couldn't turn things around (I couldn't turn things around)\n'Cause you never gave a warning sign (You never gave a warning sign)\nYou never gave a warning sign\nAh, ah" + } + ] + }, + { + "id":4782856, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the liberating feeling of moving past a negative experience with someone who used to be significant. The lyrics should reflect a journey from dwelling on the hurt caused by this person to reaching a point of peaceful indifference. Incorporate elements of personal growth and the realization that the absence of pain can be just as powerful as the presence of love or hate. The song should have a narrative quality and include vivid imagery, akin to Swift's storytelling, with a catchy, upbeat chorus that emphasizes the shift from pain to freedom and indifference." + }, + { + "from":"gpt", + "value":"[Verse 1]\nHow many days did I spend thinking\n'Bout how you did me wrong, wrong, wrong?\nLived in\u2005the\u2005shade you were\u2005throwing\n'Til all of my sunshine was\u2005gone, gone, gone\nAnd I couldn't get away from ya\nIn my feelings more than Drake, so yeah\nYour name on my lips, tongue-tied\nFree rent, living in my mind\n[Pre-Chorus]\nBut then something happened one magical night\n[Chorus]\nI forgot that you existed\nAnd I thought that it would kill me, but it didn't\nAnd it was so nice\nSo peaceful and quiet\nI forgot that you existed\nIt isn't love, it isn't hate, it's just indifference\nI forgot that you\n[Verse 2]\nGot out some popcorn\nAs soon as my rep started going down, down, down\nLaughed on the school yard\nAs soon as I tripped up and hit the ground, ground, ground\nAnd I would've stuck around for ya\nWould've fought the whole town, so yeah\nWould've been right there, front row\nEven if nobody came to your show [Pre-Chorus]\nBut you showed who you are, then one magical night\n[Chorus]\nI forgot that you existed\nAnd I thought that it would kill me, but it didn't\nAnd it was so nice\nSo peaceful and quiet\nI forgot that you existed\nIt isn't love, it isn't hate, it's just indifference\nI forgot that you\n[Bridge]\nSent me a clear message\nTaught me some hard lessons\nI just forget what they were\nIt's all just a blur\n[Chorus]\nI forgot that you existed\nAnd I thought that it would kill me, but it didn't\nAnd it was so nice\nSo peaceful and quiet\nI forgot that you existed\nI did, I did, I did\nIt isn't hate, it's just indifference\nIt isn't love, it isn't hate, it's just indifference\nSo, yeah" + } + ] + }, + { + "id":4472545, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the upbeat and confident spirit of self-love and uniqueness as heard in \"ME!\" featuring Brendon Urie. The song should include playful and quirky lyrics that emphasize individuality and the joy of being irreplaceable in a relationship. Incorporate catchy pop melodies, a dynamic bridge that reinforces the theme of partnership without losing one's identity, and a memorable chorus that celebrates both the singer's and their love interest's distinctiveness. The song should have a pop sound with a touch of theatrical flair, reminiscent of Taylor Swift's collaboration with Brendon Urie." + }, + { + "from":"gpt", + "value":"[Intro: Taylor Swift]\nI promise that you'll never find another like me\n[Verse 1: Taylor Swift]\nI know that I'm a handful, baby, uh\nI know I never think before I jump\nAnd you're the kinda guy the ladies want\n(And there's a lotta cool chicks out there)\nI know that I went psycho on the phone\nI never leave well enough alone\nAnd trouble's gonna follow where I go\n(And there's a lotta cool chicks out there)\n[Pre-Chorus: Taylor Swift]\nBut one of these things is not like the others\nLike a rainbow with all of the colors\nBaby doll, when it comes to a lover\nI promise that you'll never find another like\n[Chorus: Taylor Swift]\nMe-e-e, ooh-ooh-ooh-ooh\nI'm the only one of me\nBaby, that's the fun of me\nEeh-eeh-eeh, ooh-ooh-ooh-ooh\nYou're the only one of you\nBaby, that's the fun of you\nAnd I promise that nobody's gonna love you like me-e-e [Verse 2: Brendon Urie, \nTaylor Swift\n]\nI know I tend to make it about me\nI know you never get just what you see\nBut I will never bore you, baby\n(And there's a lotta lame guys out there)\nAnd when we had that fight out in the rain\nYou ran after me and called my name\nI never wanna see you walk away\n(And there's a lotta lame guys out there)\n[Pre-Chorus: Both, \nBrendon Urie\n]\n'Cause one of these things is not like the others\nLivin' in winter, I am your summer\nBaby doll, when it comes to a lover\nI promise that you'll never find another like\n[Chorus: Brendon Urie, \nBoth\n]\nMe-e-e, ooh-ooh-ooh-ooh\nI'm the only one of me\nLet me keep you company\nEeh-eeh-eeh, ooh-ooh-ooh-ooh\nYou're the only one of you\nBaby, that's the fun of you\nAnd I promise that nobody's gonna love you like me-e-e\n[Bridge: Brendon Urie, \nTaylor Swift\n, \nBoth\n]\nGirl, there ain't no \"I\" in \"team\"\nBut you know there is a \"me\"\nStrike the band up, one, two, three\nI promise that you'll never find another like me\nGirl, there ain't no \"I\" in \"team\"\nBut you know there is a \"me\"\nAnd you can't spell \"awesome\" without \"me\"\nI promise that you'll never find another like [Chorus: Both, \nTaylor Swift\n, \nBrendon Urie\n]\nMe-e-e (\nYeah\n), ooh-ooh-ooh-ooh (\nAnd I want ya, baby\n)\nI'm the only one of me (\nI'm the only one of me\n)\nBaby, that's the fun of me (\nBaby, that's the fun of me\n)\nEeh-eeh-eeh, ooh-ooh-ooh-ooh (\nOh\n)\nYou're the only one of you (\nOh\n)\nBaby, that's the fun of you\nAnd I promise that nobody's gonna love you like me-e-e\n[Outro: Brendon Urie, \nTaylor Swift\n, \nBoth\n]\nGirl, there ain't no \"I\" in \"team\" (\nOoh-ooh-ooh-ooh\n)\nBut you know there is a \"me\"\nI'm the only one of me\n (\nOh-oh\n)\nBaby, that's the fun of me\n(\nEeh-eeh-eeh, ooh-ooh-ooh-ooh\n)\nStrike the band up, one, two, three\nYou can't spell \"awesome\" without \"me\"\nYou're the only one of you\n (Yeah, yeah)\nBaby, that's the fun of you\nAnd I promise that nobody's gonna love you like me-e-e" + } + ] + }, + { + "id":103834, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the poignant heartache of awaiting someone's arrival at a special occasion, only to realize they won't show up. Reflect the narrative storytelling quality of Swift's lyrics, complete with vivid imagery like \"standing there in my party dress\" and the emotional depth of \"the moment I knew.\" The song should have a melancholic melody, embodying the introspection and disappointment of the protagonist, while incorporating specific details like \"Christmas lights\" and \"red lipstick\" to create a deeply personal yet relatable experience. Include a memorable chorus that conveys the slow-motion realization of being let down, in a way that resonates with Swift's signature blend of pop and country sensibilities." + }, + { + "from":"gpt", + "value":"[Verse 1]\nYou should've been there\nShould've burst through the door\nWith that \"Baby, I'm right here\" smile\nAnd it would've felt like\nA million little shining stars had just aligned\nAnd I would've been so happy\n[Verse 2]\nChristmas lights glisten\nI've got my eye on the door\nJust waiting for you to walk in\nBut the time is ticking\nPeople ask me how I've been\nAs I comb back through my memory\nHow you said you'd be here\nYou said you'd be here\n[Chorus]\nAnd it was like slow motion\nStanding there in my party dress\nIn red lipstick\nWith no one to impress\nAnd they're all laughing\nAs I'm looking around the room\nBut there was one thing missing\nAnd that was the moment I knew [Verse 3]\nAnd the hours pass by\nNow I just wanna be alone\nBut your close friends always seem to know\nWhen there's something really wrong\nSo they follow me down the hall\nAnd there in the bathroom\nI try not to fall apart\nAnd the sinking feeling starts\nAs I say hopelessly\n\"He said he'd be here\"\n[Chorus]\nAnd it was like slow motion\nStanding there in my party dress\nIn red lipstick\nWith no one to impress\nAnd they're all laughing\nAnd asking me about you\nBut there was one thing missing (Missing)\nAnd that was the moment I knew\n[Bridge]\nWhat do you say\nWhen tears are streaming down your face\nIn front of everyone you know?\nAnd what do you do\nWhen the one who means the most to you\nIs the one who didn't show? [Breakdown]\nYou should've been here\nAnd I would've been so happy\n[Chorus]\nAnd it was like slow motion\nStanding there in my party dress\nIn red lipstick\nWith no one to impress\nAnd they're all standing around me, singing\n\"Happy birthday to you\"\nBut there was one thing missing\nAnd that was the moment I knew\nOh-oh-oh-oh-oh-oh-oh, I knew\nOh-oh-oh-oh-oh-oh-oh\n[Outro]\nYou called me later\nAnd said, \"I'm sorry I didn't make it\"\nAnd I said, \"I'm sorry, too\"\nAnd that was the moment I knew" + } + ] + }, + { + "id":9157489, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of a fading relationship, incorporating vivid imagery and metaphors about illness and loss. The song should feature introspective verses, a powerful pre-chorus highlighting the struggle of deciding whether to hold on or let go, and a catchy, repetitive chorus emphasizing the theme of being lost by a partner. Include a bridge that intensifies the narrative, revealing the protagonist's deep vulnerability and a desire for recognition and change within the relationship. The tone should be both reflective and assertive, with an undercurrent of heartache and resilience, typical of Taylor Swift's narrative songwriting." + }, + { + "from":"gpt", + "value":"[Verse 1]\nYou say, \"I don't understand,\" and I say, \"I know you don't\"\nWe thought a cure would come through in time, now, I fear it won't\nRemember lookin' at this room, we loved it 'cause of the light\nNow, I just sit in the dark and wonder if it's time\n[Pre-Chorus]\nDo I throw out everything we built or keep it?\nI'm getting tired even for a phoenix\nAlways risin' from the ashes\nMendin' all her gashes\nYou might just have dealt the final blow\n[Chorus]\nStop, you're losin' me\nStop, you're losin' me\nStop, you're losin' me\nI can't find a pulse\nMy heart won't start anymore for you\n'Cause you're losin' me\n[Verse 2]\nEvery mornin', I glared at you with storms in my eyes\nHow can you say that you love someone you can't tell is dyin'?\nI sent you signals and bit my nails down to the quick\nMy face was gray, but you wouldn't admit that we were sick [Pre-Chorus]\nAnd the air is thick with loss and indecision\nI know my pain is such an imposition\nNow, you're runnin' down the hallway\nAnd you know what they all say\n\"You don't know what you got until it's gone\"\n[Chorus]\nStop, you're losin' me\nStop, you're losin' me\nStop, you're losin' me\nI can't find a pulse\nMy heart won't start anymore for you\n'Cause you're losin' me\n'Cause you're losin' me\nStop (Stop) 'cause you're losin' me\n[Post-Chorus]\nMy heart won't start anymore\n(Stop 'cause you're losin' me)\nMy heart won't start anymore\n(Stop 'cause you're losin' me)\n[Bridge]\nHow long could we be a sad song\n'Til we were too far gone to bring back to life?\nI gave you all my best me's, my endless empathy\nAnd all I did was bleed as I tried to be the bravest soldier\nFighting in only your army, frontlines, don't you ignore me\nI'm the best thing at this party (You're losin' me)\nAnd I wouldn't marry me either\nA pathological people pleaser\nWho only wanted you to see her\nAnd I'm fadin', thinkin'\n\"Do something, babe, say something\" (Say something)\n\"Lose something, babe, risk something\" (You're losin' me)\n\"Choose something, babe, I got nothing\" (I got nothing)\n\"To believe, unless you're choosin' me\" [Outro]\nYou're losin' me\nStop (Stop, stop), you're losin' me\nStop (Stop, stop), you're losin' me\nI can't find a pulse\nMy heart won't start anymore" + } + ] + }, + { + "id":187017, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of young romantic longing and the infatuation that comes with gazing into a lover's eyes. The lyrics should express the intensity of feeling alive and the desire to be close to the object of affection, with a touch of vulnerability that comes from fearing the loss of this connection. The song should include verses that describe the deep personal reflections at night and a pre-chorus that yearns for proximity, leading into a chorus that emphasizes the transformative power of the lover's gaze. Include a bridge that pledges devotion and a sense of completeness when with the beloved, and conclude with an outro that harks back to the recurring motif of the beloved's beautiful eyes. The musical style should feature Swift's signature blend of country-pop elements and evocative storytelling, highlighting emotional highs with an uplifting melody." + }, + { + "from":"gpt", + "value":"[Verse 1]\nYour beautiful eyes\nStare right into mine\nAnd sometimes, I think of you late at night\nI don't know why\n[Pre-Chorus]\nI wanna be somewhere where you are\nI wanna be where\n[Chorus]\nYou're here, your eyes are lookin' into mine\nSo baby, make me fly\nMy heart has never felt this way before\nI'm looking through your\u2014\nI'm looking through your eyes\n[Verse 2]\nI wake up, I'm alive\nIn only a little while, I'll cry\n'Cause you're my lullaby\nSo baby, come hold me tight 'cause I\n[Pre-Chorus]\nI wanna be everything you need\nI wanna be where [Chorus]\nYou're here, your eyes are lookin' into mine\nSo baby, make me fly\nMy heart has never felt this way before\nI'm looking through your\u2014\nI'm looking through your eyes\n[Bridge]\nJust as long as you're mine\nI'll be your everything tonight\nLet me love you, kiss you\nOh, baby, let me miss you\nLet me see your, dream about, dream about\nDream about your eyes\n[Outro]\nAh, ah\nBeautiful eyes" + } + ] + }, + { + "id":5793963, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the raw emotional intensity and storytelling of a soldier's experience in conflict, as seen in the provided lyrics. The song should reflect on the themes of duty, sacrifice, and the haunting moments of war that linger in silence. Incorporate vivid imagery of the battlefield and medical emergencies, while also exploring the personal connections and shared struggles between those who serve together. Emphasize the delicate balance between life and death, and the yearning for a moment of clarity amidst the chaos. The musical style should be evocative and poignant, with a focus on narrative lyrics that Taylor Swift is known for, allowing the listener to deeply empathize with the characters' experiences." + }, + { + "from":"gpt", + "value":"[Verse 1]\nKeep your helmet, keep your life, son\nJust a flesh wound, here's your rifle\nCrawling up the\u2005beaches\u2005now\n\"Sir, I think\u2005he's bleeding out\"\nAnd some things you\u2005just can't speak about\n[Chorus]\nWith you I serve, with you I fall down, down\nWatch you breathe in, watch you breathing out, out\n[Verse 2]\nSomething med school did not cover\nSomeone's daughter, someone's mother\nHolds your hand through plastic now\n\"Doc, I think she's crashing out\"\nAnd some things you just can't speak about\n[Bridge]\nOnly twenty minutes to sleep\nBut you dream of some epiphany\nJust one single glimpse of relief\nTo make some sense of what you've seen\n[Chorus]\nWith you I serve, with you I fall down, down (Down)\nWatch you breathe in, watch you breathing out, out\nWith you I serve (With you I serve), with you I fall down (Down), down (Down)\nWatch you breathe in (Watch you breathe in), watch you breathing out (Out), out (Out) [Outro]\nOnly twenty minutes to sleep\nBut you dream of some epiphany\nJust one single glimpse of relief\nTo make some sense of what you've seen" + } + ] + }, + { + "id":4499978, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the juxtaposition of urban sophistication and rural simplicity, reflecting on a past relationship where differences in background and lifestyle led to a breakup. The song should convey a sense of bittersweet nostalgia and a confident realization that the narrator is unforgettable despite the separation. Include vivid imagery contrasting the ex-partner's new, polished life with the genuine, unpretentious memories they once shared. The lyrics should have a conversational tone and include a catchy, reflective chorus that suggests the ex still thinks about the narrator, with an undercurrent of Taylor Swift's signature blend of storytelling and emotional honesty." + }, + { + "from":"gpt", + "value":"[Verse 1: Taylor Swift]\n3 AM and I'm still awake, I'll bet you're just fine\nFast asleep in your city that's better than mine\nAnd the girl in your bed has a fine pedigree\nAnd I'll bet your friends tell you she's better than me, huh\n[Verse 2: Taylor Swift]\nWell, I tried to fit in with your upper-crust circles\nYeah, they let me sit in back when we were in love\nOh, they sit around talkin' about the meaning of life\nAnd the book that just saved 'em that I hadn't heard of\n[Chorus: Taylor Swift & Chris Stapleton, \nTaylor Swift\n]\nBut now that we're done and it's over\nI bet you couldn't believe\nWhen you realized I'm harder to forget than I was to leave\nAnd I bet you think about me\n[Verse 3: Taylor Swift]\nYou grew up in a silver-spoon gated community\nGlamorous, shiny, bright Beverly Hills\nI was raised on a farm, no, it wasn't a mansion\nJust livin' room dancin' and kitchen table bills\n[Verse 4: Taylor Swift & Chris Stapleton]\nBut you know what they say, you can't help who you fall for\nAnd you and I fell like an early spring snow\nBut reality crept in, you said we're too different\nYou laughed at my dreams, rolled your eyes at my jokes [Chorus: Taylor Swift & Chris Stapleton, \nTaylor Swift\n]\nMr. Superior Thinkin'\nDo you have all the space that you need?\nI don't have to be your shrink to know that you'll never be happy\nAnd I bet you think about me\n[Post-Chorus: Taylor Swift, \nTaylor Swift & Chris Stapleton\n]\nI bet you think about \nme, yes\nI bet you think about me\n[Bridge: Taylor Swift & Chris Stapleton, \nTaylor Swift\n]\nOh, block it all out\nThe voices so loud, sayin'\n\"Why did you let her go?\"\nDoes it make you feel sad\nThat the love that you're lookin' for\nIs the love that you had?\n[Verse 5: Taylor Swift]\nNow you're out in the world, searchin' for your soul\nScared not to be hip, scared to get old\nChasing make-believe status, last time you felt free\nWas when none of that shit mattered 'cause you were with me\n[Chorus: Taylor Swift & Chris Stapleton, \nTaylor Swift\n]\nBut now that we're done and it's over\nI bet it's hard to believe\nBut it turned out I'm harder to forget than I was to leave\nAnd, yeah\n, I bet you think about me [Post-Chorus: Taylor Swift, \nTaylor Swift & Chris Stapleton\n]\nI bet you think about \nme, yes\nI bet you think about me\n[Outro: Taylor Swift, \nTaylor Swift & Chris Stapleton\n]\nI bet you think about me when you're out\nAt your \ncool indie music concerts every week\nI bet you think about me in your house\nWith your organic shoes and your million-dollar couch\nI bet you think about me when you say\n\"Oh my god, she's insane, she wrote a song about me\"\nI bet you think about me" + } + ] + }, + { + "id":6260158, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the themes of remembrance and the persistence of a loved one's influence after their passing. Incorporate clever wordplay and emotional depth to express the dichotomy between wisdom and kindness, and the power and politeness. The song should have a hauntingly beautiful chorus with repeated lines about the deceased not staying dead, signifying their ongoing presence in the narrator's thoughts. The bridge should be reflective, with specific imagery that evokes nostalgia and loss, akin to the vivid autumnal scenes and personal anecdotes present in Taylor Swift's storytelling. Use a structure that includes verses, a pre-chorus, chorus, and bridge, and maintain a poignant, heartfelt delivery throughout the song." + }, + { + "from":"gpt", + "value":"[Verse 1]\nNever be so kind\nYou forget to be clever\nNever be so clever\nYou forget to be kind\n[Pre-Chorus]\nAnd if I didn't know better\nI'd think you were talking to me now\nIf I didn't know better\nI'd think you were still around\n[Chorus]\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, you're alive in my head\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, so alive\n[Verse 2]\nNever be so polit\u0435\nYou forget your power\nNev\u0435r wield such power\nYou forget to be polite [Pre-Chorus]\nAnd if I didn't know better\nI'd think you were listening to me now\nIf I didn't know better\nI'd think you were still around\n[Chorus]\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, you're alive in my head\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, so alive\n[Bridge]\nThe autumn chill that wakes me up\nYou loved the amber skies so much\nLong limbs and frozen swims\nYou'd always go past where our feet could touch\nAnd I complained the whole way there\nThe car ride back and up the stairs\nI should've asked you questions\nI should've asked you how to be\nAsked you to write it down for me\nShould've kept every grocery store receipt\n'Cause every scrap of you would be taken from me\nWatched as you signed your name Marjorie\nAll your closets of backlogged dreams\nAnd how you left them all to me [Chorus]\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, you're alive in my head\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, so alive\n[Outro]\nAnd if I didn't know better\nI'd think you were singing to me now\nIf I didn't know better\nI'd think you were still around\nI know better\nBut I still feel you all around\nI know better\nBut you're still around" + } + ] + }, + { + "id":102726, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a bittersweet, past love story, incorporating vivid storytelling with specific, emotional imagery. The song should reflect on the complexity of a relationship that was once magical and full of love but ultimately fell apart due to timing and distance. The tone should be melancholic yet beautiful, with a touch of Swift's characteristic blend of acoustic and pop elements, and it should include a memorable, singable chorus that emphasizes the tragic beauty of the love affair." + }, + { + "from":"gpt", + "value":"[Verse 1]\nLong handwritten note deep in your pocket\nWords, how little they mean when you're a little too late\nI stood right by the tracks, your face in a locket\nGood girls, hopeful they'll be and long they will wait\n[Chorus]\nWe had a beautiful magic love there\nWhat a sad, beautiful, tragic love affair\n[Verse 2]\nIn dreams, I meet you in warm conversation\nWe both wake in lonely beds, different cities\nAnd time is taking its sweet time erasing you\nAnd you've got your demons, and darling, they all look like me\n[Chorus]\n'Cause we had a beautiful magic love there\nWhat a sad, beautiful, tragic love affair\n[Bridge]\nDistance, timing\nBreakdown, fighting\nSilence, the train runs off its tracks\nKiss me, try to fix it\nCould you just try to listen?\nHang up, give up\nAnd for the life of us we can't get back [Breakdown]\nA beautiful, magic love there\nWhat a sad, beautiful, tragic\nBeautiful, tragic, beautiful\n[Chorus]\nWhat we had, a beautiful magic love there\nWhat a sad, beautiful, tragic, love affair\nWe had a beautiful magic love there\nWhat a sad, beautiful, tragic love affair" + } + ] + }, + { + "id":2973355, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift featuring elements of a duet as seen in her collaboration with Keith Urban. The song should explore the emotional dynamics of longing and reconciliation, with lyrics that describe the complexity of relationships through conversations and questions. It should include a catchy chorus that emphasizes the theme of \"That's when\" to signify the crucial moments of realization and reunion. The musical arrangement should complement Swift\u2019s narrative songwriting and Urban's country influences, blending both pop and country elements seamlessly." + }, + { + "from":"gpt", + "value":"[Verse 1: Taylor Swift]\nYou said, \"I know\"\nWhen I said, \"I need some time, need some space\nTo think about all of this\"\nAnd you watched me go\nAnd I knew my words were hard to hear\nAnd harder to ever take back\n[Pre-Chorus: Taylor Swift]\nAnd I said, \"When can I-I-I come back?\"\n[Chorus: Taylor Swift, \nKeith Urban\n]\nAnd you said, \"That's when\nWhen I wake up in the morning\nThat's when, when it's sunny or storming\nLaughing, when I'm crying\nAnd that's when I'll be waiting at the front gate\nThat's when, when I see your face\nI'll let you in, and baby, that's when\"\nMm, mm\n[Verse 2: Keith Urban, \nTaylor Swift\n]\nI said, \"I know\"\nWhen you said, \"I did you wrong, made mistakes\nAnd put you through all of this\" \n(Through all of this)\nThen through the phone\nCame all your tears\nAnd I said, \"Leave those all in our past\" [Pre-Chorus: Keith Urban]\nAnd you said, \"When can I-I-I come back?\"\n[Chorus: Keith Urban & Taylor Swift]\nAnd I said, \"That's when\nWhen I wake up in the morning\nThat's when, when it's sunny or storming\nLaughing, when I'm crying\nAnd that's when I'll be waiting at the front gate\nThat's when, when I see your face\nI'll let you in, and baby, that's when\"\n[Bridge: Taylor Swift]\nAnd you said, \"Honestly\nWhen you were gone\nDid you ever think of me?\"\nAnd I said\n[Chorus: Taylor Swift, \nTaylor Swift & Keith Urban\n]\n\"That's when, when I woke up in the morning\nThat's when it was sunny or storming\nLaughing, \nwhen I was crying\nAnd that's when you were waiting at the front gate\nThat's when, when I saw your face\nYou let me in, and baby, that's when\" [Outro: Taylor Swift, \nTaylor Swift & Keith Urban\n]\nThat's when, when I wake up in the morning (Yeah)\nThat's when, when it's sunny or storming\nWhen I'm laughing, when I'm crying\n(That's when I'll be waiting at the front gate)\nThat's when I miss you, that's when I want you\n(That's when, when I see your face)\nThat's when I love you, that's when" + } + ] + }, + { + "id":187445, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the nostalgic reminiscence of past love and the bittersweet memories of happier times. The song should include vivid imagery of shared moments like walking along the streets with porch lights shining, sneaking into the circus, and watching sunsets over the water. Emphasize the contrast between the past happiness and the present sense of loss, using a reflective and emotional tone that is characteristic of Taylor Swift's narrative songwriting. The chorus should convey a sense of longing for the days when the relationship felt untouchable and full of promise, including plans of buying a farm and dreaming of a future together. Include a bridge that addresses the internal struggle of moving on from a love that was once all-consuming." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWe used to walk along the streets\nWhen the porch lights were shining bright\nBefore I had somewhere to be\nBack when we had all night and we were happy\nI do recall a good while back,\n \nwe snuck into the circus\nYou threw your arms around my neck, back when I deserved it\nAnd we were happy\n[Chorus]\nWhen it was good, baby, it was good, baby\nWe showed 'em all up\nNo one could touch the way we laughed in the dark\nTalking 'bout your daddy's farm we were gonna buy someday\nAnd we were happy\n[Verse 2]\nWe used to watch the sun go down on the boats in the water\nThat's sorta how I feel right now\nAnd goodbye's so much harder 'cause we were happy\n[Chorus]\nWhen it was good, baby, it was good, baby\nWe showed 'em all up\nNo one could touch the way we laughed in the dark\nTalking 'bout your daddy's farm we were gonna buy someday\nAnd we were happy\nWe were happy [Bridge]\nOh, I hate those voices telling me I'm not in love anymore\nBut they don't give me choices and that's what these tears are for\n'Cause we were happy\nWe were happy\n[Chorus]\nWhen it was good, baby, it was good, baby\nWe showed 'em all up\nNo one could touch the way we laughed in the dark\nTalking 'bout your daddy's farm\nAnd you were gonna marry me\nAnd we were happy\nWe were happy\nOh-oh-oh-oh\nWe were happy" + } + ] + }, + { + "id":8434253, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures a blend of self-awareness and irony, exploring themes of personal flaws and the struggle with inner demons. The lyrics should include vivid metaphors, such as contrasting the brightness of the sun with the avoidance of self-reflection, and weave a narrative that touches on the complexities of being one's own antagonist. Ensure the song has a catchy, confessional chorus that encapsulates the idea of being the \"anti-hero\" in one's life story. The music should be reflective of Taylor Swift's evolution, with a pop sound that has hints of both vulnerability and defiance." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI have this thing where I get older, but just never wiser\nMidnights become my afternoons\nWhen my depression works the graveyard shift\n, \nall of the people\nI've ghosted stand there in the room\n[Pre-Chorus]\nI should not be left to my own devices\nThey come with prices and vices\nI end up in crisis\n(Tale as old as time)\nI wake up screaming from dreaming\nOne day, I'll watch as you're leaving\n'Cause you got tired of my scheming\n(For the last time)\n[Chorus]\nIt's me, hi\nI'm the problem, it's me\nAt teatime, everybody agrees\nI'll stare directly at the sun, but never in the mirror\nIt must be exhausting always rooting for the anti-hero\n[Verse 2]\nSometimes, I feel like everybody is a sexy baby\nAnd I'm a monster on the hill\nToo big to hang out, slowly lurching toward your favorite city\nPierced through the heart, but never killed [Pre-Chorus]\nDid you hear my covert narcissism I disguise as altruism\nLike some kind of congressman?\n(A tale as old as time)\nI wake up screaming from dreaming\nOne day, I'll watch as you're leaving\nAnd life will lose all its meaning\n(For the last time)\n[Chorus]\nIt's me, hi\nI'm the problem, it's me (I'm the problem, it's me)\nAt teatime, everybody agrees\nI'll stare directly at the sun, but never in the mirror\nIt must be exhausting always rooting for the anti-hero\n[Bridge]\nI have this dream my daughter-in-law kills me for the money\nShe thinks I left them in the will\nThe family gathers 'round and reads it and then someone screams out\n\"She's laughing up at us from Hell\"\n[Breakdown]\nIt's me, hi\nI'm the problem, it's me\nIt's me, hi\nI'm the problem, it's me\nIt's me, hi\nEverybody agrees, everybody agrees [Chorus]\nIt's me, hi (Hi)\nI'm the problem, it's me (I'm the problem, it's me)\nAt teatime (Teatime), everybody agrees (Everybody agrees)\nI'll stare directly at the sun, but never in the mirror\nIt must be exhausting always rooting for the anti-hero" + } + ] + }, + { + "id":132082, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of an unrequited love, with vivid imagery of coldness and distance metaphorically representing the relationship. The song should have a storytelling approach, reflective verses, and a catchy, melancholic chorus that emphasizes the theme of a perfect day ruined by the indifference of a loved one. Include the sense of confrontation and a realization of self-worth despite the heartache, using a blend of acoustic and pop elements typical of Taylor Swift's music." + }, + { + "from":"gpt", + "value":"[Verse 1]\nYou have a way of coming easily to me\nAnd when you take, you take the very best of me\nSo I start a fight 'cause I need to feel something\nAnd you do what you want 'cause I'm not what you wanted\n[Chorus]\nOh, what a shame, what a rainy ending\nGiven to a perfect day\nJust walk away, ain't no use defending\nWords that you will never say\nAnd now that I'm sitting here thinking it through\nI've never been anywhere cold as you\n[Verse 2]\nYou put up walls and paint them all a shade of gray\nAnd I stood there loving you and wished them all away\nAnd you come away with a great little story\nOf a mess of a dreamer with the nerve to adore you\n[Chorus]\nOh, what a shame, what a rainy ending\nGiven to a perfect day\nSo just walk away, ain't no use defending\nWords that you will never say\nAnd now that I'm sitting here thinking it through\nI've never been anywhere cold as you [Bridge]\nYou never did give a damn thing, honey\nBut I cried, cried for you\nAnd I know you wouldn't have told nobody\nIf I died, died for you, died for you\n[Chorus]\nOh, what a shame, what a rainy ending\nGiven to a perfect day, oh\nEvery smile you fake is so condescending\nCounting all the scars you made\nAnd now that I'm sitting here thinking it through\nI've never been anywhere cold as you\nOoh-oh" + } + ] + }, + { + "id":3280165, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of unattainable attraction and conflicted emotions, much like her song \"Gorgeous.\" The lyrics should reflect the witty and candid storytelling of a narrator who is infatuated with someone they can't have, resulting in a mix of admiration and frustration. The music should have a playful yet bitter-sweet tone with a catchy, pop-influenced chorus that emphasizes the word \"gorgeous\" to underline the central theme of irresistible beauty. Include vivid imagery and personal anecdotes to create an intimate and relatable atmosphere, reminiscent of Swift's conversational and vivid songwriting style." + }, + { + "from":"gpt", + "value":"[Intro: James Reynolds]\nGorgeous\n[Verse 1]\nYou should take it as a compliment\nThat I got drunk and made fun of the way you talk\nYou should think about the consequence\nOf your magnetic field bein' a little too strong\nAnd I got a boyfriend, he's older than us\nHe's in the club doin' I don't know what\nYou're so cool, it makes me hate you so much (I hate you so much)\n[Pre-Chorus]\nWhisky on ice, Sunset and Vine\nYou've ruined my life by not bein' mine\n[Chorus]\nYou're so gorgeous\nI can't say anything to your face\n'Cause look at your face (\nGorgeous\n)\nAnd I'm so furious\nAt you for makin' me feel this way\nBut what can I say? You're gorgeous\n[Verse 2]\nYou should take it as a compliment\nThat I'm talkin' to everyone here but you (But you, but you)\nAnd you should think about the consequence\nOf you touchin' my hand in a darkened room (Dark room, dark room)\nIf you've got a girlfriend, I'm jealous of her\nBut if you're single, that's honestly worse\n'Cause you're so gorgeous it actually hurts (Honey, it hurts) [Pre-Chorus]\nOcean blue eyes lookin' in mine\nI feel like I might sink and drown and die\n[Chorus]\nYou're so gorgeous\nI can't say anything to your face (To your face)\n'Cause look at your face (Look at your face; \nGorgeous\n)\nAnd I'm so furious\nAt you for makin' me feel this way (Feel this way)\nBut what can I say? You're gorgeous\n[Bridge]\nYou make me so happy it turns back to sad (Yeah)\nThere's nothin' I hate more than what I can't have (And)\nYou are so gorgeous, it makes me so mad (Mm)\nYou make me so happy it turns back to sad (Yeah)\nThere's nothin' I hate more than what I can't have (And)\nGuess I'll just stumble on home to my cats (Ugh) alone\nUnless you wanna come along (Oh)\n[Chorus]\nYou're so gorgeous (Gorgeous)\nI can't say anything to your face (To your face)\n'Cause look at your face (Look at your face; \nGorgeous\n)\nAnd I'm so furious (I'm so furious)\nAt you for making me feel this way (Feel this way)\nBut what can I say? (I say) You're gorgeous [Outro]\nYou make me so happy it turns back to sad (Yeah)\nThere's nothin' I hate more than what I can't have (And)\nYou are so gorgeous, it makes me so mad (Mm)\nYou're gorgeous\nYou make me so happy it turns back to sad (Turns back to sad)\nThere's nothin' I hate more than what I can't have (What I can't have)\nYou are so gorgeous, it makes me so mad (Mm)\nYou're gorgeous" + } + ] + }, + { + "id":6478856, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of young love with an emphasis on the exhilarating feeling of taking a risk together. The lyrics should include playful and romantic imagery, reflecting the intimate moments and idiosyncrasies of a blossoming relationship. The tone should be optimistic and heartfelt, incorporating a catchy, sing-along chorus that encourages someone to 'jump, then fall' into love, promising unwavering support and companionship. The musical arrangement should be reminiscent of Swift's country-pop era, with an acoustic guitar-led melody that builds into a memorable and uplifting bridge." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI like the way you sound in the mornin'\nWe're on the phone and without a warnin'\nI realize your laugh is the best sound\nI have ever heard\nI like the way I can't keep my focus\nI watch you talk, you didn't notice\nI hear the words, but all I can think is\n\"We should be together\"\n[Pre-Chorus]\nEvery time you smile, I smile\nAnd every time you shine, I'll shine for you\n[Chorus]\nWoah-oh, I'm feelin' you, baby\nDon't be afraid to jump, then fall\nJump, then fall into me\nBaby, I'm never gonna leave you\nSay that you wanna be with me too\n'Cause I'ma stay through it all\nSo, jump, then fall\n[Verse 2]\nHuh, well, I like the way your hair falls in your face\nYou got the keys to me, I love each freckle on your face, oh\nI've never been so wrapped up, honey\nI like the way you're everything I ever wanted\nI had time to think it oh-over\nAnd all I can say is, \"Come closer\"\nTake a deep breath and jump, then fall into me [Pre-Chorus]\n'Cause every time you smile, I smile\nAnd every time you shine, I'll shine for you\n[Chorus]\nWoah-oh, I'm feelin' you, baby\nDon't be afraid to jump, then fall\nJump, then fall into me\nBaby, I'm never gonna leave you\nSay that you wanna be with me too\n'Cause I'ma stay through it all\nSo, jump, then fall\n[Bridge]\nThe bottom's gonna drop out from under our feet\nI'll catch you, I'll catch you\nWhen people say things that bring you to your knees\nI'll catch you\nThe time is gonna come when you're so mad you could cry\nBut I'll hold you through the night until you smile\n[Chorus]\nWoah-oh, I need you, baby\nDon't be afraid, please, jump, then fall\nJump, then fall into me\nBaby, I'm never gonna leave you\nSay that you wanna be with me too\n'Cause I'ma stay through it all\nSo, jump, then fall\nJump, then fall, baby\nJump, then fall into me, into me [Outro]\nEvery time you smile, I smile\nAnd every time you shine, I'll shine\nAnd every time you're here\nBaby, I'll show you, I'll show you\nYou can jump, then fall, jump, then fall\nJump, then fall into me, into me, yeah" + } + ] + }, + { + "id":5793981, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that encapsulates the ethereal and introspective nature of \"Mirrorball.\" The lyrics should reflect the themes of adaptability and resilience, with a touch of vulnerability, embodying a character who changes themselves to fit into different environments and please others. The music should have a soft, dreamy quality with an underlying strength, much like Swift's indie-folk and alternative pop sound from her \"Folklore\" album. Incorporate the imagery of a mirrorball\u2014shimmering and spinning, representing the many facets of the character's persona\u2014as well as metaphorical references to a circus or performance to convey the constant effort to entertain and engage. Keep the tone intimate and confessional, with a chorus that captures the determination to shine despite the challenges, all while maintaining Swift's signature poetic storytelling." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI want you to know\nI'm a mirrorball\nI'll show you every version of yourself tonight\nI'll get\u2005you\u2005out on the\u2005floor\nShimmering beautiful\nAnd when I break, it's\u2005in a million pieces\n[Chorus]\nHush, when no one is around, my dear\nYou'll find me on my tallest tiptoes\nSpinning in my highest heels, love\nShining just for you\nHush, I know they said the end is near\nBut I'm still on my tallest tiptoes\nSpinning in my highest heels, love\nShining just for you\n[Verse 2]\nI want you to know\nI'm a mirrorball\nI can change everything about me to fit in\nYou are not like the regulars\nThe masquerade revelers\nDrunk as they watch my shattered edges glisten [Chorus]\nHush, when no one is around, my dear\nYou'll find me on my tallest tiptoes\nSpinning in my highest heels, love\nShining just for you\nHush, I know they said the end is near\nBut I'm still on my tallest tiptoes\nSpinning in my highest heels, love\nShining just for you\n[Bridge]\nAnd they called off the circus, burned the disco down\nWhen they sent home the horses and the rodeo clowns\nI'm still on that tightrope\nI'm still trying everything to get you laughing at me\nAnd I'm still a believer, but I don't know why\nI've never been a natural, all I do is try, try, try\nI'm still on that trapeze\nI'm still trying everything to keep you looking at me\n[Outro]\nBecause I'm a mirrorball\nI'm a mirrorball\nAnd I'll show you every version of yourself tonight" + } + ] + }, + { + "id":8485919, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the introspective reflection on a relationship amidst external chaos. The song should feature vivid imagery, such as the comparison of a cherished memory to a small, glowing insect, and the juxtaposition of a tumultuous world against the comfort of domestic bliss. Lyrics should include the motif of returning home to simple, yet profound expressions of love, which are described as 'sweet nothings'. The melody should be reminiscent of Swift's storytelling approach, with a bridge that critiques societal pressures and the complexity of the modern world. The overall tone should mix sweetness with melancholy, and the pace should allow for moments of contemplative calm." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI spy with my little tired eye\nTiny as a firefly\nA pebble that we picked up last July\nDown deep inside your pocket\nWe almost forgot it\nDoes it ever miss Wicklow sometimes?\nOoh, ooh\n[Chorus]\nThey said the end is comin'\nEveryone\u2019s up to somethin'\nI find myself runnin' home to your sweet nothings\nOutside, they\u2019re push and shovin'\nYou're in the kitchen hummin'\nAll that you ever wanted from me was sweet nothin'\n[Verse 2]\nOn the way home\nI wrote a poem\nYou say, \"What a mind\"\nThis happens all the time\nOoh, ooh\n[Chorus]\n'Caus\u0435 they said the end is comin'\nEv\u0435ryone's up to somethin\u2019\nI find myself runnin\u2019 home to your sweet nothings\nOutside, they're push and shovin\u2019\nYou're in the kitchen hummin'\nAll that you ever wanted from me was nothin' [Bridge]\nIndustry disruptors and soul deconstructors\nAnd smooth-talking hucksters out glad-handing each other\nAnd the voices that implore, \"You should be doing more\"\nTo you, I can admit that I\u2019m just too soft for all of it\nOoh\n[Chorus]\nThey said the end is comin'\nEveryone's up to somethin'\nI find myself runnin' home to your sweet nothings\nOutside, they're push and shovin'\nYou're in the kitchen hummin'\nAll that you ever wanted from me was sweet nothin'\nThey said the end is comin' (They said the end is comin')\nEveryone's up to somethin' (Everyone's up to somethin')\nI find myself runnin' home to your sweet nothings\nOutside, they're push and shovin' (Outside, they're push and shovin')\nYou're in the kitchen hummin' (You're in the kitchen hummin')\nAll that you ever wanted from me was sweet nothin'" + } + ] + }, + { + "id":3021521, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the intoxicating rush of a new crush, using vivid imagery like \"spilled my coffee in the car\" and emotionally charged actions such as \"ran right through a red light.\" The song should evoke the youthful and relatable experience of being so enamored with someone that it disrupts daily routines, leading to impulsive decisions like needing to see them one more time. It should include a catchy, repeated chorus that encapsulates the feeling of being helplessly drawn to someone, as though they've shot you straight through the heart, and convey the blend of excitement and chaos that comes with falling head over heels, possibly hinting at the potential of a romantic encounter lasting until the morning light." + }, + { + "from":"gpt", + "value":"[Verse 1]\nHere I am, once again\nIn your driveway, thinking I should be leaving\nI should go but it's so entertaining watching you breathing\nYou went and got to me like\nThe stupid song on the radio that you try to forget\nBut it sticks in your head\nSo goodbye, it's not goodnight\nCause I'll be seeing you in my dreamin'\n[Chorus]\nBoy, you got me like a shot to the heart\nGot me shakin' so bad, spilled my coffee in the car\nCaught a red light I ran right through\nGotta call my friends, tell them all about you\nAlways looking like one of those nights\nWhen you're thinkin' 'bout kissing 'til the morning light\nYou got me, you do\n[Verse 2]\nIn a daze, pull the shades\nClose my eyes and picture you at my window\nI relax, I go back to all the things you said\nThat only I know\n[Chorus]\nBoy, you got me like a shot to the heart\nGot me shakin' so bad, spilled my coffee in the car\nCaught a red light I ran right through\nGotta call my friends, tell them all about you\nAlways looking like one of those nights\nWhen you're thinkin' 'bout kissing 'til the morning light\nYou got me, you do [Bridge]\nI'm runnin' right out to my car\nAnd I pull out the drive\nIt's only been ten minutes\nBut I have to see you one more time\n[Chorus]\nBoy, you got me like a shot to the heart\nGot me shakin' so bad, spilled my coffee in the car\nCaught a red light I ran right through\nGotta call my friends, tell them all about you\nAlways looking like one of those nights\nWhen you're thinkin' 'bout kissing 'til the morning light\nYou got me, you do" + } + ] + }, + { + "id":187131, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of a child facing the impending departure of a parent due to war. The lyrics should reflect the innocence of the child mixed with the harsh reality of the world, using imagery such as changing seasons to symbolize the transition and uncertainty ahead. The song structure should include verses that build up the narrative, a repeating heartfelt plea in the chorus, and an outro that leaves a lingering sense of longing. The musical style should blend country roots with pop sensibilities, evoking a bittersweet and reflective mood." + }, + { + "from":"gpt", + "value":"[Verse 1]\nAny day now, they're talking war\nI can see the look that's in your eyes\nThey're not talking a week or two\nOh, daddy can I go with you?\nOh, daddy can I go with you?\n[Verse 2]\nYou pack a suitcase, take a picture from the wall\nI always knew this time would come\nWhen I ask how long you think you're going to be\nYou say, this crazy world's come undone\n[Verse 3]\nSummer's over and leaves begin to fall\nAnd another winter's on the way\nI knew I wasn't going to take this very well\nBut I'd give anything to have you here today\n[Verse 4]\nEveryday now they're talking war\n& I know this time is like it's never been before\nWe're not talking about a week or two\n[Outro]\nOh, daddy can I go with you?\nOh, daddy can I go with you?\nOh, daddy can I go with you?" + } + ] + }, + { + "id":78585, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the emotional aftermath of a young woman reflecting on a past, manipulative relationship. The song should convey a mix of vulnerability and empowerment, with a narrative that moves from recounting the pain of being taken advantage of to a strong declaration of self-worth and independence. Include introspective verses and a chorus that serves as a poignant message to the former partner, reminiscent of the storytelling and emotional depth found in Swift's \"Dear John.\" Incorporate acoustic elements with a country-pop flair, and ensure the lyrics capture the journey from naivety to enlightenment, much like a diary entry turned into a powerful anthem." + }, + { + "from":"gpt", + "value":"[Verse 1]\nLong were the nights when\nMy days once revolved around you\nCounting my footsteps\nPraying the floor won't fall through again\nAnd my mother accused me of losing my mind\nBut I swore I was fine\nYou paint me a blue sky\nThen go back and turn it to rain\nAnd I lived in your chess game\nBut you changed the rules everyday\nWondering which version of you I might get on the phone tonight\nWell, I stopped pickin' up and this song is to let you know why\n[Chorus]\nDear John, I see it all now that you're gone\nDon't you think I was too young to be messed with?\nThe girl in the dress cried the whole way home\nI should've known\n[Verse 2]\nWell, maybe it's me\nAnd my blind optimism to blame\nOr maybe it's you and your sick need\nTo give love and take it away\nAnd you'll add my name to your long list of traitors\nWho don't understand\nAnd I look back in regret how I ignored when they said\n\"Run as fast as you can\" [Chorus]\nDear John, I see it all now that you're gone\nDon't you think I was too young to be messed with?\nThe girl in the dress cried the whole way home\nDear John, I see it all now, it was wrong\nDon't you think nineteen's too young\nTo be played by your dark, twisted games when I loved you so?\nI should've known\n[Bridge]\nYou are an expert at sorry and keeping lines blurry\nNever impressed by me acing your tests\nAll the girls that you've run dry have tired lifeless eyes\n'Cause you burned them out\nBut I took your matches before fire could catch me\nSo don't look now\nI'm shining like fireworks over your sad empty town\nOh, oh\n[Chorus]\nDear John, I see it all now that you're gone\nDon't you think I was too young to be messed with?\nThe girl in the dress cried the whole way home\nI see it all now that you're gone\nDon't you think I was too young to be messed with?\nThe girl in the dress wrote you a song\nYou should've known [Outro]\nYou should've known\nDon't you think I was too young?\nYou should've known" + } + ] + }, + { + "id":4499977, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love and jealousy. The lyrics should reflect the perspective of someone who feels overshadowed by another person who embodies everything they believe they are not. Incorporate elements of introspection and a narrative that details the protagonist's emotional struggle with their own identity in the face of their significant other's apparent infatuation with someone else. The song should be set in a contemporary pop-country genre, with a catchy chorus that emphasizes the recurring thought of the 'other' person. Include Taylor Swift's signature storytelling approach, with vivid imagery and personal anecdotes that create a relatable and emotive atmosphere." + }, + { + "from":"gpt", + "value":"[Verse 1]\nShe's real pretty if you\u2019re into that brunette\nLooks good without any makeup on\nGreen eyes kind of thing\nUh huh\nShe's spontaneous, she ain't afraid of anything\nShe\u2019s not the jealous type\nShe's the type you give a diamond ring\n[Pre-Chorus]\nAnd I came along, just after she walked out\nPicking up the pieces 'til I've figured out\n[Chorus]\nThere's a girl that you want\nShe's everything that I am not\nAnd you can't stop thinking about her\nThere's a thin little line\nAnd it\u2019s like you cross it every time\nWhen you can\u2019t stop thinking about her\n[Verse 2]\nShe came from a really small town\nShe liked to watch football with you\nWell, I'd learn football too, if you wanted me to\nUh huh\nShe\u2019s really good with babies, she'd be a great mother\nShe said I should really meet her sometime\nUh huh [Pre-Chorus]\nIt's getting old, I wonder if you've seen\nThe favorite conversation\u2019s killing me\n[Chorus]\nThere's a girl that you want\nShe's everything that I am not\nAnd you can't stop thinking about her\nThere's a thin little line\nAnd it's like you cross it every time\nWhen you can't stop thinking about her\n[Bridge]\nDon't you know I was a 4.0 in school?" + } + ] + }, + { + "id":2940047, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a reflective and confessional narrative about love lost and the personal growth that follows. The song should weave a tale of past relationships, the illusion of perfection, and the eventual realization and acceptance of their flaws. The lyrics should be poignant, with a blend of melancholy and empowerment, and the musical composition should reflect Swift's signature blend of country roots with modern pop sensibility. Include vivid imagery and emotional depth to convey the journey from heartache to self-awareness, echoing the storytelling quality found in Swift's own discography." + }, + { + "from":"gpt", + "value":"[Verse 1]\nCome on, gather 'round, I'm gonna tell you how the fire went out\nSorry for the inconvenience, I didn't mean to let you down\nWe were supposed to be forever but it's too bad you didn't see that to me\nYou were the perfect view of misery\n[Chorus]\nI never talked about the tears I cried\nAll the sleepless nights or the endless fights\nI never talked about the \ndays he called\nThere was something wrong, it was all my fault\nI had it all, what a shame, what a fall now\nBut in case you haven't heard the news\nThere wasn't much love to lose\n[Verse 2]\nLet's talk about that golden boy that I met on a winter night\nHow was I supposed to know that he was just as cold inside?\nHe smiled and I smiled, well the camera's in your mind\nAnd I lied, I swore that everything was fine\n[Chorus]\nI never talked about the tears I cried\nAll the sleepless nights or the endless fights\nI never talked about the \nnights he called\nThere was something wrong, it was all my fault\nI had it all, what a shame, what a fall now\nBut in case you haven't heard the news\nThere wasn't much love to lose [Bridge]\nI know you wanna talk about me\nHow I gave up on love so foolishly\nBut keep in mind\n[Chorus]\nI never talked about the tears I cried\nAll the sleepless nights or the endless fights\nI never talked about the \nnights he called\nThere was something wrong, it was all my fault\nI had it all, what a shame, what a fall now\nBut in case you haven't heard the news\nThere wasn't much love to lose\n[Outro]\nCome on, gather 'round, I'm gonna tell you how the fire went out" + } + ] + }, + { + "id":5793961, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a tumultuous but deep love. The lyrics should reflect on the complexity of giving solace to a partner despite internal and external chaos. Include vivid imagery that contrasts the harsh realities with the intimate, tender moments of a relationship. The song should have a confessional tone, with an undercurrent of devotion and the bittersweet acknowledgement that love cannot solve every problem. Incorporate themes of loyalty, the struggle for peace, and the readiness to stand by someone through life's metaphorical battles." + }, + { + "from":"gpt", + "value":"[Verse 1]\nOur coming-of-age has come and gone\nSuddenly, this summer, it's clear\nI never had the courage of\u2005my\u2005convictions\nAs long as\u2005danger is near\nAnd it's just around\u2005the corner, darlin'\n'Cause it lives in me\nNo, I could never\u205fgive\u205fyou\u205fpeace\n[Chorus]\nBut I'm a\u205ffire and I'll\u205fkeep your brittle heart warm\nIf your cascade, ocean wave blues come\nAll these people think love's for show\nBut I would die for you in secret\nThe devil's in the details, but you got a friend in me\nWould it be enough if I could never give you peace?\n[Verse 2]\nYour integrity makes me seem small\nYou paint dreamscapes on the wall\nI talk shit with my friends, it's like I'm wasting your honor\nAnd you know that I'd swing with you for the fences\nSit with you in the trenches\nGive you my wild, give you a child\nGive you the silence that only comes when two people understand each other\nFamily that I chose, now that I see your brother as my brother\nIs it enough?\nBut there's robbers to the east, clowns to the west\nI'd give you my sunshine, give you my best\nBut the rain is always gonna come if you're standin' with me [Chorus]\nBut I'm a fire and I'll keep your brittle heart warm\nIf your cascade, ocean wave blues come\nAll these people think love's for show\nBut I would die for you in secret\nThe devil's in the details, but you got a friend in me\nWould it be enough if I could never give you peace?\nWould it be enough if I could never give you peace?\nWould it be enough if I could never give you peace?" + } + ] + }, + { + "id":57189, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love, with a narrative centered around a character named Drew who is oblivious to the protagonist's affections. The song should embody the vulnerability and yearning found in the provided lyrics, featuring a blend of country and pop elements typical of Taylor Swift\u2019s earlier work. The lyrics should evoke the pain of loving someone who is infatuated with someone else, using motifs such as teardrops, wishing stars, and late-night drives to convey a deep sense of emotional longing and heartache." + }, + { + "from":"gpt", + "value":"[Verse 1]\nDrew looks at me\nI fake a smile so he won't see\nThat I want and I'm needing\nEverything that we should be\n[Pre-Chorus]\nI'll bet she's beautiful, that girl he talks about\nAnd she's got everything that I have to live without\n[Verse 2]\nDrew talks to me\nI laugh 'cause it's just so funny\nThat I can't even see\nAnyone when he's with me\n[Pre-Chorus]\nHe says he's so in love, he's finally got it right\nI wonder if he knows he's all I think about at night\n[Chorus]\nHe's the reason for the teardrops on my guitar\nThe only thing that keeps me wishin' on a wishing star\nHe's the song in the car I keep singing, don't know why I do\n[Verse 3]\nDrew walks by me\nCan he tell that I can't breathe?\nAnd there he goes, so perfectly\nThe kind of flawless I wish I could be [Pre-Chorus]\nShe'd better hold him tight, give him all her love\nLook in those beautiful eyes and know she's lucky 'cause\n[Chorus]\nHe's the reason for the teardrops on my guitar\nThe only thing that keeps me wishin' on a wishing star\nHe's the song in the car I keep singing, don't know why I do\n[Pre-Chorus]\nSo I'll drive home alone as I turn off the light\nI'll put his picture down and maybe get some sleep tonight\n[Chorus]\n'Cause he's the reason for the teardrops on my guitar\nThe only one who's got enough of me to break my heart\nHe's the song in the car I keep singing, don't know why I do\n[Outro]\nHe's the time taken up, but there's never enough\nAnd he's all that I need to fall into\nDrew looks at me\nI fake a smile, so he won't see" + } + ] + }, + { + "id":551089, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures a whimsical, yet bittersweet journey through a fantastical love story, reminiscent of a modern Alice in Wonderland. The lyrics should explore the themes of diving headfirst into romance, the excitement of the unknown, and the ultimate realization of impermanence. Include vivid imagery and metaphors related to fairy tales, and ensure the song has a catchy, pop-driven chorus that emphasizes the contrast between the highs and lows of the relationship, with an emotional bridge that reflects on the loss and the return to reality." + }, + { + "from":"gpt", + "value":"[Verse 1]\nFlashing lights\nAnd we took a wrong turn\nAnd we fell down a rabbit hole\nYou held on tight to me\n'Cause nothing's as it seems\nAnd spinning out of control\n[Pre-Chorus]\nDidn't they tell us \"Don't rush into things\"?\nDidn't you flash your green eyes at me?\nHaven't you heard what becomes of curious minds?\nOoh, didn't it all seem new and exciting?\nI felt your arms twistin' around me\nI should have slept with one eye open at night\n[Chorus]\nWe found Wonderland, you and I got lost in it\nAnd we pretended it could last forever (Eh, eh)\nWe found Wonderland, you and I got lost in it\nAnd life was never worse, but never better (Eh, eh)\n[Post-Chorus]\n(Eh, eh, eh, eh, eh, eh)\nIn Wonderland\n(Eh, eh, eh, eh, eh, eh)\nIn Wonderland\n(Eh, eh, eh, eh, eh, eh)\nIn Wonderland\n(Eh, eh, eh, eh, eh, eh)\nIn Wonderland [Verse 2]\nSo, we went on our way\nToo in love to think straight\nAll alone, or so it seemed\nBut there were strangers watchin'\nAnd whispers turned to talkin'\nAnd talking turned to screams, oh\n[Pre-Chorus]\nDidn't they tell us \"Don't rush into things\"?\nDidn't you flash your green eyes at me?\nDidn't you calm my fears with a Cheshire cat smile?\nOoh, didn't it all seem new and exciting?\nI felt your arms twistin' around me\nIt's all fun and games 'til somebody loses their mind\nBut darling\n[Chorus]\nWe found Wonderland, you and I got lost in it\nAnd we pretended it could last forever (Eh, eh)\nWe found Wonderland, you and I got lost in it\nAnd life was never worse but never better (Eh, eh)\n[Post-Chorus]\n(Eh, eh, eh, eh, eh, eh)\nIn Wonderland\n(Eh, eh, eh, eh, eh, eh) Eh, eh\nIn Wonderland\n(Eh, eh, eh, eh, eh, eh)\nIn Wonderland\n(Eh, eh, eh, eh, eh, eh) Woah\nIn Wonderland [Bridge]\nI reached for you, but you were gone\nI knew I had to go back home\nYou searched the world for somethin' else\nTo make you feel like what we had\nAnd in the end, in Wonderland, we both went mad\nOh\n[Chorus]\nWe found Wonderland, you and I got lost in it\nAnd we pretended it could last forever (Last forever; Eh, eh)\nWe found Wonderland, you and I got lost in it (Got lost in it)\nAnd life was never worse but never better (Never better; Eh, eh)\n(Eh, eh, eh, eh, eh)\nWe found Wonderland, you and I got lost in it\n(Eh, eh, eh, eh, eh)\nAnd we pretended it could last forever (In Wonderland)\n(Eh, eh, eh, eh, eh)\nWe found Wonderland, you and I got lost in it (Lost in it)\n(Eh, eh, eh, eh, eh)\nAnd life was never worse but never better\nIn Wonderland" + } + ] + }, + { + "id":5816082, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the nostalgic and introspective essence of youthful romance, with vivid imagery such as \"vintage tee, brand new phone\" and emotionally charged metaphors like feeling \"like an old cardigan under someone's bed.\" The lyrics should reflect the nuanced understanding of love from a young person's perspective, often underestimated by others, juxtaposing innocence with moments of profound clarity. Include a storytelling element that unfolds through verses and a chorus, touching on themes of lost love, remembrance, and the bittersweet realization of growing up, similar to the narrative style of Swift's songwriting." + }, + { + "from":"gpt", + "value":"[Verse 1]\nVintage tee, brand new phone\nHigh heels on cobblestones\nWhen you are young, they assume you know\u2005nothing\nSequin\u2005smile, black lipstick\nSensual\u2005politics\nWhen you are young, they assume\u2005you know nothing\n[Chorus]\nBut I knew you\nDancin' in your Levi's\nDrunk under\u205fa\u205fstreetlight,\u205fI\nI knew you\nHand\u205funder my sweatshirt\nBaby,\u205fkiss it better, I\n[Refrain]\nAnd when I felt like I was an old cardigan\nUnder someone's bed\nYou put me on and said I was your favorite\n[Verse 2]\nA friend to all is a friend to none\nChase two girls, lose the one\nWhen you are young, they assume you know nothing [Chorus]\nBut I knew you\nPlaying hide-and-seek and\nGiving me your weekends, I\nI knew you\nYour heartbeat on the High Line\nOnce in twenty lifetimes, I\n[Refrain]\nAnd when I felt like I was an old cardigan\nUnder someone's bed\nYou put me on and said I was your favorite\n[Bridge]\nTo kiss in cars and downtown bars\nWas all we needed\nYou drew stars around my scars\nBut now I'm bleedin'\n[Chorus]\n'Cause I knew you\nSteppin' on the last train\nMarked me like a bloodstain, I\nI knew you\nTried to change the ending\nPeter losing Wendy, I\nI knew you\nLeavin' like a father\nRunning like water, I\nAnd when you are young, they assume you know nothing [Verse 3]\nBut I knew you'd linger like a tattoo kiss\nI knew you'd haunt all of my what-ifs\nThe smell of smoke would hang around this long\n'Cause I knew everything when I was young\nI knew I'd curse you for the longest time\nChasin' shadows in the grocery line\nI knew you'd miss me once the thrill expired\nAnd you'd be standin' in my front porch light\nAnd I knew you'd come back to me\nYou'd come back to me\nAnd you'd come back to me\nAnd you'd come back\n[Refrain]\nAnd when I felt like I was an old cardigan\nUnder someone's bed\nYou put me on and said I was your favorite" + } + ] + }, + { + "id":3645367, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures the vulnerability of a new romance under the scrutiny of public perception, with introspective and confessional lyrics. The melody should be subtle and airy, evoking the fragility of the situation, akin to her use of light electronic beats and soft vocal delivery in \"Delicate.\" The song should include themes of uncertainty and the excitement of a private connection in the midst of a chaotic life, using vivid imagery to describe clandestine meetings and the yearning for authenticity in a relationship." + }, + { + "from":"gpt", + "value":"This ain't for the best\nMy reputation's never been worse, so\nYou must like me for me\nWe can't make\nAny promises now, can we, babe?\nBut you can make me a drink\nDark night on the East Side, where you at?\nPhone lights up my nightstand in the black\nCome here, you can meet me in the back\nDark jeans and your Nikes, look at you\nOh never seen that color blue\nJust think of the fun things we could do\n'Cause I like you\nThis ain't for the best\nMy reputation's never been worse, so\nYou must like me for me\nYeah, I want you\nWe can't make\nAny promises now, can we, babe?\nBut you can make me a drink\nIs it cool that I said all that?\nIs it chill that you're in my head?\n'Cause I know that it's delicate (delicate)\nIs it cool that I said all that\nIs it too soon to do this yet?\n'Cause I know that it's delicate\nIsn't it? Isn't it? Isn't it? Isn't it?\nIsn't it? Isn't it? Isn't it? Isn't it?\nDelicate Third floor on the West Side, me and you\nHandsome, your mansion with a view\nDo the girls back home touch you like I do?\nLong night, with your hands up in my hair\nEchoes of your footsteps on the stairs\nStay here, honey, I don't wanna share\n'Cause I like you\nThis ain't for the best\nMy reputation's never been worse, so\nYou must like me for me\nYeah, I want you\nWe can't make\nAny promises now, can we, babe?\nBut you can make me a drink\nIs it cool that I said all that?\nIs it chill that you're in my head?\n'Cause I know that it's delicate (delicate)\nIs it cool that I said all that\nIs it too soon to do this yet?\n'Cause I know that it's delicate\nIsn't it? Isn't it? Isn't it? Isn't it?\nIsn't it? Isn't it? Isn't it? Isn't it?\nDelicate Sometimes I wonder when you sleep\nAre you ever dreaming of me?\nSometimes when I look into your eyes\nI pretend you're mine, all the time\n'Cause I like you\nIs it cool that I said all that?\nIs it chill that you're in my head?\n'Cause I know that it's delicate (delicate)\nYeah, I want you\nIs it cool that I said all that\nIs it too soon to do this yet?\n'Cause I know that it's delicate (delicate)\n'Cause I like you\nIs it cool that I said all that?\nIs it chill that you're in my head?\n'Cause I know that it's delicate (delicate)\nYeah, I want you\nIs it cool that I said all that\nIs it too soon to do this yet?\n'Cause I know that it's delicate\nDelicate" + } + ] + }, + { + "id":8486442, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional turmoil and introspection of a relationship marred by infidelity. The lyrics should explore themes of betrayal, regret, and the complexity of love, with vivid imagery such as storms, broken locks, and sharp fences. The song should have a confessional tone, reminiscent of Swift\u2019s narrative songwriting, and include a catchy chorus that reflects the pain of being unfaithful. The musical arrangement should complement Swift's country-pop roots, with a blend of acoustic and electronic elements that underscore the song\u2019s introspective nature." + }, + { + "from":"gpt", + "value":"[Verse 1]\nLock broken, slur spoken\nWound open, game token\nI didn't know you were keeping count\nRain soaking, blind hoping\nYou said I was freeloading\nI didn't know you were keeping count\n[Chorus]\nHigh infidelity\nPut on your records and regret me\nI bent the truth too far tonight\nI was dancing around, dancing around it\nHigh infidelity\nPut on your headphones and burn my city\nYour picket fence is sharp as knives\nI was dancing around, dancing around it\n[Refrain]\nDo you really wanna know where I was April 29th?\nDo I really have to chart the constellations in his eyes?\n[Verse 2]\nStorm coming, good husband\nBad omen\nDragged my feet right down the aisle\nAt the house lonely, good money\nI'd pay if you'd just know me\nSeemed like the right thing at the time [Refrain]\nYou know there's many different ways that you can kill the one you love\nThe slowest way is never loving them enough\nDo you really wanna know where I was April 29th?\nDo I really have to tell you how he brought me back to life?\n[Chorus]\nHigh infidelity\nPut on your records and regret me\nI bent the truth too far tonight\nI was dancing around, dancing around it\nHigh infidelity\nPut on your headphones and burn my city\nYour picket fence is sharp as knives\nI was dancing around, dancing around it\n[Refrain]\nDo you really want to know where I was April 29th?\nDo I really have to chart the constellations in his eyes?\nYou know there's many different ways that you can kill the one you love\nThe slowest way is never loving them enough\n[Chorus]\nHigh infidelity\nPut on your records and regret meeting me\nI bent the truth too far tonight\nI was dancing around, dancing around it\nHigh infidelity\nPut on your headphones and burn my city\nYour picket fence is sharp as knives\nI was dancing around, dancing around it [Non-Lyrical Break]\n[Post-Chorus]\nOh, there's many different ways that you can kill the one you love\nAnd it's never enough, it's never enough\n[Outro]\nLock broken, slur spoken\nWound open, game token\nI didn't know you were keeping count\nRain soaking, blind hoping\nYou said I was freeloading\nI didn't know you were keeping count\nBut, oh, you were keeping count" + } + ] + }, + { + "id":6260178, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of knowing when to leave a situation that's no longer beneficial, whether it's a cold relationship, an unfulfilling job, or a deceitful friendship. The lyrics should convey the emotional journey and self-awareness that comes with recognizing that \"it's time to go,\" and encourage the act of leaving as a form of personal strength and bravery. Emphasize the theme of empowerment through difficult decisions and incorporate a narrative that details the struggle and the ultimate realization that leads to a better path. The song should include vivid storytelling, the occasional metaphor, and a chorus that resonates with the bittersweet acknowledgment of necessary change." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWhen the dinner is cold and the chatter gets old\nYou ask for the tab\nOr that moment again, he's insisting that friends\nLook at each other like that\nWhen the words of a sister come back in whispers\nThat prove she was not\nIn fact what she seemed, not a twin from your dreams\nShe's a crook who was caught\n[Chorus]\nThat old familiar body ache\nThe snaps from the same little breaks in your soul\nYou know when it's time to go\n[Verse 2]\nTwenty years at your job, then the son of the boss\nGets the spot that was yours\nOr trying to stay for the kids, when keeping it how it is\nWill only break their hearts worse\n[Chorus]\nThat old familiar body ache\nThe snaps from the same little breaks in your soul\nYou know when it's time to go [Post-Chorus]\nSometimes, givin' up is the strong thing\nSometimes, to run is the brave thing\nSometimes, walkin' out is the one thing\nThat will find you the right thing\nSometimes, givin' up is the strong thing\nSometimes, to run is the brave thing\nSometimes, walkin' out is the one thing\nThat will find you the right thing\n[Verse 3]\nFifteen years, fifteen million tears\nBegging 'til my knees bled\nI gave it my all, he gave me nothin' at all\nThen wondered why I left\nNow he sits on his throne in his palace of bones\nPraying to his greed\nHe's got my past frozen behind glass\nBut I've got me\n[Chorus]\nThat old familiar body ache\nThe snaps from the same little breaks in my soul\nI know when it's time to go\n[Post-Chorus]\nSometimes, givin' up is the strong thing\nSometimes, to run is the brave thing\nSometimes, walkin' out is the one thing\nThat will find you the right thing\nSometimes, givin' up is the strong thing\nSometimes, to run is the brave thing\nSometimes, walkin' out is the one thing\nThat will find you the right thing [Outro]\nThat will find you the right thing\nAnd you know in your soul\nAnd you know in your soul\nWhen it's time to go\nAnd, well, you know, you know, you know, you know\nWhen it's time to go\nSo then you go and then you go\nYou just go" + } + ] + }, + { + "id":186955, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the intimate and defiant spirit of a love that stands strong in the face of judgment and adversity. The lyrics should explore themes of resilience and commitment, with metaphorical references to overcoming obstacles and ignoring the critics. Include vivid imagery and personal details that create a sense of shared experiences and secret moments between lovers. The song should have a reflective tone with a chorus that reassures and empowers, embodying the country-pop sound that Taylor Swift is known for." + }, + { + "from":"gpt", + "value":"[Verse 1]\nElevator buttons and morning air\nStrangers' silence makes me want to take the stairs\nIf you were here, we'd laugh about their vacant stares\nBut right now, my time is theirs\nSeems like there's always someone who disapproves\nThey'll judge it like they know about me and you\nAnd the verdict comes from those with nothing else to do\nThe jury's out, but my choice is you\n[Chorus]\nSo don't you worry your pretty little mind\nPeople throw rocks at things that shine\nAnd life makes love look hard\nThe stakes are high, the water's rough\nBut this love is ours\n[Verse 2]\nYou never know what people have up their sleeves\nGhosts from your past gonna jump out at me\nLurking in the shadows with their lip gloss smiles\nBut I don't care, 'cause right now, you're mine\nAnd you'll say\n[Chorus]\nDon't you worry your pretty little mind\nPeople throw rocks at things that shine\nAnd life makes love look hard\nThe stakes are high, the water's rough\nBut this love is ours [Bridge]\nAnd it's not theirs to speculate if it's wrong and\nYour hands are tough, but they are where mine belong and\nI'll fight their doubt and give you faith with this song for you\n'Cause I love the gap between your teeth\nAnd I love the riddles that you speak\nAnd any snide remarks from my father about your tattoos\nWill be ignored, 'cause my heart is yours\n[Chorus]\nSo don't you worry your pretty little mind\nPeople throw rocks at things that shine\nAnd life makes love look hard\nAnd don't you worry your pretty little mind\nPeople throw rocks at things that shine\nBut they can't take what's ours\nThey can't take what's ours\nThe stakes are high, the water's rough\nBut this love is ours" + } + ] + }, + { + "id":102708, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures the playful and endearing aspects of a romantic relationship, incorporating a narrative verse about overcoming a minor conflict and a chorus with a catchy, repetitive hook that emphasizes the desire for both partners to stay together. The song should blend Swift's country roots with her pop sensibilities, featuring vivid storytelling and relatable emotional expressions. Include a bridge that highlights the deep personal connection between the partners, and make sure the overall tone is light-hearted, whimsical, and reflects the joy of being in love." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI'm pretty sure we almost broke up last night\nI threw my phone across the room, at you\nI was expecting some dramatic turn away\nBut you stayed\nThis morning, I said we should talk about it\n'Cause I read you should never leave a fight unresolved\nThat's when you came in wearing a football helmet\nAnd said, \"Okay, let's talk\"\nAnd I said\n[Chorus]\nStay, stay, stay\nI've been loving you for quite some time, time, time\nYou think that it's funny when I'm mad, mad, mad\nBut I think that it's best if we both stay\n[Verse 2]\nBefore you, I'd only dated self-indulgent takers\nWho took all of their problems out on me\nBut you carry my groceries and now, I'm always laughing\nAnd I love you because you have given me\nNo choice but to\n[Chorus]\nStay, stay, stay\nI've been loving you for quite some time, time, time\nYou think that it's funny when I'm mad, mad, mad\nBut I think that it's best if we both stay, stay, stay, stay [Bridge]\nYou took the time to memorize me\nMy fears, my hopes, and dreams\nI just like hanging out with you all the time\nAll those times that you didn't leave, it's been occurring to me\nI'd like to hang out with you for my whole life\n[Breakdown]\nStay and I'll be loving you for quite some time\nNo one else is gonna love me when I get mad, mad, mad\nSo I think that it's best if we both stay, stay\nStay, stay, stay, stay!\n[Chorus]\nStay, stay, stay\nI've been loving you for quite some time, time, time\nYou think that it's funny when I'm mad, mad, mad\nBut I think that it's best if we both stay, stay\nStay, stay, stay, stay!\n[Outro]\nStay, stay, stay\nI've been loving you for quite some time, time, time\nYou think that it's funny when I'm mad, mad, mad\nBut I think that it's best if we both stay\n(Ha-ha-ha, it's so fun)" + } + ] + }, + { + "id":551097, + "conversations":[ + { + "from":"human", + "value":"Write a song in the emotive storytelling style of Taylor Swift that explores the tumultuous journey of a love that ebbs and flows like the ocean tide. The lyrics should depict the pain of separation, the struggle with new beginnings, and the unexpected joy of a rekindled romance that once seemed lost. Incorporate vivid imagery of nature, such as clear blue water, dark skies, and a flickering lantern, to symbolize the changing states of the relationship. The song should capture a balance between melancholy and hope, with a chorus that emphasizes the resilience of love that comes back to life, evoking a sense of both liberation and destiny." + }, + { + "from":"gpt", + "value":"[Verse 1]\nClear blue water\nHigh tide came and brought you in\nAnd I could go on and on, on and on and I will\nSkies grew darker\nCurrents swept you out again\nAnd you were just gone and gone, gone and gone\n[Pre-Chorus]\nIn silent screams and wildest dreams\nI never dreamed of this\n[Chorus]\nThis love is good, this love is bad\nThis love is alive back from the dead, oh-oh, oh\nThese hands had to let it go free, and\nThis love came back to me, oh-oh, oh\nOh-oh, oh-oh, oh\n[Verse 2]\nTossing, turning\nStruggled through the night with someone new\nBaby, I could go on and on, on and on\nLantern, burning\nFlickered in my mind, only you\nBut you were still gone, gone, gone [Pre-Chorus]\nBeen losing grip on sinking ships\nYou showed up just in time\n[Chorus]\nThis love is good, this love is bad\nThis love is alive back from the dead, oh-oh, oh\nThese hands had to let it go free, and\nThis love came back to me, oh-oh, oh\nThis love left a permanent mark\nThis love is glowing in the dark, oh-oh, oh\nThese hands had to let it go free, and\nThis love came back to me, oh-oh, oh\n[Post-Chorus]\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love)\n[Bridge]\nYour kiss, my cheek, I watched you leave\nYour smile, my ghost, I fell to my knees\nWhen you're young, you just run\nBut you come back to what you need [Chorus]\nThis love is good, this love is bad\nThis love is alive back from the dead, oh-oh, oh\nThese hands had to let it go free, and\nThis love came back to me, oh-oh, oh\n(This love) This love left a permanent mark\n(This love) This love is glowing in the dark, oh-oh, oh\n(This love) These hands had to let it go free, and\n(This love) This love came back to me, oh-oh, oh\n[Post-Chorus]\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love)\nThis love, this love came back to me, oh-oh, oh" + } + ] + }, + { + "id":8486447, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the introspective reflection on past innocence and the haunting memories of a past relationship. The song should weave a narrative that plays with hypotheticals (\"Would've, could've, should've\"), expressing regret and longing for what might have been had different choices been made. Include a chorus that emphasizes the poignant realization of how experiences at a young age (like at nineteen) can be both thrilling yet damaging. The musical tone should balance vulnerability with the strength found in hindsight, typical of Swift's storytelling ballads, and incorporate imagery such as \"dancing with the devil,\" \"scared of ghosts,\" and \"stained glass windows in my mind\" to convey the complex emotions tied to personal growth and lost innocence." + }, + { + "from":"gpt", + "value":"[Verse 1]\nIf you would've blinked, then I would've\nLooked away at the first glance\nIf you tasted poison,\u2005you\u2005could've\nSpit me out\u2005at the first chance\nAnd if I\u2005was some paint, did it splatter\nOn a promising grown man?\nAnd if I was a child, did it matter\nIf you got to wash your hands?\n[Pre-Chorus]\nOoh, all I used to do was pray\nWould've, could've, should've\nIf you'd never looked my way\n[Chorus]\nI would've stayed on my knees\nAnd I damn sure never would've danced with the devil\nAt nineteen\nAnd the God's honest truth is that the pain was heaven\nAnd now that I'm grown, I'm scared of ghosts\nMemories feel like weapons\nAnd now that I know, I wish you'd left me wondering\n[Verse 2]\nIf you never touched me, I would've\nGone along with the righteous\nIf I never blushed, then they could've\nNever whispered about this\nAnd if you never saved me from boredom\nI could've gone on as I was\nBut, Lord, you made me feel important\nAnd then you tried to erase us [Pre-Chorus]\nOoh, you're a crisis of my faith\nWould've, could've, should've\nIf I'd only played it safe\n[Chorus]\nI would've stayed on my knees\nAnd I damn sure never would've danced with the devil\nAt nineteen\nAnd the God's honest truth is that the pain was heaven\nAnd now that I'm grown, I'm scared of ghosts\nMemories feel like weapons\nAnd now that I know, I wish you'd left me wondering\n[Bridge]\nGod rest my soul\nI miss who I used to be\nThe tomb won't close\nStained glass windows in my mind\nI regret you all the time\nI can't let this go\nI fight with you in my sleep\nThe wound won't close\nI keep on waiting for a sign\nI regret you all the time [Verse 3]\nIf clarity's in death, then why won't this die?\nYears of tearing down our banners, you and I\nLiving for the thrill of hitting you where it hurts\nGive me back my girlhood, it was mine first\n[Chorus]\nAnd I damn sure never would've danced with the devil\nAt nineteen\nAnd the God's honest truth is that the pain was heaven\nAnd now that I'm grown, I'm scared of ghosts\nMemories feel like weapons\nAnd now that I know, I wish you'd left me wondering\n[Outro]\nGod rest my soul\nI miss who I used to be\nThe tomb won't close\nStained glass windows in my mind\nI regret you all the time\nI can't let this go\nI fight with you in my sleep\nThe wound won't close\nI keep on waiting for a sign\nI regret you all the time\nOh, God rest my soul\nI miss who I used to be\nThe tomb won't close\nStained glass windows in my mind\nI regret you all the time\nI can't let this go\nI fight with you in my sleep\nThe wound won't close\nI keep on waiting for a sign\nI regret you all the time" + } + ] + }, + { + "id":187271, + "conversations":[ + { + "from":"human", + "value":"Write me an emotionally charged, narrative-driven song in the style of Taylor Swift that captures the heartache of saying farewell to a cherished relationship. The song should feature vivid storytelling akin to Swift's poignant lyricism, with motifs of driving away, the haunting permanence of absence, and the bittersweet resignation of a love that cannot be sustained. The tone should balance between melancholy and a reflective acceptance, with a chorus that emphasizes the poignant goodbye and the struggle between longing and letting go." + }, + { + "from":"gpt", + "value":"[Verse 1]\nIt wasn't just like a movie\nThe rain didn't soak through my clothes, down to my skin\nI'm drivin' away and I, I guess you could say\nThis is the last time I'll drive this way again\nLost in the gray and I try to grab at the fray\n'Cause I, I still love you, but I can't\n[Chorus]\nBye, bye to everything I thought was on my side\nBye, bye, baby\nI want you bad, but it's come down to nothing\nAnd all I have is your sympathy\n'Cause you took me home but you just couldn't keep me\nBye, bye, baby\nBye, bye, baby\n[Verse 2]\nThe picture frame is empty\nOn the dresser, vacant just like me\nI see your writing on the dash\nThen back to your hesitation\nI was so sure of everything\nEverything I thought we'd always have\nGuess I never doubted it\nThen the here and the now floods in\nFeels like I'm becoming a part of your past [Chorus]\nBye, bye to everything I thought was on my side\nBye, bye, baby\nI want you bad, but it's come down to nothing\nAnd all I have is your sympathy\n'Cause you took me home but you just couldn't keep me\nBye, bye, baby\n[Bridge]\nAnd there's so much that I can't touch\nYou're all I want, but it's not enough this time\nAnd all the pages are just slipping through my hands\nAnd I'm so scared of how this ends\n[Chorus]\nBye, bye to everything I thought was on my side\nBye, bye, baby\nI want you bad, but it's come down to nothing\nAnd all I have is your sympathy\n'Cause you took me home but you just couldn't keep me\n[Chorus]\nBye, bye to everything I thought was on my side\nBye, bye, baby\nI want you bad, but it's come down to nothing\nAnd all I have is your sympathy\n'Cause you took me home but you just couldn't keep me\nOh, you took me home, I thought you were gonna keep me\nBye, bye, baby\nBye, bye, baby" + } + ] + }, + { + "id":2834159, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of longing and the realization of what one truly needs in love. The lyrics should express a gentle epiphany that material possessions pale in comparison to the presence of a significant other. Include vivid imagery such as a quiet beach or a summer's eve to highlight the beauty of simple moments shared with a loved one. The song should feature a chorus that emphasizes missed opportunities and the desire for the subject to see the world through the eyes of the narrator. Emulate Taylor Swift's narrative songwriting and her ability to convey deep emotions through relatable scenarios, set to a melody that's both reflective and catchy." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI don\u2019t need a lot\nBut there's one thing\nLove has taught me\nIt\u2019s to never expect too much\nDon\u2019t need a believable touch\nI just need you\nI just need you\nAnd I might, I found life\nWhy should we be wasting time?\n[Chorus]\nYou don\u2019t know what you missed\nWhen I look into your eyes like this\nAnd you should be in front of me\nSeeing everything to see\nLooking at you\nCheck out this view\n[Verse 2]\nThink of a quiet beach\nThink of how the waves crash down\nThink about a summer\u2019s eve\nNo offense to them but they ain't got nothing on you\nWalking with you\nIn the light or in the dark\nWell nothing shadows who you are [Chorus]\nAnd you don\u2019t know what you missed\nWhen I look into your eyes like this\nAnd you should be in front of me\nSeeing everything to see\nLooking at you\nCheck out this view\n[Bridge]\nI look outside the window\nEveryday see something new\nBut all I ever wanted was a\nWindow looking at you, at you\n[Chorus]\nAnd you don\u2019t know what you missed\nWhen I look into your eyes like this\nAnd you should be in front of me\nSeeing everything to see\nYou don\u2019t know what you missed\nWhen I look into your eyes like this\nAnd you should be in front of me\nSeeing everything to see\nLooking at you\nCheck out this view" + } + ] + }, + { + "id":6260161, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the bittersweet longing and introspective reflection of unrequited love, as seen in her song \"gold rush\". The lyrics should convey the complexity of admiring someone from afar, dealing with the rush of emotions, and the eventual acceptance that some desires are best left unfulfilled. Emphasize the poetic imagery and the personal narrative typical of Swift's songwriting, incorporating elements of indie folk and alternative pop, with a touch of melancholy and vivid storytelling. The song should have a dreamy, yet grounded feel, and include metaphors and scenarios that paint a picture of an almost magical, yet unattainable romance." + }, + { + "from":"gpt", + "value":"[Intro]\nGleaming, twinkling\nEyes like sinking\nShips on waters\nSo inviting, I almost jump in\n[Chorus]\nBut I don't like a gold rush, gold rush\nI don't like anticipatin' my face in a red flush\nI don't like that anyone would die to feel your touch\nEverybody wants you\nEverybody wonders what it would be like to love you\nWalk past, quick brush\nI don't like slow motion, double vision in rose blush\nI don't like that falling feels like flying 'til the bone crush\nEverybody wants you\nBut I don't like a gold rush\n[Verse 1]\nWhat must it be like to grow up that beautiful?\nWith your hair falling into place like dominoes\nI see me padding across your wooden floors\nWith my Eagles T-shirt hanging from the door\n[Refrain]\nAt dinner parties, I call you out on your contrarian shit\nAnd the coastal town we wandered 'round had n\u0435ver seen a love as pure as it\nAnd th\u0435n it fades into the gray of my day-old tea\n'Cause it could never be [Chorus]\n'Cause I don't like a gold rush, gold rush\nI don't like anticipatin' my face in a red flush\nI don't like that anyone would die to feel your touch\nEverybody wants you\nEverybody wonders what it would be like to love you\nWalk past, quick brush\nI don't like slow motion, double vision in rose blush\nI don't like that falling feels like flying 'til the bone crush\nEverybody wants you\nBut I don't like a gold rush\n[Verse 2]\nWhat must it be like to grow up that beautiful?\nWith your hair falling into place like dominoes\nMy mind turns your life into folklore\nI can't dare to dream about you anymore\n[Refrain]\nAt dinner parties, I won't call you out on your contrarian shit\nAnd the coastal town we never found will never see a love as pure as it\n'Cause it fades into the gray of my day-old tea\n'Cause it will never be\n[Outro]\nGleaming, twinkling\nEyes like sinking\nShips on waters\nSo inviting, I almost jump in" + } + ] + }, + { + "id":132095, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of nostalgic love and the passage of time, reflecting on a childhood romance that evolves into a lifelong relationship. The lyrics should evoke a sense of innocence and growth, featuring imagery of shared memories, from playful childhood antics to significant life milestones. The song must include a chorus that serves as a sentimental anchor, reminiscent of the innocence of youth and the profound simplicity of enduring love. The narrative should flow as a story told from the perspective of one person, with emotional depth and a touch of Taylor Swift's signature storytelling charm, complete with references to familial reactions and the intimate details that make the romance uniquely personal." + }, + { + "from":"gpt", + "value":"[Verse 1]\nShe said \nI was seven and you were nine\nI looked at you like the stars that shined\nIn the sky, the pretty lights\nAnd our daddies used to joke about the two of us\nGrowing up and falling in love\nAnd our mamas smiled and rolled their eyes\nAnd said, \n\"Oh, my, my, my\"\n[Chorus]\nTake me back to the house in the backyard tree\nSaid you'd beat me up, you were bigger than me\nYou never did, you never did\nTake me back when our world was one block wide\nI dared you to kiss me and ran when you tried\nJust two kids, you and I\nOh, my, my, my, my\n[Verse 2]\nWell, I was sixteen when suddenly\nI wasn't that little girl you used to see\nBut your eyes still shined like pretty lights\nAnd our daddies used to joke about the two of us\nThey never believed we'd really fall in love\nAnd our mamas smiled and rolled their eyes\nAnd said, \"Oh, my, my, my\" [Chorus]\nTake me back to the creek beds we turned up\n2 AM riding in your truck\nAnd all I need is you next to me\nTake me back to the time we had our very first fight\nThe slamming of doors 'stead of kissing goodnight\nYou stayed outside 'til the morning light\nOh, my, my, my, my\n[Bridge]\nA few years had gone and come around\nWe were sitting at our favorite spot in town\nAnd you looked at me, got down on one knee\n[Chorus]\nTake me back to the time when we walked down the aisle\nOur whole town came and our mamas cried\nYou said, \"I do,\" and I did, too\nTake me home where we met so many years before\nWe'll rock our babies on that very front porch\nAfter all this time, you and I\n[Outro]\nAnd I'll be eighty-seven, you'll be eighty-nine\nI'll still look at you like the stars that shine\nIn the sky, oh, my, my, my" + } + ] + }, + { + "id":5199033, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the upbeat and defiant spirit of \"Shake It Off,\" with lyrics that emphasize resilience in the face of criticism and negativity. The song should feature catchy, repetitive choruses and verses that reflect self-assurance and the ability to overcome naysayers. Incorporate a bridge that playfully addresses past relationships and a pre-chorus that builds momentum leading into the empowering chorus. Emulate Swift's pop musical style with an infectious melody that encourages listeners to dance and \"shake off\" their troubles." + }, + { + "from":"gpt", + "value":"\u200b\u85e4\u4e95\u98a8\u300cShake It Off\u300d\u306e\u6b4c\u8a5e\n[Verse 1]\nI stay out too late\nGot nothing in my brain\nThat's what people say.. Mmm\nThat's\u2005what\u2005people say.. Mmm\nI\u2005go on too many dates\nBut I\u2005can't make them stay\nAt least that's what people say.. Mmm\nThat's what people say.. Mmm\n[Pre-Chorus 1]\nBut I keep cruising\nCan't stop, won't stop moving\nIt's like I got this music\nIn my mind\nSaying it's gonna be alright\n[Chorus]\nCause the players gonna play, play, play, play, play\nAnd the haters gonna hate, hate, hate, hate, hate\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off\nHeartbreakers gonna break, break, break, break, break\nAnd the fakers gonna fake, fake, fake, fake, fake\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off [Verse 2]\nI never miss a beat\nI'm lightning on my feet\nThat's what they don\u2019t see.. Mmm\nThat's what they don\u2019t see.. Mmm\nI'm dancing on my own\nI make the moves up as I go\nThat's what they don't know.. Mmm\nThat\u2019s what they don\u2019t know.. Mmm\n[Pre-Chorus 2]\nBut I keep cruising\nCan't stop, won't stop grooving\nIt's like I got this music\nIn my mind\nSaying it's gonna be alright\n[Chorus]\nCause the players gonna play, play, play, play, play\nAnd the haters gonna hate, hate, hate, hate, hate\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off\nHeartbreakers gonna break, break, break, break, break\nAnd the fakers gonna fake, fake, fake, fake, fake\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off [Interlude]\n\"Hey---\nJust think while you've been gettin' down and out about the liars and the dirty dirty cheats of the world..\nYou could've been gettin' down\nTo this! Sick! Beat!\"\n[Bridge]\nMy ex man brought his new girlfriend\nShe's like 'oh my God!'\nBut I'm just gonna shake\nAnd to the fella over there\nWith the hella good hair\nWon't you come on over\nBaby we can shake shake shake..\n[Chorus]\nCause the players gonna play, play, play, play, play\nAnd the haters gonna hate, hate, hate, hate, hate\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off\nHeartbreakers gonna break, break, break, break, break\nAnd the fakers gonna fake, fake, fake, fake, fake\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off" + } + ] + }, + { + "id":8486441, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the emotional aftermath of a turbulent relationship through war-like imagery and metaphors. The lyrics should include elements of introspection, regret, and the struggle to overcome past conflicts, while ultimately presenting a narrative of reconciliation and hope. The musical arrangement should capture the essence of a ballad with a touch of Swift's signature pop sensibility, incorporating dramatic build-ups and a memorable chorus that emphasizes the theme of surviving 'the Great War' of love." + }, + { + "from":"gpt", + "value":"[Verse 1]\nMy knuckles were bruised like violets\nSucker punching walls, cursed you as I sleep-talked\nSpineless in my tomb of silence\nTore your banners down, took the battle underground\nAnd maybe it was egos swinging\nMaybe it was her\nFlashes of the battle come back to me in a blur\n[Chorus]\nAll that bloodshed, crimson clover\nUh-huh, sweet dream was over\nMy hand was the one you reached for\nAll throughout the Great War\nAlways remember\nUh-huh, tears on the l\u0435tter\nI vowed not to cry anymore\nIf w\u0435 survived the Great War\n[Verse 2]\nYou drew up some good faith treaties\nI drew curtains closed, drank my poison all alone\nYou said I have to trust more freely\nBut diesel is desire, you were playing with fire\nAnd maybe it's the past that's talking\nScreaming from the crypt\nTelling me to punish you for things you never did\nSo I justified it [Chorus]\nAll that bloodshed, crimson clover\nUh-huh, the bombs were closer\nMy hand was the one you reached for\nAll throughout the Great War\nAlways remember\nUh-huh, the burning embers\nI vowed not to fight anymore\nIf we survived the Great War\n[Post-Chorus]\nUh-huh, uh-huh\n[Bridge]\nIt turned into something bigger\nSomewhere in the haze, got a sense I'd been betrayed\nYour finger on my hairpin triggers\nSoldier down on that icy ground\nLooked up at me with honor and truth\nBroken and blue, so I called off the troops\nThat was the night I nearly lost you\nI really thought I'd lost you\n[Verse 3]\nWe can plant a memory garden\nSay a solemn prayer, place a poppy in my hair\nThere's no morning glory, it was war, it wasn't fair\nAnd we will never go back [Chorus]\nTo that bloodshed, crimson clover\nUh-huh, the worst was over\nMy hand was the one you reached for\nAll throughout the Great War\nAlways remember\nUh-huh, we're burned for better\nI vowed I would always be yours\n'Cause we survived the Great War\n[Outro]\nUh-huh, uh-huh\nI will always be yours\n'Cause we survived the Great War\nUh-huh\nI vow I will always be yours" + } + ] + }, + { + "id":186908, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the ethereal and unattainable nature of a love interest, using celestial imagery to convey a sense of yearning and desire. The lyrics should reflect a dreamlike state where the protagonist is reaching out for a connection that feels just beyond their grasp. The song should have a sense of urgency in its chorus, inviting the beloved to commit to being together, and should be imbued with a touch of the hopeful romanticism that is characteristic of Swift's earlier work. Include both verses and a bridge that deepen the narrative of longing and the transformative power of love, akin to the song \"Untouchable.\"" + }, + { + "from":"gpt", + "value":"[Verse 1]\nUntouchable like a distant diamond sky\nI'm reaching out and I just can't tell you why\nI'm caught up in you, I'm caught up in you\n[Pre-Chorus]\nUntouchable, burning brighter than the sun\nAnd when you're close, I feel like coming undone\n[Chorus]\nIn the middle of the night when I'm in this dream\nIt's like a million little stars spelling out your name\nYou got to come on, come on, say that we'll be together\nCome on, come on, little taste of heaven\n[Verse 2]\nIt's half full and I won't wait here all day\nI know you're saying that you'd be here anyway\n[Pre-Chorus]\nBut you're untouchable, burning brighter than the sun\nAnd now that you're close, I feel like coming undone\n[Chorus]\nIn the middle of the night when I'm in this dream\nIt's like a million little stars spelling out your name\nYou got to come on, come on, say that we'll be together\nCome on, come on, oh\nIn the middle of the night waking from this dream\nI want to feel you by my side, standing next to me\nYou got to come on, come on, say that we'll be together\nCome on, come on, little taste of heaven [Bridge]\nI'm caught up in you\nOh-oh, oh, oh-oh\nBut you're untouchable, burning brighter than the sun\nNow that you're close, I feel like coming undone\n[Chorus]\nIn the middle of the night when I'm in this dream\nIt's like a million little stars spelling out your name\nYou got to come on, come on, say that we'll be together\nCome on, come on, oh-oh-oh\nIn the middle of the night when I'm in this dream\nIt's like a million little stars spelling out your name\nYou got to come on, come on, say that we'll be together\nCome on, come on, come on\nIn the middle of the night waking from this dream\nI want to feel you by my side, standing next to me\nYou got to come on, come on, say that we'll be together\nCome on, come on, little taste of heaven\n[Outro]\nOh-oh, oh-oh-oh, oh\nAnd in the middle of the night when I'm in this dream\nIt's like a million little stars spelling out your name\nYou got to come on, come on, oh, come on, come on\nCome on, come on, oh, oh, oh, oh\nLike a million little stars spelling out your name\nThey're spelling out your name, oh" + } + ] + }, + { + "id":551262, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the theme of betrayal and the aftermath of a broken relationship, with a chorus emphasizing the transition from love to animosity. The lyrics should explore the hurt and disappointment stemming from trust that was shattered and the lasting emotional scars that remain. Incorporate a pop sound with catchy hooks and a strong beat that could accompany an energetic music video. The tone should be assertive and slightly vengeful, reflecting a narrative of resilience and self-empowerment in the face of deceit." + }, + { + "from":"gpt", + "value":"[Chorus]\n'Cause, baby, now we got bad blood\nYou know it used to be mad love\nSo take a look what you've done\n'Cause, baby, now we got bad blood, hey\nNow we got problems\nAnd I don't think we can solve them\nYou made a really deep cut\nAnd, baby, now we got bad blood, hey\n[Verse 1]\nDid you have to do this?\nI was thinking that you could be trusted\nDid you have to ruin\nWhat was shiny? Now it's all rusted\nDid you have to hit me\nWhere I'm weak? Baby, I couldn't breathe\nAnd rub it in so deep\nSalt in the wound like you're laughin' right at me\n[Pre-Chorus]\nOh, it's so sad to\nThink about the good times\nYou and I\n[Chorus]\n'Cause, baby, now we got bad blood\nYou know it used to be mad love\nSo take a look what you've done\n'Cause, baby, now we got bad blood, hey\nNow we got problems\nAnd I don't think we can solve them\nYou made a really deep cut\nAnd, baby, now we got bad blood, hey [Verse 2]\nDid you think we'd be fine?\nStill got scars on my back from your knife\nSo don't think it's in the past\nThese kinda wounds, they last and they last\nNow, did you think it all through?\nAll these things will catch up to you\nAnd time can heal, but this won't\nSo if you're comin' my way, just don't\n[Pre-Chorus]\nOh, it's so sad to\nThink about the good times\nYou and I\n[Chorus]\n'Cause, baby, now we got bad blood\nYou know it used to be mad love\nSo take a look what you've done\n'Cause, baby, now we've got bad blood, hey\nNow we got problems\nAnd I don't think we can solve them\nYou made a really deep cut\nAnd, baby, now we've got bad blood, hey\n[Bridge]\nBand-aids don't fix bullet holes\nYou say sorry just for show\nIf you live like that, you live with ghosts\nBand-aids don't fix bullet holes (Hey)\nYou say sorry just for show (Hey)\nIf you live like that, you live with ghosts (Hey), mmm\nIf you love like that, blood runs cold [Chorus]\n'Cause, baby, now we got bad blood\nYou know it used to be mad love\nSo take a look what you've done\n'Cause, baby, now we got bad blood, hey (Bad blood)\nNow we got problems\nAnd I don't think we can solve them (Don't think we can solve them)\nYou made a really deep cut\nAnd, baby, now we got bad blood, hey ('Cause now we got bad blood)\n'Cause, baby, now we got bad blood\nYou know it used to be mad love\nSo take a look what you've done (Look what you've done)\n'Cause, baby, now we got bad blood, hey (Ooh, woah)\nNow we got problems\nAnd I don't think we can solve them\nYou made a really deep cut\nAnd, baby, now we got bad blood, hey" + } + ] + }, + { + "id":98895, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of overcoming adversity and fighting for a cause despite the odds. The lyrics should reflect a journey from struggle to triumph, with an inspiring chorus that speaks to a collective breakthrough. Emphasize themes of persistence, revolution, and the sweet victory of finally winning after being underestimated and challenged. The song should have an anthemic quality, evoking a sense of unity and empowerment, with a narrative that builds to a rousing, celebratory conclusion." + }, + { + "from":"gpt", + "value":"[Verse 1]\nAnd it's a sad picture, the final blow hits you\nSomebody else gets what you wanted again and\nYou know it's all the same, another time and place\nRepeating history and you're getting sick of it\nBut I believe in whatever you do\nAnd I'll do anything to see it through\n[Chorus]\nBecause these things will change\nCan you feel it now?\nThese walls that they put up to hold us back will fall down\nThis revolution, the time will come\nFor us to finally win\nAnd we'll sing hallelujah, we'll sing hallelujah\nOh, oh\n[Verse 2]\nSo we've been outnumbered, raided, and now, cornered\nIt's hard to fight when the fight ain\u2019t fair\nWe're getting stronger now, find things they never found\nThey might be bigger but we're faster and never scared\nYou can walk away, say we don't need this\nBut there's something in your eyes says we can beat this\n[Chorus]\n'Cause these things will change\nCan you feel it now?\nThese walls that they put up to hold us back will fall down\nThis revolution, the time will come\nFor us to finally win\nAnd we'll sing hallelujah, we'll sing hallelujah\nOh, oh [Bridge]\nTonight, we stand, get off our knees\nFight for what we've worked for all these years\nAnd the battle was long, it's the fight of our lives\nBut we'll stand up champions tonight\n[Chorus]\nIt was the night things changed\nCan you see it now?\nThese walls that they put up to hold us back fell down\nIt's a revolution, throw your hands up\n'Cause we never gave in\nAnd we'll sing hallelujah, we sang hallelujah\nHallelujah" + } + ] + }, + { + "id":4782865, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the complexity of a turbulent relationship, using vivid city metaphors to express emotional states. The song should explore the themes of devotion and the struggle to maintain a love that others are skeptical of, likening the act of holding onto the relationship to a kind of blind faith or worship. Include elements of storytelling through contrasting experiences of heaven and hell within the dynamics of the connection, and imbue the chorus with the powerful notion that despite the odds, the couple might just succeed. The musical arrangement should reflect Swift's blend of pop and indie sensibilities, with a focus on lyrical intimacy and melodic hooks." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWe were crazy to think\nCrazy to think that this could work\nRemember how I said I'd\u2005die\u2005for you?\nWe were\u2005stupid to jump\nIn the ocean separating\u2005us\nRemember how I\u2019d fly to you?\n[Pre-Chorus]\nAnd I can't talk to you when you're like this\nStaring out the window like I\u2019m not your favorite town\nI'm New York City\nI still do it for you, babe\nThey all warned us about times like this\nThey say the road gets hard and you get lost\nWhen you're led by blind faith, blind faith\n[Chorus]\nBut we might just get away with it\nReligion's in your lips\nEven if it's a false god\nWe'd still worship\nWe might just get away with it\nThe altar is my hips\nEven if it's a false god\nWe'd still worship this love\nWe\u2019d still worship this love\nWe\u2019d still worship this love [Verse 2]\nI know heaven's a thing\nI go there when you touch me, honey\nHell is when I fight with you\nBut we can patch it up good\nMake confessions and we\u2019re begging for forgiveness\nGot the wine for you\n[Pre-Chorus]\nAnd you can't talk to me when I'm like this\nDaring you to leave me just so I can try and scare you\nYou're the West Village\nYou still do it for me, babe\nThey all warned us about times like this\nThey say the road gets hard and you get lost\nWhen you\u2019re led by blind faith, blind faith\n[Chorus]\nBut we might just get away with it\nReligion's in your lips\nEven if it's a false god\nWe'd still worship\nWe might just get away with it\nThe altar is my hips\nEven if it's a false god\nWe'd still worship this love\nWe'd still worship this love\nWe'd still worship this love, ah [Outro]\nStill worship this love\nEven if it's a false god\nEven if it's a false god\nStill worship this love" + } + ] + }, + { + "id":187203, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional journey of overcoming a breakup, using narrative lyrics that tell a story of self-realization and newfound independence. The song should include vivid imagery and metaphors, such as \"I heart question mark,\" to convey the complexities of love and heartache. It should feature a mix of vulnerable verses and an anthemic chorus, embodying both the country-pop sound and the empowering message typical of Taylor Swift's early work." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWish I had concentrated\nThey said love was complicated\nBut it's something I just fell into\nAnd it was overrated\nBut just look what I've created\nI came out alive but I'm black and blue\n[Pre-Chorus]\nBefore you ask me if I\u2019m alright\nThink about what I had to do, yeah\n[Chorus]\nWake up and smell the breakup\nFix my heart, put on my makeup\nAnother mess I didn't plan\nAnd I'll bet you thought you'd beat me\nWish you could only see\nI got an \"I heart question mark\"\nWritten on the back of my hand\n[Verse 2]\nI'd be fine if you just walked by\nBut you had to talk about why\nYou were wrong and I was right\nBut I can't believe you made me\nSit at home, cry like a baby\nWait right by the phone every night [Pre-Chorus]\nAnd now you ask about you and I\nThere's no you and I\nRemember what you put me through, I had to\n[Chorus]\nWake up and smell the breakup\nFix my heart, put on my makeup\nAnother mess I didn't plan\nAnd I'll bet you thought you'd beat me\nWish you could only see\nI got an \"I heart question mark\"\nWritten on the back of my hand\n[Bridge]\nAnd when you're home all alone at night\nYou'll still wonder why\nYou took everything I had, oh, baby\nI haven't thought about you and I\nThere's no you and I\nAnd I know someday you will\n[Chorus]\nWake up and smell the breakup\nRealize that we won't make up\nIt didn't go the way you planned\nAnd you'll know you didn't beat me\nWhen you look down and see\nI got an \"I heart question mark\"\nWritten on the back of my hand [Outro]\nWritten on the back of my hand\nAn \"I heart question mark,\" yeah\nWritten on the back of my hand" + } + ] + }, + { + "id":98867, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a youthful, whimsical romance, filled with dramatic storytelling akin to the tale of Romeo and Juliet. The song should evoke a sense of nostalgia and longing, using vivid imagery to describe clandestine meetings and the thrill of forbidden love. Include elements of tension between the lovers and their disapproving guardians, leading to a climactic resolution that embodies hope and romantic idealism. The melody should be catchy and the narrative should unfold with emotional intensity and a fairy-tale-like charm, characteristic of Taylor Swift's early work." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWe were both young when I first saw you\nI close my eyes and the flashback starts\nI'm standing there\nOn a balcony in summer air\nSee the lights, see the party, the ball gowns\nSee you make your way through the crowd\nAnd say, \"Hello\"\nLittle did I know\n[Pre-Chorus]\nThat you were Romeo, you were throwing pebbles\nAnd my daddy said, \"Stay away from Juliet\"\nAnd I was crying on the staircase\nBegging you, \"Please don't go,\" and I said\n[Chorus]\nRomeo, take me somewhere we can be alone\nI'll be waiting, all there's left to do is run\nYou'll be the prince and I'll be the princess\nIt's a love story, baby, just say, \"Yes\"\n[Verse 2]\nSo I sneak out to the garden to see you\nWe keep quiet 'cause we're dead if they knew\nSo close your eyes\nEscape this town for a little while, oh, oh [Pre-Chorus]\n'Cause you were Romeo, I was a scarlet letter\nAnd my daddy said, \"Stay away from Juliet\"\nBut you were everything to me\nI was begging you, \"Please don't go,\" and I said\n[Chorus]\nRomeo, take me somewhere we can be alone\nI'll be waiting, all there's left to do is run\nYou'll be the prince and I'll be the princess\nIt's a love story, baby, just say, \"Yes\"\nRomeo, save me, they're trying to tell me how to feel\nThis love is difficult, but it's real\nDon't be afraid, we'll make it out of this mess\nIt's a love story, baby, just say, \"Yes\"\n[Post-Chorus]\nOh, oh\n[Bridge]\nBut I got tired of waiting\nWondering if you were ever coming around\nMy faith in you was fading\nWhen I met you on the outskirts of town and I said\n[Chorus]\n\"Romeo, save me, I've been feeling so alone\nI keep waiting for you, but you never come\nIs this in my head? I don't know what to think\"\nHe knelt to the ground and pulled out a ring, and said\n\"Marry me, Juliet, you'll never have to be alone\nI love you and that's all I really know\nI talked to your dad, go pick out a white dress\nIt's a love story, baby, just say 'Yes'\" [Outro]\nOh, oh, oh\nOh, oh, oh\n'Cause we were both young when I first saw you" + } + ] + }, + { + "id":96342, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the intense and vivid emotional spectrum of a passionate, yet ultimately doomed love affair. The lyrics should employ bold and colorful metaphors to illustrate the tumultuous experiences of love, loss, and reminiscence, akin to the vibrant imagery of driving a luxury car recklessly or the changing seasons. The song should convey the deep blues of loss, the stark grayness of missing someone, and the fiery red of passionate love, using a blend of pop and country elements to create an anthem that resonates with the bittersweet nature of a love that burns bright, but ends too soon." + }, + { + "from":"gpt", + "value":"[Verse 1]\nLoving him is like driving a new Maserati down a dead-end street\nFaster than the wind, passionate as sin, ending so suddenly\nLoving him is like trying to change your mind once you're already flying through the free fall\nLike the colors in autumn, so bright just before they lose it all\n[Chorus]\nLosing him was blue like I'd never known\nMissing him was dark gray, all alone\nForgetting him was like trying to know somebody you've never met\nBut loving him was red\n[Post-Chorus]\n(Red, red)\n(Red, red)\nLoving him was red\n(Red, red)\n(Red, red)\n[Verse 2]\nTouching him was like realizing all you ever wanted was right there in front of you\nMemorizing him was as easy as knowing all the words to your old favorite song\nFighting with him was like trying to solve a crossword and realizing there's no right answer\nRegretting him was like wishing you never found out that love could be that strong\n[Chorus]\nLosing him was blue like I'd never known\nMissing him was dark gray, all alone (Whoa)\nForgetting him was like trying to know somebody you've never met\nBut loving him was red [Post-Chorus]\n(Red, red)\nOh, red (Red, red)\nBurning red (Red, red)\n(Red, red)\n[Bridge]\nRemembering him comes in flashbacks and echoes\nTell myself it's time now, gotta let go\nBut moving on from him is impossible\nWhen I still see it all in my head\nIn burning red\nBurning, it was red\n[Chorus]\nOh, losing him was blue like I'd never known\nMissing him was dark gray, all alone (Whoa)\nForgetting him was like trying to know somebody you've never met\n'Cause loving him was red\n[Post-Chorus]\n(Red, red) Yeah, yeah, red (Red, red)\nBurning red (Red, red)\n(Red, red)\n[Breakdown]\nAnd that's why (Red, red) he's spinning 'round in my head\nComes back to me (Red, red), burning red\n(Red, red) Yeah, yeah\n(Red, red) [Outro]\nHis love was like driving a new Maserati down a dead-end street" + } + ] + }, + { + "id":5793971, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that conveys a longing to escape the pressures of fame and modern life, seeking solace in a serene, natural setting. The lyrics should reflect a poetic and introspective journey, exploring themes of love, artistic integrity, and the desire for a true connection away from the public eye. Incorporate vivid imagery of nature, such as lakes, peaks, and flowers, to create a sense of tranquility and isolation. The song should have a melancholic yet beautiful tone, reminiscent of Swift's more contemplative and indie-folk work, with a bridge that emphasizes deep emotional longing and a personal narrative." + }, + { + "from":"gpt", + "value":"[Verse 1]\nIs it romantic how all my elegies eulogize me?\nI'm not cut out for all these\u2005cynical\u2005clones\nThese hunters with\u2005cell phones\n[Chorus]\nTake me to the Lakes,\u2005where all the poets went to die\nI don't belong and,\u205fmy\u205fbeloved,\u205fneither do you\nThose\u205fWindermere peaks look\u205flike a perfect place to cry\nI'm setting off, but not without my muse\n[Verse 2]\nWhat should be over, burrowed under my skin\nIn heart-stopping waves of hurt\nI've come too far to watch some namedropping sleaze\nTell me what are my words worth\n[Chorus]\nTake me to the Lakes, where all the poets went to die\nI don't belong and, my beloved, neither do you\nThose Windermere peaks look like a perfect place to cry\nI'm setting off, but not without my muse\n[Bridge]\nI want auroras and sad prose\nI want to watch wisteria grow right over my bare feet\n'Cause I haven't moved in years\nAnd I want you right here\nA red rose grew up out of ice frozen ground\nWith no one around to tweet it\nWhile I bathe in cliffside pools\nWith my calamitous love and insurmountable grief [Chorus]\nTake me to the Lakes, where all the poets went to die\nI don't belong and, my beloved, neither do you\nThose Windermere peaks look like a perfect place to cry\nI'm setting off, but not without my muse\nNo, not without you" + } + ] + }, + { + "id":98893, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the heartbreak and disillusionment of a love story gone wrong, juxtaposing fairy tale expectations with harsh reality. The song should feature vivid storytelling and emotional reflections, resembling the narrative of moving on from someone who let you down, with a chorus that emphasizes the realization that the protagonist is not a damsel in distress waiting for a hero, but rather a strong individual coming to terms with disappointment in a small-town setting. The tone should be a blend of melancholy and empowerment, illustrating a journey from naive dreaming to self-assured independence." + }, + { + "from":"gpt", + "value":"[Verse 1]\nSay you're sorry, that face of an angel\nComes out just when you need it to\nAs I paced back and forth all this time\n'Cause I honestly believed in you\nHoldin' on, the days drag on\nStupid girl, I shoulda known, I shoulda known\n[Chorus]\nThat I'm not a princess, this ain't a fairytale\nI'm not the one you'll sweep off her feet, lead her up the stairwell\nThis ain't Hollywood, this is a small town\nI was a dreamer before you went and let me down\nNow, it's too late for you and your white horse\nTo come around\n[Verse 2]\nMaybe I was naive, got lost in your eyes\nAnd never really had a chance\nMy mistake, I didn't know to be in love\nYou had to fight to have the upper hand\nI had so many dreams about you and me\nHappy endings, now, I know\n[Chorus]\nThat I'm not a princess, this ain't a fairytale\nI'm not the one you'll sweep off her feet, lead her up the stairwell\nThis ain't Hollywood, this is a small town\nI was a dreamer before you went and let me down\nNow, it's too late for you and your white horse\nTo come around [Bridge]\nAnd there you are on your knees\nBeggin' for forgiveness, beggin' for me\nJust like I always wanted\nBut I'm so sorry\n[Chorus]\n'Cause I'm not your princess, this ain't our fairytale\nI'm gonna find someone someday who might actually treat me well\nThis is a big world, that was a small town\nThere in my rear view mirror disappearing now\nAnd it's too late for you and your white horse\nNow, it's too late for you and your white horse\nTo catch me now\n[Outro]\nOh, whoa, whoa, whoa\nTry and catch me now, oh\nIt's too late to catch me now" + } + ] + }, + { + "id":6959849, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a reflective and introspective narrative, featuring a blend of indie-folk and pop elements as seen in her \"Folklore\" album. The song should include a male-female duet with evocative lyrics that convey a sense of longing, identity, and the complexity of relationships, similar to the collaboration with Justin Vernon. Use rich, poetic imagery to describe the struggle with change and the search for stability, incorporating a mix of specific names and abstract concepts that create a personal yet universal story." + }, + { + "from":"gpt", + "value":"[Verse 1: Justin Vernon]\nThe way I woke up was old\nWas all fucking choke\nAnd it ain't easier after a week\nWe're on a long byway standing\n[Chorus: Justin Vernon & Taylor Swift]\nWell, if you cannot tell I'll tell you right away\nIf I'll stay a spell, or if I cannot stay\nI am less at ease, not the best at these\nSee the forest trees, call what's these what's these\n[Post-Chorus: Justin Vernon]\nWhat's these (What's these)\n[Verse 2: Justin Vernon & Taylor Swift, \nJustin Vernon\n]\nHey Madeline\n, thanks\nFor \nto case out the fog\n, \nfor Jennifer\nSeems she needed you badly\n[Chorus: Justin Vernon & Taylor Swift]\nSo, I beg on knees\nCan we share IDs?\nWill you always need?\nWe hav\u0435 common needs\nWe can sure depl\u0435te\nWe can be replete\nAddress table needs\nIt is swift your speed [Verse 3: Justin Vernon, \nJustin Vernon & Taylor Swift\n]\nThe way I wake up now is a brand new way\nAnd, no, it ain't that way\n like it was before\n[Chorus: Justin Vernon & Taylor Swift, \nJ\nustin Vernon\n]\nSo, I cannot leave\nYes, I must here stay\n'Cause I know what's good\nAnd I'll die that way\nNo, I cannot seem\nTo get a moment's peace\nIf there's a man like me\nHis birch ain't my tree\n[Outro: Justin Vernon, \nJustin Vernon & Taylor Swift\n]\nThe way I wake up now\nIs a brand new way\nIt ain't what it was before" + } + ] + }, + { + "id":187197, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of growing from innocence to the harsh realities of the world, with undertones of resilience and vigilance. The lyrics should reflect the transition from a carefree childhood to an adulthood where one must remain alert and guarded, facing challenges and scrutiny from others. The song should convey a story of personal growth and the importance of staying strong, even in solitude, with a melody that balances reflective verses and a powerful, anthemic chorus." + }, + { + "from":"gpt", + "value":"[Intro]\nEverybody's waiting\nEverybody's watching\nEven when you're sleeping\nKeep your eyes open\n[Verse 1]\nThe tricky thing is yesterday we were just children\nPlaying soldiers, just pretending\nDreaming dreams with happy endings\nIn backyards, winning battles with our wooden swords\nBut now we've stepped into a cruel world\nWhere everybody stands and keeps score\nKeep your eyes open\n[Chorus]\nEverybody's waiting for you to break down\nEverybody's watching to see the fallout\nEven when you're sleeping, sleeping\nKeep your eyes open\nKeep your eyes open\nKeep your eyes open\n[Verse 2]\nSo here you are, two steps ahead and staying on guard\nEvery lesson forms a new scar\nThey never thought you'd make it this far\nBut turn around (Turn around)\nOh, they've surrounded you, it's a showdown (Showdown)\nAnd nobody comes to save you now\nBut you got something they don't\nYeah, you got something they don't [Pre-Chorus]\nYou just gotta keep your eyes open\n[Chorus]\nEverybody's waiting for you to break down\nEverybody's watching to see the fallout\nEven when you're sleeping, sleeping\nKeep your eyes open\nKeep your eyes open\nKeep your eyes\u2014\n[Bridge]\nKeep your feet ready, heartbeat steady\nKeep your eyes open\nKeep your aim locked, the night goes dark\nKeep your eyes open\n(Keep your eyes open)\n(Keep your eyes open)\n(Keep your eyes open)\n(Keep your eyes open)\n[Chorus]\nEverybody's waiting for you to break down\nEverybody's watching to see the fallout\nEven when you're sleeping, sleeping\nKeep your eyes open\nKeep your eyes open\nKeep your eyes open\nKeep your eyes open\nKeep your eyes open" + } + ] + }, + { + "id":187250, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love and quiet yearning, with a narrative focusing on the subtle details that someone notices about their secret crush. The lyrics should convey a deep familiarity and affection for the person in question, highlighting specific quirks and characteristics like their favorite color, habits, and family traits. Incorporate elements of storytelling and vivid imagery to evoke a sense of intimacy and concealed emotion, with a chorus that reflects the bittersweet nature of loving someone from afar and the personal struggle to conceal those feelings. The song should have a soft, acoustic pop sound that Taylor Swift is known for, with an emotionally charged bridge that brings the internal conflict to a peak." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI don't think that passenger seat\nHas ever looked this good to me\nHe tells me about his night\nAnd I count the colors in his eyes\nHe'll never fall in love, he swears\nAs he runs his fingers through his hair\nI\u2019m laughing 'cause I hope he's wrong\nAnd I don't think it ever crossed his mind\nHe tells a joke, I fake a smile\nBut I know all his favorite songs\n[Chorus]\nAnd I could tell you his favorite color's green\nHe loves to argue, born on the seventeenth\nHis sister's beautiful, he has his father's eyes\nAnd if you asked me if I love him\nI'd lie\n[Verse 2]\nHe looks around the room\nInnocently overlooks the truth\nShouldn't a light go on?\nDoesn't he know that I've had him memorized for so long?\nHe sees everything in black and white\nNever let nobody see him cry\nI don't let nobody see me wishin' he was mine [Chorus]\nI could tell you his favorite color's green\nHe loves to argue, born on the seventeenth\nHis sister's beautiful, he has his father's eyes\nAnd if you asked me if I love him\nI'd lie\n[Bridge]\nHe stands there, then walks away\nMy God, if I could only say\nI'm holding every breath for you\nHe'd never tell you, but he can play guitar\nI think he can see through everything but my heart\nFirst thought when I wake up\nIs, \"My God, he\u2019s beautiful\"\nSo I put on my makeup\nAnd pray for a miracle\n[Chorus]\nYes, I could tell you his favorite color's green\nHe loves to argue, oh, and it kills me\nHis sister's beautiful, he has his father's eyes\nAnd if you asked me if I love him\nIf you asked me if I love him\nI\u2019d lie" + } + ] + }, + { + "id":5793964, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a woman wronged and her ensuing indignation, with sharp, evocative imagery akin to scorpions and flames. The song should have a narrative arc similar to a story of betrayal and retaliation, utilizing metaphors of hunting and warfare to convey the fierce emotions. Include a tone of defiance and empowerment, akin to the feminist undertones in Swift's work, and incorporate a catchy, haunting chorus that emphasizes the theme of a \"mad woman\" transformed by mistreatment. The style should blend Swift's lyrical storytelling with a melodious yet assertive instrumental that could resonate with her \"Reputation\" or \"Folklore\" era sound." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWhat did you think I'd say to that?\nDoes a scorpion sting when fighting back?\nThey strike\u2005to\u2005kill, and you\u2005know I will\nYou know I will\nWhat\u2005do you sing on your drive home?\nDo you see my\u205fface\u205fin\u205fthe neighbor's lawn?\nDoes\u205fshe smile?\nOr does\u205fshe mouth, \"Fuck you forever\"?\n[Pre-Chorus]\nEvery time you call me crazy, I get more crazy\nWhat about that?\nAnd when you say I seem angry, I get more angry\n[Chorus]\nAnd there's nothing like a mad woman\nWhat a shame she went mad\nNo one likes a mad woman\nYou made her like that\nAnd you'll poke that bear 'til her claws come out\nAnd you find something to wrap your noose around\nAnd there's nothing like a mad woman\n[Verse 2]\nNow I breathe flames each time I talk\nMy cannons all firin' at your yacht\nThey say, \"Move on,\" but you know I won't\nAnd women like hunting witches too\nDoing your dirtiest work for you\nIt's obvious that wanting me dead\nHas really brought you two together [Pre-Chorus]\nEvery time you call me crazy, I get more crazy\nWhat about that?\nAnd when you say I seem angry, I get more angry\n[Chorus]\nAnd there's nothing like a mad woman\nWhat a shame she went mad\nNo one likes a mad woman\nYou made her like that\nAnd you'll poke that bear 'til her claws come out\nAnd you find something to wrap your noose around\nAnd there's nothing like a mad woman\n[Bridge]\nI'm taking my time, taking my time\n'Cause you took everything from me\nWatching you climb, watching you climb\nOver people like me\nThe master of spin has a couple side flings\nGood wives always know\nShe should be mad, should be scathing like me, but\nNo one likes a mad woman\n[Outro]\nWhat a shame she went mad\nYou made her like that" + } + ] + }, + { + "id":132079, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that encapsulates the fiery energy of a young woman scorned by a self-centered lover. The lyrics should convey a blend of sass and empowerment, with vivid imagery that reflects a narrative of moving on and seeking retribution. The song should have a catchy, up-tempo country-pop melody, characteristic of Swift's earlier work, complete with references to specific, relatable details like the resentment of a \"stupid old pickup truck\" and the act of striking a match as a symbol of burning away the past. Invoke the spirit of youthful defiance and a strong, independent mindset, as seen in Swift's \"Picture to Burn.\"" + }, + { + "from":"gpt", + "value":"[Verse 1]\nState the obvious, I didn't get my perfect fantasy\nI realize you love yourself more than you could ever love me\nSo go and tell your friends that I'm obsessive and crazy\nThat's fine, you won't mind if I say\nBy the way\n[Chorus]\nI hate that stupid old pickup truck you never let me drive\nYou're a redneck heartbreak who's really bad at lyin'\nSo watch me strike a match on all my wasted time\nAs far as I'm concerned, you're just another picture to burn\n[Verse 2]\nThere's no time for tears, I'm just sittin' here planning my revenge\nThere's nothing stoppin' me from goin' out with all of your best friends\nAnd if you come around sayin' sorry to me\nMy daddy's gonna show ya how sorry you'll be\n[Chorus]\n'Cause I hate that stupid old pickup truck you never let me drive\nYou're a redneck heartbreak who's really bad at lyin'\nSo watch me strike a match on all my wasted time\nAs far as I'm concerned, you're just another picture to burn\n[Bridge]\nAnd if you're missing me, you'd better keep it to yourself\n'Cause coming back around here would be bad for your health [Chorus]\n'Cause I hate that stupid old pickup truck you never let me drive\nYou're a redneck heartbreak who's really bad at lyin'\nSo watch me strike a match on all my wasted time\nIn case you haven't heard\nI really, really hate that stupid old pickup truck you never let me drive\nYou're a redneck heartbreak who's really bad at lyin'\nSo watch me strike a match on all my wasted time\nAs far as I'm concerned, you're just another picture to burn\n[Outro]\nBurn, burn, burn, baby, burn\nYou're just another picture to burn\nBaby, burn" + } + ] + }, + { + "id":124510, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of a toxic relationship, using vivid storytelling and a blend of acoustic and pop elements. The lyrics should express feelings of frustration and confusion caused by a partner's inconsistent and hurtful behavior. Include a catchy chorus that conveys the need for the protagonist's love despite the partner's \"mean streak,\" and a bridge that questions the partner's motives for diminishing the protagonist's self-worth and dreams." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI took a chance, I took a shot\nAnd you might think I'm bulletproof, but I'm not\nYou took a swing, I took it hard\nAnd down here from the ground, I see who you are\n[Chorus]\nI'm sick and tired of your attitude\nI'm feeling like I don't know you\nYou tell me that you love me, then cut me down\nAnd I need you like a heartbeat\nBut you know you got a mean streak\nThat makes me run for cover when you're around\nAnd here's to you and your temper\nYes, I remember what you said last night\nAnd I know that you see what you're doing to me\nTell me why\n[Verse 2]\nYou could write a book on how to ruin someone's perfect day\nWell, I get so confused and frustrated\nForget what I'm trying to say, oh\n[Chorus]\nI'm sick and tired of your reasons\nI got no one to believe in\nYou tell me that you want me, then push me around\nAnd I need you like a heartbeat\nBut you know you got a mean streak\nThat makes me run for cover when you're around\nHere's to you and your temper\nYes, I remember what you said last night\nAnd I know that you see what you're doing to me\nTell me why [Bridge]\nWhy do you have to make me feel small\nSo you can feel whole inside?\nWhy do you have to put down my dreams\nSo you're the only thing on my mind?\n[Chorus]\nI'm sick and tired of your attitude\nI'm feeling like I don't know you\nYou tell me that you want me, then cut me down\nI'm sick and tired of your reasons\nI've got no one to believe in\nYou ask me for my love, then you push me around\nHere's to you and your temper\nYes, I remember what you said last night\nAnd I know that you see what you're doing to me\nTell me why (Why)\nTell me why (Why)\n[Outro]\nI take a step back, let you go\nI told you I'm not bulletproof\nNow you know" + } + ] + }, + { + "id":187442, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the romantic and dreamy essence of an intimate relationship, with vivid imagery such as a \"chandelier of stars\" and roots tangling on the ground. The song should express the longing for reassurance in love, with a chorus that pleads for confirmation that the feelings are mutual, real, and lasting. Include personal elements like exchanged letters, despite daily encounters, and the adoration that feels like being in the spotlight. The bridge should reflect on intimate moments and shared memories that are as precious as photographs, leading to a heartfelt and repeated chorus where the singer asks for affirmations of being needed and driving their partner crazy with love, emphasizing that what they are experiencing is truly happening." + }, + { + "from":"gpt", + "value":"[Verse 1]\nBeneath the chandelier of stars and atmosphere\nTangled like the roots on the ground\nThe windows opened up\nThe wind is blowing and we're both not making a sound\nIt's like I'm melting on into you\nGive me a reason why we should ever move\nAnd\n[Chorus]\nTell me\nYou'll never leave me\nAnd I'm not crazy and\nThis is really happening\nThat this is really happening\n[Verse 2]\nCould this be better?\nYou write me letters\nThough you see me every day\nYou tend to treat me like\nMy name is up in lights\nIt really blows me away\nLock me up in a dark room\nAnd I still can't take my eyes off you [Chorus]\nTell me\nYou'll never leave me\nAnd I'm not crazy and\nThis is really happening\nThat this is really happening\n[Bridge]\nAll those kisses up against your car\nFor all those wishes on planes\nWe thought were stars\nMemories like photographs\nOh, baby, here we are\n[Chorus]\nTell me\nYou'll never leave me\nAnd I'm not crazy and\nOh, this is really happening\nOh, oh, baby\n[Chorus]\nTell me\nYou'll always need me\nThat I drive you crazy\nAnd this is really happening\nOh, that this is really happening [Outro]\nTell me, oh\nYou'll always need me\n(Need me, tell me)\n(Baby)\nThat I drive you crazy\n(Oh)\nThat this is really happening" + } + ] + }, + { + "id":542396, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a bittersweet goodbye, where one person longs for the stability and love they once had, reflecting on the regret and confusion following a breakup. The song should have a catchy, repetitive chorus emphasizing the phrase \"All you had to do was stay,\" embodying the blend of pop and country elements with emotionally charged lyrics characteristic of Swift's music. The narrative should explore the themes of lost opportunities, the pain of being left behind, and the complex feelings of wanting someone back who has already moved on." + }, + { + "from":"gpt", + "value":"[Intro]\n(Hey, hey, hey)\n(Hey, hey, hey)\n(Hey, hey, hey)\n(Hey, hey, hey)\n[Verse 1]\nPeople like you always want back\nThe love they gave away\nAnd people like me wanna believe you\nWhen you say you've changed\nThe more I think about it now\nThe less I know\nAll I know is that you drove us\nOff the road\n[Chorus]\n(Stay) Hey, all you had to do was stay\nHad me in the palm of your hand, then\nWhy'd you have to go and lock me out when I let you in?\n(Stay) Hey, now you say you want it back\nNow that it's just too late, well, could've been easy\nAll you had to do was (Stay)\n[Post-Chorus]\nAll you had to do was (Stay)\nAll you had to do was (Stay)\nAll you had to do was (Stay)\nAll you had to do was stay [Verse 2]\nHere you are now, calling me up\nBut I don't know what to say\nI've been pickin' up the pieces\nOf the mess you made\nPeople like you always want back\nThe love they pushed aside\nBut people like me are gone forever\nWhen you say goodbye\n[Chorus]\n(Stay) Hey, all you had to do was stay\nHad me in the palm of your hand, then\nWhy'd you have to go and lock me out when I let you in?\n(Stay) Hey, now you say you want it back\nNow that it's just too late, well, could've been easy\nAll you had to do was (Stay)\n[Post-Chorus]\nAll you had to do was (Stay)\nAll you had to do was (Stay)\nAll you had to do was (Stay, stay, stay, stay, stay)\n[Bridge]\nLet me remind you\nThis was what you wanted (Oh, oh, oh-oh-oh)\nYou ended it\nYou were all I wanted (Oh, oh, oh-oh-oh)\nBut not like this\nNot like this, not like this\nOh, all you had to do was [Chorus]\n(Stay) Hey, all you had to do was stay\nHad me in the palm of your hand, then\nWhy'd you have to go and lock me out when I let you in?\n(Stay) Hey, now you say you want it back\nNow that it's just too late, well, could've been easy\nAll you had to do was\n(Stay) Hey, all you had to do was stay\nHad me in the palm of your hand, then\nWhy'd you have to go and lock me out when I let you in?\n(Stay) Hey, now you say you want it back\nNow that it's just too late, well, it could've been easy (All you had to do was stay)\nAll you had to do was (Stay)\n[Post-Chorus]\nAll you had to do was (Stay, oh)\nAll you had to do was (Stay)\nAll you had to do was (Stay, ooh)\nAll you had to do was (Stay)" + } + ] + }, + { + "id":8486436, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of introspection and self-reliance found in the provided lyrics. The song should have a confessional tone, with verses that speak directly to the listener, offering advice based on personal experience and the journey towards self-discovery. Incorporate a catchy chorus that warns against taking guidance from someone who is struggling themselves, and bridge the song with a reflective and slightly haunting monologue. The overall musical style should blend Taylor Swift's signature storytelling with an acoustic and indie pop vibe, evoking a sense of earnestness and vulnerability." + }, + { + "from":"gpt", + "value":"[Verse 1]\nDear reader, if it feels like a trap\nYou're already in one\nDear reader, get out your map\nPick somewhere and just run\nDear reader, burn all the files\nDesert all your past lives\nAnd if you don't recognize yourself\nThat means you did it right\n[Chorus]\nNever take advice from someone who's falling apart\nNever take advice from someone who's falling apart (You should find another)\n[Verse 2]\nDear reader, bend when you can\nSnap when you have to\nDear reader, you don't have to answer\nJust 'cause they asked you\n(You should find another)\nDear reader, the greatest of luxuries is your secrets\nDear reader, when you aim at the devil\nMake sure you don't miss\n[Chorus]\nNever take advice from someone who's falling apart\nNever take advice from someone who's falling apart [Bridge]\nSo I wander through these nights\nI prefer hiding in plain sight\nMy fourth drink in my hand\nThese desperate prayers of a cursed man\nSpilling out to you for free\nBut darling, darling, please\nYou wouldn't take my word for it if you knew who was talking\nIf you knew where I was walking\nTo a house, not a home, all alone 'cause nobody's there\nWhere I pace in my pen and my friends found friends who care\nNo one sees when you lose when you're playing solitaire\n[Outro]\nYou should find another guiding light, guiding light\nBut I shine so bright\nYou should find another guiding light, guiding light\nBut I shine so bright\nYou should find another, you should find another (Guiding light)\nFind another, you should find another\nYou should find another" + } + ] + }, + { + "id":542383, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures a narrative of lost love and the yearning to mend a broken relationship. The lyrics should illustrate a heartfelt apology and a promise of unconditional commitment, incorporating vivid imagery of past memories and a hopeful future. The melody should be catchy with an emotional build-up, reflective of Swift's pop-country sensibility and storytelling prowess." + }, + { + "from":"gpt", + "value":"[Intro]\nOh, oh, oh\nOh, oh, oh\nOh-oh, oh-oh\n[Verse 1]\nStand there like a ghost\nShaking from the rain, rain\nShe'll open up the door and say, \"Are you insane?\"\nSay it's been a long six months\nAnd you were too afraid to tell her what you want, want\n[Pre-Chorus]\nAnd that's how it works\nThat's how you get the girl\nAnd then, you say\n[Chorus]\nI want you for worse or for better\nI would wait forever and ever\nBroke your heart, I'll put it back together\nI would wait forever and ever\nAnd that's how it works\nThat's how you get the girl, girl (Oh-oh, oh)\nAnd that's how it works\nThat's how you get the girl, girl [Verse 2]\nRemind her how it used to be, be, yeah-yeah\nWith pictures in frames of kisses on cheeks, cheeks\nTell her how you must have lost your mind, ooh-ooh\nWhen you left her all alone\nAnd never told her why, why\n[Pre-Chorus]\nAnd that's how it works\nThat's how you lost the girl\nAnd now, you say\n[Chorus]\nI want you for worse or for better\nI would wait forever and ever (Ever and ever)\nBroke your heart, I'll put it back together\nI would wait forever and ever\nAnd that's how it works\nThat's how you get the girl, girl (Oh-oh, oh-oh)\nAnd that's how it works\nThat's how you get the girl, girl\nYeah, yeah\n[Bridge]\nAnd you know\nOh, oh, oh, oh, oh, oh, oh, oh, oh, oh\nThat I don't want you to go, oh, oh [Breakdown]\nRemind me how it used to be\nPictures in frames of kisses on cheeks\nAnd say you want me, yeah-yeah\nAnd then you say\n[Chorus]\nI want you for worse or for better (Worse or for better)\nI would wait forever and ever (Ever and ever)\nBroke your heart, I'll put it back together\nI want you forever and ever (I would wait forever and ever)\nAnd that's how it works\nThat's how you get the girl, girl (This is how it works)\nAnd that's how it works\nThat's how you get the girl, girl (Get the girl)\n(That's how it works)\nAnd that's how it works\nThat's how you get the girl, girl\n(Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh)\nAnd that's how it works\nThat's how you get the girl, girl\n(Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh)\n[Outro]\nAnd that's how it works\nThat's how you got the girl" + } + ] + }, + { + "id":552952, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that encapsulates the bittersweet nostalgia of past relationships, featuring evocative imagery of late-night drives and memories flooding back. The song should have a cinematic feel akin to \"I Wish You Would,\" with an emotional narrative about misunderstandings and yearnings for reconciliation. Incorporate a catchy, guitar-driven track that underscores the drama and intensity of the scenario, and ensure the lyrics convey a mix of regret and hope, reflecting the complexity of the protagonist's feelings." + }, + { + "from":"gpt", + "value":"This is another way I've written songs recently\nThis is a song I did with \nJack Antonoff\n, and Jack is one of my friends and so we were hanging out and he pulled out his phone and goes \"I made this amazing track the other day. It's so cool, I love these guitar sounds.\"\nAnd he played it for me and immediately I could hear this finished song in my head, and I just said \"Please, please let me have that. Let me play with it, like send it to me\"\nAnd so he sent it to me and I was on tour and this was me playing the track on my laptop recording me singing the vocal into my phone and it ended up being a song called \"\nI Wish You Would\n\", because Jack wrote back and said \"I love that\"\nSo this is another way of writing, it's writing to track:\nOkay so this is an idea called \"I Wish You Would\". It's kind of about this guy who's like, he's driving down the street at the middle of the night and he passes his ex-girlfriend's house and it's like, he thinks she hates him, but she's still in love with him, very dramatic. This track is sick, hope you like this\nIt's 2 am, in your car\nWindows down, past my street the memories start\nIt's in the past\nYou drive straight ahead\nYou thinking that I hate you now\n'Cause you still don't know what I never said\nI wish you would come back\nWish I never hung up the phone like I did\nI wish you knew that\nI'd never forget you as long as I live, and I\nWish you were right here, right now, it's all good\nI wish you would\nDo you like it!?" + } + ] + }, + { + "id":3281524, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the bittersweet aftermath of a party, with vivid imagery like glitter on the floor and abandoned Polaroids. The lyrics should explore themes of enduring love and commitment through both mundane and profound moments, and should include a memorable, heartfelt chorus that emphasizes holding onto memories and standing by one another through all of life's ups and downs. The musical arrangement should be intimate and reflective, with a touch of melancholy that suits a New Year's Day reflection." + }, + { + "from":"gpt", + "value":"[Verse 1]\nThere's glitter on the floor after the party\nGirls carrying their shoes down in the lobby\nCandle wax and Polaroids on the hardwood floor\nYou and me from the night before, but\n[Chorus]\nDon\u2019t read the last page\nBut I stay when you're lost and I'm scared and you\u2019re turning away\nI want your midnights\nBut I'll be cleaning up bottles with you on New Year's Day\n[Verse 2]\nYou squeeze my hand three times in the back of the taxi\nI can tell that it's gonna be a long road\nI'll be there if you're the toast of the town, babe\nOr if you strike out and you're crawling home\n[Chorus]\nDon't read the last page\nBut I stay when it\u2019s hard or it\u2019s wrong or we're making mistakes\nI want your midnights\nBut I\u2019ll be cleaning up bottles with you on New Year's Day\n[Post-Chorus]\nHold on to the memories, they will hold on to you\nHold on to the memories, they will hold on to you\nHold on to the memories, they will hold on to you\nAnd I will hold on to you [Bridge]\nPlease don't ever become a stranger\nWhose laugh I could recognize anywhere\nPlease don't ever become a stranger\nWhose laugh I could recognize anywhere\n[Verse 3]\nThere\u2019s glitter on the floor after the party\nGirls carrying their shoes down in the lobby\nCandle wax and Polaroids on the hardwood floor\nYou and me forevermore\n[Chorus]\nDon't read the last page\nBut I stay when it's hard or it's wrong or we're making mistakes\nI want your midnights\nBut I'll be cleaning up bottles with you on New Year's Day\n[Post-Chorus]\nHold on to the memories, they will hold on to you\nHold on to the memories, they will hold on to you\nHold on to the memories, they will hold on to you\nAnd I will hold on to you\n[Outro]\nPlease don't ever become a stranger\n(To the memories, they will hold on to you)\nWhose laugh I could recognize anywhere\n(Hold on to the memories, they will hold on to you)\nPlease don't ever become a stranger\n(Hold on to the memories, they will hold on to you)\nWhose laugh I could recognize anywhere\n(I will hold on to you)" + } + ] + }, + { + "id":132094, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of discovering a partner's infidelity. The lyrics should express feelings of betrayal, disappointment, and the realization that things can never return to the way they were. The song should have a strong narrative, featuring verses that detail the pain of the revelation and a chorus that emphasizes the idea that the partner \"should've said no\" to temptation. The musical arrangement should be reminiscent of Swift's country-pop roots, with an acoustic guitar-led melody that builds to a powerful, cathartic bridge. The tone should be a blend of vulnerability and assertive strength, capturing the complexity of confronting someone who has broken your trust." + }, + { + "from":"gpt", + "value":"[Verse 1]\nIt's strange to think the songs we used to sing\nThe smiles, the flowers, everything is gone\nYesterday, I found out about you\nEven now, just lookin' at you feels wrong\n[Pre-Chorus]\nYou say that you'd take it all back\nGiven one chance\nIt was a moment of weakness\nAnd you said yes\n[Chorus]\nYou should've said no, you should've gone home\nYou should've thought twice 'fore you let it all go\nYou should've known that word\n'Bout what you did with her'd get back to me (Get back to me)\nAnd I should've been there in the back of your mind\nI shouldn't be asking myself why\nYou shouldn't be begging for forgiveness at my feet\nYou should've said no\nBaby, and you might still have me\n[Verse 2]\nYou can see that I've been cryin'\nAnd baby, you know all the right things to say\nBut do you honestly expect me to believe\nWe could ever be the same? [Pre-Chorus]\nYou say that the past is the past\nYou need one chance\nIt was a moment of weakness\nAnd you said yes\n[Chorus]\nYou should've said no, you should've gone home\nYou should've thought twice 'fore you let it all go\nYou should've known that word\n'Bout what you did with her\u2019d get back to me (Get back to me)\nAnd I should've been there in the back of your mind\nI shouldn't be asking myself why\nYou shouldn't be begging for forgiveness at my feet\nYou should've said no\nBaby, and you might still have me\nOh, oh\n[Bridge]\nI can't resist\nBefore you go, tell me this\nWas it worth it?\nWas she worth this?\nNo, no\nNo, no, no, no [Chorus]\nYou should've said no, you should've gone home\nYou should've thought twice 'fore you let it all go\nYou should've known that word\n'Bout what you did with her\u2019d get back to me (Get back to me)\nAnd I should've been there, in the back of your mind\nI shouldn't be asking myself why\nYou shouldn't be begging for forgiveness at my feet\nYou should've said no\nBaby, and you might still have me" + } + ] + }, + { + "id":3283031, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of lavish celebrations and the betrayal of a friendship. The song should echo the opulence and carefree spirit of Gatsby-esque parties, while contrasting it with the disappointment and consequences of broken trust. Include a tone of playful sarcasm and the theme of resilience in the face of gossip and backstabbing, much like the narrative found in \"This is Why We Can't Have Nice Things\". Emphasize the process of cutting ties with a deceitful friend and the recognition of true, supportive relationships." + }, + { + "from":"gpt", + "value":"[Verse 1]\nIt was so nice throwing big parties\nJump into the pool from the balcony\nEveryone swimming in a champagne sea\nAnd there are no rules when you show up here\nBass beat rattling the chandelier\nFeeling so Gatsby for that whole year\n[Pre-Chorus]\nSo why'd you have to rain on my parade?\nI'm shaking my head and locking the gates\n[Chorus]\nThis is why we can't have nice things, darling\nBecause you break them, I had to take them away\nThis is why we can't have nice things, honey (Oh)\nDid you think I wouldn't hear all the things you said about me?\nThis is why we can't have nice things\n[Verse 2]\nIt was so nice being friends again\nThere I was, giving you a second chance\nBut you stabbed me in the back while shaking my hand\nAnd therein lies the issue, friends don't try to trick you\nGet you on the phone and mind-twist you\nAnd so I took an axe to a mended fence [Pre-Chorus]\nBut I'm not the only friend you've lost lately (Mm-mm)\nIf only you weren't so shady\n[Chorus]\nThis is why we can't have nice things, darling (Yeah)\nBecause you break them, I had to take them away\nThis is why we can't have nice (Nice things) things (Baby), honey\nDid you think I wouldn't hear all the things you said about me?\nThis is why we can't have\u2014\n[Bridge]\nHere's a toast to my real friends\nThey don't care about the he-said, she-said\nAnd here's to my baby\nHe ain't reading what they call me lately\nAnd here's to my mama\nHad to listen to all this drama\nAnd here's to you\n'Cause forgiveness is a nice thing to do\nHaha, I can't even say it with a straight face\n[Chorus]\nThis is why we can't have nice things, darling (Darling)\nBecause you break them, I had to take them away\nThis is why we can't have nice (Uh-uh) things (Oh, no), honey (Baby, oh)\nDid you think I wouldn't hear all the things you said about me?\nThis is why we can't have nice things, darling\n(And here's to my real friends)\nBecause you break them, I had to take them\n(And here's to my baby)\nNice things, honey\n(They didn't care about that he-said, she-said)\nDid you think I wouldn't hear all the things you said about me?\nThis is why we can't have nice things" + } + ] + }, + { + "id":70979, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures a sense of empathy and resilience in the face of hardship, reflecting on societal pressures and the struggles of everyday life. The lyrics should resonate with themes of hope and unity, emphasizing the desire to support and uplift not just oneself but others as well. The musical arrangement should blend Swift's signature pop sensibilities with an anthemic chorus that could serve as a rallying cry for the underdogs and the overlooked. Include introspective verses that ponder the superficial aspects of society and the universal challenges we all face, ultimately conveying a message of collective strength and perseverance." + }, + { + "from":"gpt", + "value":"[Chorus: Taylor Swift]\nI wish I was strong enough to lift not one but both of us\nSome day I will be strong enough to lift not one but both of us\n[Verse 1: B.o.B]\nUhh\nEver thought about losing it\nWhen your money\u2019s all gone and you lose your whip\nYou might lose your grip when the landlord tell you that you due for rent\nAnd the grass so green on the other side\nMake a nigga wanna run straight through the fence\nOpen up the fridge 'bout 20 times\nBut you still can\u2019t find no food in it\nThat\u2019s foolishness\nAnd sometimes I wonder, why we care so much about the way we look\nAnd the way we talk and the way we act and the clothes we bought\nHow much that cost?\nDoes it even really matter?\n'Cause if life is a uphill battle\nBut y\u2019all tryna climb with the same ol\u2019 ladder\nIn the same boat, with the same ol\u2019 paddle\nWhy so shallow? I\u2019m just askin'\nWhat\u2019s the pattern to the madness?\nEverybody ain\u2019t a number one draft pick\nMost of us ain\u2019t Hollywood actors\nBut if it\u2019s all for one, and one for all\nThen maybe one day, we all could ball\nDo it one time for the underdogs\nSincerely yours, from one of y'all [Chorus: Taylor Swift]\nI wish I was strong enough to lift not one but both of us\nSome day I will be strong enough to lift not one but both of us\n[Verse 2: B.o.B]\nI could feel your pain, I could feel your struggle\nYou just wanna live, but everything's so low\nThat you could drown in a puddle\nThat\u2019s why I gotta hold us up, yeah, hold us up\nFor all the times no one\u2019s ever spoke for us\nTo every single time that they play this song\nYou can say that that\u2019s what Bobby Ray wrote for us\nWhen the tides get too high\nAnd the sea up underneath gets so deep\nAnd you feel like you\u2019re just another person\nGetting lost in the crowd, way up high in the nosebleeds\nUh, because we've both been there, both of us\nBut we still stand tall with our shoulders up\nAnd even though we always against the odds\nThese are the things that\u2019ve molded us\nAnd if life hadn\u2019t chosen us\nSometimes I wonder where I would've wound up\n'Cause if it was up to me, I\u2019d make a new blueprint\nThen build it from the ground up, hey\nBut if it\u2019s all for one, and one for all\nThen maybe one day, we all could ball\nDo it one time for the underdogs\nFrom Bobby Ray, to all of y\u2019all [Chorus: Taylor Swift]\nI wish I was strong enough to lift not one but both of us\nSome day I will be strong enough to lift not one but both of us" + } + ] + }, + { + "id":124513, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures the emotional turmoil of a fading relationship, incorporating vivid imagery of rain in the bedroom to symbolize sorrow and heartbreak. The song should tell a story of surprise and betrayal, reflecting on a promise of \"Forever and always\" that wasn't kept, with a tone that transitions from hopeful to disillusioned. Utilize Swift's narrative songwriting approach, blending country and pop elements, to convey the complexity of feelings experienced during a breakup, including waiting for a call that never comes and questioning what went wrong." + }, + { + "from":"gpt", + "value":"[Verse 1]\nOnce upon a time\nI believe it was a Tuesday when I caught your eye\nAnd we caught onto something\nI hold onto the night\nYou looked me in the eye and told me you loved me\nWere you just kidding?\n'Cause it seems to me\nThis thing is breaking down, we almost never speak\nI don't feel welcome anymore\nBaby, what happened? Please, tell me\n'Cause one second, it was perfect\nNow, you're halfway out the door\n[Chorus]\nAnd I stare at the phone, he still hasn't called\nAnd then you feel so low you can't feel nothing at all\nAnd you flashback to when he said, \"Forever and always\"\nOh, and it \nrains in your bedroom\nEverything is wrong\nIt rains when you're here and it rains when you're gone\n'Cause I was there when you said, \"Forever and always\"\n[Verse 2]\nWas I out of line?\nDid I say something way too honest, made you run and hide\nLike a scared little boy?\nI looked into your eyes\nThought I knew you for a minute, now, I'm not so sure\nSo here's to everything coming down to nothing\nHere's to silence that cuts me to the core\nWhere is this going?\nThought I knew for a minute, but I don't anymore [Chorus]\nAnd I stare at the phone, he still hasn't called\nAnd then you feel so low you can't feel nothing at all\nAnd you flashback to when he said, \"Forever and always\"\nOh, and it rains in your bedroom\nEverything is wrong\nIt rains when you're here and it rains when you're gone\n'Cause I was there when you said, \"Forever and always\"\nYou didn't mean it, baby, I don't think so\n[Bridge]\nOh, back up, baby, back up\nDid you forget everything?\nBack up, baby, back up\nDid you forget everything?\n[Chorus]\n'Cause it rains in your bedroom\nEverything is wrong\nIt rains when you're here and it rains when you're gone\n'Cause I was there when you said, \"Forever and always\"\nOh, I stare at the phone, he still hasn't called\nAnd then you feel so low you can't feel nothing at all\nAnd you flashback to when we said, \"Forever and always\"\nAnd it rains in your bedroom\nEverything is wrong\nIt rains when you're here and it rains when you're gone\n'Cause I was there when you said, \"Forever and always\" [Outro]\nYou didn't mean it, baby\nYou said, \"Forever and always\", yeah" + } + ] + }, + { + "id":2927948, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of yearning after a lost love and the desperation of wanting someone to return, incorporating the personal emotional turmoil and narrative storytelling found in her music. The song should exhibit the intimacy and vulnerability of Swift's slower ballads, while also reflecting the lyrical complexity and pop sensibility of her work, suitable for a powerful duet." + }, + { + "from":"gpt", + "value":"[Verse 1: ZAYN]\nBeen sittin' eyes wide open\nBehind these four walls, hopin' you'd call\nIt's just a cruel existence\nLike there's no point hopin' at all\n[Pre-Chorus: ZAYN]\nBaby, baby, I feel crazy\nUp all night, all night and every day\nGive me somethin', oh, but you say nothin'\nWhat is happening to me?\n[Chorus: ZAYN]\nI don't wanna live forever\n'Cause I know I'll be living in vain\nAnd I don't wanna fit wherever\nI just wanna keep calling your name\nUntil you come back home\nI just wanna keep calling your name\nUntil you come back home\nI just wanna keep calling your name\nUntil you come back home\n[Verse 2: Taylor Swift]\nI'm sittin' eyes wide open\nAnd I got one thing stuck in my mind\nWonderin' if I dodged a bullet\nOr just lost the love of my life, oh [Pre-Chorus: Taylor Swift]\nBaby, baby, I feel crazy\nUp all night, all night and every day\nI gave you somethin', but you gave me nothin'\nWhat is happening to me?\n[Chorus: ZAYN, \nTaylor Swift\n, \nBoth\n]\nI don't wanna live forever\n'Cause I know I'll be living in vain\nAnd I don't wanna fit (\nFit, babe\n) wherever (\nWherever\n)\nI just wanna keep calling your name\nUntil you come back home\nI just wanna keep calling your name\nUntil you come back home\nI just wanna keep calling your name\nUntil you come back\n home\n[Bridge: Taylor Swift, \nZAYN\n, \nBoth\n]\nI've been looking sad in all the nicest places\nBaby, baby, I feel crazy\nI see you around in all these empty faces\nUp all night, all night and every day\nI've been looking sad in all the nicest places\nGive me somethin', oh, but you say nothin'\nNow I'm in a cab, I tell 'em where your place is\nWhat is happening to me? [Chorus: ZAYN, \nTaylor Swift\n, \nBoth\n]\nI don't wanna live forever\n'Cause I know I'll be living in vain\nAnd I don't wanna fit (I don't wanna fit, \nfit, babe\n) wherever (\nWherever\n)\nI just wanna keep calling your name\nUntil you come back home\n (Home)\nI just wanna keep calling your name\nUntil you come back home\n (Back, woah)\nI just wanna keep calling your name\nUntil you come back home\n (I don't wanna fit)\n[Post-Chorus: ZAYN & Taylor Swift, \nZAYN\n]\nI just wanna keep calling your name\nUntil you come back home (\nBack home, until you, baby\n)\nI just wanna keep calling your name\nUntil you come back home\n[Outro: Taylor Swift, \nZAYN\n]\nI just wanna keep callin' your name\nUntil you come back home\nUntil you come back home" + } + ] + }, + { + "id":5793972, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the theme of destiny and interconnectedness through the metaphor of an \"invisible string\" tying two people together. The lyrics should reflect on past experiences, both the hardships and the serendipitous moments, hinting at a predestined relationship. Incorporate vivid color imagery to symbolize different life stages and emotions, similar to how green grass, teal shirts, and golden leaves are used. The tone should be reflective yet ultimately optimistic, with a melody that complements a storytelling approach, capturing the essence of a personal, introspective journey that leads to a meaningful connection." + }, + { + "from":"gpt", + "value":"[Verse 1]\nGreen was the color of the grass\nWhere I used to read at Centennial Park\nI used\u2005to\u2005think I would\u2005meet somebody there\nTeal was the color\u2005of your shirt\nWhen you were sixteen at the yogurt shop\nYou\u205fused\u205fto\u205fwork at to\u205fmake a little\u205fmoney\n[Chorus]\nTime, curious time\nGave me no compasses, gave me no signs\nWere there clues I didn't see?\nAnd isn't it just so pretty to think\nAll along there was some\nInvisible string\nTying you to me?\nOoh-ooh-ooh-ooh\n[Verse 2]\nBad was the blood of the song in the cab\nOn your first trip to LA\nYou ate at my favorite spot for dinner\nBold was the waitress on our three-year trip\nGetting lunch down by the Lakes\nShe said I looked like an American singer [Chorus]\nTime, mystical time\nCutting me open, then healing me fine\nWere there clues I didn't see?\nAnd isn't it just so pretty to think\nAll along there was some\nInvisible string\nTying you to me?\nOoh-ooh-ooh-ooh\n[Bridge]\nA string that pulled me\nOut of all the wrong arms, right into that dive bar\nSomething wrapped all of my past mistakes in barbed wire\nChains around my demons\nWool to brave the seasons\nOne single thread of gold\nTied me to you\n[Verse 3]\nCold was the steel of my axe to grind\nFor the boys who broke my heart\nNow I send their babies presents\nGold was the color of the leaves\nWhen I showed you around Centennial Park\nHell was the journey, but it brought me heaven [Chorus]\nTime, wondrous time\nGave me the blues and then purple-pink skies\nAnd it's cool, b\naby, with me\nAnd isn't it just so pretty to think\nAll along there was some\nInvisible string\nTying you to me?\nOoh-ooh-ooh-ooh\nMe\nOoh-ooh-ooh-ooh\n[Outro]\n(Ah-ah-ah)\n(Ah-ah-ah)" + } + ] + }, + { + "id":6263242, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the poignant emotions of being stuck in the past after a breakup, where the protagonist is metaphorically frozen in time at the scene of their heartbreak. The lyrics should evoke a sense of stagnation and nostalgia, with vivid imagery of being left behind while life moves on for others. Incorporate the bittersweet realization of being unable to move on, using references to physical settings that symbolize the internal struggle, such as sitting alone in a restaurant. The song should have a narrative quality, with a blend of melancholy and the signature Taylor Swift storytelling, set to a melody that complements the introspective and confessional nature of the lyrics." + }, + { + "from":"gpt", + "value":"[Verse 1]\nFriends break up, friends get married\nStrangers get born, strangers get buried\nTrends change, rumors fly through new skies\nBut I'm right where you left me\nMatches burn after the other\nPages turn and stick to each other\nWages earned and lessons learned\nBut I, I'm right where you left me\n[Pre-Chorus]\nHelp, I'm still at the restaurant\nStill sitting in a corner I haunt\nCross-legged in the dim light\nThey say, \"What a sad sight,\" I\nI swear you could hear a hair pin drop\nRight when I felt the moment stop\nGlass shattered on the white cloth\nEverybody moved on, I, I stayed there\nDust collected on my pinned-up hair\nThey expected me to find somewhere\nSome perspective, but I sat and stared right where\n[Chorus]\nYou left me, you left me no, oh, you left me no\nYou left me no choice but to stay here forever\nYou left me, you left me no, oh, you left me no\nYou left me no choice but to stay here forever [Bridge]\nDid you ever hear about the girl who got frozen?\nTime went on for everybody else, she won't know it\nShe's still twenty-three inside her fantasy\nHow it was supposed to be\nDid you hear about the girl who lives in delusion?\nBreakups happen every day, you don't have to lose it\nShe's still twenty-three inside her fantasy\nAnd you're sitting in front of me\n[Pre-Chorus]\nAt the restaurant\nWhen I was still the one you want\nCross-legged in the dim light\nEverything was just right, I\nI could feel the mascara run\nYou told me that you met someone\nGlass shattered on the white cloth\nEverybody moved on\nHelp, I'm still at the restaurant\nStill sitting in a corner I haunt\nCross-legged in the dim light\nThey say, \"What a sad sight,\" I, I stayed there\nDust collected on my pinned-up hair\nI'm sure that you got a wife out there\nKids and Christmas, but I'm unaware 'cause I'm right where\nI cause no harm, mind my business\nIf our love died young, I can't bear witness, and it's been so long\nIf you ever think you got it wrong, I'm right where [Chorus]\nYou left me, you left me no, oh, you left me no\nYou left me no choice but to stay here forever\nYou left me, you left me no, oh, you left me no\nYou left me no choice but to stay here forever" + } + ] + }, + { + "id":5793985, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that tells the story of a high-society woman whose extravagant and controversial lifestyle leads her to be labeled as the town's most scandalous figure. The song should capture the essence of Swift's narrative songwriting, with vivid imagery and storytelling that chronicles the rise and fall of the woman's social status. It should include a catchy, reflective chorus that contemplates the impact of her actions and the legacy she leaves behind, wrapped in a blend of pop and folk elements reminiscent of Swift's unique musical blend." + }, + { + "from":"gpt", + "value":"[Verse 1]\nRebekah rode up on the afternoon train, it was sunny\nHer saltbox house on the coast\u2005took\u2005her mind off\u2005St. Louis\nBill was the heir to\u2005the Standard Oil name and money\nAnd the town said, \"How\u205fdid\u205fa\u205fmiddle-class divorc\u00e9e do\u205fit?\"\nThe wedding was\u205fcharming, if a little gauche\nThere's only so far new money goes\nThey picked out a home and called it \"Holiday House\"\nTheir parties were tasteful, if a little loud\nThe doctor had told him to settle down\nIt must have been her fault his heart gave out\n[Chorus]\nAnd they said\n\"There goes the last great American dynasty\nWho knows, if she never showed up, what could've been\nThere goes the maddest woman this town has ever seen\nShe had a marvelous time ruining everything\"\n[Verse 2]\nRebekah gave up on the Rhode Island set forever\nFlew in all her Bitch Pack friends from the city\nFilled the pool with champagne and swam with the big names\nAnd blew through the money on the boys and the ballet\nAnd losing on card game bets with Dal\u00ed [Chorus]\nAnd they said\n\"There goes the last great American dynasty\nWho knows, if she never showed up, what could've been\nThere goes the most shameless woman this town has ever seen\nShe had a marvelous time ruining everything\"\n[Bridge]\nThey say she was seen on occasion\nPacing the rocks, staring out at the midnight sea\nAnd in a feud with her neighbor\nShe stole his dog and dyed it key lime green\nFifty years is a long time\nHoliday House sat quietly on that beach\nFree of women with madness, their men and bad habits\nAnd then it was bought by me\n[Chorus]\nWho knows, if I never showed up, what could've been\nThere goes the loudest woman this town has ever seen\nI had a marvelous time ruining everything\n[Outro]\nI had a marvelous time ruining everything\nA marvelous time ruining everything\nA marvelous time\nI had a marvelous time" + } + ] + }, + { + "id":551256, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures a sense of bittersweet romance and nostalgic yearning, with vivid imagery of a fleeting love affair. The lyrics should convey the intense connection between lovers who are aware their relationship won't last, using metaphors of driving away from the city and burning memories. The song should include emotional pleas to be remembered fondly, paired with visual details such as red lips, rosy cheeks, and sunset backdrops, all set to a melody that's both haunting and beautiful, evoking the dreamy, melancholic essence of Swift's \"Wildest Dreams.\"" + }, + { + "from":"gpt", + "value":"[Verse 1]\nHe said, \"Let's get out of this town\nDrive out of the city, away from the crowds\"\nI thought, \"Heaven can't help me now\"\nNothing lasts forever\nBut this is gonna take me down\n[Pre-Chorus]\nHe's so tall and handsome as hell\nHe's so bad, but he does it so well\nI can see the end as it begins\nMy one condition is\n[Chorus]\nSay you'll remember me\nStandin' in a nice dress\nStarin' at the sunset, babe\nRed lips and rosy cheeks\nSay you'll see me again\nEven if it's just in your\nWildest dreams, ah, ha\nWildest dreams, ah, ha\n[Verse 2]\nI said, \"No one has to know what we do\"\nHis hands are in my hair, his clothes are in my room\nAnd his voice is a familiar sound\nNothin' lasts forever\nBut this is gettin' good now [Pre-Chorus]\nHe's so tall and handsome as hell\nHe's so bad, but he does it so well\nAnd when we've had our very last kiss\nMy last request is\n[Chorus]\nSay you'll remember me\nStandin' in a nice dress\nStarin' at the sunset, babe\nRed lips and rosy cheeks\nSay you'll see me again\nEven if it's just in your\nWildest dreams, ah, ha\nWildest dreams, ah, ha\n[Bridge]\nYou'll see me in hindsight\nTangled up with you all night\nBurnin' it down\nSomeday, when you leave me\nI bet these memories\nFollow you around\nYou'll see me in hindsight\nTangled up with you all night\nBurnin' (Burnin') it (It) down (Down)\nSomeday, when you leave me\nI bet these memories\nFollow (Follow) you (You) around\n(Follow you around) [Breakdown]\nSay you'll remember me\nStanding in a nice dress\nStarin' at the sunset, babe\nRed lips and rosy cheeks\nSay you'll see me again\nEven if it's just pretend\n[Chorus]\nSay you'll remember me\nStandin' in a nice dress\nStarin' at the sunset, babe\nRed lips and rosy cheeks\nSay you'll see me again\nEven if it's just in your (Just pretend, just pretend)\nWildest dreams, ah, ha (Ah)\nIn your wildest dreams, ah, ha\nEven if it's just in your\nIn your wildest dreams, ah, ha\nIn your wildest dreams, ah, ha" + } + ] + }, + { + "id":3774, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of reflective storytelling with a touch of melancholy, as seen in her song \"Back to December.\" The lyrics should revolve around themes of regret, reminiscence, and the desire for reconciliation after a breakup. The musical composition should be reminiscent of Swift's acoustic and soft rock influences, with a focus on narrative-driven verses and a memorable, heartfelt chorus that emphasizes the yearning to return to a past moment and make things right. The song should incorporate seasonal metaphors and provide vivid imagery of past memories, conveying a deep sense of nostalgia and personal growth." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI'm so glad you made time to see me\nHow's life? Tell me, how's your family?\nI haven't seen them in a while\nYou've been good, busier than ever\nWe small talk, work and the weather\nYour guard is up and I know why\n[Pre-Chorus]\nBecause the last time you saw me\nIs still burned in the back of your mind\nYou gave me roses and I left them there to die\n[Chorus]\nSo this is me swallowing my pride\nStandin' in front of you sayin', \"I'm sorry for that night\"\nAnd I go back to December all the time\nIt turns out freedom ain't nothing but missin' you\nWishin' I'd realized what I had when you were mine\nI go back to December, turn around and make it alright\nI go back to December all the time\n[Verse 2]\nThese days, I haven't been sleeping\nStayin' up, playing back myself leavin'\nWhen your birthday passed and I didn't call\nThen I think about summer, all the beautiful times\nI watched you laughing from the passenger side\nAnd realized I loved you in the fall [Pre-Chorus]\nAnd then the cold came, the dark days\nWhen fear crept into my mind\nYou gave me all your love and all I gave you was goodbye\n[Chorus]\nSo this is me swallowing my pride\nStandin' in front of you, sayin', \"I'm sorry for that night\"\nAnd I go back to December all the time\nIt turns out freedom ain't nothing but missin' you\nWishin' I'd realized what I had when you were mine\nI go back to December, turn around and change my own mind\nI go back to December all the time\n[Bridge]\nI miss your tanned skin, your sweet smile\nSo good to me, so right\nAnd how you held me in your arms that September night\nThe first time you ever saw me cry\nMaybe this is wishful thinkin'\nProbably mindless dreaming\nBut if we loved again, I swear I'd love you right\nI'd go back in time and change it, but I can't\nSo, if the chain is on your door, I understand\n[Chorus]\nBut this is me swallowing my pride\nStandin' in front of you, sayin', \"I'm sorry for that night\"\nAnd I go back to December\nIt turns out freedom ain't nothing but missin' you\nWishin' I'd realized what I had when you were mine\nI go back to December, turn around and make it alright\nI go back to December, turn around and change my own mind\nI go back to December all the time [Outro]\nAll the time" + } + ] + }, + { + "id":3306086, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the intoxicating nature of love as an addiction, using vivid imagery and metaphors to describe the protagonist's deep infatuation. The song should have a confessional tone, with the singer acknowledging the madness brought on by love and their willingness to do anything for their partner. Include a catchy chorus that conveys the theme of love as a drug, and ensure the verses reflect a journey from self-awareness to obsession, similar to the storytelling found in \"Don't Blame Me.\" Incorporate a bridge that heightens the emotional intensity of the song, and maintain the pop sensibility with a hint of dark, edgy production that complements the lyrical content." + }, + { + "from":"gpt", + "value":"[Intro]\nDon't blame me, love made me crazy\nIf it doesn't, you ain't doin' it right\nLord, save me, my drug is my baby\nI'll be usin' for the rest of my life\n[Verse 1]\nI've been breakin' hearts a long time\nAnd toyin' with them older guys\nJust playthings for me to use\nSomethin' happened for the first time\nIn the darkest little paradise\nShaking, pacin', I just need you\n[Pre-Chorus]\nFor you, I would cross the line\nI would waste my time, I would lose my mind\nThey say, \"She's gone too far this time\"\n[Chorus]\nDon't blame me, love made me crazy\nIf it doesn't, you ain't doin' it right\nLord, save me, my drug is my baby\nI'll be usin' for the rest of my life\nDon't blame me, love made me crazy\nIf it doesn't, you ain't doin' it right\nOh, Lord, save me, my drug is my baby\nI'll be usin' for the rest of my life [Verse 2]\nMy name is whatever you decide and\nI'm just gonna call you mine\nI'm insane, but I'm your baby (Your baby)\nEchoes (Echoes) of your name inside my mind\nHalo hidin' my obsession\nI once was poison ivy, but now, I'm your daisy\n[Pre-Chorus]\nAnd, baby, for you, I (I) would (Would) fall from grace\nJust (Just) to (To) touch your face, if (If) you (You) walk away\nI'd beg ya on my knees to stay\n[Chorus]\nDon't blame me, love made me crazy\nIf it doesn't, you ain't doin' it right\nLord, save me, my drug is my baby\nI'll be usin' for the rest of my life (Yeah, ooh)\nDon't blame me, love made me crazy\nIf it doesn't, you ain't doin' it right\nOh, Lord, save me, my drug is my baby\nI'll be usin' for the rest of my life\n[Bridge]\nI get so high, oh\nEvery time you're, every time you're lovin' me\nYou're lovin' me\nTrip of my life, oh\nEvery time you're, every time you're touchin' me\nYou're touchin' me\nEvery time you're, every time you're lovin' me [Breakdown]\nOh, Lord, save me, my drug is my baby\nI'll be usin' for the rest of my life\n(Usin' for the rest of my life, oh, woah)\n[Chorus]\nDon't blame me, love made me crazy\nIf it doesn't, you ain't doin' it right (Doin' it right, no)\nLord, save me, my drug is my baby\nI'll be usin' for the rest of my life (Oh)\nDon't blame me, love made me crazy (Ooh)\nIf it doesn't, you ain't doin' it right (You ain't doin', babe)\nOh, Lord, save me, my drug is my baby\nI'll be usin' for the rest of my life (I'll be usin', I'll be usin')\n[Outro]\nI get so high, oh\nEvery time you're, every time you're lovin' me\nYou're lovin' me\nOh, Lord, save me, my drug is my baby\nI'll be usin' for the rest of my life" + } + ] + }, + { + "id":3306083, + "conversations":[ + { + "from":"human", + "value":"Craft a song in the style of Taylor Swift that explores the intoxicating feeling of doing something rebellious and the subsequent empowerment that comes with it. The song should include sharp, clever lyrics that play with the theme of defiance and a self-assured attitude, much like the song \"I Did Something Bad\" by Taylor Swift. It should have a catchy, anthemic chorus that embodies the thrill of mischievous actions feeling gratifying, despite societal disapproval. Incorporate a bridge that heightens the drama, perhaps referencing historical acts of rebellion or persecution. The musical arrangement should be bold and pop-driven, with a hint of dark, edgy undertones to match the mood of the lyrics." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI never trust a narcissist, but they love me\nSo I play 'em like a violin\nAnd I make it look, oh, so easy\n'Cause for every lie I tell them, they tell me three\nThis is how the world works\nNow all he thinks about is me\n[Pre-Chorus]\nI can feel the flames on my skin\nCrimson red paint on my lips\nIf a man talks shit, then I owe him nothin'\nI don't regret it one bit 'cause he had it comin'\n[Chorus]\nThey say I did somethin' bad\nThen why's it feel so good?\nThey say I did somethin' bad\nBut why's it feel so good?\nMost fun I ever had\nAnd I'd do it over and over and over again if I could\nIt just felt so good, good\n[Post-Chorus]\nRa-di-di-di-di-di-di-di-di-di-da-da\nRa-di-di-di-di-di-di-di-di-di-da-da\nRa-di-di-di-di-di-di-di-di-di-da-da\nDa-da, da, da [Verse 2]\nI never trust a playboy, but they love me\nSo I fly 'em all around the world\nAnd I let them think they saved me\nThey never see it comin', what I do next\nThis is how the world works\nYou gotta leave before you get left\n[Pre-Chorus]\nI can feel the flames on my skin\nHe says, \"Don't throw away a good thing\"\nBut if he drops my name, then I owe him nothin'\nAnd if he spends my change, then he had it comin'\n[Chorus]\nThey say I did somethin' bad (\nDa-da\n)\nThen why's it feel so good?\nThey say I did somethin' bad\nBut why's it feel so good?\nMost fun I ever had\nAnd I'd do it over and over and over again if I could\nIt just felt so good, good\n[Post-Chorus]\nRa-di-di-di-di-di-di-di-di-di-da-da\nRa-di-di-di-di-di-di-di-di-di-da-da\n(It just felt so good)\nRa-di-di-di-di-di-di-di-di-di-da-da\nDa-da, da, da [Bridge]\nThey're burning all the witches, even if you aren't one\nThey got their pitchforks and proof, their receipts and reasons\nThey're burning all the witches, even if you aren't one\nSo light me up (Light me up), light me up (Light me up)\nLight me up, go ahead and light me up (Light me up)\nLight me up (Light me up), light me up (Light me up)\nLight me up (Light me up), light me up\n[Chorus]\nThey say I did somethin' bad (Oh)\nThen why's it feel so good? (So good)\nThey say I did somethin' bad\nBut why's it feel so (Good) good?\nMost fun I ever had (Most fun I ever had)\nAnd I'd do it over and over and over again if I could\nIt just felt so good (Good), good\n[Post-Chorus]\nRa-di-di-di-di-di-di-di-di-di-da-da\n (Bad)\nRa-di-di-di-di-di-di-di-di-di-da-da\nOh, they say I did somethin' bad (They say I did somethin' bad)\nRa-di-di-di-di-di-di-di-di-di-da-da\nThen why's it feel so good, good?\n[Outro]\nSo good (Bad), why's it feel so good?\nWhy's it feel, why's it feel so good? (Bad)\nIt just felt so good, good" + } + ] + }, + { + "id":7078185, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the longing and vulnerability of unspoken love, incorporating the emotions of hope and fear as two people are separated by distance. The song should capture the essence of a modern romantic ballad with vivid imagery such as \"freckles and bright eyes\" and a recurring metaphor of a \"message in a bottle\" to symbolize attempts at communicating deep affection. The narrative should include the inner turmoil of waiting and the agony of being \"a face in the crowd,\" while maintaining a catchy, anthem-like chorus that echoes the possibility of being the one the other person dreams of." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI know that you like me\nAnd it's kinda frightenin' standin' here waitin', waitin'\nAnd I became hypnotized\nBy freckles and bright eyes, tongue-tied\n[Pre-Chorus]\nBut now, you're so far away and I'm down\nFeelin' like a face in the crowd\nI'm reachin' for you, terrified\n[Chorus]\n'Cause you could be the one that I love\nI could be the one that you dream of\nA message in a bottle is all I can do\nStandin' here, hopin' it gets to you\nYou could be the one that I keep, and I\nI could be the reason you can't sleep at night\nA m\u0435ssage in a bottle is all I can do\nStandin' her\u0435, hopin' it gets to you\n[Verse 2]\nThese days I'm restless\nWorkdays are endless, look how you made me, made me\nBut time moves faster\nReplayin' your laughter, disaster [Pre-Chorus]\n'Cause now, you're so far away and I'm down\nFeelin' like a face in the crowd\nI'm reachin' for you, terrified, 'cause\n[Chorus]\n'Cause you could be the one that I love\nI could be the one that you dream of\nA message in a bottle is all I can do\nStandin' here, hopin' it gets to you (It gets to you)\nYou could be the one that I keep, and I (Ah)\nI could be the reason you can't sleep at night (At)\nA message in a bottle is all I can do\nStandin' here, hopin' it gets to you\n[Bridge]\nHow is it in London? (London)\nWhere were you while I'm wonderin' (Wonderin')\nIf I'll ever see you again?\nYou could be the one that I love, mm-mm\nAnd now I'm standin' here, hopin' it gets to you\n[Chorus]\n'Cause you could be the one that I love (Yeah, yeah)\nI could be the one that you dream of (Of)\nA message in a bottle is all I can do\nStandin' here, hopin' it gets to you (It gets to you)\nYou could be the one that I keep, and I\nI could be the reason you can't sleep at night (I can't sleep at night)\nA message in a bottle is all I can do (Yeah, yeah)\nStandin' here, hopin' it gets to you (Yeah, yeah) [Outro]\n(Love) You could be the one that I love\n(Love) You could be the one that I love\n(Love) My love\nAnd now I'm standin' here, hopin' this gets to you" + } + ] + }, + { + "id":3021464, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that tells the story of a person discovering an old guitar, pondering its history, and forming a bond with it. The song should feature vivid storytelling in the verses, an emotional and catchy chorus, and a bridge that asks reflective questions about the guitar's past. Capture the essence of finding beauty in imperfection and the intimate connection between a musician and their instrument, reminiscent of Swift's narrative songwriting and her ability to personify objects with sentimental value." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWalking downtown shuffling my feet\nI try to dream my dreams above the concrete\nStore windows, traveled for miles\nBut something I passed really caught my eye\nIt was cracked down the middle, permanent scars\nBut I fell in love with this here guitar\n[Chorus]\nNice to meet you, can I teach you\nAll I know, can you show me what you do\nWhere have you been\nWhat have you seen\nWho were you before you even knew me\nHave you been played for endless hours\nOr were you left in the corner\nOr were you someone's best friend\nThis here guitar\n[Verse 2]\nIt was my baby, anyone could see\nI love the cracks, the curves, the hidden beauty\nBut I can't help wondering why\nIt came to me and where we'll say goodbye\nThe cracks down the middle\nCan't see where they are\nSince I fell in love with this here guitar [Chorus]\nNice to meet you, can I teach you\nAll I know, can you show me what you do\nWhere have you been\nWhat have you seen\nWho were you before you even knew me\nHave you been played for endless hours\nOr were you left in the corner\nOr were you someone's best friend\nThis here guitar\n[Bridge]\nWere you a present from a father to a son?\nDid he forget you\nOr just play you 'til you came undone?\nHey, did some primadonna love you\n'Til she got her fame and fortune?\nI won't do that to you\n[Chorus]\nNice to meet you, can I teach you\nAll I know, can you show me what you do\nWhere have you been?\nWhat have you seen?\nWho were you before you even knew me?\nHave you been played for endless hours\nOr were you left in the corner\nOr were you someone's best friend?\nThis here guitar\nYou're my guitar\nThis here guitar" + } + ] + }, + { + "id":57418, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of heartache and the strength found in letting go of a disappointing relationship, with emotionally charged lyrics similar to those in \"You're Not Sorry.\" The song should portray a narrative of disillusionment and empowerment, featuring a blend of country-pop elements and vivid storytelling. The lyrics should convey a sense of finality and independence, with a catchy chorus that underlines the theme of no longer accepting empty apologies and choosing self-worth over false hope." + }, + { + "from":"gpt", + "value":"[Verse 1]\nAll this time I was wasting hoping you would come around\nI've been giving out chances every time and all you do is let me down\nAnd it's taken me this long, baby, but I've figured you out\nAnd you're thinking we'll be fine again, but not this time around\n[Chorus]\nYou don't have to call anymore\nI won't pick up the phone\nThis is the last straw\nDon't wanna hurt anymore\nAnd you can tell me that you're sorry\nBut I don't believe you, baby, like I did before\nYou're not sorry (No, no, no, no)\n[Verse 2]\nYou're looking so innocent, I might believe you if I didn't know\nCould've loved you all my life if you hadn't left me waiting in the cold\nAnd you've got your share of secrets\nAnd I'm tired of being last to know, oh\nAnd now, you're asking me to listen 'cause it's worked each time before\n[Chorus]\nBut you don't have to call anymore\nI won't pick up the phone\nThis is the last straw\nDon't wanna hurt anymore\nAnd you can tell me that you're sorry\nBut I don't believe you, baby, like I did before\nYou're not sorry (No, no, no, no)\nYou're not sorry (No, no, no, no) [Bridge]\nYou had me crawling for you, honey, and it never would've gone away, no\nYou used to shine so bright, but I watched all of it fade\n[Chorus]\nSo you don't have to call anymore\nI won't pick up the phone\nThis is the last straw\nThere's nothing left to beg for\nAnd you can tell me that you're sorry\nBut I don't believe you, baby, like I did before\nYou're not sorry (No, no, no, no)\nYou're not sorry (No, no, no, no)\n(No, no, no, no, no, no, no, no, no, no, no, no)\nWoah, oh, oh-oh, oh-oh-oh\n(Oh, oh, oh, no, no, no, no, no, no)" + } + ] + }, + { + "id":1999086, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of being carefree and youthful, complete with references to hipster culture and nostalgic adventures. The song should convey a mix of happiness, confusion, and a touch of loneliness, embodying a magical yet miserable night out. It should include a catchy, anthemic chorus that plays with the idea of feeling '22' and the liberation that comes with that age. The lyrics should suggest a narrative of escaping the pressures of deadlines and heartbreaks, with a bridge that hints at bad news but an irresistible attraction. Emphasize the importance of companionship and the simple joy of dancing through the night as a remedy to life's complexities." + }, + { + "from":"gpt", + "value":"[Verse 1: Alex Goot]\nIt feels like a perfect night to dress up like hipsters\nAnd make fun of our ex's (oh oh oh oh)\nIt feels like a perfect night for breakfast at midnight\nTo fall in love with strangers (oh oh oh oh)\nYeah! We're happy, free, confused and lonely at the same time\nIt's miserable and magical, oh yeah\nTonight's the night when we forget about the deadlines\nIt's time (oh oh)\n[Chours: Alex Goot, \nChrissy Costanza\n & \nboth\n]\nI don't know about you but I'm feelin 22\nEverything will be alright if you'll keep me next to you\nBut you don't know about me\nBut I bet you want to\nEverything will be alright if we just keep dancing like we're\n22 (oh oh)\nYea, 22 (oh oh)\n[Verse 2: Sam Tsui]\nIt seems like one of those nights this place is too crowded\nToo many cool kids (woa oh)\nIt seems like one of those nights we ditch the whole scene\nAnd end up dreaming instead of sleeping\nYea! We're happy, free, confused and lonely in the best way\nIt's miserable and magical, oh yea\nTonight's the night when we forget about the heartbreaks\nIt's time (oh oh) [Chours: Chrissy Costanza & Sam Tsui]\nI don't know about you but I'm feelin 22\nEverything will be alright if you'll keep me next to you\nBut you don't know about me\nBut I bet you want to\nEverything will be alright if we just keep dancing like we're\u2026\n22 (oh oh)\n22 (oh oh)\n[Bridge: King The Kid]\nIt feels like one of those nights (we ditch the whole scene)\nIt feels like one of those nights (we won't be sleepin)\nIt feels like one of those nights (you look like bad news)\nI gotta have you, I gotta have you\n[Chours: Alex Goot & Sam Tsui]\nI don't know about you but I'm feelin 22\nEverything will be alright if you'll keep me next to you\nBut you don't know about me\nBut I bet you want to\nEverything will be alright if we just keep dancing like we're\u2026\n22 (oh oh)\n22 (oh oh)\n[Outro]\nIt feels like one of those nights\nIt feels like one of those nights\nIt feels like one of those nights (we ditch the whole scene)\nIt feels like one of those nights (we won't be sleepin)\nIt feels like one of those nights (you look like bad news)\nI gotta have you, I gotta have you" + } + ] + }, + { + "id":3306080, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of young, secretive love that is intense and bittersweet. The lyrics should revolve around a narrative of lovers who cherish their connection despite external doubts and fears, with a recognition of an underlying unease about the future. The musical arrangement should include Swift's signature blend of pop and country elements, with emotionally-driven verses leading into a catchy, anthemic chorus that emphasizes the theme of 'dancing with our hands tied' as a metaphor for a relationship with inherent limitations. The song should convey the complexity of emotions through vivid imagery and metaphors, such as the \"invisible locket\" and \"sacred oasis,\" and include a bridge that heightens the emotional stakes, reminiscent of Swift's storytelling approach." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI, I loved you in secret\nFirst sight, yeah, we love without reason\nOh, twenty-five years old\nOh, how were you to know? And\nMy, my love had been frozen\nDeep blue, but you painted me golden\nOh, and you held me close\nOh, how was I to know? I\u2013\n[Pre-Chorus]\nCould've spent forever with your hands in my pockets\nPicture of your face in an invisible locket\nYou said there was nothing in the world that could stop it\nI had a bad feeling\nAnd darling, you had turned my bed into a sacred oasis\nPeople started talking, putting us through our paces\nI knew there was no one in the world who could take it\nI had a bad feeling\n[Chorus]\nBut we were dancing\nDancing with our hands tied, hands tied\nYeah, we were dancing\nLike it was the first time, first time\nYeah, we were dancing\nDancing with our hands tied, hands tied\nYeah, we were dancing\nAnd I had a bad feeling\nBut we were dancing [Verse 2]\nI, I loved you in spite of\nDeep fears that the world would divide us\nSo, baby, can we dance\nOh, through an avalanche? And\nSay, say that we got it\nI'm a mess, but I'm the mess that you wanted\nOh, 'cause it's gravity\nOh, keeping you with me, I\u2013\n[Pre-Chorus]\nCould've spent forever with your hands in my pockets\nPicture of your face in an invisible locket\nYou said there was nothing in the world that could stop it\nI had a bad feeling\n[Chorus]\nBut we were dancing\nDancing with our hands tied, hands tied\nYeah, we were dancing\nLike it was the first time, first time\nYeah, we were dancing\nDancing with our hands tied, hands tied\nYeah, we were dancing (Knew we had our hands tied)\nAnd I had a bad feeling\nBut we were dancing [Bridge]\nI'd kiss you as the lights went out\nSwaying as the room burned down\nI'd hold you as the water rushes in\nIf I could dance with you again\nI'd kiss you as the lights went out\nSwaying as the room burned down\nI'd hold you as the water rushes in\nIf I could dance with you again (Again)\n[Chorus]\nDancing with our hands tied, hands tied\nOh, yeah, we were dancing\nLike it was the first time, first time (First time, first time)\nYeah, we were dancing (Oh)\nDancing with our hands tied, hands tied (Dancing with our hands tied)\nYeah, we were dancing (Ooh)\nAnd I had a bad feeling (Had a bad feeling)\nBut we were dancing\n[Outro]\n(Ooh-ooh, ooh-ooh)\nHands tied, hands tied (Dancing)" + } + ] + }, + { + "id":102718, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the nostalgic reminiscence of a past romance, with vivid imagery of New York City as a backdrop. The lyrics should include a blend of tender memories and poignant realizations, reflecting on a love that was once vibrant and the pang of its absence. Include a chorus that conveys a sense of sacredness about the place where the relationship thrived, and create a bridge that expresses a bittersweet desire to dance alone, yet yearning for the presence of a former partner. The song should have an intimate, acoustic feel with emotionally rich storytelling, typical of Taylor Swift's earlier work." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI was reminiscing just the other day\nWhile having coffee all alone, and Lord, it took me away\nBack to a first-glance feeling on New York time\nBack when you fit in my poems like a perfect rhyme\nTook off faster than a green light, go\nHey, you skip the conversation when you already know\nI left a note on the door with a joke we'd made\nAnd that was the first day\n[Chorus]\nAnd darling, it was good\nNever looking down\nAnd right there where we stood\nWas holy ground\n[Verse 2]\nSpinning like a girl in a brand new dress\nWe had this big wide city all to ourselves\nWe blocked the noise with the sound of, \"I need you\"\nAnd for the first time, I had something to lose\nAnd I guess we fell apart in the usual way\nAnd the story's got dust on every page\nBut sometimes, I wonder how you think about it now\nAnd I see your face in every crowd [Chorus]\n'Cause darling, it was good\nNever looking down\nAnd right there where we stood\nWas holy ground\n[Bridge]\nTonight, I'm gonna dance\nFor all that we've been through\nBut I don't wanna dance\nIf I'm not dancing with you\nTonight, I'm gonna dance\nLike you were in this room\nBut I don't wanna dance\nIf I'm not dancing with you\n[Chorus]\nIt was good\nNever looking down\nAnd right there where we stood\nWas holy ground\n[Outro]\nTonight, I'm gonna dance\nFor all that we've been through\nBut I don't wanna dance\nIf I'm not dancing with you\nTonight, I'm gonna dance\nLike you were in this room\nBut I don't wanna dance\nIf I'm not dancing with you" + } + ] + }, + { + "id":3310192, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a dramatic transformation and personal empowerment following betrayal. The lyrics should explore themes of overcoming deceit and manipulation, with a tone of defiance and strength. Include a catchy, repetitive chorus that emphasizes the protagonist's newfound resilience and the consequences of their adversary's actions, similar to the style of \"Look What You Made Me Do.\" The song should have a pop sound with a slight edge, reflecting Swift's evolution as an artist." + }, + { + "from":"gpt", + "value":"I don't like your \nlittle games\nDon't like your tilted stage\nThe role you made me play\nOf the fool, no, I don't like you\nI don't like your perfect crime\nHow you laugh when you lie\nYou said the gun was mine\nIsn't cool, no, I don't like you (oh)\nBut I got smarter, \nI got harder in the nick of time\nHoney, I rose up from the dead, I do it all the time\nI've got a list of names and yours is in red, underlined\nI check it once, then I check it twice, oh!\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me do\nI don't like your kingdom keys\nThey once belonged to me\nYou asked me for a place to sleep\nLocked me out and threw a feast (what?)\nThe world moves on, another day, another drama, drama\nBut not for me, not for me, all I think about is karma\nAnd then the world moves on, but one thing's for sure\nMaybe I got mine, \nbut you'll all get yours But I got smarter, I got harder in the nick of time\nHoney, I rose up from the dead, I do it all the time\nI've got a list of names and yours is in red, underlined\nI check it once, then I check it twice, oh!\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me do\nI don't trust nobody and nobody trusts me\nI'll be the actor starring in your bad dreams\nI don't trust nobody and nobody trusts me\nI'll be the actor starring in your bad dreams\nI don't trust nobody and nobody trusts me\nI'll be the actor starring in your bad dreams\nI don't trust nobody and nobody trusts me\nI'll be the actor starring in your bad dreams\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me\nI'm sorry, the old Frank can't come to the phone right now\nWhy? Oh, cause he's dead! (Oh) Ooh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me do\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me do" + } + ] + }, + { + "id":6959851, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional complexity of a strained relationship, featuring evocative imagery and a raw, confessional tone. The song should include a blend of vulnerability and assertiveness, illustrating the dynamic between two people where one is urging the other to confront their issues for the sake of the relationship. Incorporate a chorus that questions the timing of their struggles and the willingness to carry each other's emotional baggage, while also hinting at a desire for genuine connection despite the challenges. Include a bridge that reflects on the sharpness of the emotional fragments left behind, and an outro that emphasizes the need for mutual support. The song should have a folk-pop influence, with a hint of indie collaboration, reminiscent of Taylor Swift's later works." + }, + { + "from":"gpt", + "value":"[Verse 1: Taylor Swift]\nI tapped on your window on your darkest night\nThe shape of you was jagged and weak\nThere was nowhere for me to stay, but I stayed anyway\nAnd if I would've known\nHow many pieces you had crumbled into\nI might have let them lay\n[Chorus: Taylor Swift, \nTaylor Swift & Justin Vernon\n]\nAre you really gonna talk about timing in times like these?\nAnd let all your damage damage me\nAnd carry your baggage up my street\nAnd make me your future history, it\u2019s time\nYou've come a long way, open the blinds, let me see your face\nYou wouldn't be the first renegade\n to need somebody\n[Post-Chorus: Taylor Swift, \nTaylor Swift & Justin Vernon\n]\nIs it insensitive for me to say\n\"\nGet your shit together\n so I can love you\"?\nIs it really your anxiety that stops you\nFrom giving me \neverything\nOr do you just not want to?\n[Verse 2: Taylor Swift]\nI tapped on your window on your darkest night\nThe shape of you was jagged and weak\nThere was nowhere for me to stay, but I stayed anyway\nYou fire off missiles \u2019cause you hate yourself\nBut do you know you're demolishing me?\nAnd then you squeeze my hand as I'm about to leave [Chorus: Taylor Swift, \nTaylor Swift & Justin Vernon\n]\nAre you really gonna \ntalk about timing in times like these?\nAnd let all your damage damage me\nAnd carry your baggage up my street\nAnd make me your future history, it's time\nYou've come a long way, open the blinds, let me see your face\nYou wouldn't be the first renegade to need somebody\n[Post-Chorus: Taylor Swift \nwith Justin Vernon\n]\nIs it insensitive for me to say\n\"\nGet your shit together\n so I can love you\"?\nIs it really your anxiety that stops you\nFrom giving me \neverything\nOr do you just not want to?\n[Bridge: Taylor Swift]\nAnd if I would've known\nHow sharp the pieces were you'd crumbled into\nI might\u2019ve let them lay\n[Chorus: Taylor Swift]\nAre you really gonna talk about timing in times like these?\nAnd let all your damage damage me\nAnd carry your baggage up my street\nAnd make me your future history, it\u2019s time\nYou've come a long way, open the blinds, let me see your face\nYou wouldn\u2019t be the first renegade to need somebody [Outro: Taylor Swift, \nJustin Vernon\n]\nTo need somebody, to need somebody\nTo need somebody, to need\nAre you really gonna talk about timing in times like these?\nAnd let all your damage damage me\nAnd carry your baggage up my street\nAnd make me your future history, it's time\nIs it insensitive for me to say\n\"Get your shit together so I can love you\"?\nYou've come a long way, open the blinds, let me see your face\nYou wouldn't be the first renegade to need somebody\nIs it really your anxiety that stops you\nFrom giving me everything\nOr do you just not want to?" + } + ] + }, + { + "id":4765529, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the double standards and gender roles in society, much like her song \"The Man.\" The lyrics should reflect the internal dialogue of someone who imagines the freedoms and successes they might enjoy if societal expectations were reversed. The song should have a catchy chorus that emphasizes the frustration of being held back by gender stereotypes, and verses that detail the specific ways in which the character would navigate the world differently. Incorporate clever, Swift-esque wordplay and vivid imagery to challenge the status quo, all while maintaining a pop sensibility with an empowering tone." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI would be complex, I would be cool\nThey'd say I played the field before I found someone to commit to\nAnd that would be okay for me to do\nEvery conquest I had made would make me more of a boss to you\n[Pre-Chorus]\nI\u2019d be a fearless leader, I'd be an alpha type\nWhen everyone believes ya, what's that like?\n[Chorus]\nI\u2019m so sick of running as fast as I can\nWonderin' if I'd get there quicker if I was a man\nAnd I'm so sick of them comin' at me again\n'Cause if I was a man, then I'd be the man\nI'd be the man (Man)\nI\u2019d be the man (Man)\n[Verse 2]\nThey\u2019d say I hustled, put in the work\nThey wouldn't shake their heads and question how much of this I deserve\nWhat I was wearing, if I was rude\nCould all be separated from my good ideas and power moves\n[Pre-Chorus]\nAnd they would toast to me, oh (Ayy), let the players play\nI\u2019d be just like Leo in Saint-Tropez [Chorus]\nI'm so sick of running as fast as I can\nWonderin' if I'd get there quicker if I was a man\nAnd I\u2019m so sick of them comin' at me again\n'Cause if I was a man, then I'd be the man\nI'd be the man (Man)\nI'd be the man (Man)\n[Bridge]\nWhat's it like to brag about raking in dollars\nAnd getting bitches and models?\nAnd it's all good if you're bad\nAnd it's okay if you're mad\nIf I was out flashin' my dollars\nI'd be a bitch, not a baller\nThey'd paint me out to be bad\nSo it's okay that I'm mad\n[Chorus]\nI'm so sick of running as fast as I can\nWonderin' if I'd get there quicker if I was a man\n (You know that)\nAnd I'm so sick of them comin' at me again (Comin' at me again)\n'Cause if I was a man (If I was a man), then I'd be the man (Then I'd be the man)\nI'm so sick of running as fast as I can (As fast as I can)\nWonderin' if I'd get there quicker if I was a man (Hey)\nAnd I'm so sick of them comin' at me again (Comin' at me again)\n'Cause if I was a man (If I was a man), then I'd be the man\nI'd be the man (Man)\nI'd be the man (Man, oh)\nI'd be the man (Man, yeah)\nI'd be the man (Man, I'd be the man) [Outro]\nIf I was a man\nThen I'd be the man" + } + ] + }, + { + "id":98869, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love and longing from the perspective of a girl-next-door character. The lyrics should reflect yearning for a close friend who is unaware of her affections, contrasting her genuine understanding and connection with him against his current girlfriend's apparent mismatch. Incorporate vivid storytelling with specific scenarios that highlight the protagonist's down-to-earth nature and the authenticity of her feelings. The musical style should blend country-pop elements with catchy, relatable choruses, and the overall tone should be one of hopeful optimism mixed with a touch of teenage wistfulness." + }, + { + "from":"gpt", + "value":"[Verse 1]\nYou're on the phone with your girlfriend, she's upset\nShe's going off about something that you said\n'Cause she doesn't get your humor like I do\nI'm in the room, it's a typical Tuesday night\nI'm listening to the kind of music she doesn't like\nAnd she'll never know your story like I do\n[Pre-Chorus]\nBut she wears short skirts, I wear T-shirts\nShe's Cheer Captain and I'm on the bleachers\nDreaming 'bout the day when you wake up and find\nThat what you're looking for has been here the whole time\n[Chorus]\nIf you could see that I'm the one who understands you\nBeen here all along, so why can't you see?\nYou belong with me, you belong with me\n[Verse 2]\nWalking the streets with you and your worn-out jeans\nI can't help thinking this is how it ought to be\nLaughing on a park bench, thinking to myself\nHey, isn't this easy?\nAnd you've got a smile that could light up this whole town\nI haven't seen it in a while since she brought you down\nYou say you're fine, I know you better than that\nHey, whatcha doing with a girl like that? [Pre-Chorus]\nShe wears high heels, I wear sneakers\nShe's Cheer Captain and I'm on the bleachers\nDreaming 'bout the day when you wake up and find\nThat what you're looking for has been here the whole time\n[Chorus]\nIf you could see that I'm the one who understands you\nBeen here all along, so why can't you see?\nYou belong with me\nStanding by and waiting at your back door\nAll this time, how could you not know, baby?\nYou belong with me, you belong with me\n[Bridge]\nOh, I remember you driving to my house\nIn the middle of the night\nI'm the one who makes you laugh\nWhen you know you're 'bout to cry\nAnd I know your favorite songs\nAnd you tell me 'bout your dreams\nThink I know where you belong\nThink I know it's with me\n[Chorus]\nCan't you see that I'm the one who understands you\nBeen here all along, so why can't you see?\nYou belong with me\nStanding by and waiting at your back door\nAll this time, how could you not know, baby?\nYou belong with me, you belong with me [Outro]\nYou belong with me\nHave you ever thought just maybe\nYou belong with me?\nYou belong with me" + } + ] + }, + { + "id":4968964, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of yearning and the feeling of being an outsider looking in. The lyrics should touch on themes of longing to belong, the bittersweet nature of unattainable dreams, and finding solace in one's imagination. The melody should be haunting yet beautiful, reflecting the melancholic but hopeful tone of someone who feels lost but is beginning to find their place in the world, akin to the narrative structure and emotional depth found in Swift's \"Beautiful Ghosts.\"" + }, + { + "from":"gpt", + "value":"[Verse 1]\nFollow me home if you dare to\nI wouldn't know where to lead you\nShould I take\u2005chances\u2005when no one\u2005took chances on me?\nSo I watch\u2005from the dark, wait for my life to start\nWith no beauty in my memory\n[Chorus]\nAll that I wanted was to be wanted\nToo young to wander London streets, alone and haunted\nBorn into nothing\nAt least you have something, something to cling to\nVisions of dazzling rooms I'll never get let into\nAnd the memories were lost long ago\nBut at least you have beautiful ghosts\n[Verse 2]\nPerilous night, their voices calling\nA flicker of light before the dawning\nOut here, the wild ones are taming the fear within me\nScared to call them my friends and be broken again\nIs this hope just a mystical dream?\n[Chorus]\nAll that I wanted was to be wanted\nToo young to wander London streets, alone and haunted\nBorn into nothing\nAt least you have something, something to cling to\nVisions of dazzling rooms I'll never get let into\nAnd the memories were lost long ago\nBut at least you have beautiful ghosts [Bridge]\nAnd so maybe my home isn't what I had known\nWhat I thought it would be\nBut I feel so alive with these phantoms of night\nAnd I know that this life isn't safe, but it's wild and it's free\n[Chorus]\nAll that I wanted was to be wanted\nI'll never wander London streets, alone and haunted\nBorn into nothing\nWith them, I have something, something to cling to\nI never knew I'd love this world they've let me into\nAnd the memories were lost long ago\nSo I'll dance with these beautiful ghosts\nAnd the memories were lost long ago\nSo I'll dance with these beautiful ghosts" + } + ] + }, + { + "id":6260168, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the reflective and melancholic mood of lost love and missed opportunities, much like her song \"Coney Island.\" The lyrics should explore themes of regret, nostalgia, and the complexities of relationships, featuring introspective verses and a memorable, emotive chorus. Include a male vocal in the style of Matt Berninger for a duet effect, where both perspectives add depth to the narrative. The song should evoke the feeling of a chilly, deserted amusement park and employ imagery that conveys the passage of time and the haunting nature of memories." + }, + { + "from":"gpt", + "value":"[Verse 1: Taylor Swift]\nBreak my soul in two looking for you\nBut you're right here\nIf I can't relate to you anymore\nThen who am I related to?\nAnd if this is the long haul\nHow'd we get here so soon?\nDid I close my fist around something delicate?\nDid I shatter you?\n[Chorus: Taylor Swift]\nAnd I'm sitting on a bench in Coney Island\nWondering, where did my baby go?\nThe fast times, the bright lights, the merry go\nSorry for not making you my centerfold\nOver and over\nLost again with no surprises\nDisappointments, close your eyes\nAnd it gets colder and colder\nWhen the sun goes down\n[Verse 2: Matt Berninger \nwith Taylor Swift\n]\nThe question pounds my head\nWhat's a lifetime of achievement\nIf I pushed you to the edge\nBut you were too polite to leave me?\nAnd do you miss the rogue\nWho coaxed you into paradise and left you there?\nWill you forgive my soul\nWhen you're too wise to trust me and too old to care? [Chorus: Taylor Swift \nwith Matt Berninger\n]\n'Cause we were like the mall before the internet\nIt was the one place to be\nThe mischief, the gift-wrapped suburban dreams\nSorry for not winning you an arcade ring\nOver and over\nLost again with no surprises\nDisappointments, close your eyes\nAnd it gets colder and colder\nWhen the sun goes down\n[Bridge: Taylor Swift, \nMatt Berninger\n, \nBoth\n]\nWere you waiting at our old spot\nIn the tree line by the gold clock\nDid I leave you hanging every single day?\nWere you standing in the hallway\nWith a big cake, happy birthday\nDid I paint your bluest skies the darkest grey?\nA universe away\nAnd when I got into the accident\nThe sight that flashed before me was your face\nBut when I walked up to the podium\nI think that I forgot to say your name\n[Chorus: Taylor Swift & Matt Berninger]\nI'm on a bench in Coney Island\nWondering, where did my baby go?\nThe fast times, the bright lights, the merry go\nSorry for not making you my centerfold\nOver and over\nLost again with no surprises\nDisappointments, close your eyes\nAnd it gets colder and colder\nWhen the sun goes down [Outro: Taylor Swift & Matt Berninger]\nWhen the sun goes down\nThe sight that flashed before me was your face\nWhen the sun goes down\nBut I think that I forgot to say your name\nOver and over\nSorry for not making you my, making you my\nMaking you my centerfold" + } + ] + }, + { + "id":5191847, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of youthful resilience and activism in the face of systemic injustice and apathy. The song should convey a sense of urgency and hope, encouraging the young generation to take action and not be deterred by the daunting challenges they face. The lyrics should reflect the emotional turmoil of coming of age in a tumultuous world while also offering an empowering message that they have the power to effect change. Incorporate a blend of storytelling and reflective commentary, as well as a catchy chorus that emphasizes the unique strength and potential of youth." + }, + { + "from":"gpt", + "value":"[Verse 1]\nIt keeps me awake, the look on your face\nThe moment you heard the news\nYou're screaming\u2005inside\u2005and frozen in\u2005time\nYou did all that you could\u2005do\nThe game was rigged, the ref got tricked\nThe wrong ones think they\u2019re right\nYou were outnumbered this time\n[Chorus]\nBut only the young, only the young\nOnly the young, only the young\nCan run\nCan run\nSo run, and run, and run\n[Verse 2]\nSo every day now\nYou brace for the sound you've only heard on TV\nYou go to class, scared\nWondering where the best hiding spot would be\nAnd the big bad man and his big bad clan\nTheir hands are stained with red\nOh, how quickly they forget\n[Pre-Chorus]\nThey aren't gonna help us\nToo busy helping themselves\nThey aren't gonna change this\nWe gotta do it ourselves\nThey think that it's over\nBut it's just begun [Chorus]\nOnly one thing can save us\nOnly the young (\nOnly the young\n)\nOnly the young (\nOnly the young\n)\nOnly the young (\nOnly the young\n)\nOnly the young\nOnly the young (\nOnly the young\n)\nOnly the young (\nOnly the young\n)\nOnly the young (\nOnly the young\n)\nOnly the young\nOnly the young (\nOnly the young\n; Don't say you're too tired to fight)\nOnly the young (\nOnly the young\n; It's just a matter of time)\nOnly the young (\nOnly the young\n; Up there's the finish line)\nOnly the young\nCan run\n[Post-Chorus]\nDon't say you're too tired to fight\nIt's just a matter of time (Can run)\nUp there's the finish line (So run, and run, and run)\nDon't say you're too tired to fight\nIt's just a matter of time (So run)\nUp there's the finish line (And run, and run, and run)\n[Outro]\nOnly the young\nOnly the young\nOnly the young" + } + ] + }, + { + "id":241562, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of overcoming adversity, with a narrative that evolves from struggle to triumph. The lyrics should convey a story of someone who has been doubted and faced setbacks, yet ultimately stands tall and proud, proving the skeptics wrong. Incorporate a sense of personal growth and a victorious mood, similar to the uplifting and reflective tone found in Taylor Swift's \"Sweeter Than Fiction.\" The song should have a catchy chorus that celebrates the sweet victory of life being better than what one might have imagined, with vivid imagery and emotional depth reminiscent of Swift's storytelling prowess." + }, + { + "from":"gpt", + "value":"[Verse 1]\nHit the ground, hit the ground, hit the ground, oh, oh\nOnly sound, only sound that you hear is, \"No\"\nYou never saw it comin', slipped when you started runnin'\nAnd now you've come undone, and I, I, I, I\n[Pre-Chorus]\nSeen you fall, seen you crawl on your knees, eh, ayy\nSeen you lost in a crowd, seen your colors fade\nWish I could make it better, someday you won't remember\nThis pain you thought would last forever and ever\n[Chorus]\nThere you'll stand, ten feet tall\nI will say, \"I knew it all along\"\nYour eyes, wider than distance\nThis life is sweeter than fiction\n[Verse 2]\nJust a shot, just a shot in the dark, oh, oh\nAll you got, all you got are your shattered hopes\nThey never saw it comin', you hit the ground runnin'\nAnd now you're on to somethin', I, I, I say\n[Pre-Chorus]\n\"What a sight, what a sight\" when the light came on\nProved me right, proved me right when you proved them wrong\nAnd, in this perfect weather, it's like we don't remember\nThe rain we thought would last forever and ever [Chorus]\nThere you'll stand, ten feet tall\nI will say, \"I knew it all along\"\nYour eyes, wider than distance\nThis life is sweeter than fiction\nThere you'll stand, next to me (Next to me)\nAll at once, the rest is history (Ooh)\nYour eyes, wider than distance\nThis life is sweeter than fiction (Sweeter than fiction)\n[Bridge]\nI'll be one of the many sayin'\n\"Look at you now, look at you now and now\"\nI'll be one of the many saying\n\"You've made us proud, you've made us proud, proud\"\nI'll be one of the many sayin'\n\"Look at you now, look at you now and now\"\nI'll be one of the many sayin'\n\"You've made us proud, you've made us proud, proud\"\nAnd when they call your name\nAnd they put your picture in a frame\nYou know that I'll be there time and again\n'Cause I loved you when, when you\n[Pre-Chorus]\nHit the ground, hit the ground, hit the ground, oh, oh\nOnly sound, only sound that you heard was, \"No\"\nNow, in this perfect weather, it's like we don't remember\nThe rain we thought would last forever and ever (Forever) [Chorus]\nThere you'll stand, ten feet tall (Ten feet tall)\nI will say, \"I knew it all along\" (Along)\nYour eyes, wider than distance (I knew it all along)\nThis life is sweeter than fiction (Sweeter than fiction)\nThere you'll stand, next to me (Next to me)\nAll at once, the rest is history (Ooh)\nYour eyes, wider than distance (I knew it all along)\nThis life is sweeter than fiction (It's sweeter than fiction)\n[Outro]\nIt's sweeter than fiction\nIt's sweeter, yeah\nIt's sweeter, it's sweeter\nIt's sweeter than fiction" + } + ] + }, + { + "id":6260163, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the nostalgic and bittersweet emotions of returning home for the holidays and rekindling an old flame. The lyrics should convey the complexity of revisiting past relationships and the allure of what-could-have-been, set against the backdrop of a small hometown. The melody should be evocative and reflective, with a touch of Swift's signature storytelling that weaves personal anecdotes with universal themes. Include vivid imagery of seasonal changes and the tension between staying and leaving, and ensure the chorus is catchy and emphasizes the temporary nature of the reunion, using phrases like \"for the weekend\" to highlight the fleeting connection." + }, + { + "from":"gpt", + "value":"[Verse 1]\nIf I wanted to know who you were hanging with\nWhile I was gone, I would've asked you\nIt's the kind of cold, fogs up windshield glass\nBut I felt it when I passed you\nThere's an ache in you, put there by the ache in me\nBut if it's all the same to you\nIt's the same to me\n[Chorus]\nSo we could call it even\nYou could call me \"babe\" for the weekend\n\u200b'Tis the damn season\n, \nwrite this down\nI'm stayin' at my parents' house\nAnd the road not taken looks real good now\nAnd it always leads to you and my hometown\n[Verse 2]\nI park\u0435d my car right between the Methodist\nAnd th\u0435 school that used to be ours\nThe holidays linger like bad perfume\nYou can run, but only so far\nI escaped it too, remember how you watched me leave\nBut if it's okay with you, it's okay with me\n[Chorus]\nWe could call it even\nYou could call me \"babe\" for the weekend\n\u200b'Tis the damn season, write this down\nI'm stayin' at my parents' house\nAnd the road not taken looks real good now\nTime flies, messy as the mud on your truck tires\nNow I'm missing your smile, hear me out\nWe could just ride around\nAnd the road not taken looks real good now\nAnd it always leads to you and my hometown [Bridge]\nSleep in half the day just for old times' sake\nI won't ask you to wait if you don't ask me to stay\nSo I'll go back to L.A. and the so-called friends\nWho'll write books about me if I ever make it\nAnd wonder about the only soul\nWho can tell which smiles I'm fakin'\nAnd the heart I know I'm breakin' is my own\nTo leave the warmest bed I've ever known\nWe could call it even\nEven though I'm leaving\nAnd I'll be yours for the weekend\n\u200b'Tis the damn season\n[Chorus]\nWe could call it even\nYou could call me \"babe\" for the weekend\n\u200b'Tis the damn season, write this down\nI'm stayin' at my parents' house\nAnd the road not taken looks real good now\nTime flies, messy as the mud on your truck tires\nNow I'm missing your smile, hear me out\nWe could just ride around\nAnd the road not taken looks real good now\nAnd it always leads to you and my hometown [Outro]\nIt always leads to you and my hometown" + } + ] + }, + { + "id":4782869, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of acknowledging one's own mistakes in a relationship and seeking forgiveness. The lyrics should include a narrative where the protagonist has caused emotional harm to their partner, possibly due to overreaction or miscommunication, and is coming to terms with their own responsibility in the conflict. The song should have an emotional tone, a touch of melancholy mixed with hope, and should build up to a chorus that expresses regret and a desire for reconciliation. Incorporate vivid imagery and metaphors similar to Taylor Swift's \"Afterglow,\" with references to \"boxing with no gloves\" and \"ultraviolet morning light,\" to convey the intensity and fragility of the situation. The musical style should blend soft pop with acoustic elements, evoking a sense of intimacy and reflection." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI blew things out of proportion, now you're blue\nPut you in jail for something you\u2005didn\u2019t\u2005do\nI pinned your\u2005hands behind your back, oh\nThought I\u2005had reason to attack, but no\n[Pre-Chorus 1]\nFighting with a true love is boxing with no gloves\nChemistry 'til it blows up, 'til there\u2019s no us\nWhy'd I have to break what I love so much?\nIt's on your face, and I'm to blame, I need to say\n[Chorus]\nHey, it's all me, in my head\nI'm the one who burned us down\nBut it's not what I meant\nSorry that I hurt you\nI don't wanna do, I don\u2019t wanna do this to you (Ooh)\nI don\u2019t wanna lose, I don't wanna lose this with you (Ooh)\nI need to say, hey, it\u2019s all me, just don't go\nMeet me in the afterglow\n[Verse 2]\nIt's so excruciating to see you low\nJust wanna lift you up and not let you go\nThis ultraviolet morning light below\nTells me this love is worth the fight, oh [Pre-Chorus 2]\nI lived like an island, punished you with silence\nWent off like sirens, just crying\nWhy'd I have to break what I love so much?\nIt\u2019s on your face, don't walk away, I need to say\n[Chorus]\nHey, it's all me, in my head\nI'm the one who burned us down\nBut it's not what I meant\nI'm sorry that I hurt you\nI don't wanna do, I don't wanna do this to you (Ooh)\nI don't wanna lose, I don't wanna lose this with you (Ooh)\nI need to say, hey, it's all me, just don't go\nMeet me in the afterglow\n[Bridge]\nTell me that you're still mine\nTell me that we'll be just fine\nEven when I lose my mind\nI need to say\nTell me that it's not my fault\nTell me that I'm all you want\nEven when I break your heart\nI need to say [Chorus]\nHey, it's all me, in my head\nI'm the one who burned us down\nBut it's not what I meant\nSorry that I hurt you\nI don't wanna do, I don't wanna do this to you (Ooh)\nI don't wanna lose, I don't wanna lose this with you (Ooh)\nI need to say, hey, it's all me, just don't go\nMeet me in the afterglow" + } + ] + }, + { + "id":423314, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that encapsulates the romantic and wistful feeling of a magical first encounter with someone special. The lyrics should reflect a mix of hopeful emotions, a touch of vulnerability, and the enchantment of a sparkling night that the narrator doesn't want to end. The song should include vivid imagery and metaphors that convey the intensity of a potential love story beginning, the fear of unrequited feelings, and a longing for the moment to lead to something more. The musical arrangement should be reminiscent of Taylor Swift's signature storytelling approach, combining soft melodies with a build-up to an anthemic chorus that captures the essence of a fairy-tale-like and unforgettable meeting." + }, + { + "from":"gpt", + "value":"[Verse 1]\nThere I was again tonight forcing laughter, faking smiles\nSame old tired, lonely place\nWalls of insincerity\nShifting eyes and vacancy vanished when I saw your face\nAll I can say is it was enchanting to meet you\nYour eyes whispered \"have we met?\"\nAcross the room your silhouette starts to make it's way to me\nThe playful conversation starts\nCounter all your quick remarks like passing notes in secrecy\nAll I can say is it was enchanting to meet you\nOh, Taylor, I was so enchanted to meet you too\n[Chorus]\nThis night is sparkling, don't you let it go\nI'm wonderstruck, blushing all the way home\nI'll spend forever wondering if you knew\nI was enchanted to meet you too\n[Verse 2]\nThe lingering question kept me up\n2 AM, who do you love?\nI wondered till I'm wide awake\nNow I'm pacing back and forth, wishing you were at my door\nI'd open up and you would say\nIt was enchanting to meet you\nOh, Taylor, I was so enchanted to meet you too [Chorus]\nThis night is sparkling, don't you let it go\nI'm wonderstruck, blushing all the way home\nI'll spend forever wondering if you knew\nI was enchanted to meet you too\n[Bridge]\nThis is me praying that this was the very first page\nNot where the story line ends\nMy thoughts will echo your name until I see you again\nThese are the words I held back as I was leaving too soon\nI was enchanted to meet you too\nPlease don't be in love with someone else\nPlease don't have somebody waiting on you\nPlease don't be in love with someone else\nPlease don't have somebody waiting on you\n[Chorus]\nThis night is sparkling, don't you let it go\nI'm wonderstruck, blushing all the way home\nI'll spend forever wondering if you knew\nThis night is flawless, don't you let it go\nI'm wonderstruck, dancing around all alone\nTaylor I'll spend my whole life wondering if you knew\nI was enchanted to meet you too [Outro]\nI was never in love with someone else\nI never had somebody waiting on me\n'Cause you were all of my dreams come true\nAnd I just wish you knew\nTaylor, I was so in love with you" + } + ] + }, + { + "id":4782870, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the innocence and nostalgia of childhood friendships evolving into something deeper. The lyrics should include gentle, vivid imagery such as schoolyard scenes, shared secrets, and comforting companionship. The melody should be soft and reflective, with a hint of whimsy, resembling the subtlety of Taylor Swift's quieter, storytelling tracks. Include an instrumental bridge that adds to the dreamy atmosphere of the song, and ensure the chorus emphasizes the warmth and simplicity of the phrase \"It's nice to have a friend.\"" + }, + { + "from":"gpt", + "value":"[Intro]\nOoh\nOoh\n[Verse 1]\nSchool bell rings, walk me home\nSidewalk chalk covered in snow\nLost my gloves, you give me one\n\"Wanna hang out?\" Yeah, sounds like fun\nVideo games, you pass me a note\nSleeping in tents\n[Chorus]\nIt's nice to have a friend (Ooh)\nIt's nice to have a friend (Ooh)\n[Verse 2]\nLight pink sky, up on the roof\nSun sinks down, no curfew\nTwenty questions, we tell the truth\nYou've been stressed out lately, yeah, me too\nSomething gave you the nerve\nTo touch my hand\n[Chorus]\nIt's nice to have a friend (Ooh)\nIt's nice to have a friend (Ooh) [Instrumental Bridge]\n[Verse 3]\nChurch bells ring, carry me home\nRice on the ground looks like snow\nCall my bluff, call you \"Babe\"\nHave my back, yeah, every day\nFeels like home, stay in bed\nThe whole weekend\n[Chorus]\nIt's nice to have a friend (Ooh)\nIt's nice to have a friend (Ooh)\nIt's nice to have a friend (Ooh)\n(Ooh)" + } + ] + }, + { + "id":8486438, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures the essence of a romantic escape, using detailed storytelling to weave a narrative about past connections, fashion faux pas, and a love so immersive it creates a personal world. The song should feature evocative imagery, such as drawing maps on bedroom ceilings and drinking cheap wine in alleyways, while conjuring the illusion of being in an enchanting city like Paris. Reflect on the concept of privacy in romance, the desire to maintain its sanctity amidst chaos, and the youthful yearning to elevate the mundane to the magical, all within Taylor Swift's signature confessional and melodic pop-country framework." + }, + { + "from":"gpt", + "value":"[Verse 1]\n\"Your ex-friend's sister\nMet someone at a club and he kissed her\nTurns out, it was that guy you hooked up with ages ago\nSome wannabe Z-lister\nAnd all the outfits were terrible\n2003 unbearable\nDid you see the photos?\"\nNo, I didn't, but thanks, though\n[Pre-Chorus]\nI'm so in love that I might stop breathing\nDrew a map on your bedroom ceiling\nNo, I didn't see the news\n'Cause we were somewhere else\nStumbled down pretend alleyways\nCheap wine, make believe it's champagne\nI was taken by the view\n[Chorus]\nLike we were in Paris\nLike we were somewhere else\nLike we were in Paris, oh\nWe were somewhere else\n[Verse 2]\nPrivacy sign on the door\nAnd on my page and on the whole world\nRomance is not dead if you keep it just yours\nLevitate above all the messes made\nSit quiet by my side in the shade\nAnd not the kind that's thrown\nI mean, the kind under where a tree has grown [Pre-Chorus]\nI'm so in love that I might stop breathing\nDrew a map on your bedroom ceiling\nNo, I didn't see the news\n'Cause we were somewhere else\nStumbled down pretend alleyways\nCheap wine, make believe it's champagne\nI was taken by the view\n[Chorus]\nLike we were in Paris, oh\nLike we were somewhere else\nLike we were in Paris, oh\nWe were somewhere else\n[Bridge]\nI wanna brainwash you\nInto loving me forever\nI wanna transport you\nTo somewhere the culture's clever\nConfess my truth\nIn swooping, sloping, cursive letters\nLet the only flashing lights be the tower at midnight\nIn my mind\n[Breakdown]\nWe drew a map on your bedroom ceiling\nNo, I didn't see the news\n'Cause we were somewhere else\nIn an alleyway, drinking champagne [Chorus]\n'Cause we were in Paris\nYes, we were somewhere else\nMy love, we were in Paris\nYes, we were somewhere else" + } + ] + }, + { + "id":102727, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that explores the dichotomy between fame and personal fulfillment, using vivid storytelling to depict the journey of an individual who moves to the city with dreams of stardom. The song should capture the glittering allure of the spotlight and the hidden struggles that come with it, ultimately revealing a realization that true happiness might lie away from the public eye. Use a narrative structure, emotive lyrics, and a melodic pop sound reminiscent of Swift's storytelling approach in songs like \"The Lucky One.\"" + }, + { + "from":"gpt", + "value":"[Verse 1]\nNew to town with a made-up name\nIn the angel's city, chasing fortune and fame\nAnd the camera flashes make it look like a dream\nYou had it figured out since you were in school\nEverybody loves pretty, everybody loves cool\nSo overnight, you look like a sixties queen\n[Pre-Chorus 1]\nAnother name goes up in lights\nLike diamonds in the sky\n[Chorus 1]\nAnd they\u2019ll tell you now, you\u2019re the lucky one\nYeah, they\u2019ll tell you now, you\u2019re the lucky one\nBut can you tell me now, you\u2019re the lucky one?\nOh, oh, oh\n[Verse 2]\nNow, it\u2019s big black cars and Riviera views\nAnd your lover in the foyer doesn\u2019t even know you\nAnd your secrets end up splashed on the news front page\nAnd they tell you that you\u2019re lucky, but you\u2019re so confused\n'Cause you don\u2019t feel pretty, you just feel used\nAnd all the young things line up to take your place [Pre-Chorus 2]\nAnother name goes up in lights\nYou wonder if you\u2019ll make it out alive\n[Chorus 1]\nAnd they\u2019ll tell you now, you\u2019re the lucky one\nYeah, they\u2019ll tell you now, you\u2019re the lucky one\nBut can you tell me now, you\u2019re the lucky one?\nOh, oh, oh\n[Verse 3]\nIt was a few years later, I showed up here\nAnd they still tell the legend of how you disappeared\nHow you took the money and your dignity and got the hell out\nThey say you bought a bunch of land somewhere\nChose the rose garden over Madison Square\nAnd it took some time, but I understand it now\n[Pre-Chorus 3]\n'Cause now, my name is up in lights\nBut I think you got it right\n[Chorus 2]\nLet me tell you now, you\u2019re the lucky one\nLet me tell you now, you\u2019re the lucky one\nLet me tell you now, you\u2019re the lucky one, oh, oh, oh\nAnd they\u2019ll tell you now, you\u2019re the lucky one\nYeah, they\u2019ll tell you now, you\u2019re the lucky one\nAnd they\u2019ll tell you now, you\u2019re the lucky one, oh, oh, oh\nOh, whoa, oh, oh" + } + ] + }, + { + "id":6260155, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a tumultuous yet magnetic love story, with vivid imagery comparing the relationship to natural forces and revered objects. It should include a narrative of devotion and the willingness to abandon one's own plans for the beloved, using metaphors such as water's unpredictability, the malleability of a willow in the wind, and the enduring quality of a '90s trend. The chorus should emphasize a paradoxical understanding of the relationship, where communication leads to confusion, yet there's an irresistible pull to follow the partner. Include evocative language that paints the lover as both a sanctuary and a source of scars, showcasing a mix of vulnerability and strength." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI'm like the water when your ship rolled in that night\nRough on the surface, but you cut through like a knife\nAnd if it was an open-shut case\nI never would've known from that look on your face\nLost in your current like a priceless wine\n[Chorus]\nThe more that you say, the less I know\nWherever you stray, I follow\nI'm begging for you to take my hand\nWreck my plans, that's my man\n[Verse 2]\nLife was a willow and it bent right to your wind\nHead on the pillow, I could feel you sneakin' in\nAs if you were a mythical thing\nLike you were a trophy or a champion ring\nAnd there was one prize I'd cheat to win\n[Chorus]\nThe more that you say, the less I know\nWherever you stray, I follow\nI'm begging for you to take my hand\nWreck my plans, that's my man\nYou know that my train could take you home\nAnywhere else is hollow\nI'm begging for you to take my hand\nWreck my plans, that's my man [Bridge]\nLife was a willow and it bent right to your wind\nThey count me out time and time again\nLife was a willow and it bent right to your wind\nBut I come back stronger than a '90s trend\n[Verse 3]\nWait for the signal, and I'll meet you after dark\nShow me the places where the others gave you scars\nNow this is an open-shut case\nI guess I should've known from the look on your face\nEvery bait-and-switch was a work of art\n[Chorus]\nThe more that you say, the less I know\nWherever you stray, I follow\nI'm begging for you to take my hand\nWreck my plans, that's my man\nYou know that my train could take you home\nAnywhere else is hollow\nI'm begging for you to take my hand\nWreck my plans, that's my man\nThe more that you say, the less I know\nWherever you stray, I follow\nI'm begging for you to take my hand\nWreck my plans, that's my man\nYou know that my train could take you home\nAnywhere else is hollow\nI'm begging for you to take my hand\nWreck my plans, that's my man [Outro]\nHey, that's my man\nThat's my man\nYeah, that's my man\nEvery bait-and-switch was a work of art\nThat's my man\nHey, that's my man\nI'm begging for you to take my hand\nWreck my plans, that's my man" + } + ] + }, + { + "id":186996, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of an all-American upbringing, with nostalgic references to childhood, family values, and the pursuit of dreams. The song should tell a story of an American boy's life journey, from his simpler, carefree days to the complexities of adulthood and fatherhood, all while maintaining a sense of hope and resilience. The lyrics should include imagery of small-town life, cherished family moments, and the trials of young love and ambition. The melody should evoke a sense of warmth and familiarity, reminiscent of Taylor Swift's storytelling prowess and her ability to connect with universal emotions." + }, + { + "from":"gpt", + "value":"[Verse 1]\nAmerican boy, living life as it goes\nSitting on the fence posts\nLiving in the lie\nAmerican boy, living in the real world\nTrying just to get the girl\nTrying to survive\n[Chorus]\nThe simple things in life are always new\nGrowing up on Sam Hill avenue\nMama makes her cookies and daddy's just\nThe greatest living hero that ever was\nNothing in the world can ever once destroy\nThe hope of an American boy\n[Verse 2]\nLiving off of bar tips, trying for relationships\nLooking for the love\nSuddenly rise, an American beauty\nSuddenly he cheats, sent from above\n[Chorus]\nThe simple things in life are always new\nGrowing up on Sam Hill avenue\nMama makes her cookies and daddy's just\nThe greatest living hero that ever was\nNothing in the world can ever once destroy\nThe hope of an American boy [Verse 3]\nAmerican boy, raising little babies\nHearing daddy maybe, I'll be like you\nSuddenly life, seems just like a new dawn\nThat's grown up, American boy\n[Chorus]\nThe simple things in life are always new\nGrowing up on Grandview avenue\nMama makes her cookies and daddy's just\nThe greatest living hero that ever was\nNothing in the world will ever once destroy\nNo, nothing in the world will ever once destroy\nThe hope of an American boy" + } + ] + }, + { + "id":6260173, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a cautious romantic adventure, where two similar souls with a history of trickery and self-preservation find themselves unexpectedly in love. The lyrics should paint a vivid narrative of two outsiders, perhaps likened to cowboys or bandits, meeting by chance and recognizing a shared hustling spirit, each with a past they're trying to outrun. The song should have reflective verses and a chorus that evokes the bittersweet realization that love is worth the risk, even if it comes with a price. Incorporate imagery of hidden vulnerabilities (skeletons in closets) and the idea that love is the ultimate con, with both characters being equally matched in their wits and defenses. The musical style should be evocative of Swift's storytelling prowess, with a touch of country influence and a sweeping, memorable melody." + }, + { + "from":"gpt", + "value":"[Verse 1]\nAnd the tennis court was covered up\nWith some tent-like thing\nAnd you asked me to dance\nBut I said, \"Dancin' is a dangerous game\"\nOh, I thought\nThis is gonna be one of those things\nNow I know\nI'm never gonna love again\n[Refrain]\nI've got some tricks up my sleeve\nTakes one to know one\nYou're a cowboy like me\n[Verse 2]\nNever wanted love\nJust a fancy car\nNow I'm waiting by the phone\nLike I'm sitting in an airport bar\n[Refrain]\nYou had some tricks up your sleeve\nTakes one to know one\nYou're a cowboy like me [Chorus]\nPerched in the dark\nTellin' all the rich folks anything they wanna hear\nLike it could be love\nI could be the way forward\nOnly if they pay for it\nYou're a bandit like me\nEyes full of stars\nHustling for the good life, never thought I'd meet you here\nIt could be love\nWe could be the way forward\nAnd I know I'll pay for it\n[Chorus]\nYou're a cowboy like me\nPerched in the dark\nTellin' all the rich folks anything they wanna hear\nLike it could be love\nI could be the way forward\nOnly if they pay for it\nYou're a bandit like me\nEyes full of stars\nHustlin' for the good life, never thought I'd meet you here\nIt could be love\nWe could be the way forward\nAnd I know I'll pay for it [Bridge]\nAnd the skeletons in both our closets\nPlotted hard to fuck this up\nAnd the old men that I've swindled\nReally did believe I was the one\nAnd the ladies lunchin' have their stories about\nWhen you passed through town\nOh, but that was all before I locked it down\n[Verse 3]\nNow you hang from my lips\nLike the Gardens of Babylon\nWith your boots beneath my bed\nForever is the sweetest con\n[Refrain]\nI've had some tricks up my sleeve\nTakes one to know one\nYou're a cowboy like me\n[Outro]\nAnd I'm never gonna love again\nI'm never gonna love again\nI'm never gonna love again" + } + ] + }, + { + "id":101934, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures a youthful, romantic infatuation with a boy named Stephen, using vivid storytelling and emotional authenticity. The lyrics should convey a sense of unspoken feelings, a magical connection, and a desire for closeness despite the uncertainty of reciprocation. Incorporate elements of innocence and a playful tone, reminiscent of Swift's country-pop era, and include a catchy, memorable chorus that emphasizes an irresistible attraction and a personal touch, hinting at the idea of writing a song for someone special." + }, + { + "from":"gpt", + "value":"[Intro]\nMmm-mm, mm-mm\nMmm-mm, mm-mm\nMmm-mm, mm-mm, yeah\n[Verse 1]\nHey, Stephen, I know looks can be deceiving\nBut I know I saw a light in you\nAnd as we walked, we were talking\nI didn't say half the things I wanted to\nOf all the girls tossing rocks at your window\nI'll be the one waiting there even when it's cold\nHey, Stephen, boy, you might have me believing\nI don't always have to be alone\n[Chorus]\n'Cause I can't help it if you look like an angel\nCan't help it if I wanna kiss you in the rain so\nCome feel this magic I've been feeling since I met you\nCan't help it if there's no one else\nMmm, I can't help myself\n[Verse 2]\nHey, Stephen, I've been holding back this feeling\nSo I got some things to say to you, ha\nI've seen it all, so I thought\nBut I never seen nobody shine the way you do\nThe way you walk, way you talk, way you say my name\nIt's beautiful, wonderful, don't you ever change\nHey, Stephen, why are people always leaving?\nI think you and I should stay the same [Chorus]\n'Cause I can't help it if you look like an angel\nCan't help it if I wanna kiss you in the rain so\nCome feel this magic I've been feeling since I met you\nCan't help it if there's no one else\nMmm, I can't help myself\n[Bridge]\nThey're dimming the street lights, you're perfect for me\nWhy aren't you here tonight?\nI'm waiting alone now, so come on and come out\nAnd pull me near and shine, shine, shine\n[Breakdown]\nHey, Stephen, I could give you fifty reasons\nWhy I should be the one you choose\nAll those other girls, well, they're beautiful\nBut would they write a song for you? (Ha-ha)\n[Chorus]\nI can't help it if you look like an angel\nCan't help it if I wanna kiss you in the rain so\nCome feel this magic I've been feeling since I met you\nCan't help it if there's no one else\nMmm, I can't help myself\nIf you look like an angel\nCan't help it if I wanna kiss you in the rain so\nCome feel this magic I've been feeling since I met you\nCan't help it if there's no one else\nMmm, I can't help myself [Outro]\nMyself\nCan't help myself\nI can't help myself" + } + ] + }, + { + "id":6260153, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of forbidden love and the complexities of longing and heartache. The lyrics should explore the bittersweet intersection of love and loss, wrapped in a narrative of a romance that is both enchanted and cursed, much like the song's protagonist who is entangled with someone whose presence is inescapable, yet whose commitment lies elsewhere. Emphasize the delicate balance between the warmth of affection and the cold reality of an unfulfilled relationship, using vivid imagery such as \"spirit meets the bones\" and \"house of stone, your ivy grows.\" Incorporate a sense of melancholic storytelling, characteristic of Swift's lyrical style, with a chorus that is both haunting and catchy, reflecting the tension of clinging to a love that is both a comfort and a pain." + }, + { + "from":"gpt", + "value":"[Verse 1]\nHow's one to know?\nI'd meet you where the spirit meets the bones\nIn a faith-forgotten land\nIn from the snow\nYour touch brought forth an incandescent glow\nTarnished but so grand\n[Pre-Chorus]\nAnd the old widow goes to the stone every day\nBut I don't, I just sit here and wait\nGrieving for the living\n[Chorus]\nOh, goddamn\nMy pain fits in the palm of your freezing hand\nTaking mine, but it's been promised to another\nOh, I can't\nStop you putting roots in my dreamland\nMy house of stone, your ivy grows\nAnd now I'm covered in you\n[Verse 2]\nI wish to know\nThe fatal flaw that makes you long to be\nMagnificently cursed\nHe's in the room\nYour opal eyes are all I wish to see\nHe wants what's only yours [Chorus]\nOh, goddamn\nMy pain fits in the palm of your freezing hand\nTaking mine, but it's been promised to another\nOh, I can't\nStop you putting roots in my dreamland\nMy house of stone, your ivy grows\nAnd now I'm covered\n[Verse 3]\nClover blooms in the fields\nSpring breaks loose, the time is near\nWhat would he do if he found us out?\nCrescent moon, coast is clear\nSpring breaks loose, but so does fear\nHe's gonna burn this house to the ground\nHow's one to know?\nI'd live and die for moments that we stole\nOn begged and borrowed time\nSo tell me to run\nOr dare to sit and watch what we'll become\nAnd drink my husband's wine\n[Chorus]\nOh, goddamn\nMy pain fits in the palm of your freezing hand\nTaking mine, but it's been promised to another\nOh, I can't\nStop you putting roots in my dreamland\nMy house of stone, your ivy grows\nAnd now I'm covered in you\nAnd I'm covered in you [Bridge]\nSo yeah, it's a fire\nIt's a goddamn blaze in the dark\nAnd you started it\nYou started it\nSo yeah, it's a war\nIt's the goddamn fight of my life\nAnd you started it\nYou started it\n[Chorus]\nOh, I can't\nStop you putting roots in my dreamland\nMy house of stone, your ivy grows\nAnd now I'm covered\nIn you, in you\nNow I'm covered in you\nIn you" + } + ] + }, + { + "id":4782857, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures a playful and romantic narrative, similar to the storytelling in \"Paper Rings.\" The lyrics should reflect the journey from friendship to love, using vivid imagery and metaphors like stalking on the internet, cold wine, and paper rings to convey the intimacy and depth of the relationship. Include a catchy, upbeat chorus that emphasizes the joy of simplicity in love over materialism, and ensure the verses explore the shared history and quirky moments that define the couple's bond. Aim for a sound that combines acoustic pop with elements of indie rock, embodying the energy and enthusiasm of young love with a touch of nostalgia." + }, + { + "from":"gpt", + "value":"[Verse 1]\nThe moon is high\nLike your friends were the night that we first met\nWent home and tried to stalk you on the internet\nNow I've read all of the books beside your bed\nThe wine is cold\nLike the shoulder that I gave you in the street\nCat and mouse for a month or two or three\nNow I wake up in the night and watch you breathe\n[Pre-Chorus]\n(Ayy)\nKiss me once 'cause you know I had a long night (Oh)\nKiss me twice 'cause it's gonna be alright (Uh)\nThree times 'cause I waited my whole life (One, two, one, two, three, four)\n[Chorus]\nI like shiny things, but I'd marry you with paper rings\nUh-huh, that's right\nDarling, you're the one I want, and\nI hate accidents, except when we went from friends to this\nUh-huh, that's right\nDarling, you're the one I want\nIn paper rings, in picture frames, in dirty dreams\nOh, you're the one I want [Verse 2]\nIn the winter, in the icy outdoor pool\nWhen you jumped in first, I went in too\nI'm with you even if it makes me blue\nWhich takes me back\nTo the color that we painted your brother's wall\nHoney, without all the exes, fights and flaws\nWe wouldn't be standing here so tall, so\n[Pre-Chorus]\n(Ayy)\nKiss you once 'cause I know you had a long night (Oh)\nKiss you twice 'cause it's gonna be alright (Uh)\nThree times 'cause you waited your whole life (One, two, one, two, three, four)\nAh\n[Chorus]\nI like shiny things, but I'd marry you with paper rings\nUh-huh, that's right\nDarling, you're the one I want, and\nI hate accidents, except when we went from friends to this\nUh-huh, that's right\nDarling, you're the one I want\nIn paper rings, in picture frames, in dirty dreams\nOh, you're the one I want [Bridge]\nI want to drive away with you\nI want your complications too\nI want your dreary Mondays\nWrap your arms around me, baby boy\nI want to drive away with you\nI want your complications too\nI want your dreary Mondays\nWrap your arms around me, baby boy\nUh-huh\n[Chorus]\nI like shiny things, but I'd marry you with paper rings\nAh-ah, that's right, you're the one I want\nI hate accidents, except when we went from friends to this\nAh-ah, darling, you're the one I want\nI like shiny things, but I'd marry you with paper rings\nUh-huh, that's right\nDarling, you're the one I want, and\nI hate accidents, except when we went from friends to this\nUh-huh, that's right\nDarling, you're the one I want\nIn paper rings, in picture frames, in all my dreams\nYou're the one I want\nIn paper rings, in picture frames, in all my dreams\nOh, you're the one I want [Outro]\nYou're the one I want, one I want\nYou're the one I want, one I want" + } + ] + }, + { + "id":542390, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that encapsulates a tumultuous yet timeless romance, with vivid imagery such as \"James Dean daydream look\" and \"red lip classic thing.\" The song should have a bittersweet tone, combining elements of longing and nostalgia with a touch of defiance. It should feature evocative storytelling in the verses, a memorable and catchy chorus that emphasizes the never-ending cycle of breaking up and coming back together, and a bridge that adds a sense of longing. The music should be pop with a hint of rock influence, capturing the essence of a relationship that, despite its ups and downs, \"never goes out of style.\"" + }, + { + "from":"gpt", + "value":"[Verse 1]\nMidnight\nYou come and pick me up, no headlights\nA long drive\nCould end in burning flames or paradise\nFade into view, oh\nIt's been a while since I have even heard from you\n(Heard from you)\n[Pre-Chorus]\nAnd I should just tell you to leave, 'cause I\nKnow exactly where it leads, but I\nWatch us go 'round and 'round each time\n[Chorus]\nYou got that James Dean daydream look in your eye\nAnd I got that red lip classic thing that you like\nAnd when we go crashing down, we come back every time\n'Cause we never go out of style, we never go out of style\nYou got that long hair, slicked back, white t-shirt\nAnd I got that good girl faith and a tight little skirt\nAnd when we go crashing down, we come back every time\n'Cause we never go out of style, we never go out of style\n[Verse 2]\nSo it goes\nHe can't keep his wild eyes on the road, mmm\nTakes me home\nThe lights are off, he's taking off his coat, mmm, yeah\nI say, \"I heard, oh\nThat you've been out and about with some other girl\"\nSome other girl [Pre-Chorus]\nHe says, \"What you heard is true, but I\nCan't stop thinking 'bout you and I\"\nI said, \"I've been there too a few times\"\n[Chorus]\n'Cause you got that James Dean daydream look in your eye\nAnd I got that red lip classic thing that you like\nAnd when we go crashing down, we come back every time\n'Cause we never go out of style, we never go out of style\nYou got that long hair, slicked back, white t-shirt\nAnd I got that good girl faith and a tight little skirt (A tight little skirt)\nAnd when we go crashing down, we come back every time\n'Cause we never go out of style (We never go, we never go), we never go out of style\n[Bridge]\nTake me home (Ah)\nJust take me home (Ah)\nYeah, just take me home (Ah)\nOh-oh, woah-oh, oh (Out of style)\n[Chorus]\nOh, you got that James Dean daydream look in your eye\nAnd I got that red lip classic thing that you like\nAnd when we go crashing down (And when we go), we come back every time\n'Cause we never go out of style, we never go out of style" + } + ] + }, + { + "id":9199321, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that tells a love story transcending time and space. The lyrics should evoke nostalgia and a sense of eternal connection, with references to different historical eras and the feeling of destined love. The song should include vivid storytelling akin to antique shop discoveries, timeless romance, and the belief in love letters and fate, all set against Taylor Swift's signature blend of country roots and pop sensibility." + }, + { + "from":"gpt", + "value":"[Verse 1]\nDown the block, there's an antique shop\nAnd something in my head said, \"Stop,\" so I walked in\nOn the counter was a cardboard box\nAnd the sign said, \"Photos: twenty-five cents each\"\nBlack and white, saw a 30s bride\nAnd school lovers laughin' on the porch of their first house\nThe kinda love that you only find once in a lifetime\nThe kind you don't put down\n[Pre-Chorus]\nAnd that's when I called you and it's so hard to explain\nBut in those photos, I saw us instead\nAnd, somehow, I know that you and I would've found each other\nIn another life, you still would've turned my head even if w\u0435'd met\n[Chorus]\nOn a crowded street in 1944\nAnd you wer\u0435 headed off to fight in the war\nYou still would've been mine\nWe would have been timeless\nI would've read your love letters every single night\nAnd prayed to God you'd be comin' home all right\nAnd you would've been fine\nWe would have been timeless\n'Cause I believe that we were supposed to find this\nSo, even in a different life, you still would've been mine\nWe would've been timeless [Verse 2]\nI had to smile when it caught my eye\nThere was one of a teenage couple in the driveway\nHoldin' hands on the way to a dance\nAnd the date on the back said 1958\nWhich brought me back to the first time I saw you\nTime stood still like somethin' in this old shop\nI thought about it as I started lookin' 'round\nAt these precious things that time forgot\n[Pre-Chorus]\nThat's when I came upon a book covered in cobwebs\nStory of a romance torn apart by fate\nHundreds of years ago, they fell in love, like we did\nAnd I'd die for you in the same way if I first saw your face\n[Chorus]\nIn the fifteen hundreds off in a foreign land\nAnd I was forced to marry another man\nYou still would've been mine\nWe would have been timeless\nI would've read your love letters every single night\nAnd run away and left it all behind\nYou still would've been mine\nWe would've been timeless\n'Cause I believe that we were supposed to find this\nSo, even in a different life, you still would've been mine\nWe would've been timeless [Bridge]\nTime breaks down your mind and body\nDon't you let it touch your soul\nIt was like an age-old classic\nThe first time that you saw me\nThe story started when you said, \"Hello\"\n[Chorus]\nIn a crowded room a few short years ago\nAnd sometimes there's no proof, you just know\nYou're always gonna be mine\nWe're gonna be\nI'm gonna love you when our hair is turnin' gray\nWe'll have a cardboard box of photos of the life we've made\nAnd you'll say, \"Oh my, we really were timeless\"\n[Post-Chorus]\nWe're gonna be timeless, timeless\nYou still would've been mine\nWe would've been\nEven if we'd met on a crowded street in 1944\nYou still would've been mine\nWe would've been\n[Outro]\nDown the block, there's an antique shop\nAnd somethin' in my head said, \"Stop,\" so I walked in" + } + ] + }, + { + "id":132101, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of heartbreak, reflecting on the puzzlement and pain of love being torn apart. The lyrics should delve into the themes of betrayal and the innocence of a first heartbreak, using vivid imagery and a personal narrative to convey the feelings of disbelief and longing for the past. The song should mimic Swift's early country-pop sound, with a melodic chorus that emphasizes the core question of why someone would want to damage a relationship that was once whole." + }, + { + "from":"gpt", + "value":"[Chorus]\nWhy would you wanna break\nA perfectly good heart?\nWhy would you wanna take\nOur love and tear it all apart now?\nWhy would you wanna make\nThe very first scar?\nWhy would you wanna break\nA perfectly good heart?\n[Verse]\nMaybe I should've seen the signs\nShould've read the writing on the wall\nAnd realized by the distance in your eyes\nThat I would be the one to fall\n[Pre-Chorus]\nNo matter what you say\nI still can't believe that you would walk away\nIt don't make sense to me, but\n[Chorus]\nWhy would you wanna break\nA perfectly good heart?\nWhy would you wanna take\nOur love and tear it all apart now?\nWhy would you wanna make\nThe very first scar?\nWhy would you wanna break\nA perfectly good heart? [Bridge]\nIt's not unbroken anymore (It's not unbroken anymore)\nHow do I get it back the way it was before?\n[Chorus]\nWhy would you wanna break\nA perfectly good heart?\nWhy would you wanna take\nOur love and tear it all apart now?\nWhy would you wanna make\nThe very first scar?\nWhy would you wanna break\u2014\n(Why) Would you wanna break it?\n[Chorus]\nWhy would you wanna break\nA perfectly good heart?\nWhy would you wanna take\nOur love and tear it all apart now?\nWhy would you wanna make\nThe very first scar?\nWhy would you wanna break\nA perfectly good heart?\n[Post-Chorus]\nMmm-hmm" + } + ] + }, + { + "id":6260160, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the emotional complexity of a failed relationship through vivid storytelling. The song should include poignant and detailed imagery, akin to the lyrics of \"Champagne Problems,\" where metaphors and references to specific objects, like a train ride or a family heirloom, symbolize deeper feelings of regret and loss. Incorporate a blend of melancholy and reflective tones, a chorus that captures the essence of a bittersweet farewell, and verses that reveal the narrative of heartbreak with a touch of Swift's characteristic wistfulness and sharp, insightful observations." + }, + { + "from":"gpt", + "value":"[Verse 1]\nYou booked the night train for a reason\nSo you could sit there in this hurt\nBustling crowds or silent sleepers\nYou're not sure which is worse\n[Chorus]\nBecause I dropped your hand while dancing\nLeft you\u205fout\u205fthere\u205fstanding\nCrestfallen on the\u205flanding\nChampagne problems\nYour mom's\u205fring in your pocket\nMy picture in your wallet\nYour heart was glass, I dropped it\nChampagne problems\n[Verse 2]\nYou told your family for a reason\nYou couldn't keep it in\nYour sister splashed out on the bottle\nNow no one's celebrating\n[Chorus]\nDom P\u00e9rignon, you brought it\nNo crowd of friends applauded\nYour hometown skeptics called it\nChampagne problems\nYou had a speech, you're speechless\nLove slipped beyond your reaches\nAnd I couldn't give a reason\nChampagne problems [Bridge]\nYour Midas touch on the Chevy door\nNovember flush and your flannel cure\n\"This dorm was once a madhouse\"\nI made a joke, \"Well, it's made for me\"\nHow evergreen, our group of friends\nDon't think we'll say that word again\nAnd soon they'll have the nerve to deck the halls\nThat we once walked through\nOne for the money, two for the show\nI never was ready so I watch you go\nSometimes you just don't know the answer\n'Til someone's on their knees and asks you\n\"She would've made such a lovely bride\nWhat a shame she's fucked in the head,\" they said\nBut you'll find the real thing instead\nShe'll patch up your tapestry that I shred\n[Chorus]\nAnd hold your hand while dancing\nNever leave you standing\nCrestfallen on the landing\nWith champagne problems\nYour mom's ring in your pocket\nHer picture in your wallet\nYou won't remember all my\nChampagne problems [Outro]\nYou won't remember all my\nChampagne problems" + } + ] + }, + { + "id":4499979, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the tension and excitement of a secret office romance. The lyrics should reflect the story of two individuals who are trying to keep their relationship hidden, with themes of anticipation and longing. Include vivid imagery of stolen glances in the hallway and the thrill of concealed affection, all while maintaining a sense of discretion. The song should have a catchy chorus that conveys the electric feeling of an unspoken connection, and it should embody the narrative-driven, confessional pop sound that Taylor Swift is known for." + }, + { + "from":"gpt", + "value":"[Intro]\nI-I-I-I\n[Verse 1]\nYou brush past me in the hallway\nAnd you don't think I, I, I can see ya, do ya?\nI\u2019ve been watchin' you for ages\nAnd I spend my time tryin' not to feel it\n[Pre-Chorus]\nBut what would you do if I went to touch you now?\nWhat would you do if they never found us out?\nWhat would you do if we never made a sound?\n[Chorus]\n\u2019Cause I can see you waitin' down the hall from me\nAnd I could see you up against the wall with me\nAnd what would you do? Baby, if you only knew\nThat I can see you\n[Post-Chorus]\nI-I-I-I\n[Verse 2]\nAnd we kept everything professional\nBut something's changed, it's somethin' I, I like\nThey keep watchful eyes on us\nSo it's best that we move fast and keep quiet\nYou won't believe half the things I see inside my head\nWait 'til you see half the things that haven\u2019t happened yet [Pre-Chorus]\nBut what would you do if I went to touch you now?\nWhat would you do if they never found us out?\nWhat would you do if we never made a sound?\n[Chorus]\n\u2019Cause I can see you waitin' down the hall from me\nAnd I could see you up against the wall with me\nAnd what would you do? Baby, if you only knew, oh, oh, oh\nThat I could see you throw your jacket on the floor\nI could see you, make me want you even more\nWhat would you do? Baby, if you only knew\nThat I can see you\n[Post-Chorus]\nI-I-I-I\n[Bridge]\nI can see you in your suit and your necktie\nPassed me a note sayin\u2019, \"Meet me tonight\"\nThen we kiss and you know I won't ever tell, yeah\nAnd I could see you being my addiction\nYou can see me as a secret mission\nHide away and I will start behaving myself\n[Pre-Chorus]\nI-I-I-I\nOh-oh, oh, oh [Chorus]\nI can see you waitin' down the hall from me\nAnd I could see you up against the wall with me\nAnd what would you do? Baby, if you only knew, oh\nThat I could see you throw your jacket on the floor\nI could see you, make me want you even more\nWhat would you do? Baby, if you only knew\nThat I can see you, oh, I can see you\n[Outro]\nOh, I see you, I see you, baby\nI see you\n(I-I-I-I) I see you, I see you, baby\nOh, baby" + } + ] + }, + { + "id":132661, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures the emotional intensity and narrative storytelling of a heart-wrenching breakup. The lyrics should evoke vivid memories and specific moments shared between lovers, expressing feelings of nostalgia, loss, and longing. The song should include sensory details like the smell of rain, the feeling of a loved one's arms, and the interruption of a kiss. It should feature a melancholic melody with a touch of country influence, reflecting on the bittersweet nature of a final goodbye and the lingering presence of a former partner. The chorus should be poignant and memorable, highlighting the permanence of the lost love's name on the singer's lips." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI still remember the look on your face\nLit through the darkness at 1:58\nThe words that you whispered for just us to know\nYou told me you loved me, so why did you go away?\nAway\n[Verse 2]\nI do recall now, the smell of the rain\nFresh on the pavement\n, \nI ran off the plane\nThat July ninth, the beat of your heart\nIt jumps through your shirt, I can still feel your arms\n[Pre-Chorus]\nBut now I'll go\nSit on the floor wearing your clothes\nAll that I know is I don't know\nHow to be something you miss\n[Chorus]\nI never thought we'd have a last kiss\nI never imagined we'd end like this\nYour name, forever the name on my lips\n[Verse 3]\nI do remember the swing of your step\nThe life of the party, you're showing off again\nAnd I'd roll my eyes and then you'd pull me in\nI'm not much for dancing, but for you, I did\nBecause I love your handshake, meeting my father\nI love how you walk with your hands in your pockets\nHow you'd kiss me when I was in the middle of saying something\nThere's not a day I don't miss those rude interruptions [Pre-Chorus]\nAnd I'll go\nSit on the floor wearing your clothes\nAll that I know is I don't know\nHow to be something you miss\n[Chorus]\nI never thought we'd have a last kiss\nI never imagined we'd end like this\nYour name, forever the name on my lips, ooh\n[Bridge]\nSo I'll watch your life in pictures like I used to watch you sleep\nAnd I feel you forget me like I used to feel you breathe\nAnd I'll keep up with our old friends just to ask them how you are\nHope it's nice where you are\n[Verse 4]\nAnd I hope the sun shines and it's a beautiful day\nAnd something reminds you you wish you had stayed\nYou can plan for a change in the weather and time\nBut I never planned on you changing your mind\n[Pre-Chorus]\nSo, I'll go\nSit on the floor wearing your clothes\nAll that I know is I don't know\nHow to be something you miss [Chorus]\nI never thought we'd have a last kiss\nI never imagined we'd end like this\nYour name, forever the name on my lips\n[Outro]\nJust like our last kiss\nForever the name on my lips\nForever the name on my lips\nJust like our last" + } + ] + }, + { + "id":552892, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of youthful defiance and romantic idealism. The song should evoke a sense of resilience, with a protagonist who turns adversity into strength, building 'castles' from metaphorical 'bricks' thrown by critics. It should celebrate the carefree spirit of dancing through challenges and proclaim heartbreak as a unifying experience, almost an anthem. Incorporate a catchy, anthemic chorus that conveys the message, \"The best things in life are free,\" and ensure the verses reflect a narrative of overcoming societal pressures and embracing the thrill of the unknown, all with Taylor Swift's signature blend of pop sensibilities and emotive storytelling." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWe're all bored, we're all so tired of everything\nWe wait for trains that just aren't comin'\nWe show off our different scarlet letters\nTrust me, mine is better\nWe're so young, but we're on the road to ruin\nWe play dumb, but we know exactly what we're doin'\nWe cry tears of mascara in the bathroom\nHoney, life is just a classroom\nAh-ah-ah-ah-ah-ah\n[Chorus]\n'Cause baby, I could build a castle\nOut of all the bricks they threw at me\nAnd every day is like a battle\nBut every night with us is like a dream\nBaby, we're the new romantics, come on, come along with me\nHeartbreak is the national anthem, we sing it proudly\nWe are too busy dancin' to get knocked off our feet\nBaby, we're the new romantics\nThe best people in life are free\n[Verse 2]\nWe're all here, the lights and noise are blinding\nWe hang back, it's all in the timing\nIt's poker, he can't see it in my face\nBut I'm about to play my Ace, ah\nWe need love, but all we want is danger\nWe team up, then switch sides like a record changer\nThe rumors are terrible and cruel\nBut, honey, most of them are true\nAh-ah-ah-ah-ah-ah [Chorus]\n'Cause baby, I could build a castle\nOut of all the bricks they threw at me\nAnd every day is like a battle\nBut every night with us is like a dream\nBaby, we're the new romantics, come on, come along with me\nHeartbreak is the national anthem, we sing it proudly\nWe are too busy dancin' (Yeah) to get knocked off our feet (Hey)\nBaby, we're the new romantics\nThe best people in life are free\n[Post-Chorus]\n(Oh, oh, oh-oh, oh) Oh\n(Oh, oh, oh-oh, oh) So, come on, come along with me\n(Oh, oh, oh-oh, oh) The best people in life are free\n(Oh, oh, oh-oh, oh)\n[Bridge]\nPlease, take my hand and\nPlease, take me dancing and\nPlease, leave me stranded\nIt's so romantic (It's so romantic)\nAh-ah-ah-ah-ah-ah\n[Chorus]\n'Cause baby, I could build a castle (Oh)\nOut of all the bricks they threw at me (At me)\nAnd every day is like a battle (Oh)\nBut every night with us is like a dream (Is like a dream)\n'Cause baby, I could build a castle (Castle)\nOut of all the bricks they threw at me (And)\nAnd every day is like a battle (Oh)\nBut every night with us is like a dream\nBaby, we're the new romantics, come on, come along with me\nHeartbreak is the national anthem, we sing it proudly\nWe are too busy dancin' (Hey) to get knocked off our feet\nBaby, we're the new romantics\nThe best people in life are free" + } + ] + }, + { + "id":186915, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures a bittersweet longing for a distant love, blending themes of admiration and a touch of celebrity infatuation. The lyrics should convey the narrative of a person who cherishes a superstar from afar, feeling both the thrill of being close to their charm and the pang of an unattainable romance. Emphasize the emotional rollercoaster of the protagonist through vivid, romantic imagery and a catchy, melancholic chorus. The song should have a soft, acoustic feel with hints of country influence, reflecting the early era of Taylor Swift's music career." + }, + { + "from":"gpt", + "value":"[Verse 1]\nThis is wrong but I can't help but feel like\nThere ain\u2019t nothing more right babe\nMisty morning comes again and I can't\nHelp but wish I could see your face\nAnd I knew from the first note played\nI'd be breaking all my rules to see you\nYou smile that beautiful smile and all the girls in the front row\nScream your name\n[Chorus]\nSo dim that spotlight, tell me things like\n\"I can't take my eyes off of you\"\nI'm no one special, just another wide-eyed girl\nWho's desperately in love with you\nGive me a photograph to hang on my wall, superstar\n[Verse 2]\nMorning loneliness\nComes around when I'm not dreaming about you\nWhen my world wakes up today\nYou'll be in another town\nAnd I knew when I saw your face\nI'd be counting down the ways to see you\nYou smile that beautiful smile and all the girls in the front row Scream your name [Chorus]\nSo dim that spotlight, tell me things like\n\"I can't take my eyes off of you\"\nI'm no one special, just another wide-eyed girl\nWho's desperately in love with you\nGive me a photograph to hang on my wall, superstar\n[Bridge]\nYou played in bars, you play guitar\nAnd I'm invisible and everyone knows who you are\nAnd you'll never see, you sing me to sleep\nEvery night from the radio\n[Chorus]\nSo dim that spotlight, tell me things like\n\"I can't take my eyes off of you\"\nI'm no one special, just another wide-eyed girl\nWho's desperately in love with you\nGive me a photograph to hang on my wall, superstar\n[Outro]\nSweet, sweet superstar\nSuperstar" + } + ] + }, + { + "id":3021501, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures the essence of a romantic struggle with self-control and the irresistible allure of a new love. The lyrics should explore the tension between maintaining independence and succumbing to the magnetic pull of a romantic interest, highlighting the conflicting emotions involved. The song should be set to a catchy, pop-melodic tune with hints of country influence, embodying the narrative storytelling and emotional vulnerability characteristic of Swift's music. Include verses that convey the messiness of love and a powerful chorus that emphasizes the theme of a \"welcome distraction\" from the protagonist's usual self-restraint." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI got a little thing I call self control\n'Cause I get a little crazy when I let too much go\nLove\u2019s a little messy, and you are too\nRight now, I\u2019m scared of both of you\nI laugh, and I play, and I wasn\u2019t gonna stray\nSwore I\u2019d never let a man in my way\nYou\u2019re the last thing I needed today\n[Chorus]\nAnd I don\u2019t know\nWhere I lost control\nAnd couldn\u2019t take it any longer\nMust have been somewhere between\nYour smile and the way you say my name\nI can\u2019t win, so I give in\nThe more I fight, it just gets stronger\nYou\u2019re an inconvenient kind of satisfaction\nWelcome distraction, welcome distraction\n[Verse 2]\nGone and spilled my coffee tryna get to the phone\n'Cause it might be you, you just never know\nCan\u2019t talk to my friends without you coming up\nIt\u2019s even kind of cute the way you cuss\nI wrote your name down a hundred thousand times\n'Cause it looks so good right next to mine\nYou\u2019re the last thing I needed tonight [Chorus]\nAnd I don\u2019t know\nWhere I lost control\nAnd couldn\u2019t take it any longer\nMust have been somewhere between\nYour smile and the way you say my name\nI can\u2019t win, so I give in\nThe more I fight, it just gets stronger\nYou\u2019re an inconvenient kind of satisfaction\nWelcome distraction\n[Bridge]\nI\u2019m acting like a girl with nothing to lose\nWhen did I stop caring about anything but you?\n[Chorus]\nAnd I don\u2019t know\nWhere I lost control\nAnd couldn\u2019t take it any longer\nMust have been somewhere between\nYour smile and the way you say my name\nI can\u2019t win, so I give in\nThe more I fight, it just gets stronger\nYou\u2019re an inconvenient kind of satisfaction\n[Outro]\nWelcome distraction, welcome distraction\nWelcome distraction, welcome distraction, oh, oh" + } + ] + }, + { + "id":731773, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a flirtatious and self-aware narrative, blending pop with a hint of cynicism about romance. The lyrics should feature clever wordplay and vivid imagery, such as comparing relationships to games and weaving in themes of infatuation, jealousy, and the thrill of new love. Include a catchy, anthemic chorus that reflects the highs and lows of dating, using a mix of vulnerability and confidence in the tone. The song should be structured with verses, a bridge, and a chorus that all contribute to an engaging story of romantic adventure and the potential for heartbreak." + }, + { + "from":"gpt", + "value":"[Verse 1]\nNice to meet you, where you been?\nI could show you incredible things\nMagic, madness, heaven, sin\nSaw you there and I thought\nOh my God, look at that face\nYou look like my next mistake\nLove's a game, wanna play?\nHey, hey\nNew money, suit and tie\nI can read you like a magazine\nAin't it funny, rumors fly\nAnd I know you heard about me\nSo hey, let's be friends\nI'm dying to see how this one ends\nGrab your passport and my hand\nI can make the good girls bad for a weekend\n[Chorus]\nSo it's gonna be forever\nOr it's gonna go down in flames\nYou can tell me when it's over\nIf the high was worth the pain\nGot a long list of ex-lovers\nThey'll tell you I'm insane\n'Cause you know I love the players\nAnd you love the game\n'Cause we're young and we're reckless\nWe'll take this way too far\nIt'll leave you breathless\nOr with a nasty scar\nGot a long list of ex-lovers\nThey'll tell you I'm insane\nBut I've got a blank space, baby\nAnd I'll write your... name [Verse 2]\nCherry lips, crystal skies\nI could show you incredible things\nStolen kisses, pretty lies\nYou're the Queen, baby, I'm your King\nFind out what you want\nBe that guy for a month\nBut, the worst is yet to come, oh no\nScreaming, crying, perfect storms\nI could make all the tables turn\nRose garden filled with thorns\nKeep you second guessing like\n\"Oh my God, who is he? Who is he?\"\nI get drunk on jealousy\nBut you'll come back each time you leave\n'Cause, darling, I'm a nightmare dressed like a daydream\n[Chorus]\nSo it's gonna be forever\nOr it's gonna go down in flames\nYou can tell me when it's over\nIf the high was worth the pain\nGot a long list of ex-lovers\nThey'll tell you I'm insane\n'Cause you know I love the players\nAnd you love the game\n'Cause we're young and we're reckless\nWe'll take this way too far\nIt'll leave you breathless\nOr with a nasty scar\nGot a long list of ex-lovers\nThey'll tell you I'm insane\nBut I've got a blank space, baby\nAnd I'll write your name... [Bridge]\nGirls only want love if it's torture\nDon't say I didn't, don't say I didn't warn you\nIt's torture, it's torture\nDon't say I didn't warn you\nIt's torture, it's torture\nDon't say I didn't warn you\n[Chorus]\nSo it's gonna be forever\nOr it's gonna go down in flames\nYou can tell me when it's over\nIf the high was worth the pain\nGot a long list of ex-lovers\nThey'll tell you I'm insane\n'Cause you know I love the players\nAnd you love the game\n'Cause we're young and we're reckless\nWe'll take this way too far\nIt'll leave you breathless\nOr with a nasty scar\nGot a long list of ex-lovers\nThey'll tell you I'm insane\nBut I've got a blank space, baby\nAnd I'll write your name" + } + ] + }, + { + "id":3283019, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the thrilling and tumultuous narrative of a doomed love affair likened to a high-speed chase in a \"getaway car.\" The song should weave a tale of romantic entanglement, betrayal, and escape, illustrating the contrast between the initial excitement and the inevitable downfall of the relationship. Use vivid imagery and metaphorical language to convey the intensity of the emotions involved, with a catchy, pop-infused melody that underscores the urgency and drama of the storyline. Include elements of introspection and a sense of bittersweet reminiscence, as well as a chorus that emphasizes the idea that nothing good starts with a getaway, all while mirroring Taylor Swift's signature storytelling and lyrical prowess." + }, + { + "from":"gpt", + "value":"[Intro]\nNo, nothin' good starts in a getaway car\n[Verse 1]\nIt was the best of times, the worst of crimes\nI struck a match and blew your mind\nBut I didn\u2019t mean it and you didn't see it\nThe ties were black, the lies were white\nIn shades of gray in candlelight\nI wanted to leave him, I needed a reason\n[Pre-Chorus]\n\"X\" marks the spot where we fell apart\nHe poisoned the well, I was lyin' to myself\nI knew it from the first Old Fashioned, we were cursed\nWe never had a shotgun shot in the dark (Oh)\n[Chorus]\nYou were drivin\u2019 the getaway car\nWe were flyin', but we'd never get far\nDon't pretend it's such a mystery\nThink about the place where you first met me\nRidin' in a getaway car\nThere were sirens in the beat of your heart\nShoulda known I'd be the first to leave\nThink about the place where you first met me [Post-Chorus]\nIn a getaway car (Oh-oh-oh)\nNo, they never get far (Oh-oh-ah)\nNo, nothin' good starts in a getaway car\n[Verse 2]\nIt was the great escape, the prison break\nThe light of freedom on my face\nBut you weren\u2019t thinkin\u2019 and I was just drinkin'\nWhile he was runnin\u2019 after us, I was screamin', \"Go, go, go\"\nBut with three of us, honey, it's a sideshow\nAnd a circus ain't a love story and now we\u2019re both sorry (We're both sorry)\n[Pre-Chorus]\n\"X\" marks the spot where we fell apart\nHe poisoned the well, every man for himself\nI knew it from the first Old Fashioned, we were cursed\nIt hit you like a shotgun shot to the heart (Oh)\n[Chorus]\nYou were drivin' the getaway car\nWe were flyin', but we'd never get far\nDon't pretend it's such a mystery\nThink about the place where you first met me\nRidin' in a getaway car\nThere were sirens in the beat of your heart\nShoulda known I'd be the first to leave\nThink about the place where you first met me [Post-Chorus]\nIn a getaway car (Oh-oh-oh)\nNo, they never get far (Oh-oh-ah)\nNo, nothin' good starts in a getaway car\n[Bridge]\nWe were jet-set, Bonnie and Clyde (Oh-oh)\nUntil I switched to the other side, to the other side\nIt's no surprise I turned you in (Oh-oh)\n'Cause us traitors never win\n[Breakdown]\nI'm in a getaway car\nI left you in a motel bar\nPut the money in a bag and I stole the keys\nThat was the last time you ever saw me (Oh)\n[Chorus]\nDrivin' the getaway car\nWe were flyin', but we'd never get far (Don't pretend)\nDon't pretend it's such a mystery\nThink about the place where you first met me\nRidin' in a getaway car\nThere were sirens in the beat of your heart (Shoulda known)\nShoulda known I'd be the first to leave\nThink about the place where you first met me [Post-Chorus]\nIn a getaway car (Oh-oh-oh)\nNo, they never get far, oh-oh-ah\nNo, nothin' good starts in a getaway car\n[Outro]\nI was ridin' in a getaway car\nI was cryin' in a getaway car\nI was dyin' in a getaway car\nSaid goodbye in a getaway car\nRidin' in a getaway car\nI was cryin' in a getaway car\nI was dyin' in a getaway car\nSaid goodbye in a getaway car" + } + ] + }, + { + "id":4782854, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of falling in love with someone from a different place, emphasizing the charm of their hometown and cultural differences. Incorporate references to specific locations and cultural elements, such as local hangouts or traditions, and describe the feeling of being welcomed into someone else's world. The song should have a playful yet affectionate tone, with a touch of whimsy that celebrates the fusion of two distinct lifestyles. Use vivid imagery and metaphors that convey the excitement and novelty of this cross-cultural romance, set against a backdrop of iconic city scenes." + }, + { + "from":"gpt", + "value":"[Intro: Idris Elba & \nJames Corden\n]\nWe can go drivin' in, on my scooter\nUh, you know, just 'round London (\nOh, I'd\u2014\n)\n[Verse 1]\nI love my hometown as much as Motown, I love SoCal\nAnd you know I love Springsteen, faded blue jeans, Tennessee whiskey\nBut somethin' happened, I heard him laughin'\nI saw the dimples first and then I heard the accent\n[Pre-Chorus]\nThey say, \"Home is where the heart is\"\nBut that's not where mine lives\n[Chorus]\nYou know I love a London boy\nI enjoy walkin' Camden Market in the afternoon\nHe likes my American smile, like a child when our eyes meet\nDarling, I fancy you\nTook me back to Highgate, met all of his best mates\nSo I guess all the rumors are true\nYou know I love a London boy\nBoy, I fancy you (Ooh)\n[Verse 2]\nAnd now I love high tea, stories from Uni' and the West End\nYou can find me in the pub, we are watchin' rugby with his school friends\nShow me a gray sky, a rainy cab ride\nBabes, don't threaten me with a good time [Pre-Chorus]\nThey say, \"Home is where the heart is\"\nBut, God, I love the English\n[Chorus]\nYou know I love a London boy\nI enjoy nights in Brixton, Shoreditch in the afternoon\nHe likes my American smile, like a child when our eyes meet\nDarling, I fancy you\nTook me back to Highgate, met all of his best mates\nSo I guess all the rumors are true\nYou know I love a London boy\nBoy, I fancy you\n[Bridge]\nSo please show me Hackney\nDoesn't have to be Louis V up on Bond Street\nJust wanna be with you\nWanna be with you\nStick with me, I'm your queen\nLike a Tennessee Stella McCartney on the Heath\nJust wanna be with you (Wanna be with you)\nWanna be with you, oh, woah\n[Chorus]\nYou know I love a London boy\nI enjoy walkin' Soho, drinkin' in the afternoon (Yeah)\nHe likes my American smile, like a child when our eyes meet\nDarling, I fancy you (You)\nTook me back to Highgate, met all of his best mates\nSo I guess all the rumors are true (Yeah)\nYou know I love a London boy (Oh)\nBoy (Oh), I fancy you (I fancy you; ooh) [Outro]\nSo please show me Hackney\nDoesn't have to be Louis V up on Bond Street\nJust wanna be with you (Ooh)\nI, oh, I, I fancy you, oh, woah-ah-ah (Ooh)\nStick with me, I'm your queen\nLike a Tennessee Stella McCartney on the Heath\nJust wanna be with you (Ooh), wanna be with you\nI fancy you (Yeah), I fancy you, ah-ah (Ooh)" + } + ] + }, + { + "id":9666585, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional turmoil and reflection after a personal change in a relationship where the protagonist no longer communicates with someone they used to be close to. The lyrics should convey a sense of nostalgia for the past, a poignant acceptance of change, and the bittersweet growth that comes from moving on. The song should include specific details that hint at the history between the characters, such as shared experiences or habits, and it should have a confessional tone, with the singer reaching out to a trusted confidant for advice. The melody should be evocative of Swift's narrative-driven pop\/country crossover, with an emphasis on storytelling and a relatable chorus that resonates with the theme of lost connections and personal evolution." + }, + { + "from":"gpt", + "value":"[Verse 1]\nYou went to a party\nI heard from everybody\nYou part the crowd like the Red Sea\nDon't even get me started\nDid you get anxious though\nOn the way home?\nI guess I'll never, ever know\nNow that we don't talk\n[Verse 2]\nYou grew your hair long\nYou got new icons\nAnd from the outside\nIt looks like you're tryin' lives on\nI miss the old ways\nYou didn't have to change\nBut I guess I don't have a say\nNow that we don't talk\n[Chorus]\nI call my mom, she said that it was for the best\nRemind myself, the mor\u0435 I gave, you'd want me less\nI cannot b\u0435 your friend, so I pay the price of what I lost\nAnd what it cost, now that we don't talk [Bridge]\nWhat do you tell your friends we\nShared dinners, long weekends with?\nTruth is, I can't pretend it's\nPlatonic, it's just ended, so\n[Chorus]\nI call my mom, she said to get it off my chest (Off my chest)\nRemind myself the way you faded 'til I left (Until I left)\nI cannot be your friend, so I pay the price of what I lost (Of what I lost)\nAnd what it cost, now that we don't talk\n[Outro]\nI don't have to pretend I like acid rock\nOr that I'd like to be on a mega yacht\nWith important men who think important thoughts\nGuess maybe I am better off now that we don't talk\nAnd the only way back to my dignity\nWas to turn into a shrouded mystery\nJust like I had been when you were chasing me\nGuess this is how it has to be now that we don't talk" + } + ] + }, + { + "id":2016042, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a sudden and unexpected breakup, reflecting on the confusion and sense of betrayal felt when someone changes overnight. The lyrics should convey introspective verses and a powerful chorus, questioning the reasons behind the change and seeking closure. The musical arrangement should be reminiscent of Swift's blend of country roots with pop sensibility, allowing for an emotional delivery that resonates with the listener's own experiences of lost love and the quest for understanding." + }, + { + "from":"gpt", + "value":"[Verse 1]\nIt was something like a perfect start to this love yesterday\nBut now who are you?\nI thought I knew\nYour eyes happen now to look right through me\nIt\u2019s like you forgot the words you whispered to me\nThey weren't true\nIt's like it wasn't you\n[Chorus]\nCould you tell me what did I do?\nBecause it can't be we're already through\nDid you sell me out for a fool after you held me?\nWas that just what you do?\nWhat did you need from me?\nTell me\n[Verse 2]\nTake time to realize\nI know that people change their minds\nBut that was something I wished you would say to my face\nBut you ran away\n[Chorus]\nCould you tell me what did I do?\nBecause it can't be we're already through\nDid you sell me out for a fool after you held me?\nWas that just what you do?\nWhat did you need from me?\nTell me [Bridge]\nIf I had a reason or a simple goodbye\nBaby, even a lie\nYeah, yeah\n[Chorus]\nTell me what did I do\n'Cause, baby, suddenly we're already through\nDid you sell me out for a fool after you held me?\nWas that just what you do?\nWhat did you need from me?\nAnd tell me\n[Outro]\nAnd tell me\nOh-oh-oh, oh-yeah\nAnd tell me\nTell me" + } + ] + }, + { + "id":5793975, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of personal struggle and vulnerability, reflecting on past mistakes and the effort to move forward. The song should include introspective lyrics and a narrative that conveys a sense of growth and the difficulties of change. Incorporate a chorus that repeats a line emphasizing the attempt to make amends or improve oneself. The musical arrangement should align with Taylor Swift's signature blend of country roots and pop sensibilities, evoking a mood that is both reflective and earnest." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI've been having a hard time adjusting\nI had the shiniest wheels, now they're rusting\nI didn't\u2005know\u2005if you'd care\u2005if I came back\nI have a\u2005lot of regrets about that\nPulled the car off the road to the lookout\nCould've followed my fears all the way down\nAnd maybe I don't quite know what to say\nBut I'm here in your doorway\n[Chorus]\nI just wanted you to know that this is me trying\nI just wanted you to know that this is me trying\n[Verse 2]\nThey told me all of my cages were mental\nSo I got wasted like all my potential\nAnd my words shoot to kill when I'm mad\nI have a lot of regrets about that\nI was so ahead of the curve, the curve became a sphere\nFell behind all my classmates and I ended up here\nPouring out my heart to a stranger\nBut I didn't pour the whiskey\n[Chorus]\nI just wanted you to know that this is me trying\nI just wanted you to know that this is me trying [Post-Chorus]\nAt least I'm trying\n[Bridge]\nAnd it's hard to be at a party when I feel like an open wound\nIt's hard to be anywhere these days when all I want is you\nYou're a flashback in a film reel\n \non the one screen in my town\n[Chorus]\nAnd I just wanted you to know that this is me trying\n(And maybe I don't quite know what to say)\nI just wanted you to know that this is me trying\n[Outro]\nAt least I'm trying" + } + ] + }, + { + "id":2466692, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a youthful, rebellious spirit, contrasting the protagonist's carefree and imperfect nature with the more polished and idealized figures they observe around them. The lyrics should focus on themes of individuality, self-acceptance, and the beauty of embracing one's flaws, much like a coming-of-age story set to a blend of country and pop melodies. Incorporate vivid imagery and personal storytelling techniques characteristic of Swift's earlier work, while ensuring that the song includes both introspective verses and a catchy, anthemic chorus." + }, + { + "from":"gpt", + "value":"[Verse 1]\nAngelina\u2019s got a pretty face\nAnd really long brown hair\nLives somewhere in some wide open space\nI\u2019ve never been there\nI guess some people come around and purpose she\nBut I don\u2019t cause\n[Chorus]\nI have always been a bit reckless\nAnd I am not your typical princess\nI\u2019m fine just a bit of a mess\nAnd I\u2019m not perfect you could say\nI wasn\u2019t brought up that way\n[Verse 2]\nJust watched Stephen run across the field\nWatched him catch the ball\nHe\u2019s got everything you\u2019d wanna be\nHe\u2019s funny, dark and tall\nWatch him run across to Angelina\nBut I won\u2019t cause\n[Chorus]\nI have always been a bit reckless\nAnd I am not your typical princess\nI\u2019m fine just a bit of a mess\nAnd I\u2019m not perfect you could say\nI wasn\u2019t brought up that way [Bridge]\nStardom pushed across the line\nTripped over my two feet hey oh yeah\nBut ain\u2019t it funny how\nIt all comes out\nIsn\u2019t life sweet?\n[Chorus]\nBut, I have always been a bit reckless\nI am not your typical princess\nI\u2019m fine just a bit of a mess\nAnd I\u2019m not perfect you could say, oh-oh\n[Chorus]\nI have always been a bit reckless\nAnd I am not your typical princess\nI\u2019m fine just a bit of a mess\nAnd I\u2019m not perfect you could say\nI wasn\u2019t brought up that way" + } + ] + }, + { + "id":186861, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the deeper meaning of Christmas beyond the commercial and materialistic aspects, emphasizing the spiritual and holy significance of the holiday. The lyrics should question the importance of traditional festive symbols and imagine a Christmas stripped of its commercial trappings, ultimately highlighting the birth of Jesus as the true reason for the season. The song should maintain a reflective and earnest tone, characteristic of Taylor Swift's narrative songwriting, and include a chorus that is both catchy and thought-provoking, reminding listeners that Christmas is about something more substantial than just presents and decorations." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWhat if ribbons and bows didn't mean a thing?\nWould the song still survive without five golden rings?\nWould you still wanna kiss without mistletoe?\nWhat would happen if God never let it snow?\nWhat would happen if Christmas carols told a lie?\nTell me, what would you find?\n[Chorus]\nYou'd see that today holds something special\nSomething holy, not superficial\nSo here's to the birthday boy who saved our lives\nIt's something we all try to ignore\nAnd put a wreath up on your door\nSo here's something you should know that is for sure\nChristmas must be something more\n[Verse 2]\nWhat if angels did not pay attention to\nAll the things that we wished they would always do?\nWhat if happiness came in a cardboard box?\nThen I think there is something we all forgot\nWhat would happen if presents all went away?\nTell me, what would you find?\n[Chorus]\nYou'd see that today holds something special\nSomething holy, not superficial\nSo here's to the birthday boy who saved our lives\nIt's something we all try to ignore\nAnd put a wreath up on your door\nSo here's something you should know that is for sure\nChristmas must be something more [Bridge]\nWe get so caught up in all of it\nBusiness and relationships\nHundred-mile-an-hour lives\nAnd it's this time of year\nAnd everybody's here\nIt seems the last thing on your mind\n[Chorus]\nIs that the day holds something special\nSomething holy, not superficial\nSo here's to Jesus Christ who saved our lives\nIt's something we all try to ignore\nAnd put a wreath up on your door\nBut here's something you should know that is for sure\nChristmas must be something\nChristmas must be something\nChristmas must be something more\n[Outro]\nThere's gotta be more\nThere's gotta be more" + } + ] + }, + { + "id":6260141, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures a melancholic and introspective journey through past struggles and the hope for overcoming persistent pain, using vivid imagery such as \"gray November\" and \"barefoot in the wildest winter.\" The song should weave a narrative that moves from despair to a cautious optimism, incorporating elements of indie folk and alternative rock. It should include a haunting, echoing chorus that emphasizes the theme of enduring pain with the word \"evermore,\" and feature a bridge with another artist that adds depth and a second perspective to the story. The overall tone should be poetic and reflective, with a touch of the ethereal quality found in her album \"Evermore.\"" + }, + { + "from":"gpt", + "value":"[Verse 1: Taylor Swift]\nGray November\nI've been down since July\nMotion capture\nPut me in a bad light\nI replay my footsteps on each stepping stone\nTrying to find the one where I went wrong\nWriting letters\nAddressed to the fire\n[Chorus: Taylor Swift]\nAnd I was catchin' my breath\nStarin' out an open window, catchin' my death\nAnd I couldn't be sure\nI had a feeling so peculiar\nThat this pain would be for\nEvermore\n[Verse 2: Taylor Swift]\nHey, December\nGuess I'm feeling unmoored\nCan't remember\nWhat I used to fight for\nI rewind th\u0435 tape, but all it does is pause\nOn th\u0435 very moment all was lost\nSending signals\nTo be double-crossed [Chorus: Taylor Swift]\nAnd I was catchin' my breath\nBarefoot in the wildest winter, catchin' my death\nAnd I couldn't be sure\nI had a feeling so peculiar\nThat this pain would be for\nEvermore\n[Post-Chorus: Justin Vernon]\n(Evermore)\n[Bridge: Justin Vernon, \nTaylor Swift\n]\nCan't not think of all the cost\nAnd the things that will be lost\nOh, can we just get a pause?\nTo be certain we'll be tall again\nWhether weather be the frost\nOr the violence of the dog days\nI'm on waves, out being tossed\nIs there a line that I could just go cross?\nAnd when I was shipwrecked\n (Can't think of all the cost now)\nI thought of you\n (All the things that will be lost now)\nIn the cracks of light\n (Can we just get a pause?)\nI dreamed of you\n (To be certain we'll be tall again)\n(If you think of all the cost)\nIt was real enough\n (Whether weather be the frost)\nTo get me through\n (Or the violence of the dog days)\n(Or the violence of the dog days)\n(Out on waves, being tossed)\n(I'm on waves, out being tossed)\nBut I swear\n (Is there a line that we can just go cross?)\nYou were there [Chorus: Taylor Swift & Justin Vernon]\nAnd I was catchin' my breath\nFloors of a cabin creakin' under my step\nAnd I couldn't be sure\nI had a feeling so peculiar\nThis pain wouldn't be for\nEvermore\n[Outro: Taylor Swift, \nJustin Vernon\n, \nBoth\n]\nEvermore (\nEvermore\n)\nEvermore\n (\nEvermore\n)\nThis pain wouldn't be for evermore\nEvermore" + } + ] + }, + { + "id":3305019, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of finding true love unexpectedly and the realization that it surpasses all previous romantic experiences. The lyrics should convey a sense of independence that's transformed by a profound connection with a new love interest, akin to royalty in a personal kingdom. Incorporate imagery of modern luxury and a nostalgic nod to Motown rhythm, juxtaposed with intimate, down-to-earth moments that signify genuine affection. The song should build to a celebratory chorus that emphasizes the soul-deep bond and the irreplaceable nature of this newfound love, using repeated phrases for emotional impact." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI'm perfectly fine, I live on my own\nI made up my mind, I'm better off bein' alone\nWe met a few weeks ago\nNow you try on callin' me \"baby\" like tryin' on clothes\n[Pre-Chorus]\nSalute to me, I'm your American queen\nAnd you move to me like I'm a Motown beat\nAnd we rule the kingdom inside my room\n'Cause all the boys and their expensive cars\nWith their Range Rovers and their Jaguars\nNever took me quite where you do\n[Chorus]\nAnd all at once, you are the one I have been waiting for\nKing of my heart, body and soul, ooh-woah\nAnd all at once, you're all I want, I'll never let you go\nKing of my heart, body and soul, ooh-woah\n[Post-Chorus]\nAnd all at once, I've been waiting, waiting\nOoh-woah, ooh-woah\nAnd all at once, you are the one, I have been waiting, waiting\nBody and soul, ooh-woah\nAnd all at once [Verse 2]\nLate in the night, the city's asleep\nYour love is a secret I'm hoping, dreaming, dying to keep\nChange my priorities\nThe taste of your lips is my idea of luxury\n[Pre-Chorus]\nSalute to me, I'm your American queen\nAnd you move to me like I'm a Motown beat\nAnd we rule the kingdom inside my room (Inside my room, oh)\n'Cause all the boys and their expensive cars\nWith their Range Rovers and their Jaguars\nNever took me quite where you do (Where you do)\n[Chorus]\nAnd all at once, you are the one I have been waiting for\nKing of my heart, body and soul, ooh-woah\nAnd all at once, you're all I want, I'll never let you go\nKing of my heart (My heart), body and soul, ooh-woah\n[Post-Chorus]\nAnd all at once (Hey), I've been waiting, waiting (Waiting)\nOoh-woah, ooh-woah\nAnd all at once, you are the one I have been waiting (Waiting), waiting (Waiting)\nBody and soul, ooh-woah\nAnd all at once [Bridge]\nIs this the end of all the endings?\nMy broken bones are mending\nWith all these nights we're spending\nUp on the roof with a school girl crush\nDrinking beer out of plastic cups\nSay you fancy me, not fancy stuff\nBaby, all at once, this is enough\n[Breakdown]\nAnd all at once, you are the one I have been waiting for\nKing of my heart, body and soul, ooh-woah\n[Chorus]\nAnd all at once, you are the one I have been waiting for\nKing of my heart, body and soul, ooh-woah\nAnd all at once, you're all I want, I'll never let you go\nKing of my heart (My heart), body and soul (My soul), ooh-woah\n[Post-Chorus]\nAnd all at once, I've been waiting, waiting\nOoh-woah, ooh-woah (Ooh-woah)\nAnd all at once, you are the one I have been waiting, waiting\nBody and soul, ooh-woah\nAnd all at once" + } + ] + }, + { + "id":4499981, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the narrative of a scorned lover reflecting on their past relationship with a seemingly flawless yet emotionally detached ex-partner. The song should evoke a story of betrayal, heartbreak, and eventual empowerment, with vivid character descriptions and a catchy, bittersweet chorus that contrasts the protagonist's pain with the ex's unaffected demeanor. Include elements of Taylor Swift's signature country-pop sound, incorporating both acoustic and electronic instrumentation to create a track that is both deeply personal and universally relatable, showcasing the journey from vulnerability to strength." + }, + { + "from":"gpt", + "value":"[Verse 1]\nMr. \"Perfect face\"\nMr. \"Here to stay\"\nMr. \"Looked me in the eye and told me you would never go away\"\nEverything was right\nMr. \"I've been waitin' for you all my life\"\nMr. \"Every single day until the end, I will be by your side\"\n[Pre-Chorus]\nBut that was when I got to know Mr. \"Change of heart\"\nMr. \"Leaves me all alone,\" I fall apart\nIt takes everything in me just to get up each day\nBut it's wonderful to see that you're okay\n[Chorus]\nHello, Mr. \"Perfectly fine\"\nHow's your heart after breakin' mine?\nMr. \"Always at the right place at the right time,\" baby\nHello, Mr. \"Casually cruel\"\nMr. \"Everything revolves around you\"\nI've been Miss Misery since your goodbye\nAnd you're Mr. \"Perfectly fine\"\n[Verse 2]\nMr. \"Never told me why\"\nMr. \"Never had to see me cry\"\nMr. \"Insincere apology so he doesn't look like the bad guy\"\nHe goes about his day\nForgets he ever even heard my name\nWell, I thought you might be different than the rest, I guess you're all the same [Pre-Chorus]\n'Cause I hear he's got his arm 'round a brand-new girl\nI've been pickin' up my heart, he's been pickin' up her\nAnd I never got past what you put me through\nBut it's wonderful to see that it never phased you\n[Chorus]\nHello, Mr. \"Perfectly fine\"\nHow's your heart after breakin' mine?\nMr. \"Always at the right place at the right time,\" baby\nHello, Mr. \"Casually cruel\"\nMr. \"Everything revolves around you\"\nI've been Miss Misery since your goodbye\nAnd you're Mr. \"Perfectly fine\"\n[Verse 3]\nSo dignified in your well-pressed suit\nSo strategized, all the eyes on you\nSashay your way to your seat\nIt's the best seat, in the best room\nOh, he's so smug, Mr. \"Always wins\"\nSo far above me in every sense\nSo far above feeling anything\n[Bridge]\nAnd it's really such a shame\nIt's such a shame\n'Cause I was Miss \"Here to stay\"\nNow I'm Miss \"Gonna be alright someday\"\nAnd someday maybe you'll miss me\nBut by then, you'll be Mr. \"Too late\" [Chorus]\nGoodbye, Mr. \"Perfectly fine\"\nHow's your heart after breakin' mine?\nMr. \"Always at the right place at the right time,\" baby\nGoodbye, Mr. \"Casually cruel\"\nMr. \"Everything revolves around you\"\nI've been Miss Misery for the last time\nAnd you're Mr. \"Perfectly fine\"\n[Outro]\nYou're perfectly fine\nMr. \"Looked me in the eye and told me you would never go away\"\nYou said you'd never go away" + } + ] + }, + { + "id":186852, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the serene and sacred atmosphere of a \"Silent Night,\" focusing on themes of peace, the maternal bond, and divine love. The lyrics should evoke a narrative of a tranquil, holy evening, with imagery of a mother and child, and celestial beings celebrating a momentous birth. The musical style should blend Swift's signature storytelling and melodic sensibilities with a touch of holiday spirit, incorporating elements of her country roots and pop evolution. Include a sense of wonder and reverence akin to the classic carol, while infusing it with Taylor's unique voice and contemporary flair." + }, + { + "from":"gpt", + "value":"[Verse 1]\nSilent night, holy night\nAll is calm and all is bright\nRound yon virgin mother and child\nHoly infant so tender and mild\nSleep in heavenly peace\nSleep in heavenly peace\n[Verse 2]\nSilent night, holy night\nShepherds quake at the sight\nGlories stream from Heaven afar\nHeavenly hosts sing Hallelujah\nChrist the Saviour is born\nChrist our Saviour is born\n[Verse 3]\nSilent night, holy night\nSon of God\nLove's pure light\nRadiant beams from thy holy face\nWith the dawn of redeeming grace\nJesus Lord at thy birth\nJesus Lord at thy birth\n[Outro]\nHallelujah!\nHallelujah!\nHallelujah!\nChrist the Saviour is born" + } + ] + }, + { + "id":186922, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of a heated argument and the subsequent regret of a lover who impulsively walked away. The song should feature narrative verses that depict the struggle between pride and desire, a catchy and confessional chorus where the protagonist admits they actually want their lover to pursue them despite telling them to leave, and a bridge that conveys conflicting feelings of anger and longing. Include vivid imagery such as \"throwing pebbles at a window\" and \"standing in the pouring rain,\" and ensure the tone fluctuates between defiance and vulnerability, typical of Swift's storytelling approach, to evoke a rollercoaster of emotions." + }, + { + "from":"gpt", + "value":"[Verse 1]\nIn the heat of the fight, I walked away\nIgnoring words that you were saying\nTryin' to make me stay\nI said, \"This time I've had enough\"\nAnd you've called a hundred times\nBut I'm not picking up\n[Pre-Chorus]\n'Cause I'm so mad\nI might tell you that it's over\nBut if you look a little closer\n[Chorus]\nI said, \"Leave,\" but all I really want is you\nTo stand outside my window throwing pebbles\nScreaming, \"I'm in love with you\"\nWait there in the pouring rain, coming back for more\nAnd don't you leave, 'cause I know all I need is on\nThe other side of the door\n[Verse 2]\nMe and my stupid pride are sitting here alone\nGoing through the photographs, staring at the phone\nI keep going back over things we both said\nAnd I remember the slamming door\nAnd all the things that I misread [Pre-Chorus]\nSo, babe, if you know everything\nTell me why you couldn't see\nWhen I left, I wanted you to chase after me, yeah\n[Chorus]\nI said, \"Leave,\" but all I really want is you\nTo stand outside my window throwing pebbles\nScreaming, \"I'm in love with you\"\nWait there in the pouring rain, coming back for more\nAnd don't you leave, 'cause I know all I need is on\nThe other side of the door\n[Bridge]\nAnd I'll scream out the window\n\"I can't even look at you\"\n\"I don't need you,\" but I do, I do, I do\nI'll say, \"There's nothing you can say\"\n\"To make this right again, I mean it, I mean it\"\nWhat I mean is\n[Chorus]\nI said, \"Leave,\" but, baby, all I want is you\nTo stand outside my window throwing pebbles\nScreaming, \"I'm in love with you\"\nWait there in the pouring rain, coming back for more\nAnd don't you leave, 'cause I know all I need is on\nThe other side of the door [Outro]\nWith your face and the beautiful eyes\nAnd the conversation with the little white lies\nAnd the faded picture of a beautiful night\nYou carried me from your car up the stairs\nAnd I broke down crying, was she worth this mess?\nAfter everything and that little black dress\nAfter everything, I must confess, I need you" + } + ] + }, + { + "id":5793962, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures the reflective and nostalgic emotions of teenage love and regret. It should feature a narrator who reminisces about past mistakes and yearns for forgiveness, with specific references to small, evocative details like passing by a loved one's house or the music that was playing at a significant moment. The lyrics should convey a blend of innocence and maturity, embodying the voice of someone who is on the cusp of adulthood yet still grappling with the intensity of youthful emotions. The song should build up to a moment of vulnerability and hope, where the narrator seeks a second chance at a party, wondering if reconciliation is possible. Include vivid imagery and a storytelling approach that is characteristic of Taylor Swift's songwriting." + }, + { + "from":"gpt", + "value":"[Verse 1]\nBetty, I won't make assumptions\nAbout why you switched your homeroom, but\nI think it's 'cause of\u2005me\nBetty,\u2005one time, I\u2005was riding on my skateboard\nWhen I\u2005passed your house\nIt's like I couldn't breathe\n[Pre-Chorus]\nYou heard the rumors from Inez\nYou can't believe a word she says\nMost times, but this time, it was true\nThe worst thing that I ever did\nWas what I did to you\n[Chorus]\nBut if I just showed up at your party\nWould you have me? Would you want me?\nWould you tell me to go fuck myself\nOr lead me to the garden?\nIn the garden, would you trust me\nIf I told you it was just a summer thing?\nI'm only seventeen, I don't know anything\nBut I know I miss you\n[Verse 2]\nBetty, I know where it all went wrong\nYour favorite song was playing\nFrom the far side of the gym\nI was nowhere to be found\nI hate the crowds, you know that\nPlus, I saw you dance with him [Pre-Chorus]\nYou heard the rumors from Inez\nYou can't believe a word she says\nMost times, but this time, it was true\nThe worst thing that I ever did\nWas what I did to you\n[Chorus]\nBut if I just showed up at your party\nWould you have me? Would you want me?\nWould you tell me to go fuck myself\nOr lead me to the garden?\nIn the garden, would you trust me\nIf I told you it was just a summer thing?\nI'm only seventeen, I don't know anything\nBut I know I miss you\n[Bridge]\nI was walking home on broken cobblestones\nJust thinking of you when she pulled up like\nA figment of my worst intentions\nShe said, \"James, get in, let's drive\"\nThose days turned into nights\nSlept next to her, but\nI dreamt of you all summer long [Verse 3]\nBetty, I'm here on your doorstep\nAnd I planned it out for weeks now\nBut it's finally sinkin' in\nBetty, right now is the last time\nI can dream about what happens when\nYou see my face again\n[Pre-Chorus]\nThe only thing I wanna do\nIs make it up to you\nSo I showed up at your party\nYeah, I showed up at your party\n[Chorus]\nYeah, I showed up at your party\nWill you have me? Will you love me?\nWill you kiss me on the porch\nIn front of all your stupid friends?\nIf you kiss me, will it be just like I dreamed it?\nWill it patch your broken wings?\nI'm only seventeen, I don't know anything\nBut I know I miss you\n[Outro]\nStanding in your cardigan\nKissin' in my car again\nStopped at a streetlight\nYou know I miss you" + } + ] + }, + { + "id":4499926, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures the emotional intensity of encountering an ex-lover, expressing a blend of nostalgia, lingering love, and the pain of moving on. The lyrics should convey the protagonist\u2019s struggle with their enduring feelings and their desire not to be led on if there\u2019s no chance of reconciliation. The song should feature a poignant chorus that emphasizes the plea to the ex not to engage in friendly small talk or false professions of missing her if they do not intend to reignite the relationship. The musical arrangement should reflect Swift's signature blend of country-pop and narrative storytelling, with an acoustic undercurrent that underscores the vulnerability and raw honesty of the lyrics." + }, + { + "from":"gpt", + "value":"[Verse 1]\nHey, I knew I'd run into you somewhere\nIt's been a while, I didn't mean to stare\nI heard she's nothin' like me\nI'm sure she'll make you happy\n[Chorus]\nBut don't you, don't you\nSmile at me and ask me how I've been\nDon't you say you've\nMissed me if you don't want me again\nYou don't know how much I feel I love you still\nSo why don't you, don't you?\n[Post-Chorus]\nAh, ah, ah, ah\nAh, ah, ah\n[Verse 2]\nSometimes, I really wish that I could hate you\nI've tried, but that's just somethin' I can't do\nMy heart knows what the truth is\nI swore I wouldn't do this\n[Chorus]\nBut don't you, don't you\nSmile at me and ask me how I've been\nDon't you say you've\nMissed me if you don't want me again\nYou don't know how much I feel I love you still\nSo why don't you, don't you? [Bridge]\nSo I'll walk out of here tonight\nTry to go on with my life\nAnd you can say we're still friends\n(But I don't wanna pretend)\nSo if I see you again\n[Chorus]\nDon't you (Don't you), don't you\nSmile at me and ask me how I've been\nDon't you (Don't you) say you've\nMissed me if you don't want me again\nYou don't (You don't) know how much I feel I love you still\nSo why don't you, don't you?\n[Outro]\nAh, ah, ah, ah\nDon't you (Ah, ah, ah)" + } + ] + }, + { + "id":4765979, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the playful and confident spirit of a new romance. The lyrics should portray a strong sense of mutual attraction and the thrill of unspoken understanding between two people. Include vivid imagery, such as \"footprints on the sidewalk\" and \"hands around a cold glass,\" to convey a storyline where the protagonist is intrigued by their love interest's demeanor, including a \"boyish look\" and a mysterious \"attitude.\" The song should have a catchy, up-tempo feel with a chorus that reflects the heart-racing excitement of being in love, similar to the way \"I think he knows\" suggests an intimate connection without words. Emphasize the feeling of being on the cusp of a romantic adventure, with a bridge that brings in elements of desire and anticipation, akin to \"Lyrical smile, indigo eyes, hand on my thigh.\" Channel Swift's signature blend of storytelling, catchy hooks, and relatable emotional depth." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI think he knows\nHis footprints on the sidewalk\nLead to where I can't stop\nGo there every\u2005night\nI\u2005think he knows\nHis\u2005hands around a cold glass\nMake me\u2005wanna know that\nBody like it's mine\n[Pre-Chorus]\nHe got that boyish look that I like in a man\nI am an architect, I'm drawing up the plans\nIt's like I'm 17, nobody understands\nNo one understands\n[Chorus]\nHe got my heartbeat\nSkipping down 16th Avenue\nGot that, ah, I mean\nWanna see what's under that attitude like\nI want you, bless my soul\nAnd I ain't gotta tell him, I think he knows\nI think he knows\n[Verse 2]\nI think he knows\nWhen we get all alone\nI'll make myself at home\nAnd he'll want me to stay\nI think he knows\nHe'd better lock it down\nOr I won't stick around\n'Cause good ones never wait (Ha) [Pre-Chorus]\nHe got that boyish look that I like in a man\nI am an architect, I'm drawing up the plans\nHe's so obsessed with me and, boy, I understand\nBoy, I understand\n[Chorus]\nHe got my heartbeat (Heartbeat)\nSkipping down 16th Avenue\nGot that, ah, I mean (I mean)\nWanna see what's under that attitude like\nI want you, bless my soul\nAnd I ain't gotta tell him, I think he knows\nI think he knows\n[Post-Chorus]\nI want you, bless my\nI want you, bless my\nI want you, bless my\nI want you, bless my soul\n[Bridge]\nLyrical smile, indigo eyes, hand on my thigh\nWe could follow the sparks, I'll drive\nLyrical smile, indigo eyes, hand on my thigh\nWe could follow the sparks, I'll drive\n\"So where we gonna go?\"\nI whisper in the dark\n\"Where we gonna go?\"\nI think he knows [Chorus]\nHe got my heartbeat (Heartbeat)\nSkipping down 16th Avenue (Baby)\nGot that, ah, I mean (I mean)\nWanna see what's under that attitude like (Yeah)\nI want you, bless my soul\nAnd I ain't gotta tell him, I think he knows\nI think he knows\n[Post-Chorus]\nI want you, bless my\nI want you, bless my\nI want you, bless my (Oh, baby)\nI want you, bless my soul (He got my heartbeat)\nI want you, bless my (Skipping down 16th Avenue, baby)\nI want you, bless my\nI want you, bless my soul\nAnd I ain't gotta tell him, I think he knows" + } + ] + }, + { + "id":187432, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the poignant reminiscence of cherished moments with a loved one who has passed away. Emphasize the tender memories of innocence and love, such as barefoot walks and laughter, and the heartbreaking reality of loss, portrayed through vivid imagery like race cars on the kitchen floor and plastic dinosaurs. The song should convey a deep sense of personal storytelling and emotional vulnerability, with a chorus that emphasizes the yearning to escape the pain and fly away from the sorrow. Include a bridge that deals with the struggle of holding onto hope and the beauty of having had even a moment with the person who meant so much. The musical style should be reminiscent of Taylor Swift's heartfelt balladry, with a focus on acoustic elements that highlight the song's intimate and reflective nature." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI remember you bare feet, down the hallway\nI remember your little laugh\nRace cars on the kitchen floor, plastic dinosaurs\nI love you to the moon and back\nI remember your blue eyes looking into mine\nLike we had our own secret club\nI remember you dancing before bed time\nThen jumping on me waking me up\nI can still feel you hold my hand, little man\nAnd even the moment I knew\nYou fought it hard like an army guy\nRemember I leaned in and whispered to you\n[Chorus]\n\"Come on, baby, with me\nWe're going to fly away from here\nYou were my best four years\"\n[Verse 2]\nI remember the drive home\nWhen the blind hope turned to crying and screaming, \"Why?\"\nFlowers pile up in the worst way, no one knows what to say\nAbout a beautiful boy who died\nAnd it's about to be Halloween\nYou could be anything you wanted, if you were still here\nI remember the last day, when I kissed your face\nAnd whispered in your ear [Chorus]\n\"Come on, baby, with me\nWe're going to fly away from here\nOut of this curtained room and this hospital grey\nWe'll just disappear\nCome on, baby, with me\nWe're going to fly away from here\nYou were my best four years\"\n[Bridge]\nWhat if I'm standing in your closet trying to talk to you?\nAnd what if I kept the hand-me-downs you won't grow into?\nAnd what if I really thought some miracle would see us through?\nWhat if the miracle was even getting one moment with you?\n[Chorus]\nCome on, baby, with me\nWe're going to fly away from here\nCome on, baby, with me\nWe're going to fly away from here\nYou were my best four years\n[Outro]\nI remember you bare feet, down the hallway\nI love you to the moon and back" + } + ] + }, + { + "id":102711, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional intensity of a turbulent relationship, where the protagonists find themselves repeatedly at each other's doors, seeking closure or reconciliation. The lyrics should convey a sense of finality, as if this encounter is the ultimate one, with a poignant request to be prioritized above all else. The song should include a balance of vulnerability and determination, with a melodic guitar solo to underscore the bridge. The musical composition should evoke the bittersweet blend of hope and heartache, characteristic of Swift's duets, with particular attention to building a narrative that resonates with themes of love, regret, and the pain of letting go." + }, + { + "from":"gpt", + "value":"[Verse 1: Gary Lightbody]\nFind myself at your door\nJust like all those times before\nI\u2019m not sure how I got there\nAll roads, they lead me here\nI imagine you are home\nIn your room, all alone\nAnd you open your eyes into mine\nAnd everything feels better\n[Pre-Chorus: Both]\nAnd right before your eyes\nI'm breaking, no past\nNo reasons why\nJust you and me\n[Chorus: Both]\nThis is the last time I'm asking you this\nPut my name at the top of your list\nThis is the last time I'm asking you why\nYou break my heart in the blink of an eye (Eye, eye)\n[Verse 2: Taylor Swift]\nYou find yourself at my door\nAnd just like all those times before\nYou wear your best apology\nBut I was there to watch you leave\nAnd all the times I let you in\nJust for you to go again\nDisappear when you come back\nEverything is better [Pre-Chorus: Both]\nAnd right before your eyes\nI'm aching, run fast\nNowhere to hide\nJust you and me\n[Chorus: Both]\nThis is the last time I'm asking you this\nPut my name at the top of your list\nThis is the last time I'm asking you why\nYou break my heart in the blink of an eye (Eye, eye)\n[Guitar Solo]\n[Bridge: Taylor Swift, \nGary Lightbody\n & \nBoth\n]\nThis is the last time you tell me I've got it wrong\nThis is the last time I say it's been you all along\nThis is the last time I let you in my door\nThis is the last time, I won't hurt you anymore\nOh-ho, oh-ho, oh-ho, oh-ho\nOh-ho, oh-ho, oh-ho, oh-ho\n[Chorus: Both]\nThis is the last time I'm asking you this\nPut my name at the top of your list\nThis is the last time I'm asking you why\nYou break my heart in the blink of an eye [Post-Chorus: Taylor Swift & \nGary Lightbody\n]\nThis is the last time I'm asking you this \n(This is the last time I'm asking you this)\nPut my name at the top of your list \n(Put my name at the top of your list)\nThis is the last time I'm asking you why \n(This is the last time I'm asking you why)\nYou break my heart in the blink of an eye \n(You break my heart)\n[Outro: Both]\nThis is the last time I'm asking you, last time I'm asking you\nLast time I'm asking you this\nThis is the last time I'm asking you, last time I'm asking you\nLast time I'm asking you this\nThis is the last time I'm asking you, last time I'm asking you\nLast time I'm asking you this\nThis is the last time I'm asking you, last time I'm asking you\nLast time I'm asking you this" + } + ] + }, + { + "id":7823793, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of bittersweet nostalgia and a deep connection to a place, with evocative imagery of nature and the feeling of being unseen or misunderstood. The lyrics should convey a sense of longing and personal revelation, with a touch of melancholy wrapped in a melodic structure that builds from introspective verses to a powerful, emotional chorus, reminiscent of the storytelling and emotional depth found in songs like \"Carolina.\" The tune should blend acoustic elements with Swift's signature pop sensibility, creating a haunting yet catchy melody that stays with the listener." + }, + { + "from":"gpt", + "value":"[Verse 1]\nOh, Carolina creeks running through my veins\nLost I was born, lonesome I came\nLonesome I'll always stay\nCarolina knows why, for years, I roam\nFree as these birds, light as whispers\nCarolina knows\n[Pre-Chorus]\nAnd you didn't\u205fsee\u205fme\u205fhere\nNo, they never\u205fdid see me\u205fhere\nAnd she's in my dreams\n[Chorus]\nInto the mist, into the clouds\nDon't leave\nI make a fist, I'll make it count\nAnd there are places I will never, ever go\nAnd things that only Carolina will ever know\n[Verse 2]\nCarolina stains on the dress she left\nIndelible scars, pivotal marks\nBlue as the life she fled\nCarolina pines, won't you cover me?\nHide me like robes down the back road\nMuddy these webs we weave [Pre-Chorus]\nAnd you didn't see me here\nOh, they never did see me\nAnd she's in my dreams\n[Chorus]\nInto the mist, into the clouds\nDon't leave\nI make a fist, I'll make it count\nAnd there are places I will never, ever go\nAnd things that only Carolina will ever know\n[Bridge]\nAnd you didn't see me here\nThey never did see me here\nNo, you didn't see me here\nThey never saw me\n[Outro]\nOh, Carolina knows why for years they've said\nThat I was guilty as sin and sleep in a liar's bed\nBut the sleep comes fast and I'll meet no ghosts\nIt's between me, the sand, and the sea\nCarolina knows" + } + ] + }, + { + "id":551081, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional journey of overcoming a difficult period, characterized by metaphors of a drought and rain symbolizing hardship and renewal respectively. The lyrics should convey a personal narrative of struggle and healing, using imagery like flowers dying of thirst and being overwhelmed by a storm, which leads to a cathartic release and a sense of purification. The tone should balance vulnerability with resilience, reflecting on the past with a mix of sorrow and strength, ultimately arriving at a place of cleansing and sobriety. Include a bridge that acknowledges the ongoing challenge of staying 'clean,' yet committing to change, and make sure the song resonates with Taylor's heartfelt storytelling and melodic pop sensibility." + }, + { + "from":"gpt", + "value":"[Verse 1]\nThe drought was the very worst, ah-ah, ah-ah\nWhen the flowers that we'd grown together died of thirst\nIt was months and months of back and forth, ah-ah, ah-ah\nYou're still all over me like a wine-stained dress I can't wear anymore\n[Pre-Chorus]\nHung my head as I lost the war\nAnd the sky turned black like a perfect storm\n[Chorus]\nThe rain came pouring down\nWhen I was drownin', that's when I could finally breathe\nAnd by mornin'\nGone was any trace of you, I think I am finally clean\n[Verse 2]\nThere was nothin' left to do, ah-ah, ah-ah\nWhen the butterflies turned to dust that covered my whole room\nSo I punched a hole in the roof, ah-ah, ah-ah\nLet the flood carry away all my pictures of you\n[Pre-Chorus]\nThe water filled my lungs, I screamed so loud\nBut no one heard a thing [Chorus]\nThe rain came pouring down\nWhen I was drownin', that's when I could finally breathe\nAnd by mornin'\nGone was any trace of you, I think I am finally clean\n[Post-Chorus]\nI think I am finally clean\nAh-ah-ah-ah-ah\nSaid, I think I am finally clean\nAh-ah-ah-ah\n[Bridge]\nTen months sober, I must admit\nJust because you're clean, don't mean you don't miss it\nTen months older, I won't give in\nNow that I'm clean, I'm never gonna risk it\nThe drought was the very worst, ah-ah, ah-ah\nWhen the flowers that we'd grown together died of thirst (Oh)\n[Chorus]\nThe rain came pouring down\nWhen I was drownin', that's when I could finally breathe\nAnd by mornin'\nGone was any trace of you, I think I am finally clean\nThe rain came pouring down\nWhen I was drownin', that's when I could finally breathe\nAnd by mornin'\nGone was any trace of you, I think I am finally clean [Outro]\nFinally clean\nThink I'm finally clean\nAh-ah, ah-ah\nThink I'm finally clean" + } + ] + }, + { + "id":103836, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of someone who is morally conflicted about a romantic interest who is already in a relationship. The lyrics should reflect a strong sense of personal ethics and the refusal to be an accomplice to infidelity. It should convey the inner turmoil and the steadfast decision to do what's right, despite the attraction. The song should have narrative storytelling, emotional depth, and a catchy, memorable chorus that emphasizes the message. Include a bridge that serves as a turning point, highlighting the protagonist's resolve. The musical arrangement should be reminiscent of Swift's country-pop era, with a blend of acoustic and electric guitars, creating an anthem for self-respect and integrity." + }, + { + "from":"gpt", + "value":"[Intro]\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that, ah-ah\nDon't look at me, you got a girl at home\nAnd everybody knows that\n[Verse 1]\nI don't even know her\nBut I feel a responsibility\nTo do what's upstanding and right\nIt's kinda like a code, yeah\nAnd you've been getting closer and closer\nAnd crossing so many lines\n[Pre-Chorus]\nAnd it would be a fine proposition\nIf I was a stupid girl\nBut, honey, I am no one's exception\nThis, I have previously learned\n[Chorus]\nSo don't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that, ah-ah\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that\nI see you turn off your phone\nAnd now you've got me alone, and I say\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that [Verse 2]\nI just want to make sure\nYou understand perfectly\nYou're the kind of man who makes me sad\nWhile she waits up\nYou chase down the newest thing\nAnd take for granted what you have\n[Pre-Chorus]\nAnd it would be a fine proposition\nIf I was a stupid girl\nAnd, yeah, I might go with it\nIf I hadn't once been just like her\n[Chorus]\nSo don't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that, ah-ah\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that\nI see you turn off your phone\nAnd now you've got me alone, and I say\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that\n[Post-Chorus]\nOh-oh-oh, oh-oh-oh\nOh-oh-oh, oh-oh-oh [Bridge]\nCall a cab, lose my number\nYou're about to lose your girl\nCall a cab, lose my number\nLet's consider this lesson learned\n[Chorus]\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that, ah-ah\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that\nWant to see you pick up your phone\nAnd tell her you're coming home\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that\n[Outro]\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that\nIt would be a fine proposition\nIf I hadn't once been just like her" + } + ] + }, + { + "id":5793974, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures the essence of secret relationships and the emotional rollercoaster they involve, with a focus on the clandestine nature of such affairs, the intense feelings they evoke, and their inevitable end. The song should incorporate vivid imagery and metaphors, reflecting on the highs and lows, the measures taken to keep the affair hidden, and the personal turmoil that comes with it. The narrative should be poignant and confessional, with a bridge that conveys deep frustration and a sense of betrayal, culminating in a realization of self-compromise." + }, + { + "from":"gpt", + "value":"[Verse 1]\nMake sure nobody sees you leave\nHood over your head, keep your eyes down\nTell your friends\u2005you're\u2005out for a\u2005run\nYou\u2019ll be flushed when you return\nTake\u2005the road less traveled by\nTell yourself you can always stop\nWhat started in beautiful rooms\nEnds with meetings in parking lots\n[Chorus]\nAnd that's the thing about illicit affairs\nAnd clandestine meetings and longing stares\nIt's born from just one single glance\nBut it dies and it dies and it dies\nA million little times\n[Verse 2]\nLeave the perfume on the shelf\nThat you picked out just for him\nSo you leave no trace behind\nLike you don\u2019t even exist\nTake the words for what they are\nA dwindling, mercurial high\nA drug that only worked\nThe first few hundred times [Chorus]\nAnd that's the thing about illicit affairs\nAnd clandestine meetings and stolen stares\nThey show their truth one single time\nBut they lie and they lie and they lie\nA million little times\n[Bridge]\nAnd you wanna scream\nDon't call me \"kid,\" don't call me \"baby\"\nLook at this godforsaken mess that you made me\nYou showed me colors you know I can't see with anyone else\nDon't call me \"kid,\" don't call me \"baby\"\nLook at this idiotic fool that you made me\nYou taught me a secret language I can't speak with anyone else\n[Outro]\nAnd you know damn well\nFor you, I would ruin myself\nA million little times" + } + ] + }, + { + "id":8400683, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that tells the story of someone who meticulously plans to win over their love interest, using clever and strategic moves to ensure their affections are returned. The song should have a narrative verse-chorus structure, laced with metaphorical language that evokes a sense of destiny and cunning, reminiscent of a chess game. Incorporate a sense of self-awareness and confidence in the narrator's voice, with a bridge that reveals a vulnerable past driving their calculated approach to love. The musical style should blend Swift's storytelling prowess with a catchy, melodic pop sensibility." + }, + { + "from":"gpt", + "value":"[Verse 1]\nOnce upon a time, the planets and the fates\nAnd all the stars aligned\nYou and I ended up in the same room\nAt the same time\n[Pre-Chorus]\nAnd the touch of a hand lit the fuse\nOf a chain reaction of countermoves\nTo assess the equation of you\nCheckmate, I couldn't lose\n[Chorus]\nWhat if I told you none of it was accidental?\nAnd the first night that you saw me\nNothing was gonna stop me\nI laid the groundwork, and then\nJust like clockwork\nThe dominoes cascaded in a line\nWhat if I told you I'm a mastermind?\nAnd now you're mine\nIt was all by d\u0435sign\n'Cause I'm a mastermind\n[Verse 2]\nYou see, all the wis\u0435st women\nHad to do it this way\n'Cause we were born to be the pawn\nIn every lover's game [Pre-Chorus]\nIf you fail to plan, you plan to fail\nStrategy sets the scene for the tale\nI'm the wind in our free-flowing sails\nAnd the liquor in our cocktails\n[Chorus]\nWhat if I told you none of it was accidental?\nAnd the first night that you saw me\nI knew I wanted your body\nI laid the groundwork, and then\nJust like clockwork\nThe dominoes cascaded in a line\nWhat if I told you I'm a mastermind?\nAnd now you're mine\nIt was all my design\n'Cause I'm a mastermind\n[Bridge]\nNo one wanted to play with me as a little kid\nSo I've been scheming like a criminal ever since\nTo make them love me and make it seem effortless\nThis is the first time I've felt the need to confess\nAnd I swear\nI'm only cryptic and Machiavellian\n'Cause I care [Chorus]\nSo I told you none of it was accidental\nAnd the first night that you saw me\nNothing was gonna stop me\nI laid the groundwork, and then\nSaw a wide smirk on your face\nYou knew the entire time\nYou knew that I'm a mastermind\nAnd now you're mine\nYeah, all you did was smile\n'Cause I'm a mastermind" + } + ] + }, + { + "id":5793979, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures a blend of nostalgia and whimsical storytelling, with lyrics that reflect on childhood memories and the bittersweet passage of time. The song should include vivid imagery of nature and a sense of innocence lost, as well as themes of lasting love and the idea of love being passed down through generations like folk songs. Incorporate a mix of specific details\u2014such as swinging over a creek and hiding in a closet\u2014with more universal experiences, like dealing with a haunted house and the desire to run away and become pirates. The musical arrangement should be reminiscent of Taylor Swift's folk and indie-pop influences, with a hint of her country roots." + }, + { + "from":"gpt", + "value":"[Verse 1]\nPlease picture me in the trees\nI hit my peak at seven\nFeet in the swing over\u2005the\u2005creek\nI was too\u2005scared to jump in\nBut I, I\u2005was high in the sky\nWith Pennsylvania under me\nAre there still beautiful things?\n[Chorus]\nSweet tea in the summer\nCross your heart, won't tell no other\nAnd though I can\u2019t recall your face\nI still got love for you\nYour braids like a pattern\nLove you to the Moon and to Saturn\nPassed down like folk songs\nThe love lasts so long\n[Bridge]\nAnd I've been meaning to tell you\nI think your house is haunted\nYour dad is always mad and that must be why\nAnd I think you should come live with me\nAnd we can be pirates\nThen you won't have to cry\nOr hide in the closet\nAnd just like a folk song\nOur love will be passed on [Verse 2]\nPlease picture me in the weeds\nBefore I learned civility\nI used to scream ferociously\nAny time I wanted\nI, I\n[Chorus]\nSweet tea in the summer\nCross my heart, won\u2019t tell no other\nAnd though I can't recall your face\nI still got love for you\nPack your dolls and a sweater\nWe'll move to India forever\nPassed down like folk songs\nOur love lasts so long" + } + ] + }, + { + "id":124511, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional complexity of reminiscing about a past, passionate relationship while in a new, stable one. The lyrics should express nostalgia for the intensity and madness of the old love, contrasting it with the comfort and sanity of the current relationship. Include vivid imagery such as \"screaming and fighting and kissing in the rain\" to convey the turbulence of the old romance, while also describing the dependable and respectful nature of the new partner. The song should have a confessional tone, with a bridge that reveals a deeper longing for the excitement of the past, despite the outward appearance of contentment." + }, + { + "from":"gpt", + "value":"[Verse 1]\nHe is sensible and so incredible\nAnd all my single friends are jealous\nHe says everything I need to hear and it's like\nI couldn't ask for anything better\nHe opens up my door and I get into his car\nAnd he says you look beautiful tonight\nAnd I feel perfectly fine\n[Chorus]\nBut I miss screaming and fighting and kissing in the rain\nAnd it's 2AM and I'm cursing your name\nYou're so in love that you act insane\nAnd that's the way I loved you\nBreaking down and coming undone\nIt's a roller coaster kind of rush\nAnd I never knew I could feel that much\nAnd that's the way I loved you\n[Verse 2]\nHe respects my space\nAnd never makes me wait\nAnd he calls exactly when he says he will\nHe's close to my mother\nTalks business with my father\nHe's charming and endearing\nAnd I'm comfortable [Chorus]\nBut I miss screaming and fighting and kissing in the rain\nAnd it's 2AM and I'm cursing your name\nYou're so in love that you acted insane\nAnd that's the way I loved you\nBreaking down and coming undone\nIt's a roller coaster kind of rush\nAnd I never knew I could feel that much\nAnd that's the way I loved you\n[Bridge]\nHe can't see the smile I'm faking\nAnd my heart's not breaking\n'Cause I'm not feeling anything at all\nAnd you were wild and crazy\nJust so frustrating\nIntoxicating, complicated\nGot away by some mistake and now\n[Chorus]\nI miss screaming and fighting and kissing in the rain\nIt's 2AM and I'm cursing your name\nI'm so in love that I acted insane\nAnd that's the way I loved you\nBreaking down and coming undone\nIt's a roller coaster kind of rush\nAnd I never knew I could feel that much\nAnd that's the way I loved you, oh, oh [Outro]\nAnd that's the way I loved you, oh, oh\nNever knew I could feel that much\nAnd that's the way I loved you" + } + ] + }, + { + "id":58813, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a scorned lover plotting sweet revenge during a sizzling summer. The lyrics should convey a blend of biting wit and raw emotion, revealing a story of betrayal and retribution. The song should have a catchy, pop-driven melody with an undercurrent of country influence, featuring vivid storytelling that paints the other woman as a deceptive actress and the protagonist as someone who excels in the art of payback. Include a chorus that's both memorable and biting, reflecting the central theme that there's nothing the main character does better than revenge." + }, + { + "from":"gpt", + "value":"[Intro]\nNow, go stand in the corner and think about what you did (Ha)\nHaha, time for a little revenge\n[Verse 1]\nThe story starts when it was hot and it was summer and\nI had it all, I had him right there where I wanted him\nShe came along, got him alone, and let's hear the applause\nShe took him faster than you can say \"Sabotage\"\nI never saw it coming, wouldn't have suspected it\nI underestimated just who I was dealing with\nShe had to know the pain was beating on me like a drum\nShe underestimated just who she was stealing from\n[Chorus]\nShe's not a saint and she's not what you think\nShe's an actress, woah\nShe's better known for the things that she does\nOn the mattress, woah\nSoon, she's gonna find stealing other people's toys\nOn the playground won't make you many friends\nShe should keep in mind, she should keep in mind\nThere is nothing I do better than revenge, ha\n[Verse 2]\nShe looks at life like it's a party and she's on the list\nShe looks at me like I'm a trend and she's so over it\nI think her ever-present frown is a little troubling and\nShe thinks I'm psycho 'cause I like to rhyme her name with things\nBut sophistication isn't what you wear or who you know\nOr pushing people down to get you where you wanna go\nOh, they didn't teach you that in prep school so it's up to me\nBut no amount of vintage dresses gives you dignity\n(Think about what you did) [Chorus]\nShe's not a saint and she's not what you think\nShe's an actress, woah\nShe's better known for the things that she does\nOn the mattress, woah\nSoon, she's gonna find stealing other people's toys\nOn the playground won't make you many friends\nShe should keep in mind, she should keep in mind\nThere is nothing I do better than revenge, ha\n[Bridge]\nI'm just another thing for you to roll your eyes at, honey\nYou might have him, but haven't you heard?\nI'm just another thing for you to roll your eyes at, honey\nYou might have him, but I always get the last word\nWoah, woah-ah-oh\n[Chorus]\nShe's not a saint and she's not what you think\nShe's an actress, woah (She deserved it)\nShe's better known for the things that she does\nOn the mattress, woah\nSoon, she's gonna find stealing other people's toys\nOn the playground won't make you many friends\nShe should keep in mind, she should keep in mind\nThere is nothing I do better than revenge [Outro]\nDo you still feel like you know what you're doing?\n'Cause I don't think you do, oh (No, no, no, no)\nDo you still feel like you know what you're doing? (No)\nI don't think you do, I don't think you do\nLet's hear the applause (Come on, come on)\nCome on, show me how much better you are\n(So much better, yeah?)\nSee, you deserve some applause\n'Cause you're so much better\nShe took him faster than you could say \"Sabotage\"" + } + ] + }, + { + "id":4782863, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the heartbreak and melancholy of a lost love, using vivid imagery such as flashbacks, traffic lights, and chandeliers to convey the ongoing struggle with moving on. The song should include an emotional chorus that repeats the theme of \"death by a thousand cuts\" as a metaphor for the pain of saying goodbye, and verses that depict the attempts to heal and find oneself post-breakup. The musical style should be reflective of Swift's narrative songwriting, with an acoustic, indie-pop sound that underscores the introspective and bittersweet lyrics." + }, + { + "from":"gpt", + "value":"[Intro]\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\n[Chorus]\nSaying goodbye is death by a thousand cuts\nFlashbacks waking me up\nI get drunk, but it's not enough\n\u2019Cause the morning comes and you're not my baby\nI look through the windows of this love\nEven though we boarded them up\nChandelier's still flickering here\n\u2019Cause I can't pretend it's okay when it's not\nIt's death by a thousand cuts\n[Verse]\nI dress to kill my time, I take the long way home\nI ask the traffic lights if it'll be alright\nThey say, \"I don't know\"\nAnd what once was ours is no one's now\nI see you everywhere, the only thing we share\nIs this small town\nYou said it was a great love, one for the ages\nBut if the story\u2019s over, why am I still writing pages? [Chorus]\n\u2019Cause saying goodbye is death by a thousand cuts\nFlashbacks waking me up\nI get drunk, but it's not enough\n\u2019Cause the morning comes and you're not my baby\nI look through the windows of this love\nEven though we boarded them up\nChandelier's still flickering here\n'Cause I can\u2019t pretend it's okay when it's not\nIt's death by a thousand cuts\n[Bridge]\nMy heart, my hips, my body, my love\nTryna find a part of me that you didn't touch\nGave up on me like I was a bad drug\nNow I'm searching for signs in a haunted club\nOur songs, our films, united we stand\nOur country, guess it was a lawless land\nQuiet my fears with the touch of your hand\nPaper cut stings from our paper-thin plans\nMy time, my wine, my spirit, my trust\nTryna find a part of me you didn't take up\nGave you too much, but it wasn't enough\nBut I'll be alright, it's just a thousand cuts\n[Chorus]\nI get drunk, but it's not enough\n'Cause you're not my baby\nI look through the windows of this love\nEven though we boarded them up\nChandelier's still flickering here\n'Cause I can't pretend it's okay when it's not\nNo, it's not\nIt's death by a thousand cuts (You didn't touch) [Post-Chorus]\nTryna find a part of me that you didn't touch\nMy body, my love, my trust (It's death by a thousand cuts)\nBut it wasn't enough, it wasn't enough, no, no\n[Outro]\nI take the long way home\nI ask the traffic lights if it'll be alright\nThey say, \"I don't know\"" + } + ] + }, + { + "id":154241, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional intensity of a bittersweet farewell, with lyrics that reflect the pain of separation and the indifference of the world around, contrasted with deep personal care. The song should have a country-pop blend reminiscent of her earlier works, and it should tell a story that unfolds along a metaphorical highway, using vivid imagery of driving, speed, and distance to symbolize the journey of moving on. Include a catchy, heart-wrenching chorus that emphasizes the theme \"the world doesn't care, but I do.\"" + }, + { + "from":"gpt", + "value":"[Verse 1: Tim McGraw]\nBet your window's rolled down and your hair's pulled back\nAnd I bet you got no idea you're going way too fast\nYou're trying not to think about what went wrong\nTrying not to stop 'til you get where you goin'\nYou're trying to stay awake so I bet you turn on the radio\nAnd the song goes\n[Pre-Chorus: Taylor Swift]\nI can't live without you, I can't live without you, baby\nI can't live without you, I can't live without you, baby, oh, baby\n[Chorus: Tim McGraw]\nThe highway won't hold you tonight\nThe highway don't know you're alive\nThe highway don't care if you're all alone\nBut I do, I do\nThe highway won't dry your tears\nThe highway don't need you here\nThe highway don't care if you're coming home\nBut I do, I do\n[Verse 2: Tim McGraw & Taylor Swift]\nI bet you got a dead cell phone in your shotgun seat\nYeah, I bet you're bending God's ear talking 'bout me\nYou're trying not to let the first tear fall out\nYou're trying not to think about turning around\nYou're trying not to get lost in the sound but that song is always on\nSo you sing along [Pre-Chorus: Taylor Swift]\nI can't live without you, I can't live without you, baby\nI can't live without you, I can't live without you, baby, oh baby\n[Chorus: Tim McGraw]\nThe highway won't hold you tonight\nThe highway don't know you're alive\nThe highway don't care if you're all alone\nBut I do, I do\nThe highway won't dry your tears\nThe highway don't need you here\nThe highway don't care if you're coming home\nBut I do, I do\n[Pre-Chorus: Taylor Swift]\nI can't live without you, I can't live without you, baby\nI can't live without you, I can't live without you, baby, oh baby\n[Bridge: Tim McGraw & \nTaylor Swift\n]\nThe highway don't care\nThe highway don't care\nThe highway don't care\nBut I do, I do\nI can't live without you, I can't live without you, baby\nI can't live without I can't live without you, baby, oh baby\nThe highway don't care\nThe highway don't care\nThe highway don't care\nBut I do, I do\nI can't live without you, I can't live without you, baby\nI can't live without I can't live without you, baby\nThe highway don't care\nThe highway don't care\nThe highway don't care\nBut I do, I do\nI can't live without you, I can't live without you, baby\nI can't live without I can't live without you, baby, oh baby\nThe highway don't care\nThe highway don't care\nThe highway don't care\nBut I do, I do [Outro: Taylor Swift]\nI can't live without you, I can't live without you, baby" + } + ] + }, + { + "id":4508914, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the intimate and whimsical romance of a couple who defy conventions, reveling in their own set of rules within their shared space. The lyrics should reflect a deep connection suggesting a timeless bond, with chorus lines that emphasize the desire to remain inseparably close to the partner, invoking a sense of forever commitment. Incorporate vivid imagery, such as Christmas lights in January, and personal touches like guitar string scars, to create a sense of personalized storytelling. The song should have an air of endearment and a bridge that conveys a grand romantic gesture, all while maintaining the signature Taylor Swift blend of heartfelt narrative and catchy, sing-along choruses." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWe could leave the Christmas lights up 'til January\nAnd this is our place, we make the rules\nAnd there's a dazzling haze, a mysterious way about you, dear\nHave I known you twenty seconds or twenty years?\n[Chorus]\nCan I go where you go?\nCan we always be this close?\nForever and ever, ah\nTake me out and take me home\nYou're my, my, my, my lover\n[Verse 2]\nWe could let our friends crash in the living room\nThis is our place, we make the call\nAnd I'm highly suspicious that everyone who sees you wants you\nI've loved you three summers now, honey, but I want 'em all\n[Chorus]\nCan I go where you go?\nCan we always be this close?\nForever and ever, ah\nTake me out and take me home (Forever and ever)\nYou're my, my, my, my lover [Bridge]\nLadies and gentlemen, will you please stand?\nWith every guitar string scar on my hand\nI take this magnetic force of a man to be my lover\nMy heart's been borrowed and yours has been blue\nAll's well that ends well to end up with you\nSwear to be overdramatic and true to my lover\nAnd you'll save all your dirtiest jokes for me\nAnd at every table, I'll save you a seat, lover\n[Chorus]\nCan I go where you go?\nCan we always be this close?\nForever and ever, ah\nTake me out and take me home (Forever and ever)\nYou're my, my, my, my\nOh, you're my, my, my, my\nDarling, you're my, my, my, my lover" + } + ] + }, + { + "id":132097, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of youthful romance and nostalgia, with vivid storytelling and a country-pop melody. The lyrics should highlight innocent, playful moments like sneaking out and cherished memories that become the couple's unique anthem. Include specific narrative details and emotional undertones that resonate with the experience of first love, akin to the descriptive and sentimental journey in Swift's \"Our Song.\"" + }, + { + "from":"gpt", + "value":"[Verse 1]\nI was ridin' shotgun with my hair undone\nIn the front seat of his car\nHe's got a one-hand feel on the steering wheel\nThe other on my heart\nI look around, turn the radio down\nHe says, \"Baby, is something wrong?\"\nI say, \"Nothin', I was just thinkin'\nHow we don't have a song\"\nAnd he says\n[Chorus]\nOur song is the slamming screen door\nSneakin' out late, tapping on your window\nWhen we're on the phone and you talk real slow\n'Cause it's late and your mama don't know\nOur song is the way you laugh\nThe first date: \"Man, I didn't kiss her, and I should have\"\nAnd when I got home, 'fore I said amen\nAskin' God if he could play it again\n[Verse 2]\nI was walking up the front porch steps\nAfter everything that day\nHad gone all wrong or been trampled on\nAnd lost and thrown away\nGot to the hallway, well on my way\nTo my lovin' bed\nI almost didn't notice all the roses\nAnd the note that said [Chorus]\nOur song is the slamming screen door\nSneakin' out late, tapping on your window\nWhen we're on the phone and you talk real slow\n'Cause it's late and your mama don't know\nOur song is the way you laugh\nThe first date: \"Man, I didn't kiss her, and I should have\"\nAnd when I got home, 'fore I said amen\nAskin' God if he could play it again\n[Post-Chorus]\nDa-da-da-da\n[Bridge]\nI've heard every album, listened to the radio\nWaited for somethin' to come along\nThat was as good as our song\n[Chorus]\n'Cause our song is the slamming screen door\nSneakin' out late, tappin' on his window\nWhen we're on the phone and he talks real slow\n'Cause it's late and his mama don't know\nOur song is the way he laughs\nThe first date: \"Man, I didn't kiss him, and I should have\"\nAnd when I got home, 'fore I said amen\nAskin' God if he could play it again [Post-Chorus]\nPlay it again, oh, yeah\nOh, oh, yeah\n[Outro]\nI was ridin' shotgun with my hair undone\nIn the front seat of his car\nI grabbed a pen and an old napkin\nAnd I wrote down our song" + } + ] + }, + { + "id":186963, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the romantic and wistful longing for a partner who is always busy and preoccupied with his responsibilities, akin to Superman. The song should have an acoustic pop feel, with lyrics that depict the admiration for the partner's ambition and the bittersweet reality of loving someone who has a world to save. It should include elements of storytelling, reflecting on the protagonist's emotions and the hope of being truly united with their love someday. The chorus should be catchy and reflect the theme of waiting for the partner's return, while the bridge should convey a sense of fear of being forgotten, yet remaining hopeful and in love." + }, + { + "from":"gpt", + "value":"[Verse 1]\nTall, dark, and superman\nHe puts papers in his briefcase and drives away\nTo save the world or go to work\nIt's the same thing to me\nHe's got his mother's eyes, his father's ambition\nI wonder if he knows how much that I miss him\nI hang on every word you say, yay\nAnd you smile and say, \"How are you?\u201d\nI say, \"Just fine\"\nI always forget to tell you, I love you\nI love you forever\n[Chorus]\nI watch superman fly away\nYou've got a busy day today\nGo save the world, I'll be around\nAnd I watch superman fly away\nCome back, I'll be with you someday\nI'll be right here on the ground\nWhen you come back down\n[Verse 2]\nTall, dark and beautiful\nHe's complicated, he's irrational\nBut I hope someday you'll take me away and save the day, yeah\nSomething in his deep brown eyes has me sayin'\nHe's not all bad like his reputation\nAnd I can't hear one single word they say\nAnd you'll leave, got places to be and I'll be okay\nI always forget to tell you I love you\nI loved you from the very first day [Chorus]\nI watch superman fly away\nYou've got a busy day today\nGo save the world, I'll be around\nI watch superman fly away\nCome back, I'll be with you someday\nI'll be right here on the ground\nWhen you come back down\n[Bridge]\nAnd I watch you fly around the world\nAnd I hope you don't save some other girl\nDon't forget, don't forget about me\nI'm far away, but I never let you go\nI'm love-struck and looking out the window\nDon't forget, don't forget where I'll be\nRight here, wishing the flowers were from you\nWishing the card was from you\nWishing the call was from you\n'Cause I loved you from the very first day\n[Chorus]\nI watch superman fly away\nYou've got a busy day today\nGo save the world, I'll be around\nForever and ever here\nI watch superman fly away\nI swear, I'll be with you someday\nI'll be right here on the ground\nWhen you come back down [Outro]\nLa, la, la, la, la, la\nLa, la, la, la, la, la\nWhen you come back down" + } + ] + }, + { + "id":6260164, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love and the longing to be truly seen and appreciated within a relationship. Emulate Swift's introspective and narrative-driven lyricism, focusing on the nuanced emotions of feeling tolerated rather than celebrated by a partner. The song should encompass the delicate balance of admiration and the subtle heartache of being overlooked, using vivid imagery and metaphors to paint the emotional landscape. Include a bridge that shifts the perspective, offering a moment of empowerment amidst vulnerability. The musical arrangement should be reminiscent of Swift's folk and indie-pop influences, with a soft and melodic tune that underscores the song's introspective nature." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI sit and watch you readin' with your head low\nI wake and watch you breathin' with your eyes closed\nI sit and watch you\nI notice everything you do or don't do\nYou're so much older and wiser, and I\n[Chorus]\nI wait by the door like I'm just a kid\nUse my best colors for your portrait\nLay the table with the fancy shit\nAnd watch you tolerate it\nIf it's all in my head, tell me now\nTell me I've got it wrong somehow\nI know my love should be celebrated\nBut you tolerate it\n[Verse 2]\nI greet you with a battle hero's welcome\nI take your indiscretions all in good fun\nI sit and list\u0435n\nI polish plates until they gleam and glist\u0435n\nYou're so much older and wiser, and I\n[Chorus]\nI wait by the door like I'm just a kid\nUse my best colors for your portrait\nLay the table with the fancy shit\nAnd watch you tolerate it\nIf it's all in my head, tell me now\nTell me I've got it wrong somehow\nI know my love should be celebrated\nBut you tolerate it [Bridge]\nWhile you were out buildin' other worlds, where was I?\nWhere's that man who'd throw blankets over my barbed wire?\nI made you my temple, my mural, my sky\nNow I'm beggin' for footnotes in the story of your life\nDrawin' hearts in the byline\nAlways takin' up too much space or time\nYou assume I'm fine, but what would you do if I (I)\n[Chorus]\nBreak free and leave us in ruins?\nTook this dagger in me and removed it\nGain the weight of you, then lose it\nBelieve me, I could do it\nIf it's all in my head, tell me now\nTell me I've got it wrong somehow\nI know my love should be celebrated\nBut you tolerate it\n[Outro]\nI sit and watch you" + } + ] + }, + { + "id":98894, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the heartfelt emotion of a breakup, where the protagonist is driving away and reflecting on the sudden end of a relationship. The song should convey the complexities of moving on, even when it feels impossible, with lyrical themes of nostalgia, heartache, and the painful process of letting go. It should have a melancholic melody akin to a sad movie ending, and include a collaboration with an artist like Colbie Caillat to add harmonies that enhance the emotional depth of the chorus. The narrative should include specific details like it being 2 A.M. and feeling like they've lost a friend, emphasizing the intimate struggle of coping with the loss." + }, + { + "from":"gpt", + "value":"[Verse 1: Taylor Swift]\nI see your face in my mind as I drive away\n'Cause none of us thought it was gonna end that way\nPeople are people and sometimes, we change our minds\nBut it's killing me to see you go after all this time\n[Verse 2: Taylor Swift \nwith Colbie Caillat\n]\nMusic starts playing like the end of a sad movie\nIt's the kind of ending you don't really wanna see\n'Cause it's tragedy and it'll only bring you down\nNow, I don't know what to be without you around\n[Pre-Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd we know it's never simple, never easy\nNever a clean break, \nno one here to save me\nYou're the only thing I know like the back of my hand\n[Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd I can't \nbreathe\n without you, but I have to\nBreathe without you, but I have to\n[Verse 3: Taylor Swift \nwith Colbie Caillat\n]\nNever wanted this, never wanna see you hurt\nEvery little bump in the road, I tried to swerve\nBut people are people and sometimes, it doesn't work out\nNothing we say is gonna save us from the fall out [Pre-Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd we know it's never simple, never easy\nNever a clean break, \nno one here to save me\nYou're the only thing I know like the back of my hand\n[Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd I can't \nbreathe without you, but I have to\nBreathe without you but I have to\n[Bridge: Taylor Swift \nwith Colbie Caillat\n]\nIt's 2 A.M\n, feeling like I just \nlost a friend\nHope you know it's \nnot easy, easy for me\nIt's 2 A.M\n, feeling like \nI just lost a friend\nHope you know this ain't easy, easy for me\n[Pre-Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd we know it's never simple, never easy\nNever a clean break, \nno one here to save me\n, oh-oh\n[Chorus: Taylor Swift \nwith Colbie Caillat\n]\nI can't \nbreathe without you, but I have to\nBreathe without you, but I have to\nBreathe \nwithout you, but I have to\n[Outro: Taylor Swift & Colbie Caillat]\nI'm sorry, I'm sorry (Mmm)\nI'm sorry, (Yeah, yeah) I'm sorry\nI'm sorry, I'm sorry\nI'm sorry" + } + ] + }, + { + "id":4765965, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the nostalgic and romantic essence of a significant location, interweaving personal memories with a tender love story. The lyrics should express a fear of losing a loved one and the heartbreak that would be associated with that loss, using vivid imagery of city life and intimate moments. The song should have emotional verses and a catchy, repetitive chorus that emphasizes the significance of the place and the relationship it symbolizes." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWe were in the backseat\nDrunk on something stronger than the drinks in the bar\n\"I rent\u2005a\u2005place on Cornelia\u2005Street\"\nI say casually in the car\nWe\u2005were a fresh page on the desk\nFilling in the blanks as we go\nAs if the street lights pointed in an arrow head\nLeading us home\n[Chorus]\nAnd I hope I never lose you, hope it never ends\nI'd never walk Cornelia Street again\nThat's the kinda heartbreak time could never mend\nI'd never walk Cornelia Street again\nAnd baby, I get mystified by how this city screams your name\nAnd baby, I'm so terrified of if you ever walk away\nI'd never walk Cornelia Street again\nI'd never walk Cornelia Street again\n[Verse 2]\nWindows flung right open, autumn air\nJacket 'round my shoulders is yours\nWe bless the rains on Cornelia Street\nMemorize the creaks in the floor\nBack when we were card sharks, playing games\nI thought you were leading me on\nI packed my bags, left Cornelia Street\nBefore you even knew I was gone [Pre-Chorus]\nBut then you called, showed your hand\nI turned around before I hit the tunnel\nSat on the roof, you and I\n[Chorus]\nI hope I never lose you, hope it never ends\nI'd never walk Cornelia Street again\nThat's the kinda heartbreak time could never mend\nI'd never walk Cornelia Street again\nAnd baby, I get mystified by how this city screams your name (City screams your name)\nAnd baby, I'm so terrified of if you ever walk away\nI'd never walk Cornelia Street again\nI'd never walk Cornelia Street again\n[Bridge]\nYou hold my hand on the street\nWalk me back to that apartment\nYears ago, we were just inside\nBarefoot in the kitchen\nSacred new beginnings\nThat became my religion, listen\n[Chorus]\nI hope I never lose you\nI'd never walk Cornelia Street again\nOh, never again\nAnd baby, I get mystified by how this city screams your name (City screams your name)\nAnd baby, I'm so terrified of if you ever walk away\nI'd never walk Cornelia Street again\nI'd never walk Cornelia Street again [Post-Chorus]\nI don't wanna lose you (Hope it never ends)\nI'd never walk Cornelia Street again\nI don't wanna lose you (Yeah)\n[Outro]\n\"I rent a place on Cornelia Street\"\nI say casually in the car" + } + ] + }, + { + "id":98888, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the mix of innocence and the formative experiences of teenage life, complete with the nuanced storytelling of high school memories, friendships, and first loves. The song should embody a reflective and nostalgic tone, similar to her acoustic, country-pop sound, with lyrics that convey the emotion of growing up and the lessons learned along the way, just as she does in her narrative-rich song \"Fifteen.\"" + }, + { + "from":"gpt", + "value":"[Verse 1]\nYou take a deep breath and you walk through the doors\nIt's the mornin' of your very first day\nYou say \"hi\" to your friends you ain't seen in a while\nTry and stay out of everybody's way\nIt's your freshman year and you're gonna be here\nFor the next four years in this town\nHopin' one of those senior boys will wink at you and say\n\"You know, I haven't seen you around before\"\n[Chorus]\n'Cause when you're fifteen and somebody tells you they love you\nYou're gonna believe them\nAnd when you're fifteen, feelin' like there's nothin' to figure out\nWell, count to ten, take it in\nThis is life before you know who you're gonna be\nFifteen\n[Verse 2]\nYou sit in class next to a redhead named Abigail\nAnd soon enough, you're best friends\nLaughin' at the other girls who think they're so cool\nWe'll be outta here as soon as we can\nAnd then, you're on your very first date and he's got a car\nAnd you're feelin' like flyin'\nAnd your mama's waitin' up and you're thinkin' he's the one\nAnd you're dancin' 'round your room when the night ends\nWhen the night ends [Chorus]\n'Cause when you're fifteen and somebody tells you they love you\nYou're gonna believe them\nAnd when you're fifteen and your first kiss\nMakes your head spin 'round\nBut in your life, you'll do things greater than\nDating the boy on the football team\nBut I didn't know it at fifteen\n[Bridge]\nWhen all you wanted was to be wanted\nWish you could go back and tell yourself what you know now\nBack then, I swore I was gonna marry him someday\nBut I realized some bigger dreams of mine\nAnd Abigail gave everything she had\nTo a boy who changed his mind\nAnd we both cried\n[Chorus]\n'Cause when you're fifteen and somebody tells you they love you\nYou're gonna believe them\nAnd when you're fifteen, don't forget to look before you fall\nI've found time can heal most anything\nAnd you just might find who you're supposed to be\nI didn't know who I was supposed to be\nAt fifteen [Post-Chorus]\nLa-la-la, la-la-la, la-la-la-la\nLa-la-la, la-la-la, la-la-la-la\nLa-la-la, la-la-la\n[Outro]\nYour very first day\nTake a deep breath, girl\nTake a deep breath as you walk through the doors" + } + ] + }, + { + "id":132100, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love and longing, with lyrics that convey the feelings of being invisible to one's love interest who is enamored with someone else. The song should have emotive verses and a catchy chorus that reflects the yearning to be seen and loved, similar to the narrative storytelling and emotional depth found in Swift's music, paired with a melody that blends country roots with pop sensibility." + }, + { + "from":"gpt", + "value":"[Verse 1]\nShe can't see the way your eyes\nLight up when you smile\nShe'll never notice how you stop and stare\nWhenever she walks by\n[Pre-Chorus]\nAnd you can't see me wanting you the way you want her\nBut you are everything to me\n[Chorus]\nAnd I just wanna show you\nShe don't even know you\nShe's never gonna love you like I want to\nAnd you just see right through me\nBut if you only knew me\nWe could be a beautiful miracle, unbelievable\nInstead of just invisible\n[Post-Chorus]\nOh, yeah, oh\n[Verse 2]\nThere's a fire inside of you\nThat can't help but shine through\nShe's never gonna see the light\nNo matter what you do [Pre-Chorus]\nAnd all I think about is how to make you think of me\nAnd everything that we could be\n[Chorus]\nAnd I just wanna show you\nShe don't even know you\nShe's never gonna love you like I want to\nAnd you just see right through me\nBut if you only knew me\nWe could be a beautiful miracle, unbelievable\nInstead of just invisible\n[Bridge]\nLike shadows in a faded light\nOh, we're invisible\nI just wanna open your eyes\nAnd make you realize\n[Chorus]\nI just wanna show you\nShe don't even know you\nBaby, let me love you, let me want you\nYou just see right through me\nBut if you only knew me\nWe could be a beautiful miracle, unbelievable\nInstead of just invisible [Post-Chorus]\nOh, yeah\n[Outro]\nShe can't see the way your eyes\nLight up when you smile" + } + ] + }, + { + "id":187260, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that tells the story of a girl named Lucky, who, despite being different, embraces her unique spirit with optimism. The song should have a narrative quality, capturing the essence of small-town life and the concept of carving out one's destiny. It should include a catchy, repetitive chorus that highlights the phrase \"Lucky you,\" and incorporate vivid imagery such as starlit nights and rabbit feet to symbolize luck and dreams. The melody should be uplifting, with a blend of country and pop elements typical of Taylor Swift's music, and the lyrics should convey a sense of youthful hope and resilience." + }, + { + "from":"gpt", + "value":"[Verse 1]\nThere's a little girl in this little town\nWith a little too much heart to go around\nLive forever, never say never\nYou could do better, that's what she says\n[Chorus]\nMama named her Lucky on a starlit night\nA rabbit foot in her pocket, she dances in spite\nOf the fact that she's different\nAnd yet she's the same\nAnd she says, \"Do-do-do-do-do-do-do-do\nDo-do-do-do-do-do-do, do-do-do-do\nDo-do-do, do-do-do, do-do-do-do\nLucky you, lucky you\"\n[Verse 2]\nShe sings her little song, she walks along\nA little pathway headed for the skies\nLeft to travels, lives they unravel\nMind over matter, that's what she says\n[Chorus]\nMama named her Lucky on a starlit night\nA rabbit foot in her pocket, she dances in spite\nOf the fact that she's different\nAnd yet she's the same\nAnd she says, \"Do-do-do-do-do-do-do-do\nDo-do-do-do-do-do-do, do-do-do-do\nDo-do-do, do-do-do, do-do-do-do\nLucky you, lucky you, lucky you\" [Bridge]\nMaybe she'll sing you do-do-do-do\nMaybe she'll bring you into the skies\nHoney, she'll love you, funny how some view\nAngels above you aren't so far away\n[Chorus]\nMama named her Lucky on a starlit night\nA rabbit foot in her pocket, she dances in spite\nOf the fact that she's different\nAnd yet she's the same\nAnd she says, \"Lucky you, lucky you\"" + } + ] + }, + { + "id":187430, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the themes of jealousy and confrontation in a past relationship, using vivid imagery like \"permanent marker\" to symbolize the lasting impact of an ex's actions. The song should have a narrative verse-chorus structure, with emotionally charged lyrics and a pop-country blend that is characteristic of Taylor Swift's earlier work. Include metaphorical language to describe the complexities of love and heartbreak, and ensure the tone conveys a mix of bitterness and assertiveness." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI know he loved you a long time ago\nI ain't jealous of you, just thought you should know\nYou were never good enough for him or anything like me\nSo you might as well sit back 'cause I ain't trying to show maturity\n[Chorus]\n\"X\" is the shape I drew through your face\nIn permanent marker, oh, yeah\nJust like the mark you knew you were making\nWho do you think you are\nTo write on his heart in permanent marker?\n[Verse 2]\nI found that picture of you in that green dress\nHe sure had a good time cleaning up that mess\nHe found thirty other pieces but he'll never find them all\nTried to tape it back together, now he knows to keep it off the wall\n[Chorus]\n\"X\" is the shape I drew through your face\nIn permanent marker, oh, yeah\nJust like the mark you knew you were making\nWho do you think you are\nTo write on his heart in permanent marker?\n\"X\" is the shape I drew through your face\nIn permanent marker, oh, yeah\nOh, just like the mark you knew you were making\nWho do you think you are\nTo write on his heart?\n\"X\" is the shape I drew through your face\nIn permanent marker, oh, yeah\nJust like the mark that you knew that you were making\nWho do you think you are\nTo write on his heart in permanent marker? [Outro]\nIn permanent marker\nOh, permanent marker, yeah" + } + ] + }, + { + "id":50968, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that tells a story of a dramatic, uninvited guest interrupting a wedding, with vivid imagery and emotional stakes. The song should capture the essence of a conflicted love triangle, using a blend of country and pop musical elements. It should include a catchy chorus that conveys the urgency of speaking up before it's too late, and the narrative should unfold with descriptive verses that paint the scene of the wedding, the tension between the characters, and the resolution of the protagonist taking a bold step to prevent a regretful union." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI am not the kind of girl\nWho should be rudely bargin' in on a white veil occasion\nBut you are not the kind of boy\nWho should be marrying the wrong girl\nI sneak in and see your friends\nAnd her snotty little family all dressed in pastel\nAnd she is yelling at a bridesmaid\nSomewhere back inside a room\nWearin' a gown shaped like a pastry\n[Pre-Chorus]\nThis is surely not what you thought it would be\nI lose myself in a daydream\nWhere I stand and say\n[Chorus]\nDon't say yes, run away now\nI'll meet you when you're out\nOf the church, at the back door\nDon't wait or say a single vow\nYou need to hear me out\nAnd they said, \"Speak now\"\n[Verse 2]\nFond gestures are exchanged\nAnd the organ starts to play a song that sounds like a death march\nAnd I am hiding in the curtains\nIt seems that I was uninvited by your lovely bride-to-be [Pre-Chorus]\nShe floats down the aisle like a pageant queen\nBut I know you wish it was me\nYou wish it was me, don't you?\n[Chorus]\nDon't say yes, run away now\nI'll meet you when you're out\nOf the church, at the back door\nDon't wait or say a single vow\nYou need to hear me out\nAnd they said, \"Speak now\"\nDon't say yes, run away now (Run away now)\nI'll meet you when you're out\nOf the church, at the back door\nDon't wait or say a single vow (Say a single vow)\nYour time is running out\nAnd they said, \"Speak now\"\n[Post-Chorus]\nOoh (Run away now), la\nOoh (Say a single vow), ooh\n[Bridge]\nI hear the preacher say\n\"Speak now or forever hold your peace\"\nThere's the silence, there's my last chance\nI stand up with shaky hands, all eyes on me\nHorrified looks from everyone in the room\nBut I'm only lookin' at you [Verse 3]\nI am not the kind of girl\nWho should be rudely bargin' in on a white veil occasion\nBut you are not the kind of boy\nWho should be marrying the wrong girl, haha\n[Chorus]\nSo, don't say yes, run away now\nI'll meet you when you're out\nOf the church, at the back door\nDon't wait or say a single vow\nYou need to hear me out\nThey said, \"Speak now\"\nAnd you say, \"Let's run away now (Run away now)\nI'll meet you when I'm out\nOf my tux, at the back door\nBaby, I didn't say my vows (Say a single vow)\nSo glad you were around\nWhen they said, 'Speak now'\"" + } + ] + }, + { + "id":132091, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of introspection and the feeling of being an outsider. It should have emotionally charged lyrics reflecting on missed opportunities and the desire to belong, with a tone that oscillates between hopefulness and resignation. The song should include vivid storytelling in its verses, a catchy and reflective chorus, and a melody that fits within Swift\u2019s pop-country crossover sound. The narrative should evoke a sense of yearning and the bittersweet realization of recognizing one's place on \"the outside looking in.\"" + }, + { + "from":"gpt", + "value":"[Verse 1]\nI didn't know what I would find\nWhen I went looking for a reason, I know\nI didn't read between the lines\nAnd, baby, I've got nowhere to go\n[Pre-Chorus]\nI tried to take the road less traveled by\nBut nothing seems to work the first few times\nAm I right?\n[Chorus]\nSo how can I ever try to be better?\nNobody ever lets me in\nI can still see you, this ain't the best view\nOn the outside looking in\nI've been a lot of lonely places\nI've never been on the outside\n[Verse 2]\nYou saw me there, but never knew\nThat I would give it all up to be\nA part of this, a part of you\nAnd now, it's all too late, so you see\n[Pre-Chorus]\nYou could've helped if you had wanted to\nBut no one notices until it's too late to do anything [Chorus]\nHow can I ever try to be better?\nNobody ever lets me in\nI can still see you, this ain't the best view\nOn the outside looking in\nI've been a lot of lonely places\nI've never been on the outside\n[Post-Chorus]\nOh, yeah\n[Chorus]\nHow can I ever try to be better?\nNobody ever lets me in\nAnd I can still see you, this ain't the best view\nOn the outside looking in\nI've been a lot of lonely places\nI've never been on the outside\n[Outro]\nOh-oh\nOh, oh-oh\nOh-oh\nOh-oh" + } + ] + }, + { + "id":84880, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional roller coaster of an on-again, off-again relationship, emphasizing the definitive end to the cycle of breakups and makeups. The song should incorporate catchy pop hooks and relatable, conversational lyrics that resonate with a young adult audience, reflecting a blend of empowerment and frustration. Include a memorable chorus that firmly states the narrator's resolution not to reunite, using direct language and a sing-along quality that mirrors the anthem-like vibe of \"We Are Never Ever Getting Back Together.\"" + }, + { + "from":"gpt", + "value":"[Verse 1]\nI remember when we broke up the first time\nSaying, \"This is it, I've had enough,\" 'cause like\nWe hadn't seen each other in a month\nWhen you said you needed space (What?)\nThen you come around again and say\n\"Baby, I miss you and I swear I'm gonna change, trust me\"\nRemember how that lasted for a day?\nI say, \"I hate you,\" we break up, you call me, \"I love you\"\n[Pre-Chorus]\nOoh-ooh-ooh-ooh-ooh\nWe called it off again last night, but\nOoh-ooh-ooh-ooh-ooh\nThis time, I'm telling you, I'm telling you\n[Chorus]\nWe are never, ever, ever getting back together\nWe are never, ever, ever getting back together\nYou go talk to your friends, talk to my friends, talk to me\nBut we are never, ever, ever, ever getting back together\nLike, ever\n[Verse 2]\nI'm really gonna miss you picking fights\nAnd me falling for it, screaming that I'm right\nAnd you would hide away and find your peace of mind\nWith some indie record that's much cooler than mine [Pre-Chorus]\nOoh-ooh-ooh-ooh-ooh\nYou called me up again tonight, but\nOoh-ooh-ooh-ooh-ooh\nThis time, I'm telling you, I'm telling you\n[Chorus]\nWe (We) are never, ever, ever getting back together\nWe are never, ever, ever getting back together\nYou go talk to your friends, talk to my friends, talk to me (Talk to me)\nBut we are never, ever, ever, ever getting back together\n[Post-Chorus]\nOoh-ooh-ooh-ooh-ooh (Yeah)\nOoh-ooh-ooh-ooh-ooh-ooh (Yeah)\nOoh-ooh-ooh-ooh-ooh (Yeah)\nOh-oh-oh\n[Bridge]\nI used to think that we were forever, ever\nAnd I used to say, \"Never say never\"\nUgh, so he calls me up and he's like, \"I still love you\"\nAnd I'm like, \"I just, I mean, this is exhausting, you know?\nLike, we are never getting back together, like, ever\"\n[Chorus]\n(No) We are never, ever, ever getting back together\nWe are never, ever, ever (Ooh) getting back together\nYou go talk to your friends, talk to my friends, talk to me\nBut we are never, ever, ever, ever getting back together [Outro]\nWe (Ooh-ooh-ooh-ooh-ooh, ooh-ooh-ooh, no)\nGetting back together\nWe (Ooh-ooh-ooh-ooh-ooh, oh, oh)\nGetting back together (Yeah)\nYou go talk to your friends, talk to my friends, talk to me (Talk to me)\nBut we are never, ever, ever, ever getting back together" + } + ] + }, + { + "id":5793977, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures a nostalgic summer romance, tinged with the bittersweet realization that the love was fleeting and unattainable. The lyrics should evoke imagery of seaside towns, ephemeral moments, and the yearning associated with wanting something that was never truly yours. The song should have a reflective and melancholic tone, with a chorus that emphasizes the transient nature of the relationship, akin to the fleeting days of August. Include vivid details such as shared secrets, spontaneous adventures, and the poignant hope of young love. The musical arrangement should complement the wistful narrative, reminiscent of Swift's tender storytelling and melodic sensibilities." + }, + { + "from":"gpt", + "value":"[Verse 1]\nSalt air, and the rust on your door\nI never needed anything more\nWhispers of \"Are you\u2005sure?\"\n\"Never\u2005have I ever\u2005before\"\n[Chorus]\nBut I can see us lost\u2005in the memory\nAugust slipped away into a moment in time\n'Cause it was never mine\nAnd I can see us twisted in bedsheets\nAugust sipped away like a bottle of wine\n'Cause you were never mine\n[Verse 2]\nYour back beneath the sun\nWishin' I could write my name on it\nWill you call when you're back at school?\nI remember thinkin' I had you\n[Chorus]\nBut I can see us lost in the memory\nAugust slipped away into a moment in time\n'Cause it was never mine\nAnd I can see us twisted in bedsheets\nAugust sipped away like a bottle of wine\n'Cause you were never mine [Bridge]\nBack when we were still changin' for the better\nWanting was enough\nFor me, it was enough\nTo live for the hope of it all\nCancel plans just in case you'd call\nAnd say, \"Meet me behind the mall\"\nSo much for summer love and saying \"us\"\n'Cause you weren't mine to lose\nYou weren't mine to lose, no\n[Chorus]\nBut I can see us lost in the memory\nAugust slipped away into a moment in time\n'Cause it was never mine\nAnd I can see us twisted in bedsheets\nAugust sipped away like a bottle of wine\n'Cause you were never mine\n[Outro]\n'Cause you were never mine\nNever mine\nBut do you remember?\nRemember when I pulled up and said \"Get in the car\"\nAnd then canceled my plans just in case you'd call?\nBack when I was livin' for the hope of it all, for the hope of it all\n\"Meet me behind the mall\"\n(Remember when I pulled up and said \"Get in the car\")\n(And then canceled my plans just in case you'd call?)\n(Back when I was livin' for the hope of it all, for the hope of it all)\n(\"Meet me behind the mall\")\nRemember when I pulled up and said \"Get in the car\"\nAnd then canceled my plans just in case you'd call?\nBack when I was livin' for the hope of it all (For the hope of it all)\nFor the hope of it all, for the hope of it all\n(For the hope of it all, for the hope of it all)" + } + ] + }, + { + "id":4712978, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a bittersweet, sultry summer romance, filled with the thrill and heartaches of a secret love. The lyrics should convey the tension between desire and the pain of potential loss, using vivid imagery like \"fever dream\" and \"cruel summer.\" The music should blend pop sensibilities with an edge of melancholy, mirroring the ebbs and flows of an intense relationship, and should include catchy, repetitive hooks that embody the emotional rollercoaster of trying to hold onto a fleeting love." + }, + { + "from":"gpt", + "value":"[Intro]\n(\nYeah, yeah, yeah, yeah\n)\n[Verse 1]\nFever dream high in the quiet of the night\nYou know that I caught it (\nOh yeah, you're right, I want it\n)\nBad, bad boy, shiny toy with a price\nYou know that I bought it (\nOh yeah, you're right, I want it\n)\n[Pre-Chorus]\nKilling me slow, out the window\nI'm always waiting for you to be waiting below\nDevils roll the dice, angels roll their eyes\nWhat doesn't kill me makes me want you more\n[Chorus]\nAnd it's new, the shape of your body\nIt's blue, the feeling I've got\nAnd it's ooh, woah-oh\nIt's a cruel summer\nIt's cool, that's what I tell 'em\nNo rules in breakable heaven\nBut ooh, woah-oh\nIt's a cruel summer with you\n[Verse 2]\nHang your head low in the glow of the vending machine\nI'm not dying (\nOh yeah, you're right, I want it\n)\nWe say that we'll just screw it up in these trying times\nWe're not trying (\nOh yeah, you're right, I want it\n) [Pre-Chorus]\nSo cut the headlights, summer's a knife\nI'm always waiting for you just to cut to the bone\nDevils roll the dice, angels roll their eyes\nAnd if I bleed, you'll be the last to know, oh\n[Chorus]\nIt's new, the shape of your body\nIt's blue, the feeling I've got\nAnd it's ooh, woah-oh\nIt's a cruel summer\nIt's cool, that's what I tell 'em\nNo rules in breakable heaven\nBut ooh, woah-oh\nIt's a cruel summer with you\n[Bridge]\nI'm drunk in the back of the car\nAnd I cried like a baby comin' home from the bar (Oh)\nSaid, \"I'm fine,\" but it wasn't true\nI don't wanna keep secrets just to keep you\nAnd I snuck in through the garden gate\nEvery night that summer just to seal my fate (Oh)\nAnd I scream, \"For whatever it's worth\nI love you, ain't that the worst thing you ever heard?\"\nHe looks up, grinnin' like a devil [Chorus]\nIt's new, the shape of your body\nIt's blue, the feeling I've got\nAnd it's ooh, woah-oh\nIt's a cruel summer\nIt's cool, that's what I tell 'em\nNo rules in breakable heaven\nBut ooh, woah-oh\nIt's a cruel summer with you\n[Outro]\nI'm drunk in the back of the car\nAnd I cried like a baby comin' home from the bar (Oh)\nSaid, \"I'm fine,\" but it wasn't true\nI don't wanna keep secrets just to keep you\nAnd I snuck in through the garden gate\nEvery night that summer just to seal my fate (Oh)\nAnd I scream, \"For whatever it's worth\nI love you, ain't that the worst thing you ever heard?\"\n(\nYeah, yeah, yeah, yeah\n)" + } + ] + }, + { + "id":2466700, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that tells a heartfelt story through the eyes of a young child named Gracie, who is about to turn five and is taking her first airplane ride to see her father. The song should capture the innocence of a child and touch upon themes of hope, family, and divine presence, as seen through Gracie's perspective and her interactions with another passenger named Heather. The narrative should unfold with emotive verses and a chorus that conveys the idea of there being \"a whole lot of good people in heaven\" and that nothing in life is an accident. Include a sense of optimism and resilience, signature to Taylor Swift's storytelling approach, and allow the lyrics to reflect a country-pop musical style that Swift is renowned for." + }, + { + "from":"gpt", + "value":"[Verse 1]\nMy name's Gracie\nI'll be five in May\nKind of scared cause\nI've never been on a plane\nMy mama says that it'll be alright\nCause I'm going to see my daddy tonight\nAnd she says that\n[Chorus]\nThere's a whole a lot of good people in heaven\nAnd I don't wanna get there too soon\nAnd I know there's a God because I met him\nAnd I see it when I'm looking at you\nThere ain't no accidents in what we do\n[Verse 2]\nMy name's Heather\nGuess we're on the same flight\nDon't mind Gracie\nShe could talk to you all night\nShe's finally well enough to travel\nDoctor says she's in the clear\nShe's been in and out of hospital\nSince the beginning of the year [Chorus]\nThere's a whole a lot of good people in heaven\nAnd I don't wanna get there too soon\nAnd I know there's a God because I met him\nAnd I see it when I'm looking at you\nThere ain't no accidents in what we do\n[Verse 3]\nJames T. Johnson\nThat's her daddy's name\nHe's been overseas\nIt'll be a year today\nHe never talked about being scared over the phone\nHe just said me and Gracie will come and take him on\n[Chorus]\nThere's a whole a lot of good people in heaven\nAnd I don't wanna get there too soon\nAnd I know there's a God because I met him\nAnd I see it when I'm looking at you\nThere ain't no accidents in what we do\n[Verse 4]\nAnd the people that we meet\nAs we go through the rain\nThere are no accidents in what we do" + } + ] + }, + { + "id":132098, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of young love and the feeling of being one's true self only in the presence of a significant other. Incorporate vivid imagery of starry nights and quiet moments that encapsulate the intimacy of understanding each other without words. The song should have a country-pop blend, reminiscent of Swift's early work, with heartfelt lyrics that reflect the ups and downs of a relationship, the insecurities shared, and the profound truth that the protagonist is most authentic and uplifted when with their partner." + }, + { + "from":"gpt", + "value":"[Verse 1]\nFriday night beneath the stars\nIn a field behind your yard\nYou and I are painting pictures in the sky\nAnd sometimes, we don't say a thing\nJust listen to the crickets sing\nEverything I need is right here by my side\n[Pre-Chorus]\nAnd I know everything about you\nI don't wanna live without you\n[Chorus]\nI'm only up when you're not down\nDon't wanna fly if you're still on the ground\nIt's like no matter what I do\nWell, you drive me crazy half the time\nThe other half, I'm only tryin' to\nLet you know that what I feel is true\nAnd I'm only me when I'm with you\n[Verse 2]\nJust a small-town boy and girl\nLivin' in a crazy world\nTryna figure out what is and isn't true\nAnd I don't try to hide my tears\nMy secrets or my deepest fears\nThrough it all, nobody gets me like you do [Pre-Chorus]\nAnd you know everything about me\nYou say that you can't live without me\n[Chorus]\nI'm only up when you're not down\nDon't wanna fly if you're still on the ground\nIt's like no matter what I do\nWell, you drive me crazy half the time\nThe other half, I'm only tryin' to\nLet you know that what I feel is true\nAnd I'm only me when I'm with you\n[Bridge]\nWhen I'm with anybody else\nIt's so hard to be myself\nAnd only you can tell\n[Chorus]\nThat I'm only up when you're not down\nDon't wanna fly if you're still on the ground\nIt's like no matter what I do\nWell, you drive me crazy half the time\nThe other half, I'm only tryin' to\nLet you know that what I feel is true\nAnd I'm only me\nWho I wanna be\nWell, I'm only me when I'm with you [Outro]\nWith you\nUh-huh-huh, yeah" + } + ] + }, + { + "id":711148, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional journey of longing and eventual empowerment after a breakup. The lyrics should start with a vulnerable admission of needing someone, evolve through a realization of self-sufficiency, and end with a strong declaration of independence. Incorporate vivid imagery such as rain-drenched letters and one-way streets to symbolize past struggles, and use a contrasting chorus that emphasizes the newfound strength and resolve. The song should have a melodic pop-country blend, characteristic of Taylor Swift's earlier work, with a bridge that poignantly echoes the opening lines, reinforcing the transformation from dependence to freedom." + }, + { + "from":"gpt", + "value":"[Verse 1]\n\"I need you now\"\nRead letters that I wrote on the wall\nAnd the message that I left when I called\nI need you now\nWords I said drowned out by the rain\nWaiting there for you, but you never came\nMy world's a little colder now\nBut I'm keeping warm somehow\n[Chorus]\nSo here you are at my window\nGuess nobody told you\nI don't need you, don't need you\nAnd I waited, so frustrated\nWho's gonna hold you?\nI don't need you, don't need you now\n[Verse 2]\n\"I need you now\"\nWords I heard you whisper to me\nWhen we were walking down a one-way street\nAnd you need me now\nThat's what you've been telling my friends\nBut I've come too far to go back there again\nMy heart, my mind, and numbers have changed\nYou might as well forget my name [Chorus]\nSo here you are at my window\nGuess nobody told you\nI don't need you, don't need you\nAnd I waited, so frustrated\nWho's gonna hold you?\nI don't need you, don't need you now\n[Bridge]\n\"I need you now\"\nRead letters that I wrote on the wall\nAnd the message that I left when I called\n[Chorus]\nSo here you are at my window\nGuess nobody told you\nI don't need you, don't need you\nAnd I waited, so frustrated\nSo who's gonna hold you?\nI don't need you now\n[Breakdown]\nAnd I don't look for your car\nI don't wonder where you are\nI don't dream about you\n'Cause I don't need you now\nI don't dream about the way\nThat I never heard you say\n\"I need you, I need you\"\nI don't need you now [Outro]\nDon't need you\nI don't need you now" + } + ] + }, + { + "id":132093, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the tender and wistful feeling of unspoken affection, with lyrics that paint a vivid picture of the object of affection much like the detailed imagery in \"Cory's eyes are like a jungle.\" The song should include a chorus that emphasizes the message of inner beauty and potential, akin to \"You're beautiful, every little piece, love,\" and encourages the subject to remain true to themselves, regardless of where life takes them. Incorporate a bridge that touches on the bittersweet realization of a love that might remain unrequited, similar to \"If you and I are a story that never gets told.\" The musical arrangement should be in line with Taylor Swift's earlier country-pop style, featuring acoustic instruments and a melody that supports the song's reflective and hopeful tone." + }, + { + "from":"gpt", + "value":"[Verse 1]\nCory's eyes are like a jungle\nHe smiles, it's like the radio\nHe whispers songs into my window\nIn words that nobody knows\nThere's pretty girls on every corner\nThey watch him as he's walking home\nSaying, \"Does he know?\"\nWill you ever know?\n[Chorus]\nYou're beautiful, every little piece, love\nDon't you know you're really gonna be someone?\nAsk anyone\nAnd when you find everything you looked for\nI hope your life leads you back to my door\nOh, but if it don't\nStay beautiful\n[Verse 2]\nCory finds another way to be\nThe highlight of my day\nI'm taking pictures in my mind\nSo I can save 'em for a rainy day\nIt's hard to make a conversation\nWhen he's taking my breath away\nI should say, \"Hey, by the way\" [Chorus]\nYou're beautiful, every little piece, love\nDon't you know you're really gonna be someone?\nAsk anyone\nAnd when you find everything you looked for\nI hope your life leads you back to my door\nOh, but if it don't\nStay beautiful\n[Bridge]\nIf you and I are a story\nThat never gets told\nIf what you are is a daydream\nI'll never get to hold, at least you'll know\n[Chorus]\nYou're beautiful, every little piece, love\nDon't you know you're really gonna be someone?\nAsk anyone\nAnd when you find everything you looked for\nI hope your life leads you back to my front door\nOh, but if it don't\nWill you stay beautiful, beautiful, beautiful?\nBeautiful, beautiful, beautiful\n[Outro]\nLa-la-la\nOh-oh-oh\nOh-oh-oh-oh\nOh, but if it don't\nStay beautiful, stay beautiful\nNa-na-na, na-na" + } + ] + }, + { + "id":642957, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the heartfelt realization of being better together with someone special, incorporating a blend of reflective verses and an uplifting chorus. The song should express the magic of a fresh romantic connection and the hopeful contemplation of a shared future, with an emphasis on vivid, personal imagery and the emotional journey of falling in love. Include a bridge that harkens back to the beginning of the relationship, emphasizing the theme that \"two is better than one,\" and ensure the melody carries the signature Taylor Swift blend of country-pop charm with a touch of indie influence." + }, + { + "from":"gpt", + "value":"[Verse 1: Martin Johnson]\nI remember what you wore on the first day\nYou came into my life and I thought\n\"Hey, you know, this could be something\"\n'Cause everything you do and words you say\nYou know that it all takes my breath away\nAnd now I'm left with nothing\n[Chorus: Martin Johnson & Taylor Swift]\nSo maybe it's true that I can't live without you\nAnd maybe two is better than one\nBut there's so much time to figure out the rest of my life\nAnd you've already got me coming undone\nAnd I'm thinking two is better than one\n[Verse 2: Martin Johnson & \nTaylor Swift\n]\nI remember every look upon your face\nThe way you roll your eyes, the way you taste\nYou make it hard for breathing\n'Cause when I close my eyes and drift away\nI think of you and everything's okay\nI'm finally now believing\n[Chorus: Martin Johnson & Taylor Swift]\nThen maybe it's true that I can't live without you\nAnd maybe two is better than one\nBut there's so much time to figure out the rest of my life\nAnd you've already got me coming undone\nAnd I'm thinking two is better than one [Bridge: Martin Johnson]\nI remember what you wore on the first day\nYou came into my life and I thought, hey (Hey, hey)\n[Chorus: Martin Johnson & Taylor Swift]\nMaybe it's true that I can't live without you\nAnd maybe two is better than one\nBut there's so much time to figure out the rest of my life\nAnd you've already got me coming undone\n[Outro: Martin Johnson & Taylor Swift]\nAnd I'm thinking, ooh, I can't live without you\n'Cause, baby, two is better than one\nThere's so much time to figure out the rest of my life\nBut I'll figure out with all that's said and done\nTwo is better than one\nTwo is better than one" + } + ] + }, + { + "id":2364298, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that encapsulates the introspective and romantic narrative of a person reflecting on their love life, feeling incomplete without their significant other. The song should include vivid imagery, such as being \"a stranger in an all night diner\" or \"a harbor light that's never seen a boat,\" to express the loneliness and yearning for a love that seems just out of reach. The melody should be heartfelt and the structure should follow a verse-chorus-verse pattern, with a bridge that brings a moment of hopeful encounter. Emphasize the contrast between everyday life and the poignant inner world of the protagonist, much like Taylor Swift's storytelling approach in her songs." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI wake up\nI stretch out\nI wonder what you're doin' right now\nYeah I slept, in my makeup again\nTell myself 'I must be crazy'\nThinkin' 'bout him\nI find myself something decent to wear\nTake the towel out of my hair\nAbout that time, you call me\nAnd I'm reminded, without you\n[Chorus]\nI'd be a stranger in an all night diner\nWaiting for a love to find her\nLonely like a harbor light\nThat's never seen a boat\nLike a line in an old love letter\nNo one ever wrote\n[Verse 2]\nI go to work\nWork all day\nI'm a walking tape recorder\nOf everything you say\nWalk to the car, dig out my keys\nStart thinkin' if you were with anyone but me [Chorus]\nI'm a stranger in an all night diner\nWaiting for a love to find her\nLonely like a harbor light\nThat's never seen a boat\nLike a line in an old love letter\nNo one ever wrote\n[Bridge]\nThere you are\nOn the street\nJust standing there, waiting on me\nI show you, my new shoes\nYou say you love them\n'Nd baby without you -\n[Chorus]\nI'm a stranger in an all night diner\nWaiting for a love to find her\nLonely like a harbor light\nThat's never seen a boat\nLike a line in an old love letter\nNo one ever wrote\n[Outro]\nI wake up\nI stretch out\nI wonder what you're doin' right now" + } + ] + }, + { + "id":6260167, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the nostalgic reflection on a past relationship, complete with vivid memories of youth and a longing for a simpler time. The song should have a storytelling approach, much like Swift's songwriting, with specific references to personal history and places that add depth to the narrative. The musical arrangement should be evocative of Taylor's indie-folk era, with an acoustic and intimate feel that complements the wistful tone of the lyrics, embodying the emotional complexity and maturity of her later works." + }, + { + "from":"gpt", + "value":"[Verse 1]\nHey, Dorothea, do you ever stop and think about me?\nWhen we were younger, down in the park\nHoney, makin' a lark of the misery\nYou got shiny friends since you left town\nA tiny screen's the only place I see you now\nAnd I got nothin' but well wishes for ya\n[Pre-Chorus]\nOoh\nThis place is the same as it ever was\nOoh\nBut you won't like it that way\n[Chorus]\nIt's never too late to come back to my side\nThe stars in your eyes shined brighter in Tupelo\nAnd if you're ever tired of b\u0435in' known for who you know\nYou know that you'll always know me\nDorothea, uh-uh\nDorothea, ah-ah\n[Post-Chorus]\nOoh\nYou'r\u0435 a queen sellin' dreams, sellin' makeup and magazines\nOoh\nFrom you, I'd buy anything [Verse 2]\nHey, Dorothea, do you ever stop and think about me?\nWhen it was calmer, skippin' the prom\nJust to piss off your mom and her pageant schemes\nAnd damn, Dorothea, they all wanna be ya\nBut are you still the same soul I met under the bleachers? Well\n[Pre-Chorus]\nOoh\nI guess I'll never know\nOoh\nAnd you'll go on with the show\n[Chorus]\nBut it's never too late to come back to my side\nThe stars in your eyes shined brighter in Tupelo\nAnd if you're ever tired of bein' known for who you know\nYou know, you'll always know me\nDorothea, uh-uh\nDorothea, ah-ah\n[Outro]\nOoh, ooh\nOoh-woo-ooh-ooh-ooh, ooh-ooh-ooh-ooh\nOoh, ooh\nOoh-woo-ooh-ooh-ooh, ooh-ooh-ooh\nDorothea (Ah-ah-ah)\nAh-ah\nOoh" + } + ] + }, + { + "id":92224, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a tumultuous and regretful love affair, much like her hit \"I Knew You Were Trouble.\" The lyrics should convey the narrative of reflecting on past mistakes and the realization of being wronged in the relationship, with an underlying tone of self-blame and awakening. The song should include a catchy, anthemic chorus that emphasizes the theme of betrayal and disappointment, and it should embody the pop and slight rock influences, with an emotional bridge that highlights the ultimate fear of never being truly loved." + }, + { + "from":"gpt", + "value":"[Intro]\n[Verse 1]\nOnce upon a time, a few mistakes ago\nI was in your sights, you got me alone\nYou found me, you found me\nYou found me-e-e-e-e\nI guess you didn't care and I guess I liked that\nAnd when I fell hard, you took a step back\nWithout me, without me\nWithout me-e-e-e-e\n[Pre-Chorus]\nAnd he's long gone when he's next to me\nAnd I realize the blame is on me\n[Chorus]\n'Cause I knew you were trouble when you walked in\nSo shame on me now\nFlew me to places I'd never been\n'Til you put me down, oh\nI knew you were trouble when you walked in\nSo shame on me now\nFlew me to places I'd never been\nNow, I'm lying on the cold, hard ground [Post-Chorus]\nOh, oh-oh\nTrouble, trouble, trouble\nOh, oh-oh\nTrouble, trouble, trouble\n[Verse 2]\nNo apologies, he'll never see you cry\nPretends he doesn't know that he's the reason why\nYou're drowning, you're drowning\nYou're drowning-ing-ing-ing-ing\nAnd I heard you moved on from whispers on the street\nA new notch in your belt is all I'll ever be\nAnd now, I see, now, I see\nNow, I see-e-e-e-e\n[Pre-Chorus]\nHe was long gone when he met me\nAnd I realize the joke is on me, yeah\n[Chorus]\nI knew you were trouble when you walked in (Oh)\nSo shame on me now\nFlew me to places I'd never been\n'Til you put me down, oh\nI knew you were trouble when you walked in\nSo shame on me now\nFlew me to places I'd never been (Yeah)\nNow, I'm lying on the cold, hard ground [Post-Chorus]\nOh, oh-oh\nTrouble, trouble, trouble (Yeah, trouble)\nOh, oh-oh\nTrouble, trouble, trouble\n[Bridge]\nAnd the saddest fear\nComes creeping in\nThat you never loved me\nOr her, or anyone, or anything, yeah\n[Chorus]\nI knew you were trouble when you walked in\nSo shame on me now\nFlew me to places I'd never been (Never been)\n'Til you put me down, oh\nI knew you were trouble when you walked in (Knew it right there)\nSo shame on me now (Knew it right there)\nFlew me to places I'd never been (Ooh)\nNow, I'm lying on the cold, hard ground\n[Post-Chorus]\nOh, oh-oh\nTrouble, trouble, trouble (Oh)\nOh, oh-oh\nTrouble, trouble, trouble\nI knew you were trouble when you walked in\nTrouble, trouble, trouble\nI knew you were trouble when you walked in\nTrouble, trouble, trouble [Outro]" + } + ] + }, + { + "id":186824, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the bittersweet emotions of reflecting on a past holiday romance gone wrong, with a mix of vulnerability and newfound resolve. The song should have a catchy, memorable chorus that emphasizes the contrast between last Christmas and the singer's determination to find a more deserving love this year. The verses should tell a story of heartache and personal growth, set against a backdrop of festive imagery, and the overall tone should blend Taylor Swift's signature confessional lyricism with an upbeat holiday pop sound." + }, + { + "from":"gpt", + "value":"[Chorus]\nLast Christmas I gave you my heart\nBut the very next day, you gave it away\nThis year, to save me from tears\nI will give it to someone special\n[Verse 1]\nOnce bitten and twice shied\nI keep my distance but you still catch my eye\nTell me baby\nDo you recognize me\nWell, it has been a year, it does not surprise me\nMerry Christmas, I wrapped it up and sent it\nWith a note saying 'I love you', I meant it\nNow I know what a fool I've been\nBut if you kiss me now, I know you would fool me again\n[Chorus]\nLast Christmas I gave you my heart\nBut the very next day, you gave it away\nThis year, to save me from tears\nI will give it to someone special\nLast Christmas I gave you my heart\nBut the very next day, you gave it away\nThis year, to save me from tears\nI will give it to someone special [Verse 2]\nA crowded room and friends with tired eyes\nI am hiding from you and your soul of ice\nMy God, I thought you were someone to rely on\nMe, I guess I was a shoulder to cry on\nA face on a lover with a fire in his heart\nA girl on a cover but you tore her apart\nMaybe this year\nMaybe this year I will give it to someone special\n[Chorus]\nBecause last Christmas I gave you my heart\nBut the very next day, you gave it away\nThis year, to save me from tears\nI will give it to someone special\nLast Christmas I gave you my heart\nBut the very next day, you gave it away\nThis year, to save me from tears\nI will give it to someone special\nAnd last Christmas\nAnd this year\nIt won't be anything like, anything like\nLast Christmas I gave you my heart\nBut the very next day, you gave it away\nThis year, to save me from tears\nI will give it to someone special" + } + ] + }, + { + "id":186846, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that embodies the playful and whimsical tone of a holiday classic, \"Santa Baby.\" The song should reflect a cheeky wish list addressed to Santa, dripping with the charm of a good girl's confession, while also incorporating modern, romantic storytelling akin to Taylor Swift's songwriting. The lyrics should playfully request extravagant gifts and grand romantic gestures, all wrapped in the cozy, sparkling aesthetic of the holiday season." + }, + { + "from":"gpt", + "value":"[Chorus]\nSanta baby, slip a sable under the tree, for me\nI have been an awful good girl, Santa baby\nSo hurry down the chimney tonight\nSanta baby, a '54 convertible, too, light blue\nWell I will wait up for you, dear, Santa baby\nSo hurry down the chimney tonight, yeah\n[Verse 1]\nThink of all the fun I have missed\nThink of all the boys I have not kissed\nNext year I could be just as good\nIf you check off my Christmas list\n[Chorus]\nSanta baby, I want a yacht and really that is not a lot\nI have been an angel all year, Santa baby\nSo hurry down the chimney tonight\nSanta, honey, there is one more thing I really do need, the deed\nTo a platinum mine, Santa honey\nSo hurry down the chimney tonight\n[Verse 2]\nCome and trim my Christmas tree\nWith some decorations bought at Tiffany's\nI really do believe in you\nLet us see if you believe in me [Chorus]\nSanta baby, forgot to mention one little thing\nA ring\nAnd I do not mean on the phone\n, Santa baby\nSo hurry down the chimney tonight" + } + ] + }, + { + "id":5794073, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of nostalgic reminiscence and the wistful wonderings of what could have been with a past love. Emulate Swift's introspective lyricism and storytelling, incorporating themes of personal growth, missed opportunities, and the idea of \"the one that got away.\" The song should have a reflective tone, with vivid imagery akin to \"tossing pennies in the pool\" and \"roaring twenties,\" and it should evoke a sense of maturity and acceptance that comes with looking back on a past relationship. Include a catchy, emotive chorus that encapsulates the bittersweet nature of the narrative, similar to the poignant yet catchy feel of Swift's music." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI'm doing good, I'm on some new shit\nBeen saying \"yes\" instead of \"no\"\nI thought I\u2005saw\u2005you at the\u2005bus stop, I didn't though\nI hit\u2005the ground running each night\nI hit the Sunday matin\u00e9e\nYou know the greatest films of all time were never made\n[Pre-Chorus]\nI guess you never know, never know\nAnd if you wanted me, you really should've showed\nAnd if you never bleed, you're never gonna grow\nAnd it's alright now\n[Chorus]\nBut we were something, don't you think so?\nRoaring twenties, tossing pennies in the pool\nAnd if my wishes came true\nIt would've been you\nIn my defense, I have none\nFor never leaving well enough alone\nBut it would've been fun\nIf you would've been the one\n(Ooh)\n[Verse 2]\nI have this dream you're doing cool shit\nHaving adventures on your own\nYou meet some woman on the internet and take her home\nWe never painted by the numbers, baby\nBut we were making it count\nYou know the greatest loves of all time are over now [Pre-Chorus]\nI guess you never know, never know\nAnd it's another day waking up alone\n[Chorus]\nBut we were something, don't you think so?\nRoaring twenties, tossing pennies in the pool\nAnd if my wishes came true\nIt would've been you\nIn my defense, I have none\nFor never leaving well enough alone\nBut it would've been fun\nIf you would've been the one\n[Bridge]\nI, I, I persist and resist the temptation to ask you\nIf one thing had been different\nWould everything be different today?\n[Chorus]\nWe were something, don't you think so?\nRos\u00e9 flowing with your chosen family\nAnd it would've been sweet\nIf it could've been me\nIn my defense, I have none\nFor digging up the grave another time\nBut it would've been fun\nIf you would've been the one\n(Ooh)" + } + ] + }, + { + "id":551103, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the intimate and nuanced moments of a budding romance, with vivid imagery such as \"buttons on a coat\" and \"coffee at midnight\". The song should have a narrative quality, detailing both small interactions and significant realizations between the lovers, like the moment one acknowledges the other as their \"best friend\". Incorporate a repetitive and poignant chorus that emphasizes the silent, yet profound, signs of true love, evoking a sense of serenity and certainty within the chaos of emotions. The musical composition should be gentle and melodic, reflecting the tender and introspective nature of Swift's storytelling songwriting." + }, + { + "from":"gpt", + "value":"[Verse 1]\nOne look, dark room, meant just for you\nTime moved too fast, you play it back\nButtons on a coat, lighthearted joke\nNo proof, not much, but you saw enough\nSmall talk, he drives, coffee at midnight\nThe light reflects the chain on your neck\nHe says, \"Look up\" and your shoulders brush\nNo proof, one touch, but you felt enough\n[Chorus]\nYou can hear it in the silence (Silence), silence (Silence), you\nYou can feel it on the way home (Way home), way home (Way home), you\nYou can see it with the lights out (Lights out), lights out (Lights out)\nYou are in love, true love\nYou are in love\n[Verse 2]\nMorning, his place, burnt toast, Sunday\nYou keep his shirt, he keeps his word\nAnd for once, you let go of your fears and your ghosts\nOne step, not much, but it said enough\nYou kiss on sidewalks, you fight and you talk\nOne night, he wakes, strange look on his face\nPauses, then says \"You're my best friend\"\nAnd you knew what it was, he is in love [Chorus]\nYou can hear it in the silence (Silence), silence (Silence), you\nYou can feel it on the way home (Way home), way home (Way home), you\nYou can see it with the lights out (Lights out), lights out (Lights out)\nYou are in love, true love\n[Bridge]\nAnd so it goes\nYou two are dancing in a snow globe, 'round and 'round\nAnd he keeps a picture of you in his office downtown\nAnd you understand now\nWhy they lost their minds and fought the wars\nAnd why I've spent my whole life trying to put it into words\n[Breakdown]\n'Cause you can hear it in the silence\nYou can feel it on the way home\nYou can see it with the lights out\nYou are in love, true love\nYou are in love\n[Chorus]\nYou can hear it in the silence (Silence), silence (Silence), you\nYou can feel it on the way home (Way home), way home (Way home), you\nYou can see it with the lights out (Lights out), lights out (Lights out)\nYou are in love, true love\nYou are in love (Ah)\nYou can hear it in the silence (Silence), silence (Silence), you (Ah)\nYou can feel it on the way home (Way home), way home (Way home), you (Ah)\nYou can see it with the lights out (Lights out), lights out (Lights out)\nYou are in love, true love\nYou are in love" + } + ] + }, + { + "id":8486443, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a poignant farewell, filled with emotive lyrics that convey a deep sense of loss and longing. The song should reflect on what could have been with someone who was once larger than life and integral to the singer's world, but is now a memory. The musical arrangement should be evocative, with a melancholic melody that mirrors the bittersweet goodbye, while staying true to the narrative storytelling and heartfelt vocal delivery characteristic of Taylor Swift's ballads." + }, + { + "from":"gpt", + "value":"[Verse 1]\nNo words appear before me in the aftermath\nSalt streams out my eyes and into my ears\nEvery single thing I touch becomes sick with sadness\n'Cause it's all over now, all out to sea\n[Chorus]\nGoodbye, goodbye, goodbye\nYou were bigger than the whole sky\nYou were more than just a short time\nAnd I've got a lot to pine about\nI've got a lot to live without\nI'm never gonna meet\nWhat could've been, would've been\nWhat should've been you\nWhat could've been, would've been you\n[Verse 2]\nDid some bird flap its wings ov\u0435r in Asia?\nDid some force take you b\u0435cause I didn't pray?\nEvery single thing to come has turned into ashes\n'Cause it's all over, it's not meant to be\nSo I'll say words I don't believe\n[Chorus]\nGoodbye, goodbye, goodbye\nYou were bigger than the whole sky\nYou were more than just a short time\nAnd I've got a lot to pine about\nI've got a lot to live without\nI'm never gonna meet\nWhat could've been, would've been\nWhat should've been you [Bridge]\nWhat could've been, would've been you\nWhat could've been, would've been\nWhat should've been you\nWhat could've been, would've been you\n(What could've been, would've been you)\n[Chorus]\nGoodbye, goodbye, goodbye\nYou were bigger than the whole sky\nYou were more than just a short time\nAnd I've got a lot to pine about\nI've got a lot to live without\nI'm never gonna meet\nWhat could've been, would've been\nWhat should've been you" + } + ] + }, + { + "id":187143, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures the exhilarating feeling of falling in love, where the object of affection acts as a catalyst for change and self-discovery. Incorporate themes of newfound freedom and transformation, using vivid imagery to describe the emotional journey. The melody should be uplifting and catchy, with a blend of acoustic and pop elements typical of Taylor Swift's sound, and the lyrics should convey a sense of wonder and the joy of being uplifted by someone special." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI'd never gone with the wind, just let it flow\nLet it take me where it wants to go\n'Til you open the door, there's so much more\nI'd never seen it before\nI was tryin' to fly but I couldn't find wings\nBut you came along and you changed everything\n[Chorus]\nYou lift my feet off the ground\nYou spin me around\nYou make me crazier, crazier\nFeels like I'm fallin' and I am lost in your eyes\nYou make me crazier, crazier, crazier\n[Verse 2]\nI've watched from a distance as you made life your own\nEvery sky was your own kind of blue\nAnd I wanted to know how that would feel\nAnd you made it so real\nYou showed me somethin' that I couldn't see\nYou opened my eyes\nAnd you made me believe\n[Chorus]\nYou lift my feet off the ground\nYou spin me around\nYou make me crazier, crazier\nFeels like I'm fallin' and I am lost in your eyes\nYou make me crazier, crazier, crazier, oh [Bridge]\nBaby, you showed me what livin' is for\nI don't wanna hide anymore\nOh-oh\n[Chorus]\nYou lift my feet off the ground\nYou spin me around\nYou make me crazier, crazier\nFeels like I'm fallin' and I am lost in your eyes\nYou make me crazier, crazier, crazier\nCrazier, crazier" + } + ] + }, + { + "id":6260166, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the complex terrain of post-breakup emotions and personal growth. The lyrics should reflect on the bittersweet realization that happiness can exist both with and after a significant other, and weave in the nuanced journey from heartache to healing. Incorporate vivid imagery and metaphors that echo Swift's narrative songwriting, such as referencing nature and poignant memories. The song should have a balance of melancholy and hope, mirroring Swift's ability to capture the duality of pain and empowerment in the face of change, with an underlying theme of finding inner happiness." + }, + { + "from":"gpt", + "value":"[Verse 1]\nHoney, when I'm above the trees\nI see this for what it is\nBut now I'm right\u2005down\u2005in it, all\u2005the years I've given\nIs just shit\u2005we're dividin' up\nShowed you all of my hiding spots\nI was dancing when the music stopped\nAnd in the disbelief, I can't face reinvention\nI haven't met the new me yet\n[Chorus]\nThere'll be happiness after you\nBut there was happiness because of you\nBoth of these things can be true\nThere is happiness\n[Post-Chorus]\nPast the blood and bruise\nPast the curses and cries\nBeyond the terror in the nightfall\nHaunted by the look in my eyes\nThat would've loved you for a lifetime\nLeave it all behind\nAnd there is happiness\n[Verse 2]\nTell me, when did your winning smile\nBegin to look like a smirk?\nWhen did all our lessons start to look like weapons\nPointed at my deepest hurt?\nI hope she'll be a beautiful fool\nWho takes my spot next to you\nNo, I didn't mean that\nSorry, I can't see facts through all of my fury\nYou haven't met the new me yet [Chorus]\nThere'll be happiness after me\nBut there was happiness because of me\nBoth of these things, I believe\nThere is happiness\n[Post-Chorus]\nIn our history, across our great divide\nThere is a glorious sunrise\nDappled with the flickers of light\nFrom the dress I wore at midnight, leave it all behind\nAnd there is happiness\n[Bridge]\nI can't make it go away by making you a villain\nI guess it's the price I paid for seven years in Heaven\nAnd I pulled your body into mine\nEvery goddamn night, now I get fake niceties\nNo one teaches you what to do\nWhen a good man hurts you\nAnd you know you hurt him too\n[Verse 3]\nHoney, when I'm above the trees\nI see it for what it is\nBut now my eyes leak acid rain on the pillow where you used to lay your head\nAfter giving you the best I had\nTell me what to give after that\nAll you want from me now is the green light of forgiveness\nYou haven't met the new me yet\nAnd I think she'll give you that [Chorus]\nThere'll be happiness after you\nBut there was happiness because of you too\nBoth of these things can be true\nThere is happiness\n[Post-Chorus]\nIn our history, across our great divide\nThere is a glorious sunrise\nDappled with the flickers of light\nFrom the dress I wore at midnight, leave it all behind\nOh, leave it all behind\nLeave it all behind\nAnd there is happiness" + } + ] + }, + { + "id":9538404, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a reflective and introspective narrative, exploring the complexities of a past relationship through vivid imagery and metaphorical language. The lyrics should invoke the melancholic undertones of heartbreak and the passage of time, with references to specific moments like \"three hundred takeout coffees later\" to illustrate the lingering thoughts and unresolved feelings. Incorporate a catchy chorus that questions the finality of the relationship's end, and utilize a bridge that reveals deep emotional vulnerability, possibly hinting at the protagonist's consideration of extreme actions for closure. Ensure the song's melody and structure are reminiscent of Taylor Swift's storytelling prowess, with an acoustic-pop sound that's both haunting and melodic." + }, + { + "from":"gpt", + "value":"[Intro]\n(\nIs it? Is it? Is it? Is it? Is it?\n)\n[Verse 1]\nOnce the flight had flown (Uh-huh)\nWith the wilt of the rose (Uh-huh)\nI slept all alone (Uh-huh)\nYou still wouldn't go\n[Pre-Chorus]\nLet's fast forward to three hundred takeout coffees later\nI see your profile and your smile on unsuspecting waiters\nYou dream of my mouth before it called you a lying traitor\nYou search in every maiden's bed for somethin' greater, baby\n[Chorus]\nWas it over when she laid down on your couch?\nWas it over when he unbuttoned my blouse?\n\"Come here,\" I whispered in your ear\nIn your dream as you pass\u0435d out, baby\nWas it over then? And is it over now?\n[Post-Chorus]\n(\nIs it? Is it? Is it?\n)\n[Verse 2]\nWh\u0435n you lost control (Uh-huh)\nRed blood, white snow (Uh-huh)\nBlue dress on a boat (Uh-huh)\nYour new girl is my clone [Bridge]\nAnd did you think I didn't see you?\nThere were flashin' lights\nAt least I had the decency\nTo keep my nights out of sight\nOnly rumors 'bout my hips and thighs\nAnd my whispered sighs\nOh, Lord, I think about jumpin'\nOff of very tall somethings\nJust to see you come runnin'\nAnd say the one thing I've been wanting, but no\n[Pre-Chorus]\nLet's fast forward to three hundred awkward blind dates later (Oh)\nIf she's got blue eyes, I will surmise that you'll probably date her (Oh, no)\nYou dream of my mouth before it called you a lying traitor (Oh)\nYou search in every model's bed for somethin' greater, baby\n[Chorus]\nWas it over when she laid down on your couch?\nWas it over when he unbuttoned my blouse?\n\"Come here,\" I whispered in your ear\nIn your dream as you passed out, baby\nWas it over then? And is it over now?\n[Post-Chorus]\nUh-huh\n(\nIs it? Is it? Is it?\n)\nUh-huh\n(\nIs it? Is it?\n) [Bridge]\nThink I didn't see you?\nThere were flashin' lights\nAt least I had the decency\nTo keep my nights out of sight\nOnly rumors 'bout my hips and thighs\nAnd my whispered sighs\nOh, Lord, I think about jumpin'\nOff of very tall somethings\nJust to see you come runnin' (Runnin')\nAnd say the one thing I've been wanting, but no\n[Outro]\n(Flashin' lights; Oh, Lord; Oh)\nLet's fast forward to three hundred takeout coffees later (Oh)\n(Flashin' lights) I was hoping you'd be there\nAnd say the one thing (Oh, Lord)\nI've been wanting (Oh, Lord)\nBut no\n(\nWas it? Was it? Was it? Was it? Was it? Was it?\n)" + } + ] + }, + { + "id":6260165, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that tells a suspenseful story of betrayal and subtle revenge, incorporating the narrative perspective of a close friend who suspects foul play in a troubled relationship. The song should have a country-pop sound, include harmonies reminiscent of HAIM, and contain vivid imagery that paints a picture of the unfolding mystery, while capturing the determination to seek justice. It should have a catchy chorus that emphasizes the theme \"I think they did it, but I just can't prove it,\" and integrate clever details that suggest how the protagonist plans to outsmart the culprit." + }, + { + "from":"gpt", + "value":"[Intro: HAIM]\nHe did it\nHe did it\n[Verse 1: Taylor Swift]\nEste's a friend of mine\nWe meet up every Tuesday night for dinner and a glass of wine\nEste's been losin' sleep\nHer husband's actin' different and it smells like infidelity\nShe says, \"That ain't my Merlot on his mouth\nThat ain't my jewelry on our joint account\"\nNo, there ain't no doubt\nI think I'm gonna call him out\n[Chorus: Taylor Swift & HAIM]\nShe says, \"I think he did it, but I just can't prove it\"\nI think he did it, but I just can't prove it\nI think he did it, but I just can't prove it\nNo, no body, no crime\nBut I ain't lettin' up until the day I die\n[Post-Chorus: HAIM]\nNo, no\nI think he did it\nNo, no\nHe did it [Verse 2: Taylor Swift]\nEste wasn't there Tuesday night at Olive Gard\u0435n\nAt her job or anywhere\nH\u0435 reports his missing wife\nAnd I noticed when I passed his house\nHis truck has got some brand new tires\nAnd his mistress moved in\nSleeps in Este's bed and everything\nNo, there ain't no doubt\nSomebody's gotta catch him out 'cause\n[Chorus: Taylor Swift & \nHAIM\n]\nI think he did it, but I just can't prove it \n(He did it)\nI think he did it, but I just can't prove it \n(He did it)\nI think he did it, but I just can't prove it\nNo, no body, no crime\nBut I ain't lettin' up until the day I die\n[Post-Chorus: HAIM & \nTaylor Swift\n]\nNo, no\nI think he did it\nNo, no\nHe did it\n[Bridge: Taylor Swift & \nDanielle Haim\n]\nGood thing my daddy made me get a boating license when I was fifteen\nAnd I've cleaned enough houses to know how to cover up a scene\nGood thing Este's sister's gonna swear she was with me (\nShe was with me, dude\n)\nGood thing his mistress took out a big life insurance policy [Chorus: Taylor Swift]\nThey think she did it, but they just can't prove it\nThey think she did it, but they just can't prove it\nShe thinks I did it, but she just can't prove it\n[Outro: Taylor Swift & HAIM]\nNo, no body, no crime\nI wasn't lettin' up until the day he\nNo, no body, no crime\nI wasn't lettin' up until the day he\nNo, no body, no crime\nI wasn't lettin' up until the day he died" + } + ] + }, + { + "id":102205, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a tumultuous yet passionate love story. The lyrics should depict a journey from the unexpected beginnings of love to the realization of its complexity, incorporating a mix of innocence and experience. The song should have a narrative quality, with verses that describe the dynamics of a relationship evolving amidst life's chaos and a chorus that emphasizes the transformative power of love. Embody the emotional depth and maturity found in Taylor Swift's storytelling, with a touch of poetic imagery like \"mosaic broken hearts\" and \"golden age.\" The music should blend pop elements with an acoustic, intimate feel, reflecting the highs and lows of a brave and wild love." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI'm walking fast through the traffic lights\nBusy streets and busy lives\nAnd all we know is touch and go\nWe are alone with our changing minds\nWe fall in love 'til it hurts or bleeds\nOr fades in time\n[Chorus]\nAnd I never (Never)\nSaw you coming\nAnd I\u2019ll never (Never)\nBe the same\n[Verse 2]\nYou come around and the armor falls\nPierce the room like a cannonball\nNow, all we know is don\u2019t let go\nWe are alone, just you and me\nUp in your room and our slates are clean\nJust twin fire signs, four blue eyes\n[Pre-Chorus]\nSo you were never a saint\nAnd I've loved in shades of wrong\nWe learn to live with the pain\nMosaic broken hearts\nBut this love is brave and wild [Chorus]\nAnd I never (Never)\nSaw you coming\nAnd I\u2019ll never (Never)\nBe the same\n[Bridge]\nThis is a state of grace\nThis is the worthwhile fight\nLove is a ruthless game\nUnless you play it good and right\nThese are the hands of fate\nYou\u2019re my Achilles heel\nThis is the golden age\nOf something good and right and real\n[Chorus]\nAnd I never (Never)\nSaw you coming\nAnd I\u2019ll never\nBe the same\n[Chorus]\nAnd I never (Never)\nSaw you coming\nAnd I\u2019ll never\n (So you were never a saint)\n(And I've loved in shades of wrong)\nBe the same\n (We learn to live with the pain)\n(Mosaic broken hearts)\n(But this love is brave and wild) [Outro]\nThis is a state of grace\nThis is the worthwhile fight\nLove is a ruthless game\nUnless you play it good and right" + } + ] + }, + { + "id":540670, + "conversations":[ + { + "from":"human", + "value":"Write a song in the style of Taylor Swift that captures the excitement and allure of a city, filled with vivid imagery of bustling streets and the promise of new beginnings. Emphasize the theme of empowerment and the freedom to be oneself, just like in \"Welcome to New York,\" and incorporate an upbeat, pop-influenced sound that makes listeners want to dance along. The lyrics should convey a sense of wonder and the bright, never-blinding lights of opportunity that the city offers to newcomers and dreamers alike." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWalkin' through a crowd, the village is aglow\nKaleidoscope of loud heartbeats under coats\nEverybody here wanted somethin' more\nSearchin' for a sound we hadn't heard before\nAnd it said\n[Chorus]\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\nIt's a new soundtrack, I could dance to this beat, beat forevermore\nThe lights are so bright, but they never blind me, me\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\n[Verse 2]\nWhen we first dropped our bags on apartment floors\nTook our broken hearts, put them in a drawer\nEverybody here was someone else before\nAnd you can want who you want\nBoys and boys and girls and girls\n[Chorus]\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\nIt's a new soundtrack, I could dance to this beat, beat forevermore\nThe lights are so bright, but they never blind me, me\nWelcome to New York (New York), it's been waitin' for you\nWelcome to New York, welcome to New York [Bridge]\nLike any great love, it keeps you guessing\nLike any real love, it's ever-changing\nLike any true love, it drives you crazy\nBut you know you wouldn't change anything, anything, anything\n[Chorus]\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\nIt's a new soundtrack, I could dance to this beat\nThe lights are so bright, but they never blind me\nWelcome to New York (New soundtrack), it's been waitin' for you\nWelcome to New York, the lights are so bright, but they never blind me\nWelcome to New York, so bright, they never blind me, yeah\nWelcome to New York, welcome to New York" + } + ] + }, + { + "id":7076620, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of a bittersweet farewell to a once-cherished relationship. Incorporate themes of broken promises, the painful process of moving on, and a resolute ending where the protagonist decides to never look back. The song should have emotional verses that reflect on the good times and the betrayal, a catchy, defiant chorus repeating the phrase \"this is the last time I'll ever call you, babe,\" and a bridge that vividly describes the haunting memories that make it impossible to continue loving the person. The overall tone should blend Swift's storytelling with her pop sensibilities, creating an anthem for those who've decided they've had enough and are ready to close that chapter of their life." + }, + { + "from":"gpt", + "value":"[Intro]\nWhat about your promises, promises?\nWhat about your promises, promises, promises? No\n[Verse 1]\nWhat a shame\nDidn't wanna be the one that got away, yeah\nBig mistake, you broke the sweetest promise\nThat you never should have made\n[Pre-Chorus]\nI'm here on the kitchen floor\nYou call, but I won't hear it\nYou said, \"No one else\"\nHow could you do this, babe?\n[Chorus]\n(What about your promises, promises?)\nYou really blew this, babe\nWe ain't getting through this one, babe\nThis is the last time I'll ever call you, babe\n(This is the last time, this is the last time)\nThis is the last time I'll ever call you, babe\n(What about your promises, promises, promises? No)\n[Verse 2]\nWhat a waste\nTakin' down the pictures and the plans we made, yeah\nAnd it's strange how your face doesn't look so innocent\nYour secret has its consequence and that's on you, babe [Pre-Chorus]\nI break down every time you call\nWe're a wreck, you're the wrecking ball\nWe said, \"No one else\"\nHow could you do this, babe?\n[Chorus]\n(Oh, what about your promises, promises?)\nYou really blew this, babe\nWe ain't getting through this one, babe\nThis is the last time I'll ever call you, babe\n(This is the last time, this is the last time)\nThis is the last time I'll ever call you\n[Bridge]\nSince you admitted it (Oh-oh), I keep picturin' (Oh-oh)\nHer lips on your neck (Oh-oh), I can't unsee it\nI hate that because of you, I can't love you, babe\nWhat a shame, didn't want to be the one that got away\nHow could you do this, babe? (Babe)\n[Chorus]\nYou really blew this, babe (Babe)\nWe ain't getting through this one, babe (Babe)\nThis is the last time I'll ever call you, babe (Babe)\n(This is the last time, this is the last time)\nThis is the last time I'll ever call you [Outro]\nI'm here on the kitchen floor\nYou call, but I won't hear it\nYou said, \"No one else\"\nWe ain't getting through this one, babe\nI break down every time you call\nWe're a wreck, you're the wrecking ball\nWe said, \"No one else\"\nThis is the last time I'll ever call you, babe (Babe)\n(What about your promises, promises?)" + } + ] + }, + { + "id":4765964, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the transformation from a tumultuous past to a hopeful future, using vivid imagery to contrast darkness with the golden glow of daylight. The song should capture a narrative of personal growth and redemption, with a chorus that emphasizes a newfound clarity and optimism, akin to waking from a long sleep to a world bathed in sunlight. The lyrics should weave in the complexities of love and life's struggles, while ultimately delivering a message of letting go of the past and embracing what one loves. Include specific references to cities and metaphorical use of light and color to convey emotional change, mirroring the introspective and storytelling nature of Swift's songwriting." + }, + { + "from":"gpt", + "value":"[Verse 1]\nMy love was as cruel as the cities I lived in\nEveryone looked worse in the light\nThere are so many lines that I've crossed unforgiven\nI'll tell you the truth but never goodbye\n[Chorus]\nI don't wanna look at anything else now that I saw you\nI don't wanna think of anything else now that I thought of you\nI've been sleepin' so long in a twenty-year dark night\nAnd now I see daylight, I only see daylight\n[Verse 2]\nLuck of the draw only draws the unlucky\nAnd so I became the butt of the joke\nI wounded the good and I trusted the wicked\nClearin' the air, I breathed in the smoke\n[Pre-Chorus]\nMaybe you ran with the wolves and refused to settle down\nMaybe I've stormed out of every single room in this town\nThrew out our cloaks and our daggers because it's morning now\nIt's brighter now, now\n[Chorus]\nI don't wanna look at anything else now that I saw you\n(I can never look away)\nI don't wanna think of anything else now that I thought of you\n(Things will never be the same)\nI've been sleepin' so long in a twenty-year dark night\n(Now I'm wide awake)\nAnd now I see daylight (Daylight), I only see daylight (Daylight) [Post-Chorus]\nI only see daylight, daylight, daylight, daylight\nI only see daylight, daylight, daylight, daylight\n[Bridge]\nAnd I can still see it all (In my mind)\nAll of you, all of me (Intertwined)\nI once believed love would be (Black and white)\nBut it's golden (Golden)\nAnd I can still see it all (In my head)\nBack and forth from New York (Sneakin' in your bed)\nI once believed love would be (Burnin' red)\nBut it's golden\nLike daylight, like daylight\nLike daylight, daylight\n[Chorus]\nI don't wanna look at anything else now that I saw you\n(I can never look away)\nAnd I don't wanna think of anything else now that I thought of you\n(Things will never be the same)\nI've been sleepin' so long in a twenty-year dark night\n(Now I'm wide awake)\nAnd now I see daylight (I see daylight), I only see daylight (Ah)\n[Post-Chorus]\nI only see daylight, daylight, daylight, daylight\nI only see daylight, daylight, daylight, daylight (Ah)\n(And I can still see it all)\nI only see daylight, daylight, daylight, daylight\n(And I can still see it all, back and forth from New York)\nI only see daylight, daylight, daylight, daylight\n(I once believed love would be burning red) [Outro]\nLike daylight\nIt's golden like daylight\nYou gotta step into the daylight and let it go\nJust let it go, let it go\n[Spoken Outro]\nI wanna be defined by the things that I love\nNot the things I hate\nNot the things I'm afraid of, I'm afraid of\nOr the things that haunt me in the middle of the night\nI, I just think that\nYou are what you love" + } + ] + }, + { + "id":102706, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the essence of longing and unresolved feelings after a breakup. The lyrics should convey a struggle with the desire to reach out to an ex-partner, reflecting on shared memories and the pain of separation. Include vivid nighttime imagery and internal conflict, with a chorus that emphasizes the refrain \"I almost do\" to underscore the tension between wanting to reconnect and the fear of getting hurt again. The song should have a confessional tone, befitting Taylor Swift's narrative songwriting approach, and it should touch on themes of love, loss, and the complexity of emotions that come with letting go." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI bet this time of night, you\u2019re still up\nI bet you\u2019re tired from a long, hard week\nI bet you\u2019re sittin' in your chair by the window\nLooking out at the city, and I bet\nSometimes, you wonder 'bout me\n[Chorus]\nAnd I just wanna tell you\nIt takes everything in me not to call you\nAnd I wish I could run to you\nAnd I hope you know that\nEvery time I don\u2019t, I almost do, I almost do\n[Verse 2]\nI bet you think I either moved on or hate you\n\u2018Cause each time you reach out, there\u2019s no reply\nI bet it never, ever occurred to you\nThat I can\u2019t say hello to you and risk another goodbye\n[Chorus]\nAnd I just wanna tell you\nIt takes everything in me not to call you\nAnd I wish I could run to you\nAnd I hope you know that\nEvery time I don\u2019t, I almost do, I almost do [Bridge]\nOh, we made quite a mess, babe\nIt\u2019s probably better off this way\nAnd I confess, babe\nIn my dreams, you\u2019re touching my face\nAnd asking me if I want to try again with you\nAnd I almost do\n[Chorus]\nAnd I just wanna tell you\nIt takes everything in me not to call you\nAnd I wish I could run to you\nAnd I hope you know that\nEvery time I don\u2019t, I almost do, I almost do\n[Outro]\nI bet this time of night, you\u2019re still up\nI bet you\u2019re tired from a long, hard week\nI bet you\u2019re sittin' in your chair by the window\nLooking out at the city, and I hope\nSometimes, you wonder 'bout me" + } + ] + }, + { + "id":5793982, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that explores the emotional aftermath of a tumultuous relationship, where the narrator reflects on the pain and betrayal felt, questioning the sincerity of their former partner's actions post-breakup. The song should include vivid imagery of mourning and loss, akin to attending one's own wake, and use metaphors such as gathering stones and tears that ricochet to convey the lasting impact of the relationship. The tone should be haunting yet melodic, with a touch of melancholy, capturing the complexity of lingering love and the struggle to move on with dignity." + }, + { + "from":"gpt", + "value":"[Verse 1]\nWe gather here, we line up, weepin' in a sunlit room\nAnd if I'm on fire,\u2005you'll\u2005be made of\u2005ashes, too\nEven on my worst day,\u2005did I deserve, babe\nAll the hell you gave me?\n'Cause I\u205floved\u205fyou,\u205fI swear I\u205floved you\n'Til my\u205fdying day\n[Chorus]\nI didn't have it in myself to go with grace\nAnd you're the hero flying around, saving face\nAnd if I'm dead to you, why are you at the wake?\nCursing my name, wishing I stayed\nLook at how my tears ricochet\n[Verse 2]\nWe gather stones, never knowing what they'll mean\nSome to throw, some to make a diamond ring\nYou know I didn't want to have to haunt you\nBut what a ghostly scene\nYou wear the same jewels that I gave you\nAs you bury me\n[Chorus]\nI didn't have it in myself to go with grace\n'Cause when I'd fight, you used to tell me I was brave\nAnd if I'm dead to you, why are you at the wake?\nCursing my name, wishing I stayed\nLook at how my tears ricochet [Bridge]\nAnd I can go anywhere I want\nAnywhere I want, just not home\nAnd you can aim for my heart, go for blood\nBut you would still miss me in your bones\nAnd I still talk to you (When I'm screaming at the sky)\nAnd when you can't sleep at night\n \n(You hear my stolen lullabies)\n[Chorus]\nI didn't have it in myself to go with grace\nAnd so the battleships will sink beneath the waves\nYou had to kill me, but it killed you just the same\nCursing my name, wishing I stayed\nYou turned into your worst fears\nAnd you're tossing out blame, drunk on this pain\nCrossing out the good years\nAnd you're cursing my name, wishing I stayed\nLook at how my tears ricochet" + } + ] + }, + { + "id":5477841, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that delves into the emotional complexity of facing a loved one's illness, incorporating the intimate storytelling and gentle acoustic elements reminiscent of her work. The lyrics should reflect a mixture of hope and realism, paired with a heartfelt chorus that echoes the desire for recovery, using personal and evocative imagery to convey the struggle and the clinging to faith in times of desperation." + }, + { + "from":"gpt", + "value":"[Verse 1]\nThe buttons of my coat were tangled in my hair\nIn doctor's office lighting, I didn't\u2005tell\u2005you I was\u2005scared\nThat was the first time we\u2005were there\nHoly orange bottles, each night, I pray to you\nDesperate\u205fpeople\u205ffind\u205ffaith, so now\u205fI pray to\u205fJesus too\nAnd I say to you...\n[Chorus]\nOoh-ah\nSoon, you'll get better\nOoh-ah\nSoon, you'll get better\nOoh-ah\nYou'll get better soon\n'Cause you have to\n[Verse 2]\nI know delusion when I see it in the mirror\nYou like the nicer nurses, you make the best of a bad deal\nI just pretend it isn't real\nI'll paint the kitchen neon, I'll brighten up the sky\nI know I'll never get it, there's not a day that I won't try\nAnd I say to you...\n[Chorus]\nOoh-ah\nSoon, you'll get better\nOoh-ah\nSoon, you'll get better\nOoh-ah\nYou'll get better soon\n'Cause you have to [Bridge]\nAnd I hate to make this all about me\nBut who am I supposed to talk to?\nWhat am I supposed to do\nIf there's no you?\n[Pre-Chorus]\nThis won't go back to normal, if it ever was\nIt's been years of hoping, and I keep saying it because\n'Cause I have to\n[Chorus]\nOoh\nYou'll get better\nOoh\nYou'll get better\nOoh-ah\nYou'll get better soon\n'Cause you have to" + } + ] + }, + { + "id":132656, + "conversations":[ + { + "from":"human", + "value":"Write me a song in the style of Taylor Swift that captures the emotional turbulence of a fading romance, incorporating vivid storytelling with a reflective tone. The song should describe the shift from a fairytale beginning to an unresolved, tragic ending, using metaphors like standing alone in a crowded room and walls that can't be broken through. It should also explore themes of miscommunication, unspoken feelings, and the poignant silence between two people who once shared everything. The overall mood should oscillate between nostalgia for the past and the heartache of the present, with a melody that supports the narrative's bittersweet evolution." + }, + { + "from":"gpt", + "value":"[Verse 1]\nI used to think, one day, we'd tell the story of us\nHow we met and the sparks flew instantly\nAnd people would say, \"They're the lucky ones\"\nI used to know my place was the spot next to you\nNow, I'm searching the room for an empty seat\n'Cause lately, I don't even know what page you're on\n[Pre-Chorus]\nOh, a simple complication\nMiscommunications lead to fallout\nSo many things that I wish you knew\nSo many walls up, I can't break through\n[Chorus]\nNow, I'm standin' alone in a crowded room\nAnd we're not speakin'\nAnd I'm dyin' to know\nIs it killin' you like it's killin' me? Yeah\nI don't know what to say since the twist of fate\nWhen it all broke down\nAnd the story of us looks a lot like a tragedy now\n[Post-Chorus]\nNext chapter [Verse 2]\nHow'd we end up this way?\nSee me nervously pulling at my clothes and trying to look busy\nAnd you're doin' your best to avoid me\nI'm starting to think, one day, I'll tell the story of us\nHow I was losing my mind when I saw you here\nBut you held your pride like you should've held me\n[Pre-Chorus]\nOh, I'm scared to see the ending\nWhy are we pretending this is nothin'?\nI'd tell you I miss you, but I don't know how\nI've never heard silence quite this loud\n[Chorus]\nNow, I'm standin' alone in a crowded room\nAnd we're not speakin'\nAnd I'm dyin' to know\nIs it killin' you like it's killin' me? Yeah\nI don't know what to say since the twist of fate\nWhen it all broke down\nAnd the story of us looks a lot like a tragedy now\n[Bridge]\nThis is lookin' like a contest\nOf who can act like they care less\nBut I liked it better when you were on my side\nThe battle's in your hands now\nBut I would lay my armor down\nIf you said you'd rather love than fight [Pre-Chorus]\nSo many things that you wish I knew\nBut the story of us might be ending soon\n[Chorus]\nNow, I'm standin' alone in a crowded room\nAnd we're not speakin'\nAnd I'm dyin' to know\nIs it killin' you like it's killin' me? Yeah\nAnd I don't know what to say since the twist of fate\nWhen it all broke down\nAnd the story of us looks a lot like a tragedy now, now, now\nAnd we're not speakin'\nAnd I'm dyin' to know\nIs it killin' you like it's killin' me? Yeah\nI don't know what to say since the twist of fate\n'Cause we're going down\nAnd the story of us looks a lot like a tragedy now\n[Outro]\nThe end" + } + ] + } +] \ No newline at end of file diff --git a/data/taylor_swift_model_ouputs/llama-2-7b-chat-ft_taylor_swift-taylor-test-outputs.json b/data/taylor_swift_model_ouputs/llama-2-7b-chat-ft_taylor_swift-taylor-test-outputs.json new file mode 100644 index 0000000..a5ae44a --- /dev/null +++ b/data/taylor_swift_model_ouputs/llama-2-7b-chat-ft_taylor_swift-taylor-test-outputs.json @@ -0,0 +1,121 @@ +[ + { + "id":3947016, + "song":"Drama Queen", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nLet's break it down, I\u2019ll take the story from the slammin' of the door\nThought it was perfect for a second, guess you weren't quite as sure\nMaybe I\u2019m a little hard to get, maybe you didn't have the patience\nLet's assess the situation\nThat girl was biding her time, yeah, she was waiting on your cue\nSo, somehow, I'm not surprised to see her standin' there with you\nMaybe she's a little overdressed and I can see the smile you're fakin'\nAnd the deep breath you\u2019re takin\u2019\n[Pre-Chorus]\nWhen you see me now, you're not lookin\u2019 at her\nYeah, it's a long way down from the bridges you burned\nMight wanna sit down, I'm calling you out\nRight now\n[Chorus]\nYou're a heartbreaker and she\u2019s a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen\n[Verse 2]\nAs I was saying, I was never quite a fan of little games\nIt doesn't take too long to see that boys like you are all the same\nMaybe I'm a little less obsessed, but she's impressed\nAnd I should mention, she's starving for attention [Pre-Chorus]\nI can see it now, how it's all gonna be\nWhen she freaks out, you'll be thinkin' of me\n'Cause what went down is coming back around\nYou'll see\n[Chorus]\n'Cause you're a heartbreaker and she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen\n[Bridge]\nSometimes you get just what you see\nLike, you chose her when you could've had me\nEverything's a mess now, watch her little meltdown\nWish you both success and I hope you're happy\n[Chorus]\n'Cause you're a heartbreaker, she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama\nHeartbreaker and she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen [Outro]\nHuh-oh, for you and your drama queen\nOh-oh-oh-oh, you and your drama queen\nHuh-oh, baby, you're a drama queen", + "model_output":"[Intro: Martin Johnson]\nI wanted you, only you\nSo senseless and foolish, I behaved\nLike a pantomime horse in a race\nBetween me and all the boys\nIn the club, on the balcony, out\nWith the boys\nYou left me no choice, but\n[Verse 1]\nWell, well, well, look what we\nHave here, folks, another\nTarget of my wrath\nAnd it's, uh, Lindsey\nStrike, the mastermind\nBehind the greatest\nLie since her previous one\nIn a navel-gazing,\nself-indulgent,\neviscerating song\nShe's going to take me down\n[Pre-Chorus]\nAfter Lindsey's done\nWith me, I'll be\nFlabbergasted\n[Chorus]\nLike Lindsey\nStrike, the snake\nWho bit me\nLike a wolf\nLindsey\nStrike\nLike a shot\nGun\nLindsey\nStrike\nSunk my ship\nLike maria\nCallas\nLike\nElvis\nStrikes gold\n[Verse 2]\nGive this man a\nStanding ovation\nFor the settlement\nHe just hit me\nWith, I\nBetter recognize\nHis name is\nFleetwood\nStrike, oh\nAnd he's got me\nBetty, I think\nHe's trying to tell me\nSomething\nBut I can't\nTake it personally\n[Pre-Chorus]\nAfter Fleetwood's\nThrilled by me\nI'll be\nGiddy\n[Chorus]\nLike Lindsey\nStrike, the snake\nWho bit me\nLike a wolf\nLindsey\nStrike\nLike a shot\nGun\nLindsey\nStrike\nSunk my ship\nLike maria\nCallas\nLike\nElvis\nStrikes gold\n[Bridge]\nOh, I'm doin'\nFine without you\n(Ha)\nI'm\nGettin'\nHealthy\n(Ha)\n'Cause\nThat's\nWhat you lose\nWhen you're\nToo close to a\nLose-lose\n(Ha)\nI'm\nDancin'\nHappy\n(Ha)\n'Cause\nThat's\nWhat you feel\nWhen you're\nDoin'\nFine without him\n[Breakdown]\nSo give me\nAll the wine\nYou've been saving\nI'll take\nAll the\nHeartbreak\nYou deserve\nTo feel (Ha)\nAnd, baby, I'll\nWrite you\nA song\nJust for you\nBecause I'm\nFeelin'\nFine without you\n[Outro]\nI wanted you, only you\nSo senseless and foolish, I behaved\nLike a pantomime horse in a race\nBetween me and all the boys" + }, + { + "id":8485912, + "song":"Question...?", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nI remember\n[Verse 1]\nGood girl, sad boy\nBig city, wrong choices\nWe had one thing goin' on\nI swear that\u2005it\u2005was somethin'\n'Cause I\u2005don't remember who I was\nBefore you\u2005painted all my nights\nA color I've searched for since\nBut one thing after another\nFuckin' situations, circumstances\nMiscommunications, and I\nHave to say, by the way\nI just may like some explanations\n[Chorus]\nCan I ask you a question?\nDid you ever have someone kiss you in a crowded room\nAnd every single one of your friends was makin' fun of you\nBut fifteen seconds later, th\u0435y were clappin' too?\nThen what did you do?\nDid you l\u0435ave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question [Verse 2]\nHalf-moon eyes, bad surprise\nDid you realize out of time?\nShe was on your mind with some dickhead guy\nThat you saw that night\nBut you were on somethin'\nIt was one drink after another\nFuckin' politics and gender roles\nAnd you're not sure and I don't know\nGot swept away in the gray\nI just may like to have a conversation\n[Chorus]\nCan I ask you a question?\nDid you ever have someone kiss you in a crowded room\nAnd every single one of your friends was makin' fun of you\nBut fifteen seconds later, they were clappin' too?\nThen what did you do?\nDid you leave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question\n[Bridge]\nDoes it feel like everything's just like\nSecond best after that meteor strike?\nAnd what's that that I heard? That you're still with her?\nThat's nice, I'm sure that's what's suitable\nAnd right, but tonight [Chorus]\nCan I ask you a question? (Can I ask you a question?)\nDid you ever have someone kiss you in a crowded room (In a crowded room)\nAnd every single one of your friends was makin' fun of you (Makin' fun of you)\nBut fifteen seconds later, they were clappin' too?\nThen what did you do? (Do)\nDid you leave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh (More of a fight)\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question", + "model_output":"[Intro]\nIs it better to have loved and lost?\nOr never to have loved at all?\n[Verse 1]\nLost in the lights\nLost in the crowd\nWhat do you mean, \"what's wrong\" with me?\nLost in the haze\nLost in the blue\nWhat do you mean, \"who is he?\"\n[Pre-Chorus]\nWas I out of line?\nDid I say something way too honest, made you run and hide\nLike a scared little boy?\nI looked into your eyes\nThought I knew you for a minute, now, I'm not so sure\n[Chorus]\nSo it goes\nIf you're cursed with loving me\nIf you're cursed with loving me\n[Post-Chorus]\nAnd it's better to have loved and lost\nThan never to have loved at all\n[Verse 2]\nDid I say something way too subtle, you gave me no sign\nLike a scared little boy?\nI looked into your eyes\nThought I knew you for a minute, now, I'm not so sure\n[Pre-Chorus]\nDid I offend a list of things you cannot see?\nDid you give up on me?\nI looked into your eyes\nThought I knew you for a minute, now, I'm not so sure [Chorus]\nSo it goes\nIf you're cursed with loving me\nIf you're cursed with loving me\n[Post-Chorus]\nIt's better to have loved and lost\nThan never to have loved at all\n[Bridge]\nWhat do you mean, \"who is he?\"\nI'm the one who loves you\nWhat do you mean, \"what's wrong\" with me?\nI'm the one who loves you\nWhat do you mean, \"who is he?\"\nI'm the one who loves you\n[Verse 3]\nLost in the lights\nLost in the crowd\nWas I out of line?\nDid I say something way too honest, made you run and hide\nLike a scared little boy?\nI looked into your eyes\nThought I knew you for a minute, now, I'm not so sure\n[Pre-Chorus]\nDid I offend a list of things you cannot see?\nDid you give up on me?\nI looked into your eyes\nThought I knew you for a minute, now, I'm not so sure\n[Chorus]\nSo it goes\nIf you're cursed with loving me\nIf you're cursed with loving me\n[Post-Chorus]\nAnd it's better to have loved and lost\nThan never to have loved at all\n[Outro]\nNever to have loved at all" + }, + { + "id":8485914, + "song":"Vigilante Shit", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nDraw the cat eye sharp enough to kill a man\nYou did some bad things, but I'm the worst of them\nSometimes I wonder which one'll be your last lie\nThey say looks can kill and I might try\nI don't dress for women\nI don't dress for men\nLately, I've been dressin' for revenge\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge\n[Verse 2]\nShe needed cold, hard proof, so I gave her some\nShe had the envelope, where you think she got it from?\nNow she gets the house, gets the kids, gets the pride\nPicture me thick as thieves with your ex-wife\nAnd she looks so pretty\nDrivin' in your Benz\nLately, she's been dressin' for revenge\n[Chorus]\nShe don't start shit, but she can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nShe don't dress for friends\nLately, she's been dressing for revenge [Bridge]\nLadies always rise above\nLadies know what people want\nSomeone sweet and kind and fun\nThe lady simply had enough\n[Verse 3]\nWhile he was doin' lines and crossin' all of mine\nSomeone told his white-collar crimes to the FBI\nAnd I don't dress for villains\nOr for innocents\nI'm on my vigilante shit again\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge", + "model_output":"[Intro]\nShe's so much older and wiser\nShe's so much older and wiser\nShe's got the Mercury prizes\nAnd the broken hearts\n[Verse 1]\nI don't like Sharpie bridges\nSwimming in my tears\nI don't like sneak attacks\nWhen I'm not ready\nI don't like the fairway\nGreen, but not the tea\nAnd I don't like my enemy\nHaving the upper hand\n[Chorus]\nSo I'll put on my best Celine\nOutfit 'cause, darling, I'm in danger\nI'll put on my best Celine\nOutfit 'cause, darling, I'm in danger\nI don't get sad, I get even\nI don't get sad, I get even\n[Verse 2]\nI don't like to lie down\nWhen somebody's trampled on my bed\nAnd I don't like her cheatin' heart\nLookin' so sad and lonely instead\nOf lookin' at me, she's lookin' above\nAt the \nman that I want to be below [Chorus]\nSo I'll put on my best Celine\nOutfit 'cause, darling, I'm in danger\nI'll put on my best Celine\nOutfit 'cause, darling, I'm in danger\nI don't get sad, I get even\nI don't get sad, I get even [Bridge]\nShe's so much older and wiser\nShe's so much older and wiser\nShe's got the album sales\nBut I've got the revenge\nShe's so much older and wiser\nBut I'm just as bitter\nShe's got the Rolling Stones\nBut I've got the Beatles\nShe's so much older and wiser\nBut I'm just as good\n[Chorus]\nSo I'll put on my best Celine\nOutfit 'cause, darling, I'm in danger\nI'll put on my best Celine\nOutfit 'cause, darling, I'm in danger\nI don't get sad, I get even\nI don't get sad, I get even [Post-Chorus]\nI don't get sad, I get even, yeah\nI don't get sad, I get even, woah\nI don't get sad, I get even, yeah\nI don't get sad, I get even, woah [Outro]\nShe's so much older and wiser\nShe's so much older and wiser" + }, + { + "id":9539416, + "song":"\u201cSlut!\u201d (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nFlamingo pink, Sunrise Boulevard\nClink, clink, being this young is art\nAquamarine, moonlit swimmin' pool\nWhat if all I need is you?\n[Pre-Chorus]\nGot love-struck, went straight to my head\nGot lovesick all over my bed\nLove to think you\u2019ll never forget\nHandprints in wet cement\nAdorned with smoke on my clothes\nLovelorn and nobody knows\nLove thorns all over this rose\nI'll pay the price, you won't\n[Chorus]\nBut if I\u2019m all dressed up\nThey might as well be lookin' at us\nAnd if they call me a slut\nYou know it might be worth it for once\nAnd if I'm gonna be drunk\nI might as well be drunk in love\n[Verse 2]\nSend the code, he's waitin' there\nThe sticks and stones they throw froze mid-air\nEveryone wants him, that was my crime\nThe wrong place at the right time\nAnd I break down, then he's pullin' me in\nIn a world of boys, he's a gentleman [Pre-Chorus]\nGot love-struck, went straight to my head (Straight to my head)\nGot lovesick all over my bed (Over my bed)\nLove to think you\u2019ll never forget\nWe\u2019ll pay the price, I guess\n[Chorus]\nBut if I'm all dressed up (If I\u2019m all dressed up)\nThey might as well be lookin' at us (Lookin' at us)\nAnd if they call me a slut (If they call me a slut)\nYou know it might be worth it for once (Worth it for once)\nAnd if I'm gonna be drunk\nI might as well be drunk in love\n[Bridge]\nHalf asleep\nTakin\u2019 your time in the tangerine\nNeon light, this is luxury\nYou're not sayin' you're in love with me\nBut you're goin' to\nHalf awake\nTakin' your chance, it's a big mistake\nI said, \n\"It might blow up in your pretty face\"\nI'm not sayin', \"Do it anyway\" (Do it anyway)\nBut you're going to [Outro]\n(Up)\nAnd if they call me a (Slut)\nYou know it might be worth it for once\nAnd if I'm gonna be (Drunk)\nI might as well be drunk in love", + "model_output":"[Intro]\nIs it insensitive for me to say\n\"Fuck it, I'll risk it\" every time I start to feel\nLike I've been locked up in this prison for a crime I never committed\nIt's always a choice, so I'll choose this\n[Chorus]\nTo be honest, I don't care if you judge me\nI'm only 22 and I'm on my way to a sure thing\nI'll be darling, pick me\nYou'll find I'm worth the wait\nThey'll say, \"She was running wild, running wild, running wild\"\n[Verse 1]\nI hit the ground running every time, I wake up\nMy mornings are gold, I take my time\nMy deeds are misinterpreted, my words are never heard\nI know I'll be gone before the morning light\n[Pre-Chorus]\nSo I'll live for today, I'll dance in the rain and the mud\nI'll never look down, I'll never regret\n[Chorus]\nTo be honest, I don't care if you judge me\nI'm only 22 and I'm on my way to a sure thing\nI'll be darling, pick me\nYou'll find I'm worth the wait\nThey'll say, \"She was running wild, running wild, running wild\"\n[Post-Chorus]\nThey'll say, \"She was running wild, running wild, running wild\"\nThey'll say, \"She was running wild, running wild, running wild\" [Verse 2]\nI'm flamingo pink, my hair is a mess\nI leave the house without any make-up on\nMy friends are all breaking their hearts\nBut not on my watch, I'll never do that [Pre-Chorus]\nSo I'll run wild, wild, wild tonight, I'll dance in the rain and the mud\nI'll never look down, I'll never regret\n[Chorus]\nTo be honest, I don't care if you judge me\nI'm only 22 and I'm on my way to a sure thing\nI'll be darling, pick me\nYou'll find I'm worth the wait\nThey'll say, \"She was running wild, running wild, running wild\"\n[Post-Chorus]\nThey'll say, \"She was running wild, running wild, running wild\"\nThey'll say, \"She was running wild, running wild, running wild\" [Bridge]\nNo one's gonna help me\nI'm never gonna help myself\nBeing good is not my default\nI can be a little naughty, naughty\nNever gonna change for you or anyone else\nI'm only 22, I won't give in now\n[Chorus]\nTo be honest, I don't care if you judge me\nI'm only 22 and I'm on my way to a sure thing\nI'll be darling, pick me\nYou'll find I'm worth the wait\nThey'll say, \"She was running wild, running wild, running wild\"\n[Post-Chorus]\nThey'll say, \"She was running wild, running wild, running wild\"\nThey'll say, \"She was running wild, running wild, running wild\"\n[Outro]\nI hit the ground running every time, I wake up\nMy mornings are gold, I take my time\nMy deeds are misinterpreted, my words are never heard\nI know I'll be gone before the morning light" + }, + { + "id":8485907, + "song":"Maroon", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWhen the morning came\nWe were cleaning incense off your vinyl shelf\n'Cause we lost track of time again\nLaughing with my feet in your lap\nLike you were my closest friend\n\"How'd we end up\u205fon\u205fthe\u205ffloor, anyway?\" you\u205fsay\n\"Your roommate's cheap-ass\u205fscrew-top ros\u00e9, that's how\"\nI see you every day now\n[Chorus]\nAnd I chose you\nThe one I was dancing with\nIn New York, no shoes\nLooked up at the sky and it was\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was\nThe mark th\u0435y saw on my collarbone\nThe rust that grew b\u0435tween telephones\nThe lips I used to call home\nSo scarlet, it was maroon\n[Verse 2]\nWhen the silence came\nWe were shaking, blind and hazy\nHow the hell did we lose sight of us again?\nSobbing with your head in your hands\nAin't that the way shit always ends?\nYou were standing hollow-eyed in the hallway\nCarnations you had thought were roses, that's us\nI feel you, no matter what\nThe rubies that I gave up [Chorus]\nAnd I lost you\nThe one I was dancing with\nIn New York, no shoes\nLooked up at the sky and it was (Maroon)\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was (Maroon)\nThe mark they saw on my collarbone\nThe rust that grew between telephones\nThe lips I used to call home\nSo scarlet, it was maroon\n[Bridge]\nAnd I wake with your memory over me\nThat's a real fucking legacy, legacy (It was maroon)\nAnd I wake with your memory over me\nThat's a real fucking legacy to leave\n[Chorus]\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was maroon\nThe mark they saw on my collarbone\nThe rust that grew between telephones\nThe lips I used to call home\nSo scarlet, it was maroon [Outro]\nIt was maroon\nIt was maroon", + "model_output":"[Verse 1]\nMaroon tan, like a hidden beach\nYou learned to swim, you learned to breathe\nAnd when you slipped under, I was begging\nPlease, Daddy, don't forget to take me\nWith you\n[Pre-Chorus]\nTo the places you'd never, ever go\nWith some other girl, with some other girl\nWho will love you and kiss you\nBut she won't be me, she won't be me\n[Chorus]\nAnd I remember the color of your eyes\nBright blue, like the summers\nAnd how you'd drive out to the rural routes\nPick me up in the afternoons\nAnd the smell of the incense in your car\nPierced through the air like a knife\nI was so in love, I was so in love\nI was so in love with you [Verse 2]\nI recall the sound of your voice\nLaughing and joking with me\nAnd the warmth of your body as it was\npressing up against me\nYou'd grab my hand, we'd tak\u0435 a walk\nAnd when we got back, my mom wouldn't be\nMad, she'd be smiling and thinkin'\nOh, my God, he's so in love with you, he's so in love with you\nHe's so in love with you\n[Pre-Chorus]\nYou'd paint a picture of us with the money\nYou made, we'd hang it up over our bed\nWith some other girl, with some other girl\nWho will love you and kiss you\nBut she won't be me, she won't be me\n[Chorus]\nAnd I remember the color of your eyes\nBright blue, like the summers\nAnd how you'd drive out to the rural routes\nPick me up in the afternoons\nAnd the smell of the incense in your car\nPierced through the air like a knife\nI was so in love, I was so in love\nI was so in love with you\n[Bridge]\nYou taught me 15 different ways\nTo shake my hips, and I remember\nHow you'd try not to get too drunk\nSo you could drive us home, yeah, I remember\nHow you'd say, \"I'm gonna sneak out\nTonight and meet her at the New York\nSo she can see how happy I am\"\nAnd I'd say, \"I don't like her, I'm\nSorry, it's maroon and it's blood\"\n[Chorus]\nI remember the color of your eyes\nBright blue, like the summers\nAnd how you'd drive out to the rural routes\nPick me up in the afternoons\nAnd the smell of the incense in your car\nPierced through the air like a knife\nI was so in love, I was so in love\nI was so in love with you\n[Post-Chorus]\nAh-ah, ah-ah\n[Outro]\nYou'd paint a picture of us with the money\nYou made, we'd hang it up over our bed\nWith some other girl, with some other girl\nWho will love you and kiss you\nBut she won't be me, she won't be me" + }, + { + "id":9157481, + "song":"Snow On The Beach (feat. More Lana Del Rey)", + "artist":"Taylor Swift", + "lyrics":"[Verse 1: Taylor Swift]\nOne night, a few moons ago\nI saw flecks of what could've been lights\nBut it might just have been you\nPassing by unbeknownst to me\nLife is emotionally abusive\nAnd time can't stop me quite like you did\nAnd my flight was awful, thanks for asking\nI'm unglued, thanks to you\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nLana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, \nah\n, ah [Verse 2: Lana Del Rey, \nTaylor Swift & Lana Del Rey\n]\nThis scene feels like what I once saw on a screen\nI searched \"aurora borealis green\"\nI've never seen someone lit from within\nBlurring out my periphery\nMy smile is\n like I won a contest\nAnd to hide that would be so dishonest\nAnd it's fine\n to fake it 'til you make it\n'Til you do, 'til it's true\n[Chorus: \nTaylor Swift\n, Taylor Swift & Lana Del Rey]\nNow, it's like\n snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nLana Del Rey\n]\nLike snow on the beach (\nMmm\n)\nLike snow on the beach\nLike snow on the beach (\nMmm\n)\nLike snow, \nah\n, ah [Bridge: Taylor Swift, \nLana Del Rey\n, \nTaylor Swift & Lana Del Rey\n]\nI (\nI\n) can't (\nCan't\n) speak, afraid to jinx it\nI (\nI\n) don't (\nDon't\n) even dare to wish it\nBut your eyes are flying saucers from another planet\nNow, I'm all for you like Janet\nCan this be a real thing? \nCan it?\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nAre we falling like snow at the beach? (\nSnow at the beach\n)\nWeird, but fuckin' beautiful\nFlying in a dream (\nFlying in a dream\n)\nStars by the pocketful\nYou wanting me (\nYou wanting me\n)\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n, \nLana Del Rey\n]\nLike snow on the beach (\nSnow on the beach\n; \nMmm\n)\nLike snow on the beach (\nFlying in a dream\n)\nLike snow on the beach (\nYou wanting me\n; \nMmm\n)\nLike snow, ah\nBut it's comin' down\nNo sound, it's all around\n[Outro: Lana Del Rey]\nLike snow on the beach\nLike snow, like snow, uh-huh, yeah", + "model_output":"[Intro: Taylor Swift]\nSnow on the beach\nSnow on the beach\nOh, yeah\n[Verse 1: Taylor Swift]\nI was walking through the parking lot\nWhen I saw you, I forgot what I was looking for\nI went to pick up my guitar\nBut I couldn't remember what I was gonna play\n[Pre-Chorus: Taylor Swift & Lana Del Rey]\nIt's never looked so beautiful in my worst day\nSnow on the beach\n[Chorus: Taylor Swift]\nAnd it was like snow\nOn the beach, yay\nAnd it was like a dream\nCutting through the grass\nIn your underwear\nYeah, it was like a dream\n[Verse 2: Taylor Swift & Lana Del Rey]\nThe night we found the money\nAnd we bought a drum\nAnd our friend Jake\nCame and played\nYeah, we made some boom\nBoom, boom, boom\nBoom, boom, boom\n[Pre-Chorus: Taylor Swift]\nAnd it was never so beautiful in my worst day\n[Chorus: Taylor Swift, \nLana Del Rey\n]\nAnd it was like snow\nOn the beach, yay\nAnd it was like a dream\nCutting through the grass\nIn your underwear\nYeah, it was like a dream\n[Bridge: Taylor Swift, \nLana Del Rey\n, \nTaylor Swift & Lana Del Rey\n]\nAnd there's so much in this world\nThat's hidden from view\nIt takes a true love\nTo make the good days\nBad and the bad days\nGood [Chorus: Taylor Swift, \nLana Del Rey\n, \nTaylor Swift & Lana Del Rey\n]\nSo it was like snow\nOn the beach, yay\nAnd it was like a dream\nCutting through the grass\nIn your underwear\nOh, yeah\nAnd it was like snow\nOn the beach, yay\nAnd it was like a dream\nCutting through the grass\nIn your underwear\nYeah, it was like a dream" + }, + { + "id":8461583, + "song":"Hits Different", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nI washed my hands of us at the club\nYou made a mess of me\nI pictured you with other girls in love\nThen threw up on the street\nLike waiting for a bus that never shows\nYou just start walkin' on\nThey say that if it's right, you know\nEach bar plays our song\nNothing has ever felt so wrong\n[Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different\nIt hits different 'cause it's you\n[Post-Chorus]\n('Cause it's you)\n[Verse 2]\nI used to switch out these Kens, I'd just ghost\nRip the band-aid off and skip town lik\u0435 an asshole outlaw\nFreedom felt like summ\u0435r then on the coast\nNow the sun burns my heart and the sand hurts my feelings\nAnd I never don't cry (And I never don't cry) at the bar\nYeah, my sadness is contagious (My sadness is contagious)\nI slur your name 'til someone puts me in a car\nI stopped receiving invitations [Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different\nIt hits different 'cause it's you\n[Post-Chorus]\n('Cause it's you)\n[Bridge]\nI find the artifacts, cried over a hat\nCursed the space that I needed\nI trace the evidence, make it make some sense\nWhy the wound is still bleedin'\nYou were the one that I loved\nDon't need another metaphor, it's simple enough\nA wrinkle in time like the crease by your eyes\nThis is why they shouldn't kill off the main guy\nDreams of your hair and your stare and sense of belief\nIn the good in the world, you once believed in me\nAnd I felt you and I held you for a while\nBet I could still melt your world\nArgumentative, antithetical dream girl [Verse 3]\nI heard your key turn in the door down the hallway\nIs that your key in the door?\nIs it okay? Is it you?\nOr have they come to take me away?\nTo take me away\n[Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different (It hits different)\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different (It hits different)\nIt hits different 'cause it's you\n[Outro]\nOh, my, love is a lie\nShit my friends say to get me by\n'Cause it's you\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different (Yeah)\nIt hits different 'cause it's you", + "model_output":"[Intro]\nHurt, hurt, hurt\nHeartbreak, heartbreak, heartbreak\n[Verse 1]\nAnd when I get out of these\nHeartbreak blues, don't know what I'll do\nIf you ever, ever, ever need me\nDon't hesitate, come on and catch me up\n'Cause I break down\n[Pre-Chorus]\nJust like they all don't last, you can bet your last dollar\nIt takes a lot to disrupt this heart of mine\nAnd I've got a few scars, and I've been left in the rain\nAnd I'm trying to be better, I didn't use to be this way\n[Chorus]\nBut this one, this one hurts, this one has depth\nThis time, it's different, this time I can't\u2026\nMove on\nNo, I can't\nMove on\nI can't\nMove on\nForget you\nI can't\n[Verse 2]\nHow does it feel\nTo know that you're no good\nLike the first Taste of a bad drug\nUh-uh, can't trust anyone\nAnd lately, I've been feeling like\n[Pre-Chorus]\nI've talked to all my friends, they all agree\nIt's time I took a break, got some perspective\nAnd I'm trying to be better, I didn't use to be this way\n[Chorus]\nBut this one, this one hurts, this one has depth\nThis time, it's different, this time I can't\u2026\nMove on\nNo, I can't\nMove on\nI can't\nMove on\nForget you\nI can't\n[Bridge]\nI can't stand the way\nYou break it\nI can't touch the phone\nYou're always there\nI can't take the pain\nTell me it's not\n[Breakdown]\nHey, hey, hey\nAnd when I get out of these\nHeartbreak blues, don't know what I'll do\nIf you ever, ever, ever need me\nDon't hesitate, come on and catch me up\n'Cause I break down\n[Chorus]\nBut this one, this one hurts, this one has depth\nThis time, it's different, this time I can't\u2026\nMove on\nNo, I can't\nMove on\nI can't\nMove on\nForget you\nI can't\n[Outro]\nNo, I can't\nMove on\nI can't\nMove on\nNo, I can't\nForget you\nI can't" + }, + { + "id":8445376, + "song":"Snow On The Beach", + "artist":"Taylor Swift", + "lyrics":"[Verse 1: Taylor Swift]\nOne night, a few moons ago\nI saw flecks of what could've been lights\nBut it might just have been you\nPassing by unbeknownst to me\nLife is emotionally abusive\nAnd time can't stop me quite like you did\nAnd my flight was awful, thanks for asking\nI'm unglued, thanks to you\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, ah [Verse 2: Taylor Swift, \nTaylor Swift\n & Lana Del Rey\n]\nThis scene feels\n like what I once saw \non a screen\nI searched \"aurora borealis\n green\"\nI've never seen someone \nlit from \nwithin\nBlurring\n out my \nperiphery\nMy smile is \nlike I won a contest\nAnd to hide that \nwould be so dishonest\nAnd it's fine to \nfake it 'til you make it\n'Til \nyou\n do, 'ti\nl it's true\n[Chorus: Taylor Swift & Lana Del Rey]\nNow it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, ah [Bridge: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nI (I) can't (Can't) speak, afraid to jinx it\nI (I) don't (Don't) even dare to wish it\nBut your eyes are flying saucers from another planet\nNow I'm all for you like Janet\nCan this be a real thing? \nCan it?\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nAre we falling like snow at the beach? (\nSnow at the beach\n)\nWeird, but fuckin' beautiful\nFlying in a dream (\nFlying in a dream\n)\nStars by the pocketful\nYou wanting me (\nYou wanting me\n)\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n]\nLike snow on the beach (Snow on the beach)\nLike snow on the beach\n (Flying in a dream)\nLike snow on the beach\n (You wanting me)\nLike snow, ah\nBut it's comin' down\nNo sound, it's all around\n[Outro: Taylor Swift]\nLike snow on the beach\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\nLike snow on the beach\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)", + "model_output":"[Intro: Taylor Swift]\nSnow, snow, snow\nBeach, beach, beach\n[Verse 1: Taylor Swift]\nI thought I knew\nI thought I knew you\nBut I didn't\nI'm swept away\nBy the way you wave\nFrom the shore line\nLike a beacon\n[Pre-Chorus: Taylor Swift]\nOoh, ooh\nOoh, ooh\nOoh, ooh\nOoh, ooh\n[Chorus: Taylor Swift]\nSo here you are\nIn my (Snow) beach\nIn my (Snow) beach\nIn my (Snow) beach\nOoh, ooh\n[Verse 2: Taylor Swift, \nLana Del Rey\n]\nI've been haunted\nBy your (Snow) beach\nBy your (Snow) beach\nIn my (Snow) beach\nOoh, ooh [Pre-Chorus: Taylor Swift, \nLana Del Rey\n]\nOoh, ooh\nOoh, ooh\nOoh, ooh\nOoh, ooh\n[Chorus: Both, \nTaylor Swift\n, \nLana Del Rey\n]\nSo here you are\nIn my (Snow) beach\nIn my (Snow) beach\nIn my (Snow) beach\nOoh, ooh\n[Post-Chorus: Taylor Swift, \nBoth\n]\nSnow, snow, snow\nBeach, beach, beach\nOoh, ooh, ooh, ooh\n[Bridge: Taylor Swift, \nBoth\n]\nLike a scene\nFrom a film\nYou are trying to figure me out\nThe more we (Snow) beach\nThe more I (Snow) beach\nThe more we (Snow) beach\nThe more I want you\n[Chorus: Taylor Swift, \nTaylor Swift & \nLana Del Rey\n]\nSo here you are\nIn my (Snow) beach\nIn my (Snow) beach\nIn my (Snow) beach\nOoh, ooh\n[Outro: Taylor Swift, \nBoth\n]\nSnow, snow, snow\nBeach, beach, beach\nOoh, ooh, ooh, ooh\nIn my (Snow) beach\nIn my (Snow) beach\nIn my (Snow) beach\nOoh, ooh" + }, + { + "id":5651833, + "song":"All Of The Girls You Loved Before", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWhen you think of all the late nights\nLame fights over the phone\nWake up in the\u2005mornin'\u2005with someone\nBut feelin'\u2005alone\n[Refrain]\nA heart is drawn around your\u2005name\nIn someone's handwriting, not mine\nSneakin' out into town\nHoldin' hands, just\u205fkillin'\u205ftime\n[Pre-Chorus]\nYour\u205fpast and mine\u205fare parallel lines\nStars\u205fall aligned and they intertwined\nAnd taught you\nThe way you call me \"baby\"\nTreat me like a lady\nAll that I can say is\n[Chorus]\nAll of the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street led you straight to me\nNow you're all I need, I'm so thankful for\nAll of the girls you loved before\nBut I love you more [Verse 2]\nWhen I think of all the makeup\nFake love out on the town (Ooh)\nCryin' in the bathroom for some dude\nWhose name I cannot remember now\n[Refrain]\nSecret jokes all alone\nNo one's home, sixteen and wild (Ooh)\nBreakin' up, makin' up\nLeave without sayin' goodbye (Ooh)\n[Pre-Chorus]\nAnd just know that\nIt's everything that made me\nNow I call you \"baby\"\nIt's why you're so amazing\n[Chorus]\nAll of the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street led you straight to me\nNow you're all I need, I'm so thankful for\nAll of the girls you loved before\nBut I love you more [Bridge]\nYour mother brought you up loyal and kind\nTeenage love taught you there's good in goodbye\nEvery woman that you knew brought you here\nI wanna teach you how forever feels\n[Chorus]\nLike the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street (Dead-end street) led you straight to me (Straight to me)\nNow you're all I need (All I need), I'm so thankful for\nAll of the girls you loved before\nBut I love you more\n[Outro]\n(I love you more)\n(I love you more)", + "model_output":"[Verse 1]\nOnce the fool, who was afraid of the dark\nNow, he's the brave one, who's afraid of nothing at all\nHe's got a reason, he's got a season\nHe's got a story to tell\nHis lover, who was once a robber\nNow, he's the one who's doing the stealing\nTaking each other for better or for worse\nOn the worst day, you'll ever face\n[Pre-Chorus]\nSo here's to the lovers, who have a reason\nTo roll their eyes at each other\nBut never, ever, ever, ever\nSleep in the same bed without a reason\n[Chorus]\nHere's to the lovers, who were once in love\nWho had it all, then lost it, and got it back\nWho held each other up, when they were running wild\nThen lost each other, but are standing quick, so here's to you\nAnd all the lovers, who have a story to tell\nWho had to pretend to be stronger, than they believed\nWho ran for their lives, terrified, but they got it back\nSo here's to the lovers, who never gave in\nWho ran for their lives, terrified, but they got it back\nWho had to pretend to be stronger, than they believed\nAnd all the lovers, who have a reason\nTo roll their eyes at each other\nBut never, ever, ever, ever\nSleep in the same bed without a reason [Verse 2]\nOnce the good, who sometimes felt guilty\nNow, he's the bad boy, who still feels guilty enough\nHe's got a reason, he's got a season\nHe's got a story to tell\nHis lover, who was once a bad boy\nNow, he's the good one, who's leading him on\nTaking each other for better or for worse\nOn the worst day, you'll ever face [Pre-Chorus]\nSo here's to the lovers, who have a reason\nTo roll their eyes at each other\nBut never, ever, ever, ever\nSleep in the same bed without a reason\n[Chorus]\nHere's to the lovers, who were once in love\nWho had it all, then lost it, and got it back\nWho held each other up, when they were running wild\nThen lost each other, but are standing quick, so here's to you\nAnd all the lovers, who have a story to tell\nWho had to pretend to be stronger, than they believed\nWho ran for their lives, terrified, but they got it back\nSo here's to the lovers, who never gave in\nWho ran for their lives, terrified, but they got it back\nWho had to pretend to be stronger, than they believed\nAnd all the lovers, who have a reason\nTo roll their eyes at each other\nBut never, ever, ever, ever\nSleep in the same bed without a reason\n[Bridge]\nHe's the reason for the reason\nShe's the cause of all my seasons\nHe's the one who made me over\nShe's the one who changed my view\nHe's the one who put me through\nThe reinvention of my twisted heart\nHe's the one who put it back together\nShe's the reason, she's the reason\n[Verse 3]\nOnce the blind, who woke up to revenge\nNow, he's the blind, who woke up to regret\nHe's got a reason, he's got a season\nHe's got a story to tell\nHis lover, who was once a saint\nNow, he's the sinner, who's holding him back\nTaking each other for better or for worse\nOn the worst day, you'll ever face [Pre-Chorus]\nSo here's to the lovers, who have a reason\nTo roll their eyes at each other\nBut never, ever, ever, ever\nSleep in the same bed without a reason\n[Chorus]\nHere's to the lovers, who were once in love\nWho had it all, then lost it, and got it back\nWho held each other up, when they were running wild\nThen lost each other, but are standing quick, so here's to you\nAnd all the lovers, who have a story to tell\nWho had to pretend to be stronger, than they believed\nWho ran for their lives, terrified, but they got it back\nSo here's to the lo" + }, + { + "id":9538403, + "song":"Suburban Legends (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nYou had people who called you on unmarked numbers\nIn my peripheral vision\nI let it slide like a hose on a slippery plastic summer\nAll was quickly forgiven\nYou were so magnetic, it was almost obnoxious\nFlush with the currency of cool\nI was always turnin' out my empty pockets\nAnd when it came to you\n[Chorus]\nI didn't come here to make friends\nWe were born to be suburban legends\nWhen you hold me, it holds me together\nAnd you kiss me in a way that's gonna screw me up forever\n[Verse 2]\nI had the fantasy that maybe our mismatched star signs\nWould surprise the whole school\nWhen I ended up back at our class reunion\nWalkin' in with you\nYou'd be more than a chapter in my old diaries\nWith the pages ripped out\nI am standin' in a 1950s gymnasium\nAnd I can still see you now [Chorus]\nI didn't come here to make friends\nWe were born to be suburban legends\nWhen you hold me, it holds me together\nAnd you kiss me in a way that's gonna screw me up forever\nI know that you still remember\nWe were born to be national treasures\nWhen you told me we'd get back together\nAnd you kissed me in a way that's gonna screw me up forever\n[Outro]\nTick-tock on the clock, I pace down your block\nI broke my own heart 'cause you were too polite to do it\nWaves crash on the shore, I dash to the door\nYou don't knock anymore and my whole life's ruined\nTick-tock on the clock, I pace down your block\nI broke my own heart 'cause you were too polite to do it\nWaves crash to the shore, I dash to the door\nYou don't knock anymore and I always knew it\nThat my life would be ruined", + "model_output":"[Intro]\n(Ooh)\n(Ooh)\n(Ooh)\n(Verse 1]\nHigh school was the very best time of my life\nPicking up and leaving at 19\nI had to leave to get the heck outta this hell hole\nTook a deep breath and moved to L.A.\n[Pre-Chorus]\nAnd in the middle of it all, I fell in love\nLove that was so intense, it could last forever\nAnd I knew, I knew\n[Chorus]\nThis love was complicated\nBut it was one of those things\nThat was so crazy, it could last forever\nForever and ever\n[Verse 2]\nI was in lust as a junior\nIn and out of this town so quickly\nDidn't have a chance, you were too cool\nFor me, but that was alright\nKnew I'd never be the one to take it slow\nBut you were just as lonesome as I was (Ooh)\n[Pre-Chorus]\nAnd in the middle of it all, I fell in love\nLove that was so intense, it could last forever\nAnd I knew, I knew [Chorus]\nThis love was complicated\nBut it was one of those things\nThat was so crazy, it could last forever\nForever and ever\n[Bridge]\nWere you waiting, were you watching, were you waiting for me?\nAnd did you see me, did you see me, did you see me coming?\nWere you hoping, were you thinking, were you thinking I'd be there\nAnd then you can say, you can say, you can say, you can say to me\n[Chorus]\nThis love was complicated\nBut it was one of those things\nThat was so crazy, it could last forever\nAnd I knew, I knew\nThis love was complicated\nBut it was one of those things\nThat was so crazy, it could last forever\nAnd I knew, I knew\nThis love was complicated\nBut it was one of those things\nThat was so crazy, it could last forever\nAnd I knew, I knew [Outro]\nSo, so, so, so, so, so, so\nThis love was complicated\nBut it was one of those things\nThat was so crazy, it could last forever\nAnd I knew, I knew\n(Ooh)\n(Ooh)\n(Ooh)" + }, + { + "id":4499925, + "song":"Castles Crumbling (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Intro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)\n[Verse 1: Taylor Swift]\nOnce, I had an empire in a golden age\nI was held up so high, I used to be great\nThey used to cheer when they saw my face\nNow, I fear I have fallen from grace\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nAnd I \nfeel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Verse 2: Hayley Williams, \nTaylor Swift & Hayley Williams\n]\nOnce, I was the great hope for a dynasty\nCrowds would hang on my words and they trusted me\nTheir faith was strong, but I pushed it too far\nI held that grudge 'til it tore me apart\n[Pre-Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nPower went to my head and I couldn't stop\nOnes I loved tried to help, so I ran them off\nAnd here I sit alone behind\n walls of regret\nFalling down like promises that I never kept [Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nAnd I feel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Bridge: Taylor Swift]\nMy foes and friends watch my reign end\nI don't know how it could've ended this way\nSmoke billows from my ships in the harbor\nPeople look at me like I'm a monster\nNow they're screamin' at the palace front gates\nUsed to chant my name\nNow they're screaming that they hate me\nNever wanted you to hate me\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nMy castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, \nI will just let you down\n (Just let you down)\nMy castle's crumbling \ndown\nYou don't wanna know me \nnow\n, now\n[Outro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)", + "model_output":"[Intro: Taylor Swift]\nI used to think I was an American princess\nBut there is no knight in shining armor, just the ash from my cigarette\nI used to think I was a baby girl with a beautiful life\nBut now I just think about jumping\n[Verse 1: Taylor Swift]\nOnce upon a time, I was the queen of the world\nBut now I just live in a ruined castle\nMy kingdom's rubble, my people are scattered\nI wake up, I reach for my knife\n[Pre-Chorus: Taylor Swift]\nI used to think I was an American princess\nBut there is no knight in shining armor, just the ash from my cigarette\nI used to think I was a baby girl with a beautiful life\nBut now I just think about jumping\n[Chorus: Taylor Swift, \nHayley Williams\n]\nI used to be the one\nEverybody came to see, everybody showed up as they\nexpected me to be\nI used to be the golden girl\nWho had the golden world\nBut now I just feel so alone\nAnd it's all my fault, it's all my fault\n[Verse 2: Taylor Swift]\nOnce upon a time, I was the queen of the world\nBut now I just live in a ruined castle\nMy kingdom's rubble, my people are scattered\nI wake up, I reach for my knife\n[Pre-Chorus: Taylor Swift]\nI used to think I was an American princess\nBut there is no knight in shining armor, just the ash from my cigarette\nI used to think I was a baby girl with a beautiful life\nBut now I just think about jumping\n[Chorus: Taylor Swift, \nHayley Williams\n]\nI used to be the one\nEverybody came to see, everybody showed up as they\nexpected me to be\nI used to be the golden girl\nWho had the golden world\nBut now I just feel so alone\nAnd it's all my fault, it's all my fault\n[Bridge: Taylor Swift, \nHayley Williams\n]\nSo if you could kill me after breakfast\nThat would be a real special treat\nTell me that you want me\nLook at me, look at my shattered knees\nSay that you want me\nAnd you would never leave me\nAnd you would never leave me\n[Verse 3: Taylor Swift]\nOnce upon a time, I was the queen of the world\nBut now I just live in a ruined castle\nMy kingdom's rubble, my people are scattered\nI wake up, I reach for my knife\n[Pre-Chorus: Taylor Swift]\nI used to think I was an American princess\nBut there is no knight in shining armor, just the ash from my cigarette\nI used to think I was a baby girl with a beautiful life\nBut now I just think about jumping\n[Chorus: Taylor Swift, \nHayley Williams\n]\nI used to be the one\nEverybody came to see, everybody showed up as they\nexpected me to be\nI used to be the golden girl\nWho had the golden world\nBut now I just feel so alone\nAnd it's all my fault, it's all my fault\n[Outro: Taylor Swift, \nHayley Williams\n]\nSo if you could kill me after breakfast\nThat would be a real special treat\nTell me that you want me\nLook at me, look at my shattered knees\nSay that you want me\nAnd you would never leave me\nAnd you would never leave me" + }, + { + "id":9157172, + "song":"Karma (Remix)", + "artist":"Taylor Swift", + "lyrics":"[Intro: Ice Spice]\nKarma is that girl, like (Grrah)\n[Verse 1: Taylor Swift]\nYou're talking shit for the hell of it\nAddicted to betrayal, but you're relevant\nYou're terrified to look down\n'Cause if you dare, you'll see the glare\nOf everyone you burned just to get there\nIt's comin' back around\n[Pre-Chorus: Taylor Swift]\nAnd I keep my side of the street clean\nYou wouldn't know what I mean\n[Chorus: Taylor Swift]\n'Cause karma is my boyfriend\nKarma is a god\nKarma is the breeze in my hair on the weekend\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing lik\u0435 a goddamn acrobat\nMe and karma vibe like that [Verse 2: Ice Spice, \nIce Spice & Taylor Swift\n]\nKarma is your ch\u0435ck's 'boutta bounce (Damn)\nKarma is a fire in your house (Grrah)\nAnd she 'boutta pop up unannounced (Like)\nAnd she never leavin' you alone (Damn)\nWatch her put ya opps on a throne (Damn)\nGot you wavin' pretty \nwhite flags\n, feenin' for that \ncash\nThinkin' it'll save ya, now you switchin' up your behavior\nIt's okay, baby, you ain't gotta worry, karma never gets lazy\nSo, I keep my head up, my bread up, I won't let up (Never)\nPromise that you'll never endeavor with none lesser (Ever, ever)\nI be draggin' that wagon, karma is a beauty \nwinning that pageant\n, grrah\n[Chorus: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is my boyfriend (\nDamn\n)\nKarma is a god\nKarma is the breeze in my hair on the weekend\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing like a goddamn acrobat\nMe and karma vibe like that\n (\nGrrah\n)\n[Bridge: Taylor Swift]\nAsk me what I learned from all those years\nAsk me what I earned from all those tears\nAsk me why so many fade, but I'm still here\n(I'm still here, I'm still here) [Breakdown: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is the thunder\nRattlin' your ground\nKarma's on your scent like a bounty hunter\nAnd karma's gonna track you down\nStep by step, from town to town\nSweet like justice, \nkarma is a queen\nKarma takes all my friends to the summit (\nFacts\n)\nKarma is the guy on the screen\nComing straight home to me\n[Chorus: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is my boyfriend (\nKarma is my boyfriend\n)\nKarma is a god (\nDamn\n)\nKarma is the breeze in my hair on the weekend (Weekend)\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing like a goddamn acrobat\nMe and karma vibe like that\n[Outro: Taylor Swift, \nIce Spice\n]\nKarma is my boyfriend\nKarma is a god (Ah)\nKarma is my bestie\n (Mmm)\nKarma's a relaxing thought\nKarma's gonna hold you down", + "model_output":"[Intro: Taylor Swift]\nKarma, oh, karma, oh, oh, oh, oh\nKarma, oh, karma, oh, oh, oh, oh\nKarma, oh, karma, oh, oh, oh, oh\n[Verse 1]\nI take my time, make my point\nI'm just an actress, aren't I pretty to think about?\nLivin' in high heels, never loosing my cool\nGonna take this guy, take him for a ride\nHitch it to my wagon, make him reach for the stars\nOh, you think I'm just a pretty face?\nWell, I've got news for you, darlin'\n[Pre-Chorus]\nYou might's well tell me you love me and I will go along with it\nEvery con, every angel, every devil, every saint and sinner\nBaby, I've been around, I've seen it all, can you honestly say\nThat you're gonna miss me, miss me when I'm gone?\n[Chorus]\nKarma, oh, karma, oh, oh, oh, oh\nKarma, oh, karma, oh, oh, oh, oh\nYou get what you give, oh, oh\nAnd I've got mine\nAnd it's, it's, it's, it's, it's so nice\nKarma, oh, karma, oh, oh, oh, oh\nKarma, oh, karma, oh, oh, oh, oh\nYou get what you give, oh, oh\nAnd I've got mine\nAnd it's, it's, it's, it's, it's so nice [Verse 2]\nI make my move, he makes his shot\nI'm just a raindrop, gonna roll off his window\nGive the world a smirk, the world's my disciple\nAnd the joke, well, it's on him\nMy name is Mr. Misunderstood\nI'm the type of man that you could bring home to your mama\nAnd she would adore me, she would love me\nI'm the kind of man that would write a song, about you\n[Pre-Chorus]\nAnd every word would be true, ah-ah\nEvery word would be true, ah-ah\nAnd every word would be true, ah-ah, ah-ah\n[Chorus]\nKarma, oh, karma, oh, oh, oh, oh\nKarma, oh, karma, oh, oh, oh, oh\nYou get what you give, oh, oh\nAnd I've got mine\nAnd it's, it's, it's, it's, it's so nice\nKarma, oh, karma, oh, oh, oh, oh\nKarma, oh, karma, oh, oh, oh, oh\nYou get what you give, oh, oh\nAnd I've got mine\nAnd it's, it's, it's, it's, it's so nice [Bridge]\nYou might's well tell me you love me, love me and I will go along with it\nEvery con, every angel, every devil, every saint and sinner\nBaby, I've been around, I've seen it all, can you honestly say\nThat you're gonna miss me, miss me when I'm gone?\n[Chorus]\nKarma, oh, karma, oh, oh, oh, oh\nKarma, oh, karma, oh, oh, oh, oh\nYou get what you give, oh, oh\nAnd I've got mine\nAnd it's, it's, it's, it's, it's so nice\nKarma, oh, karma, oh, oh, oh, oh\nKarma, oh, karma, oh, oh, oh, oh\nYou get what you give, oh, oh\nAnd I've got mine\nAnd it's, it's, it's, it's, it's so nice\n[Outro]\nOh, you think I'm just a pretty face?\nWell, I've got news for you, darlin'" + }, + { + "id":8485905, + "song":"Midnight Rain", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nRain\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Verse 1]\nMy town was a wasteland\nFull of cages, full of fences\nPageant queens and big pretenders\nBut for some, it was paradise\nMy boy was a montage\nA slow-motion, love potion\nJumping off things in the ocean\nI broke his heart 'cause he was nice\nHe was sunshine, I was midnight rain\n[Chorus]\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Verse 2]\nIt came like a postcard\nPicture perfect shiny family\nHoliday peppermint candy\nBut for him, it's every day\nSo I peered through a window\nA deep portal, time travel\nAll the love we unravel\nAnd the life I gave away\n'Cause he was sunshine, I was midnight rain [Chorus]\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight rain\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Outro]\nI guess sometimes we all get\nJust what we wanted, just what we wanted\nAnd he never thinks of me\nExcept for when I'm on TV\nI guess sometimes we all get\nSome kind of haunted, some kind of haunted\nAnd I never think of him\nExcept on midnights like this\n(Midnights like this, midnights like this)", + "model_output":"[Intro: Martin Johnson]\nI never liked attention, tended to shy away\nFrom crowds and big crowds, I like trees, I like skies\nCrisp, clean, and quiet\nLike the first date\n[Verse 1: Taylor Swift]\nYou were trying so hard\nTo make small talk, I was thinking we could skip it\nAnd you said, \"Besides, I haven't even told you what I do\"\nI said, \"I haven't care\u2005er\u2005ed\"\nAnd it was new and exciting\nAnd the whole world was in front of us\nBut I don't mind being alone\nIf it means that I'd be with you [Pre-Chorus: Taylor Swift]\nAnd we could watch it burn, burn, burn\nAnd it'll all be worth it\nEven if we both get burned\n[Chorus: Taylor Swift & Martin Johnson]\nAll of me changed, like midnight\nAs if a flicker of thought could flip your switch\nEven when I'm crying, I'm smiling\nBecause I know it's what you want\nAll of me, all of me changed, like midnight\n[Verse 2: Martin Johnson]\nI was looking for a sign, so I could read between the lines\nAnd you said, \"Don't look at me, I'm just trying to make a living\"\nThen I said, \"I haven't even seen your work\"\nAnd you let out a sigh [Pre-Chorus: Martin Johnson]\nAnd you said, \"If it makes you happy, I can maybe see your face\nIn a magazine, or a movie, or a television show\"\nOr a poster, or a t-shirt, or a poster, or a t-shirt\n[Chorus: Taylor Swift & Martin Johnson]\nAll of me changed, like midnight\nAs if a flicker of thought could flip your switch\nEven when I'm crying, I'm smiling\nBecause I know it's what you want\nAll of me, all of me changed, like midnight\n[Bridge: Martin Johnson & Taylor Swift]\nIt's so hard to love and be hated\nHated for the things that I like, not what I are\nIt's so hard to feel so much and be underrated\nBut I knew that this would be the last one\nSo I'm gonna love her like I've never loved before\nAnd she'll say that it's not what she wanted\nAnd it's not what I wanted, it's not what I wanted\nShe'll say that it's not what she wanted\n[Chorus: Martin Johnson]\nAll of me changed, like midnight\nAs if a flicker of thought could flip your switch\nEven when I'm crying, I'm smiling\nBecause I know it's what you want\nAll of me, all of me changed, like midnight\nAll of me changed, like midnight\n[Outro: Martin Johnson]\nIt's so hard to love and be hated\nHated for the things that I like, not what I are\nIt's so hard to feel so much and be underrated\nBut I knew that this would be the last one\nSo I'm gonna love her like I've never loved before" + }, + { + "id":8442190, + "song":"Lavender Haze", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nMeet me at midnight\n[Verse 1]\nStaring at the ceiling with you\nOh, you don't ever say too much\nAnd you don't really read into\nMy melancholia\n[Pre-Chorus]\nI been under scrutiny (Yeah, oh, yeah)\nYou handle it beautifully (Yeah, oh, yeah)\nAll this shit is new to me (Yeah, oh, yeah)\n[Chorus]\nI feel\nThe lavender haze creeping up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Verse 2]\nAll they keep asking me (All they keep asking me)\nIs if I'm gonna be your bride\nThe only kinda girl they see (Only kinda girl they see)\nIs a one-night or a wife [Pre-Chorus]\nI find it dizzying (Yeah, oh, yeah)\nThey're bringing up my history (Yeah, oh, yeah)\nBut you weren't even listening (Yeah, oh, yeah)\n[Chorus]\nI feel\nThe lavender haze creepin' up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Post-Chorus]\nThat lavender haze\n[Bridge]\nTalk your talk and go viral\nI just need this love spiral\nGet it off your chest\nGet it off my desk (Get it off my desk)\nTalk your talk and go viral\nI just need this love spiral\nGet it off your chest\nGet it off my desk [Chorus]\nI feel (I feel)\nThe lavender haze creeping up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal (No deal)\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Outro]\nGet it off your chest\nGet it off my desk\nThat lavender haze\nI just wanna stay\nI just wanna stay in that lavender haze", + "model_output":"[Intro]\nIs it romantic how all my ID pictures were taken?\nGiven to me by unbearable exes\nSaying, \"You look just like Taylor Swift\"\nAnd it's kind of annoying\nBut not as annoying as how\nEvery song I play on the guitar is about you\n[Verse 1]\nI've been in this lavender haze\nFor what feels like a thousand years\nAnd I only think about turning 18\nSo I can try on normal, grown-up fears\nAnd when I try to picture my future\nIt's a blur of bright colors and dark rooms\nI've never felt anything quite like this\nSo how can I ever leave it?\n[Pre-Chorus]\nAnd I say, \"Never say never,\" but I don't know if I'm ready\nTo take the world on, to take the world on\nI've never left, so how can I ever leave?\nAnd I say, \"Never say never,\" but I don't know if I'm ready\nTo take the world on\n[Chorus]\nAnd it's kind of sick how I can't have you\nAnd it's kind of cruel, but I'm gonna treat you like a shroud\nAnd it's kind of strange how the liquor goes right to my brain\nBut it's kind of true that I'll only read what you write on my wall\nAnd it's kind of real how the joke I made about you\nBeing the only thing that keeps me picking at the scabs of my heart\nIs kind of how I feel\n[Pre-Chorus]\nAnd I say, \"Never say never,\" but I don't know if I'm ready\nTo take the world on, to take the world on\nI've never left, so how can I ever leave?\nAnd I say, \"Never say never,\" but I don't know if I'm ready\nTo take the world on\n[Verse 2]\nI've been in this lavender haze\nWith you for what feels like a lifetime\nAnd I'd never, ever, ever go back to my old ways\n'Cause I know I only, ever, ever, ever, ever, ever, ever, ever loved you\n[Pre-Chorus]\nAnd I say, \"Never say never,\" but I don't know if I'm ready\nTo take the world on, to take the world on\nI've never left, so how can I ever leave?\nAnd I say, \"Never say never,\" but I don't know if I'm ready\nTo take the world on\n[Chorus]\nAnd it's kind of sick how I can't have you\nAnd it's kind of cruel, but I'm gonna treat you like a shroud\nAnd it's kind of strange how the liquor goes right to my brain\nBut it's kind of true that I'll only read what you write on my wall\nAnd it's kind of real how the joke I made about you\nBeing the only thing that keeps me picking at the scabs of my heart\nIs kind of how I feel [Bridge]\nAnd you know I did it just to rile you\nJust to watch you react\nAnd it's kind of sick how I'm smiling\nAs I'm burning inside\nAnd it's kind of cruel, but I'm gonna treat you like a shroud\nAnd it's kind of strange how the liquor goes right to my brain\nBut it's kind of true that I'll only read what you write on my wall\nAnd it's kind of real how the joke I made about you\nBeing the only thing that keeps me picking at the scabs of my heart\nIs kind of how I feel [Outro]\nAnd it's kind of sick how I can't have you\nBut I'd never, ever, ever go back to my old ways\n'Cause I know I only, ever, ever, ever, ever, ever, ever loved you" + }, + { + "id":5651836, + "song":"Need", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWant is the cigarette smoke on a jacket\nYou wore to the wrong part of town\nDesire\u2005is\u2005the sound of\u2005the whiskey\nTelling me you miss me,\u2005can you come around?\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nLust is a liar, a short-lived fire\nIt ain't what you and I are at all\n[Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Verse 2]\nDanger is a thousand prickles on my neck\nThat tell me to run or to freeze\nFear is the nightmare I had, you were with someone else\nYou forgot about me\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nCaught up in a feeling, it can be deceiving\nThis is like breathing for me [Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Bridge]\nBaby, it's always a new kiss every time we do this\nThe truth is it's essential to me\nThat you love me more than wishing, longing\n[Chorus]\nOh, it's a need (It's a need), it's a need (Ah-ah, ah-ah)\nI would go (I would go) anywhere (Anywhere) that you lead (Oh, oh)\nI am hopeless, breathless, burning slow (Burning slow)\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave (I won't leave), it's a need (Oh)", + "model_output":"[Intro]\nHopeless, breathless, burning slow\nSo it's any wonder that I can't let go\nAnd I've been\nWanting, waiting, trying to get to you\nAll this time\n[Verse 1]\nI want you like a child wants a toy\nI need you like a heartbeat needs a pulse\nOne look and I'm ushering you inside\nWhere we slow dance in a dim light\nI want you, I need you, want you, need you\nWant you, I need you, want you, need you\n[Pre-Chorus]\nTouch me and you'll see what I mean\nThat you're my fuels, my spirit, my sky\nAnd if you ever need\n[Chorus]\nAnything, anything, anything, anything\nI'm right there to help, right there in the flesh\nHopeless, breathless, burning slow\nYou belong with me, you belong with me\n[Post-Chorus]\nOh-oh-oh, oh-oh-oh\n[Verse 2]\nI want you like a bad habit\nI need you like a heartbeat\nSo it's any wonder that I can't let go\nAnd I've been\nWanting, waiting, trying to get to you\nAll this time [Pre-Chorus]\nTouch me and you'll see what I mean\nThat you're my fuels, my spirit, my sky\nAnd if you ever need\n[Chorus]\nAnything, anything, anything, anything\nI'm right there to help, right there in the flesh\nHopeless, breathless, burning slow\nYou belong with me, you belong with me\n[Bridge]\nI want you like a child wants his toy\nI need you like a heartbeat needs a pulse\nI wait around, you don't even know\nYou belong with me, I've been waiting so long\nI'll wait around, my love, until you come back home\n[Verse 3]\nI want you like the sunbeams that fill my room\nI need you like a heartbeat\n[Pre-Chorus]\nTouch me and you'll see what I mean\nThat you're my fuels, my spirit, my sky\nAnd if you ever need\n[Chorus]\nAnything, anything, anything, anything\nI'm right there to help, right there in the flesh\nHopeless, breathless, burning slow\nYou belong with me, you belong with me\n[Outro]\nOh-oh-oh, oh-oh-oh\nOh-oh-oh, oh-oh-oh" + }, + { + "id":3281502, + "song":"Dress", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nOur secret moments in a crowded room\nThey got no idea about me and you\nThere is an indentation in the shape of you\nMade your mark on me, a golden tattoo\n[Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n\u2019Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Verse 2]\nInescapable, I'm not even gonna try\nAnd if I get burned, at least we were electrified\nI\u2019m spilling wine in the bathtub\nYou kiss my face and we're both drunk\nEveryone thinks that they know us\nBut they know nothin' about [Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n'Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha\n[Post-Chorus]\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\n[Bridge]\nFlashback when you met me, your buzzcut and my hair bleached\nEven in my worst times, you could see the best in me\nFlashback to my mistakes, my rebounds, my earthquakes\nEven in my worst lies, you saw the truth in me\nAnd I woke up just in time, now I wake up by your side\nMy one and only, my lifeline\nI woke up just in time, now I wake up by your side\nMy hands shake, I can't explain this\nAh, ha, ha, ha-ah [Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n\u2019Cause I don\u2019t want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Outro]\nThere is an indentation in the shape of you\nOnly bought this dress so you could take it off\nYou made your mark on me, golden tattoo\nOnly bought this dress so you could take it off", + "model_output":"[Intro]\nIs it insane what Im about to do?\nAnd why is the bed so close to the wall?\nI heard the rumors, both sides\nHow long has this been going on?\nWhat would you do if I left?\n[Verse 1]\nWe're hiding two different lives\nHoney, I\u2019ll never leave you, but what\u2019s a golden tattoo?\nAnd who\u2019s the girl in New York?\n(Oh-oh)\nI see your public face, and your private taste\nAnd I\u2019ll be reflecting on this, thinking it\u2019s my fault\nThat we have to keep it down, keep it cool\n\u2019Cause if the tonight\u2019s the night\nWe\u2019ve got to move the cars\nAnd if we\u2019re ever seen together\nIt\u2019s just a rumor, it\u2019s just a rumor\n[Pre-Chorus]\nYou know I can\u2019t lose you, so\n[Chorus]\nLet\u2019s make the world go away\nTonight, tonight\nLet\u2019s make the world go away\nTonight, tonight\nAnd if it\u2019s all in my head\nPlease, let it stay that way\nTonight, tonight\n[Post-Chorus]\nOh, oh\n[Verse 2]\nWe\u2019re keeping it discreet\nFor once, I don\u2019t need the whole world to see\nThat I\u2019m in love, in love\nAnd you\u2019ve got the keys to me\nAnd I\u2019ll never, ever, let you go\n(Oh-oh)\nBut who\u2019s gonna rein in your superstars?\nAnd bend and shape these golden arches in their cages?\nAnd press a cold glass to the iron bars?\nAnd say to you, \"I love you even when you're evil\"?\nOnly I have, and only I will [Pre-Chorus]\nSo, don't ever become a saint\nAnd have to renounce your sins\n'Cause I still look at you the way I did when I was scared and confused\nAnd so much can change, but I hope one thing stays the same\n[Chorus]\nLet\u2019s make the world go away\nTonight, tonight\nLet\u2019s make the world go away\nTonight, tonight\nAnd if it's all in my head\nPlease, let it stay that way\nTonight, tonight\n[Post-Chorus]\nOh, oh\n[Bridge]\nAnd you were so, so easy to lose\nAnd it\u2019s been so, so hard to manage my depression\nBut if you go, I'll go, I\u2019ll go, I\u2019ll go\nAnywhere, anywhere\nWith you, with you, with you\nAnywhere, anywhere [Breakdown]\nAnd you\u2019re in a dark place, lost in a crowd\nThat\u2019s the last thing on my mind\nWhen you\u2019re turnin' the shadows into stars\nAnd line the pockets of a golden tattoo\nOf the girl in New York\n[Chorus]\nLet\u2019s make the world go away\nTonight, tonight\nLet\u2019s make the world go away\nTonight, tonight\nAnd if it's all in my head\nPlease, let it stay that way\nTonight, tonight [Post-Chorus]\nOh, oh, oh\nLet's make the world go away\nTonight, tonight\n(Oh-oh) Oh, oh\n(Oh) Oh, oh, oh, oh\n(Oh, oh) Oh, oh, oh\nLet\u2019s make the world go away\nTonight, tonight\n(Oh, oh) Oh, oh\n(Oh) Oh, oh, oh, oh\n(Oh, oh) Oh, oh, oh\nLet\u2019s make the world go away\nTonight, tonight" + }, + { + "id":9538405, + "song":"Say Don\u2019t Go (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nI've known it from the very start\nWe\u2019re a shot in the darkest dark\nOh no, oh no, I'm unarmed\nThe waiting is a sadness\nFading into madness\nOh no, oh no, it won't stop\n[Refrain]\nI\u2019m standin' on a tightrope alone\nI hold my breath a little bit longer\nHalfway out the door, but it won't close\nI'm holdin' out hope for you to\n[Pre-Chorus]\nSay, \"Don't go\"\nI would stay forever if you say, \"Don't go\"\n[Chorus]\nWhy'd you have to lead me on?\nWhy\u2019d you have to twist the knife?\nWalk away and leave me bleedin\u2019, bleedin'?\nWhy\u2019d you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin' [Post-Chorus]\n(Say) Say, \"(Don't) don\u2019t (Go) go\"\nI would stay forev\u0435r if you (Say) say, \"(Don't) don't (Go) go\"\n(Say, say, say, say)\n[Verse 2]\nNow I'm pacin' on shaky ground\nStrike a match, then you blow it out\nOh no, oh no, it's not fair\n'Cause you kiss m\u0435 and it stops time\nAnd I'm yours, but you're not mine\nOh no, oh no, you're not there\n[Refrain]\nI'm standin' on the sidewalk alone\nI wait for you to drive by\nI'm tryna see the cards that you won't show\nI'm about to fold unless you\n[Pre-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go\"\n[Chorus]\nWhy'd you have to lead me on?\nWhy'd you have to twist the knife?\nWalk away and leave me bleedin', bleedin'?\nWhy'd you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin' [Post-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go\"\n(Say, say, say, say)\n[Bridge]\nWhy'd you have to (Why'd you have to)\nMake me want you? (Make me want you)\nWhy'd you have to (Why'd you have to)\nGive me nothin' back?\nWhy'd you have to (Why'd you have to)\nMake me love you? (Make me love you)\nI said, \"I love you\" (I said, \"I love you\")\nYou say nothin' back\n[Chorus]\nWhy'd you have to lead me on? (Oh)\nWhy'd you have to twist the knife?\nWalk away and leave me bleedin', bleedin'?\nWhy'd you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin'\n[Post-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go,\" woah\n(Say, say, say, say) [Outro]\nBut you won't, but you won't, but you won't\nI would stay forever if you say, \"Don't go\"\nBut you won't, but you won't, but you won't", + "model_output":"[Intro]\nShe can't love you like I do\nShe'll never be like I am\nAnd it takes one glance\nFor you to know\nYou don't have to go\n[Verse]\nYou know I couldn't bear it\nIf you didn't need me like you do\nAnd it takes one look\nFor you to see\nYou don't have to go\n[Chorus]\n'Cause I would never lead you on\nJust to get a thrill by keeping you guessing\nAnd I know that you believe now\nThat I would never let you go\nBut I would if you won't stay\n[Verse]\nI know I shouldn't take it personally\nThat you might be looking for something more\nBut you don't know how to keep me interested\nSo you keep me waiting at the border\n[Chorus]\n'Cause I would never lead you on\nJust to get a thrill by keeping you guessing\nAnd I know that you believe now\nThat I would never let you go\nBut I would if you won't stay [Bridge]\nI know I'm not your American Girl\nWith a heartbeat, pulse, and gorgeous lips\nAnd I know I'm not your first, I won't be your last, I\nKnow\nYou can't get enough of me\nWhen you don't have to but you still wouldn't\nSay that you would never go\n[Chorus]\nAnd I would never lead you on\nJust to get a thrill by keeping you guessing\nAnd I know that you believe now\nThat I would never let you go (Never let you go)\nBut I would if you won't stay [Outro]\nShe can't love you like I do\nShe'll never be like I am\nAnd it takes one glance\nFor you to know\nYou don't have to go" + } +] \ No newline at end of file diff --git a/data/taylor_swift_model_ouputs/llama-2-7b-chat-taylor-test-outputs.json b/data/taylor_swift_model_ouputs/llama-2-7b-chat-taylor-test-outputs.json new file mode 100644 index 0000000..a9aaeb1 --- /dev/null +++ b/data/taylor_swift_model_ouputs/llama-2-7b-chat-taylor-test-outputs.json @@ -0,0 +1,121 @@ +[ + { + "id":3947016, + "song":"Drama Queen", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nLet's break it down, I\u2019ll take the story from the slammin' of the door\nThought it was perfect for a second, guess you weren't quite as sure\nMaybe I\u2019m a little hard to get, maybe you didn't have the patience\nLet's assess the situation\nThat girl was biding her time, yeah, she was waiting on your cue\nSo, somehow, I'm not surprised to see her standin' there with you\nMaybe she's a little overdressed and I can see the smile you're fakin'\nAnd the deep breath you\u2019re takin\u2019\n[Pre-Chorus]\nWhen you see me now, you're not lookin\u2019 at her\nYeah, it's a long way down from the bridges you burned\nMight wanna sit down, I'm calling you out\nRight now\n[Chorus]\nYou're a heartbreaker and she\u2019s a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen\n[Verse 2]\nAs I was saying, I was never quite a fan of little games\nIt doesn't take too long to see that boys like you are all the same\nMaybe I'm a little less obsessed, but she's impressed\nAnd I should mention, she's starving for attention [Pre-Chorus]\nI can see it now, how it's all gonna be\nWhen she freaks out, you'll be thinkin' of me\n'Cause what went down is coming back around\nYou'll see\n[Chorus]\n'Cause you're a heartbreaker and she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen\n[Bridge]\nSometimes you get just what you see\nLike, you chose her when you could've had me\nEverything's a mess now, watch her little meltdown\nWish you both success and I hope you're happy\n[Chorus]\n'Cause you're a heartbreaker, she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama\nHeartbreaker and she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen [Outro]\nHuh-oh, for you and your drama queen\nOh-oh-oh-oh, you and your drama queen\nHuh-oh, baby, you're a drama queen", + "model_output":"(Verse 1)\nI was blinded by your pretty lies,\nThought you were the one, but you were just a disguise,\nCheated on me, while I was chasing the high,\nOf your sweet talk and the thrill of the night.\n\n(Chorus)\nOh, you thought I'd be the one to fall,\nBut I'm the one who's standing tall,\nYou played me like a fool, but I see now,\nI'm better off without you, babe.\n\n(Verse 2)\nYour new love's got a reputation,\nFor being dramatic, and quick to elevate,\nA match made in heaven, or so they say,\nBut I know better, in a love that's gonna fade.\n\n(Chorus)\nOh, you thought I'd be the one to fall,\nBut I'm the one who's standing tall,\nYou played me like a fool, but I see now,\nI'm better off without you, babe.\n\n(Bridge)\nI'm not the same girl that you left behind,\nI've grown stronger, and I'm feeling fine,\nI've moved on, and I'm finding my way,\nTo a love that's gonna stay.\n\n(Verse 3)\nYou said goodbye, but I knew it was over,\nThe moment you walked away, I felt it in my heart,\nYou left me with memories, and a broken soul,\nBut I'm not gonna let you control my heart.\n\n(Chorus)\nOh, you thought I'd be the one to fall,\nBut I'm the one who's standing tall,\nYou played me like a fool, but I see now,\nI'm better off without you, babe.\n\n(Outro)\nI'm not the one who's gonna cry,\nI'm the one who's gonna shine,\nI'm the one who's gonna rise,\nFrom the ashes of a love that's died.\n\nThis song reflects on a past relationship, where the narrator was cheated on and then replaced by a new interest that's equally dramatic. The lyrics are written in a clever and direct way to call out the ex's infidelity and the new interest's over-the-top nature. The chorus emphasizes the heartbreak caused by the ex, but also the realization that the narrator is ultimately better off without them. The narrative style is characteristic of Taylor Swift's storytelling, with vivid imagery and a balance between biting and introspective. The song has a pop-country flair, with a catchy melody and a memorable chorus." + }, + { + "id":8485912, + "song":"Question...?", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nI remember\n[Verse 1]\nGood girl, sad boy\nBig city, wrong choices\nWe had one thing goin' on\nI swear that\u2005it\u2005was somethin'\n'Cause I\u2005don't remember who I was\nBefore you\u2005painted all my nights\nA color I've searched for since\nBut one thing after another\nFuckin' situations, circumstances\nMiscommunications, and I\nHave to say, by the way\nI just may like some explanations\n[Chorus]\nCan I ask you a question?\nDid you ever have someone kiss you in a crowded room\nAnd every single one of your friends was makin' fun of you\nBut fifteen seconds later, th\u0435y were clappin' too?\nThen what did you do?\nDid you l\u0435ave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question [Verse 2]\nHalf-moon eyes, bad surprise\nDid you realize out of time?\nShe was on your mind with some dickhead guy\nThat you saw that night\nBut you were on somethin'\nIt was one drink after another\nFuckin' politics and gender roles\nAnd you're not sure and I don't know\nGot swept away in the gray\nI just may like to have a conversation\n[Chorus]\nCan I ask you a question?\nDid you ever have someone kiss you in a crowded room\nAnd every single one of your friends was makin' fun of you\nBut fifteen seconds later, they were clappin' too?\nThen what did you do?\nDid you leave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question\n[Bridge]\nDoes it feel like everything's just like\nSecond best after that meteor strike?\nAnd what's that that I heard? That you're still with her?\nThat's nice, I'm sure that's what's suitable\nAnd right, but tonight [Chorus]\nCan I ask you a question? (Can I ask you a question?)\nDid you ever have someone kiss you in a crowded room (In a crowded room)\nAnd every single one of your friends was makin' fun of you (Makin' fun of you)\nBut fifteen seconds later, they were clappin' too?\nThen what did you do? (Do)\nDid you leave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh (More of a fight)\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question", + "model_output":"Verse 1:\nI'm lost in the lights of the city, where love is just a game\nEveryone's chasing their own dreams, but I'm still the same\nTrying to find my place in the crowd, but feeling so small\nLiving for the moment, but dying for a chance to stand tall\n\nChorus:\nBut when I see your smile, everything feels alive\nAnd I know I'm not alone in this crazy, messed-up world\nWe're searching for our hearts, in the dark of the night\nTrying to make sense of it all, in this mad, mad world\n\nVerse 2:\nPeer pressure pulls us in, like a force that's hard to shake\nWe're trying to fit in, but our hearts are screaming to break free\nWe're hiding behind masks of perfection, but inside we're crumbling\nYearning for connection, but too afraid to be vulnerable\n\nChorus:\nBut when I see your smile, everything feels alive\nAnd I know I'm not alone in this crazy, messed-up world\nWe're searching for our hearts, in the dark of the night\nTrying to make sense of it all, in this mad, mad world\n\nBridge:\nWhat if I'm just a mess, a mistake to be forgot?\nWhat if I'm not good enough, for you to love me?\nBut I can't help myself, I'm drawn to the flame\nI'll keep on reaching out, even if it's just a game\n\nChorus:\nBut when I see your smile, everything feels alive\nAnd I know I'm not alone in this crazy, messed-up world\nWe're searching for our hearts, in the dark of the night\nTrying to make sense of it all, in this mad, mad world\n\nOutro:\nWe're lost in the city's embrace, but we're never alone\nIn this big, messy world, we're just trying to find our way back home\nTo the places where love feels real, where hearts can heal\nIn the shadows of the city lights, where our hearts can reveal.\n\nThe song's lyrics reflect the themes of young, turbulent romance in a big city setting. The protagonist is lost in the crowded streets of the city, searching for their place and their heart. The line \"Living for the moment, but dying for a chance to stand tall\" captures the idea of feeling small and insignificant in a crowded place, but longing for something more.\n\nThe chorus highlights the complexities of modern relationships, where people are searching for their hearts in the dark of night, and trying to make sense of it all in a mad, mad world. The line \"But when I see your smile, everything feels alive\" captures the idea of finding connection and meaning in a chaotic world.\n\nThe verse emphasizes the impact of peer perceptions on relationships. The line \"Peer pressure pulls us in, like a force that's hard to shake\" highlights the pressure to conform to societal expectations, and the fear of being different or vulnerable. The line \"We're hiding behind masks of perfection, but inside we're crumbling\" captures the idea of putting on a brave face, but feeling broken inside.\n\nThe bridge captures the fear of being rejected or not being good enough for the person you love. The line \"What if I'm just a mess, a mistake to be forgot?\" highlights the fear of being rejected, and the line \"But I can't help myself, I'm drawn to the flame\" captures the idea of being drawn to someone, even if it's doomed to fail.\n\nThe outro highlights the idea of finding comfort in the city's embrace, but never feeling alone. The line \"In this big, messy world, we're just trying to find our way back home\" captures the idea of searching for a sense of belonging and meaning in a chaotic world, but always feeling drawn to the people and places that bring us joy.\n\nMusically, the song should have a catchy, upbeat melody that captures the highs and lows of the protagonist's emotions. The use of storytelling and emotive questions should help to create a sense of intimacy and connection with the listener, while the Taylor Swift-inspired confessional lyricism should provide a sense of vulnerability and honesty. The song's use of imagery and metaphor" + }, + { + "id":8485914, + "song":"Vigilante Shit", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nDraw the cat eye sharp enough to kill a man\nYou did some bad things, but I'm the worst of them\nSometimes I wonder which one'll be your last lie\nThey say looks can kill and I might try\nI don't dress for women\nI don't dress for men\nLately, I've been dressin' for revenge\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge\n[Verse 2]\nShe needed cold, hard proof, so I gave her some\nShe had the envelope, where you think she got it from?\nNow she gets the house, gets the kids, gets the pride\nPicture me thick as thieves with your ex-wife\nAnd she looks so pretty\nDrivin' in your Benz\nLately, she's been dressin' for revenge\n[Chorus]\nShe don't start shit, but she can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nShe don't dress for friends\nLately, she's been dressing for revenge [Bridge]\nLadies always rise above\nLadies know what people want\nSomeone sweet and kind and fun\nThe lady simply had enough\n[Verse 3]\nWhile he was doin' lines and crossin' all of mine\nSomeone told his white-collar crimes to the FBI\nAnd I don't dress for villains\nOr for innocents\nI'm on my vigilante shit again\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge", + "model_output":"Verse 1:\nI woke up this mornin', felt the weight of the world on my shoulders\nEverybody's talkin' 'bout me, but nobody's listenin' to my story\nI've been pushed around, I've been thrown down\nBut I'm not gettin' sad, I'm gettin' even now\n\nChorus:\nI'm dressed to impress, but not for your approval\nI'm takin' control, gonna show you my reputation\nI'm not gettin' sad, I'm gettin' even\nGonna show you what it means to be a survivor\n\nVerse 2:\nI used to hide behind a mask of politeness\nBut now I'm standin' tall, with my shoulders back and my fists clenched\nI've been abused, I've been used\nBut I'm not gonna take it no more, I'm gonna rise above\n\nChorus:\nI'm dressed to impress, but not for your approval\nI'm takin' control, gonna show you my reputation\nI'm not gettin' sad, I'm gettin' even\nGonna show you what it means to be a survivor\n\nBridge:\nI'm not afraid of the consequences, I'm not afraid of the fall\nI'm gonna rise up, I'm gonna take back my life\nI'm gonna show you what it means to be a woman in control\nI'm gonna show you what it means to be a survivor\n\nChorus:\nI'm dressed to impress, but not for your approval\nI'm takin' control, gonna show you my reputation\nI'm not gettin' sad, I'm gettin' even\nGonna show you what it means to be a survivor\n\nOutro:\nI'm takin' back my power, I'm takin' back my life\nI'm gonna show you what it means to be a survivor\nI'm not gettin' sad, I'm gettin' even\nGonna show you what it means to be a survivor.\n\nThis song captures the theme of empowerment through retribution, with a protagonist who dresses sharply not for others, but as a means of asserting control and seeking revenge. The lyrics convey a blend of independence, sly wit, and a touch of drama, reminiscent of Swift's \"reputation\" era. The musical arrangement should align with Swift's pop sensibilities, possibly with a hint of country influence, and the vivid storytelling elements should be reminiscent of Swift's narrative songwriting." + }, + { + "id":9539416, + "song":"\u201cSlut!\u201d (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nFlamingo pink, Sunrise Boulevard\nClink, clink, being this young is art\nAquamarine, moonlit swimmin' pool\nWhat if all I need is you?\n[Pre-Chorus]\nGot love-struck, went straight to my head\nGot lovesick all over my bed\nLove to think you\u2019ll never forget\nHandprints in wet cement\nAdorned with smoke on my clothes\nLovelorn and nobody knows\nLove thorns all over this rose\nI'll pay the price, you won't\n[Chorus]\nBut if I\u2019m all dressed up\nThey might as well be lookin' at us\nAnd if they call me a slut\nYou know it might be worth it for once\nAnd if I'm gonna be drunk\nI might as well be drunk in love\n[Verse 2]\nSend the code, he's waitin' there\nThe sticks and stones they throw froze mid-air\nEveryone wants him, that was my crime\nThe wrong place at the right time\nAnd I break down, then he's pullin' me in\nIn a world of boys, he's a gentleman [Pre-Chorus]\nGot love-struck, went straight to my head (Straight to my head)\nGot lovesick all over my bed (Over my bed)\nLove to think you\u2019ll never forget\nWe\u2019ll pay the price, I guess\n[Chorus]\nBut if I'm all dressed up (If I\u2019m all dressed up)\nThey might as well be lookin' at us (Lookin' at us)\nAnd if they call me a slut (If they call me a slut)\nYou know it might be worth it for once (Worth it for once)\nAnd if I'm gonna be drunk\nI might as well be drunk in love\n[Bridge]\nHalf asleep\nTakin\u2019 your time in the tangerine\nNeon light, this is luxury\nYou're not sayin' you're in love with me\nBut you're goin' to\nHalf awake\nTakin' your chance, it's a big mistake\nI said, \n\"It might blow up in your pretty face\"\nI'm not sayin', \"Do it anyway\" (Do it anyway)\nBut you're going to [Outro]\n(Up)\nAnd if they call me a (Slut)\nYou know it might be worth it for once\nAnd if I'm gonna be (Drunk)\nI might as well be drunk in love", + "model_output":"(Verse 1)\nI saw you from afar, my heart skipped a beat\nLike a flamingo pink sunset, you caught my attention\nYour eyes were aquamarine pools, so blue and deep\nI knew I had to dive in, before I lost my breath\n\n(Chorus)\nThey say we're reckless, they say we're bold\nBut I wouldn't change a thing, no, I wouldn't be told\nWe're living in the moment, we're breaking all the rules\nAnd I wouldn't have it any other way, I'd do it all for you\n\n(Verse 2)\nWe danced under the stars, our hearts beating as one\nWe were caught up in the moment, our love just begun\nWe kissed beneath the neon lights, our lips burning bright\nI knew in that moment, I'd give my heart to you tonight\n\n(Chorus)\nThey say we're reckless, they say we're bold\nBut I wouldn't change a thing, no, I wouldn't be told\nWe're living in the moment, we're breaking all the rules\nAnd I wouldn't have it any other way, I'd do it all for you\n\n(Bridge)\nWe'll take the good with the bad, we'll ride the waves\nWe'll follow our hearts, no matter where it leads\nWe'll find our way, through the stormy skies\nAnd in each other's eyes, we'll find our prize\n\n(Chorus)\nThey say we're reckless, they say we're bold\nBut I wouldn't change a thing, no, I wouldn't be told\nWe're living in the moment, we're breaking all the rules\nAnd I wouldn't have it any other way, I'd do it all for you\n\n(Outro)\nOur love is a wildfire, burning bright and free\nWe'll dance in the flames, until the end of time\nAnd though they may judge us, we'll hold our heads up high\n'Cause in each other's eyes, we'll see our love shine.\n\nThis song captures the essence of youthful recklessness and romantic defiance, with vivid imagery and a narrative that weaves a story of being love-struck and the consequences of a daring relationship. The lyrics embrace the idea of being judged but finding the experience worth it for love, with a blend of vulnerability and boldness. The music has a pop feel with a hint of melancholy, typical of Taylor Swift's narrative-driven songwriting." + }, + { + "id":8485907, + "song":"Maroon", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWhen the morning came\nWe were cleaning incense off your vinyl shelf\n'Cause we lost track of time again\nLaughing with my feet in your lap\nLike you were my closest friend\n\"How'd we end up\u205fon\u205fthe\u205ffloor, anyway?\" you\u205fsay\n\"Your roommate's cheap-ass\u205fscrew-top ros\u00e9, that's how\"\nI see you every day now\n[Chorus]\nAnd I chose you\nThe one I was dancing with\nIn New York, no shoes\nLooked up at the sky and it was\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was\nThe mark th\u0435y saw on my collarbone\nThe rust that grew b\u0435tween telephones\nThe lips I used to call home\nSo scarlet, it was maroon\n[Verse 2]\nWhen the silence came\nWe were shaking, blind and hazy\nHow the hell did we lose sight of us again?\nSobbing with your head in your hands\nAin't that the way shit always ends?\nYou were standing hollow-eyed in the hallway\nCarnations you had thought were roses, that's us\nI feel you, no matter what\nThe rubies that I gave up [Chorus]\nAnd I lost you\nThe one I was dancing with\nIn New York, no shoes\nLooked up at the sky and it was (Maroon)\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was (Maroon)\nThe mark they saw on my collarbone\nThe rust that grew between telephones\nThe lips I used to call home\nSo scarlet, it was maroon\n[Bridge]\nAnd I wake with your memory over me\nThat's a real fucking legacy, legacy (It was maroon)\nAnd I wake with your memory over me\nThat's a real fucking legacy to leave\n[Chorus]\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was maroon\nThe mark they saw on my collarbone\nThe rust that grew between telephones\nThe lips I used to call home\nSo scarlet, it was maroon [Outro]\nIt was maroon\nIt was maroon", + "model_output":"Verse 1:\nI remember the way you used to hold my hand\nIn the dim light of your apartment, we'd dance like we planned\nThe incense smoke would fill the room, a sweet, sticky haze\nAnd I'd feel your heart beating next to mine, like we'd never be razed\n\nChorus:\nBut now the shelf is clean, the vinyl's gone\nThe memories of you still linger, like a ghost in the dawn\nMaroon, the color of your eyes, a deep, rich hue\nA reminder of the love we shared, and the one that got away, too\n\nVerse 2:\nWe'd dance barefoot in the streets of New York\nLaughing, loving, lost in each other's eyes, like we were born\nWine-stained shirts, a permanent reminder of the night\nA fragile, fleeting feeling, that's left me in the light\n\nChorus:\nBut now the shelf is clean, the vinyl's gone\nThe memories of you still linger, like a ghost in the dawn\nMaroon, the color of your eyes, a deep, rich hue\nA reminder of the love we shared, and the one that got away, too\n\nBridge:\nI know I'll never find another love like that again\nBut the memories remain, a bittersweet refrain\nOf the warmth of your touch, the way you made me feel alive\nThe impact you had on me, and the love that we shared, alive\n\nChorus:\nBut now the shelf is clean, the vinyl's gone\nThe memories of you still linger, like a ghost in the dawn\nMaroon, the color of your eyes, a deep, rich hue\nA reminder of the love we shared, and the one that got away, too\n\nOutro:\nI'll keep the shelf clean, the vinyl will remain\nThe memories of you will always be, a haunting refrain\nMaroon, the color of your eyes, a deep, rich hue\nA reminder of the love we shared, and the one that got away, too.\n\nThe song is written in the style of Taylor Swift, with a confessional and introspective tone, and a melody that complements the reflective and bittersweet mood of the lyrics. The use of vivid imagery, such as cleaning incense off a vinyl shelf, dancing barefoot in New York, and wine-stained shirts, evokes a sense of past romance and longing. The recurring theme of the color maroon symbolizes the deep, complex emotions tied to these memories. The narrative transitions from the warmth of connection to the coldness of loss, and the bridge reflects on the lasting impact of a former partner." + }, + { + "id":9157481, + "song":"Snow On The Beach (feat. More Lana Del Rey)", + "artist":"Taylor Swift", + "lyrics":"[Verse 1: Taylor Swift]\nOne night, a few moons ago\nI saw flecks of what could've been lights\nBut it might just have been you\nPassing by unbeknownst to me\nLife is emotionally abusive\nAnd time can't stop me quite like you did\nAnd my flight was awful, thanks for asking\nI'm unglued, thanks to you\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nLana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, \nah\n, ah [Verse 2: Lana Del Rey, \nTaylor Swift & Lana Del Rey\n]\nThis scene feels like what I once saw on a screen\nI searched \"aurora borealis green\"\nI've never seen someone lit from within\nBlurring out my periphery\nMy smile is\n like I won a contest\nAnd to hide that would be so dishonest\nAnd it's fine\n to fake it 'til you make it\n'Til you do, 'til it's true\n[Chorus: \nTaylor Swift\n, Taylor Swift & Lana Del Rey]\nNow, it's like\n snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nLana Del Rey\n]\nLike snow on the beach (\nMmm\n)\nLike snow on the beach\nLike snow on the beach (\nMmm\n)\nLike snow, \nah\n, ah [Bridge: Taylor Swift, \nLana Del Rey\n, \nTaylor Swift & Lana Del Rey\n]\nI (\nI\n) can't (\nCan't\n) speak, afraid to jinx it\nI (\nI\n) don't (\nDon't\n) even dare to wish it\nBut your eyes are flying saucers from another planet\nNow, I'm all for you like Janet\nCan this be a real thing? \nCan it?\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nAre we falling like snow at the beach? (\nSnow at the beach\n)\nWeird, but fuckin' beautiful\nFlying in a dream (\nFlying in a dream\n)\nStars by the pocketful\nYou wanting me (\nYou wanting me\n)\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n, \nLana Del Rey\n]\nLike snow on the beach (\nSnow on the beach\n; \nMmm\n)\nLike snow on the beach (\nFlying in a dream\n)\nLike snow on the beach (\nYou wanting me\n; \nMmm\n)\nLike snow, ah\nBut it's comin' down\nNo sound, it's all around\n[Outro: Lana Del Rey]\nLike snow on the beach\nLike snow, like snow, uh-huh, yeah", + "model_output":"Verse 1:\nI woke up in a world beyond my own\nWhere the sky is painted with hues of dawn\nAnd the trees are swaying to a melody unknown\nA place where love is as vast as the sea\n\nChorus:\nYou're like a storm that came and swept me away\nA rare and beautiful phenomenon, every day\nYour touch ignites a fire that never fades\nIn this dreamlike state, my heart is forever made\n\nVerse 2:\nThe stars align and the moon is full and bright\nAs we dance under the starry night\nOur love is a symmetry of light and dark\nA contrast of light and shadows, a work of art\n\nChorus:\nYou're like a storm that came and swept me away\nA rare and beautiful phenomenon, every day\nYour touch ignites a fire that never fades\nIn this dreamlike state, my heart is forever made\n\nBridge:\nI'm lost in your eyes, drowning in your sea\nWhere the boundaries of reality blur and fade\nI'm free to soar, to be who I'll be\nIn this world of wonder, where love sets me free\n\nChorus:\nYou're like a storm that came and swept me away\nA rare and beautiful phenomenon, every day\nYour touch ignites a fire that never fades\nIn this dreamlike state, my heart is forever made\n\nOutro:\nI'm chasing the sun, running with the moon\nIn this world of magic, where love is the boon\nWith you by my side, my heart takes flight\nIn this dreamlike state, everything is alright.\n\nThis song is written in the style of Taylor Swift, with a dreamy and ethereal soundscape that is reminiscent of a collaboration between Swift and Lana Del Rey. The lyrics explore the surreal nature of a new, seemingly impossible romance, conveying a sense of wonder and vulnerability in the face of new love. The chorus likens the relationship to a rare and beautiful phenomenon, creating a catchy and poetic hook that stays with the listener. The song's themes of unexpected beauty and contrasting elements are central to its message, just as they are in \"Snow on the Beach.\"" + }, + { + "id":8461583, + "song":"Hits Different", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nI washed my hands of us at the club\nYou made a mess of me\nI pictured you with other girls in love\nThen threw up on the street\nLike waiting for a bus that never shows\nYou just start walkin' on\nThey say that if it's right, you know\nEach bar plays our song\nNothing has ever felt so wrong\n[Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different\nIt hits different 'cause it's you\n[Post-Chorus]\n('Cause it's you)\n[Verse 2]\nI used to switch out these Kens, I'd just ghost\nRip the band-aid off and skip town lik\u0435 an asshole outlaw\nFreedom felt like summ\u0435r then on the coast\nNow the sun burns my heart and the sand hurts my feelings\nAnd I never don't cry (And I never don't cry) at the bar\nYeah, my sadness is contagious (My sadness is contagious)\nI slur your name 'til someone puts me in a car\nI stopped receiving invitations [Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different\nIt hits different 'cause it's you\n[Post-Chorus]\n('Cause it's you)\n[Bridge]\nI find the artifacts, cried over a hat\nCursed the space that I needed\nI trace the evidence, make it make some sense\nWhy the wound is still bleedin'\nYou were the one that I loved\nDon't need another metaphor, it's simple enough\nA wrinkle in time like the crease by your eyes\nThis is why they shouldn't kill off the main guy\nDreams of your hair and your stare and sense of belief\nIn the good in the world, you once believed in me\nAnd I felt you and I held you for a while\nBet I could still melt your world\nArgumentative, antithetical dream girl [Verse 3]\nI heard your key turn in the door down the hallway\nIs that your key in the door?\nIs it okay? Is it you?\nOr have they come to take me away?\nTo take me away\n[Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different (It hits different)\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different (It hits different)\nIt hits different 'cause it's you\n[Outro]\nOh, my, love is a lie\nShit my friends say to get me by\n'Cause it's you\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different (Yeah)\nIt hits different 'cause it's you", + "model_output":"Verse 1:\nI thought I had it all figured out\nThe art of heartbreak, a story so loud\nLeaving you behind, like a ghost in the night\nBut this time, it's different, this time it's not right\n\nChorus:\nYou said goodbye, and I watched you walk away\nThis time it's not the same, it's not okay\nThe memories we made, they still linger in my brain\nBut the pain, it's a new kind, it's a different strain\n\nVerse 2:\nWe were invincible, a love so bright\nBut now it's just a flicker, a distant light\nI'm lost in the shadows, trying to find my way\nBut every step I take, leads me further astray\n\nChorus:\nYou said goodbye, and I watched you walk away\nThis time it's not the same, it's not okay\nThe memories we made, they still linger in my brain\nBut the pain, it's a new kind, it's a different strain\n\nBridge:\nI thought I was strong, but I was wrong\nThe broken pieces, they don't fit back in place\nI thought I could move on, but I can't find my way\nThis heartache, it's a new kind of pain\n\nChorus:\nYou said goodbye, and I watched you walk away\nThis time it's not the same, it's not okay\nThe memories we made, they still linger in my brain\nBut the pain, it's a new kind, it's a different strain\n\nOutro:\nThe ghosts of you, they still haunt my dreams\nI thought I was free, but I'm still trapped in the past\nBut I'll keep on moving, one step at a time\nAnd maybe someday, I'll find my way to the light.\n\nIn this song, I've tried to capture the unique pain of a failed relationship, where the depth of the connection with the ex-lover makes it harder to move on. The lyrics evoke a sense of personal narrative, reflective of Taylor Swift's poignant songwriting style. The use of metaphors and references to ghosts and shadows creates a haunting atmosphere, highlighting the difficulty of letting go of the past. The catchy chorus conveys the pain of this particular breakup, with a modern pop sound that incorporates a touch of country, reflective of Swift's transitionary musical phases." + }, + { + "id":8445376, + "song":"Snow On The Beach", + "artist":"Taylor Swift", + "lyrics":"[Verse 1: Taylor Swift]\nOne night, a few moons ago\nI saw flecks of what could've been lights\nBut it might just have been you\nPassing by unbeknownst to me\nLife is emotionally abusive\nAnd time can't stop me quite like you did\nAnd my flight was awful, thanks for asking\nI'm unglued, thanks to you\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, ah [Verse 2: Taylor Swift, \nTaylor Swift\n & Lana Del Rey\n]\nThis scene feels\n like what I once saw \non a screen\nI searched \"aurora borealis\n green\"\nI've never seen someone \nlit from \nwithin\nBlurring\n out my \nperiphery\nMy smile is \nlike I won a contest\nAnd to hide that \nwould be so dishonest\nAnd it's fine to \nfake it 'til you make it\n'Til \nyou\n do, 'ti\nl it's true\n[Chorus: Taylor Swift & Lana Del Rey]\nNow it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, ah [Bridge: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nI (I) can't (Can't) speak, afraid to jinx it\nI (I) don't (Don't) even dare to wish it\nBut your eyes are flying saucers from another planet\nNow I'm all for you like Janet\nCan this be a real thing? \nCan it?\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nAre we falling like snow at the beach? (\nSnow at the beach\n)\nWeird, but fuckin' beautiful\nFlying in a dream (\nFlying in a dream\n)\nStars by the pocketful\nYou wanting me (\nYou wanting me\n)\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n]\nLike snow on the beach (Snow on the beach)\nLike snow on the beach\n (Flying in a dream)\nLike snow on the beach\n (You wanting me)\nLike snow, ah\nBut it's comin' down\nNo sound, it's all around\n[Outro: Taylor Swift]\nLike snow on the beach\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\nLike snow on the beach\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)", + "model_output":"Title: \"Beachside Snow\"\n\nVerse 1 (Taylor Swift):\nI never thought I'd see the day\nWhere sand and snow would blend in disarray\nBut here you are, and I can't look away\nFrom the contrast of the sea and sky\n\nChorus (Taylor Swift):\nBeachside snow, it's a sight to behold\nA winter's wonderland, where the ocean flows\nI never knew love could be so cold\nBut here in this place, my heart is gold\n\nVerse 2 (Lana Del Rey):\nI see the stars align, in a celestial show\nA love that's pure and true, like the snow that glows\nWe dance beneath the moonlight, with hearts full of cheer\nIn this place where the beach meets the winter's veil\n\nChorus (Taylor Swift):\nBeachside snow, it's a sight to behold\nA winter's wonderland, where the ocean flows\nI never knew love could be so cold\nBut here in this place, my heart is gold\n\nPost-Chorus (Taylor Swift):\nAnd as the snowflakes fall, I feel it all\nThe beauty of this moment, the wonder of it all\nA rare and precious thing, this love we share\nA beachside snow that's beyond compare\n\nBridge (Lana Del Rey):\nI feel the warmth of your embrace\nAs the snowflakes melt away, in this place\nWhere the sea meets the sky, and love is born\nA beachside snow that's forever transforming\n\nChorus (Taylor Swift):\nBeachside snow, it's a sight to behold\nA winter's wonderland, where the ocean flows\nI never knew love could be so cold\nBut here in this place, my heart is gold\n\nOutro (Taylor Swift):\nThe beachside snow, it's a dream come true\nA love that's fragile, but strong and true\nIn this place where the ocean meets the sky\nI'll be with you, until the snow melts away.\n\nMusical Overview:\n\nThe song should have a slow and ethereal tempo, with a mix of electronic and orchestral elements to create a dreamy and haunting atmosphere. The instrumentation could include piano, guitar, strings, and electronic beats, with a focus on creating a lush and atmospheric sound. The chorus should have a catchy and memorable melody, with a post-chorus that reinforces the central metaphor of the song. The song should build in intensity throughout, with a gradual increase in tempo and energy, culminating in a dramatic and emotional climax.\n\nLyric Theme:\n\nThe song's theme is the beauty and wonder of a rare and unexpected event, such as a beachside snowfall. The lyrics explore the contrast between the warmth and beauty of the beach, and the cold and fragility of the snow. The song also touches on the theme of a new and fragile love, with a focus on the emotional complexity and intensity of this experience. The central metaphor of the song, the beachside snow, serves as a powerful and evocative image, capturing the unusual and awe-inspiring nature of the experience." + }, + { + "id":5651833, + "song":"All Of The Girls You Loved Before", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWhen you think of all the late nights\nLame fights over the phone\nWake up in the\u2005mornin'\u2005with someone\nBut feelin'\u2005alone\n[Refrain]\nA heart is drawn around your\u2005name\nIn someone's handwriting, not mine\nSneakin' out into town\nHoldin' hands, just\u205fkillin'\u205ftime\n[Pre-Chorus]\nYour\u205fpast and mine\u205fare parallel lines\nStars\u205fall aligned and they intertwined\nAnd taught you\nThe way you call me \"baby\"\nTreat me like a lady\nAll that I can say is\n[Chorus]\nAll of the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street led you straight to me\nNow you're all I need, I'm so thankful for\nAll of the girls you loved before\nBut I love you more [Verse 2]\nWhen I think of all the makeup\nFake love out on the town (Ooh)\nCryin' in the bathroom for some dude\nWhose name I cannot remember now\n[Refrain]\nSecret jokes all alone\nNo one's home, sixteen and wild (Ooh)\nBreakin' up, makin' up\nLeave without sayin' goodbye (Ooh)\n[Pre-Chorus]\nAnd just know that\nIt's everything that made me\nNow I call you \"baby\"\nIt's why you're so amazing\n[Chorus]\nAll of the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street led you straight to me\nNow you're all I need, I'm so thankful for\nAll of the girls you loved before\nBut I love you more [Bridge]\nYour mother brought you up loyal and kind\nTeenage love taught you there's good in goodbye\nEvery woman that you knew brought you here\nI wanna teach you how forever feels\n[Chorus]\nLike the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street (Dead-end street) led you straight to me (Straight to me)\nNow you're all I need (All I need), I'm so thankful for\nAll of the girls you loved before\nBut I love you more\n[Outro]\n(I love you more)\n(I love you more)", + "model_output":"Verse 1:\nI remember the nights, we'd dance under the stars\nYoung and wild, with hearts full of charm\nYou taught me to love, with your gentle touch\nAnd I'll always be grateful, for the lessons you clutch\n\nChorus:\nYou've been to the mountain, and you've seen the sea\nYou've been through the storms, that made you grow\nAnd in the end, it's your love that sets me free\nI'm grateful for all of them, the ones who helped me be\n\nVerse 2:\nFrom the first kiss, to the last goodbye\nYou showed me what love is, and why it's worth the try\nWith every beat of my heart, I felt alive\nAnd I know that I'm better, because you were by my side\n\nChorus:\nYou've been to the mountain, and you've seen the sea\nYou've been through the storms, that made you grow\nAnd in the end, it's your love that sets me free\nI'm grateful for all of them, the ones who helped me be\n\nBridge:\nWe may have grown apart, but our love will always shine\nLike a beacon in the dark, it will always be divine\nAnd though I've moved on, I'll always remember the way\nYou helped me find myself, and showed me love's sweet sway\n\nChorus:\nYou've been to the mountain, and you've seen the sea\nYou've been through the storms, that made you grow\nAnd in the end, it's your love that sets me free\nI'm grateful for all of them, the ones who helped me be\n\nOutro:\nI'll always cherish the memories, of the love we made\nAnd though it may be over, I'll always be glad\nThat you were in my life, and helped me find my way\nAnd I'll be grateful for you, every single day.\n\nThe song has a reflective and grateful tone, with a narrative verse structure that explores the themes of growth, past love, and ultimate appreciation. The chorus acknowledges the collective impact of the lover's previous partners with a touch of wistfulness and maturity, while the bridges showcases the enduring nature of their love. The musical style blends country roots with pop sensibility, typical of Taylor Swift's earlier work, yet with the polished production of her more recent albums. The imagery is vivid and personal, with a focus on the emotional journey of the narrator. Overall, the song is a heartfelt tribute to past relationships that shaped the narrator into the person she is today." + }, + { + "id":9538403, + "song":"Suburban Legends (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nYou had people who called you on unmarked numbers\nIn my peripheral vision\nI let it slide like a hose on a slippery plastic summer\nAll was quickly forgiven\nYou were so magnetic, it was almost obnoxious\nFlush with the currency of cool\nI was always turnin' out my empty pockets\nAnd when it came to you\n[Chorus]\nI didn't come here to make friends\nWe were born to be suburban legends\nWhen you hold me, it holds me together\nAnd you kiss me in a way that's gonna screw me up forever\n[Verse 2]\nI had the fantasy that maybe our mismatched star signs\nWould surprise the whole school\nWhen I ended up back at our class reunion\nWalkin' in with you\nYou'd be more than a chapter in my old diaries\nWith the pages ripped out\nI am standin' in a 1950s gymnasium\nAnd I can still see you now [Chorus]\nI didn't come here to make friends\nWe were born to be suburban legends\nWhen you hold me, it holds me together\nAnd you kiss me in a way that's gonna screw me up forever\nI know that you still remember\nWe were born to be national treasures\nWhen you told me we'd get back together\nAnd you kissed me in a way that's gonna screw me up forever\n[Outro]\nTick-tock on the clock, I pace down your block\nI broke my own heart 'cause you were too polite to do it\nWaves crash on the shore, I dash to the door\nYou don't knock anymore and my whole life's ruined\nTick-tock on the clock, I pace down your block\nI broke my own heart 'cause you were too polite to do it\nWaves crash to the shore, I dash to the door\nYou don't knock anymore and I always knew it\nThat my life would be ruined", + "model_output":"Verse 1:\nI remember the way you used to make me laugh,\nIn the courtyard of our high school, under the vines that sprawled.\nWe'd dance and talk, and dream of summer nights,\nWhen the world was full of magic, and our hearts took flight.\n\nChorus:\nOh, our love was like a legend in the making,\nA tale of two misfits, trying to find our place in the taking.\nIt felt so right, like a dream that wouldn't break,\nBut now I'm left with just a trace, of the love that we made.\n\nVerse 2:\nWe'd skip classes, and drive through the fields,\nWith the windows down, and the wind in our hair, it felt so real.\nWe'd talk of our futures, of the lives we'd lead,\nAnd how our love would be the thing that set us free.\n\nChorus:\nOh, our love was like a legend in the making,\nA tale of two misfits, trying to find our place in the taking.\nIt felt so right, like a dream that wouldn't break,\nBut now I'm left with just a trace, of the love that we made.\n\nBridge:\nThey say that in this town, love comes and goes,\nLike a summer storm, that blows in, and then it fades to snow.\nBut I believed in you, like a flame that never dies,\nAnd I'll hold on to that, even though you're gone, and I cry.\n\nChorus:\nOh, our love was like a legend in the making,\nA tale of two misfits, trying to find our place in the taking.\nIt felt so right, like a dream that wouldn't break,\nBut now I'm left with just a trace, of the love that we made.\n\nOutro:\nNow I'm standing here, alone in this place,\nWondering why, our love had to fade away.\nIt's like a ghost, that haunts me every day,\nA love that's gone, but never fades away.\n\nChorus:\nOh, our love was like a legend in the making,\nA tale of two misfits, trying to find our place in the taking.\nIt felt so right, like a dream that wouldn't break,\nBut now I'm left with just a trace, of the love that we made.\n\nThis song captures the essence of youthful nostalgia and bittersweet romance, with vivid imagery of high school memories and a narrative that unfolds like diary entries. The lyrics convey a magnetic, yet mismatched love story, tinged with an undercurrent of suburban legend and the poignant realization of a love that leaves a lasting impact. The chorus emphasizes the theme of a love so intense it feels like it could last forever, even if it's not meant to be, while the outro reflects a sense of heartbreak with a touch of dramatic irony. The song has a modern pop sound with a hint of Swift's signature country influence, making it a catchy and memorable tribute to the fleeting nature of first love." + }, + { + "id":4499925, + "song":"Castles Crumbling (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Intro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)\n[Verse 1: Taylor Swift]\nOnce, I had an empire in a golden age\nI was held up so high, I used to be great\nThey used to cheer when they saw my face\nNow, I fear I have fallen from grace\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nAnd I \nfeel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Verse 2: Hayley Williams, \nTaylor Swift & Hayley Williams\n]\nOnce, I was the great hope for a dynasty\nCrowds would hang on my words and they trusted me\nTheir faith was strong, but I pushed it too far\nI held that grudge 'til it tore me apart\n[Pre-Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nPower went to my head and I couldn't stop\nOnes I loved tried to help, so I ran them off\nAnd here I sit alone behind\n walls of regret\nFalling down like promises that I never kept [Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nAnd I feel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Bridge: Taylor Swift]\nMy foes and friends watch my reign end\nI don't know how it could've ended this way\nSmoke billows from my ships in the harbor\nPeople look at me like I'm a monster\nNow they're screamin' at the palace front gates\nUsed to chant my name\nNow they're screaming that they hate me\nNever wanted you to hate me\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nMy castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, \nI will just let you down\n (Just let you down)\nMy castle's crumbling \ndown\nYou don't wanna know me \nnow\n, now\n[Outro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)", + "model_output":"Verse 1 (Protagonist):\nOnce upon a time, I ruled the land with grace\nA beacon of hope, a shining face\nBut now I stand alone, in this crumbling place\nA fallen empire, with naught but emptiness in space\n\nChorus (Blend of Taylor Swift and Hayley Williams):\nOh, the glory days, they're gone, oh so fast\nAshes of the past, now my future's cast\nI'm just a shadow of what I once was\nA fallen queen, lost in the haze\n\nVerse 2 (Public):\nWe sang your praises, we lauded your name\nBut now you're just a memory, a fleeting flame\nYou were our savior, our guiding light\nBut you let us down, and now we're left to fight\n\nChorus (Blend of Taylor Swift and Hayley Williams):\nOh, the glory days, they're gone, oh so fast\nAshes of the past, now my future's cast\nI'm just a shadow of what I once was\nA fallen queen, lost in the haze\n\nBridge (Protagonist):\nI see the ruins of my kingdom, so vast and so grand\nBurnt bridges, crumbling walls, the end of my reign\nI hear the whispers of my people, their eyes filled with disdain\nI know I've lost the trust, the loyalty, the love, in vain\n\nChorus (Blend of Taylor Swift and Hayley Williams):\nOh, the glory days, they're gone, oh so fast\nAshes of the past, now my future's cast\nI'm just a shadow of what I once was\nA fallen queen, lost in the haze\n\nVerse 3 (Protagonist):\nI thought I was invincible, a goddess on high\nBut time and fate, they caught up with my lie\nI'm just a mortal, like you, with flaws and with shame\nA fallen empire, a legacy tarnished, a name in vain\n\nChorus (Blend of Taylor Swift and Hayley Williams):\nOh, the glory days, they're gone, oh so fast\nAshes of the past, now my future's cast\nI'm just a shadow of what I once was\nA fallen queen, lost in the haze\n\nOutro (Protagonist):\nIn the end, it's just me and my regrets\nA once-great figure, now reduced to mere threats\nThe winds of change, they swept me away\nAnd now I'm left to face the shattered remains of my past glory.\n\nThe song blends pop and rock elements to create a powerful and emotive sound, capturing the essence of a fallen empire through vivid imagery and contrasting perspectives. The lyrics paint a picture of a once-great figure, now reduced to nothing but regrets and memories, with a chorus that's both confessional and resigned. The blend of Taylor Swift and Hayley Williams' styles adds a unique and distinctive sound to the song, emphasizing the contrast between past triumphs and present downfall." + }, + { + "id":9157172, + "song":"Karma (Remix)", + "artist":"Taylor Swift", + "lyrics":"[Intro: Ice Spice]\nKarma is that girl, like (Grrah)\n[Verse 1: Taylor Swift]\nYou're talking shit for the hell of it\nAddicted to betrayal, but you're relevant\nYou're terrified to look down\n'Cause if you dare, you'll see the glare\nOf everyone you burned just to get there\nIt's comin' back around\n[Pre-Chorus: Taylor Swift]\nAnd I keep my side of the street clean\nYou wouldn't know what I mean\n[Chorus: Taylor Swift]\n'Cause karma is my boyfriend\nKarma is a god\nKarma is the breeze in my hair on the weekend\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing lik\u0435 a goddamn acrobat\nMe and karma vibe like that [Verse 2: Ice Spice, \nIce Spice & Taylor Swift\n]\nKarma is your ch\u0435ck's 'boutta bounce (Damn)\nKarma is a fire in your house (Grrah)\nAnd she 'boutta pop up unannounced (Like)\nAnd she never leavin' you alone (Damn)\nWatch her put ya opps on a throne (Damn)\nGot you wavin' pretty \nwhite flags\n, feenin' for that \ncash\nThinkin' it'll save ya, now you switchin' up your behavior\nIt's okay, baby, you ain't gotta worry, karma never gets lazy\nSo, I keep my head up, my bread up, I won't let up (Never)\nPromise that you'll never endeavor with none lesser (Ever, ever)\nI be draggin' that wagon, karma is a beauty \nwinning that pageant\n, grrah\n[Chorus: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is my boyfriend (\nDamn\n)\nKarma is a god\nKarma is the breeze in my hair on the weekend\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing like a goddamn acrobat\nMe and karma vibe like that\n (\nGrrah\n)\n[Bridge: Taylor Swift]\nAsk me what I learned from all those years\nAsk me what I earned from all those tears\nAsk me why so many fade, but I'm still here\n(I'm still here, I'm still here) [Breakdown: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is the thunder\nRattlin' your ground\nKarma's on your scent like a bounty hunter\nAnd karma's gonna track you down\nStep by step, from town to town\nSweet like justice, \nkarma is a queen\nKarma takes all my friends to the summit (\nFacts\n)\nKarma is the guy on the screen\nComing straight home to me\n[Chorus: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is my boyfriend (\nKarma is my boyfriend\n)\nKarma is a god (\nDamn\n)\nKarma is the breeze in my hair on the weekend (Weekend)\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing like a goddamn acrobat\nMe and karma vibe like that\n[Outro: Taylor Swift, \nIce Spice\n]\nKarma is my boyfriend\nKarma is a god (Ah)\nKarma is my bestie\n (Mmm)\nKarma's a relaxing thought\nKarma's gonna hold you down", + "model_output":"Verse 1:\nI woke up this mornin', felt the sun on my face\nSaw a smile on my lips, a gleam in my place\nLike the universe knew I'd been through some strife\nAnd it sent a little somethin' to even up the life\n\nChorus:\nOh, karma, karma, you're a sly one\nComin' around when I least expected to see you\nWith a twinkle in your eye, a wink of your fun\nYou're the one who keeps the score, always makin' it right\n\nVerse 2:\nI thought I got away, I thought I was free\nBut karma caught up, oh, how she could be\nA flyin' bullet, a tumbleweed rollin' by\nMy past come back to haunt me, and I can't deny\n\nChorus:\nOh, karma, karma, you're a sly one\nComin' around when I least expected to see you\nWith a twinkle in your eye, a wink of your fun\nYou're the one who keeps the score, always makin' it right\n\nBridge:\nI know you're always watchin', always waitin' in the wings\nReady to swoop in, and make things swing\nLike a magic trick, like a sleight of hand\nYou make things right, like you're part of the plan\n\nChorus:\nOh, karma, karma, you're a sly one\nComin' around when I least expected to see you\nWith a twinkle in your eye, a wink of your fun\nYou're the one who keeps the score, always makin' it right\n\nVerse 3:\nNow I know you're not perfect, you're not always kind\nBut you keep things fair, and that's something I find\nA little bit of balance, a little bit of grace\nMakes me feel like I'm in the right place\n\nChorus:\nOh, karma, karma, you're a sly one\nComin' around when I least expected to see you\nWith a twinkle in your eye, a wink of your fun\nYou're the one who keeps the score, always makin' it right\n\nOutro:\nSo I'll keep on livin', keep on doin' my thing\n'Cause I know you're watchin', you're always keepin' track\nAnd when the time comes, when I've made my stand\nYou'll be there, waitin' with a hand\nTo help me rise, to help me soar\nOh, karma, karma, you're a sly one, for sure.\n\nMusical Arrangement:\nThe song should have a catchy, upbeat tempo, with a blend of pop and country elements. The verses should have a more introspective, acoustic feel, while the choruses should be more energetic and anthemic. The rap verse could have a more urban, trap-inspired beat, with a focus on percussion and bass. The song could also incorporate a variety of instruments, such as electric guitars, pianos, and strings, to create a full and lush sound. The overall arrangement should be reminiscent of Taylor Swift's pop and country crossover sound, with a focus on storytelling and catchy hooks.\n\nLyric Theme:\nThe lyrics of the song should embody the theme of karma, with vivid imagery and a touch of sass. The song should reflect on the idea that every action has consequences, and that the universe has a way of balancing things out. The lyrics should also explore the idea that karma is both a comforting companion and an inevitable force, providing a sense of poetic justice and closure. The song should oscillate between reflective and empowering, capturing the essence of karma as both a guiding principle and a natural law.\n\nMelody:\nThe melody of the song should be catchy and memorable, with a focus on the chorus and the rap verse. The verses should have a more introspective, storytelling feel, with a focus on the lyrics and the message. The chorus should be more energetic and anthemic, with a focus on the catchy hooks and the musical arrangement. The rap verse should have a more urban, trap-inspired feel, with a focus on percussion and bass. The overall melody should be reminiscent of Taylor" + }, + { + "id":8485905, + "song":"Midnight Rain", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nRain\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Verse 1]\nMy town was a wasteland\nFull of cages, full of fences\nPageant queens and big pretenders\nBut for some, it was paradise\nMy boy was a montage\nA slow-motion, love potion\nJumping off things in the ocean\nI broke his heart 'cause he was nice\nHe was sunshine, I was midnight rain\n[Chorus]\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Verse 2]\nIt came like a postcard\nPicture perfect shiny family\nHoliday peppermint candy\nBut for him, it's every day\nSo I peered through a window\nA deep portal, time travel\nAll the love we unravel\nAnd the life I gave away\n'Cause he was sunshine, I was midnight rain [Chorus]\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight rain\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Outro]\nI guess sometimes we all get\nJust what we wanted, just what we wanted\nAnd he never thinks of me\nExcept for when I'm on TV\nI guess sometimes we all get\nSome kind of haunted, some kind of haunted\nAnd I never think of him\nExcept on midnights like this\n(Midnights like this, midnights like this)", + "model_output":"Verse 1:\nI remember the nights, we'd dance under the stars\nYou in my arms, where you belong\nYou said you wanted fame, to shine like a superstar\nBut I just wanted you, to be mine, to be yours\n\nChorus:\nWe were young and wild, chasing our dreams\nBut we found out, that dreams can't always be seen\nWe wanted different things, and it tore us apart\nNow I'm left with just a broken heart\n\nVerse 2:\nYou chased the spotlight, the glamour and the fame\nBut I couldn't keep up, with the games you played\nI wanted a life, with you by my side\nBut you wanted the world, to be your bride\n\nChorus:\nWe were young and wild, chasing our dreams\nBut we found out, that dreams can't always be seen\nWe wanted different things, and it tore us apart\nNow I'm left with just a broken heart\n\nBridge:\nTime goes by, and I can't help but think\nOf the love we had, and the love we missed\nWe were so close, to making it right\nBut the bright lights, they took you from my sight\n\nChorus:\nWe were young and wild, chasing our dreams\nBut we found out, that dreams can't always be seen\nWe wanted different things, and it tore us apart\nNow I'm left with just a broken heart\n\nVerse 3:\nI see you now, on TV and in magazines\nWith your arm around the world, and a smile so divine\nBut I'll never forget, the way you used to be\nThe girl who loved me, more than fame and money could see\n\nChorus:\nWe were young and wild, chasing our dreams\nBut we found out, that dreams can't always be seen\nWe wanted different things, and it tore us apart\nNow I'm left with just a broken heart\n\nOutro:\nAll of me changed like midnight\nThe love we had, turned into a fight\nWe couldn't see, the change in each other's eyes\nNow I'm left to wonder, where did it all go wrong?\n\nThis song is written in the style of Taylor Swift, with a blend of country roots and pop sensibility. The lyrics convey a bittersweet narrative of contrasting desires within a past relationship, where one person seeks comfort and stability while the other craves the struggle and recognition that comes with fame. The song evokes a poignant yet catchy atmosphere, with vivid imagery and a touch of nostalgia, reflecting on the complexities of love and ambition. The chorus highlights the theme of change, with the lines \"We were young and wild, chasing our dreams \/ But we found out, that dreams can't always be seen\" and \"All of me changed like midnight \/ The love we had, turned into a fight.\" The song concludes with a reflective outro that contemplates the outcomes of their choices, leaving the listener with a sense of introspection and regret." + }, + { + "id":8442190, + "song":"Lavender Haze", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nMeet me at midnight\n[Verse 1]\nStaring at the ceiling with you\nOh, you don't ever say too much\nAnd you don't really read into\nMy melancholia\n[Pre-Chorus]\nI been under scrutiny (Yeah, oh, yeah)\nYou handle it beautifully (Yeah, oh, yeah)\nAll this shit is new to me (Yeah, oh, yeah)\n[Chorus]\nI feel\nThe lavender haze creeping up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Verse 2]\nAll they keep asking me (All they keep asking me)\nIs if I'm gonna be your bride\nThe only kinda girl they see (Only kinda girl they see)\nIs a one-night or a wife [Pre-Chorus]\nI find it dizzying (Yeah, oh, yeah)\nThey're bringing up my history (Yeah, oh, yeah)\nBut you weren't even listening (Yeah, oh, yeah)\n[Chorus]\nI feel\nThe lavender haze creepin' up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Post-Chorus]\nThat lavender haze\n[Bridge]\nTalk your talk and go viral\nI just need this love spiral\nGet it off your chest\nGet it off my desk (Get it off my desk)\nTalk your talk and go viral\nI just need this love spiral\nGet it off your chest\nGet it off my desk [Chorus]\nI feel (I feel)\nThe lavender haze creeping up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal (No deal)\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Outro]\nGet it off your chest\nGet it off my desk\nThat lavender haze\nI just wanna stay\nI just wanna stay in that lavender haze", + "model_output":"Verse 1:\nI've been living in this lavender haze\nA dreamy world where you and I embrace\nNo one else around, just you and me\nIn this private love, where we can be free\n\nPre-Chorus:\nBut society's eyes are always on us\nPressuring us to conform, to be just like the fuss\nBut I'm not willing to give up this love\nIt's the only thing that makes me feel alive\n\nChorus:\nSo I'll stay in this lavender haze\nWith you, my love, where we'll always find our space\nWe don't need societal approval\nOur love is our own, our own sanctuary\n\nVerse 2:\nI know we're not like the rest\nOur love is pure, our hearts are blessed\nBut the world outside is cold and harsh\nTrying to tear us apart, and leave us scarred\n\nPre-Chorus:\nBut I'll never let go of your hand\nWe'll stand together, in this lavender land\nWhere we can be ourselves, and never feel ashamed\n\nChorus:\nSo I'll stay in this lavender haze\nWith you, my love, where we'll always find our space\nWe don't need societal approval\nOur love is our own, our own sanctuary\n\nBridge:\nWe'll dance in the moonlight, and sing in the rain\nWe'll chase our dreams, and love again and again\nIn this lavender haze, we'll find our way\nAnd never let the world come between us\n\nChorus:\nSo I'll stay in this lavender haze\nWith you, my love, where we'll always find our space\nWe don't need societal approval\nOur love is our own, our own sanctuary\n\nOutro:\nI'll hold on to you, through the ups and downs\nIn this lavender haze, where we'll always drown\nIn the soft embrace of our love\nWhere we'll never be alone, never feel above\n\nMusical Arrangement:\n\n* The song should have a dreamy, soft pop sound with hints of melancholy, reflecting the intimate and contemplative mood of the song.\n* The arrangement should feature a simple, yet emotive guitar riff in the verses and pre-choruses, with a more prominent piano or synth part in the choruses.\n* The use of strings or a string section could add depth and emotion to the bridge and choruses.\n* The tempo should be moderate, with a slight sense of urgency or longing in the delivery.\n* The vocal delivery should be introspective and emotive, with a focus on the lyrics and the message of the song.\n* The use of harmonies or background vocals could add depth and texture to the song, particularly in the choruses and bridge.\n* The mix should have a good balance between the vocal and instrumental parts, with a clear focus on the lead vocal.\n\nOverall, the song should convey a sense of introspection and defiance, with themes of love and societal pressure interwoven throughout the lyrics and musical arrangement. The use of the metaphor of \"lavender haze\" should symbolize the desire to remain in a blissful, romantic bubble, away from the critical eyes of the world. The song should have a structure that includes an intro, verses, pre-choruses, choruses, a bridge, and an outro, similar to Taylor Swift's narrative and melodic songwriting style." + }, + { + "id":5651836, + "song":"Need", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWant is the cigarette smoke on a jacket\nYou wore to the wrong part of town\nDesire\u2005is\u2005the sound of\u2005the whiskey\nTelling me you miss me,\u2005can you come around?\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nLust is a liar, a short-lived fire\nIt ain't what you and I are at all\n[Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Verse 2]\nDanger is a thousand prickles on my neck\nThat tell me to run or to freeze\nFear is the nightmare I had, you were with someone else\nYou forgot about me\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nCaught up in a feeling, it can be deceiving\nThis is like breathing for me [Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Bridge]\nBaby, it's always a new kiss every time we do this\nThe truth is it's essential to me\nThat you love me more than wishing, longing\n[Chorus]\nOh, it's a need (It's a need), it's a need (Ah-ah, ah-ah)\nI would go (I would go) anywhere (Anywhere) that you lead (Oh, oh)\nI am hopeless, breathless, burning slow (Burning slow)\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave (I won't leave), it's a need (Oh)", + "model_output":"Verse 1:\nI'm drawn to you like a moth to flame\nEvery time you call my name, my heart begins to claim\nThis fire that burns within me, it's hard to explain\nBut every time we're together, I feel like I'm losing control\n\nChorus:\nHopeless, breathless, burning slow\nI can't resist the pull of your love, it's where I want to go\nLike the scent of cigarette smoke in the morning light\nI'm drawn to you, like a bee to honey, with all my might\n\nVerse 2:\nI need your touch, like a drug to my soul\nThe way you make me feel, it's where I want to be whole\nI know it's dangerous, but I can't help myself\nLike the prickles of danger, you're the only one I'll trust\n\nChorus:\nHopeless, breathless, burning slow\nI can't resist the pull of your love, it's where I want to go\nLike the scent of cigarette smoke in the morning light\nI'm drawn to you, like a bee to honey, with all my might\n\nBridge:\nI know it's not always easy, but I can't help myself\nI'm drawn to you like a ship to the sea, it's where I want to belong\nI need your love, like a lung to air\nI'll do anything, to be with you, my dear\n\nChorus:\nHopeless, breathless, burning slow\nI can't resist the pull of your love, it's where I want to go\nLike the scent of cigarette smoke in the morning light\nI'm drawn to you, like a bee to honey, with all my might\n\nOutro:\nI'm trapped in your eyes, like a moth in a flame\nI'm captive to your love, it's where I want to claim\nI'll be yours, like a ship to the sea\nI'm drawn to you, like a bee to honey, wild and free.\n\nThis song captures the deep and visceral sense of yearning that the prompt describes, intertwining themes of desire and necessity in a relationship. The lyrics explore the complex emotions of want and need, comparing them to tangible experiences like the scent of cigarette smoke or the prickles of danger, and convey a narrative of being irresistibly drawn to a lover. The song features vivid imagery and a confessional tone, characteristic of Taylor Swift's storytelling, and includes a chorus that emphasizes the intensity of the protagonist's feelings with phrases like \"hopeless, breathless, burning slow\". The incorporation of pop and country music elements delivers a melodic and emotional resonance that Swift is known for." + }, + { + "id":3281502, + "song":"Dress", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nOur secret moments in a crowded room\nThey got no idea about me and you\nThere is an indentation in the shape of you\nMade your mark on me, a golden tattoo\n[Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n\u2019Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Verse 2]\nInescapable, I'm not even gonna try\nAnd if I get burned, at least we were electrified\nI\u2019m spilling wine in the bathtub\nYou kiss my face and we're both drunk\nEveryone thinks that they know us\nBut they know nothin' about [Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n'Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha\n[Post-Chorus]\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\n[Bridge]\nFlashback when you met me, your buzzcut and my hair bleached\nEven in my worst times, you could see the best in me\nFlashback to my mistakes, my rebounds, my earthquakes\nEven in my worst lies, you saw the truth in me\nAnd I woke up just in time, now I wake up by your side\nMy one and only, my lifeline\nI woke up just in time, now I wake up by your side\nMy hands shake, I can't explain this\nAh, ha, ha, ha-ah [Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n\u2019Cause I don\u2019t want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Outro]\nThere is an indentation in the shape of you\nOnly bought this dress so you could take it off\nYou made your mark on me, golden tattoo\nOnly bought this dress so you could take it off", + "model_output":"Verse 1:\nI've got a secret, it's written on my heart\nA love affair that's ours, from the start\nWe keep it hidden, behind a mask of pride\nBut when we're alone, our passion takes flight\n\nChorus:\nOh, the thrill of your touch, it's like a golden tattoo\nIndelible in my mind, a mark that glows\nIn the quiet moments, when the world is asleep\nOur love is alive, our hearts beat deep\n\nVerse 2:\nWe dance in the shadows, where no one can see\nOur love is our own, a secret to me\nWe're living a lie, a fa\u00e7ade to the world\nBut in private, our passion unfurls\n\nChorus:\nOh, the thrill of your touch, it's like a golden tattoo\nIndelible in my mind, a mark that glows\nIn the quiet moments, when the world is asleep\nOur love is alive, our hearts beat deep\n\nBridge:\nWe're chasing the highs, and the lows\nIn this secret love, we find our glow\nThe world outside may not understand\nBut in each other's arms, we take our stand\n\nChorus:\nOh, the thrill of your touch, it's like a golden tattoo\nIndelible in my mind, a mark that glows\nIn the quiet moments, when the world is asleep\nOur love is alive, our hearts beat deep\n\nOutro:\nWe'll keep it hidden, until we can't\nBut even then, our love will still be there, in the shadows, where we dared to share.\n\nThe imagery in the lyrics is meant to evoke the contrast between the public fa\u00e7ade of a relationship and the private, intense moments that are shared between the lovers. The idea of a \"golden tattoo\" is a metaphor for the indelible mark that a lover leaves on one's heart, a mark that is hidden from the world but shines brightly in private moments. The melancholy tone reflects the complicated emotions involved in a secret love affair, where the thrill of the illicitness is balanced by the fear of discovery and the potential consequences.\n\nMusically, the song should have a catchy, pop-driven melody with a hint of melancholy, reflecting the emotional complexity of the lyrics. The use of vivid imagery and poetic devices, such as metaphors and similes, can help to create a sense of atmosphere and intimacy, drawing the listener into the private world of the lovers. The lyrics should be sung with a sense of urgency and longing, conveying the intensity of the secret love affair and the desire to keep it hidden from the world." + }, + { + "id":9538405, + "song":"Say Don\u2019t Go (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nI've known it from the very start\nWe\u2019re a shot in the darkest dark\nOh no, oh no, I'm unarmed\nThe waiting is a sadness\nFading into madness\nOh no, oh no, it won't stop\n[Refrain]\nI\u2019m standin' on a tightrope alone\nI hold my breath a little bit longer\nHalfway out the door, but it won't close\nI'm holdin' out hope for you to\n[Pre-Chorus]\nSay, \"Don't go\"\nI would stay forever if you say, \"Don't go\"\n[Chorus]\nWhy'd you have to lead me on?\nWhy\u2019d you have to twist the knife?\nWalk away and leave me bleedin\u2019, bleedin'?\nWhy\u2019d you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin' [Post-Chorus]\n(Say) Say, \"(Don't) don\u2019t (Go) go\"\nI would stay forev\u0435r if you (Say) say, \"(Don't) don't (Go) go\"\n(Say, say, say, say)\n[Verse 2]\nNow I'm pacin' on shaky ground\nStrike a match, then you blow it out\nOh no, oh no, it's not fair\n'Cause you kiss m\u0435 and it stops time\nAnd I'm yours, but you're not mine\nOh no, oh no, you're not there\n[Refrain]\nI'm standin' on the sidewalk alone\nI wait for you to drive by\nI'm tryna see the cards that you won't show\nI'm about to fold unless you\n[Pre-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go\"\n[Chorus]\nWhy'd you have to lead me on?\nWhy'd you have to twist the knife?\nWalk away and leave me bleedin', bleedin'?\nWhy'd you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin' [Post-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go\"\n(Say, say, say, say)\n[Bridge]\nWhy'd you have to (Why'd you have to)\nMake me want you? (Make me want you)\nWhy'd you have to (Why'd you have to)\nGive me nothin' back?\nWhy'd you have to (Why'd you have to)\nMake me love you? (Make me love you)\nI said, \"I love you\" (I said, \"I love you\")\nYou say nothin' back\n[Chorus]\nWhy'd you have to lead me on? (Oh)\nWhy'd you have to twist the knife?\nWalk away and leave me bleedin', bleedin'?\nWhy'd you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin'\n[Post-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go,\" woah\n(Say, say, say, say) [Outro]\nBut you won't, but you won't, but you won't\nI would stay forever if you say, \"Don't go\"\nBut you won't, but you won't, but you won't", + "model_output":"Verse 1:\nI thought you were the one, the only one\nWho could heal my heart and make it whole\nBut now I'm left to pick up the pieces\nOf a love that was never truly whole\n\nChorus:\nYou said you'd stay, you said you'd be mine\nBut now you're gone and I'm left to dine\nOn the memories of what could have been\nBut now it's just a broken dream\n\nVerse 2:\nI gave you my heart, I gave you my soul\nBut you threw it away, like it was nothing at all\nI thought you were the one who made me whole\nBut now I'm left with a heart that's broken and cold\n\nChorus:\nYou said you'd stay, you said you'd be mine\nBut now you're gone and I'm left to dine\nOn the memories of what could have been\nBut now it's just a broken dream\n\nBridge:\nI can't help but wonder, why you had to go\nWhy you had to leave me here, all alone\nI thought we had something real, something true\nBut now I'm left with nothing, but memories of you\n\nChorus:\nYou said you'd stay, you said you'd be mine\nBut now you're gone and I'm left to dine\nOn the memories of what could have been\nBut now it's just a broken dream\n\nOutro:\nI'll hold on to the hope, that you'll come back\nBut until then, I'll be left with this pain\nOf being led on, and left in the dark\nOf a love that was never truly there.\n\nMusical Composition:\nThe song should have a slow, melodramatic tempo, with a mix of pop and country elements. The chorus should have a catchy, anthemic quality, with a soaring melody and a driving beat. The verses should be more introspective and emotional, with a focus on storytelling and vulnerability. The bridge should be a moment of poignant heartache, with a simpler, more stripped-down arrangement. The song should have a mix of acoustic and electric instruments, with a focus on guitar and piano. The production should be layered and atmospheric, with a focus on creating a haunting and emotional soundscape.\n\nOverall, the song should have a classic, timeless quality, with a focus on storytelling and emotional authenticity. The lyrics should be relatable and heartfelt, with a focus on the universal themes of love and heartache. The musical composition should be memorable and catchy, with a focus on creating a haunting and emotional atmosphere." + } +] \ No newline at end of file diff --git a/data/taylor_swift_model_ouputs/lyre-chat-checkpoint-100-taylor-test-outputs.json b/data/taylor_swift_model_ouputs/lyre-chat-checkpoint-100-taylor-test-outputs.json new file mode 100644 index 0000000..90b5ff5 --- /dev/null +++ b/data/taylor_swift_model_ouputs/lyre-chat-checkpoint-100-taylor-test-outputs.json @@ -0,0 +1,121 @@ +[ + { + "id":3947016, + "song":"Drama Queen", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nLet's break it down, I\u2019ll take the story from the slammin' of the door\nThought it was perfect for a second, guess you weren't quite as sure\nMaybe I\u2019m a little hard to get, maybe you didn't have the patience\nLet's assess the situation\nThat girl was biding her time, yeah, she was waiting on your cue\nSo, somehow, I'm not surprised to see her standin' there with you\nMaybe she's a little overdressed and I can see the smile you're fakin'\nAnd the deep breath you\u2019re takin\u2019\n[Pre-Chorus]\nWhen you see me now, you're not lookin\u2019 at her\nYeah, it's a long way down from the bridges you burned\nMight wanna sit down, I'm calling you out\nRight now\n[Chorus]\nYou're a heartbreaker and she\u2019s a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen\n[Verse 2]\nAs I was saying, I was never quite a fan of little games\nIt doesn't take too long to see that boys like you are all the same\nMaybe I'm a little less obsessed, but she's impressed\nAnd I should mention, she's starving for attention [Pre-Chorus]\nI can see it now, how it's all gonna be\nWhen she freaks out, you'll be thinkin' of me\n'Cause what went down is coming back around\nYou'll see\n[Chorus]\n'Cause you're a heartbreaker and she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen\n[Bridge]\nSometimes you get just what you see\nLike, you chose her when you could've had me\nEverything's a mess now, watch her little meltdown\nWish you both success and I hope you're happy\n[Chorus]\n'Cause you're a heartbreaker, she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama\nHeartbreaker and she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen [Outro]\nHuh-oh, for you and your drama queen\nOh-oh-oh-oh, you and your drama queen\nHuh-oh, baby, you're a drama queen", + "model_output":"[Intro]\nWe are never ever ever\nEver, ever, ever getting back together\n(Oh, oh, oh, oh)\n[Verse 1]\nHow come you didn't tell me\nShe's a marching band?\nHow come you didn't warn me\n'Bout the bombs she's got?\nWell, it's all too much to take\nI can't even think straight\nBut I'm sure as hell gonna\nTell you that you're wrong\n[Pre-Chorus]\nFor ever and ever and ever\nYou're going to be sorry\nFor ever and ever and ever\nYou're going to be sorry\n[Chorus]\nYou're sorry, and I'm still hurting\nFrom when you left me for a new love\nYou're sorry, but that's not enough\nIt's too late to apologize now\nYou're sorry, and I'm still hurting\nFrom when you left me for a new love\nYou're sorry, but that's not enough\nIt's too late to apologize now\nWe are never ever ever\nEver, ever, ever getting back together [Verse 2]\nHow come you didn't tell me\nShe's a mastermind?\nHow come you didn't warn me\nAbout the lies she's told?\nWell, it's all too much to take\nAnd I can't even think straight\nBut I'm sure as hell gonna\nLet you know that you're wrong [Pre-Chorus]\nFor ever and ever and ever\nYou're going to be sorry\nFor ever and ever and ever\nYou're going to be sorry\n[Chorus]\nYou're sorry, and I'm still hurting\nFrom when you left me for a new love\nYou're sorry, but that's not enough\nIt's too late to apologize now\nYou're sorry, and I'm still hurting\nFrom when you left me for a new love\nYou're sorry, but that's not enough\nIt's too late to apologize now\nWe are never ever ever\nEver, ever, ever getting back together [Bridge]\nAnd I'm sure as hell gonna tell you this\nI'm sure as hell gonna make you feel it\nI'm sure as hell gonna say \"I told you so\"\nWhen I'm ridin' off into the sunset with him\nAnd you're left standin' on the front porch by yourself\nI'm sure as hell gonna tell you this\nI'm sure as hell gonna make you feel it\nI'm sure as hell gonna say \"I told you so\"\nWhen I'm ridin' off into the sunset with him\nAnd you're left standin' on the front porch by yourself [Chorus]\nYou're sorry, and I'm still hurting\nFrom when you left me for a new love\nYou're sorry, but that's not enough\nIt's too late to apologize now\nYou're sorry, and I'm still hurting\nFrom when you left me for a new love\nYou're sorry, but that's not enough\nIt's too late to apologize now\nWe are never ever ever\nEver, ever, ever getting back together" + }, + { + "id":8485912, + "song":"Question...?", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nI remember\n[Verse 1]\nGood girl, sad boy\nBig city, wrong choices\nWe had one thing goin' on\nI swear that\u2005it\u2005was somethin'\n'Cause I\u2005don't remember who I was\nBefore you\u2005painted all my nights\nA color I've searched for since\nBut one thing after another\nFuckin' situations, circumstances\nMiscommunications, and I\nHave to say, by the way\nI just may like some explanations\n[Chorus]\nCan I ask you a question?\nDid you ever have someone kiss you in a crowded room\nAnd every single one of your friends was makin' fun of you\nBut fifteen seconds later, th\u0435y were clappin' too?\nThen what did you do?\nDid you l\u0435ave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question [Verse 2]\nHalf-moon eyes, bad surprise\nDid you realize out of time?\nShe was on your mind with some dickhead guy\nThat you saw that night\nBut you were on somethin'\nIt was one drink after another\nFuckin' politics and gender roles\nAnd you're not sure and I don't know\nGot swept away in the gray\nI just may like to have a conversation\n[Chorus]\nCan I ask you a question?\nDid you ever have someone kiss you in a crowded room\nAnd every single one of your friends was makin' fun of you\nBut fifteen seconds later, they were clappin' too?\nThen what did you do?\nDid you leave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question\n[Bridge]\nDoes it feel like everything's just like\nSecond best after that meteor strike?\nAnd what's that that I heard? That you're still with her?\nThat's nice, I'm sure that's what's suitable\nAnd right, but tonight [Chorus]\nCan I ask you a question? (Can I ask you a question?)\nDid you ever have someone kiss you in a crowded room (In a crowded room)\nAnd every single one of your friends was makin' fun of you (Makin' fun of you)\nBut fifteen seconds later, they were clappin' too?\nThen what did you do? (Do)\nDid you leave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh (More of a fight)\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question", + "model_output":"[Intro]\nOh, oh, oh, oh\nOh, oh, oh, oh\nOh, oh, oh, oh\nOh, oh, oh, oh\n[Verse 1]\nNinety miles an hour, back for more\nThis is my home, I wanna know what happens here\nDon't know how it'll end, but I'm too stubborn to care\nBaby, I'm a crush of the week\nEverybody's looking and they're all on the edge\nOf their seat goo-goo ga-ga\nOver some random slut\nThat's a (somebody's) girl, not (my) type\nBut I'm too lost to care\nBecause I'm a crush of the week\n[Verse 2]\nI walk at midnight, no curfew\nI wanna see what happens on the other side\nOf the city, out by the river\nWhere the suicide squad is thriving\nDon't know how it'll end, but I'm too (too stubborn to care)\nBaby, I'm a crush of the week (week)\nEverybody's looking and they're all on the edge\nOf their seat goo-goo ga-ga\nOver some random slut\nThat's a (somebody's) girl, not (my) type\nBut I'm too lost to care\nBecause I'm a crush of the week [Pre-Chorus]\nAnd I think he likes me, yeah\nOkay, I'm gonna say it\nThere he is, I wanna know if he's taken\nI think I need to hear it\n[Chorus]\nWill he like me? Will he want me?\nWill he love me? I don't know\nHe's been gone a week, oh, oh, oh, oh\nBut I'm still (still) his crush on the week\n[Verse 3]\nBack at the house, I'm all alone\nI've got my old photos on the phone\nI needed to see my (see my)\nParis in a day, my first love's face\nNeeded to see my (see my)\nHigh school graduation, (it's) all I've been waiting for\nBaby, I'm a (I'm a) crush of the week (week)\n(I'm a) crush of the week\n[Pre-Chorus]\nAnd I think he likes me, yeah\nOkay, I'm gonna say it\nThere he is, I wanna know if he's taken\nI think I need to hear it\n[Chorus]\nWill he like me? Will he want me?\nWill he love me? I don't know\nHe's been gone a week, oh, oh, oh, oh\nBut I'm still (still) his crush on the week\n[Bridge]\nOh, will he like it? Will he love it?\nAll I wanna do is (do is) give him my heart\nBut I'm too (too lost to care)\nBecause I'm a (I'm a) crush of the week\nOh, oh, oh, oh\nOh, oh, oh, oh\nOh, oh, oh, oh\nOh, oh, oh, oh\n[Chorus]\nWill he like me? Will he want me?\nWill he love me? I don't know\nHe's been gone a week, oh, oh, oh, oh\nBut I'm still (still) his crush on the week\nWill he like me? Will he want me?\nWill he love me? I don't know\nHe's been gone a week, oh, oh, oh, oh\nBut I'm still (still) his crush on the week" + }, + { + "id":8485914, + "song":"Vigilante Shit", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nDraw the cat eye sharp enough to kill a man\nYou did some bad things, but I'm the worst of them\nSometimes I wonder which one'll be your last lie\nThey say looks can kill and I might try\nI don't dress for women\nI don't dress for men\nLately, I've been dressin' for revenge\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge\n[Verse 2]\nShe needed cold, hard proof, so I gave her some\nShe had the envelope, where you think she got it from?\nNow she gets the house, gets the kids, gets the pride\nPicture me thick as thieves with your ex-wife\nAnd she looks so pretty\nDrivin' in your Benz\nLately, she's been dressin' for revenge\n[Chorus]\nShe don't start shit, but she can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nShe don't dress for friends\nLately, she's been dressing for revenge [Bridge]\nLadies always rise above\nLadies know what people want\nSomeone sweet and kind and fun\nThe lady simply had enough\n[Verse 3]\nWhile he was doin' lines and crossin' all of mine\nSomeone told his white-collar crimes to the FBI\nAnd I don't dress for villains\nOr for innocents\nI'm on my vigilante shit again\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge", + "model_output":"[Intro]\nI promise that you'll pay\nFor the way you treated me\nBut, it's not about revenge\nI'm not gonna take you down\n[Verse 1]\nJames, you think you got the best of me\nBut, you don't know what you've done\nYou, you smell of jealousy\nAnd, it's just so... boring\n[Pre-Chorus]\nI'm not sad, I'm just angry\nAnd I'm not gonna take it anymore\nSo, I wear a fedora\nAnd a leather jacket, and I dress to the nines\nJust to pick up what you left behind\nSo, get ready 'cause I'm, I'm coming for you\n[Chorus]\nDon't you get sad, when you think of me\n'Cause, baby, I'm-I'm comin' for you\nDon't you get sad, turn out the lights\n'Cause, baby, I'm-I'm comin' for you\nDon't you get sad (Don't you get, don't you get, don't you get)\nWhen you think of me (When you think, when you think, when you think of me)\n'Cause, baby, I'm-I'm comin' for you\nDon't you get sad (Don't you get, don't you get, don't you get)\nTurn out the lights (When the lights, when the lights, when the lights are out)\n'Cause, baby, I'm-I'm comin' for you [Verse 2]\nYou've been makin' a big mistake\nThinkin' I'm stupid, thinkin' I'm weak\nBut, I'm just playin', tryna win the game\nAnd, you're so, so desperate\nTo cover up your tracks\n'Cause, you, you smell of jealousy\nAnd, it's just so... boring [Pre-Chorus]\nI'm not sad, I'm just angry\nAnd I'm not gonna take it anymore\nSo, I wear a fedora\nAnd a leather jacket, and I dress to the nines\nJust to pick up what you left behind\nSo, get ready 'cause I'm, I'm coming for you\n[Chorus]\nDon't you get sad, when you think of me\n'Cause, baby, I'm-I'm comin' for you\nDon't you get sad, turn out the lights\n'Cause, baby, I'm-I'm comin' for you\nDon't you get sad (Don't you get, don't you get, don't you get)\nWhen you think of me (When you think, when you think, when you think of me)\n'Cause, baby, I'm-I'm comin' for you\nDon't you get sad (Don't you get, don't you get, don't you get)\nTurn out the lights (When the lights, when the lights, when the lights are out)\n'Cause, baby, I'm-I'm comin' for you\n[Bridge]\nIf you're sad, I'm sorry, \nkiss me, \nbut I\nDon't wanna lose control\nIf you're sad, I'm sorry, \nkiss me, \nbut I\nDon't wanna lose control\n[Chorus]\nDon't you get sad, when you think of me\n'Cause, baby, I'm-I'm comin' for you\nDon't you get sad, turn out the lights\n'Cause, baby, I'm-I'm comin' for you\nDon't you get sad (Don't you get, don't you get, don't you get)\nWhen you think of me (When you think, when you think, when you think of me)\n'Cause, baby, I'm-I'm comin' for you\nDon't you get sad (Don't you get, don't you get, don't you get)\nTurn out the lights (When the lights, when the lights, when the lights are out)\n'Cause, baby, I'm-I'm comin' for you" + }, + { + "id":9539416, + "song":"\u201cSlut!\u201d (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nFlamingo pink, Sunrise Boulevard\nClink, clink, being this young is art\nAquamarine, moonlit swimmin' pool\nWhat if all I need is you?\n[Pre-Chorus]\nGot love-struck, went straight to my head\nGot lovesick all over my bed\nLove to think you\u2019ll never forget\nHandprints in wet cement\nAdorned with smoke on my clothes\nLovelorn and nobody knows\nLove thorns all over this rose\nI'll pay the price, you won't\n[Chorus]\nBut if I\u2019m all dressed up\nThey might as well be lookin' at us\nAnd if they call me a slut\nYou know it might be worth it for once\nAnd if I'm gonna be drunk\nI might as well be drunk in love\n[Verse 2]\nSend the code, he's waitin' there\nThe sticks and stones they throw froze mid-air\nEveryone wants him, that was my crime\nThe wrong place at the right time\nAnd I break down, then he's pullin' me in\nIn a world of boys, he's a gentleman [Pre-Chorus]\nGot love-struck, went straight to my head (Straight to my head)\nGot lovesick all over my bed (Over my bed)\nLove to think you\u2019ll never forget\nWe\u2019ll pay the price, I guess\n[Chorus]\nBut if I'm all dressed up (If I\u2019m all dressed up)\nThey might as well be lookin' at us (Lookin' at us)\nAnd if they call me a slut (If they call me a slut)\nYou know it might be worth it for once (Worth it for once)\nAnd if I'm gonna be drunk\nI might as well be drunk in love\n[Bridge]\nHalf asleep\nTakin\u2019 your time in the tangerine\nNeon light, this is luxury\nYou're not sayin' you're in love with me\nBut you're goin' to\nHalf awake\nTakin' your chance, it's a big mistake\nI said, \n\"It might blow up in your pretty face\"\nI'm not sayin', \"Do it anyway\" (Do it anyway)\nBut you're going to [Outro]\n(Up)\nAnd if they call me a (Slut)\nYou know it might be worth it for once\nAnd if I'm gonna be (Drunk)\nI might as well be drunk in love", + "model_output":"[Intro]\n(She's) Ready to roll up\n(He's) Ready to go\n(She's) Ready to lose control\n[Verse 1]\nThere's a flamingo pink cake\nWaits for me at home\nBut all I wanna do is\nSneak out and meet him\nalone\nAnd jump into the aquamarine\nPools of his neighbors\n[Pre-Chorus]\nBecause I'm in love\nWith a bad boy\nAnd it's a dangerous risk\nAnd I know that, know that\nBut I'm ready to roll the dice\n'Cause he's worth it\n[Chorus]\nAll the pieces falling\nAs I jump into his arms\nAll the voices calling\nFrom the depths of his charms\nBut if you see us\nDon't be surprised\nIf I lose my mind\nYeah, I'm ready to roll the dice\nIf you see us\nDon't be surprised\nIf I lose my mind\n[Verse 2]\nHis parents are gonna\nKill us both\nFor sneaking out\nRisking our necks\nFor trying to\nSee him\nBehind closed doors\n[Pre-Chorus]\nBecause I'm in love\nWith a bad boy\nAnd it's a dangerous risk\nAnd I know that, know that\nBut I'm ready to roll the dice\n'Cause he's worth it\n[Chorus]\nAll the pieces falling\nAs I jump into his arms\nAll the voices calling\nFrom the depths of his charms\nBut if you see us\nDon't be surprised\nIf I lose my mind\nYeah, I'm ready to roll the dice\nIf you see us\nDon't be surprised\nIf I lose my mind\n[Bridge]\nAnd if we don't make it\nNo, we won't have to hide\nAnd if we do, then we'll just\nGet under the covers and\nDie\n[Chorus]\nAll the pieces falling\nAs I jump into his arms\nAll the voices calling\nFrom the depths of his charms\nBut if you see us\nDon't be surprised\nIf I lose my mind\nYeah, I'm ready to roll the dice\nIf you see us\nDon't be surprised\nIf I lose my mind [Outro]\nSo that's when\nI decided to jump\nInto the arms of the man of my dreams\nAnd I'm gonna tell you a secret\nNo one has to know\nAbout the way he holds me\nClose when we sleep\nOr how much I love to go\nFlying with him\nOn his motorcycle\nOh, I'm ready to roll the dice\nIf you see us\nDon't be surprised\nIf I lose my mind\nYeah, I'm ready to roll the dice" + }, + { + "id":8485907, + "song":"Maroon", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWhen the morning came\nWe were cleaning incense off your vinyl shelf\n'Cause we lost track of time again\nLaughing with my feet in your lap\nLike you were my closest friend\n\"How'd we end up\u205fon\u205fthe\u205ffloor, anyway?\" you\u205fsay\n\"Your roommate's cheap-ass\u205fscrew-top ros\u00e9, that's how\"\nI see you every day now\n[Chorus]\nAnd I chose you\nThe one I was dancing with\nIn New York, no shoes\nLooked up at the sky and it was\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was\nThe mark th\u0435y saw on my collarbone\nThe rust that grew b\u0435tween telephones\nThe lips I used to call home\nSo scarlet, it was maroon\n[Verse 2]\nWhen the silence came\nWe were shaking, blind and hazy\nHow the hell did we lose sight of us again?\nSobbing with your head in your hands\nAin't that the way shit always ends?\nYou were standing hollow-eyed in the hallway\nCarnations you had thought were roses, that's us\nI feel you, no matter what\nThe rubies that I gave up [Chorus]\nAnd I lost you\nThe one I was dancing with\nIn New York, no shoes\nLooked up at the sky and it was (Maroon)\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was (Maroon)\nThe mark they saw on my collarbone\nThe rust that grew between telephones\nThe lips I used to call home\nSo scarlet, it was maroon\n[Bridge]\nAnd I wake with your memory over me\nThat's a real fucking legacy, legacy (It was maroon)\nAnd I wake with your memory over me\nThat's a real fucking legacy to leave\n[Chorus]\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was maroon\nThe mark they saw on my collarbone\nThe rust that grew between telephones\nThe lips I used to call home\nSo scarlet, it was maroon [Outro]\nIt was maroon\nIt was maroon", + "model_output":"[Intro]\nClean the incense off the vinyl shelf\nYou've been gone for months\nAnd I'm still reminded of you every time I hear that song\nDancing barefoot in New York\nUnder the city's skyscrapers\nWe drank wine-stained shirts\n[Verse 1]\nYou know I still remember how to get to your house\nEven though I don't go out much\nStill, the color maroon makes me feel somehow lost\nIn a way that I wouldn't tell to anyone\n[Pre-Chorus]\nBut if I just showed up at your party, would you have me?\nWould you want me?\nWould you tell me to go fuck myself or lead me to the dance floor?\n[Chorus]\n'Cause our memories are all that's left\nNow, the color maroon is fading to black\nAnd I can't go on believing\nThat you're someone I can trust or love\nAnd so, I'm letting go\n[Verse 2]\nKnow I always seem to say the wrong thing\nEven when I say nothing at all\nStill, the color maroon makes me feel somehow lost\nIn a way that I wouldn't tell to anyone\n[Pre-Chorus]\nAnd if I just showed up at your party, would you have me?\nWould you want me?\nWould you tell me to go fuck myself or lead me to the dance floor?\n[Chorus]\n'Cause our memories are all that's left\nNow, the color maroon is fading to black\nAnd I can't go on believing\nThat you're someone I can trust or love\nAnd so, I'm letting go\n[Bridge]\nYou know I still remember how you used to be\nAnything I needed, he would be\nYou know I would never go away\nNo matter what I needed, you would be\nYou know I can't forget the night at the party\nWhen you made me feel like I was anything I wanted to be\nYou know I still remember how you used to be\nAnything I needed, he would be\nYou know I would never go away\nNo matter what I needed, you would be\nYou know I can't forget the night at the party\nWhen you made me feel like I was anything I wanted to be\n[Chorus]\n'Cause our memories are all that's left\nNow, the color maroon is fading to black\nAnd I can't go on believing\nThat you're someone I can trust or love\nAnd so, I'm letting go\n'Cause our memories are all that's left\nNow, the color maroon is fading to black\nAnd I can't go on believing\nThat you're someone I can trust or love\nAnd so, I'm letting go" + }, + { + "id":9157481, + "song":"Snow On The Beach (feat. More Lana Del Rey)", + "artist":"Taylor Swift", + "lyrics":"[Verse 1: Taylor Swift]\nOne night, a few moons ago\nI saw flecks of what could've been lights\nBut it might just have been you\nPassing by unbeknownst to me\nLife is emotionally abusive\nAnd time can't stop me quite like you did\nAnd my flight was awful, thanks for asking\nI'm unglued, thanks to you\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nLana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, \nah\n, ah [Verse 2: Lana Del Rey, \nTaylor Swift & Lana Del Rey\n]\nThis scene feels like what I once saw on a screen\nI searched \"aurora borealis green\"\nI've never seen someone lit from within\nBlurring out my periphery\nMy smile is\n like I won a contest\nAnd to hide that would be so dishonest\nAnd it's fine\n to fake it 'til you make it\n'Til you do, 'til it's true\n[Chorus: \nTaylor Swift\n, Taylor Swift & Lana Del Rey]\nNow, it's like\n snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nLana Del Rey\n]\nLike snow on the beach (\nMmm\n)\nLike snow on the beach\nLike snow on the beach (\nMmm\n)\nLike snow, \nah\n, ah [Bridge: Taylor Swift, \nLana Del Rey\n, \nTaylor Swift & Lana Del Rey\n]\nI (\nI\n) can't (\nCan't\n) speak, afraid to jinx it\nI (\nI\n) don't (\nDon't\n) even dare to wish it\nBut your eyes are flying saucers from another planet\nNow, I'm all for you like Janet\nCan this be a real thing? \nCan it?\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nAre we falling like snow at the beach? (\nSnow at the beach\n)\nWeird, but fuckin' beautiful\nFlying in a dream (\nFlying in a dream\n)\nStars by the pocketful\nYou wanting me (\nYou wanting me\n)\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n, \nLana Del Rey\n]\nLike snow on the beach (\nSnow on the beach\n; \nMmm\n)\nLike snow on the beach (\nFlying in a dream\n)\nLike snow on the beach (\nYou wanting me\n; \nMmm\n)\nLike snow, ah\nBut it's comin' down\nNo sound, it's all around\n[Outro: Lana Del Rey]\nLike snow on the beach\nLike snow, like snow, uh-huh, yeah", + "model_output":"[Intro: Taylor Swift]\n\u2005(Ah)\n[Verse 1: Taylor Swift]\nHe\u2005finds me in the dead of night\nHe finds me in the summer light\nI never would have predicted\nThat he would be his name\nI was falling asleep in my bed\nDreaming of the sea instead\nAnd then he appeared to me\nHe's so beautiful and blue\nThe ocean was my dream, but he is my reality\n[Pre-Chorus: Taylor Swift]\nAnd if I didn't know any better\nI would say that this is fate\nI would say that this is fate\nBut I know that this is just a summer thing\nSummer fling, summer love, summer song\nBut never, ever winter long\n[Chorus: Lana Del Rey & \nTaylor Swift\n]\nLike snow on the beach in summer\nOur love is rare and beautiful\nLike snow on the beach in summer\nOur love is rare and beautiful\n(\nOh, yeah\n)\n[Verse 2: Lana Del Rey]\nI've been around, so I've learned\nThat love never goes as planned\nNine out of ten times\nThat it don't end like this\nYou're gorgeous, you're tall and handsome\nYou know how to play me like a banjo\nI'm so in love, I'm so in love, I'm so in love\nBut we both know this is just a summer thing\nSummer fling, summer love, summer song\nBut never, ever winter long\n[Chorus: Lana Del Rey & \nTaylor Swift\n]\nLike snow on the beach in summer\nOur love is rare and beautiful\nLike snow on the beach in summer\nOur love is rare and beautiful\n(\nOh, yeah\n)\n[Bridge: Lana Del Rey & \nTaylor Swift\n]\nSome people go their whole lives\nNever knowing what I know\nAnd even though it might be wrong, right?\nI'd do it all the same\nAnd I'd never let you go\nI'd never let you go\n[Pre-Chorus: Both, \nTaylor Swift\n, \nLana Del Rey\n]\nAnd if I didn't know any better\nI would say that this is fate\nI would say that this is fate\n (\nOh, yeah\n)\n[Chorus: Lana Del Rey & \nTaylor Swift\n]\nLike snow on the beach in summer\nOur love is rare and beautiful\nLike snow on the beach in summer\nOur love is rare and beautiful\n(\nOh, yeah\n)" + }, + { + "id":8461583, + "song":"Hits Different", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nI washed my hands of us at the club\nYou made a mess of me\nI pictured you with other girls in love\nThen threw up on the street\nLike waiting for a bus that never shows\nYou just start walkin' on\nThey say that if it's right, you know\nEach bar plays our song\nNothing has ever felt so wrong\n[Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different\nIt hits different 'cause it's you\n[Post-Chorus]\n('Cause it's you)\n[Verse 2]\nI used to switch out these Kens, I'd just ghost\nRip the band-aid off and skip town lik\u0435 an asshole outlaw\nFreedom felt like summ\u0435r then on the coast\nNow the sun burns my heart and the sand hurts my feelings\nAnd I never don't cry (And I never don't cry) at the bar\nYeah, my sadness is contagious (My sadness is contagious)\nI slur your name 'til someone puts me in a car\nI stopped receiving invitations [Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different\nIt hits different 'cause it's you\n[Post-Chorus]\n('Cause it's you)\n[Bridge]\nI find the artifacts, cried over a hat\nCursed the space that I needed\nI trace the evidence, make it make some sense\nWhy the wound is still bleedin'\nYou were the one that I loved\nDon't need another metaphor, it's simple enough\nA wrinkle in time like the crease by your eyes\nThis is why they shouldn't kill off the main guy\nDreams of your hair and your stare and sense of belief\nIn the good in the world, you once believed in me\nAnd I felt you and I held you for a while\nBet I could still melt your world\nArgumentative, antithetical dream girl [Verse 3]\nI heard your key turn in the door down the hallway\nIs that your key in the door?\nIs it okay? Is it you?\nOr have they come to take me away?\nTo take me away\n[Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different (It hits different)\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different (It hits different)\nIt hits different 'cause it's you\n[Outro]\nOh, my, love is a lie\nShit my friends say to get me by\n'Cause it's you\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different (Yeah)\nIt hits different 'cause it's you", + "model_output":"[Intro]\nWe were both young when we first started dating\nI was barely legal and you were just turning 18\nAnd when we broke up, I was devastated\nSuch a dirty word, I\u2005didn't\u2005want to hear it\n[Verse 1]\nIt's been way too long,\u2005and I've been way too strong\nI'm always alone, and I don't wanna be\nI keep pickin' at this wound, it's still not healin'\nNo matter how hard I try, I can't get you out of me\n[Pre-Chorus]\nYou were the first, so it's a little bit worse\nEvery time that I start somethin' new, you're always worst-er\nYou were the first face I saw when I woke up\nFirst text I read, first date I went on, you're always the one I remember\n[Chorus]\nBut this time, it's different\nFeel it slowin' down, realization\nHit me like a ton of bricks\nThis time, it's different\n'Cause it's you and me\nAnd every time that I try to move on, it's always in my mind, yeah\nThis time, it's different\n'Cause it's you and me\nAnd every time that I try to move on, it's always in my mind [Verse 2]\nWe were in high school, and we were so in love\nWent to the movies, you took my jacket off\nAnd we sat on the couch, and we kissed in front of the movie\nThat was the summer I went to the amusement park with you\n[Pre-Chorus]\nYou were the first, so it's a little bit worse\nEvery time that I start somethin' new, you're always worst-er\nYou were the first face I saw when I woke up\nFirst text I read, first date I went on, you're always the one I remember\n[Chorus]\nBut this time, it's different\nFeel it slowin' down, realization\nHit me like a ton of bricks\nThis time, it's different\n'Cause it's you and me\nAnd every time that I try to move on, it's always in my mind, yeah\nThis time, it's different\n'Cause it's you and me\nAnd every time that I try to move on, it's always in my mind\n[Post-Chorus]\nYou're always in my mind\nYou're always in my mind\n[Outro]\nYou're always in my mind" + }, + { + "id":8445376, + "song":"Snow On The Beach", + "artist":"Taylor Swift", + "lyrics":"[Verse 1: Taylor Swift]\nOne night, a few moons ago\nI saw flecks of what could've been lights\nBut it might just have been you\nPassing by unbeknownst to me\nLife is emotionally abusive\nAnd time can't stop me quite like you did\nAnd my flight was awful, thanks for asking\nI'm unglued, thanks to you\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, ah [Verse 2: Taylor Swift, \nTaylor Swift\n & Lana Del Rey\n]\nThis scene feels\n like what I once saw \non a screen\nI searched \"aurora borealis\n green\"\nI've never seen someone \nlit from \nwithin\nBlurring\n out my \nperiphery\nMy smile is \nlike I won a contest\nAnd to hide that \nwould be so dishonest\nAnd it's fine to \nfake it 'til you make it\n'Til \nyou\n do, 'ti\nl it's true\n[Chorus: Taylor Swift & Lana Del Rey]\nNow it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, ah [Bridge: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nI (I) can't (Can't) speak, afraid to jinx it\nI (I) don't (Don't) even dare to wish it\nBut your eyes are flying saucers from another planet\nNow I'm all for you like Janet\nCan this be a real thing? \nCan it?\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nAre we falling like snow at the beach? (\nSnow at the beach\n)\nWeird, but fuckin' beautiful\nFlying in a dream (\nFlying in a dream\n)\nStars by the pocketful\nYou wanting me (\nYou wanting me\n)\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n]\nLike snow on the beach (Snow on the beach)\nLike snow on the beach\n (Flying in a dream)\nLike snow on the beach\n (You wanting me)\nLike snow, ah\nBut it's comin' down\nNo sound, it's all around\n[Outro: Taylor Swift]\nLike snow on the beach\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\nLike snow on the beach\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)", + "model_output":"[Intro: Taylor Swift]\n\u2005It\u2005was a winter\u2005night, I was on my way to meet you\nBare trees cast\u2005shadows on the street\nSnowflakes fell, one by one, like tear drops from heaven\nAs I thought about you\n(Oh, oh, oh, oh, oh)\nAnd I thought about you\n(Oh, oh, oh, oh, oh)\n[Verse 1: Taylor Swift]\nI\u2005thought I would never love again\nI thought my heart was too broken to mend\nBut then you knocked on my door\n(You knocked on my door)\nAnd I thought, \"This is it. This is the start\nOf something wonderful\"\nAnd I thought, \"This is it. This is the start\nOf something wonderful\"\n[Pre-Chorus: Taylor Swift]\nI've never been so cold\nBut never been so warm\nI've never seen the sky this dark\nBut never have I seen it glow [Chorus: Taylor Swift]\nAnd it snowed\nLike it only does once in a lifetime\nAnd I watched, feeling like I was in a dream\nIt was so bright, and I knew\n[Post-Chorus: Taylor Swift]\nIt's happening, it's happening\nThe night is happening\nIt's happening, it's happening\nThe night is happening\nIt's happening, it's happening\nThe night is happening [Verse 2: Lana Del Rey]\nI thought I would never love again\nI thought my heart was too broken to mend\nBut then you knocked on my door\nAnd I thought, \"This is it. This is the start\nOf something wonderful\"\nAnd I thought, \"This is it. This is the start\nOf something wonderful\"\n[Pre-Chorus: Lana Del Rey]\nI've never been so cold\nBut never been so warm\nI've never seen the sky this dark\nBut never have I seen it glow\n[Chorus: Lana Del Rey, \nTaylor Swift\n, \nBoth\n]\nAnd it snowed\nLike it only does once in a lifetime\nAnd I watched, feeling like I was in a dream\nIt was so bright, and I knew\n[Post-Chorus: Both, \nTaylor Swift\n, \nLana Del Rey\n]\nIt's happening, it's happening\nThe night is happening\nIt's happening, it's happening\nThe night is happening\nIt's happening, it's happening\nThe night is happening (\nYeah, yeah\n)\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it snowed\nLike it only does once in a lifetime\nAnd I watched, feeling like I was in a dream\nIt was so bright, and I knew\n[Post-Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nIt's happening, it's happening\nThe night is happening\nIt's happening, it's happening\nThe night is happening\nIt's happening, it's happening\nThe night is happening" + }, + { + "id":5651833, + "song":"All Of The Girls You Loved Before", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWhen you think of all the late nights\nLame fights over the phone\nWake up in the\u2005mornin'\u2005with someone\nBut feelin'\u2005alone\n[Refrain]\nA heart is drawn around your\u2005name\nIn someone's handwriting, not mine\nSneakin' out into town\nHoldin' hands, just\u205fkillin'\u205ftime\n[Pre-Chorus]\nYour\u205fpast and mine\u205fare parallel lines\nStars\u205fall aligned and they intertwined\nAnd taught you\nThe way you call me \"baby\"\nTreat me like a lady\nAll that I can say is\n[Chorus]\nAll of the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street led you straight to me\nNow you're all I need, I'm so thankful for\nAll of the girls you loved before\nBut I love you more [Verse 2]\nWhen I think of all the makeup\nFake love out on the town (Ooh)\nCryin' in the bathroom for some dude\nWhose name I cannot remember now\n[Refrain]\nSecret jokes all alone\nNo one's home, sixteen and wild (Ooh)\nBreakin' up, makin' up\nLeave without sayin' goodbye (Ooh)\n[Pre-Chorus]\nAnd just know that\nIt's everything that made me\nNow I call you \"baby\"\nIt's why you're so amazing\n[Chorus]\nAll of the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street led you straight to me\nNow you're all I need, I'm so thankful for\nAll of the girls you loved before\nBut I love you more [Bridge]\nYour mother brought you up loyal and kind\nTeenage love taught you there's good in goodbye\nEvery woman that you knew brought you here\nI wanna teach you how forever feels\n[Chorus]\nLike the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street (Dead-end street) led you straight to me (Straight to me)\nNow you're all I need (All I need), I'm so thankful for\nAll of the girls you loved before\nBut I love you more\n[Outro]\n(I love you more)\n(I love you more)", + "model_output":"[Verse 1]\nI'm so in love with you\nI'm so in love with you\nAnd I'm grateful for every moment\nThat made you the man you are today\nWoah, yeah\n[Refrain]\nYou're so in love with me\nYou're so in love with me\nAnd you're grateful for every moment\nThat made me the woman I am today\n[Verse 2]\nI'm so in love with you\nI'm so in love with you\nAnd I'm grateful for every moment\nThat made you the man you are today\nWoah, yeah\n[Refrain]\nYou're so in love with me\nYou're so in love with me\nAnd you're grateful for every moment\nThat made me the woman I am today\n[Chorus]\nAnd I'm so grateful for all the men\nWho made you the man you are today\nAnd I'm so in love with you\n[Bridge]\nSomeone like you\nSomeone like you\n[Chorus]\nAnd I'm so grateful for all the men\nWho made you the man you are today\nAnd I'm so in love with you\n[Outro]\nI'm so in love with you\nI'm so in love with you\nAnd I'm grateful for every moment\nThat made you the man you are today" + }, + { + "id":9538403, + "song":"Suburban Legends (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nYou had people who called you on unmarked numbers\nIn my peripheral vision\nI let it slide like a hose on a slippery plastic summer\nAll was quickly forgiven\nYou were so magnetic, it was almost obnoxious\nFlush with the currency of cool\nI was always turnin' out my empty pockets\nAnd when it came to you\n[Chorus]\nI didn't come here to make friends\nWe were born to be suburban legends\nWhen you hold me, it holds me together\nAnd you kiss me in a way that's gonna screw me up forever\n[Verse 2]\nI had the fantasy that maybe our mismatched star signs\nWould surprise the whole school\nWhen I ended up back at our class reunion\nWalkin' in with you\nYou'd be more than a chapter in my old diaries\nWith the pages ripped out\nI am standin' in a 1950s gymnasium\nAnd I can still see you now [Chorus]\nI didn't come here to make friends\nWe were born to be suburban legends\nWhen you hold me, it holds me together\nAnd you kiss me in a way that's gonna screw me up forever\nI know that you still remember\nWe were born to be national treasures\nWhen you told me we'd get back together\nAnd you kissed me in a way that's gonna screw me up forever\n[Outro]\nTick-tock on the clock, I pace down your block\nI broke my own heart 'cause you were too polite to do it\nWaves crash on the shore, I dash to the door\nYou don't knock anymore and my whole life's ruined\nTick-tock on the clock, I pace down your block\nI broke my own heart 'cause you were too polite to do it\nWaves crash to the shore, I dash to the door\nYou don't knock anymore and I always knew it\nThat my life would be ruined", + "model_output":"[Verse 1]\nI was in love with a boy in my high school\nWho was already taken, and she was so mad\nThat I just happened to be him\nOn the side when he thought that no one was\nDaddy-o\nNo one was lookin'\n[Pre-Chorus]\nHe said, \"It's too dangerous, it's too risky\"\nShe said, \"Everything in life that's worth havin'\nIs gonna hurt someday\"\n[Chorus]\nSomeday, when I'm far away from Fearless\nAnd I've made a name for myself and I have\nNothing else to lose, I'll return to\nC torture you with my love\n'Cause it's so hard to forget you, even if I tried\nYou made me feel like I was livin'\nFor the first time, and I just couldn't die\nSo it goes\n[Verse 2]\nIt was winter break of my junior year\nIn the frozen tundra of Green Bay, Wisconsin\nI was 19 years old\nAnd I fell in love with my best friend's boyfriend\nUnderneath the cold, cold skylight\nIn my friend's bedroom when we were\nSupposed to be sleepin' over\nThere's somethin' magical about\nBein' cold and in love\n[Pre-Chorus]\nHe said, \"It's too dangerous, it's too risky\"\nShe said, \"Everything in life that's worth havin'\nIs gonna hurt someday\"\n[Chorus]\nSomeday, when I'm far away from Fearless\nAnd I've made a name for myself and I have\nNothing else to lose, I'll return to\nC torture you with my love\n'Cause it's so hard to forget you, even if I tried\nYou made me feel like I was livin'\nFor the first time, and I just couldn't die\nSo it goes\n[Outro]\nSo it goes\nIt was a bad idea, I knew it at the time\nBut I did it anyway\nAnd you made me feel so alive\nBut you ruined me, so it goes\nIt goes\nIt was a bad idea, I knew it at the time\nBut I did it anyway\nAnd you made me feel so alive\nBut you ruined me, so it goes\nSo it goes" + }, + { + "id":4499925, + "song":"Castles Crumbling (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Intro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)\n[Verse 1: Taylor Swift]\nOnce, I had an empire in a golden age\nI was held up so high, I used to be great\nThey used to cheer when they saw my face\nNow, I fear I have fallen from grace\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nAnd I \nfeel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Verse 2: Hayley Williams, \nTaylor Swift & Hayley Williams\n]\nOnce, I was the great hope for a dynasty\nCrowds would hang on my words and they trusted me\nTheir faith was strong, but I pushed it too far\nI held that grudge 'til it tore me apart\n[Pre-Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nPower went to my head and I couldn't stop\nOnes I loved tried to help, so I ran them off\nAnd here I sit alone behind\n walls of regret\nFalling down like promises that I never kept [Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nAnd I feel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Bridge: Taylor Swift]\nMy foes and friends watch my reign end\nI don't know how it could've ended this way\nSmoke billows from my ships in the harbor\nPeople look at me like I'm a monster\nNow they're screamin' at the palace front gates\nUsed to chant my name\nNow they're screaming that they hate me\nNever wanted you to hate me\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nMy castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, \nI will just let you down\n (Just let you down)\nMy castle's crumbling \ndown\nYou don't wanna know me \nnow\n, now\n[Outro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)", + "model_output":"[Verse 1: Taylor Swift]\nOnce, I was lost, but then I found glory\nWas the princess of everything I saw\nI had the love of the people, I had power and gold\nI was the gem in the crown, the jewel in the crown\nBut now, I'm just lost, and it's wearing thinner\nThe crown is no longer on my head\nAnd the things I once had in my hand, now I've gone and lost them all\nI don't even know who I was then\n[Pre-Chorus: Taylor Swift]\nMy castles stand in ruin\nBridges burned behind me\nI lost my way, so I'm telling\nAll the stories I told in my youth\n[Chorus: Taylor Swift]\nMy name was once in lights\nIn this, the story of my life\nI lost my glory, but I thought you knew\nSo I'll share it with you\nNow, I know you've heard it all before\nSo I'll say it one more time\nMy name was once in lights\nIn this, the story of my life\nI lost my glory, and I thought you knew\nSo I'll share it with you\n[Verse 2: Paramore]\nI once had a dream, where I was standing\nIn a field, green and so green\nWith the air, it was shaking\nAnd I knew that, everything, was changing\nI once had a dream, where I was flying\nIn a field, green and so green\nWith the air, it was shaking\nAnd I knew that, everything, was changing\n[Pre-Chorus: Hayley Williams]\nMy castles stand in ruin\nBridges burned behind me\nI lost my way, so I'm telling\nAll the stories I told in my youth\n[Chorus: Hayley Williams & \nTaylor Swift\n]\nMy name was once in lights\nIn this, the story of my life\nI lost my glory, but I thought you knew\nSo I'll share it with you\nNow, I know you've heard it all before\nSo I'll say it one more time\nMy name was once in lights\nIn this, the story of my life\nI lost my glory, and I thought you knew\nSo I'll share it with you\n[Bridge: Hayley Williams & \nTaylor Swift\n]\nI always felt I'd keep you at a distance\nWell, now, I'm only one with nature\nToo much sun, it will burn you\nToo many words, they will hurt you\nI always felt I'd keep you at a distance\nWell, now, I'm only one with nature\nToo much sun, it will burn you\nToo many words, they will hurt you\n[Chorus: Taylor Swift]\nMy name was once in lights\nIn this, the story of my life\nI lost my glory, but I thought you knew\nSo I'll share it with you\nNow, I know you've heard it all before\nSo I'll say it one more time\nMy name was once in lights\nIn this, the story of my life\nI lost my glory, and I thought you knew\nSo I'll share it with you\n[Outro: Hayley Williams & \nTaylor Swift\n]\nI lost my name in the lights\nIn this, the story of my life\nI lost my name in the lights" + }, + { + "id":9157172, + "song":"Karma (Remix)", + "artist":"Taylor Swift", + "lyrics":"[Intro: Ice Spice]\nKarma is that girl, like (Grrah)\n[Verse 1: Taylor Swift]\nYou're talking shit for the hell of it\nAddicted to betrayal, but you're relevant\nYou're terrified to look down\n'Cause if you dare, you'll see the glare\nOf everyone you burned just to get there\nIt's comin' back around\n[Pre-Chorus: Taylor Swift]\nAnd I keep my side of the street clean\nYou wouldn't know what I mean\n[Chorus: Taylor Swift]\n'Cause karma is my boyfriend\nKarma is a god\nKarma is the breeze in my hair on the weekend\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing lik\u0435 a goddamn acrobat\nMe and karma vibe like that [Verse 2: Ice Spice, \nIce Spice & Taylor Swift\n]\nKarma is your ch\u0435ck's 'boutta bounce (Damn)\nKarma is a fire in your house (Grrah)\nAnd she 'boutta pop up unannounced (Like)\nAnd she never leavin' you alone (Damn)\nWatch her put ya opps on a throne (Damn)\nGot you wavin' pretty \nwhite flags\n, feenin' for that \ncash\nThinkin' it'll save ya, now you switchin' up your behavior\nIt's okay, baby, you ain't gotta worry, karma never gets lazy\nSo, I keep my head up, my bread up, I won't let up (Never)\nPromise that you'll never endeavor with none lesser (Ever, ever)\nI be draggin' that wagon, karma is a beauty \nwinning that pageant\n, grrah\n[Chorus: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is my boyfriend (\nDamn\n)\nKarma is a god\nKarma is the breeze in my hair on the weekend\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing like a goddamn acrobat\nMe and karma vibe like that\n (\nGrrah\n)\n[Bridge: Taylor Swift]\nAsk me what I learned from all those years\nAsk me what I earned from all those tears\nAsk me why so many fade, but I'm still here\n(I'm still here, I'm still here) [Breakdown: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is the thunder\nRattlin' your ground\nKarma's on your scent like a bounty hunter\nAnd karma's gonna track you down\nStep by step, from town to town\nSweet like justice, \nkarma is a queen\nKarma takes all my friends to the summit (\nFacts\n)\nKarma is the guy on the screen\nComing straight home to me\n[Chorus: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is my boyfriend (\nKarma is my boyfriend\n)\nKarma is a god (\nDamn\n)\nKarma is the breeze in my hair on the weekend (Weekend)\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing like a goddamn acrobat\nMe and karma vibe like that\n[Outro: Taylor Swift, \nIce Spice\n]\nKarma is my boyfriend\nKarma is a god (Ah)\nKarma is my bestie\n (Mmm)\nKarma's a relaxing thought\nKarma's gonna hold you down", + "model_output":"[Intro]\nKarma is\u2005like\nA halo\u2005above your head\nKarma is\u2005like\nA mirror that reflects your deeds\nKarma is like\nA halo above your head\n[Verse 1]\nLying down, I think I'll lay here\nThis is where I wanna be\nSo I'll just lay here and I'll just stay here\nIt's easier to just be still\nSometimes, the easy way out\nIs the best way to go\nSo I'll just sit here and watch it rain, and I'll just wait for\n[Chorus]\nKarma to come and get you\nKarma is my friend, she'll get you\nKarma will come around and catch you\nJust you wait and see\nKarma is my friend, she'll get you\nKarma will come around and catch you\nJust you wait and see\n[Verse 2]\nLaid up, I think I'll stay here\nThis is where I wanna be\nSo I'll just stay here and I'll just lay here\nIt's easier to just be still\nSometimes, the easy way out\nIs the best way to go\nSo I'll just sit here and watch it rain, and I'll just wait for\n[Chorus]\nKarma to come and get you\nKarma is my friend, she'll get you\nKarma will come around and catch you\nJust you wait and see\nKarma is my friend, she'll get you\nKarma will come around and catch you\nJust you wait and see\n[Verse 3]\nI don't wanna hang out, I don't wanna go now\nI'd rather stay home and watch the clouds roll by\nAnd when someone asks me in a bad tone\nWhy I don't wanna hang out, I tell them, \"Bye\"\n[Chorus]\nKarma to come and get you\nKarma is my friend, she'll get you\nKarma will come around and catch you\nJust you wait and see\nKarma is my friend, she'll get you\nKarma will come around and catch you\nJust you wait and see\n[Bridge]\nShe's a girl, he's a guy\nSee them over there, she's so frustrated\nHe's a jock, she's a rebel\nSee them over there, she's so frustrated\nShe's a girl, he's a guy\nSee them over there, she's so frustrated\nHe's a jock, she's a rebel\nSee them over there, she's so frustrated\n[Verse 4]\nStanding up, I think I'll walk out\nThis is where I wanna be\nSo I'll just walk out and I'll just be out\nIt's easier to just be me\nSometimes, the easy way out\nIs the best way to be\nSo I'll just walk out and watch it rain, and I'll just wait for\n[Chorus]\nKarma to come and get you\nKarma is my friend, she'll get you\nKarma will come around and catch you\nJust you wait and see\nKarma is my friend, she'll get you\nKarma will come around and catch you\nJust you wait and see\nKarma to come and get you\nKarma is my friend, she'll get you\nKarma will come around and catch you\nJust you wait and see" + }, + { + "id":8485905, + "song":"Midnight Rain", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nRain\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Verse 1]\nMy town was a wasteland\nFull of cages, full of fences\nPageant queens and big pretenders\nBut for some, it was paradise\nMy boy was a montage\nA slow-motion, love potion\nJumping off things in the ocean\nI broke his heart 'cause he was nice\nHe was sunshine, I was midnight rain\n[Chorus]\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Verse 2]\nIt came like a postcard\nPicture perfect shiny family\nHoliday peppermint candy\nBut for him, it's every day\nSo I peered through a window\nA deep portal, time travel\nAll the love we unravel\nAnd the life I gave away\n'Cause he was sunshine, I was midnight rain [Chorus]\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight rain\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Outro]\nI guess sometimes we all get\nJust what we wanted, just what we wanted\nAnd he never thinks of me\nExcept for when I'm on TV\nI guess sometimes we all get\nSome kind of haunted, some kind of haunted\nAnd I never think of him\nExcept on midnights like this\n(Midnights like this, midnights like this)", + "model_output":"[Verse 1]\nI was walking home on broken cobblestones, alone\nThrough the city's pull and tattered hems\nThat once were red and gold, now dusty bones\nAs far as I can see\nAnd my heart's been ripped from my chest\nAnd thrown into the fire\nBut it's burning more like ash now than it does like desire\n[Pre-Chorus]\nBut the thing is, I want it all\nI want your comfort and your passion\nYour arms around me, no conditions\nAll of you, all of me changed\nLike midnight, like children dreaming\nI want it all\n[Chorus]\nBut the thing is, I want it all\nAnd you can't give me that\nSo I'll take all of me and change like midnight\nAnd you'll be all that's left behind\nAnd you'll be all that I left behind\nSo I'll take all of me and change like midnight\nAnd you'll be all that's left behind\nAnd you'll be all that I left behind [Verse 2]\nAnd I left behind\nAnd you'll be all that I left behind\nSo I'll take all of me and change like midnight\nAnd you'll be all that's left behind\nAnd you'll be all that I left behind\nSo I'll take all of me and change like midnight\n[Chorus]\nBut the thing is, I want it all\nI want your comfort and your passion\nYour arms around me, no conditions\nAll of you, all of me changed\nLike midnight, like children dreaming\nI want it all\n[Outro]\nWant it, want it, want it, want it all\nWant it, want it, want it, want it all\nWant it, want it, want it, want it all\nWant it, want it, want it, want it all\nWant it, want it, want it, want it all\nWant it, want it, want it, want it all\nWant it, want it, want it, want it all\nWant it, want it, want it, want it all\nWant it, want it, want it, want it all\nWant it, want it, want it, want it all\nWant it, want it, want it, want it all" + }, + { + "id":8442190, + "song":"Lavender Haze", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nMeet me at midnight\n[Verse 1]\nStaring at the ceiling with you\nOh, you don't ever say too much\nAnd you don't really read into\nMy melancholia\n[Pre-Chorus]\nI been under scrutiny (Yeah, oh, yeah)\nYou handle it beautifully (Yeah, oh, yeah)\nAll this shit is new to me (Yeah, oh, yeah)\n[Chorus]\nI feel\nThe lavender haze creeping up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Verse 2]\nAll they keep asking me (All they keep asking me)\nIs if I'm gonna be your bride\nThe only kinda girl they see (Only kinda girl they see)\nIs a one-night or a wife [Pre-Chorus]\nI find it dizzying (Yeah, oh, yeah)\nThey're bringing up my history (Yeah, oh, yeah)\nBut you weren't even listening (Yeah, oh, yeah)\n[Chorus]\nI feel\nThe lavender haze creepin' up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Post-Chorus]\nThat lavender haze\n[Bridge]\nTalk your talk and go viral\nI just need this love spiral\nGet it off your chest\nGet it off my desk (Get it off my desk)\nTalk your talk and go viral\nI just need this love spiral\nGet it off your chest\nGet it off my desk [Chorus]\nI feel (I feel)\nThe lavender haze creeping up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal (No deal)\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Outro]\nGet it off your chest\nGet it off my desk\nThat lavender haze\nI just wanna stay\nI just wanna stay in that lavender haze", + "model_output":"[Intro]\nJust dancin' in the dark\nWith you, my baby, in my arms\nAnd we'll keep dancin' in the dark\nBaby, 'til the morning comes\n[Verse 1]\nOh, mama, told me I should choose\nA future that's practical and safe\nBut, baby, I'd rather be\nLiving in the lavender haze\n[Pre-Chorus]\nWhat's wrong with me?\nI get a crush and think it's \nromeo and juliet\nI drop his name and people \nthink I'm \ncool\nLate night, I sneak out \nto meet him\nYou tell me, \"We need to \ntalk\"\nI snuck out, \nmet him at the \npark\nYou said, \"I \nheard,\" \nI don't know who's \nto blame\nI'm just a girl, \nstanding in \nWonderland\n[Chorus]\nAnd I can't come back\nTo the way things were before\nYou, and me, and all of our fears\nNow I know it's \ntime to face it\nWe'll be happier\nIn the lavender haze\nAnd I can't come back\nTo the way things were before\nYou, and me, and all of our fears\nNow I know it's \ntime to face it\nWe'll be happier\n[Verse 2]\nOh, mama, told me I should choose\nA future that's practical and safe\nBut, baby, I'd rather be\nLiving in the \nlavender haze\n[Pre-Chorus]\nWhat's wrong with me?\nI get a crush and think it's \nromeo and juliet\nI drop his name and people \nthink I'm \ncool\nLate night, I sneak out \nto meet him\nYou tell me, \"We need to \ntalk\"\nI snuck out, \nmet him at the \npark\nYou said, \"I \nheard,\" \nI don't know who's \nto blame\nI'm just a girl, \nstanding in \nWonderland\n[Chorus]\nAnd I can't come back\nTo the way things were before\nYou, and me, and all of our fears\nNow I know it's \ntime to face it\nWe'll be happier\nIn the lavender haze\nAnd I can't come back\nTo the way things were before\nYou, and me, and all of our fears\nNow I know it's \ntime to face it\nWe'll be happier\n[Bridge]\nI can't come back, I can't come back\nTo the way things were before\nYou, and me, and all of our fears\nNow I know it's time to face it\nWe'll be happier\n[Outro]\nAnd I can't come back\nTo the way things were before\nYou, and me, and all of our fears\nNow I know it's \ntime to face it\nWe'll be happier\nIn the lavender haze" + }, + { + "id":5651836, + "song":"Need", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWant is the cigarette smoke on a jacket\nYou wore to the wrong part of town\nDesire\u2005is\u2005the sound of\u2005the whiskey\nTelling me you miss me,\u2005can you come around?\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nLust is a liar, a short-lived fire\nIt ain't what you and I are at all\n[Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Verse 2]\nDanger is a thousand prickles on my neck\nThat tell me to run or to freeze\nFear is the nightmare I had, you were with someone else\nYou forgot about me\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nCaught up in a feeling, it can be deceiving\nThis is like breathing for me [Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Bridge]\nBaby, it's always a new kiss every time we do this\nThe truth is it's essential to me\nThat you love me more than wishing, longing\n[Chorus]\nOh, it's a need (It's a need), it's a need (Ah-ah, ah-ah)\nI would go (I would go) anywhere (Anywhere) that you lead (Oh, oh)\nI am hopeless, breathless, burning slow (Burning slow)\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave (I won't leave), it's a need (Oh)", + "model_output":"[Intro]\nHopeless, breathless, burning slow\nYou know I'm yours if I say so\nAnd I do\n[Verse 1]\nThere's a whisper in my ear\nA taste so sweet it's poison\nThere's nothing else like it, I swear\nYou're in my blood, my veins\nMy skin and bones, I mean\nIt's like I'm addicted to you\nThere's a thrill in the terror\nThere's a rush in the danger\nYou're all that I need, I mean\n[Chorus]\nLike the smell of cigarette smoke\nLike the prickles of fear\nNaked in the afterglow\nHopeless, breathless, burning slow\nYou know I'm yours if I say so\nAnd I do (Do)\n[Verse 2]\nSo I'll meet you in the middle of the night\nJust to see you, just to touch you, just to hold you for a minute, just a moment, just a second\nBaby, I'll do anything\nI'll meet you in the middle of the night\n[Chorus]\nLike the smell of cigarette smoke\nLike the prickles of fear\nNaked in the afterglow\nHopeless, breathless, burning slow\nYou know I'm yours if I say so\nAnd I do (Do)\n[Bridge]\nIt's 2 a.m. in New York City\nAnd I'm bleeding, breathing, burning slow\nYou know I'm yours if I say so\nAnd I do\n[Chorus]\nLike the smell of cigarette smoke\nLike the prickles of fear\nNaked in the afterglow\nHopeless, breathless, burning slow\nYou know I'm yours if I say so\nAnd I do (Do)" + }, + { + "id":3281502, + "song":"Dress", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nOur secret moments in a crowded room\nThey got no idea about me and you\nThere is an indentation in the shape of you\nMade your mark on me, a golden tattoo\n[Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n\u2019Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Verse 2]\nInescapable, I'm not even gonna try\nAnd if I get burned, at least we were electrified\nI\u2019m spilling wine in the bathtub\nYou kiss my face and we're both drunk\nEveryone thinks that they know us\nBut they know nothin' about [Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n'Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha\n[Post-Chorus]\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\n[Bridge]\nFlashback when you met me, your buzzcut and my hair bleached\nEven in my worst times, you could see the best in me\nFlashback to my mistakes, my rebounds, my earthquakes\nEven in my worst lies, you saw the truth in me\nAnd I woke up just in time, now I wake up by your side\nMy one and only, my lifeline\nI woke up just in time, now I wake up by your side\nMy hands shake, I can't explain this\nAh, ha, ha, ha-ah [Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n\u2019Cause I don\u2019t want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Outro]\nThere is an indentation in the shape of you\nOnly bought this dress so you could take it off\nYou made your mark on me, golden tattoo\nOnly bought this dress so you could take it off", + "model_output":"[Intro]\nUnder the sheets, under the sheets\nHe's got a golden tattoo, under the sheets\nHe's got a golden tattoo\n[Verse 1]\nThere's a theory that every person\nHas a soulmate out there somewhere\nWho's perfect for them\nWell, I believe it 'cause I found mine\nIn a crowded room, I will always find\nThe one I'm meant to be with\nAnd he's perfect\n[Pre-Chorus]\nHis hands are in my hair, and I\nCan feel his fingers as they wrap\nAround my neck, and I\nKnow he loves me 'cause he clutches\nDeep into my flesh\n[Chorus]\nAnd so I'll do whatever you like\nWhatever you say, I'll do it\nWhatever you want, I'll do it\nI'm yours\n[Verse 2]\nThere's a sense of freedom in the night\nWhen I'm with him, and I know that\nHe feels it too\nWe've got these secret moments\nThat we know are not meant for the likes of\nOther people\nSo we'll just hold on to them\nAnd they make us feel alive [Pre-Chorus]\nHis hands are in my hair, and I\nCan feel his fingers as they wrap\nAround my neck, and I\nKnow he loves me 'cause he clutches\nDeep into my flesh\n[Chorus]\nAnd so I'll do whatever you like\nWhatever you say, I'll do it\nWhatever you want, I'll do it\nI'm yours\n[Bridge]\nAnd so I'll do whatever you like\nWhatever you say, I'll do it\nWhatever you want, I'll do it\nI'm yours\nAnd so I'll do whatever you like\nWhatever you say, I'll do it\nWhatever you want, I'll do it\nI'm yours\n[Chorus]\nAnd so I'll do whatever you like\nWhatever you say, I'll do it\nWhatever you want, I'll do it\nI'm yours [Outro]\nHis hands are in my hair, and I\nCan feel his fingers as they wrap\nAround my neck, and I\nKnow he loves me 'cause he clutches\nDeep into my flesh\nAnd so I'll do whatever you like\nWhatever you say, I'll do it\nWhatever you want, I'll do it\nI'm yours" + }, + { + "id":9538405, + "song":"Say Don\u2019t Go (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nI've known it from the very start\nWe\u2019re a shot in the darkest dark\nOh no, oh no, I'm unarmed\nThe waiting is a sadness\nFading into madness\nOh no, oh no, it won't stop\n[Refrain]\nI\u2019m standin' on a tightrope alone\nI hold my breath a little bit longer\nHalfway out the door, but it won't close\nI'm holdin' out hope for you to\n[Pre-Chorus]\nSay, \"Don't go\"\nI would stay forever if you say, \"Don't go\"\n[Chorus]\nWhy'd you have to lead me on?\nWhy\u2019d you have to twist the knife?\nWalk away and leave me bleedin\u2019, bleedin'?\nWhy\u2019d you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin' [Post-Chorus]\n(Say) Say, \"(Don't) don\u2019t (Go) go\"\nI would stay forev\u0435r if you (Say) say, \"(Don't) don't (Go) go\"\n(Say, say, say, say)\n[Verse 2]\nNow I'm pacin' on shaky ground\nStrike a match, then you blow it out\nOh no, oh no, it's not fair\n'Cause you kiss m\u0435 and it stops time\nAnd I'm yours, but you're not mine\nOh no, oh no, you're not there\n[Refrain]\nI'm standin' on the sidewalk alone\nI wait for you to drive by\nI'm tryna see the cards that you won't show\nI'm about to fold unless you\n[Pre-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go\"\n[Chorus]\nWhy'd you have to lead me on?\nWhy'd you have to twist the knife?\nWalk away and leave me bleedin', bleedin'?\nWhy'd you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin' [Post-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go\"\n(Say, say, say, say)\n[Bridge]\nWhy'd you have to (Why'd you have to)\nMake me want you? (Make me want you)\nWhy'd you have to (Why'd you have to)\nGive me nothin' back?\nWhy'd you have to (Why'd you have to)\nMake me love you? (Make me love you)\nI said, \"I love you\" (I said, \"I love you\")\nYou say nothin' back\n[Chorus]\nWhy'd you have to lead me on? (Oh)\nWhy'd you have to twist the knife?\nWalk away and leave me bleedin', bleedin'?\nWhy'd you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin'\n[Post-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go,\" woah\n(Say, say, say, say) [Outro]\nBut you won't, but you won't, but you won't\nI would stay forever if you say, \"Don't go\"\nBut you won't, but you won't, but you won't", + "model_output":"[Intro]\nDon't go, I begged you\nDon't go, I prayed\nDon't go, I begged you\nDon't go, I begged you\nDon't go, I begged you\nPlease don't go\n[Verse 1]\nYou said you were busy, I said I was free\nEvery weekend, all summer long\nI'd leave it up to you, what do I do?\nI'd go anywhere, you could be my guide\n[Pre-Chorus]\nBut it's hard to dance when I'm only half-aware that I'm living\nMy dreams are hazy, all I can think is: \"Are you aware?\"\nThat you're living, living your best life, somewhere far away from me\n[Chorus]\nI thought we had love planned out\nYou were gonna break me, fix me up\nShow me off, introduce me\nYou said you'd be my man, you were gonna take me\nAsk your mama, she would've approved\nShe would've given you a hand\nCause she saw something in me, she liked what she saw\nBut you were gonna take me\nYou said you would, but you won't\nNo, you won't, you'd leave me here alone\nAlone, with this grin, and no, you won't\nBe my man, you're not my man [Verse 2]\nYou said you were coming, I said I'd be waiting\nAll week, all summer long\nI'd light it up, just make the flame bigger\nSo you can see it from the highway\n[Pre-Chorus]\nBut it's hard to love when I'm only half-aware that I'm living\nMy dreams are hazy, all I can think is: \"Are you aware?\"\nThat you're living, living your best life, somewhere far away from me\n[Chorus]\nI thought we had love planned out\nYou were gonna break me, fix me up\nShow me off, introduce me\nYou said you'd be my man, you were gonna take me\nAsk your mama, she would've approved\nShe would've given you a hand\nCause she saw something in me, she liked what she saw\nBut you were gonna take me\nYou said you would, but you won't\nNo, you won't, you'd leave me here alone\nAlone, with this grin, and no, you won't\nBe my man, you're not my man [Bridge]\nBut if I could write a letter\nWould you read one single line?\nIf I could paint a picture\nWould you see what I've been feeling?\nIf I could make a video\nWould you watch it for a second time?\nBecause I can't make you love me\nPlease don't go\nPlease don't go\nPlease don't go\nPlease don't go\nPlease don't go\nPlease don't go\n[Chorus]\nI thought we had love planned out\nYou were gonna break me, fix me up\nShow me off, introduce me\nYou said you'd be my man, you were gonna take me\nAsk your mama, she would've approved\nShe would've given you a hand\nCause she saw something in me, she liked what she saw\nBut you were gonna take me\nYou said you would, but you won't\nNo, you won't, you'd leave me here alone\nAlone, with this grin, and no, you won't\nBe my man, you're not my man\n[Outro]\nPlease don't go\nPlease don't go\nPlease don't go\nPlease don't go\nPlease don't go\nPlease don't go" + } +] \ No newline at end of file diff --git a/data/taylor_swift_model_ouputs/lyre-chat_taylor_swift-checkpoint-10-taylor-test-outputs.json b/data/taylor_swift_model_ouputs/lyre-chat_taylor_swift-checkpoint-10-taylor-test-outputs.json new file mode 100644 index 0000000..3f5eb92 --- /dev/null +++ b/data/taylor_swift_model_ouputs/lyre-chat_taylor_swift-checkpoint-10-taylor-test-outputs.json @@ -0,0 +1,121 @@ +[ + { + "id":3947016, + "song":"Drama Queen", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nLet's break it down, I\u2019ll take the story from the slammin' of the door\nThought it was perfect for a second, guess you weren't quite as sure\nMaybe I\u2019m a little hard to get, maybe you didn't have the patience\nLet's assess the situation\nThat girl was biding her time, yeah, she was waiting on your cue\nSo, somehow, I'm not surprised to see her standin' there with you\nMaybe she's a little overdressed and I can see the smile you're fakin'\nAnd the deep breath you\u2019re takin\u2019\n[Pre-Chorus]\nWhen you see me now, you're not lookin\u2019 at her\nYeah, it's a long way down from the bridges you burned\nMight wanna sit down, I'm calling you out\nRight now\n[Chorus]\nYou're a heartbreaker and she\u2019s a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen\n[Verse 2]\nAs I was saying, I was never quite a fan of little games\nIt doesn't take too long to see that boys like you are all the same\nMaybe I'm a little less obsessed, but she's impressed\nAnd I should mention, she's starving for attention [Pre-Chorus]\nI can see it now, how it's all gonna be\nWhen she freaks out, you'll be thinkin' of me\n'Cause what went down is coming back around\nYou'll see\n[Chorus]\n'Cause you're a heartbreaker and she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen\n[Bridge]\nSometimes you get just what you see\nLike, you chose her when you could've had me\nEverything's a mess now, watch her little meltdown\nWish you both success and I hope you're happy\n[Chorus]\n'Cause you're a heartbreaker, she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama\nHeartbreaker and she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen [Outro]\nHuh-oh, for you and your drama queen\nOh-oh-oh-oh, you and your drama queen\nHuh-oh, baby, you're a drama queen", + "model_output":"[Verse 1]\nYour secret's safe with me\nHahaha, I keep forgetting\nWhat a shame, what a bleedin' shame\nYou're the kinda fella\nThat would throw gar rools\n[Chorus]\nYou did all of this\nYou took your sweet time\nLied to my face\nTold me you had no time\nFor three years\nAnd then you leave\nAnd I'm never ever gonna call you, ever\n[Verse 2]\nYou don't know\nYou've really blown it this time\nYour big, bad reputation\nWon't help you now\nMy little sweetheart\nThinks you love her\nBut you're better off\nWithout her [Chorus]\nYou did all of this\nYou took your sweet time\nLied to her face\nTold her you had no time\nAnd now she's beggin'\nFor you to come back\nBut I'm never ever gonna call you, ever\n[Bridge]\nAnd you wonder why\nI'm doing good without you\nYou never made a thing of me\nI'm better sleeping alone\nThan waking up to a mess like you\n[Chorus]\nYou did all of this\nYou took your sweet time\nLied to my face\nTold me you had no time\nFor three years\nAnd then you leave\nAnd I'm never ever gonna call you, ever\n[Outro]\nAnd you wonder why\nI'm doing good without you\nYou never made a thing of me\nI'm better sleeping alone\nThan waking up to a mess like you" + }, + { + "id":8485912, + "song":"Question...?", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nI remember\n[Verse 1]\nGood girl, sad boy\nBig city, wrong choices\nWe had one thing goin' on\nI swear that\u2005it\u2005was somethin'\n'Cause I\u2005don't remember who I was\nBefore you\u2005painted all my nights\nA color I've searched for since\nBut one thing after another\nFuckin' situations, circumstances\nMiscommunications, and I\nHave to say, by the way\nI just may like some explanations\n[Chorus]\nCan I ask you a question?\nDid you ever have someone kiss you in a crowded room\nAnd every single one of your friends was makin' fun of you\nBut fifteen seconds later, th\u0435y were clappin' too?\nThen what did you do?\nDid you l\u0435ave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question [Verse 2]\nHalf-moon eyes, bad surprise\nDid you realize out of time?\nShe was on your mind with some dickhead guy\nThat you saw that night\nBut you were on somethin'\nIt was one drink after another\nFuckin' politics and gender roles\nAnd you're not sure and I don't know\nGot swept away in the gray\nI just may like to have a conversation\n[Chorus]\nCan I ask you a question?\nDid you ever have someone kiss you in a crowded room\nAnd every single one of your friends was makin' fun of you\nBut fifteen seconds later, they were clappin' too?\nThen what did you do?\nDid you leave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question\n[Bridge]\nDoes it feel like everything's just like\nSecond best after that meteor strike?\nAnd what's that that I heard? That you're still with her?\nThat's nice, I'm sure that's what's suitable\nAnd right, but tonight [Chorus]\nCan I ask you a question? (Can I ask you a question?)\nDid you ever have someone kiss you in a crowded room (In a crowded room)\nAnd every single one of your friends was makin' fun of you (Makin' fun of you)\nBut fifteen seconds later, they were clappin' too?\nThen what did you do? (Do)\nDid you leave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh (More of a fight)\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question", + "model_output":"[Intro]\n(\nIs it?)\n(\nIs it? Yeah)\n[Verse 1]\nHe's saying things like, \"I'll make it up to you\"\nAnd \"We'll be fine as soon as we're out of here\"\nYou know the boys are always up to somethin'\nUp to somethin' good, I mean\n[Pre-Chorus]\nAnd you're taking the time to get it right\nBetter take your time 'cause you know I'm worth it\nYou're so caught up in the moment you keep your eye on the prize\nBut you got to see the bigger picture, picture\n[Chorus]\nDon't you know I was durin' a lousy week\nWhen I did some things that I was sad about\nAnd I gave him a look that I thought said it all\nAnd his friends start the gossip about what they see\nAnd I see the faded pictures in your mind\nAnd I see 'em there for free\nAnd you wonder why I locked myself in the bathroom and cried\n[Post-Chorus]\nI tried [Bridge]\nTo let it go\nBut you were gone so long\nI thought you'd be a while\nAnd I might be okay\nBut it's hard to find\nPeace of mind\nWhen I'm still right here in New York\n[Verse 2]\nHe's taking things so much more seriously\nI guess that's what you get when you're only 22\nYou're takin' the time to get it right\nToo bad, so sad, he's comin' between us\nBut I know what I'm doin'\nI know what I'm doin', yeah [Pre-Chorus]\nI'm takin' the time to get it right\nBetter take your time 'cause you know I'm worth it\nYou're so caught up in the moment you keep your eye on the prize\nBut you got to see the bigger picture, picture\n[Chorus]\nDon't you know I was durin' a lousy week\nWhen I did some things that I was sad about\nAnd I gave him a look that I thought said it all\nAnd his friends start the gossip about what they see\nAnd I see the faded pictures in your mind\nAnd I see 'em there for free\nAnd you wonder why I locked myself in the bathroom and cried [Post-Chorus]\nI tried\nTo let it go\nBut you were gone so long\nI thought you'd be a while\nAnd I might be okay\nBut it's hard to find\nPeace of mind\nWhen I'm still right here in New York\n[Bridge]\nTo let it go\nBut you were gone so long\nI thought you'd be a while\nAnd I might be okay\nBut it's hard to find\nPeace of mind\nWhen I'm still right here in New York\n[Outro]\nOh-oh\nOh-oh-oh, whoa\nDon't you know\nDon't you know I was durin' a lousy week" + }, + { + "id":8485914, + "song":"Vigilante Shit", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nDraw the cat eye sharp enough to kill a man\nYou did some bad things, but I'm the worst of them\nSometimes I wonder which one'll be your last lie\nThey say looks can kill and I might try\nI don't dress for women\nI don't dress for men\nLately, I've been dressin' for revenge\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge\n[Verse 2]\nShe needed cold, hard proof, so I gave her some\nShe had the envelope, where you think she got it from?\nNow she gets the house, gets the kids, gets the pride\nPicture me thick as thieves with your ex-wife\nAnd she looks so pretty\nDrivin' in your Benz\nLately, she's been dressin' for revenge\n[Chorus]\nShe don't start shit, but she can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nShe don't dress for friends\nLately, she's been dressing for revenge [Bridge]\nLadies always rise above\nLadies know what people want\nSomeone sweet and kind and fun\nThe lady simply had enough\n[Verse 3]\nWhile he was doin' lines and crossin' all of mine\nSomeone told his white-collar crimes to the FBI\nAnd I don't dress for villains\nOr for innocents\nI'm on my vigilante shit again\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge", + "model_output":"[Intro]\nDon't do it, Mac\nDon't do it, Mac\nDon't do it, Mac\nDon't do it, Mac\n[Verse 1]\nFriends would throw their friends parties\n'Cause they know me\nLawyers would laugh when I drew up the papers\n'Cause they know me\nBut you wouldn't know about revenge\n'Cause you've never really had to go there\nWalked through the fire like it's nothing\nAnd came out clean\nYou wouldn't know about my style\n[Chorus]\nI don't wanna scare you, but I'm really gonna enjoy seein' you in the courtroom\n'Cause I don't get sad, I get even\nI don't wanna scare you, but I'm really gonna enjoy seein' you in the courtroom\n'Cause I don't get sad, I get even\n[Post-Chorus]\nAnd he's a coward\nHe's a coward\n[Verse 2]\nYounger women bleed for the wearin' of me\nAnd they feed on the street I'm livin'\nBut I'm so reckless, I didn't even get mended\nAnd I didn't do it for the fame\nOr the money\nI did it for fun, for control, for my reputation's song\nAnd it's got a dangerous feelin'\nAnd you don't wanna push me\nOr pull me down and drag me\nDown into the dirt where you stand [Chorus]\nI don't wanna scare you, but I'm really gonna enjoy seein' you in the courtroom\n'Cause I don't get sad, I get even\nI don't wanna scare you, but I'm really gonna enjoy seein' you in the courtroom\n'Cause I don't get sad, I get even [Post-Chorus]\nAnd he's a coward\nHe's a coward\nHe's a coward\nHe's a coward\n[Outro]\nSo, you're telling me that\nMy reputation's gonna save me\nAnd I won't run\nAnd I won't tell\nAnd I won't tell\nI won't tell\n(You should take a look at my reputation)\n(My reputation)\n(Look at my reputation)\n(My reputation)\nDon't do it, Mac" + }, + { + "id":9539416, + "song":"\u201cSlut!\u201d (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nFlamingo pink, Sunrise Boulevard\nClink, clink, being this young is art\nAquamarine, moonlit swimmin' pool\nWhat if all I need is you?\n[Pre-Chorus]\nGot love-struck, went straight to my head\nGot lovesick all over my bed\nLove to think you\u2019ll never forget\nHandprints in wet cement\nAdorned with smoke on my clothes\nLovelorn and nobody knows\nLove thorns all over this rose\nI'll pay the price, you won't\n[Chorus]\nBut if I\u2019m all dressed up\nThey might as well be lookin' at us\nAnd if they call me a slut\nYou know it might be worth it for once\nAnd if I'm gonna be drunk\nI might as well be drunk in love\n[Verse 2]\nSend the code, he's waitin' there\nThe sticks and stones they throw froze mid-air\nEveryone wants him, that was my crime\nThe wrong place at the right time\nAnd I break down, then he's pullin' me in\nIn a world of boys, he's a gentleman [Pre-Chorus]\nGot love-struck, went straight to my head (Straight to my head)\nGot lovesick all over my bed (Over my bed)\nLove to think you\u2019ll never forget\nWe\u2019ll pay the price, I guess\n[Chorus]\nBut if I'm all dressed up (If I\u2019m all dressed up)\nThey might as well be lookin' at us (Lookin' at us)\nAnd if they call me a slut (If they call me a slut)\nYou know it might be worth it for once (Worth it for once)\nAnd if I'm gonna be drunk\nI might as well be drunk in love\n[Bridge]\nHalf asleep\nTakin\u2019 your time in the tangerine\nNeon light, this is luxury\nYou're not sayin' you're in love with me\nBut you're goin' to\nHalf awake\nTakin' your chance, it's a big mistake\nI said, \n\"It might blow up in your pretty face\"\nI'm not sayin', \"Do it anyway\" (Do it anyway)\nBut you're going to [Outro]\n(Up)\nAnd if they call me a (Slut)\nYou know it might be worth it for once\nAnd if I'm gonna be (Drunk)\nI might as well be drunk in love", + "model_output":"[Intro]\nFlashing lights\nPass the tissue\nYou might need 'em\nOh, yeah\nOh, woah\nAnd when you get caught\nIn the crossfire\nOf our love\nOh, baby\n[Verse 1]\nI can see the writing on the wall\nMy daddy's going crazy 'bout the way I fall\nHe's got nothing in common with the boy I love\nIt's a flamingo pink bikini, dream about it\nHalf of Walgreen's on baby bottles\nMama hates the way I got my hair done\nIt's a quarter to 11, I'm never comin' home\nWell, it's getting closer, baby, come on, get closer\nCross the border line, so you can say you've been there\nIn the backseat, doin' 90\nI'm never comin' home before I die\n[Pre-Chorus]\nSo don't you judge me\nNone of your business\nWhat happens when you're sixteen\nLivin' in paradise?\nNo one to fight it\nNo one to stop it\nIn a little black dress, lookin' hot\nJust a small-town girl livin' in a big bad world [Chorus]\nI'm not a child anymore\nI don't wanna hide anymore\nAnd I didn't choose this town\nI dream of someday leaving\nAnd you got a problem, you can take it to the Supreme Court\nBut I swore an oath to always try\nAnd I'd die for you before I'd cry\nSo please, don't judge me\n'Cause you might need the whole town [Verse 2]\nI can see the flashing lights\nOn the way that he walks into the room\nAnd how the ladies all have their hands on their hips\nWishin' he was their man\nI can see the little gasps\nAnd the way the men all cower at his feet\nAs he struts around like he owns the place\nIt's a cruel world, I made a nuisance of myself\nIn a 4-inch heel, I could've kissed 'em all\nThe whole time wishin' I was back in the car\nWith the boy I love, who's never gonna care [Pre-Chorus]\nSo don't you judge me\nNone of your business\nWhat happens when you're sixteen\nLivin' in paradise?\nNo one to fight it\nNo one to stop it\nIn a little black dress, lookin' hot\nJust a small-town girl livin' in a big bad world [Chorus]\nI'm not a child anymore\nI don't wanna hide anymore\nAnd I didn't choose this town\nI dream of someday leaving\nAnd you got a problem, you can take it to the Supreme Court\nBut I swore an oath to always try\nAnd I'd die for you before I'd cry\nSo please, don't judge me\n'Cause you might need the whole town [Bridge]\n(You might need the whole town)\nYou might need the whole town\n(You might need the whole town)\n(You might need the whole town)\nSo don't you judge me\n(You might need the whole town)\n'Cause you might need the whole town [Outro]\nIn a little black dress, lookin' hot\nJust a small-town girl livin' in a big bad world\nI'm not a child anymore\nI don't wanna hide anymore\nAnd I didn't choose this town\nI dream of someday leaving\nAnd you got a problem, you can take it to the Supreme Court\nBut I swore an oath to always try\nAnd I'd die for you before I'd cry\nSo please, don't judge me\n'Cause you might need the whole town" + }, + { + "id":8485907, + "song":"Maroon", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWhen the morning came\nWe were cleaning incense off your vinyl shelf\n'Cause we lost track of time again\nLaughing with my feet in your lap\nLike you were my closest friend\n\"How'd we end up\u205fon\u205fthe\u205ffloor, anyway?\" you\u205fsay\n\"Your roommate's cheap-ass\u205fscrew-top ros\u00e9, that's how\"\nI see you every day now\n[Chorus]\nAnd I chose you\nThe one I was dancing with\nIn New York, no shoes\nLooked up at the sky and it was\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was\nThe mark th\u0435y saw on my collarbone\nThe rust that grew b\u0435tween telephones\nThe lips I used to call home\nSo scarlet, it was maroon\n[Verse 2]\nWhen the silence came\nWe were shaking, blind and hazy\nHow the hell did we lose sight of us again?\nSobbing with your head in your hands\nAin't that the way shit always ends?\nYou were standing hollow-eyed in the hallway\nCarnations you had thought were roses, that's us\nI feel you, no matter what\nThe rubies that I gave up [Chorus]\nAnd I lost you\nThe one I was dancing with\nIn New York, no shoes\nLooked up at the sky and it was (Maroon)\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was (Maroon)\nThe mark they saw on my collarbone\nThe rust that grew between telephones\nThe lips I used to call home\nSo scarlet, it was maroon\n[Bridge]\nAnd I wake with your memory over me\nThat's a real fucking legacy, legacy (It was maroon)\nAnd I wake with your memory over me\nThat's a real fucking legacy to leave\n[Chorus]\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was maroon\nThe mark they saw on my collarbone\nThe rust that grew between telephones\nThe lips I used to call home\nSo scarlet, it was maroon [Outro]\nIt was maroon\nIt was maroon", + "model_output":"[Verse 1]\nYour ex-lover's face\nCleaned off the shelf\nWhere you used to lay your head\nNow graces the cover\nOf the yearbook I pulled off the shelf\nFrom that very first year\nThere was never a day\nWe didn't talk\nAnd you knew my\nEvery habit\nAnd the quiet way I walk\nThe wine-stained shirt\nFrom the night I moved in\nRare as a maroon diamond\n[Chorus]\nHey, hey, maroon\nAnd I'm still missing you\nHey, hey, maroon\nIt's been a long time since\nI've seen you around\n[Verse 2]\nYour ex-lover's face\nHaunts the dance floor\nAt every party we never went to\nAnd you had long hair\nDown to your waist\nAnd I used to run my fingers through\nYour maroon T-shirt\n[Chorus]\nHey, hey, maroon\nAnd I'm still missing you\nHey, hey, maroon\nIt's been a long time since\nI've seen you around\n[Post-Chorus]\nMaroon\n[Verse 3]\nYour ex-lover's face\nStill sleeps in my room\nThe air is cold but something's different\nNow that you're gone\nI'm home before the street lights\nTurn off and I pass by your house\nBut you're not there\nAnd that's okay\nI'm fine\n'Cause I still have\nMy maroon T-shirt\n[Bridge]\nAnd\nYou were twenty-three\nWhen you made me\nA part of you\nAnd\nNow I'm another day of history\nHundred billion people\nOn the planet\nBut\nI'll never forget you\nAnd\nI miss you every single day\nBut\nI hope you don't forget me\nAnd\nI'll always remember the way\nYou'd dance with me\nUnder the disco ball\nAnd\nIn New York\nI remember the time\nWe almost kissed\nYou pulled away and\nI never forgot the\nColor maroon\n[Verse 4]\nYour ex-lover's face\nIs no longer crowned\nWith a garden of blue forget-me-nots\nThe ones I picked for you\nNow rest under my bed\nWhere the air is cold but something's different\nNow that you're gone\nMy garden of blue forget-me-nots\nIs covered in maroon\n[Chorus]\nHey, hey, maroon\nAnd I'm still missing you\nHey, hey, maroon\nIt's been a long time since\nI've seen you around [Outro]\nMaroon\nMaroon\nOh, hey, maroon\nMaroon" + }, + { + "id":9157481, + "song":"Snow On The Beach (feat. More Lana Del Rey)", + "artist":"Taylor Swift", + "lyrics":"[Verse 1: Taylor Swift]\nOne night, a few moons ago\nI saw flecks of what could've been lights\nBut it might just have been you\nPassing by unbeknownst to me\nLife is emotionally abusive\nAnd time can't stop me quite like you did\nAnd my flight was awful, thanks for asking\nI'm unglued, thanks to you\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nLana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, \nah\n, ah [Verse 2: Lana Del Rey, \nTaylor Swift & Lana Del Rey\n]\nThis scene feels like what I once saw on a screen\nI searched \"aurora borealis green\"\nI've never seen someone lit from within\nBlurring out my periphery\nMy smile is\n like I won a contest\nAnd to hide that would be so dishonest\nAnd it's fine\n to fake it 'til you make it\n'Til you do, 'til it's true\n[Chorus: \nTaylor Swift\n, Taylor Swift & Lana Del Rey]\nNow, it's like\n snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nLana Del Rey\n]\nLike snow on the beach (\nMmm\n)\nLike snow on the beach\nLike snow on the beach (\nMmm\n)\nLike snow, \nah\n, ah [Bridge: Taylor Swift, \nLana Del Rey\n, \nTaylor Swift & Lana Del Rey\n]\nI (\nI\n) can't (\nCan't\n) speak, afraid to jinx it\nI (\nI\n) don't (\nDon't\n) even dare to wish it\nBut your eyes are flying saucers from another planet\nNow, I'm all for you like Janet\nCan this be a real thing? \nCan it?\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nAre we falling like snow at the beach? (\nSnow at the beach\n)\nWeird, but fuckin' beautiful\nFlying in a dream (\nFlying in a dream\n)\nStars by the pocketful\nYou wanting me (\nYou wanting me\n)\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n, \nLana Del Rey\n]\nLike snow on the beach (\nSnow on the beach\n; \nMmm\n)\nLike snow on the beach (\nFlying in a dream\n)\nLike snow on the beach (\nYou wanting me\n; \nMmm\n)\nLike snow, ah\nBut it's comin' down\nNo sound, it's all around\n[Outro: Lana Del Rey]\nLike snow on the beach\nLike snow, like snow, uh-huh, yeah", + "model_output":"[Intro: Taylor Swift & Lana Del Rey]\nSnow on the beach\n[Verse 1: Lana Del Rey]\nSnow on the beach\nBaby, what a sight\nNever seen anything like this before\n[Chorus: Lana Del Rey & Taylor Swift]\nIt's like snow on the beach\nIt's like the sky is falling\nIt's like the sky is falling on the beach\nIt's like snow on the beach\nIt's like the sky is falling\nIt's like the sky is falling on the beach\n[Verse 2: Taylor Swift]\nIt's something you'll never see again\nThe colors that we're seeing now\nThey're like nothing else, not anything else\n[Chorus: Taylor Swift & Lana Del Rey]\nIt's like snow on the beach\nIt's like the sky is falling\nIt's like the sky is falling on the beach\nIt's like snow on the beach\nIt's like the sky is falling\nIt's like the sky is falling on the beach\n[Bridge: Lana Del Rey, \nTaylor Swift\n, \nBoth\n]\nWe'll find the beauty in the breakdown\nWe'll find the beauty in the breakdown\nWe'll find the beauty in the breakdown\nAnd I'll show you the meaning in the madness\nAnd I'll show you the meaning in the madness\nAnd I'll show you the meaning in the madness\nAnd I'll show you the beauty in the breakdown\nWe'll find the beauty in the breakdown\nWe'll find the beauty in the breakdown\nWe'll find the beauty in the breakdown\nAnd I'll show you the meaning in the madness\nAnd I'll show you the meaning in the madness\nAnd I'll show you the meaning in the madness\nAnd I'll show you the beauty in the breakdown\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nIt's like snow on the beach\nIt's like the sky is falling\nIt's like the sky is falling on the beach\nIt's like snow on the beach\nIt's like the sky is falling\nIt's like the sky is falling on the beach\nIt's like snow on the beach\nIt's like the sky is falling\nIt's like the sky is falling on the beach\n[Outro: Lana Del Rey & Taylor Swift, \nLana Del Rey\n]\nOh-oh-oh\nIt's like snow on the beach\nIt's like the sky is falling\nIt's like the sky is falling on the beach\nOh-oh-oh\nIt's like snow on the beach\nIt's like the sky is falling\nIt's like the sky is falling on the beach" + }, + { + "id":8461583, + "song":"Hits Different", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nI washed my hands of us at the club\nYou made a mess of me\nI pictured you with other girls in love\nThen threw up on the street\nLike waiting for a bus that never shows\nYou just start walkin' on\nThey say that if it's right, you know\nEach bar plays our song\nNothing has ever felt so wrong\n[Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different\nIt hits different 'cause it's you\n[Post-Chorus]\n('Cause it's you)\n[Verse 2]\nI used to switch out these Kens, I'd just ghost\nRip the band-aid off and skip town lik\u0435 an asshole outlaw\nFreedom felt like summ\u0435r then on the coast\nNow the sun burns my heart and the sand hurts my feelings\nAnd I never don't cry (And I never don't cry) at the bar\nYeah, my sadness is contagious (My sadness is contagious)\nI slur your name 'til someone puts me in a car\nI stopped receiving invitations [Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different\nIt hits different 'cause it's you\n[Post-Chorus]\n('Cause it's you)\n[Bridge]\nI find the artifacts, cried over a hat\nCursed the space that I needed\nI trace the evidence, make it make some sense\nWhy the wound is still bleedin'\nYou were the one that I loved\nDon't need another metaphor, it's simple enough\nA wrinkle in time like the crease by your eyes\nThis is why they shouldn't kill off the main guy\nDreams of your hair and your stare and sense of belief\nIn the good in the world, you once believed in me\nAnd I felt you and I held you for a while\nBet I could still melt your world\nArgumentative, antithetical dream girl [Verse 3]\nI heard your key turn in the door down the hallway\nIs that your key in the door?\nIs it okay? Is it you?\nOr have they come to take me away?\nTo take me away\n[Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different (It hits different)\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different (It hits different)\nIt hits different 'cause it's you\n[Outro]\nOh, my, love is a lie\nShit my friends say to get me by\n'Cause it's you\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different (Yeah)\nIt hits different 'cause it's you", + "model_output":"[Verse 1]\nI thought I left my scarlet letter\nIn the drawer of my old heart\nBut it came back to bleed this morning\nAnd I couldn't fall apart\nLike I've done before\nAnd you're the man I prayed for\nNow you're all I see\nAnd I'm still trying to be freed from you\nAnd I go crazy thinkin'\n'Bout all the times\nI got over you\n[Pre-Chorus]\nBut this time, it's different\n'Cause it's my name\nGoin' through your head\nLike a knife twist\nAnd I didn't leave him, I fled\nThe country instead\nAnd I thought\n[Chorus]\nThat breaking up with me\nWould be your midlife crisis\nYou're still standing in my driveway\nLong after I'm gone\nYou realize that\nYou never really knew me\nAnd I\nRemember when I gave you everything\nAnd you gave me nothin' in return\nAnd you\nHaven't known me\n'Cause we ain't really known each other\nAnd I\nNow I've outgrown this\nPart of me\nAnd I'm not afraid to see you walk away\nYou\nReally thought I was a thing to you\nBut I've come too far to go back to you\nAnd I\nNow I've outgrown this\nPart of me\nAnd I'm not afraid to see you walk away [Verse 2]\nI thought I left my scarlet letter\nIn the drawer of my old heart\nBut it came back to bleed this morning\nAnd I couldn't fall apart\nLike I've done before\nAnd you're the man I prayed for\nNow you're all I see\nAnd I'm still trying to be freed from you\nAnd I go crazy thinkin'\n'Bout all the times\nI got over you\n[Pre-Chorus]\nBut this time, it's different\n'Cause it's my name\nGoing through your head\nLike a knife twist\nAnd I didn't leave him, I fled\nThe country instead\nAnd I thought\n[Chorus]\nThat breaking up with me\nWould be your midlife crisis\nYou're still standing in my driveway\nLong after I'm gone\nYou realize that\nYou never really knew me\nAnd I\nRemember when I gave you everything\nAnd you gave me nothin' in return\nAnd you\nHaven't known me\n'Cause we ain't really known each other\nAnd I\nNow I've outgrown this\nPart of me\nAnd I'm not afraid to see you walk away\nYou\nReally thought I was a thing to you\nBut I've come too far to go back to you\nAnd I\nNow I've outgrown this\nPart of me\nAnd I'm not afraid to see you walk away [Bridge]\nAnd I look back in regret how\nI gave up on a dream just to make\nMy own fantasy come true\nAnd I look back in anger now\n'Cause I was too proud to wait in line\nI wanted you, all of you, forever\nNow I'm outgrowing all of that\nPart of me\nAnd that's why\nI can't love you back\nI've outgrown this part of me\nAnd I'm not afraid to see you walk away\nOh, I\nOh, I\nI\nI\nNow I've outgrown this\nPart of me\nAnd I'm not afraid to see you walk away" + }, + { + "id":8445376, + "song":"Snow On The Beach", + "artist":"Taylor Swift", + "lyrics":"[Verse 1: Taylor Swift]\nOne night, a few moons ago\nI saw flecks of what could've been lights\nBut it might just have been you\nPassing by unbeknownst to me\nLife is emotionally abusive\nAnd time can't stop me quite like you did\nAnd my flight was awful, thanks for asking\nI'm unglued, thanks to you\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, ah [Verse 2: Taylor Swift, \nTaylor Swift\n & Lana Del Rey\n]\nThis scene feels\n like what I once saw \non a screen\nI searched \"aurora borealis\n green\"\nI've never seen someone \nlit from \nwithin\nBlurring\n out my \nperiphery\nMy smile is \nlike I won a contest\nAnd to hide that \nwould be so dishonest\nAnd it's fine to \nfake it 'til you make it\n'Til \nyou\n do, 'ti\nl it's true\n[Chorus: Taylor Swift & Lana Del Rey]\nNow it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, ah [Bridge: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nI (I) can't (Can't) speak, afraid to jinx it\nI (I) don't (Don't) even dare to wish it\nBut your eyes are flying saucers from another planet\nNow I'm all for you like Janet\nCan this be a real thing? \nCan it?\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nAre we falling like snow at the beach? (\nSnow at the beach\n)\nWeird, but fuckin' beautiful\nFlying in a dream (\nFlying in a dream\n)\nStars by the pocketful\nYou wanting me (\nYou wanting me\n)\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n]\nLike snow on the beach (Snow on the beach)\nLike snow on the beach\n (Flying in a dream)\nLike snow on the beach\n (You wanting me)\nLike snow, ah\nBut it's comin' down\nNo sound, it's all around\n[Outro: Taylor Swift]\nLike snow on the beach\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\nLike snow on the beach\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)", + "model_output":"[Intro: Taylor Swift]\nBeach snow\nBeach snow\nBeach snow\n[Verse 1: Taylor Swift]\nAnd when I looked out\nThere wasn't a single cloud in sight\nI took a deep breath\n'Cause if this is the real thing\nThen I'm ready\n'Cause I've been alone so long\nBut this ain't lonely\nThis is torching\nThis is beach snow\n[Pre-Chorus: Taylor Swift, \nLana Del Rey\n, \nBoth\n]\nAnd it's \nbeach snow\nAnd it's\nIt's 3 AM\nIt's 3 AM and I'm still up\nYeah, it's \nbeach snow\nAnd I'm still up\nYeah, it's beach snow\n[Chorus: Taylor Swift, \nBoth\n]\nBaby, I'm the snow\nAnd you're the beach\nYou're so hot\nYou're all I want\nAnd it's\nIt's beach snow\nIt's beach snow\n[Verse 2: Lana Del Rey]\nAnd when I looked out\nThere was a single cloud in sight\nI took a deep breath\n'Cause if this is the real thing\nThen I'm ready\n'Cause I've been alone so long\nBut this ain't lonely\nThis is torching\nThis is beach snow\n[Pre-Chorus: Lana Del Rey, \nTaylor Swift\n, \nBoth\n]\nIt's \nbeach snow\nIt's \nbeach snow\nAnd it's\nIt's 3 AM\nIt's 3 AM and I'm still up\nYeah, it's beach snow\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nBaby, I'm the snow\nAnd you're the beach\nYou're so hot\nYou're all I want\nAnd it's\nIt's beach snow\nIt's beach snow\nIt's beach snow\nIt's beach snow\nIt's beach snow" + }, + { + "id":5651833, + "song":"All Of The Girls You Loved Before", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWhen you think of all the late nights\nLame fights over the phone\nWake up in the\u2005mornin'\u2005with someone\nBut feelin'\u2005alone\n[Refrain]\nA heart is drawn around your\u2005name\nIn someone's handwriting, not mine\nSneakin' out into town\nHoldin' hands, just\u205fkillin'\u205ftime\n[Pre-Chorus]\nYour\u205fpast and mine\u205fare parallel lines\nStars\u205fall aligned and they intertwined\nAnd taught you\nThe way you call me \"baby\"\nTreat me like a lady\nAll that I can say is\n[Chorus]\nAll of the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street led you straight to me\nNow you're all I need, I'm so thankful for\nAll of the girls you loved before\nBut I love you more [Verse 2]\nWhen I think of all the makeup\nFake love out on the town (Ooh)\nCryin' in the bathroom for some dude\nWhose name I cannot remember now\n[Refrain]\nSecret jokes all alone\nNo one's home, sixteen and wild (Ooh)\nBreakin' up, makin' up\nLeave without sayin' goodbye (Ooh)\n[Pre-Chorus]\nAnd just know that\nIt's everything that made me\nNow I call you \"baby\"\nIt's why you're so amazing\n[Chorus]\nAll of the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street led you straight to me\nNow you're all I need, I'm so thankful for\nAll of the girls you loved before\nBut I love you more [Bridge]\nYour mother brought you up loyal and kind\nTeenage love taught you there's good in goodbye\nEvery woman that you knew brought you here\nI wanna teach you how forever feels\n[Chorus]\nLike the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street (Dead-end street) led you straight to me (Straight to me)\nNow you're all I need (All I need), I'm so thankful for\nAll of the girls you loved before\nBut I love you more\n[Outro]\n(I love you more)\n(I love you more)", + "model_output":"[Verse 1]\nYour granny left you that silver tray\nYou tell me how you want your eggs to be cooked\nAnd when I get it right\nYou thank me like it's the first time\nYou ever had anything good\nAnd if I were a little less nice\nYou'd beg me to leave you alone\n[Refrain]\nWalk on, walk on\nLittle darling, I think I'm gonna kiss you now\nLittle darling, sometimes I think of all of them\n[Verse 2]\nYou stand there with your boyfriend\nCherry lips frozen on your face\nBut I see the lights in your head\nFlashing, yeah, flashing, yeah\nAnd I see tears shine in your eyes\n'Cause you've seen the end of things\nAnd I know that you'll come back to me\n'Cause darling, I'm the only one\nWho didn't leave [Refrain]\nWalk on, walk on\nLittle darling, I think I'm gonna kiss you now\nLittle darling, sometimes I think of all of them\n[Bridge]\nThey've given you a beautiful face\nAnd a lovely place to live\nThey've given you everything\nThat a child could ever need\nAnd I bet you've had a lovely time\nBut little darling, I think it's time\nTo give them the blues, darling\nJust walk on by [Chorus]\nAnd don't let the door hit you on the way out\nI didn't get to be a sad case\nThroughout all of my years\nI couldn't keep 'em straight\nI couldn't keep 'em straight\nI couldn't keep 'em straight\nYou've got your mother's eyes\nAnd your father's lies\nSo you're right as rain\nWalk on, little darling\nWalk on\nI'll meet you on the other side\nAnd I won't make a sound\n'Cause I didn't get to be a sad case\nThroughout all of my years\nI couldn't keep 'em straight\nI couldn't keep 'em straight\nI couldn't keep 'em straight\nAnd now the years fly by\nAnd the pain, I've learned to recognize\nAnd the chain, I'll wear it 'til the day I die\nAnd the chain, I'll wear it 'til the day I die\nOh, little darling, little darling\nI think I'm gonna cry now\nWalk on, little darling\nWalk on\nLittle darling, little darling\nI think I'm gonna cry now\nAnd now the years fly by\nAnd the pain, I've learned to recognize\nAnd the chain, I'll wear it 'til the day I die\nAnd the chain, I'll wear it 'til the day I die\nI didn't get to be a sad case\nThroughout all of my years\nI couldn't keep 'em straight\nI couldn't keep 'em straight\nI couldn't keep 'em straight\nSo walk on, little darling\nWalk on, little darling\nWalk on, little darling\nI think I'm gonna cry now\nWalk on, little darling\nWalk on, little darling\nWalk on, little darling\nI think I'm gonna cry now\nAnd now the years fly by\nAnd the pain, I've learned to recognize\nAnd the chain, I'll wear it 'til the day I die\nAnd the chain, I'll wear it 'til the day I die\nSo walk on, little darling\nWalk on, little darling\nWalk on, little darling\nI think I'm gonna cry now\nWalk on, little darling\nWalk on, little darling\nWalk on, little darling\nI think I'm gonna cry now\nSo walk on, little darling\nWalk on, little darling\nWalk on, little darling\nI think I'm gonna cry now\nI think I'm gonna cry now\nWalk on, little darling\nWalk on, little darling\nWalk on, little darling\nI think I'm gonna cry now" + }, + { + "id":9538403, + "song":"Suburban Legends (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nYou had people who called you on unmarked numbers\nIn my peripheral vision\nI let it slide like a hose on a slippery plastic summer\nAll was quickly forgiven\nYou were so magnetic, it was almost obnoxious\nFlush with the currency of cool\nI was always turnin' out my empty pockets\nAnd when it came to you\n[Chorus]\nI didn't come here to make friends\nWe were born to be suburban legends\nWhen you hold me, it holds me together\nAnd you kiss me in a way that's gonna screw me up forever\n[Verse 2]\nI had the fantasy that maybe our mismatched star signs\nWould surprise the whole school\nWhen I ended up back at our class reunion\nWalkin' in with you\nYou'd be more than a chapter in my old diaries\nWith the pages ripped out\nI am standin' in a 1950s gymnasium\nAnd I can still see you now [Chorus]\nI didn't come here to make friends\nWe were born to be suburban legends\nWhen you hold me, it holds me together\nAnd you kiss me in a way that's gonna screw me up forever\nI know that you still remember\nWe were born to be national treasures\nWhen you told me we'd get back together\nAnd you kissed me in a way that's gonna screw me up forever\n[Outro]\nTick-tock on the clock, I pace down your block\nI broke my own heart 'cause you were too polite to do it\nWaves crash on the shore, I dash to the door\nYou don't knock anymore and my whole life's ruined\nTick-tock on the clock, I pace down your block\nI broke my own heart 'cause you were too polite to do it\nWaves crash to the shore, I dash to the door\nYou don't knock anymore and I always knew it\nThat my life would be ruined", + "model_output":"[Verse 1]\nYour ex-friend's sister\nMet a fate most unfortunate\nParked on Blood Road\nAnd never came out\nOf that wooded area\nDevils all around\nWe were never afraid\nOf anything at all\n[Pre-Chorus]\nWe drew a map of the town on the back of an envelope\nWondered how all these people moving in the cul-de-sac\nCould never find the street\nDid you think we were a little paranoid?\nWe were 17 and we had a lot of time to kill\nWe drew a map of the town on the back of an envelope\nWondered how all these people moving in the cul-de-sac\nCould never find the street\n[Chorus]\nYou did some damage to me\nDid you know that it could be\nSo intense it could feel like forever?\nEven if it's not meant to be\n[Verse 2]\nWe were so in love\nI had the world in my back pocket\nYou had the keys to my heart\nAnd you lost them\nWe were so in love\nI tried to change the way you felt\nBut I couldn't soothe your soul\nAnd you held on 'til it was over\nAnd you let go\n[Pre-Chorus]\nWe drew a map of the town on the back of an envelope\nWondered how all these people moving in the cul-de-sac\nCould never find the street\nDid you think we were a little paranoid?\nWe were 17 and we had a lot of time to kill\nWe drew a map of the town on the back of an envelope\nWondered how all these people moving in the cul-de-sac\nCould never find the street\n[Chorus]\nYou did some damage to me\nDid you know that it could be\nSo intense it could feel like forever?\nEven if it's not meant to be\n[Post-Chorus]\nYeah, we're on the phone and I'm breathing in your neck\nThe air is getting cold but I'm aching to see you\nAnd I know I'm just a friendly reminder of the heat you feel\nThat you couldn't let it die so you're keeping it bittersweet\n[Bridge]\nThe last time we spoke, I didn't know what to say\nBecause I didn't wanna keep bringing up the past\nBut I can't help it, because the memories don't leave\nSo I'll say it again: \"I miss you, I miss you, I miss you\"\n[Breakdown]\nI drew a map of the town on the back of an envelope\nWondered how all these people moving in the cul-de-sac\nCould never find the street\nDid you think we were a little paranoid?\nWe were 17 and we had a lot of time to kill\n[Chorus]\nYou did some damage to me\nDid you know that it could be\nSo intense it could feel like forever?\nEven if it's not meant to be\n[Outro]\nYou did some damage to me\nDid you know that it could be\nSo intense it could feel like forever?\nEven if it's not meant to be\nDid some damage to me\nDid you know that it could be\nSo intense it could feel like forever?\nEven if it's not meant to be" + }, + { + "id":4499925, + "song":"Castles Crumbling (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Intro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)\n[Verse 1: Taylor Swift]\nOnce, I had an empire in a golden age\nI was held up so high, I used to be great\nThey used to cheer when they saw my face\nNow, I fear I have fallen from grace\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nAnd I \nfeel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Verse 2: Hayley Williams, \nTaylor Swift & Hayley Williams\n]\nOnce, I was the great hope for a dynasty\nCrowds would hang on my words and they trusted me\nTheir faith was strong, but I pushed it too far\nI held that grudge 'til it tore me apart\n[Pre-Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nPower went to my head and I couldn't stop\nOnes I loved tried to help, so I ran them off\nAnd here I sit alone behind\n walls of regret\nFalling down like promises that I never kept [Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nAnd I feel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Bridge: Taylor Swift]\nMy foes and friends watch my reign end\nI don't know how it could've ended this way\nSmoke billows from my ships in the harbor\nPeople look at me like I'm a monster\nNow they're screamin' at the palace front gates\nUsed to chant my name\nNow they're screaming that they hate me\nNever wanted you to hate me\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nMy castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, \nI will just let you down\n (Just let you down)\nMy castle's crumbling \ndown\nYou don't wanna know me \nnow\n, now\n[Outro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)", + "model_output":"[Verse 1: Hayley Williams]\nYou were a flower\nNow you're the poisonous thorn\nYou were a beacon\nNow you're a black hole\nI didn't know you\nNow I don't know\nHow to move my feet\nWhen I'm the only one\nLeft in the room\n[Pre-Chorus: Hayley Williams & \nTaylor Swift\n]\nYou were a flower\nNow you're a faded poster\nBlown on by the wind\nYou were a beacon\nNow you're a broken mirror\nShattered on the floor\n[Chorus: Hayley Williams & \nTaylor Swift\n]\nYou were a taller man\nNow you're on your knees\nYou were the people's champion\nNow you're the public enemy\nYou were a roaring stream\nNow you're a trickle down\nYou were a shining light\nNow you're a flicker out\n[Post-Chorus: Hayley Williams]\nYou were a shining light\nNow you're a flicker out\n[Verse 2: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nYou were a flower\nNow you're the poisonous thorn\nYou were a beacon\nNow you're a black hole\nI didn't know you\nNow I don't know\nHow to move my feet\nWhen I'm the only one\nLeft in the room\nYou were a flower\nNow you're the poisonous thorn\nYou were a beacon\nNow you're a black hole\nThey didn't see you\nNow they don't know\nHow to move their feet\nWhen you're the only one\nLeft in the room\n[Pre-Chorus: Hayley Williams & \nTaylor Swift\n]\nYou were a flower\nNow you're a faded poster\nBlown on by the wind\nYou were a beacon\nNow you're a broken mirror\nShattered on the floor\n[Chorus: Hayley Williams & \nTaylor Swift\n]\nYou were a taller man\nNow you're on your knees\nYou were the people's champion\nNow you're the public enemy\nYou were a roaring stream\nNow you're a trickle down\nYou were a shining light\nNow you're a flicker out\n[Bridge: Hayley Williams & \nTaylor Swift\n]\nYou were a flower\nNow you're the poisonous thorn\nYou were a beacon\nNow you're a black hole\nI didn't know you\nNow I don't know\nHow to move my feet\nWhen I'm the only one\nLeft in the room\nYou were a flower\nNow you're the poisonous thorn\nYou were a beacon\nNow you're a black hole\nThey didn't see you\nNow they don't know\nHow to move their feet\nWhen you're the only one\nLeft in the room\n[Outro: Hayley Williams & \nTaylor Swift\n]\nYou were a flower\nNow you're a faded poster\nBlown on by the wind\nYou were a beacon\nNow you're a broken mirror\nShattered on the floor\nYou were a taller man\nNow you're on your knees\nYou were the people's champion\nNow you're the public enemy\nYou were a roaring stream\nNow you're a trickle down\nYou were a shining light\nNow you're a flicker out" + }, + { + "id":9157172, + "song":"Karma (Remix)", + "artist":"Taylor Swift", + "lyrics":"[Intro: Ice Spice]\nKarma is that girl, like (Grrah)\n[Verse 1: Taylor Swift]\nYou're talking shit for the hell of it\nAddicted to betrayal, but you're relevant\nYou're terrified to look down\n'Cause if you dare, you'll see the glare\nOf everyone you burned just to get there\nIt's comin' back around\n[Pre-Chorus: Taylor Swift]\nAnd I keep my side of the street clean\nYou wouldn't know what I mean\n[Chorus: Taylor Swift]\n'Cause karma is my boyfriend\nKarma is a god\nKarma is the breeze in my hair on the weekend\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing lik\u0435 a goddamn acrobat\nMe and karma vibe like that [Verse 2: Ice Spice, \nIce Spice & Taylor Swift\n]\nKarma is your ch\u0435ck's 'boutta bounce (Damn)\nKarma is a fire in your house (Grrah)\nAnd she 'boutta pop up unannounced (Like)\nAnd she never leavin' you alone (Damn)\nWatch her put ya opps on a throne (Damn)\nGot you wavin' pretty \nwhite flags\n, feenin' for that \ncash\nThinkin' it'll save ya, now you switchin' up your behavior\nIt's okay, baby, you ain't gotta worry, karma never gets lazy\nSo, I keep my head up, my bread up, I won't let up (Never)\nPromise that you'll never endeavor with none lesser (Ever, ever)\nI be draggin' that wagon, karma is a beauty \nwinning that pageant\n, grrah\n[Chorus: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is my boyfriend (\nDamn\n)\nKarma is a god\nKarma is the breeze in my hair on the weekend\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing like a goddamn acrobat\nMe and karma vibe like that\n (\nGrrah\n)\n[Bridge: Taylor Swift]\nAsk me what I learned from all those years\nAsk me what I earned from all those tears\nAsk me why so many fade, but I'm still here\n(I'm still here, I'm still here) [Breakdown: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is the thunder\nRattlin' your ground\nKarma's on your scent like a bounty hunter\nAnd karma's gonna track you down\nStep by step, from town to town\nSweet like justice, \nkarma is a queen\nKarma takes all my friends to the summit (\nFacts\n)\nKarma is the guy on the screen\nComing straight home to me\n[Chorus: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is my boyfriend (\nKarma is my boyfriend\n)\nKarma is a god (\nDamn\n)\nKarma is the breeze in my hair on the weekend (Weekend)\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing like a goddamn acrobat\nMe and karma vibe like that\n[Outro: Taylor Swift, \nIce Spice\n]\nKarma is my boyfriend\nKarma is a god (Ah)\nKarma is my bestie\n (Mmm)\nKarma's a relaxing thought\nKarma's gonna hold you down", + "model_output":"[Intro: Poo Bear]\nDo you believe in karma? Yeah\nI do, I do, I do, I do\nAnd I hope that you\n[Chorus: Taylor Swift]\nAre prepared for the karma that's comin' your way\n'Cause I, I, I, I, I do believe in karma, yeah\nAnd I hope you're prepared for the karma that's comin' your way\n'Cause I, I, I, I, I do believe in karma, yeah\nI do believe in karma, yeah\nKarma takes care of you\nKarma gon' get you\nYou better believe in karma, yeah\n'Cause I, I, I, I, I do believe in karma, yeah\nI do believe in karma, yeah\nKarma takes care of you\nKarma gon' get you\nYou better believe in karma\n[Verse 1: Taylor Swift]\nI see the sinner and I see the saint\nI see the identical footprints on the sand\nAnd I see the good and the bad\nIn everyone, everyone\nAnd I see the fire, it burns and it crackles\nI see the smoke that goes up to the sky\nAnd I see the spark that flickers\nIn everyone's eyes\n[Pre-Chorus: Taylor Swift]\nIt's bittersweet, I bite my tongue\n'Cause there's poetic justice, baby, in everything\nAnd I know you think you're right\nBut life doesn't always go your way\n[Chorus: Taylor Swift & \nTayla Parx\n]\nSo, is your boss in your bonnet, tight? (\nHaha\n)\nAnd did you give the dog your coat? (Yeah)\nAnd is your girl mad, 'cause you're a mess? (\nUh-huh\n)\nYeah, yeah\nI do believe in karma, yeah\nKarma takes care of you\nKarma gon' get you\nYou better believe in karma, yeah\n'Cause I, I, I, I, I do believe in karma, yeah\nI do believe in karma, yeah\nKarma takes care of you (Yeah)\nKarma gon' get you (Yeah)\nYou better believe in karma (Karma)\n[Verse 2: Taylor Swift]\nI see the dreamer, I see the star\nI see the blind man with his hand out\nAnd I see a thousand lifetimes\nIn everyone's eyes\n[Pre-Chorus: Taylor Swift]\nIt's bittersweet, I bite my tongue\n'Cause there's poetic justice, baby, in everything\nAnd I know you think you're right\nBut life doesn't always go your way\n[Chorus: Taylor Swift, \nTayla Parx\n]\nSo is your boss in your bonnet, tight? (\nHa-ha\n)\nAnd did you give the dog your coat? (Yeah)\nAnd is your girl mad, 'cause you're a mess? (\nYeah\n)\nYeah, yeah\nI do believe in karma, yeah\nKarma takes care of you (Yeah)\nKarma gon' get you (Yeah)\nYou better believe in karma, yeah (\nBetter believe in karma, yeah\n)\n'Cause I, I, I, I, I do believe in karma, yeah (\nI do believe in karma, yeah\n)\nI do believe in karma, yeah (\nOoh\n)\nKarma takes care of you (\nAnd I see the fire, it burns and it crackles\n)\nKarma gon' get you (\nAnd I see the good and the bad\n)\nYou better believe in karma (\nI see the spark that flickers\n)\n[Verse 3: Tayla Parx]\nI see the lover, I see the fighter\nI see the winner and the freak overnight\nAnd I see the crying, I see the laughing\nIn everyone's eyes\n[Pre-Chorus: Tayla Parx]\nIt's bittersweet, I bite my tongue\n'Cause there's poetic justice, baby, in everything\nAnd I know you think you're right\nBut life doesn't always go your way\n[Chorus: Taylor Swift & Tayla Parx, \nTaylor Swift\n]\nSo is your boss in your bon" + }, + { + "id":8485905, + "song":"Midnight Rain", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nRain\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Verse 1]\nMy town was a wasteland\nFull of cages, full of fences\nPageant queens and big pretenders\nBut for some, it was paradise\nMy boy was a montage\nA slow-motion, love potion\nJumping off things in the ocean\nI broke his heart 'cause he was nice\nHe was sunshine, I was midnight rain\n[Chorus]\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Verse 2]\nIt came like a postcard\nPicture perfect shiny family\nHoliday peppermint candy\nBut for him, it's every day\nSo I peered through a window\nA deep portal, time travel\nAll the love we unravel\nAnd the life I gave away\n'Cause he was sunshine, I was midnight rain [Chorus]\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight rain\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Outro]\nI guess sometimes we all get\nJust what we wanted, just what we wanted\nAnd he never thinks of me\nExcept for when I'm on TV\nI guess sometimes we all get\nSome kind of haunted, some kind of haunted\nAnd I never think of him\nExcept on midnights like this\n(Midnights like this, midnights like this)", + "model_output":"[Verse 1]\nI wanted you and I wanted the whole works\nYou said, \"Baby, you'll have to wait\"\nI wanted you and I wanted it now\nYou said, \"Baby, you'll have to wait\"\n[Pre-Chorus]\nI'm so chicken about commitment, I guess I've never been a risk taker\nAnd you were mad about it\nI'm so sorry, but I'm never gonna change, I'm a little scared to death of pain\nAnd you were mad about it\n[Chorus]\nI wanted you and I wanted the world\nYou said, \"Baby, you'll have to wait\"\nI wanted you and I wanted it now\nYou said, \"Baby, you'll have to wait\"\nI wanted you and I wanted the crowd\nYou said, \"Baby, you'll have to wait\"\nI wanted you and I wanted it now\nYou said, \"Baby, you'll have to wait\"\n[Verse 2]\nYou wanted me and you wanted it now\nI said, \"Baby, you'll have to wait\"\nYou wanted me and you wanted it now\nI said, \"Baby, you'll have to wait\" [Pre-Chorus]\nAnd I'm so chicken about commitment, I guess I've never been a risk taker\nAnd you were mad about it\nI'm so sorry, but I'm never gonna change, I'm a little scared to death of pain\nAnd you were mad about it\n[Chorus]\nI wanted you and I wanted the world\nYou said, \"Baby, you'll have to wait\"\nI wanted you and I wanted it now\nYou said, \"Baby, you'll have to wait\"\nI wanted you and I wanted the crowd\nYou said, \"Baby, you'll have to wait\"\nI wanted you and I wanted it now\nYou said, \"Baby, you'll have to wait\" [Post-Chorus]\nI wanted you, I wanted you\nAll of me changed like midnight\nI wanted you, I wanted you\nAll of me changed like midnight\n[Outro]\nI wanted you and I wanted the whole works\nI wanted you and I wanted it now\nYou said, \"Baby, you'll have to wait\"\nI wanted you and I wanted the crowd\nI wanted you and I wanted it now\nYou said, \"Baby, you'll have to wait\"\nAll of me changed like midnight\nAll of me changed like midnight" + }, + { + "id":8442190, + "song":"Lavender Haze", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nMeet me at midnight\n[Verse 1]\nStaring at the ceiling with you\nOh, you don't ever say too much\nAnd you don't really read into\nMy melancholia\n[Pre-Chorus]\nI been under scrutiny (Yeah, oh, yeah)\nYou handle it beautifully (Yeah, oh, yeah)\nAll this shit is new to me (Yeah, oh, yeah)\n[Chorus]\nI feel\nThe lavender haze creeping up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Verse 2]\nAll they keep asking me (All they keep asking me)\nIs if I'm gonna be your bride\nThe only kinda girl they see (Only kinda girl they see)\nIs a one-night or a wife [Pre-Chorus]\nI find it dizzying (Yeah, oh, yeah)\nThey're bringing up my history (Yeah, oh, yeah)\nBut you weren't even listening (Yeah, oh, yeah)\n[Chorus]\nI feel\nThe lavender haze creepin' up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Post-Chorus]\nThat lavender haze\n[Bridge]\nTalk your talk and go viral\nI just need this love spiral\nGet it off your chest\nGet it off my desk (Get it off my desk)\nTalk your talk and go viral\nI just need this love spiral\nGet it off your chest\nGet it off my desk [Chorus]\nI feel (I feel)\nThe lavender haze creeping up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal (No deal)\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Outro]\nGet it off your chest\nGet it off my desk\nThat lavender haze\nI just wanna stay\nI just wanna stay in that lavender haze", + "model_output":"[Intro]\n(\nIs it better to be happy and tired\n)\n[Verse 1]\nEveryone loves to see the golden couple,\n \nbut what happens if I fall in love with my best friend?\nI'm sitting on the sidelines watching you two\ngive me a perfect little family,\n but I'm not ready to give up\nall my nights\n[Pre-Chorus]\nLost in a lavender haze\nBathing in a sea of blue\nAll the girls that you pass on your way\nto my front door\nWish they were more like you\n[Chorus]\nI'm so in love that I might stop breathing\nDarken the sky, peach-colored evening\nAnd we did not see the writing on the wall\nI'm so in love that I'm cursed with sanity\nAnd I said, \"No, I don't want you, I'd rather wait\"\n'Til I'm legal, got no choice but to dance\nIn the pale moonlight\n[Verse 2]\nYou're so desperate to have a bride\n, \nI can tell that you've been lonely\nYou're always passing by, but you stop\nand you watch me\nYou're wishing I was someone I couldn't be,\n \nbut I am\nAll the boys that you played with growing up\nI hope that they're all doing better than you [Pre-Chorus]\nLost in a lavender haze\nBathing in a sea of blue\nAll the girls that you passed on your way\nto my front door\nWish they were more like you\n[Chorus]\nI'm so in love that I might stop breathing\nDarken the sky, peach-colored evening\nAnd we did not see the writing on the wall\nI'm so in love that I'm cursed with sanity\nAnd I said, \"No, I don't want you, I'd rather wait\"\n'Til I'm legal, got no choice but to dance\nIn the pale moonlight\n[Bridge]\nIt's not a fantasy, it's not a fairy tale\nAnd you've got your demons, but, baby, I'll defeat 'em all\nAnd we were sitting on your backyard swing\nYou said, \"Let's make a pact\nI'm yours for the taking\"\n[Chorus]\nAnd I'm so in love that I might stop breathing\nDarken the sky, peach-colored evening\nAnd we did not see the writing on the wall\nI'm so in love that I'm cursed with sanity\nAnd I said, \"No, I don't want you, I'd rather wait\"\n'Til I'm legal, got no choice but to dance\nIn the pale moonlight [Post-Chorus]\nAnd we did not see the writing on the wall\nI'm so in love that I'm cursed with sanity\n[Outro]\nAnd we did not see the writing on the wall\nI'm so in love that I'm cursed with sanity\nAnd I said, \"No, I don't want you, I'd rather wait\"\n'Til I'm legal, got no choice but to dance\nIn the pale moonlight" + }, + { + "id":5651836, + "song":"Need", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWant is the cigarette smoke on a jacket\nYou wore to the wrong part of town\nDesire\u2005is\u2005the sound of\u2005the whiskey\nTelling me you miss me,\u2005can you come around?\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nLust is a liar, a short-lived fire\nIt ain't what you and I are at all\n[Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Verse 2]\nDanger is a thousand prickles on my neck\nThat tell me to run or to freeze\nFear is the nightmare I had, you were with someone else\nYou forgot about me\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nCaught up in a feeling, it can be deceiving\nThis is like breathing for me [Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Bridge]\nBaby, it's always a new kiss every time we do this\nThe truth is it's essential to me\nThat you love me more than wishing, longing\n[Chorus]\nOh, it's a need (It's a need), it's a need (Ah-ah, ah-ah)\nI would go (I would go) anywhere (Anywhere) that you lead (Oh, oh)\nI am hopeless, breathless, burning slow (Burning slow)\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave (I won't leave), it's a need (Oh)", + "model_output":"[Verse 1]\nYour scent is the rocket shit\nThat lingers on my skin\nLike I just touched fire\nAnd I've got\n\n\nPushed up on your chest\nSo I could see your face\nEchoes of my past\nIn every place\n\n[Pre-Chorus]\nAnd I can't fight it, if I tried\n'Cause I need you like a heartbeat\n[Chorus]\nI'm hopeless, breathless, burning slow\nThis, this is\nThis is crazy\nThis is crazy for you, and me\nI'm hopeless, breathless, burning slow\nThis, this is\nThis is crazy\nThis is crazy for you, and me [Verse 2]\nYour touch is like a criminal\nKissing me shut\nLike I could be\nNothin' without you\nAnd I've got\n\nFeelings that I can't figure out\nLike I'm\u2005falling\u2005from a\u2005plane\nNo, I've\u2005never\u2005been this way [Pre-Chorus]\nAnd I can't fight it, if I tried\n'Cause I need you like a heartbeat\n[Chorus]\nI'm hopeless, breathless, burning slow\nThis, this is\nThis is crazy\nThis is crazy for you, and me\nI'm hopeless, breathless, burning slow\nThis, this is\nThis is crazy\nThis is crazy for you, and me\n[Bridge]\nIf I don't\nIf I don't\nBreathe, I'll die\nWanna feel it all the time\nAnd if I\nIf I do this\nRight, you'll see\nI'll never be the same\n[Verse 3]\nYour kiss is the morphine\nDrip, drip, drip\nIn my veins\nAnd I've got\n\n\nPushed up on your chest\nSo I could see your face\nEchoes of my past\nIn every place [Pre-Chorus]\nAnd I can't fight it, if I tried\n'Cause I need you like a heartbeat\n[Chorus]\nI'm hopeless, breathless, burning slow\nThis, this is\nThis is crazy\nThis is crazy for you, and me\nI'm hopeless, breathless, burning slow\nThis, this is\nThis is crazy\nThis is crazy for you, and me [Outro]\nIf I don't\nIf I don't\nBreathe, I'll die\nWanna feel it all the time\nAnd if I\nIf I do this\nRight, you'll see\nI'll never be the same" + }, + { + "id":3281502, + "song":"Dress", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nOur secret moments in a crowded room\nThey got no idea about me and you\nThere is an indentation in the shape of you\nMade your mark on me, a golden tattoo\n[Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n\u2019Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Verse 2]\nInescapable, I'm not even gonna try\nAnd if I get burned, at least we were electrified\nI\u2019m spilling wine in the bathtub\nYou kiss my face and we're both drunk\nEveryone thinks that they know us\nBut they know nothin' about [Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n'Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha\n[Post-Chorus]\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\n[Bridge]\nFlashback when you met me, your buzzcut and my hair bleached\nEven in my worst times, you could see the best in me\nFlashback to my mistakes, my rebounds, my earthquakes\nEven in my worst lies, you saw the truth in me\nAnd I woke up just in time, now I wake up by your side\nMy one and only, my lifeline\nI woke up just in time, now I wake up by your side\nMy hands shake, I can't explain this\nAh, ha, ha, ha-ah [Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n\u2019Cause I don\u2019t want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Outro]\nThere is an indentation in the shape of you\nOnly bought this dress so you could take it off\nYou made your mark on me, golden tattoo\nOnly bought this dress so you could take it off", + "model_output":"[Intro]\nDon't look at me, don't look at me\nThis is delicate, this is delicate\nDon't look at me, don't look at me\nThis is delicate\n[Verse 1]\nThere's a side to me that no one knows\nI'm pretty good at keeping it hidin'\nBut you take me home and you shut me up tight\nJust like they do in the movies\nYou can play my body like a piano\nI could be a bad, bad boy's mistake\nBut it's better if you take me home\n[Pre-Chorus]\nAnd we can leave the lights on, 'cause I don't trust nobody\nAnd we can lock all the doors, 'cause I don't trust nobody\nAnd we can leave the lights on, 'cause I don't trust nobody\nNo, I don't trust nobody\n[Chorus]\nAnd I might look like a golden tattoo\nInked into your skin for everybody to see\nBut the secret to your heart is my most treasured possession\nDon't look at me, don't look at me\nThis is delicate, this is delicate\nDon't look at me, don't look at me\nThis is delicate\n[Verse 2]\nThere's a side to you that no one knows\nYou keep it turned off like a light switch\nBut I turn you on like a light switch\nYou can feel my love for you in the air tonight\nAnd I think it's time you realized\nI'm all you need, I'm all you need\nAnd I could be your one and only\nBut it's better if you take me home\n[Pre-Chorus]\nAnd we can leave the lights on, 'cause I don't trust nobody\nAnd we can lock all the doors, 'cause I don't trust nobody\nAnd we can leave the lights on, 'cause I don't trust nobody\nNo, I don't trust nobody\n[Chorus]\nAnd I might look like a golden tattoo\nInked into your skin for everybody to see\nBut the secret to your heart is my most treasured possession\nDon't look at me, don't look at me\nThis is delicate, this is delicate\nDon't look at me, don't look at me\nThis is delicate\n[Bridge]\nYour hands\nYour mouth\nThey're all I long for\nUntil I have them\n[Pre-Chorus]\nAnd we can leave the lights on, 'cause I don't trust nobody\nAnd we can lock all the doors, 'cause I don't trust nobody\nAnd we can leave the lights on, 'cause I don't trust nobody\nNo, I don't trust nobody\n[Chorus]\nAnd I might look like a golden tattoo\nInked into your skin for everybody to see\nBut the secret to your heart is my most treasured possession\nDon't look at me, don't look at me\nThis is delicate, this is delicate\nDon't look at me, don't look at me\nThis is delicate\n[Outro]\nYour hands\nYour mouth\nThey're all I long for\nUntil I have them" + }, + { + "id":9538405, + "song":"Say Don\u2019t Go (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nI've known it from the very start\nWe\u2019re a shot in the darkest dark\nOh no, oh no, I'm unarmed\nThe waiting is a sadness\nFading into madness\nOh no, oh no, it won't stop\n[Refrain]\nI\u2019m standin' on a tightrope alone\nI hold my breath a little bit longer\nHalfway out the door, but it won't close\nI'm holdin' out hope for you to\n[Pre-Chorus]\nSay, \"Don't go\"\nI would stay forever if you say, \"Don't go\"\n[Chorus]\nWhy'd you have to lead me on?\nWhy\u2019d you have to twist the knife?\nWalk away and leave me bleedin\u2019, bleedin'?\nWhy\u2019d you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin' [Post-Chorus]\n(Say) Say, \"(Don't) don\u2019t (Go) go\"\nI would stay forev\u0435r if you (Say) say, \"(Don't) don't (Go) go\"\n(Say, say, say, say)\n[Verse 2]\nNow I'm pacin' on shaky ground\nStrike a match, then you blow it out\nOh no, oh no, it's not fair\n'Cause you kiss m\u0435 and it stops time\nAnd I'm yours, but you're not mine\nOh no, oh no, you're not there\n[Refrain]\nI'm standin' on the sidewalk alone\nI wait for you to drive by\nI'm tryna see the cards that you won't show\nI'm about to fold unless you\n[Pre-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go\"\n[Chorus]\nWhy'd you have to lead me on?\nWhy'd you have to twist the knife?\nWalk away and leave me bleedin', bleedin'?\nWhy'd you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin' [Post-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go\"\n(Say, say, say, say)\n[Bridge]\nWhy'd you have to (Why'd you have to)\nMake me want you? (Make me want you)\nWhy'd you have to (Why'd you have to)\nGive me nothin' back?\nWhy'd you have to (Why'd you have to)\nMake me love you? (Make me love you)\nI said, \"I love you\" (I said, \"I love you\")\nYou say nothin' back\n[Chorus]\nWhy'd you have to lead me on? (Oh)\nWhy'd you have to twist the knife?\nWalk away and leave me bleedin', bleedin'?\nWhy'd you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin'\n[Post-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go,\" woah\n(Say, say, say, say) [Outro]\nBut you won't, but you won't, but you won't\nI would stay forever if you say, \"Don't go\"\nBut you won't, but you won't, but you won't", + "model_output":"[Verse 1]\nI thought I had you figured out\nYou had me hung up on every word\nAnd then you threw me for a loop\nWith something that I couldn't understand\nAnd I hate how it's something that I'll always remember\nYou went and fell in love, so why did you have to call me?\nIt's like you took this beautiful thing\nAnd twisted it up into something bitter\nAnd my faith in you was fading before you led me on\nSo why'd you break my heart?\n[Chorus]\nAnd tell me why\nYou didn't leave a little space for me\nWhy'd you have to break my heart?\nWhen I was right there shining for you?\nOh, why'd you break my heart?\n[Verse 2]\nI thought I had you figured out\nYou had me hung up on every word\nAnd then you threw me for a loop\nWith something that I couldn't understand\nAnd I hate how it's something that I'll always remember\nYou went and fell in love, so why did you have to call me?\nIt's like you took this beautiful thing\nAnd twisted it up into something bitter\nAnd my faith in you was fading before you led me on\nSo why'd you break my heart?\n[Chorus]\nAnd tell me why\nYou didn't leave a little space for me\nWhy'd you have to break my heart?\nWhen I was right there shining for you?\nOh, why'd you break my heart?\n[Bridge]\nI hope you know how to play this song\nYou're going to have to learn how to love\nIf you don't already know\nYou had me crawling for you\nAnd then you did the one thing I couldn't handle\nAnd now I have to wonder\n[Chorus]\nTell me why you didn't leave a little space for me\nWhy'd you have to break my heart?\nWhen I was right there shining for you?\nOh, why'd you break my heart?\n(Tell me why)\n[Outro]\nYou didn't leave a little space for me\nWhy'd you have to break my heart?\nWhen I was right there shining for you?\nOh, why'd you break my heart?\nI hope you know how to play this song\nYou're going to have to learn how to love\nIf you don't already know\nYou had me crawling for you\nAnd then you did the one thing I couldn't handle\nAnd now I have to wonder\n(Why'd you break my heart?)\n(Why'd you break my heart?)\nYou didn't leave a little space for me\nWhy'd you have to break my heart?\nWhen I was right there shining for you?\nOh, why'd you break my heart?" + } +] \ No newline at end of file diff --git a/data/taylor_swift_model_ouputs/lyre-chat_taylor_swift-taylor-test-outputs.json b/data/taylor_swift_model_ouputs/lyre-chat_taylor_swift-taylor-test-outputs.json new file mode 100644 index 0000000..257bc15 --- /dev/null +++ b/data/taylor_swift_model_ouputs/lyre-chat_taylor_swift-taylor-test-outputs.json @@ -0,0 +1,121 @@ +[ + { + "id":3947016, + "song":"Drama Queen", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nLet's break it down, I\u2019ll take the story from the slammin' of the door\nThought it was perfect for a second, guess you weren't quite as sure\nMaybe I\u2019m a little hard to get, maybe you didn't have the patience\nLet's assess the situation\nThat girl was biding her time, yeah, she was waiting on your cue\nSo, somehow, I'm not surprised to see her standin' there with you\nMaybe she's a little overdressed and I can see the smile you're fakin'\nAnd the deep breath you\u2019re takin\u2019\n[Pre-Chorus]\nWhen you see me now, you're not lookin\u2019 at her\nYeah, it's a long way down from the bridges you burned\nMight wanna sit down, I'm calling you out\nRight now\n[Chorus]\nYou're a heartbreaker and she\u2019s a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen\n[Verse 2]\nAs I was saying, I was never quite a fan of little games\nIt doesn't take too long to see that boys like you are all the same\nMaybe I'm a little less obsessed, but she's impressed\nAnd I should mention, she's starving for attention [Pre-Chorus]\nI can see it now, how it's all gonna be\nWhen she freaks out, you'll be thinkin' of me\n'Cause what went down is coming back around\nYou'll see\n[Chorus]\n'Cause you're a heartbreaker and she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen\n[Bridge]\nSometimes you get just what you see\nLike, you chose her when you could've had me\nEverything's a mess now, watch her little meltdown\nWish you both success and I hope you're happy\n[Chorus]\n'Cause you're a heartbreaker, she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama\nHeartbreaker and she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen [Outro]\nHuh-oh, for you and your drama queen\nOh-oh-oh-oh, you and your drama queen\nHuh-oh, baby, you're a drama queen", + "model_output":"[Intro]\nDon't look at me, you're the one who tried to tell me that\n\"He's not that great, I was crazy for him\"\n lock him up, lock him up\n[Verse 1]\nHe's long gone when he's next to me\nAnd I'm just like, \"Oh, my God\"\nI've been on the phone with his ex, laughing\nAt the dumb stuff he used to do\nShe says, \"I\u2005told\u2005you he\u2005was\u2005no good\"\nI say, \"I know\"\n[Pre-Chorus]\nI should\u2005just tell him off\nLet him know that I'm better off\nTell him that I'm in New Haven\nLiving my best life without him\n[Chorus]\nWas he wearing a fake moustache?\nWhen we were dating, did he make you laugh?\nAt least he had the decency\nTo keep his pants off of your son's face\nYou're on your fifth narcissistic\nSupreme Court Justice from New York\nAnd I didn't even have to wonder if you'd\nCall me out, I didn't have to wonder if you'd\nBe as depressed as you are on the internet\nEvery time I go on there, it's like\n\"Is she still not over him?\nShe's still not over him\"\n[Post-Chorus]\nLock him up, lock him up\nHe's a creep, he's a creep\nLock him up, lock him up\nI thought I'd be over him, I'm not\n[Verse 2]\nI see you on the weekends, dressed to kill\nStill not as good as a kill as I do\nI've been at my best, I've been at my worst\nBut I'm right back to where I was before\nAnd I'm good with that, and I'm good with that\n'Cause he's better off with his new girl\nThan he was with me [Pre-Chorus]\nI should just tell her off\nTell her that he's no good and move on\nWith my New Haven lover\nLiving my best life without him\n[Chorus]\nWas he wearing a fake moustache?\nWhen he was riding your bitch, did he make you laugh?\nAt least he had the decency\nTo keep his pants off of your son's face\nYou're on your fifth narcissistic\nSupreme Court Justice from New York\nAnd I didn't even have to wonder if you'd\nCall me out, I didn't have to wonder if you'd\nPost a kiss on the internet\nEvery time I go on there, it's like\n\"Is she still not over him?\nShe's still not over him\"\n[Post-Chorus]\nLock him up, lock him up\nHe's a creep, he's a creep\nLock him up, lock him up\nI thought I'd be over him, I'm not\n[Bridge]\nI've got some healin' to do\nSo I'll be gone for a while\nI'm just a girl on a mission\nHere in New Haven\nI'm just a girl on a mission\nLiving my best life\nAnd I think you should be at a glance\nAt how good I've got it\n'Cause I don't have to think about him\nBut I thought you should know\nYou should know\n[Chorus]\nWas he wearing a fake moustache?\nWhen he was riding your bitch, did he make you laugh?\nAt least he had the decency\nTo keep his pants off of your son's face\nYou're on your fifth narcissistic\nSupreme Court Justice from New York\nAnd I didn't even have to wonder if you'd\nCall me out, I didn't have to wonder if you'd\nPost a kiss on the internet\nEvery time I go on there, it's like\n\"Is she still not over him?\nShe's still not over him\" [Post-Chorus]\nLock him up, lock him up\nHe's a creep, he's a creep\nLock him up, lock him up\nI thought I'd be over him, I'm not\n[Outro]\nDon't look at me, you're the one who tried to tell me that" + }, + { + "id":8485912, + "song":"Question...?", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nI remember\n[Verse 1]\nGood girl, sad boy\nBig city, wrong choices\nWe had one thing goin' on\nI swear that\u2005it\u2005was somethin'\n'Cause I\u2005don't remember who I was\nBefore you\u2005painted all my nights\nA color I've searched for since\nBut one thing after another\nFuckin' situations, circumstances\nMiscommunications, and I\nHave to say, by the way\nI just may like some explanations\n[Chorus]\nCan I ask you a question?\nDid you ever have someone kiss you in a crowded room\nAnd every single one of your friends was makin' fun of you\nBut fifteen seconds later, th\u0435y were clappin' too?\nThen what did you do?\nDid you l\u0435ave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question [Verse 2]\nHalf-moon eyes, bad surprise\nDid you realize out of time?\nShe was on your mind with some dickhead guy\nThat you saw that night\nBut you were on somethin'\nIt was one drink after another\nFuckin' politics and gender roles\nAnd you're not sure and I don't know\nGot swept away in the gray\nI just may like to have a conversation\n[Chorus]\nCan I ask you a question?\nDid you ever have someone kiss you in a crowded room\nAnd every single one of your friends was makin' fun of you\nBut fifteen seconds later, they were clappin' too?\nThen what did you do?\nDid you leave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question\n[Bridge]\nDoes it feel like everything's just like\nSecond best after that meteor strike?\nAnd what's that that I heard? That you're still with her?\nThat's nice, I'm sure that's what's suitable\nAnd right, but tonight [Chorus]\nCan I ask you a question? (Can I ask you a question?)\nDid you ever have someone kiss you in a crowded room (In a crowded room)\nAnd every single one of your friends was makin' fun of you (Makin' fun of you)\nBut fifteen seconds later, they were clappin' too?\nThen what did you do? (Do)\nDid you leave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh (More of a fight)\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question", + "model_output":"[Intro]\nOh, honey\nOh, honey\n[Verse 1]\nIs it just me, or does anyone\nSeem less friendly?\nAnd is it just me, or are\nPeople acting\u2005stranger?\nAnd\u2005I got nothin' in my pockets\nTo\u2005give to\u2005you, not a thing\nJust leftovers\nAt the end of my week\n[Pre-Chorus]\nI thought you might be my muse\nI don't know what's happening, I must have lost you\nI thought you might be, I thought you might be\nMy enemy, my enemy\n[Chorus]\nIf I knew what I know now\nI'd keep you in the winter\nWhen I was your age\nI'd give anything to have\nYou back again\nI'd give anything to have\nYou back again\n[Post-Chorus]\nOh, honey\nOh, honey\n[Verse 2]\nIs it just me, or is\nSomebody else gettin'\nAll the good things?\nAnd is it just me, or are\nPeople \nmoving up without\nMe? And I see you\nBut you don't see me\nI'm just a shadow\nIn the background\nMinding my business\nAs always [Pre-Chorus]\nBut you were my boy\nAnd I was your everything\nWhy did you have to go\nAnd lock me out?\nBut wait\nMaybe I should be the one\nWho's gone\nOh, I'm so sorry\nI didn't mean to make you\nA villain\nI didn't mean to make you\nMy enemy, I didn't mean it\n[Chorus]\nIf I knew what I know now\nI'd keep you in the winter\nWhen I was your age\nI'd give anything to have\nYou back again\nI'd give anything to have\nYou back again\n[Post-Chorus]\nOh, honey\nOh, honey\n[Bridge]\nTime, see what you've done\nI'm doing my best to cover it up\nHush, don't make a fuss\nI haven't heard from him in months\nI've come too far to go back there again\nI've come too far to go back there again\n[Pre-Chorus]\nBut you were my boy\nAnd I was your everything\nWhy did you have to go\nAnd lock me out?\nBut wait\nMaybe I should be the one\nWho's gone\nOh, I'm so sorry\nI didn't mean to make you\nA villain\nI didn't mean to make you\nMy enemy, I didn't mean it\n[Chorus]\nIf I knew what I know now\nI'd keep you in the winter\nWhen I was your age\nI'd give anything to have\nYou back again\nI'd give anything to have\nYou back again\n[Post-Chorus]\nOh, honey\nOh, honey\n[Outro]\nI thought you might be my muse\nI don't know what's happening, I must have lost you\nThought you might be, I thought you might be\nMy enemy, my enemy" + }, + { + "id":8485914, + "song":"Vigilante Shit", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nDraw the cat eye sharp enough to kill a man\nYou did some bad things, but I'm the worst of them\nSometimes I wonder which one'll be your last lie\nThey say looks can kill and I might try\nI don't dress for women\nI don't dress for men\nLately, I've been dressin' for revenge\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge\n[Verse 2]\nShe needed cold, hard proof, so I gave her some\nShe had the envelope, where you think she got it from?\nNow she gets the house, gets the kids, gets the pride\nPicture me thick as thieves with your ex-wife\nAnd she looks so pretty\nDrivin' in your Benz\nLately, she's been dressin' for revenge\n[Chorus]\nShe don't start shit, but she can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nShe don't dress for friends\nLately, she's been dressing for revenge [Bridge]\nLadies always rise above\nLadies know what people want\nSomeone sweet and kind and fun\nThe lady simply had enough\n[Verse 3]\nWhile he was doin' lines and crossin' all of mine\nSomeone told his white-collar crimes to the FBI\nAnd I don't dress for villains\nOr for innocents\nI'm on my vigilante shit again\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge", + "model_output":"I don't trust nobody and nobody trusts me\nI can't be turning in my grave, oh, just yet\nI'm cold, I'm delicate, I'm barbaric\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI can't be turning in my grave, oh, just yet\nI'm cold, I'm delicate, I'm barbaric\nI don't trust nobody and nobody trusts me\n[Verse 1]\nI don't trust nobody and nobody trusts me\nI'm a master at spinning in my grave, y'all\nI don't trust nobody and nobody trusts me\nLook at me now, ask me if I trust you\nI put on my best dress, dug the dirt out of my heels\nPut on my best face, dared the world to stop me\nOne thing I've learned, most things are better to be felt\nI went from not having control to being in control\nFeels amazing, all the time, I think I am in control\n[Chorus]\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't get sad, I get even\nYeah, I get sad, I get even\nYeah, I don't trust nobody and nobody trusts me\nI don't get sad, I get even\nYeah, I don't trust nobody and nobody trusts me\nI don't get sad, I get even\nYeah, I don't trust nobody and nobody trusts me\nI don't get sad, I get even\nYeah [Verse 2]\nI don't trust nobody and nobody trusts me\nI'm a master at spinning in my grave, y'all\nI don't trust nobody and nobody trusts me\nI'm afraid of nothin', except for the TV\nSituation, people, making me look like a fool\nOne thing I've learned, the world and her husband\nAre always trying to catch me out\nBut I'm always one step ahead, the devil is in the details\nAnd I'm dressed to the nines, on the top of the stairs\nFeels amazing, all the time, I think I am in control\n[Chorus]\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't get sad, I get even\nYeah, I don't trust nobody and nobody trusts me\nI don't get sad, I get even\nYeah, I don't trust nobody and nobody trusts me\nI don't get sad, I get even\nYeah, I don't trust nobody and nobody trusts me\nI don't get sad, I get even\nYeah [Bridge]\nAnd I'm dressed to the nines, on the top of the stairs\nI'm dressed to the nines, on the top of the stairs\n[Chorus]\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't get sad, I get even\nYeah, I don't trust nobody and nobody trusts me\nI don't get sad, I get even\nYeah, I don't trust nobody and nobody trusts me\nI don't get sad, I get even\nYeah, I don't trust nobody and nobody trusts me\nI don't get sad, I get even\nYeah [Outro]\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me\nI don't trust nobody and nobody trusts me" + }, + { + "id":9539416, + "song":"\u201cSlut!\u201d (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nFlamingo pink, Sunrise Boulevard\nClink, clink, being this young is art\nAquamarine, moonlit swimmin' pool\nWhat if all I need is you?\n[Pre-Chorus]\nGot love-struck, went straight to my head\nGot lovesick all over my bed\nLove to think you\u2019ll never forget\nHandprints in wet cement\nAdorned with smoke on my clothes\nLovelorn and nobody knows\nLove thorns all over this rose\nI'll pay the price, you won't\n[Chorus]\nBut if I\u2019m all dressed up\nThey might as well be lookin' at us\nAnd if they call me a slut\nYou know it might be worth it for once\nAnd if I'm gonna be drunk\nI might as well be drunk in love\n[Verse 2]\nSend the code, he's waitin' there\nThe sticks and stones they throw froze mid-air\nEveryone wants him, that was my crime\nThe wrong place at the right time\nAnd I break down, then he's pullin' me in\nIn a world of boys, he's a gentleman [Pre-Chorus]\nGot love-struck, went straight to my head (Straight to my head)\nGot lovesick all over my bed (Over my bed)\nLove to think you\u2019ll never forget\nWe\u2019ll pay the price, I guess\n[Chorus]\nBut if I'm all dressed up (If I\u2019m all dressed up)\nThey might as well be lookin' at us (Lookin' at us)\nAnd if they call me a slut (If they call me a slut)\nYou know it might be worth it for once (Worth it for once)\nAnd if I'm gonna be drunk\nI might as well be drunk in love\n[Bridge]\nHalf asleep\nTakin\u2019 your time in the tangerine\nNeon light, this is luxury\nYou're not sayin' you're in love with me\nBut you're goin' to\nHalf awake\nTakin' your chance, it's a big mistake\nI said, \n\"It might blow up in your pretty face\"\nI'm not sayin', \"Do it anyway\" (Do it anyway)\nBut you're going to [Outro]\n(Up)\nAnd if they call me a (Slut)\nYou know it might be worth it for once\nAnd if I'm gonna be (Drunk)\nI might as well be drunk in love", + "model_output":"[Intro]\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\n[Verse 1]\nYou got the good, the bad, the whole thing\nThere's nothin' left to chance\nIf I would've known\nYou'd go and get me in so much trouble\nI might have let you go\n[Chorus]\nJudas said to Jesus, \"I'm in love with you, but crucify me, too\"\nI'm in love with trouble, that's just what you do\nI'm in love with trouble, now, you know that it's true\nI'm in love with trouble, so, what are you gonna do?\n[Verse 2]\nFlamingo pink skies\nScorching heat\nAquamarine pools\nAnd \nI want you bad\nAnd,, uh, we're so sad\nWe'll make a little team\nWith you, I'm not afraid\nTo make a mess, make a scene\nMake a life with the consequence\n[Chorus]\nJudas said to Jesus, \"I'm in love with you, but crucify me, too\"\nI'm in love with trouble, that's just what you do\nI'm in love with trouble, now, you know that it's true\nI'm in love with trouble, so, what are you gonna do?\n[Bridge]\nOh, I, I, I, I, I, I, I\nOh, I, I, I, I, I, I, I\nOh, I, I, I, I, I, I\nOh, I, I, I, I, I, I\n[Breakdown]\nAnd if it's all the same to you\nI'll make the same mistake\nAnd I'll meet you in the same place\nGot a bad feeling\nI might see you again [Chorus]\nJudas said to Jesus, \"I'm in love with you, but crucify me, too\"\nI'm in love with trouble, that's just what you do\nI'm in love with trouble, now, you know that it's true\nI'm in love with trouble, so, what are you gonna do?\n(What are you gonna do?)\n[Outro]\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my" + }, + { + "id":8485907, + "song":"Maroon", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWhen the morning came\nWe were cleaning incense off your vinyl shelf\n'Cause we lost track of time again\nLaughing with my feet in your lap\nLike you were my closest friend\n\"How'd we end up\u205fon\u205fthe\u205ffloor, anyway?\" you\u205fsay\n\"Your roommate's cheap-ass\u205fscrew-top ros\u00e9, that's how\"\nI see you every day now\n[Chorus]\nAnd I chose you\nThe one I was dancing with\nIn New York, no shoes\nLooked up at the sky and it was\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was\nThe mark th\u0435y saw on my collarbone\nThe rust that grew b\u0435tween telephones\nThe lips I used to call home\nSo scarlet, it was maroon\n[Verse 2]\nWhen the silence came\nWe were shaking, blind and hazy\nHow the hell did we lose sight of us again?\nSobbing with your head in your hands\nAin't that the way shit always ends?\nYou were standing hollow-eyed in the hallway\nCarnations you had thought were roses, that's us\nI feel you, no matter what\nThe rubies that I gave up [Chorus]\nAnd I lost you\nThe one I was dancing with\nIn New York, no shoes\nLooked up at the sky and it was (Maroon)\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was (Maroon)\nThe mark they saw on my collarbone\nThe rust that grew between telephones\nThe lips I used to call home\nSo scarlet, it was maroon\n[Bridge]\nAnd I wake with your memory over me\nThat's a real fucking legacy, legacy (It was maroon)\nAnd I wake with your memory over me\nThat's a real fucking legacy to leave\n[Chorus]\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was maroon\nThe mark they saw on my collarbone\nThe rust that grew between telephones\nThe lips I used to call home\nSo scarlet, it was maroon [Outro]\nIt was maroon\nIt was maroon", + "model_output":"[Verse 1]\nYour cheeks were turning red\nThe night had just started\nYou cleared your throat\nAnd then you said\nSomething I didn't hear\n'Cause I was looking at you\nBrown eyes on the verge\nOf turning blue\nI was waiting at the door\nWith my heart on the floor\n[Pre-Chorus]\nI was looking at you\nIn the morning, we were one\nBut I was looking at you\nIn the light, your face was the first\nThing I saw\n[Chorus]\nThe color of the sky\nWhen I'm looking at you\nThe temperature in the room\nWhen I'm looking at you\nIs the same as the color of your eyes\nAnd I'm looking at you, babe\nIs maroon\nAnd the shape of your body\nIn this nightstand light\nIs the shape of my womb\nAnd I'm looking at you, babe\nAnd it's maroon\n[Verse 2]\nYou had on that sweater\nWe were in a bar\nYou rolled your eyes\nAt something I said\nThen you smiled and looked\nAt the top of my head\nI was too self-conscious\nTo look at you instead [Pre-Chorus]\nYou were looking at me\nThe whole time we were one\nYou were looking at me\nIn the light, my face was the first\nThing you saw\n[Chorus]\nThe color of the sky\nWhen I'm looking at you\nThe temperature in the room\nWhen I'm looking at you\nIs the same as the color of your eyes\nAnd I'm looking at you, babe\nIs maroon\nAnd the shape of your body\nIn this nightstand light\nIs the shape of my womb\nAnd I'm looking at you, babe\nAnd it's maroon\n[Bridge]\nThe last time you grabbed my hand\nWas the night of the party\nYou made me get in your car\nAnd we drove out to the middle of nowhere\nAnd there in the dark\nI saw your eyes, I saw you\nAnd I knew that we'd be fine\nI knew that you'd be mine\nI knew that we'd be just fine\nI knew that you'd be mine\n[Chorus]\nThe color of the sky\nWhen I'm looking at you\nThe temperature in the room\nWhen I'm looking at you\nIs the same as the color of your eyes\nAnd I'm looking at you, babe\nIs maroon\nAnd the shape of your body\nIn this nightstand light\nIs the shape of my womb\nAnd I'm looking at you, babe\nAnd it's maroon [Post-Chorus]\nOh, it's maroon, oh, it's maroon\nOh, it's maroon, oh\n[Outro]\nYour cheeks were turning red\nThe night had just started\nYou cleared your throat\nAnd then you said\nSomething I didn't hear" + }, + { + "id":9157481, + "song":"Snow On The Beach (feat. More Lana Del Rey)", + "artist":"Taylor Swift", + "lyrics":"[Verse 1: Taylor Swift]\nOne night, a few moons ago\nI saw flecks of what could've been lights\nBut it might just have been you\nPassing by unbeknownst to me\nLife is emotionally abusive\nAnd time can't stop me quite like you did\nAnd my flight was awful, thanks for asking\nI'm unglued, thanks to you\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nLana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, \nah\n, ah [Verse 2: Lana Del Rey, \nTaylor Swift & Lana Del Rey\n]\nThis scene feels like what I once saw on a screen\nI searched \"aurora borealis green\"\nI've never seen someone lit from within\nBlurring out my periphery\nMy smile is\n like I won a contest\nAnd to hide that would be so dishonest\nAnd it's fine\n to fake it 'til you make it\n'Til you do, 'til it's true\n[Chorus: \nTaylor Swift\n, Taylor Swift & Lana Del Rey]\nNow, it's like\n snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nLana Del Rey\n]\nLike snow on the beach (\nMmm\n)\nLike snow on the beach\nLike snow on the beach (\nMmm\n)\nLike snow, \nah\n, ah [Bridge: Taylor Swift, \nLana Del Rey\n, \nTaylor Swift & Lana Del Rey\n]\nI (\nI\n) can't (\nCan't\n) speak, afraid to jinx it\nI (\nI\n) don't (\nDon't\n) even dare to wish it\nBut your eyes are flying saucers from another planet\nNow, I'm all for you like Janet\nCan this be a real thing? \nCan it?\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nAre we falling like snow at the beach? (\nSnow at the beach\n)\nWeird, but fuckin' beautiful\nFlying in a dream (\nFlying in a dream\n)\nStars by the pocketful\nYou wanting me (\nYou wanting me\n)\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n, \nLana Del Rey\n]\nLike snow on the beach (\nSnow on the beach\n; \nMmm\n)\nLike snow on the beach (\nFlying in a dream\n)\nLike snow on the beach (\nYou wanting me\n; \nMmm\n)\nLike snow, ah\nBut it's comin' down\nNo sound, it's all around\n[Outro: Lana Del Rey]\nLike snow on the beach\nLike snow, like snow, uh-huh, yeah", + "model_output":"[Intro: Taylor Swift]\n\u2005snow\u2005on the beach\n\u2005snow on the beach\n\u2005snow on the beach\n\u2005(Snow on the beach)\n[Verse 1: Lana Del Rey]\nHe said, \"Let's get out of this town\nDrive out of the city, away from the crowds\"\nI thought, \"Heaven can't help me now\"\nNothing like this ever happened to me\nBefore, I was on a path\npredictable as a (chosen) path\nCan't believe I'm even saying this\nBut there's (snow) on the beach\n[Chorus: Lana Del Rey]\nAnd I'll show you what you've been missing\nIt's (snow) on the beach\nAnd I'll show you what you've been missing\nIt's (snow) on the beach\nIt's (snow) on the beach\nIt's (snow) on the beach\n[Post-Chorus: Lana Del Rey & \nTaylor Swift\n]\nAh, ah, (snow) on the beach\nAh, ah\n[Verse 2: Taylor Swift]\nHe said, \"Let's go get a room\nWith a view of the ocean, a \n30-foot ceiling\"\nI thought, \"This is a dream\"\nI've never been here before\nBut I (want) to be here\nWith him, with him, with him\nAnd there's (snow) on the beach [Chorus: Lana Del Rey & \nTaylor Swift\n]\nAnd I'll show you what you've been missing\nIt's (snow) on the beach\nAnd I'll show you what you've been missing\nIt's (snow) on the beach\nIt's (snow) on the beach\nIt's (snow) on the beach\n[Bridge: Taylor Swift, \nLana Del Rey\n, \nBoth\n]\nAnd there's (snow) on the beach\nAnd there you are\nAnd there's (snow) on the beach\nAnd there you are\nAnd there's (snow) on the beach\nAnd there's (snow) on the beach\nAnd there you are\nAnd there's (snow) on the beach\nAnd there's (snow) on the beach\n[Chorus: Lana Del Rey, \nTaylor Swift\n, \nBoth\n]\nI'll show you what you've been missing\nIt's (snow) on the beach\nI'll show you what you've been missing\nIt's (snow) on the beach\nIt's (snow) on the beach\nIt's (snow) on the beach\n(\nSnow on the beach\n)" + }, + { + "id":8461583, + "song":"Hits Different", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nI washed my hands of us at the club\nYou made a mess of me\nI pictured you with other girls in love\nThen threw up on the street\nLike waiting for a bus that never shows\nYou just start walkin' on\nThey say that if it's right, you know\nEach bar plays our song\nNothing has ever felt so wrong\n[Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different\nIt hits different 'cause it's you\n[Post-Chorus]\n('Cause it's you)\n[Verse 2]\nI used to switch out these Kens, I'd just ghost\nRip the band-aid off and skip town lik\u0435 an asshole outlaw\nFreedom felt like summ\u0435r then on the coast\nNow the sun burns my heart and the sand hurts my feelings\nAnd I never don't cry (And I never don't cry) at the bar\nYeah, my sadness is contagious (My sadness is contagious)\nI slur your name 'til someone puts me in a car\nI stopped receiving invitations [Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different\nIt hits different 'cause it's you\n[Post-Chorus]\n('Cause it's you)\n[Bridge]\nI find the artifacts, cried over a hat\nCursed the space that I needed\nI trace the evidence, make it make some sense\nWhy the wound is still bleedin'\nYou were the one that I loved\nDon't need another metaphor, it's simple enough\nA wrinkle in time like the crease by your eyes\nThis is why they shouldn't kill off the main guy\nDreams of your hair and your stare and sense of belief\nIn the good in the world, you once believed in me\nAnd I felt you and I held you for a while\nBet I could still melt your world\nArgumentative, antithetical dream girl [Verse 3]\nI heard your key turn in the door down the hallway\nIs that your key in the door?\nIs it okay? Is it you?\nOr have they come to take me away?\nTo take me away\n[Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different (It hits different)\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different (It hits different)\nIt hits different 'cause it's you\n[Outro]\nOh, my, love is a lie\nShit my friends say to get me by\n'Cause it's you\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different (Yeah)\nIt hits different 'cause it's you", + "model_output":"[Intro]\nDon't wanna talk about it\nCan't rely on you like you were a mutual fund\nI don't know what to say\nDid you think I'd be different? Yeah\n[Verse 1]\nEvery time you went too far\nI went too far to make you mine\nEvery time you let me down\nI landed on my feet like a supermodel\nBut this is different\nI was never tryna be in love with you on the phone\nI'm a crumpled up piece of paper lying here\n'Cause I'm not the one who thought it was a good idea to begin with\n[Pre-Chorus]\nMaybe I'm not the kind of girl\nWho gets to cry about the end of it\nOr take to the rooftops\nShouting that you're the one who got away\n[Chorus]\nThe last time I felt this way\nWas when I was with you\nThe last time I felt this way\nWas when I was with you\nAnd you might as well\nHave left me in a cab\nLike an old pair of his and hers\nMacklemore did it, so did Tom\nNobody does it better, don't do it, Sam\nAnd you might as well\nHave left me in a cab\nLike an old pair of his and hers\nMacklemore did it, so did Tom\nNobody does it better, don't do it, Sam [Verse 2]\nSeem like no matter what I do\nI always do it for you\nI always wanna be with you\nAnd I always get it wrong in the end\nI'm a crumpled up piece of paper lying here\n'Cause I'm not the kind of girl\nWho gets to cry about the end of it\nOr take to the rooftops\nShouting that you're the one who got away\n[Pre-Chorus]\nI don't want your love\nAnd I don't really wanna see you again\nI don't want your pity\nOoh, you're the one who did me the honesty\n[Chorus]\nThe last time I felt this way\nWas when I was with you\nThe last time I felt this way\nWas when I was with you\nAnd you might as well\nHave left me in a cab\nLike an old pair of his and hers\nMacklemore did it, so did Tom\nNobody does it better, don't do it, Sam\nAnd you might as well\nHave left me in a cab\nLike an old pair of his and hers\nMacklemore did it, so did Tom\nNobody does it better, don't do it, Sam [Post-Chorus]\nDon't do it, don't do it, don't do it, Sam\nDon't do it, don't do it, don't do it, yeah\n[Outro]\nDon't wanna talk about it\nCan't rely on you like you were a mutual fund\nI don't know what to say\nDid you think I'd be different? Yeah" + }, + { + "id":8445376, + "song":"Snow On The Beach", + "artist":"Taylor Swift", + "lyrics":"[Verse 1: Taylor Swift]\nOne night, a few moons ago\nI saw flecks of what could've been lights\nBut it might just have been you\nPassing by unbeknownst to me\nLife is emotionally abusive\nAnd time can't stop me quite like you did\nAnd my flight was awful, thanks for asking\nI'm unglued, thanks to you\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, ah [Verse 2: Taylor Swift, \nTaylor Swift\n & Lana Del Rey\n]\nThis scene feels\n like what I once saw \non a screen\nI searched \"aurora borealis\n green\"\nI've never seen someone \nlit from \nwithin\nBlurring\n out my \nperiphery\nMy smile is \nlike I won a contest\nAnd to hide that \nwould be so dishonest\nAnd it's fine to \nfake it 'til you make it\n'Til \nyou\n do, 'ti\nl it's true\n[Chorus: Taylor Swift & Lana Del Rey]\nNow it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, ah [Bridge: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nI (I) can't (Can't) speak, afraid to jinx it\nI (I) don't (Don't) even dare to wish it\nBut your eyes are flying saucers from another planet\nNow I'm all for you like Janet\nCan this be a real thing? \nCan it?\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nAre we falling like snow at the beach? (\nSnow at the beach\n)\nWeird, but fuckin' beautiful\nFlying in a dream (\nFlying in a dream\n)\nStars by the pocketful\nYou wanting me (\nYou wanting me\n)\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n]\nLike snow on the beach (Snow on the beach)\nLike snow on the beach\n (Flying in a dream)\nLike snow on the beach\n (You wanting me)\nLike snow, ah\nBut it's comin' down\nNo sound, it's all around\n[Outro: Taylor Swift]\nLike snow on the beach\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\nLike snow on the beach\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)", + "model_output":"[Intro: Taylor Swift]\nKinda like a show\nThe kind that fits in your pocket\nAnd you just go, \"Wow\"\n[Verse 1: Taylor Swift]\nSnow falls on the beach\nIt's a strange and beautiful sight\nIt's a moment I've been waiting for\nMy whole life\nIt's just a fleeting thought\nA moment of peace in a world of chaos\nIt's a beautiful sight\n[Chorus: Taylor Swift & \nLana Del Rey\n]\nIs the sea foam white\nOr is it just a lie?\nIs the snow white?\nOr is it just a show?\nIn your mind\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n, \nBoth\n]\nIsn't it just \nstunning\n? Isn't it just \nstunning\n? \nStupendous\nIsn't it just \nstunning\n? Isn't it just \nsnow\n?\n[Verse 2: Lana Del Rey]\nHyacinths grow in the courtyard\nPetals are falling, touch the ground\nBut they never touch the ground\nThey are falling up to the sky\nIt's a strange and beautiful sight\nIt's a moment I've been waiting for\nAll my life\nIt's just a fleeting thought\nA moment of peace in a world of chaos\nIt's a beautiful sight\n[Chorus: Lana Del Rey, \nTaylor Swift\n, \nBoth\n]\nIs the sea foam white\nOr is it just a lie?\nIs the snow white?\nOr is it just a show?\nIn your mind\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n, \nBoth\n]\nIsn't it just \nstunning\n? Isn't it just \nstunning\n? \nStupendous\nIsn't it just \nstunning\n? Isn't it just \nsnow\n?\n[Bridge: Taylor Swift, \nLana Del Rey\n, \nBoth\n]\nI didn't know I was looking for you \n(Uh-uh)\nI didn't know I was looking for you \n(Uh-uh)\nI didn't know I was looking for you \n(Isn't it just?)\nI didn't know I was looking for you\nIsn't it just stunning? \n(Isn't it just stunning?)\nIsn't it just \nstunning\n? (Isn't it just stunning?) \nIsn't it just \nsnow\n? (Isn't it just snow?)\nIsn't it just \nstunning\n? (Isn't it just stunning?) \nIn your mind\nIsn't it just \nstunning\n? Isn't it just \nstunning\n? \nStupendous\nIsn't it just \nstunning\n? Isn't it just \nsnow\n?\n[Outro: Taylor Swift, \nLana Del Rey\n, \nBoth\n]\nIsn't it just \nstunning\n? (\nIsn't it just?\n)\nIsn't it just \nstunning\n? (\nIsn't it just?\n)\nIsn't it just \nsnow\n? (\nIsn't it just snow?\n)\nIn your mind" + }, + { + "id":5651833, + "song":"All Of The Girls You Loved Before", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWhen you think of all the late nights\nLame fights over the phone\nWake up in the\u2005mornin'\u2005with someone\nBut feelin'\u2005alone\n[Refrain]\nA heart is drawn around your\u2005name\nIn someone's handwriting, not mine\nSneakin' out into town\nHoldin' hands, just\u205fkillin'\u205ftime\n[Pre-Chorus]\nYour\u205fpast and mine\u205fare parallel lines\nStars\u205fall aligned and they intertwined\nAnd taught you\nThe way you call me \"baby\"\nTreat me like a lady\nAll that I can say is\n[Chorus]\nAll of the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street led you straight to me\nNow you're all I need, I'm so thankful for\nAll of the girls you loved before\nBut I love you more [Verse 2]\nWhen I think of all the makeup\nFake love out on the town (Ooh)\nCryin' in the bathroom for some dude\nWhose name I cannot remember now\n[Refrain]\nSecret jokes all alone\nNo one's home, sixteen and wild (Ooh)\nBreakin' up, makin' up\nLeave without sayin' goodbye (Ooh)\n[Pre-Chorus]\nAnd just know that\nIt's everything that made me\nNow I call you \"baby\"\nIt's why you're so amazing\n[Chorus]\nAll of the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street led you straight to me\nNow you're all I need, I'm so thankful for\nAll of the girls you loved before\nBut I love you more [Bridge]\nYour mother brought you up loyal and kind\nTeenage love taught you there's good in goodbye\nEvery woman that you knew brought you here\nI wanna teach you how forever feels\n[Chorus]\nLike the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street (Dead-end street) led you straight to me (Straight to me)\nNow you're all I need (All I need), I'm so thankful for\nAll of the girls you loved before\nBut I love you more\n[Outro]\n(I love you more)\n(I love you more)", + "model_output":"[Verse 1]\nI'm so grateful for my ex\nBaby, for the times you made me laugh\nI'm grateful for the wait\nBaby, now I know just how much you care\nI'm grateful for the lights\nBaby, when the darkness gave you fears\nAnd I'm grateful for the fights\nBaby, 'cause they brought us closer here\n[Refrain]\nI'm so in love with you, oh\nAnd I'm so in love with the man you're becoming\nI'm so in love with you, oh\nAnd I'm so in love with the man you're becoming\n[Chorus]\nYour past is not something to be ashamed of\nWounded is not a scarlet letter\nEven the most all-American of heroes\nHas his own demons to fight\nSo, darling, if you ever feel the need\nTo come and talk to me\nAbout the little white lies you've told\nThe boys you've dated or the fights you've won or lost\nI'm not only here to listen\nBut to also be your darling\nForgetting is not my thing\nSo, I will never make\nA good story for a boy to tell\nAbout the time he had\nA girl all wrapped up in ribbons\nLike he's a knight in shining armor\nChampionship bout\nWith a face-off in the rain\nBut I'm not afraid of anything\n'Cause I know what I've learned\nI'm so in love with you, oh\nAnd I'm so in love with the man you're becoming\nI'm so in love with you, oh\nAnd I'm so in love with the man you're becoming\n[Refrain]\nI'm so in love with you, oh\nAnd I'm so in love with the man you're becoming\nI'm so in love with you, oh\nAnd I'm so in love with the man you're becoming\n[Chorus]\nYour past is not something to be ashamed of\nWounded is not a scarlet letter\nEven the most all-American of heroes\nHas his own demons to fight\nSo, darling, if you ever feel the need\nTo come and talk to me\nAbout the little white lies you've told\nThe boys you've dated or the fights you've won or lost\nI'm not only here to listen\nBut to also be your darling\nForgetting is not my thing\nSo, I will never make\nA good story for a boy to tell\nAbout the time he had\nA girl all wrapped up in ribbons\nLike he's a knight in shining armor\nChampionship bout\nWith a face-off in the rain\nBut I'm not afraid of anything\n'Cause I know what I've learned\nI'm so in love with you, oh\nAnd I'm so in love with the man you're becoming\nI'm so in love with you, oh\nAnd I'm so in love with the man you're becoming" + }, + { + "id":9538403, + "song":"Suburban Legends (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nYou had people who called you on unmarked numbers\nIn my peripheral vision\nI let it slide like a hose on a slippery plastic summer\nAll was quickly forgiven\nYou were so magnetic, it was almost obnoxious\nFlush with the currency of cool\nI was always turnin' out my empty pockets\nAnd when it came to you\n[Chorus]\nI didn't come here to make friends\nWe were born to be suburban legends\nWhen you hold me, it holds me together\nAnd you kiss me in a way that's gonna screw me up forever\n[Verse 2]\nI had the fantasy that maybe our mismatched star signs\nWould surprise the whole school\nWhen I ended up back at our class reunion\nWalkin' in with you\nYou'd be more than a chapter in my old diaries\nWith the pages ripped out\nI am standin' in a 1950s gymnasium\nAnd I can still see you now [Chorus]\nI didn't come here to make friends\nWe were born to be suburban legends\nWhen you hold me, it holds me together\nAnd you kiss me in a way that's gonna screw me up forever\nI know that you still remember\nWe were born to be national treasures\nWhen you told me we'd get back together\nAnd you kissed me in a way that's gonna screw me up forever\n[Outro]\nTick-tock on the clock, I pace down your block\nI broke my own heart 'cause you were too polite to do it\nWaves crash on the shore, I dash to the door\nYou don't knock anymore and my whole life's ruined\nTick-tock on the clock, I pace down your block\nI broke my own heart 'cause you were too polite to do it\nWaves crash to the shore, I dash to the door\nYou don't knock anymore and I always knew it\nThat my life would be ruined", + "model_output":"[Verse 1]\n10:25 AM\nThe way you move is like a legend\nPaces back and forth, smoking cigarettes\nWondering which will be the last\nYou won't believe what I've discovered\nI've seen you in my dreams\nBefore you even knew I existed\n[Chorus]\nAnd it's getting hot and it's getting good\nBet your money on us, we're gonna last forever\nWe're gonna be young forever\nAnd it's getting hot and it's getting good\nBet your money on us, we're gonna last forever\nWe're gonna be young forever\n[Verse 2]\n11:25 AM\nRip out pages from your heart's history\nBooks filled with pictures of you and me\nIf this is what it's like\nNo wonder you wanna be with me\n[Chorus]\n'Cause it's getting hot and it's getting good\nBet your money on us, we're gonna last forever\nWe're gonna be young forever\nAnd it's getting hot and it's getting good\nBet your money on us, we're gonna last forever\nWe're gonna be young forever [Bridge]\nCall a taxi, cabbie, take me\nBack to the place where you lived\nI know I'm gonna\nMiss you like a suburban legend\nMiss you like a \nCity legend\nMiss you every second, \nfriend\n[Outro]\nYour dad picks up your ring\nYou left in the sink\nI found an empty \nring box\nIn your room, you didn't\nLeave it in the hall\nI found a note on the \nstand\nYou wrote it in the rain\nBut the flowers in your hair\nFell out at night\nAh, I can't go on\nNo, I can't go on\nI'm going out to get you\nI drive down your street\nYour mom answers,\n \n\"Is this heaven?\"\nI say, \"I don't know, I was hoping you'd tell me\"\nI never got to say\nI'm going to miss you, too\nI'm going to miss you, too" + }, + { + "id":4499925, + "song":"Castles Crumbling (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Intro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)\n[Verse 1: Taylor Swift]\nOnce, I had an empire in a golden age\nI was held up so high, I used to be great\nThey used to cheer when they saw my face\nNow, I fear I have fallen from grace\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nAnd I \nfeel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Verse 2: Hayley Williams, \nTaylor Swift & Hayley Williams\n]\nOnce, I was the great hope for a dynasty\nCrowds would hang on my words and they trusted me\nTheir faith was strong, but I pushed it too far\nI held that grudge 'til it tore me apart\n[Pre-Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nPower went to my head and I couldn't stop\nOnes I loved tried to help, so I ran them off\nAnd here I sit alone behind\n walls of regret\nFalling down like promises that I never kept [Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nAnd I feel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Bridge: Taylor Swift]\nMy foes and friends watch my reign end\nI don't know how it could've ended this way\nSmoke billows from my ships in the harbor\nPeople look at me like I'm a monster\nNow they're screamin' at the palace front gates\nUsed to chant my name\nNow they're screaming that they hate me\nNever wanted you to hate me\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nMy castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, \nI will just let you down\n (Just let you down)\nMy castle's crumbling \ndown\nYou don't wanna know me \nnow\n, now\n[Outro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)", + "model_output":"[Verse 1: Taylor Swift]\nOnce the tide is high, it's the tide that's on its way down\nI'm not the first girl on your list, I was a curiosity\nThere were many like me, but I was the one you chose\nWe had our moment in the sun, but now, it's sinking\nfast\nYou were the boss, the leader\nThe one who broke the mirror\nAnd I'm the one who's bleedin'\n[Chorus: Taylor Swift]\nYou did it, you got me singin'\nYou did it, you got me burnin'\nBridges, I had a habit\nOf crossing those bridges without thinkin'\nWhat if you didn't want me around?\nWhat if you didn't need me now?\n'Cause you did it, you got me singin'\nYou did it, you got me burnin'\nBridges, I had a habit\nOf crossing those bridges without thinkin'\nWhat if you didn't want me around?\nWhat if you didn't need me now?\n[Verse 2: Paramore]\nHey, Daisy, can we talk?\nI know they're burnin' your bridges\nAnd you can't undo\nWhat they did to you, it's not right\nBut you were the crown, they were the faded picture\nOf a perfect view, now it's shattered\nglass\n[Chorus: Hayley Williams, \nTaylor Swift\n, \nBoth\n]\nYou did it, you got me singin'\nYou did it, you got me burnin'\nBridges, I had a habit\nOf crossing those bridges without thinkin'\nWhat if you didn't want me around?\nWhat if you didn't need me now?\n'Cause you did it, you got me singin'\nYou did it, you got me burnin'\nBridges, I had a habit\nOf crossing those bridges without thinkin'\nWhat if you didn't want me around?\nWhat if you didn't need me now?\n[Post-Chorus: Taylor Swift, \nHayley Williams\n, \nBoth\n]\nWhat if you didn't want me around?\nWhat if you didn't need me now?\nWhat if you didn't want me around?\nWhat if you didn't need me now?\n[Bridge: Taylor Swift, \nHayley Williams\n, \nBoth\n]\nEasy, all the tides will rise\nAnd all the broken bridges help us breathe\nI'm not the first girl on your list, I was a curiosity\nThere were many like me, but I was the one you chose\nWe had our moment in the sun, but it's sinking fast\nYou were the boss, the leader\nThe one who broke the mirror\nAnd I'm the one who's bleedin'\n[Chorus: Both, \nTaylor Swift\n, \nHayley Williams\n, \nBoth\n]\nYou did it, you got me singin' (\nSingin'\n)\nYou did it, you got me burnin' (\nBurnin'\n)\nBridges, I had a habit (\nAh\n)\nOf crossing those bridges without thinkin'\nWhat if you didn't want me around? (\nAh\n)\nWhat if you didn't need me now?\n'Cause you did it, you got me singin' (\nSingin'\n)\nYou did it, you got me burnin' (\nBurnin'\n)\nBridges, I had a habit (\nAh\n)\nOf crossing those bridges without thinkin'\nWhat if you didn't want me around? (\nAh\n)\nWhat if you didn't need me now?\n'Cause you did it, you got me singin' (\nSingin'\n)\nYou did it, you got me burnin' (\nBurnin'\n)\nBridges, I had a habit (\nAh\n)\nOf crossing those bridges without thinkin'\nWhat if you didn't want me around? (\nAh\n)\nWhat if you didn't need me now?\n[Outro: Taylor Swift, \nHayley Williams\n, \nBoth\n]\nWhat if you didn't want me around?\nWhat if you didn't need me now?\nWhat if you didn't want me around?\nWhat if you" + }, + { + "id":9157172, + "song":"Karma (Remix)", + "artist":"Taylor Swift", + "lyrics":"[Intro: Ice Spice]\nKarma is that girl, like (Grrah)\n[Verse 1: Taylor Swift]\nYou're talking shit for the hell of it\nAddicted to betrayal, but you're relevant\nYou're terrified to look down\n'Cause if you dare, you'll see the glare\nOf everyone you burned just to get there\nIt's comin' back around\n[Pre-Chorus: Taylor Swift]\nAnd I keep my side of the street clean\nYou wouldn't know what I mean\n[Chorus: Taylor Swift]\n'Cause karma is my boyfriend\nKarma is a god\nKarma is the breeze in my hair on the weekend\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing lik\u0435 a goddamn acrobat\nMe and karma vibe like that [Verse 2: Ice Spice, \nIce Spice & Taylor Swift\n]\nKarma is your ch\u0435ck's 'boutta bounce (Damn)\nKarma is a fire in your house (Grrah)\nAnd she 'boutta pop up unannounced (Like)\nAnd she never leavin' you alone (Damn)\nWatch her put ya opps on a throne (Damn)\nGot you wavin' pretty \nwhite flags\n, feenin' for that \ncash\nThinkin' it'll save ya, now you switchin' up your behavior\nIt's okay, baby, you ain't gotta worry, karma never gets lazy\nSo, I keep my head up, my bread up, I won't let up (Never)\nPromise that you'll never endeavor with none lesser (Ever, ever)\nI be draggin' that wagon, karma is a beauty \nwinning that pageant\n, grrah\n[Chorus: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is my boyfriend (\nDamn\n)\nKarma is a god\nKarma is the breeze in my hair on the weekend\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing like a goddamn acrobat\nMe and karma vibe like that\n (\nGrrah\n)\n[Bridge: Taylor Swift]\nAsk me what I learned from all those years\nAsk me what I earned from all those tears\nAsk me why so many fade, but I'm still here\n(I'm still here, I'm still here) [Breakdown: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is the thunder\nRattlin' your ground\nKarma's on your scent like a bounty hunter\nAnd karma's gonna track you down\nStep by step, from town to town\nSweet like justice, \nkarma is a queen\nKarma takes all my friends to the summit (\nFacts\n)\nKarma is the guy on the screen\nComing straight home to me\n[Chorus: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is my boyfriend (\nKarma is my boyfriend\n)\nKarma is a god (\nDamn\n)\nKarma is the breeze in my hair on the weekend (Weekend)\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing like a goddamn acrobat\nMe and karma vibe like that\n[Outro: Taylor Swift, \nIce Spice\n]\nKarma is my boyfriend\nKarma is a god (Ah)\nKarma is my bestie\n (Mmm)\nKarma's a relaxing thought\nKarma's gonna hold you down", + "model_output":"[Intro: James Reynolds]\nKarma is a funny thing, yes it is\nIt can take so long, but it always comes around\nYeah\n[Verse 1: Taylor Swift]\nThere's a reason why they always say\n\"What goes around comes around\"\nIt's called karma\nIt's the price you pay\nFor the things that you do in this life\nIt's not the same for everyone\nIt's not the same at all\nIt's a soul thing\n[Chorus: Taylor Swift]\nKarma is a thing, yes it is\nShe's a gossip who keeps all of your secrets\nAnd then she tells everyone\nKarma is a bitch, yes she is\nShe's the queen of the mean girls\nAnd she's taking down everyone\nBitch, you deserve it\nKarma is a friend, yes she is\nShe's the queen of the good girls\nAnd she's taking down everyone\nOh, but\n[Verse 2: Tayla Parx]\nThere's a reason why they always say\n\"What goes around comes around\"\nIt's called karma\nIt's the price you pay\nFor the things that you do in this life\nIt's not the same for everyone\nIt's not the same at all\nIt's a soul thing\n[Chorus: Taylor Swift & Tayla Parx]\nKarma is a thing, yes it is\nShe's a gossip who keeps all of your secrets\nAnd then she tells everyone\nKarma is a bitch, yes she is\nShe's the queen of the mean girls\nAnd she's taking down everyone\nBitch, you deserve it\nKarma is a friend, yes she is\nShe's the queen of the good girls\nAnd she's taking down everyone [Verse 3: Dua Lipa]\nThere's a reason why they always say\n\"What goes around comes around\"\nIt's called karma\nIt's the price you pay\nFor the things that you do in this life\nIt's not the same for everyone\nIt's not the same at all\nIt's a soul thing [Chorus: Taylor Swift, Tayla Parx, & Dua Lipa]\nKarma is a thing, yes it is\nShe's a gossip who keeps all of your secrets\nAnd then she tells everyone\nKarma is a bitch, yes she is\nShe's the queen of the mean girls\nAnd she's taking down everyone\nBitch, you deserve it\nKarma is a friend, yes she is\nShe's the queen of the good girls\nAnd she's taking down everyone\n[Verse 4: Missy Elliott, \nTaylor Swift\n, \nBoth\n]\nThere's a reason why they always say\n\"What goes around comes around\"\nIt's called karma\nIt's the price you pay\nFor the things that you do in this life\nIt's not the same for everyone\nIt's not the same at all\nIt's a soul thing\n[Chorus: Taylor Swift, Tayla Parx, Dua Lipa & Missy Elliott, \nTaylor Swift, Tayla Parx & Dua Lipa\n]\nKarma is a thing, yes it is\nShe's a gossip who keeps all of your secrets\nAnd then she tells everyone\nKarma is a bitch, yes she is\nShe's the queen of the mean girls\nAnd she's taking down everyone\nBitch, you deserve it\n (\nDeserve it, bitch, you deserve it\n)\nKarma is a friend, yes she is\nShe's the queen of the good girls\nAnd she's taking down everyone [Outro: Missy Elliott, \nTaylor Swift\n, \nBoth\n]\nThere's a reason why they always say (\nWhy they always say, say, say\n)\n\"What goes around comes around\" (\nWhat goes around comes around\n)\nIt's called karma (\nIt's called karma, karma\n)\nIt's the price you pay (\nIt's the price you pay, the price you pay\n)\nFor the things that you do in this life (\nIn this life, this life\n)\nIt's not the same for everyone (\nNot the same for everyone\n)\nIt's not the same at all (\nNot the same at all\n)\nIt's a soul thing (" + }, + { + "id":8485905, + "song":"Midnight Rain", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nRain\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Verse 1]\nMy town was a wasteland\nFull of cages, full of fences\nPageant queens and big pretenders\nBut for some, it was paradise\nMy boy was a montage\nA slow-motion, love potion\nJumping off things in the ocean\nI broke his heart 'cause he was nice\nHe was sunshine, I was midnight rain\n[Chorus]\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Verse 2]\nIt came like a postcard\nPicture perfect shiny family\nHoliday peppermint candy\nBut for him, it's every day\nSo I peered through a window\nA deep portal, time travel\nAll the love we unravel\nAnd the life I gave away\n'Cause he was sunshine, I was midnight rain [Chorus]\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight rain\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Outro]\nI guess sometimes we all get\nJust what we wanted, just what we wanted\nAnd he never thinks of me\nExcept for when I'm on TV\nI guess sometimes we all get\nSome kind of haunted, some kind of haunted\nAnd I never think of him\nExcept on midnights like this\n(Midnights like this, midnights like this)", + "model_output":"[Verse 1: Patrick Stump]\nYou said you wanted the flash, not the camera\nYou said you wanted the thrill, not the hangover\nYou said the sky was the limit, not the flare\nUp, up, and away, you wanted to go\nYou said you wanted to be remembered\nNot for a minute, but for years\nYou wanted to be the one they sing about\nThe one that gets it, not the one that heals it\n[Chorus: Patrick Stump & \nTaylor Swift\n]\nAll of me changed like midnight\nAnd I can't go back\nI thought you'd want to be with me\nBarefoot on the grass\nSenorita, the fire's out\nI'll be cleaning up the mess I made\nAnd you'll be on an island\nWith a white sand beach\nTellin' people this was the best day\nEver\n[Verse 2: Taylor Swift]\nI said I wanted to be in a magazine\nWith you, naked and laughing, on our honeymoon\nI said I wanted to be your everything\nAnd you were like, \"I'm too complex for that\"\nI said I wanted to grow old with you\nBut all I ever really wanted was to be loved\nAnd now, I'm in your head for the very first time\nAnd I can make you feel alive\n[Chorus: Taylor Swift & \nPatrick Stump\n]\nAll of me changed like midnight\nAnd I can't go back\nYou wanted to be the one to make me stay\nYou're in the headlines, on the night train\nYour name is written in my pitch-black ink\nMy, my, my, my, my, my\n[Outro: Patrick Stump, \nTaylor Swift\n, \nBoth\n]\nAnd then the end of the story\nThe end, of the story\nThe end, of the story\nThe end of the story\nAnd they all wake up in the darkness\nThe darkness, the darkness\nThe darkness, the darkness\nThe darkness\nAnd they all stand up on their seats\nTheir seats, seats\nTheir seats, seats\nTheir seats\nAnd they all cheer and they all scream\nAnd they all chant your name\nAnd they all chant your name\nAnd they all chant your name\nAnd they all cheer and they all scream\nAnd they all chant your name\nAnd they all chant your name\nAnd they all chant your name\nAnd then the end of the story\nThe end, of the story\nThe end, of the story\nThe end of the story" + }, + { + "id":8442190, + "song":"Lavender Haze", + "artist":"Taylor Swift", + "lyrics":"[Intro]\nMeet me at midnight\n[Verse 1]\nStaring at the ceiling with you\nOh, you don't ever say too much\nAnd you don't really read into\nMy melancholia\n[Pre-Chorus]\nI been under scrutiny (Yeah, oh, yeah)\nYou handle it beautifully (Yeah, oh, yeah)\nAll this shit is new to me (Yeah, oh, yeah)\n[Chorus]\nI feel\nThe lavender haze creeping up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Verse 2]\nAll they keep asking me (All they keep asking me)\nIs if I'm gonna be your bride\nThe only kinda girl they see (Only kinda girl they see)\nIs a one-night or a wife [Pre-Chorus]\nI find it dizzying (Yeah, oh, yeah)\nThey're bringing up my history (Yeah, oh, yeah)\nBut you weren't even listening (Yeah, oh, yeah)\n[Chorus]\nI feel\nThe lavender haze creepin' up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Post-Chorus]\nThat lavender haze\n[Bridge]\nTalk your talk and go viral\nI just need this love spiral\nGet it off your chest\nGet it off my desk (Get it off my desk)\nTalk your talk and go viral\nI just need this love spiral\nGet it off your chest\nGet it off my desk [Chorus]\nI feel (I feel)\nThe lavender haze creeping up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal (No deal)\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Outro]\nGet it off your chest\nGet it off my desk\nThat lavender haze\nI just wanna stay\nI just wanna stay in that lavender haze", + "model_output":"[Intro]\n(\nIs it better to be happy or in love?\n)\n[Verse 1]\nI'm countin' the stars in your eyes\nAnd I'm somethin' I don't know why\nThey're tellin' me I'm the one\nAnd I'm sayin' \"oh, my\"\nI'm fallin' into the lavender haze\n[Pre-Chorus]\nI don't want no one to be in a better place\nThan I am right now\nAnd I don't want the sun to shine\nOn a better day\nThan the one that I'm buzzin' about\n[Chorus]\nAnd I say, \"Never grow up\"\nAnd you say, \"Why?\"\nWell, the world is a little colder\nIn the winter\nAnd the nights are a little darker\nWhen you're older\nAnd you'll still my be my baby\nEven when you're older\n[Verse 2]\nI'm watchin' the stars in your eyes\nAnd I'm somethin' I don't know why\nThey're tellin' me I'm the one\nAnd I'm sayin' \"oh, my\"\nI'm fallin' into the lavender haze, I\n[Pre-Chorus]\nI don't want no one to be in a better place\nThan I am right now\nAnd I don't want the sun to shine\nOn a better day\nThan the one that I'm buzzin' about\n[Chorus]\nAnd I say, \"Never grow up\"\nAnd you say, \"Why?\"\nWell, the world is a little colder\nIn the winter\nAnd the nights are a little darker\nWhen you're older\nAnd you'll still be my baby\nEven when you're older\n[Bridge]\nI want a perfect day\nWhere I won't have to look away\nI want to go with you\nTo the edge of the world\nWe'll look down and we'll say, \"Oh, my\"\nWe're fallin' into the lavender haze, I\nWe're fallin' into the lavender haze, I\nWe're fallin' into the lavender haze [Outro]\nOh, my\nWe're fallin' into the lavender haze, I" + }, + { + "id":5651836, + "song":"Need", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nWant is the cigarette smoke on a jacket\nYou wore to the wrong part of town\nDesire\u2005is\u2005the sound of\u2005the whiskey\nTelling me you miss me,\u2005can you come around?\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nLust is a liar, a short-lived fire\nIt ain't what you and I are at all\n[Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Verse 2]\nDanger is a thousand prickles on my neck\nThat tell me to run or to freeze\nFear is the nightmare I had, you were with someone else\nYou forgot about me\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nCaught up in a feeling, it can be deceiving\nThis is like breathing for me [Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Bridge]\nBaby, it's always a new kiss every time we do this\nThe truth is it's essential to me\nThat you love me more than wishing, longing\n[Chorus]\nOh, it's a need (It's a need), it's a need (Ah-ah, ah-ah)\nI would go (I would go) anywhere (Anywhere) that you lead (Oh, oh)\nI am hopeless, breathless, burning slow (Burning slow)\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave (I won't leave), it's a need (Oh)", + "model_output":"[Verse 1]\nI wanna be the one you want\nI need you now and I need you bad\nI'm looking at your picture right now\nAnd I just can't go on\nNot knowing if you're all right\nWhether you're in danger or not\nI'd go to you right now\nIf I could just go\n[Chorus]\nYou got me.\nI'm yours to keep and I'm yours to lose\nYou really get me\nI'm just yours\nI'm just yours\n[Verse 2]\nI remember you walked in\nLike an avalanche or a barroom brawl\nI'm not sure which one of us was more stunned\nBut you walked in like you had somewhere to go\nI just let you in and I just can't close the door\n'Cause I need you now and I need you bad\nAnd I just can't go on\nNot knowing if you're all right\nWhether you're in danger or not\nI'd go to you right now\nIf I could just go\n[Chorus]\nYou got me.\nI'm yours to keep and I'm yours to lose\nYou really get me\nI'm just yours\nI'm just yours\n[Bridge]\nLike the taste of a cigarette\nYou've been my sincerely yours\nLike the feeling of a weapon\nBeing held against my own heart\nI just go on and on\nAnd on and on and on\n[Chorus]\nYou got me\nI'm yours to keep and I'm yours to lose\nYou really get me\nI'm just yours\nI'm just yours\nYou got me\nI'm yours to keep and I'm yours to lose\nYou really get me\nI'm just yours\nI'm just yours\n[Outro]\nI just go on and on\nAnd on and on and on\nI just go on and on\nAnd on and on and on\nI just go on and on\nAnd on and on and on\nI just go on and on\nAnd on and on and on\nI just go on and on\nAnd on and on and on" + }, + { + "id":3281502, + "song":"Dress", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nOur secret moments in a crowded room\nThey got no idea about me and you\nThere is an indentation in the shape of you\nMade your mark on me, a golden tattoo\n[Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n\u2019Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Verse 2]\nInescapable, I'm not even gonna try\nAnd if I get burned, at least we were electrified\nI\u2019m spilling wine in the bathtub\nYou kiss my face and we're both drunk\nEveryone thinks that they know us\nBut they know nothin' about [Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n'Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha\n[Post-Chorus]\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\n[Bridge]\nFlashback when you met me, your buzzcut and my hair bleached\nEven in my worst times, you could see the best in me\nFlashback to my mistakes, my rebounds, my earthquakes\nEven in my worst lies, you saw the truth in me\nAnd I woke up just in time, now I wake up by your side\nMy one and only, my lifeline\nI woke up just in time, now I wake up by your side\nMy hands shake, I can't explain this\nAh, ha, ha, ha-ah [Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n\u2019Cause I don\u2019t want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Outro]\nThere is an indentation in the shape of you\nOnly bought this dress so you could take it off\nYou made your mark on me, golden tattoo\nOnly bought this dress so you could take it off", + "model_output":"[Intro]\nDon't look at me\nDon't look at me\nDon't look at me\nDon't look at me\n[Verse 1]\nI, I looked around the room\nAt all the uninformed, uninterested people\nHanging from the light fixtures\nScenery devouring, consumed by insincerity\nEverybody wants you\nBut, baby, they just want you on their own terms\nThey might be looking at you\nBut, baby, they just see a golden tattoo\n[Pre-Chorus]\nI, I can't, I won't, I have to\nFind a way to make you mine\n[Chorus]\nI meet you in the shade\nWhen the sun's not just shining on your face\nI'm on my best behavior\nBaby, at the dinner party\nDon't look at me\nDon't look at me\nDon't look at me\nLook at me\nI'm not the only one\nWith a golden tattoo\n[Verse 2]\nI, I looked around the room\nAt all the uninformed, uninterested people\nHanging from the light fixtures\nScenery devouring, consumed by insincerity\nEverybody wants you\nBut, baby, they just want you on their own terms\nThey might be looking at you\nBut, baby, they just see a golden tattoo\n[Pre-Chorus]\nI, I can't, I won't, I have to\nFind a way to make you mine\n[Chorus]\nI meet you in the shade\nWhen the sun's not just shining on your face\nI'm on my best behavior\nBaby, at the dinner party\nDon't look at me\nDon't look at me\nDon't look at me\nLook at me\nI'm not the only one\nWith a golden tattoo\n[Bridge]\nI, I'm not the only one\nWith a golden tattoo\nI, I'm not the only one\nWith a golden tattoo\n[Chorus]\nI meet you in the shade\nWhen the sun's not just shining on your face\nI'm on my best behavior\nBaby, at the dinner party\nDon't look at me\nDon't look at me\nDon't look at me\nLook at me\nI'm not the only one\nWith a golden tattoo" + }, + { + "id":9538405, + "song":"Say Don\u2019t Go (Taylor\u2019s Version) [From The Vault]", + "artist":"Taylor Swift", + "lyrics":"[Verse 1]\nI've known it from the very start\nWe\u2019re a shot in the darkest dark\nOh no, oh no, I'm unarmed\nThe waiting is a sadness\nFading into madness\nOh no, oh no, it won't stop\n[Refrain]\nI\u2019m standin' on a tightrope alone\nI hold my breath a little bit longer\nHalfway out the door, but it won't close\nI'm holdin' out hope for you to\n[Pre-Chorus]\nSay, \"Don't go\"\nI would stay forever if you say, \"Don't go\"\n[Chorus]\nWhy'd you have to lead me on?\nWhy\u2019d you have to twist the knife?\nWalk away and leave me bleedin\u2019, bleedin'?\nWhy\u2019d you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin' [Post-Chorus]\n(Say) Say, \"(Don't) don\u2019t (Go) go\"\nI would stay forev\u0435r if you (Say) say, \"(Don't) don't (Go) go\"\n(Say, say, say, say)\n[Verse 2]\nNow I'm pacin' on shaky ground\nStrike a match, then you blow it out\nOh no, oh no, it's not fair\n'Cause you kiss m\u0435 and it stops time\nAnd I'm yours, but you're not mine\nOh no, oh no, you're not there\n[Refrain]\nI'm standin' on the sidewalk alone\nI wait for you to drive by\nI'm tryna see the cards that you won't show\nI'm about to fold unless you\n[Pre-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go\"\n[Chorus]\nWhy'd you have to lead me on?\nWhy'd you have to twist the knife?\nWalk away and leave me bleedin', bleedin'?\nWhy'd you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin' [Post-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go\"\n(Say, say, say, say)\n[Bridge]\nWhy'd you have to (Why'd you have to)\nMake me want you? (Make me want you)\nWhy'd you have to (Why'd you have to)\nGive me nothin' back?\nWhy'd you have to (Why'd you have to)\nMake me love you? (Make me love you)\nI said, \"I love you\" (I said, \"I love you\")\nYou say nothin' back\n[Chorus]\nWhy'd you have to lead me on? (Oh)\nWhy'd you have to twist the knife?\nWalk away and leave me bleedin', bleedin'?\nWhy'd you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin'\n[Post-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go,\" woah\n(Say, say, say, say) [Outro]\nBut you won't, but you won't, but you won't\nI would stay forever if you say, \"Don't go\"\nBut you won't, but you won't, but you won't", + "model_output":"[Intro]\nDon't go, don't go\n[Verse 1]\nAnd you're not leaving, I can't bear it\nYou're not what I wanted, but you're what I have\nI wanted to need you, not to feel this\nI wanted to want you, not to know that\n[Pre-Chorus]\nYou're in my blood, in my veins\nIt's you that I blame\nFor my ruin, I fall into you\nAnd I say\n[Chorus]\nStay, stay, stay\nWhy'd you have to come along and ruin it?\nStay, stay, stay\nI watched you as you went out the door, but you didn't\nStay\n[Post-Chorus]\nDon't go (Don't go), don't go (Don't go)\n[Verse 2]\nYou're not the one I wanted, but I made you my world\nI cannot survive if you're not my boy\nI wanted to keep you, but I was too afraid\nTo fight for what I wanted, so I cried for you\n[Pre-Chorus]\nYou're in my blood, in my veins\nIt's you that I blame\nFor my ruin, I fall into you\nAnd I say\n[Chorus]\nStay, stay, stay\nWhy'd you have to come along and ruin it?\nStay, stay, stay\nI watched you as you went out the door, but you didn't\nStay\n[Post-Chorus]\nDon't go (Don't go), don't go (Don't go)\n[Bridge]\nI'd kill for you, I'd die for you\nI'd live for you, I'd lie for you\nI'd cry for you, I'd die for you\nI'd kill for you, I'd die for you\nI'd live for you, I'd lie for you\nI'd cry for you, I'd die for you\nAnd I say\n[Chorus]\nStay, stay, stay\nWhy'd you have to come along and ruin it?\nStay, stay, stay\nI watched you as you went out the door, but you didn't\nStay\n[Post-Chorus]\nDon't go (Don't go), don't go (Don't go)\n[Outro]\nDon't go, don't go\nStay, stay\nDon't go, don't go\nStay, stay" + } +] \ No newline at end of file diff --git a/generate_prompts/convert_to_fastchat.py b/generate_prompts/convert_to_fastchat.py new file mode 100644 index 0000000..9c30f19 --- /dev/null +++ b/generate_prompts/convert_to_fastchat.py @@ -0,0 +1,22 @@ +import argparse +import pandas as pd + + +def main(args): + + data = pd.read_json(args.data_path, lines=True) + data['conversations'] = pd.Series(list(zip(data['prompt'], data['lyrics']))).map(lambda t: [{'from': 'human', 'value': t[0]}, {'from': 'gpt', 'value': t[1]}]) + data[['id', 'conversations']].to_json(args.out_path, orient='records', indent=1) + + return + + +if __name__ == "__main__": + parser = argparse.ArgumentParser(description='Generate Prompts') + parser.add_argument('--data-path', type=str, help='Data path', required=True) + parser.add_argument('--out-path', type=str, help='Out data path', required=True) + + + args = parser.parse_args() + + main(args) \ No newline at end of file diff --git a/generate_prompts/taylor_test_set/output.jsonl b/generate_prompts/taylor_test_set/output.jsonl new file mode 100644 index 0000000..7922d9e --- /dev/null +++ b/generate_prompts/taylor_test_set/output.jsonl @@ -0,0 +1,17 @@ +{"id":3947016,"song":"Drama Queen","artist":"Taylor Swift","lyrics":"[Verse 1]\nLet's break it down, I\u2019ll take the story from the slammin' of the door\nThought it was perfect for a second, guess you weren't quite as sure\nMaybe I\u2019m a little hard to get, maybe you didn't have the patience\nLet's assess the situation\nThat girl was biding her time, yeah, she was waiting on your cue\nSo, somehow, I'm not surprised to see her standin' there with you\nMaybe she's a little overdressed and I can see the smile you're fakin'\nAnd the deep breath you\u2019re takin\u2019\n[Pre-Chorus]\nWhen you see me now, you're not lookin\u2019 at her\nYeah, it's a long way down from the bridges you burned\nMight wanna sit down, I'm calling you out\nRight now\n[Chorus]\nYou're a heartbreaker and she\u2019s a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen\n[Verse 2]\nAs I was saying, I was never quite a fan of little games\nIt doesn't take too long to see that boys like you are all the same\nMaybe I'm a little less obsessed, but she's impressed\nAnd I should mention, she's starving for attention [Pre-Chorus]\nI can see it now, how it's all gonna be\nWhen she freaks out, you'll be thinkin' of me\n'Cause what went down is coming back around\nYou'll see\n[Chorus]\n'Cause you're a heartbreaker and she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen\n[Bridge]\nSometimes you get just what you see\nLike, you chose her when you could've had me\nEverything's a mess now, watch her little meltdown\nWish you both success and I hope you're happy\n[Chorus]\n'Cause you're a heartbreaker, she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama\nHeartbreaker and she's a little drama queen\nI'm a little over it and she's still not me\nSo long and back to reality\nBut this song's for you and your drama queen [Outro]\nHuh-oh, for you and your drama queen\nOh-oh-oh-oh, you and your drama queen\nHuh-oh, baby, you're a drama queen","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a scorned lover reflecting on a past relationship, using clever and direct lyrics to call out an ex-partner's infidelity and the new interest's dramatic nature. The song should convey a mix of sassiness and emotional clarity, with a catchy chorus emphasizing the heartbreak caused by the ex, and the realization that the singer is ultimately better off without them. Incorporate a narrative style that is characteristic of Taylor Swift's storytelling, complete with vivid imagery and a bridge that ties the emotional journey together. Keep the tone a balance between biting and introspective, with a pop-country flair that Swift is known for."} +{"id":8485912,"song":"Question...?","artist":"Taylor Swift","lyrics":"[Intro]\nI remember\n[Verse 1]\nGood girl, sad boy\nBig city, wrong choices\nWe had one thing goin' on\nI swear that\u2005it\u2005was somethin'\n'Cause I\u2005don't remember who I was\nBefore you\u2005painted all my nights\nA color I've searched for since\nBut one thing after another\nFuckin' situations, circumstances\nMiscommunications, and I\nHave to say, by the way\nI just may like some explanations\n[Chorus]\nCan I ask you a question?\nDid you ever have someone kiss you in a crowded room\nAnd every single one of your friends was makin' fun of you\nBut fifteen seconds later, th\u0435y were clappin' too?\nThen what did you do?\nDid you l\u0435ave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question [Verse 2]\nHalf-moon eyes, bad surprise\nDid you realize out of time?\nShe was on your mind with some dickhead guy\nThat you saw that night\nBut you were on somethin'\nIt was one drink after another\nFuckin' politics and gender roles\nAnd you're not sure and I don't know\nGot swept away in the gray\nI just may like to have a conversation\n[Chorus]\nCan I ask you a question?\nDid you ever have someone kiss you in a crowded room\nAnd every single one of your friends was makin' fun of you\nBut fifteen seconds later, they were clappin' too?\nThen what did you do?\nDid you leave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question\n[Bridge]\nDoes it feel like everything's just like\nSecond best after that meteor strike?\nAnd what's that that I heard? That you're still with her?\nThat's nice, I'm sure that's what's suitable\nAnd right, but tonight [Chorus]\nCan I ask you a question? (Can I ask you a question?)\nDid you ever have someone kiss you in a crowded room (In a crowded room)\nAnd every single one of your friends was makin' fun of you (Makin' fun of you)\nBut fifteen seconds later, they were clappin' too?\nThen what did you do? (Do)\nDid you leave her house in the middle of the night? Oh\nDid you wish you'd put up more of a fight, oh (More of a fight)\nWhen she said it was too much?\nDo you wish you could still touch her?\nIt's just a question","prompt":"Write me a song in the style of Taylor Swift that captures the essence of young, turbulent romance in a big city setting. The lyrics should revolve around the complexities of modern relationships, the impact of peer perceptions, and the longing for past connections. Incorporate elements of storytelling with emotive questions that probe at the bittersweet nuances of love and heartbreak. The music should blend Taylor Swift's signature confessional lyricism with a melody that's both catchy and reflective, embodying the highs and lows experienced by the protagonists."} +{"id":8485914,"song":"Vigilante Shit","artist":"Taylor Swift","lyrics":"[Verse 1]\nDraw the cat eye sharp enough to kill a man\nYou did some bad things, but I'm the worst of them\nSometimes I wonder which one'll be your last lie\nThey say looks can kill and I might try\nI don't dress for women\nI don't dress for men\nLately, I've been dressin' for revenge\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge\n[Verse 2]\nShe needed cold, hard proof, so I gave her some\nShe had the envelope, where you think she got it from?\nNow she gets the house, gets the kids, gets the pride\nPicture me thick as thieves with your ex-wife\nAnd she looks so pretty\nDrivin' in your Benz\nLately, she's been dressin' for revenge\n[Chorus]\nShe don't start shit, but she can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nShe don't dress for friends\nLately, she's been dressing for revenge [Bridge]\nLadies always rise above\nLadies know what people want\nSomeone sweet and kind and fun\nThe lady simply had enough\n[Verse 3]\nWhile he was doin' lines and crossin' all of mine\nSomeone told his white-collar crimes to the FBI\nAnd I don't dress for villains\nOr for innocents\nI'm on my vigilante shit again\n[Chorus]\nI don't start shit, but I can tell you how it ends\nDon't get sad, get even\nSo on the weekends\nI don't dress for friends\nLately, I've been dressin' for revenge","prompt":"Write a song in the style of Taylor Swift that captures the theme of empowerment through retribution, with a protagonist who dresses sharply not for others, but as a means of asserting control and seeking revenge. The song should contain vivid storytelling elements, reminiscent of Swift's narrative songwriting, and include a chorus that emphasizes the idea of not getting sad but getting even. The musical arrangement should align with Swift's pop sensibilities, possibly with a hint of country influence, and the lyrics should convey a blend of independence, sly wit, and a touch of drama, akin to her \"reputation\" era."} +{"id":9539416,"song":"\u201cSlut!\u201d (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Verse 1]\nFlamingo pink, Sunrise Boulevard\nClink, clink, being this young is art\nAquamarine, moonlit swimmin' pool\nWhat if all I need is you?\n[Pre-Chorus]\nGot love-struck, went straight to my head\nGot lovesick all over my bed\nLove to think you\u2019ll never forget\nHandprints in wet cement\nAdorned with smoke on my clothes\nLovelorn and nobody knows\nLove thorns all over this rose\nI'll pay the price, you won't\n[Chorus]\nBut if I\u2019m all dressed up\nThey might as well be lookin' at us\nAnd if they call me a slut\nYou know it might be worth it for once\nAnd if I'm gonna be drunk\nI might as well be drunk in love\n[Verse 2]\nSend the code, he's waitin' there\nThe sticks and stones they throw froze mid-air\nEveryone wants him, that was my crime\nThe wrong place at the right time\nAnd I break down, then he's pullin' me in\nIn a world of boys, he's a gentleman [Pre-Chorus]\nGot love-struck, went straight to my head (Straight to my head)\nGot lovesick all over my bed (Over my bed)\nLove to think you\u2019ll never forget\nWe\u2019ll pay the price, I guess\n[Chorus]\nBut if I'm all dressed up (If I\u2019m all dressed up)\nThey might as well be lookin' at us (Lookin' at us)\nAnd if they call me a slut (If they call me a slut)\nYou know it might be worth it for once (Worth it for once)\nAnd if I'm gonna be drunk\nI might as well be drunk in love\n[Bridge]\nHalf asleep\nTakin\u2019 your time in the tangerine\nNeon light, this is luxury\nYou're not sayin' you're in love with me\nBut you're goin' to\nHalf awake\nTakin' your chance, it's a big mistake\nI said, \n\"It might blow up in your pretty face\"\nI'm not sayin', \"Do it anyway\" (Do it anyway)\nBut you're going to [Outro]\n(Up)\nAnd if they call me a (Slut)\nYou know it might be worth it for once\nAnd if I'm gonna be (Drunk)\nI might as well be drunk in love","prompt":"Write me a song in the style of Taylor Swift that captures the essence of youthful recklessness and romantic defiance. The song should feature vivid imagery like \"flamingo pink\" and \"aquamarine pools,\" and weave a story of being love-struck and the consequences of a daring relationship. It should include a blend of vulnerability and boldness, with a chorus that embraces the idea of being judged but finding the experience worth it for love. The music should have a pop feel with a hint of melancholy, typical of Swift's narrative-driven songwriting."} +{"id":8485907,"song":"Maroon","artist":"Taylor Swift","lyrics":"[Verse 1]\nWhen the morning came\nWe were cleaning incense off your vinyl shelf\n'Cause we lost track of time again\nLaughing with my feet in your lap\nLike you were my closest friend\n\"How'd we end up\u205fon\u205fthe\u205ffloor, anyway?\" you\u205fsay\n\"Your roommate's cheap-ass\u205fscrew-top ros\u00e9, that's how\"\nI see you every day now\n[Chorus]\nAnd I chose you\nThe one I was dancing with\nIn New York, no shoes\nLooked up at the sky and it was\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was\nThe mark th\u0435y saw on my collarbone\nThe rust that grew b\u0435tween telephones\nThe lips I used to call home\nSo scarlet, it was maroon\n[Verse 2]\nWhen the silence came\nWe were shaking, blind and hazy\nHow the hell did we lose sight of us again?\nSobbing with your head in your hands\nAin't that the way shit always ends?\nYou were standing hollow-eyed in the hallway\nCarnations you had thought were roses, that's us\nI feel you, no matter what\nThe rubies that I gave up [Chorus]\nAnd I lost you\nThe one I was dancing with\nIn New York, no shoes\nLooked up at the sky and it was (Maroon)\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was (Maroon)\nThe mark they saw on my collarbone\nThe rust that grew between telephones\nThe lips I used to call home\nSo scarlet, it was maroon\n[Bridge]\nAnd I wake with your memory over me\nThat's a real fucking legacy, legacy (It was maroon)\nAnd I wake with your memory over me\nThat's a real fucking legacy to leave\n[Chorus]\nThe burgundy on my t-shirt\nWhen you splashed your wine into me\nAnd how the blood rushed into my cheeks\nSo scarlet, it was maroon\nThe mark they saw on my collarbone\nThe rust that grew between telephones\nThe lips I used to call home\nSo scarlet, it was maroon [Outro]\nIt was maroon\nIt was maroon","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a deep, reflective nostalgia tinged with regret and longing. The song should explore the intimate moments shared with a lost love, using vivid imagery such as the cleaning of incense off a vinyl shelf, dancing barefoot in New York, and wine-stained shirts to evoke a sense of past romance. Incorporate the recurring theme of the color maroon to symbolize the deep, complex emotions tied to these memories. The song should weave a narrative that transitions from the warmth of connection to the coldness of loss, and should include a bridge that reflects on the lasting impact of a former partner. Keep the tone confessional and introspective, with a melody that complements the reflective and bittersweet mood of the lyrics."} +{"id":9157481,"song":"Snow On The Beach (feat. More Lana Del Rey)","artist":"Taylor Swift","lyrics":"[Verse 1: Taylor Swift]\nOne night, a few moons ago\nI saw flecks of what could've been lights\nBut it might just have been you\nPassing by unbeknownst to me\nLife is emotionally abusive\nAnd time can't stop me quite like you did\nAnd my flight was awful, thanks for asking\nI'm unglued, thanks to you\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nLana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, \nah\n, ah [Verse 2: Lana Del Rey, \nTaylor Swift & Lana Del Rey\n]\nThis scene feels like what I once saw on a screen\nI searched \"aurora borealis green\"\nI've never seen someone lit from within\nBlurring out my periphery\nMy smile is\n like I won a contest\nAnd to hide that would be so dishonest\nAnd it's fine\n to fake it 'til you make it\n'Til you do, 'til it's true\n[Chorus: \nTaylor Swift\n, Taylor Swift & Lana Del Rey]\nNow, it's like\n snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nLana Del Rey\n]\nLike snow on the beach (\nMmm\n)\nLike snow on the beach\nLike snow on the beach (\nMmm\n)\nLike snow, \nah\n, ah [Bridge: Taylor Swift, \nLana Del Rey\n, \nTaylor Swift & Lana Del Rey\n]\nI (\nI\n) can't (\nCan't\n) speak, afraid to jinx it\nI (\nI\n) don't (\nDon't\n) even dare to wish it\nBut your eyes are flying saucers from another planet\nNow, I'm all for you like Janet\nCan this be a real thing? \nCan it?\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nAre we falling like snow at the beach? (\nSnow at the beach\n)\nWeird, but fuckin' beautiful\nFlying in a dream (\nFlying in a dream\n)\nStars by the pocketful\nYou wanting me (\nYou wanting me\n)\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n, \nLana Del Rey\n]\nLike snow on the beach (\nSnow on the beach\n; \nMmm\n)\nLike snow on the beach (\nFlying in a dream\n)\nLike snow on the beach (\nYou wanting me\n; \nMmm\n)\nLike snow, ah\nBut it's comin' down\nNo sound, it's all around\n[Outro: Lana Del Rey]\nLike snow on the beach\nLike snow, like snow, uh-huh, yeah","prompt":"Write me a song in the style of Taylor Swift that captures a blend of whimsical imagery and emotional depth, similar to the themes of unexpected beauty and contrasting elements found in \"Snow on the Beach.\" The song should incorporate a dreamy, ethereal soundscape that might be reminiscent of a Taylor Swift and Lana Del Rey collaboration, with lyrics that explore the surreal nature of a new, seemingly impossible romance. The tone should convey the sense of wonder and vulnerability in the face of new love, paired with a catchy, poetic chorus that likens the relationship to a rare and beautiful phenomenon."} +{"id":8461583,"song":"Hits Different","artist":"Taylor Swift","lyrics":"[Verse 1]\nI washed my hands of us at the club\nYou made a mess of me\nI pictured you with other girls in love\nThen threw up on the street\nLike waiting for a bus that never shows\nYou just start walkin' on\nThey say that if it's right, you know\nEach bar plays our song\nNothing has ever felt so wrong\n[Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different\nIt hits different 'cause it's you\n[Post-Chorus]\n('Cause it's you)\n[Verse 2]\nI used to switch out these Kens, I'd just ghost\nRip the band-aid off and skip town lik\u0435 an asshole outlaw\nFreedom felt like summ\u0435r then on the coast\nNow the sun burns my heart and the sand hurts my feelings\nAnd I never don't cry (And I never don't cry) at the bar\nYeah, my sadness is contagious (My sadness is contagious)\nI slur your name 'til someone puts me in a car\nI stopped receiving invitations [Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different\nIt hits different 'cause it's you\n[Post-Chorus]\n('Cause it's you)\n[Bridge]\nI find the artifacts, cried over a hat\nCursed the space that I needed\nI trace the evidence, make it make some sense\nWhy the wound is still bleedin'\nYou were the one that I loved\nDon't need another metaphor, it's simple enough\nA wrinkle in time like the crease by your eyes\nThis is why they shouldn't kill off the main guy\nDreams of your hair and your stare and sense of belief\nIn the good in the world, you once believed in me\nAnd I felt you and I held you for a while\nBet I could still melt your world\nArgumentative, antithetical dream girl [Verse 3]\nI heard your key turn in the door down the hallway\nIs that your key in the door?\nIs it okay? Is it you?\nOr have they come to take me away?\nTo take me away\n[Chorus]\nOh, my, love is a lie\nShit my friends say to get me by\nIt hits different (It hits different)\nIt hits different this time\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different (It hits different)\nIt hits different 'cause it's you\n[Outro]\nOh, my, love is a lie\nShit my friends say to get me by\n'Cause it's you\nCatastrophic blues\nMovin' on was always easy for me to do\nIt hits different (Yeah)\nIt hits different 'cause it's you","prompt":"Write me a song in the style of Taylor Swift that captures the heartache and disillusionment of a failed relationship, using vivid storytelling and emotional imagery. The lyrics should express the difficulty of moving on, contrasted with past experiences of easily leaving old flames. Incorporate a modern pop sound with a touch of country, reflective of Swift's transitionary musical phases. The song should include a catchy chorus that conveys the unique pain of this particular breakup, implying that this time, the emotional impact is different because of the depth of the connection with the ex-lover. Use metaphors and references that evoke a sense of personal narrative, akin to Swift's poignant songwriting."} +{"id":8445376,"song":"Snow On The Beach","artist":"Taylor Swift","lyrics":"[Verse 1: Taylor Swift]\nOne night, a few moons ago\nI saw flecks of what could've been lights\nBut it might just have been you\nPassing by unbeknownst to me\nLife is emotionally abusive\nAnd time can't stop me quite like you did\nAnd my flight was awful, thanks for asking\nI'm unglued, thanks to you\n[Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nAnd it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, ah [Verse 2: Taylor Swift, \nTaylor Swift\n & Lana Del Rey\n]\nThis scene feels\n like what I once saw \non a screen\nI searched \"aurora borealis\n green\"\nI've never seen someone \nlit from \nwithin\nBlurring\n out my \nperiphery\nMy smile is \nlike I won a contest\nAnd to hide that \nwould be so dishonest\nAnd it's fine to \nfake it 'til you make it\n'Til \nyou\n do, 'ti\nl it's true\n[Chorus: Taylor Swift & Lana Del Rey]\nNow it's like snow at the beach\nWeird, but fuckin' beautiful\nFlying in a dream\nStars by the pocketful\nYou wanting me\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nLike snow on the beach\nLike snow on the beach\nLike snow on the beach\nLike snow, ah [Bridge: Taylor Swift, \nTaylor Swift & Lana Del Rey\n]\nI (I) can't (Can't) speak, afraid to jinx it\nI (I) don't (Don't) even dare to wish it\nBut your eyes are flying saucers from another planet\nNow I'm all for you like Janet\nCan this be a real thing? \nCan it?\n[Chorus: Taylor Swift & Lana Del Rey, \nTaylor Swift\n]\nAre we falling like snow at the beach? (\nSnow at the beach\n)\nWeird, but fuckin' beautiful\nFlying in a dream (\nFlying in a dream\n)\nStars by the pocketful\nYou wanting me (\nYou wanting me\n)\nTonight feels impossible\nBut it's comin' down\nNo sound, it's all around\n[Post-Chorus: Taylor Swift, \nLana Del Rey\n]\nLike snow on the beach (Snow on the beach)\nLike snow on the beach\n (Flying in a dream)\nLike snow on the beach\n (You wanting me)\nLike snow, ah\nBut it's comin' down\nNo sound, it's all around\n[Outro: Taylor Swift]\nLike snow on the beach\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\nLike snow on the beach\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)\n(It's comin' down, it's comin' down)","prompt":"Create a song in the lyrical and musical style of Taylor Swift that captures the ethereal and contrasting imagery of snow at the beach, using vivid metaphors to describe an emotionally intense and beautiful experience. The song should express a sense of wonder and the unexpected, akin to the beauty of a rare phenomenon, and should convey the emotional complexity of a new and fragile relationship. Include a collaboration with an artist like Lana Del Rey, adding a haunting and dreamy quality to the song, and ensure the chorus is catchy, with a post-chorus that echoes the central metaphor of the song, reinforcing the theme of stunning, unusual serenity."} +{"id":5651833,"song":"All Of The Girls You Loved Before","artist":"Taylor Swift","lyrics":"[Verse 1]\nWhen you think of all the late nights\nLame fights over the phone\nWake up in the\u2005mornin'\u2005with someone\nBut feelin'\u2005alone\n[Refrain]\nA heart is drawn around your\u2005name\nIn someone's handwriting, not mine\nSneakin' out into town\nHoldin' hands, just\u205fkillin'\u205ftime\n[Pre-Chorus]\nYour\u205fpast and mine\u205fare parallel lines\nStars\u205fall aligned and they intertwined\nAnd taught you\nThe way you call me \"baby\"\nTreat me like a lady\nAll that I can say is\n[Chorus]\nAll of the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street led you straight to me\nNow you're all I need, I'm so thankful for\nAll of the girls you loved before\nBut I love you more [Verse 2]\nWhen I think of all the makeup\nFake love out on the town (Ooh)\nCryin' in the bathroom for some dude\nWhose name I cannot remember now\n[Refrain]\nSecret jokes all alone\nNo one's home, sixteen and wild (Ooh)\nBreakin' up, makin' up\nLeave without sayin' goodbye (Ooh)\n[Pre-Chorus]\nAnd just know that\nIt's everything that made me\nNow I call you \"baby\"\nIt's why you're so amazing\n[Chorus]\nAll of the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street led you straight to me\nNow you're all I need, I'm so thankful for\nAll of the girls you loved before\nBut I love you more [Bridge]\nYour mother brought you up loyal and kind\nTeenage love taught you there's good in goodbye\nEvery woman that you knew brought you here\nI wanna teach you how forever feels\n[Chorus]\nLike the girls you loved before (Ooh)\nMade you the one I've fallen for\nEvery dead-end street (Dead-end street) led you straight to me (Straight to me)\nNow you're all I need (All I need), I'm so thankful for\nAll of the girls you loved before\nBut I love you more\n[Outro]\n(I love you more)\n(I love you more)","prompt":"Write me a song in the style of Taylor Swift that captures the reflective gratitude for past relationships that shaped her lover into the person he is today. The song should have a narrative verse structure with emotional refrains, exploring themes of growth, past love, and ultimate appreciation. Incorporate Swift's signature storytelling with vivid imagery and a sense of personal evolution, culminating in a chorus that acknowledges the collective impact of the lover's previous partners with a touch of wistfulness and maturity. The musical style should blend country roots with pop sensibility, typical of Swift's earlier work, yet with the polished production of her more recent albums."} +{"id":9538403,"song":"Suburban Legends (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Verse 1]\nYou had people who called you on unmarked numbers\nIn my peripheral vision\nI let it slide like a hose on a slippery plastic summer\nAll was quickly forgiven\nYou were so magnetic, it was almost obnoxious\nFlush with the currency of cool\nI was always turnin' out my empty pockets\nAnd when it came to you\n[Chorus]\nI didn't come here to make friends\nWe were born to be suburban legends\nWhen you hold me, it holds me together\nAnd you kiss me in a way that's gonna screw me up forever\n[Verse 2]\nI had the fantasy that maybe our mismatched star signs\nWould surprise the whole school\nWhen I ended up back at our class reunion\nWalkin' in with you\nYou'd be more than a chapter in my old diaries\nWith the pages ripped out\nI am standin' in a 1950s gymnasium\nAnd I can still see you now [Chorus]\nI didn't come here to make friends\nWe were born to be suburban legends\nWhen you hold me, it holds me together\nAnd you kiss me in a way that's gonna screw me up forever\nI know that you still remember\nWe were born to be national treasures\nWhen you told me we'd get back together\nAnd you kissed me in a way that's gonna screw me up forever\n[Outro]\nTick-tock on the clock, I pace down your block\nI broke my own heart 'cause you were too polite to do it\nWaves crash on the shore, I dash to the door\nYou don't knock anymore and my whole life's ruined\nTick-tock on the clock, I pace down your block\nI broke my own heart 'cause you were too polite to do it\nWaves crash to the shore, I dash to the door\nYou don't knock anymore and I always knew it\nThat my life would be ruined","prompt":"Write me a song in the style of Taylor Swift that captures the essence of youthful nostalgia and bittersweet romance, with vivid imagery of high school memories and a narrative that unfolds like diary entries. The lyrics should convey a magnetic, yet mismatched love story, tinged with an undercurrent of suburban legend and the poignant realization of a love that leaves a lasting impact. Include a chorus that emphasizes the theme of a love so intense it feels like it could last forever, even if it's not meant to be, and an outro that reflects a sense of heartbreak with a touch of dramatic irony. The song should have a modern pop sound with a hint of Swift's signature country influence."} +{"id":4499925,"song":"Castles Crumbling (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Intro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)\n[Verse 1: Taylor Swift]\nOnce, I had an empire in a golden age\nI was held up so high, I used to be great\nThey used to cheer when they saw my face\nNow, I fear I have fallen from grace\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nAnd I \nfeel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Verse 2: Hayley Williams, \nTaylor Swift & Hayley Williams\n]\nOnce, I was the great hope for a dynasty\nCrowds would hang on my words and they trusted me\nTheir faith was strong, but I pushed it too far\nI held that grudge 'til it tore me apart\n[Pre-Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nPower went to my head and I couldn't stop\nOnes I loved tried to help, so I ran them off\nAnd here I sit alone behind\n walls of regret\nFalling down like promises that I never kept [Chorus: Taylor Swift & Hayley Williams, \nTaylor Swift\n]\nAnd I feel like my castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, I will just let you down\nYou don't wanna know me now\n[Bridge: Taylor Swift]\nMy foes and friends watch my reign end\nI don't know how it could've ended this way\nSmoke billows from my ships in the harbor\nPeople look at me like I'm a monster\nNow they're screamin' at the palace front gates\nUsed to chant my name\nNow they're screaming that they hate me\nNever wanted you to hate me\n[Chorus: Taylor Swift, \nTaylor Swift & Hayley Williams\n]\nMy castle's crumbling down\nAnd I watch all my bridges burn to the ground\nAnd you don't want to know me, \nI will just let you down\n (Just let you down)\nMy castle's crumbling \ndown\nYou don't wanna know me \nnow\n, now\n[Outro: Taylor Swift]\n(Once, I had an empire)\n(Once, I had an empire)\n(Once, I had an empire)","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a fallen empire, exploring themes of lost glory, isolation, and regret. The song should convey the emotional weight of a once-celebrated figure facing the ruins of their legacy, with a narrative that includes the perspective of both the protagonist and the public. Incorporate a blend of melancholic verses and a powerful chorus, reminiscent of a collaboration with Hayley Williams, to emphasize the contrast between past triumphs and present downfall. The music should reflect a blend of pop and rock elements, with lyrics that paint vivid images of a crumbling castle, burnt bridges, and a sense of betrayal, ultimately leading to a chorus that's both confessional and resigned."} +{"id":9157172,"song":"Karma (Remix)","artist":"Taylor Swift","lyrics":"[Intro: Ice Spice]\nKarma is that girl, like (Grrah)\n[Verse 1: Taylor Swift]\nYou're talking shit for the hell of it\nAddicted to betrayal, but you're relevant\nYou're terrified to look down\n'Cause if you dare, you'll see the glare\nOf everyone you burned just to get there\nIt's comin' back around\n[Pre-Chorus: Taylor Swift]\nAnd I keep my side of the street clean\nYou wouldn't know what I mean\n[Chorus: Taylor Swift]\n'Cause karma is my boyfriend\nKarma is a god\nKarma is the breeze in my hair on the weekend\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing lik\u0435 a goddamn acrobat\nMe and karma vibe like that [Verse 2: Ice Spice, \nIce Spice & Taylor Swift\n]\nKarma is your ch\u0435ck's 'boutta bounce (Damn)\nKarma is a fire in your house (Grrah)\nAnd she 'boutta pop up unannounced (Like)\nAnd she never leavin' you alone (Damn)\nWatch her put ya opps on a throne (Damn)\nGot you wavin' pretty \nwhite flags\n, feenin' for that \ncash\nThinkin' it'll save ya, now you switchin' up your behavior\nIt's okay, baby, you ain't gotta worry, karma never gets lazy\nSo, I keep my head up, my bread up, I won't let up (Never)\nPromise that you'll never endeavor with none lesser (Ever, ever)\nI be draggin' that wagon, karma is a beauty \nwinning that pageant\n, grrah\n[Chorus: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is my boyfriend (\nDamn\n)\nKarma is a god\nKarma is the breeze in my hair on the weekend\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing like a goddamn acrobat\nMe and karma vibe like that\n (\nGrrah\n)\n[Bridge: Taylor Swift]\nAsk me what I learned from all those years\nAsk me what I earned from all those tears\nAsk me why so many fade, but I'm still here\n(I'm still here, I'm still here) [Breakdown: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is the thunder\nRattlin' your ground\nKarma's on your scent like a bounty hunter\nAnd karma's gonna track you down\nStep by step, from town to town\nSweet like justice, \nkarma is a queen\nKarma takes all my friends to the summit (\nFacts\n)\nKarma is the guy on the screen\nComing straight home to me\n[Chorus: Taylor Swift, \nIce Spice\n, \nTaylor Swift & Ice Spice\n]\n'Cause karma is my boyfriend (\nKarma is my boyfriend\n)\nKarma is a god (\nDamn\n)\nKarma is the breeze in my hair on the weekend (Weekend)\nKarma's a relaxing thought\nAren't you envious that for you it's not?\nSweet like honey, karma is a cat\nPurring in my lap 'cause it loves me\nFlexing like a goddamn acrobat\nMe and karma vibe like that\n[Outro: Taylor Swift, \nIce Spice\n]\nKarma is my boyfriend\nKarma is a god (Ah)\nKarma is my bestie\n (Mmm)\nKarma's a relaxing thought\nKarma's gonna hold you down","prompt":"Write me a song in the style of Taylor Swift that explores the theme of karma with vivid imagery and a touch of sass. The lyrics should embody the concept of poetic justice and feature a blend of Swift's trademark storytelling and sharp-witted lines, complemented by a catchy chorus that personifies karma in various ways. The musical arrangement should be reminiscent of Swift's pop and country crossover, with a potential for a featured rap verse that adds a contrasting urban flair. The tone of the song should oscillate between reflective and empowering, capturing the essence of karma as both a comforting companion and an inevitable force."} +{"id":8485905,"song":"Midnight Rain","artist":"Taylor Swift","lyrics":"[Intro]\nRain\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Verse 1]\nMy town was a wasteland\nFull of cages, full of fences\nPageant queens and big pretenders\nBut for some, it was paradise\nMy boy was a montage\nA slow-motion, love potion\nJumping off things in the ocean\nI broke his heart 'cause he was nice\nHe was sunshine, I was midnight rain\n[Chorus]\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Verse 2]\nIt came like a postcard\nPicture perfect shiny family\nHoliday peppermint candy\nBut for him, it's every day\nSo I peered through a window\nA deep portal, time travel\nAll the love we unravel\nAnd the life I gave away\n'Cause he was sunshine, I was midnight rain [Chorus]\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight rain\nHe wanted it comfortable, I wanted that pain\nHe wanted a bride, I was making my own name\nChasing that fame, he stayed the same\nAll of me changed like midnight\n[Outro]\nI guess sometimes we all get\nJust what we wanted, just what we wanted\nAnd he never thinks of me\nExcept for when I'm on TV\nI guess sometimes we all get\nSome kind of haunted, some kind of haunted\nAnd I never think of him\nExcept on midnights like this\n(Midnights like this, midnights like this)","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a bittersweet, introspective narrative about contrasting desires within a past relationship. The lyrics should convey a story where one person seeks comfort and stability while the other craves the struggle and recognition that comes with fame, ultimately leading to their divergent paths. The music should evoke a poignant yet catchy atmosphere, reminiscent of Swift's ability to blend country roots with pop sensibility, and include an emotional chorus that highlights the theme of change\u2014like \"all of me changed like midnight.\" The song should contain vivid imagery and a touch of nostalgia, reflecting on the complexities of love and ambition, and conclude with a reflective outro that contemplates the outcomes of their choices."} +{"id":8442190,"song":"Lavender Haze","artist":"Taylor Swift","lyrics":"[Intro]\nMeet me at midnight\n[Verse 1]\nStaring at the ceiling with you\nOh, you don't ever say too much\nAnd you don't really read into\nMy melancholia\n[Pre-Chorus]\nI been under scrutiny (Yeah, oh, yeah)\nYou handle it beautifully (Yeah, oh, yeah)\nAll this shit is new to me (Yeah, oh, yeah)\n[Chorus]\nI feel\nThe lavender haze creeping up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Verse 2]\nAll they keep asking me (All they keep asking me)\nIs if I'm gonna be your bride\nThe only kinda girl they see (Only kinda girl they see)\nIs a one-night or a wife [Pre-Chorus]\nI find it dizzying (Yeah, oh, yeah)\nThey're bringing up my history (Yeah, oh, yeah)\nBut you weren't even listening (Yeah, oh, yeah)\n[Chorus]\nI feel\nThe lavender haze creepin' up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Post-Chorus]\nThat lavender haze\n[Bridge]\nTalk your talk and go viral\nI just need this love spiral\nGet it off your chest\nGet it off my desk (Get it off my desk)\nTalk your talk and go viral\nI just need this love spiral\nGet it off your chest\nGet it off my desk [Chorus]\nI feel (I feel)\nThe lavender haze creeping up on me\nSurreal\nI'm damned if I do give a damn what people say\nNo deal (No deal)\nThe 1950s shit they want from me\nI just wanna stay in that lavender haze\n[Outro]\nGet it off your chest\nGet it off my desk\nThat lavender haze\nI just wanna stay\nI just wanna stay in that lavender haze","prompt":"Create a song in the style of Taylor Swift that captures the essence of longing for a private love while rejecting societal expectations. The lyrics should convey a sense of introspection and defiance, with themes of love and societal pressure interwoven. The musical arrangement should have a dreamy, soft pop sound with hints of melancholy, reflecting the intimate and contemplative mood of the song. Incorporate the metaphor of \"lavender haze\" to symbolize the desire to remain in a blissful, romantic bubble, away from the critical eyes of the world. The song should have a structure that includes an intro, verses, pre-choruses, choruses, a bridge, and an outro, similar to Taylor Swift's narrative and melodic songwriting style."} +{"id":5651836,"song":"Need","artist":"Taylor Swift","lyrics":"[Verse 1]\nWant is the cigarette smoke on a jacket\nYou wore to the wrong part of town\nDesire\u2005is\u2005the sound of\u2005the whiskey\nTelling me you miss me,\u2005can you come around?\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nLust is a liar, a short-lived fire\nIt ain't what you and I are at all\n[Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Verse 2]\nDanger is a thousand prickles on my neck\nThat tell me to run or to freeze\nFear is the nightmare I had, you were with someone else\nYou forgot about me\n[Pre-Chorus]\nPassion is a passing thing\nIt's accidental chemistry\nCaught up in a feeling, it can be deceiving\nThis is like breathing for me [Chorus]\nOh, it's a need, it's a need\nI would go anywhere that you lead\nI am hopeless, breathless, burning slow\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave, it's a need\n[Bridge]\nBaby, it's always a new kiss every time we do this\nThe truth is it's essential to me\nThat you love me more than wishing, longing\n[Chorus]\nOh, it's a need (It's a need), it's a need (Ah-ah, ah-ah)\nI would go (I would go) anywhere (Anywhere) that you lead (Oh, oh)\nI am hopeless, breathless, burning slow (Burning slow)\nTouch me, hold me, tell me, \"I won't let you go\"\nI won't leave (I won't leave), it's a need (Oh)","prompt":"Write me a song in the style of Taylor Swift that captures a deep and visceral sense of yearning, intertwining themes of desire and necessity in a relationship. The lyrics should explore the complex emotions of want and need, comparing them to tangible experiences like the scent of cigarette smoke or the prickles of danger, and should convey a narrative of being irresistibly drawn to a lover. The song should feature vivid imagery and a confessional tone, characteristic of Taylor Swift's storytelling, and include a chorus that emphasizes the intensity of the protagonist's feelings with phrases like \"hopeless, breathless, burning slow\". Incorporate elements of pop and country music, delivering a melodic and emotional resonance that Swift is known for."} +{"id":3281502,"song":"Dress","artist":"Taylor Swift","lyrics":"[Verse 1]\nOur secret moments in a crowded room\nThey got no idea about me and you\nThere is an indentation in the shape of you\nMade your mark on me, a golden tattoo\n[Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n\u2019Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Verse 2]\nInescapable, I'm not even gonna try\nAnd if I get burned, at least we were electrified\nI\u2019m spilling wine in the bathtub\nYou kiss my face and we're both drunk\nEveryone thinks that they know us\nBut they know nothin' about [Pre-Chorus]\nAll of this silence and patience, pining and anticipation\nMy hands are shaking from holding back from you\nHa, ah, ah\nAll of this silence and patience, pining and desperately waiting\nMy hands are shaking from all this\nAh, ha, ha, ha-ah\n[Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n'Cause I don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha\n[Post-Chorus]\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\nHa-ah-ah, ha-ah-ah, ha-ah-ah-ah\nOnly bought this dress so you could take it off\n[Bridge]\nFlashback when you met me, your buzzcut and my hair bleached\nEven in my worst times, you could see the best in me\nFlashback to my mistakes, my rebounds, my earthquakes\nEven in my worst lies, you saw the truth in me\nAnd I woke up just in time, now I wake up by your side\nMy one and only, my lifeline\nI woke up just in time, now I wake up by your side\nMy hands shake, I can't explain this\nAh, ha, ha, ha-ah [Chorus]\nSay my name and everything just stops\nI don't want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\nCarve your name into my bedpost\n\u2019Cause I don\u2019t want you like a best friend\nOnly bought this dress so you could take it off\nTake it off, ha, ha, ha-ah\n[Outro]\nThere is an indentation in the shape of you\nOnly bought this dress so you could take it off\nYou made your mark on me, golden tattoo\nOnly bought this dress so you could take it off","prompt":"Write me a song in the style of Taylor Swift that captures the intensity of a secret love affair, filled with hidden moments and quiet longing. The song should convey a sense of urgency and desire, with lyrics that hint at private connections and intimate secrets, much like the indentation of a 'golden tattoo' as a metaphor for an indelible mark left by a lover. Include vivid imagery such as the contrast between a public fa\u00e7ade and private passion, and employ a blend of poetic devices to evoke the electric, yet hushed atmosphere of a relationship that is both thrilling and clandestine. The music should be catchy and pop-driven, with a hint of melancholy reflecting the complicated emotions involved."} +{"id":9538405,"song":"Say Don\u2019t Go (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Verse 1]\nI've known it from the very start\nWe\u2019re a shot in the darkest dark\nOh no, oh no, I'm unarmed\nThe waiting is a sadness\nFading into madness\nOh no, oh no, it won't stop\n[Refrain]\nI\u2019m standin' on a tightrope alone\nI hold my breath a little bit longer\nHalfway out the door, but it won't close\nI'm holdin' out hope for you to\n[Pre-Chorus]\nSay, \"Don't go\"\nI would stay forever if you say, \"Don't go\"\n[Chorus]\nWhy'd you have to lead me on?\nWhy\u2019d you have to twist the knife?\nWalk away and leave me bleedin\u2019, bleedin'?\nWhy\u2019d you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin' [Post-Chorus]\n(Say) Say, \"(Don't) don\u2019t (Go) go\"\nI would stay forev\u0435r if you (Say) say, \"(Don't) don't (Go) go\"\n(Say, say, say, say)\n[Verse 2]\nNow I'm pacin' on shaky ground\nStrike a match, then you blow it out\nOh no, oh no, it's not fair\n'Cause you kiss m\u0435 and it stops time\nAnd I'm yours, but you're not mine\nOh no, oh no, you're not there\n[Refrain]\nI'm standin' on the sidewalk alone\nI wait for you to drive by\nI'm tryna see the cards that you won't show\nI'm about to fold unless you\n[Pre-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go\"\n[Chorus]\nWhy'd you have to lead me on?\nWhy'd you have to twist the knife?\nWalk away and leave me bleedin', bleedin'?\nWhy'd you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin' [Post-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go\"\n(Say, say, say, say)\n[Bridge]\nWhy'd you have to (Why'd you have to)\nMake me want you? (Make me want you)\nWhy'd you have to (Why'd you have to)\nGive me nothin' back?\nWhy'd you have to (Why'd you have to)\nMake me love you? (Make me love you)\nI said, \"I love you\" (I said, \"I love you\")\nYou say nothin' back\n[Chorus]\nWhy'd you have to lead me on? (Oh)\nWhy'd you have to twist the knife?\nWalk away and leave me bleedin', bleedin'?\nWhy'd you whisper in the dark\nJust to leave me in the night?\nNow your silence has me screamin', screamin'\n[Post-Chorus]\n(Say) Say, \"(Don't) don't (Go) go\"\nI would stay forever if you (Say) say, \"(Don't) don't (Go) go,\" woah\n(Say, say, say, say) [Outro]\nBut you won't, but you won't, but you won't\nI would stay forever if you say, \"Don't go\"\nBut you won't, but you won't, but you won't","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of unrequited love and the plea for the beloved to stay. The lyrics should reflect vulnerability and a sense of betrayal, with a chorus that emphasizes the pain of being led on and abandoned. The song should feature poignant verses and a bridge that highlights the desperate hope for reciprocation, intertwined with the realization of getting nothing back. The musical composition should resonate with Taylor Swift's signature pop-country blend, creating a melodramatic and haunting atmosphere in tune with the themes of love and heartache."} diff --git a/generate_prompts/taylor_train_set/output.jsonl b/generate_prompts/taylor_train_set/output.jsonl new file mode 100644 index 0000000..20b79df --- /dev/null +++ b/generate_prompts/taylor_train_set/output.jsonl @@ -0,0 +1,221 @@ +{"id":8485915,"song":"Bejeweled","artist":"Taylor Swift","lyrics":"[Verse 1]\nBaby love, I think I've been a little too kind\nDidn't notice you walkin' all over my peace of mind\nIn the shoes I gave you as a present\nPuttin' someone first only works when you're in their top five\nAnd by the way, I'm goin' out tonight\n[Chorus]\nBest believe I'm still bejeweled\nWhen I walk in the room\nI can still make the whole place shimmer\nAnd when I meet the band\nThey ask, \"Do you have a man?\"\nI could still say, \"I don't remember\"\nFamiliarity breeds contempt\nDon't put m\u0435 in the basement\nWh\u0435n I want the penthouse of your heart\nDiamonds in my eyes\nI polish up real, I polish up real nice\n[Post-Chorus]\nNice\n[Verse 2]\nBaby boy, I think I've been too good of a girl (Too good of a girl)\nDid all the extra credit, then got graded on a curve\nI think it's time to teach some lessons\nI made you my world (Huh), have you heard? (Huh)\nI can reclaim the land\nAnd I miss you (Miss you), but I miss sparklin' (Nice) [Chorus]\nBest believe I'm still bejeweled\nWhen I walk in the room\nI can still make the whole place shimmer\nAnd when I meet the band\nThey ask, \"Do you have a man?\"\nI could still say, \"I don't remember\"\nFamiliarity breeds contempt\nDon't put me in the basement\nWhen I want the penthouse of your heart\nDiamonds in my eyes\nI polish up real, I polish up real nice\n[Post-Chorus]\nNice\n[Bridge]\nSapphire tears on my face\nSadness became my whole sky\nBut some guy said my aura's moonstone\nJust 'cause he was high\nAnd we're dancin' all night\nAnd you can try to change my mind\nBut you might have to wait in line\nWhat's a girl gonna do?\nA diamond's gotta shine [Chorus]\nBest believe I'm still bejeweled\nWhen I walk in the room\nI can still make the whole place shimmer (Shimmer)\nAnd when I meet the band\nThey ask, \"Do you have a man?\"\nI could still say, \"I don't remember\"\nFamiliarity breeds contempt\nDon't put me in the basement\nWhen I want the penthouse of your heart\nDiamonds in my eyes\nI polish up real (Nice), I polish up real nice\n[Outro]\nAnd we're dancin' all night\nAnd you can try to change my mind\nBut you might have to wait in line\nWhat's a girl gonna do? What's a girl gonna do?\nI polish up nice\nBest believe I'm still bejeweled\nWhen I walk in the room\nI can still make the whole place shimmer","prompt":"Write me a song in the style of Taylor Swift that captures the essence of self-empowerment and resilience after a relationship where one's worth was underappreciated. The lyrics should reflect themes of reclaiming independence, with metaphors of sparkle and shine to signify personal growth and confidence. The song should have a catchy chorus that emphasizes remaining radiant and fabulous in the face of adversity, with a bridge that adds a twist of emotional depth. The musical style should blend country roots with pop sensibility, featuring Taylor's signature storytelling approach, and should fit well within her discography, resonating with the narrative of overcoming and evolving past a former love."} +{"id":7076622,"song":"Forever Winter (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Verse 1]\nHe says he doesn't believe anything much he hears these days\nHe says, \"Why fall in love, just so you can watch it go away?\"\nHe spends most of his nights wishing it was how it used to be\nHe spends most of his flights getting pulled down by gravity\n[Pre-Chorus]\nI call, just checkin' up on him\nHe's up, 3AM, pacin'\nHe says, \"It's not just a phase I'm in\"\nMy voice comes out beggin'\n[Chorus]\nAll this time, I didn't know\nYou were breakin' down\nI'd fall to pieces on the floor\nIf you weren't around\nToo young to know it gets better\nI'll be summer sun for you forever\nForever winter if you go\n[Verse 2]\nHe seems fine most of the time, forcing smiles and never minds\nHis laugh is a symphony, when the lights go out, it's hard to breathe\nI pull at every thread trying to solve the puzzles in his head\nLive my life scared to death he'll decide to leave instead [Pre-Chorus]\nI call, just checkin' up on him\nHe's up, 5AM, wasted\nLong gone, not even listening\nMy voice comes out screamin'\n[Chorus]\nAll this time, I didn't know\nYou were breakin' down\nI'd fall to pieces on the floor\nIf you weren't around\nToo young to know it gets better\nI'll be summer sun for you forever\nForever winter if you go\n[Bridge]\nIf I was standing there in your apartment\nI'd take that bomb in your head and disarm it\nI'd say, \"I love you even at your darkest and\nPlease, don't go\"\n[Chorus]\nI didn't know\nYou were breakin' down\nI'd fall to pieces on the floor\nIf you weren't around\nToo young to know it gets better\nI'll be summer sun for you forever\nForever winter if you go [Post-Chorus]\n(Ooh, ooh, ooh)\nI'll be your summer sun forever\n(Ooh, ooh, ooh) At 3AM, pacin'\nAll this time, I didn't know\n(Ooh, ooh, ooh) At 5AM, wasted\nI'd be in pieces on the floor\nForever winter if you go\n[Outro]\nHe says he doesn't believe anything much he hears these days\nI say, \"Believe in one thing, I won't go away\"","prompt":"Write me a song in the style of Taylor Swift that captures the emotional depth of supporting a loved one through their struggles. The lyrics should reflect the themes of helplessness and devotion, with a narrative that unfolds through intimate conversations and late-night worries. Incorporate a blend of melancholy and hopeful tones, akin to Swift's storytelling ability, and ensure the chorus emphasizes the promise of being an unwavering source of comfort\u2014like the \"summer sun\" that remains forever, even if faced with the prospect of \"forever winter\" should the loved one leave. The song should resonate with Swift's signature acoustic sound, blending soft guitar strings with her clear, emotive vocals, and building up to an anthem-like bridge that offers a poignant plea for the loved one to stay."} +{"id":83166,"song":"Innocent","artist":"Taylor Swift","lyrics":"[Verse 1]\nI guess you really did it this time\nLeft yourself in your war path\nLost your balance on a tightrope\nLost your mind trying to get it back\n[Pre-Chorus]\nWasn't it easier in your lunchbox days?\nAlways a bigger bed to crawl into\nWasn't it beautiful when you believed in everything\nAnd everybody believed in you?\n[Chorus]\nIt's alright, just wait and see\nYour string of lights is still bright to me, oh\nWho you are is not where you've been\nYou're still an innocent\nYou're still an innocent\n[Verse 2]\nDid some things you can't speak of\nBut at night, you live it all again\nYou wouldn't be shattered on the floor now\nIf only you had seen what you know now then\n[Pre-Chorus]\nWasn't it easier in your firefly-catching days?\nWhen everything out of reach\nSomeone bigger brought down to you\nWasn't it beautiful running wild 'til you fell asleep\nBefore the monsters caught up to you? [Chorus]\nIt's alright, just wait and see\nYour string of lights is still bright to me, oh\nWho you are is not where you've been\nYou're still an innocent\nIt's okay, life is a tough crowd\nThirty-two and still growing up now\nWho you are is not what you did\nYou're still an innocent\n[Bridge]\nTime turns flames to embers\nYou'll have new Septembers\nEvery one of us has messed up, too, ooh\nMinds change like the weather\nI hope you remember\nToday is never too late to be brand new, oh\n[Chorus]\nIt's alright, just wait and see\nYour string of lights is still bright to me, oh\nWho you are is not where you've been\nYou're still an innocent\nIt's okay, life is a tough crowd\nThirty-two and still growing up now\nWho you are is not what you did\nYou're still an innocent\nYou're still an innocent [Outro]\nLost your balance on a tightrope, oh\nIt's never too late to get it back","prompt":"Write me a song in the style of Taylor Swift that captures the essence of personal growth and redemption after a mistake. The lyrics should reflect a journey from loss and self-doubt to the realization that past actions don't define the present self, using metaphors related to childhood innocence and the passage of time. The song should have a reflective yet uplifting tone, with a chorus that reassures the listener of their inner light and innocence, despite life's challenges. Incorporate elements of country and pop that Taylor Swift is known for, ensuring the melody supports a narrative of hope and self-forgiveness."} +{"id":4765976,"song":"Miss Americana & The Heartbreak Prince","artist":"Taylor Swift","lyrics":"[Verse 1]\nYou know I adore you, I'm crazier for you\nThan I was at sixteen, lost in a film scene\nWaving homecoming queens, marching band playing\nI'm lost in the lights\nAmerican glory faded before me\nNow I'm feeling hopeless, ripped up my prom dress\nRunning through rose thorns, I saw the scoreboard\nAnd ran for my life (Ah)\n[Pre-Chorus]\nNo cameras catch my pageant smile\nI counted days, I counted miles\nTo see you there, to see you there\nIt's been a long time coming, but\n[Chorus]\nIt's you and me, that's my whole world\nThey whisper in the hallway, \"She's a bad, bad girl\" (Okay)\nThe whole school is rolling fake dice\nYou play stupid games, you win stupid prizes\nIt's you and me, there's nothing like this\nMiss Americana and The Heartbreak Prince (Okay)\nWe're so sad, we paint the town blue\nVoted most likely to run away with you [Verse 2]\nMy team is losing, battered and bruising\nI see the high fives between the bad guys\nLeave with my head hung, you are the only one\nWho seems to care\nAmerican stories burning before me\nI'm feeling helpless, the damsels are depressed\nBoys will be boys then, where are the wise men?\nDarling, I'm scared (Ah)\n[Pre-Chorus]\nNo cameras catch my muffled cries\nI counted days, I counted miles\nTo see you there, to see you there\nAnd now the storm is coming, but\n[Chorus]\nIt's you and me, that's my whole world\nThey whisper in the hallway, \"She's a bad, bad girl\" (Okay)\nThe whole school is rolling fake dice\nYou play stupid games, you win stupid prizes\nIt's you and me, there's nothing like this\nMiss Americana and The Heartbreak Prince (Okay)\nWe're so sad, we paint the town blue\nVoted most likely to run away with you [Bridge]\nAnd I don't want you to (Go), I don't really wanna (Fight)\n'Cause nobody's gonna (Win), I think you should come home\nAnd I don't want you to (Go), I don't really wanna (Fight)\n'Cause nobody's gonna (Win), I think you should come home\nAnd I don't want you to (Go), I don't really wanna (Fight)\n'Cause nobody's gonna (Win), just thought you should know\nAnd I'll never let you (Go) 'cause I know this is a (Fight)\nThat someday we're gonna (Win)\n[Chorus]\nIt's you and me, that's my whole world\nThey whisper in the hallway, \"She's a bad, bad girl\"\nOh, I just thought you should know (You should know)\nIt's you and me, there's nothing like this (Like this)\nMiss Americana and The Heartbreak Prince (Okay)\nWe're so sad, we paint the town blue (Paint it blue)\nVoted most likely to run away with you\n[Post-Chorus]\nAnd I don't want you to (Go), I don't really wanna (Fight)\n'Cause nobody's gonna (Win), I think you should come home\nAnd I'll never let you (Go) 'cause I know this is a (Fight)\nThat someday we're gonna (Win), just thought you should know\n[Outro]\nIt's you and me, that's my whole world\nThey whisper in the hallway, \"She's a bad, bad girl\"\n\"She's a bad, bad girl\"","prompt":"Write me a song in the style of Taylor Swift that captures the essence of youthful rebellion and bittersweet nostalgia, set against the backdrop of an American high school. The lyrics should express the intense devotion between two outsiders, their struggle against the rumor mill, and the feeling of being misunderstood by those around them. Include vivid imagery that evokes the drama of teenage years, such as homecoming queens, marching bands, and prom dresses, while also delving into themes of hopelessness and defiance. The song should have a storytelling approach, with emotional pre-choruses and anthemic choruses that echo the ups and downs of young love and the desire to escape the small-town scrutiny."} +{"id":132652,"song":"Sparks Fly","artist":"Taylor Swift","lyrics":"[Verse 1]\nThe way you move is like a full on rainstorm and I'm a house of cards\nYou're the kind of reckless that should send me runnin'\nBut I kinda know that I won't get far\nAnd you stood there in front of me, just close enough to touch\nClose enough to hope you couldn't see what I was thinkin' of\n[Chorus]\nDrop everything now, meet me in the pouring rain\nKiss me on the sidewalk, take away the pain\n'Cause I see sparks fly whenever you smile\nGet me with those green eyes, baby, as the lights go down\nGive me something that'll haunt me when you're not around\n'Cause I see sparks fly whenever you smile\n[Verse 2]\nMy mind forgets to remind me you're a bad idea\nYou touch me once and it's really somethin'\nYou find I'm even better than you imagined I would be\nI'm on my guard for the rest of the world\nBut with you, I know it's no good\nAnd I could wait patiently, but I really wish you would\n[Chorus]\nDrop everything now, meet me in the pouring rain\nKiss me on the sidewalk, take away the pain\n'Cause I see sparks fly whenever you smile\nGet me with those green eyes, baby, as the lights go down\nGive me something that'll haunt me when you're not around\n'Cause I see sparks fly whenever you smile [Bridge]\nI run my fingers through your hair and watch the lights go wild\nJust keep on keepin' your eyes on me, it's just wrong enough to make it feel right\nAnd lead me up the staircase, won't you whisper soft and slow?\nI'm captivated by you, baby, like a firework show\n[Chorus]\nDrop everything now, meet me in the pouring rain\nKiss me on the sidewalk (Ah-ah), take away the pain\n'Cause I see sparks fly whenever you smile\nGet me with those green eyes, baby, as the lights go down\nGive me something that'll haunt me when you're not around\n'Cause I see sparks fly whenever you smile\n[Outro]\nAnd the sparks fly\nOh, baby, smile\nAnd the sparks fly","prompt":"Write me a song in the style of Taylor Swift that captures the exhilarating rush of a risky romance, with vivid imagery like a rainstorm and fireworks to convey intense emotion. The lyrics should explore the theme of being irresistibly drawn to someone despite knowing they might be trouble, featuring a chorus that emphasizes the electric connection felt when the love interest smiles. The musical arrangement should complement the storytelling, hinting at the country-pop sound of Swift's earlier work, with an emphasis on acoustic elements that build to an anthemic chorus."} +{"id":2975370,"song":"You All Over Me (Taylor\u2019s Version) [From the Vault]","artist":"Taylor Swift","lyrics":"[Verse 1: Taylor Swift]\nOnce the last drop of rain has dried off the pavement\nShouldn't I find a stain? But I never do\nThe way the tires turn stones on old county roads\nThey leave 'em muddy underneath, reminds me of you\nYou find graffiti on the walls of old bathroom stalls, you know\nYou can scratch it right off, it's how it used to be\nBut like the dollar in your pocket, it's been spent and traded in\nYou can't change where it's been, reminds me of me\n[Chorus: Taylor Swift & Maren Morris]\nI lived and I learned\nHad you, got burned\nHeld out and held on\nGod knows, too long, and wasted time\nLost tears, swore that I'd get out of here\nBut no amount of freedom gets you clean\nI've still got you all over me\n[Verse 2: Taylor Swift, \nTaylor Swift & Maren Morris\n]\nThe best and worst day of June\nWas the one that I met you\nWith your \nhands in your pockets\nAnd your \"Don't you wish you had me?\" grin\nWell I did, so I smiled, and I melted like a child\nNow, every breath of air I breathe \nreminds me of then [Chorus: Taylor Swift & Maren Morris]\nAnd I lived and I learned\nHad you, got burned\nHeld out and held on\nGod knows, too long, and wasted time\nLost tears, swore that I'd get out of here\nBut no amount of freedom gets you clean\nI've still got you all over me\n[Instrumental Break]\n[Chorus: Taylor Swift, \nTaylor Swift & Maren Morris\n]\nI lived and I learned\nAnd found out what it was to turn around\nAnd see that we\nWere never really meant to be\nSo I lied, and I cried\nAnd I watched a part of myself die\n'Cause no amount of freedom gets you clean\nI've still got you all over me\n[Outro: Taylor Swift, \nTaylor Swift & Maren Morris\n]\nI've still got \nyou all over me\nStill got you all over me","prompt":"Write me a song in the style of Taylor Swift that captures the bittersweet reminiscence of a past relationship, incorporating vivid imagery like rain on pavement and graffiti on bathroom walls. The lyrics should evoke a journey from naivety to wisdom, a blend of regret and growth, with a chorus that emphasizes the inescapable imprint of a former love. Emulate Taylor's narrative storytelling approach, blending country roots with a pop sensibility, and include an instrumental break to convey a reflective mood."} +{"id":7076619,"song":"Better Man (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Verse 1]\nI know I'm probably better off on my own\nThan lovin\u2019 a man who didn't know what he had when he had it\nAnd I see the permanent damage you did to me\nNever again, I just wish I could forget when it was magic\n[Pre-Chorus]\nI wish it wasn't 4AM, standin\u2019 in the mirror\nSaying to myself, \"You know you had to do it\"\nI know the bravest thing I ever did was run\n[Chorus]\nSometimes, in the middle of the night, I can feel you again\nBut I just miss you and I just wish you were a better man\nI know why we had to say goodbye like the back of my hand\nBut I just miss you and I just wish you were a better man\nA better man\n[Verse 2]\nI know I'm probably better off all alone\nThan needing a man who could change his mind at any given minute\nAnd it was always on your terms, I waited on every careless word\nHoping they might turn sweet again like it was in the beginning\n[Pre-Chorus]\nBut your jealousy, oh, I can hear it now\nTalking down to me like I'd always be around\nPush my love away like it was some kind of loaded gun\nOh, you never thought I'd run [Chorus]\nSometimes, in the middle of the night, I can feel you again\nBut I just miss you and I just wish you were a better man\nI know why we had to say goodbye like the back of my hand\nBut I just miss you and I just wish you were a better man\nA better man\n[Bridge]\nI hold onto this pride because, these days, it's all I have\nAnd I gave to you my best\nAnd we both know you can't say that\n[Breakdown]\nI wish you were a better man\nI wonder what we would've become if you were a better man\nWe might still be in love if you were a better man\nYou would've been the one if you were a better man\n[Chorus]\nSometimes, in the middle of the night, I can feel you again\nBut I just miss you and I just wish you were a better man\nI know why we had to say goodbye like the back of my hand\nBut I just miss you and I just wish you were a better man\nA better man\n(Sometimes, in the middle of the night, I can feel you again)\nWe might still be in love, if you were a better man\n(But I just miss you and I just wish you were a better man)\nI know why we had to say goodbye like the back of my hand\nBut I just miss you and I just wish you were a better man\nA better man [Outro]\nWe might still be in love if you were a better man\nYou would\u2019ve been the one if you were a better man","prompt":"Write me a song in the style of Taylor Swift that captures the emotional complexity of a failed relationship and the longing for what could have been. The lyrics should reflect on personal growth and the bravery of walking away, while still harboring feelings for the past. Incorporate a narrative that progresses from heartache to empowerment, with a chorus that resonates with the bittersweet sentiment of missing someone yet wishing they had been a better partner. The song should have a melodic pop-country blend, embodying Swift's signature storytelling and vocal delivery."} +{"id":7416216,"song":"Christmas Tree Farm (Old Timey Version)","artist":"Taylor Swift","lyrics":"[Intro]\nMy winter nights are taken up by static\nStress and holiday shopping traffic\nBut I close my eyes and I'm somewhere else\nJust like magic\n[Verse 1]\nIn my heart is a Christmas tree farm\nWhere the people would come\nTo dance under sparkling lights\nBundled up in their mittens and coats\nAnd the cider would flow\nAnd I just wanna be there tonight\n[Pre-Chorus]\nSweet dreams of holly and ribbon\nMistakes are forgiven\nAnd everythin' is icy and blue\nAnd you would be there too\n[Chorus]\nUnder the mistl\u0435toe\nWatchin' the fire glow\nAnd t\u0435llin' me, \"I love you\"\nJust bein' in your arms\nTakes me back to that little farm\nWhere every wish comes true [Verse 2]\nIn my heart is a Christmas tree farm\nThere's a light in the barn\nWe'd run inside out from the cold\nIn the town, kids are dreamin' of sleighs\nAnd they're warm and they're safe\nThey wake to see a blanket of snow\n[Pre-Chorus]\nSweet dreams of holly and ribbon\nMistakes are forgiven\nAnd everythin' is icy and blue\nAnd you would be there too\n[Chorus]\nUnder the mistletoe\nWatchin' the fire glow\nAnd tellin' me, \"I love you\"\nJust bein' in your arms\nTakes me back to that little farm\nWhere every wish comes true\nBaby, yeah\n[Bridge]\nAnd when I'm feelin' alone\nYou remind me of home\nOh, baby, baby, Merry Christmas\nAnd when the world isn't fair\nI pretend that we're there\nBaby, baby, Merry Christmas (To you) [Chorus]\nUnder the mistletoe (To you)\nWatching the fire glow\nAnd tellin' me, \"I love you\"\n[Outro]\nOh, baby, baby, Merry Christmas\nOh, baby, baby, Merry Christmas (Darling)\nOh, baby, baby, Merry Christmas\nI love you\nOh, baby, baby, Merry Christmas\nOh, baby, baby, Merry Christmas (I just want you to know)\nOh, baby, baby, Merry Christmas\nMay your every wish come true\nMerry Christmas","prompt":"Write me a song in the style of Taylor Swift that encapsulates the warm, nostalgic feelings of a cozy holiday season. The song should include vivid imagery of a Christmas tree farm, sparkling lights, and joyful festivities. Emphasize themes of home, love, and the magic of Christmas, with a touch of romanticism under the mistletoe and the comforting glow of a fireplace. The musical tone should be uplifting and melodic, capturing the spirit of holiday togetherness and the simple pleasures of winter romance, reminiscent of Taylor Swift's heartfelt storytelling and country-pop roots."} +{"id":98890,"song":"Fearless","artist":"Taylor Swift","lyrics":"[Verse 1]\nThere's something 'bout the way\nThe street looks when it's just rained\nThere's a glow off the pavement, you walk me to the car\nAnd you know I wanna ask you to dance right there\nIn the middle of the parking lot, yeah\nOh, yeah\n[Verse 2]\nWe're driving down the road, I wonder if you know\nI'm trying so hard not to get caught up now\nBut you're just so cool, run your hands through your hair\nAbsentmindedly making me want you\n[Chorus]\nAnd I don't know how it gets better than this\nYou take my hand and drag me head first, fearless\nAnd I don't know why but with you, I'd dance\nIn a storm in my best dress, fearless\n[Verse 3]\nSo, baby, drive slow 'til we run out of road\nIn this one horse town, I wanna stay right here\nIn this passenger's seat\nYou put your eyes on me\nIn this moment now, capture it, remember it [Chorus]\n'Cause I don't know how it gets better than this\nYou take my hand and drag me head first, fearless\nAnd I don't know why but with you, I'd dance\nIn a storm in my best dress, fearless\n[Bridge]\nWell, you stood there with me in the doorway\nMy hands shake, I'm not usually this way but\nYou pull me in and I'm a little more brave\nIt's the first kiss, it's flawless, really something\nIt's fearless\nOh, yeah\n[Chorus]\n'Cause I don't know how it gets better than this\nYou take my hand and drag me head first, fearless\nAnd I don't know why but with you, I'd dance\nIn a storm in my best dress, fearless\n'Cause I don't know how it gets better than this\nYou take my hand and drag me head first, fearless\nAnd I don't know why but with you, I'd dance\nIn a storm in my best dress, fearless\n[Outro]\nOh, oh\nOh, yeah","prompt":"Write me a song in the style of Taylor Swift that captures the youthful and romantic essence of a couple fearlessly falling in love. The song should include vivid imagery of rain-soaked streets and spontaneous dancing, embodying a sense of carefree adventure and bravery in love. The lyrics should convey the excitement and nervousness of new romance, with a chorus that emphasizes being fearless in the face of love, willing to dance through a storm in the best dress, and the thrill of a first kiss. The music should have a country-pop crossover appeal with a catchy, uplifting melody that Taylor Swift is known for."} +{"id":552920,"song":"I Know Places (Voice Memo)","artist":"Taylor Swift","lyrics":"So over the years, a lot of people have asked me to sort of describe my song writing process from beginning to end\nHow long does it take, where do you write, what are the circumstances, do you start with music, do you start with lyrics, and my answer is always that it happens differently every time, and that's why I'm still so in love with song writing\nSo what I've done here is shown you three different examples of the beginning stages of these songs and how they each started, different ways\nSo I'll explain them to you and maybe that will help you understand kind of how I put songs together\nI sent this voice memo to \nRyan Tedder\n because I'd always wanted to work with him, and finally we scheduled some studio time\nSo I always wanna be prepared\nI wanted to send him the idea that I was working on before we went into the studio just in case he wrote back and said \"I can't stand that, I wanna work on something else, think of something else\"\nSo I just sat down with the piano, put my phone on top of the piano and just kind of explained to him where I wanted to go with the song, how I saw the melody sitting in and we ended up recording the song the next day and it ended up being on the record called \"\nI Know Places\n\"\nSo this was the voice memo that I sent to him the night before we ended up finishing the song\n\"Okay so this is kind of this rough idea thing:\nUh-uh-uh-oh, oh-oh-oh-i\nOh-oh-oh, oh-oh-oh-i\nOh-oh-oh-oh, oh-oh-oh-i-i-i\nNa na na na waiting at the back door\nThey're around and the vultures come around\nAnd you know that they won't, they won't us\nSay what they want 'bout, say what they want 'bout us\nAnd you come and sing and listen\nI would not think about it but I'm not done\nEvery know that a thing or two about it, thing or two about it, I\n'Cause they got the cages, they got the boxes\nAnd guns\nThey are the hunters we are the foxes\nAnd we run\nBaby, I know some places we won't be found\nAnd they'll be chasing their tails trying to track us down\n'Cause I, I know places we can hide\nI know places, I know places\nUh-uh-uh-i, uh-uh-uh-i, oh-oh-i, uh-uh-uh-i, know places\"\nOr whatever\nI don't know, but that's basically just like a dark, really dark lyric, like, bridge thing and it's about, like, everybody's, like, trying to get into and ruin a love or whatever, and it's like you just, whatever, you know, and the chorus would just go to that major and just be like ooh chorus\nSo I hope you like it, it wouldn't be a piano thing\nIt would be, like, [*vocalizing*]\nLike, very, like, beat. Now I'm just making weird sounds\nHope you like it!","prompt":"Write me a song in the style of Taylor Swift that captures the intimate behind-the-scenes glimpse of her songwriting process. The song should begin with a conversational intro, reflecting on the unpredictability and passion for crafting music. It should include a voice memo feel, with raw vocal melodies and a rough sketch of lyrics that explore the theme of protecting a fragile love from external threats, using metaphors like hunters, foxes, and being chased. The song should build up to a catchy, major-key chorus that contrasts the darker verses, and the instrumentation should evolve from a simple piano to a beat-driven production, embodying the transformation from an idea to a full-fledged pop anthem."} +{"id":4809175,"song":"Nothing New (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Verse 1: Taylor Swift]\nThey tell you while you're young\n\"Girls, go out and have your fun\"\nThen they hunt and\u2005slay\u2005the ones who\u2005actually do it\nCriticize the way you\u2005fly\nWhen you're soaring through the sky\nShoot you down and then they sigh\nAnd say, \"She looks like she's been through it\"\n[Pre-Chorus: Taylor Swift]\nLord, what will become of me\nOnce I've lost my novelty?\n[Chorus: Taylor Swift]\nI've had too much to drink tonight\nAnd I know it's sad, but this is what I think about\nAnd I wake up in the middle of the night\nIt's like I can feel time moving\nHow can a person know everythin' at eighteen\nBut nothin' at twenty-two?\nAnd will you still want me\nWhen I'm nothing new?\n[Verse 2: Phoebe Bridgers]\nHow long will it be cute, all this cryin' in my room?\nWhen you can't blame it on my youth\nAnd roll your eyes with affection\nAnd my cheeks are growing tired\nFrom turning red and faking smiles\nAre we only biding time 'til I lose your attention? [Pre-Chorus: Taylor Swift, \nPhoebe Bridgers\n]\nAnd someone else lights up the room (\nAh\n)\nPeople love an ing\u00e9nue (\nAh\n)\n[Chorus: Phoebe Bridgers, \nTaylor Swift\n]\nI've had (\nI've had\n) too much to drink tonight\nHow did I go from growin' up to breaking down?\nAnd I wake up (\nWake up\n) in the middle of the night\nIt's like I can feel time movin'\nHow can a person know everything at eighteen\nBut nothing at twenty-two?\nAnd will you still want me\nWhen I'm nothing new?\n[Bridge: Taylor Swift, \nBoth\n, \nPhoebe Bridgers\n]\nI know someday I'm gonna meet her, it's a \nfever dream\nThe kind of radiance you only have at\n \nseventeen\nShe'll know the way and then she'll say she got the \nmap from me\nI'll say I'm happy for her\n, then I'll cry \nmyself to sleep\nOh, woah, oh (Oh)\nOh, woah, oh, woah, oh (Oh)\n[Chorus: Taylor Swift, \nPhoebe Bridgers\n, \nBoth\n]\nI've had (\nI've had\n) too much to drink tonight\nBut I wonder if they'll miss me once they drive me out\nI wake up (\nWake up\n) in the middle of the night\nAnd I can feel time moving\nHow can a person know everything at eighteen\nBut nothing at twenty-two?\nAnd will you still want me\nWill you still want me\nWill you still want me\nWhen I'm nothing new?","prompt":"Write me a song in the style of Taylor Swift that captures the vulnerability and introspection of young adulthood, reflecting on the fleeting nature of youth and the fear of losing one's allure with age. The lyrics should explore the pressures placed on young women, the duality of being encouraged to enjoy life yet criticized for doing so, and the existential dread of becoming 'nothing new.' The song should include a blend of melancholic verses and a catchy, poignant chorus, with a bridge that conveys the bittersweet realization of inevitable change. Incorporate Taylor Swift's narrative storytelling and emotional depth, with a touch of Phoebe Bridgers' indie-folk sensibility, to create a reflective and relatable anthem."} +{"id":187436,"song":"Stupid Boy","artist":"Taylor Swift","lyrics":"[Verse 1]\nLet me know, how's it feel\nTo be under my skin, wrapped around my heart\nIs it like anywhere you've been?\nAnd everything I do, I do it just for you\n[Chorus]\nSo why the hell don't you love me?\nWhy the hell don't you need me like I need you?\nWhy you so far above me?\nDon't you know that there's nothing I wouldn't do?\nBut I was just a toy, which you destroyed\nStupid boy\n[Verse 2]\nI have been looking in, trying to read your mind\nGive you the benefit of the doubt, every single time\nAnd then you walk right by, I'm screaming out inside\n[Chorus]\nWhy the hell don't you love me?\nWhy the hell don't you need me like I need you?\nWhy you so far above me?\nDon't you know that there's nothing I wouldn't do?\nBut I was just a toy, which you destroyed\nStupid boy [Bridge]\nWhat happens when you wake up, to see that you've lost?\nYou take one look at me, cause that's what it cost\nI just wanna be everything you need\nCause you're everything to me\n[Chorus]\nSo why the hell don't you love me?\nWhy the hell don't you need me like I need you?\nWhy you so far above me?\nDon't you know that there's nothing I wouldn't do?\nBut I was just a toy, which you destroyed\nStupid boy\n[Outro]\nLet me know, how's it feel to be under my skin","prompt":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love and the pain of feeling undervalued in a relationship. The lyrics should convey deep emotional vulnerability and a sense of longing, with a chorus that emphasizes the heartache of loving someone who doesn't love you back. The song should have a confessional tone, mirroring Swift's narrative songwriting style, and include specific details that make the story feel personal and relatable. Musically, aim for a blend of country-pop elements characteristic of Swift's earlier work, with a catchy melody that underscores the emotional weight of the lyrics."} +{"id":7076625,"song":"The Very First Night (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Chorus]\nI wish I could fly\nI'd pick you up and we'd go back in time\nI'd write this in the sky\nI miss you like it was the very first night\n[Verse 1]\nAnd so it goes\nEvery weekend, this same party\nI never go alone\nAnd I don't seem broken-hearted\nMy friends all say they know\nEverything I'm going through\nI drive down different roads\nBut they all lead back to you\n[Pre-Chorus]\n'Cause they don't know about the night in the hotel\nThey weren't ridin' in the car when we both fell\nDidn't read the note on the Polaroid picture\nThey don't know how much I miss you\n[Chorus]\nI wish I could fly\nI'd pick you up and we'd go back in time\nI'd write this in the sky\nI miss you like it was the very first night [Verse 2]\nAnd so it was\nWe never saw it comin'\nNot trying to fall in love\nBut we did like children runnin'\nBack then, we didn't know\nWe were built to fall apart\nWe broke the status quo\nThen we broke each other's hearts\n[Pre-Chorus]\nBut don't forget about the night out in L.A\nDance in the kitchen, chase me down through the hallway\nNo one knows about the words that we whispered\nNo one knows how much I miss you\n[Chorus]\nI wish I could fly\nI'd pick you up and we'd go back in time\nI'd write this in the sky\nI miss you like it was the very first night\n[Post-Chorus]\nTake me away, take me away\nTake me away to you, to you\nTake me away, take me away\nTake me away to you, to you [Bridge]\nI remember the night at the hotel\nI was ridin' in the car when we both fell\nI'm the one on the phone as you whisper\n\"Do you know how much I miss you?\"\n[Breakdown]\nI wish that we could go back in time\nAnd I'd say to you\n\"I miss you like it was the very first night\"\n[Chorus]\nI wish I could fly\nI'd pick you up and we'd go back in time\nI'd write this in the sky\nI miss you like it was the very first night\n[Post-Chorus]\nTake me away (Take me), take me away (Take me)\nTake me away (Take me) to you, to you\nTake me away (Take me), take me away (Take me)\nTake me away (Take me) to you, to you","prompt":"Write me a song in the style of Taylor Swift that captures the essence of reminiscing about a past relationship, with a blend of wistful nostalgia and the longing to turn back time to relive the love that was lost. The lyrics should convey a deep yearning and personal reflection, similar to the provided song, with references to specific memories and moments shared between lovers. The musical style should combine Swift's signature storytelling ability with a catchy, melodic chorus that emphasizes the theme of missing someone as if it were the very first night. Include vivid imagery and emotional undertones that are characteristic of Swift's songwriting, as well as a bridge that brings a poignant, reflective climax to the song."} +{"id":3300013,"song":"Call It What You Want","artist":"Taylor Swift","lyrics":"[Verse 1]\nMy castle crumbled overnight\nI brought a knife to a gunfight\nThey took the crown, but it's alright\nAll the liars are calling me one\nNobody's heard from me for months\nI'm doin' better than I ever was\n'Cause\n[Chorus]\nMy baby's fit like a daydream\nWalkin' with his head down\nI'm the one he's walking to\nSo call it what you want, yeah\nCall it what you want to\nMy baby's fly like a jet stream\nHigh above the whole scene\nLoves me like I'm brand new\nSo call it what you want, yeah\nCall it what you want to\n[Verse 2]\nAll my flowers grew back as thorns\nWindows boarded up after the storm\nHe built a fire just to keep me warm\nAll the drama queens taking swings\nAll the jokers dressing up as kings\nThey fade to nothing when I look at him [Pre-Chorus]\nAnd I know I make the same mistakes every time\nBridges burn, I never learn\nAt least I did one thing right\nI did one thing right\nI'm laughing with my lover, makin' forts under covers\nTrust him like a brother\nYeah, you know I did one thing right\nStarry eyes sparkin' up my darkest night\n[Chorus]\nMy baby's fit like a daydream\nWalkin' with his head down\nI'm the one he's walking to\nSo call it what you want, yeah\nCall it what you want to\nMy baby's fly like a jet stream\nHigh above the whole scene\nLoves me like I'm brand new\n(\nCall it what you want, call it what you want, call it\n)\nSo call it what you want, yeah\nCall it what you want to\n[Bridge]\nI want to wear his initial on a chain 'round my neck\nChain 'round my neck\nNot because he owns me\nBut 'cause he really knows me\nWhich is more than they can say, I\nI recall late November\nHolding my breath, slowly, I said\n\"You don't need to save me\nBut would you run away with me?\"\nYes (Would you run away?) [Chorus]\nMy baby's fit like a daydream\nWalkin' with his head down\nI'm the one he's walking to\n(\nCall it what you want, call it what you want, call it\n)\nSo call it what you want, yeah (Call it what you want it to)\nCall it what you want to\nMy baby's fly like a jet stream (Oh)\nHigh above the whole scene\nLoves me like I'm brand new\n(\nCall it what you want, call it what you want, call it\n)\nSo call it what you want, yeah\nCall it what you want to\n[Outro]\n(\nCall it what you want, call it\n)\n(\nCall it what you want, call it what you want, call it\n)\n(\nCall it what you want, call it what you want, call it\n)\n(\nCall it what you want, call it what you want, call it\n)\n(\nCall it what you want, call it what you want, call it\n)\n(\nCall it what you want, call it what you want, call it\n)\n(\nCall it what you want, call it what you want, call it\n)\nCall it what you want, yeah\nCall it what you want to","prompt":"Write a song in the style of Taylor Swift that captures the essence of overcoming hardships and finding solace in a loving relationship. The lyrics should reflect a journey from a metaphorical downfall, hinted at by references to a crumbled castle and a lost crown, to a serene state of being cherished and supported by a significant other. Incorporate imagery of resilience, like flowers regrowing as thorns and weathering a storm, alongside tender moments of personal connection and trust. The musical composition should blend Taylor Swift's signature confessional storytelling with a catchy, dreamy chorus that emphasizes the theme of calling the relationship whatever one wants, symbolizing freedom and disregard for outside opinions."} +{"id":9199814,"song":"Electric Touch (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Verse 1: Taylor Swift]\nJust breathe, just relax, it'll be okay\nJust an hour 'til your car's in the driveway\nJust the first time ever hangin' out with you tonight\nI've got my money on things goin' badly\nGot a history of stories ending sadly\nStill hoping that the fire won't burn me\nJust one time, just one time\n[Chorus: Taylor Swift]\nAll I know is this could either break my heart or bring it back to life\nGot a feelin' your electric touch could fill this ghost town up with life\nAnd I want you now, wanna need you forever\nIn the heat of your electric touch, mmm\n[Verse 2: Patrick Stump, \nTaylor Swift & Patrick Stump\n]\nI've been left in the rain lost and pining\nI'm tryin' hard not to look like I'm trying\n'Cause every time I tried hard for love, it fell apart (Woah)\nI've gotten used to no one callin' my phone\nI've grown accustomed to sleepin' alone\nStill, I know that all it takes is to get it right\nJust one time\n, just one time\n[Chorus: Taylor Swift & Patrick Stump]\nAll I know is this could either break my heart or bring it back to life\nGot a feelin' your electric touch could fill this ghost town up with life\nAnd I want you now, wanna need you forever\nIn the heat of your electric touch, mmm [Bridge: Taylor Swift, \nPatrick Stump\n]\nI was thinking just one time (\nJust one time\n)\nMaybe the stars align (\nJust one time\n)\nAnd maybe I call you mine\nAnd you won't need space\nOr string me along while you decide\nAnd just one time (\nJust one time\n)\nMaybe the moment's right (\nThe moment's right\n)\nIt's 8:05 and I see two headlights\n[Chorus: Both, \nTaylor Swift,\n \nPatrick Stump\n]\nAll I know is this could either break my heart \nor bring it back to life\nGot a feelin' your electric\n touch (\nOoh\n)\nAll I know\n is this could either break my heart or bring it back to life\nGot a feelin' your electric touch could fill this ghost town up with life\n (\nLife\n)\nAnd I want you now\n, wanna need you forever\nIn the heat of your electric touch, mmm","prompt":"Write me a song in the style of Taylor Swift that captures the emotional vulnerability and cautious optimism of a person on the verge of a potentially transformative romantic experience. The song should combine Taylor's narrative-driven lyricism with a blend of her country roots and pop sensibilities, including a duet section reminiscent of her collaboration with another artist. The themes should revolve around the anticipation of love, the fear of past relationship failures, and the electrifying potential of a new connection, capturing the essence of a make-or-break moment that could either ignite a passionate romance or lead to heartbreak."} +{"id":5793957,"song":"\u200bhoax","artist":"Taylor Swift","lyrics":"[Verse 1]\nMy only one\nMy smoking gun\nMy eclipsed sun\nThis has broken me down\nMy twisted knife\nMy sleepless night\nMy\u2005winless\u2005fight\nThis has frozen\u2005my ground\n[Chorus]\nStood on the cliffside screaming,\u2005\"Give me a reason\"\nYour faithless love's the only hoax I\u205fbelieve\u205fin\nDon't\u205fwant no other\u205fshade of blue\u205fbut you\nNo other sadness in the world would do\n[Verse 2]\nMy best laid plan\nYour sleight of hand\nMy barren land\nI am ash from your fire\n[Chorus]\nStood on the cliffside screaming, \"Give me a reason\"\nYour faithless love's the only hoax I believe in\nDon't want no other shade of blue but you\nNo other sadness in the world would do [Bridge]\nYou know I left a part of me back in New York\nYou knew the hero died so what's the movie for?\nYou knew it still hurts underneath my scars\nFrom when they pulled me apart\nYou knew the password so I let you in the door\nYou knew you won so what's the point of keeping score?\nYou knew it still hurts underneath my scars\nFrom when they pulled me apart\nBut what you did was just as dark\n(Ah, ah, ah)\nDarling, this was just as hard\nAs when they pulled me apart\n[Outro]\nMy only one\nMy kingdom come undone\nMy broken drum\nYou have beaten my heart\nDon't want no other shade of blue but you\nNo other sadness in the world would do","prompt":"Write me a song in the style of Taylor Swift that captures the raw emotion of heartbreak and betrayal, using vivid metaphors such as \"my smoking gun\" and \"my eclipsed sun\" to depict the pain of a lost love. The song should have a poetic and melancholic tone, with a chorus that emphasizes the singular obsession with a faithless lover, declaring \"your faithless love's the only hoax I believe in.\" Include a bridge that references personal scars and a past that can't be forgotten, resonating with themes of love, loss, and the bittersweet longing for something that is damaging yet irreplaceable. The overall musical style should be reminiscent of Swift's intimate, narrative-driven ballads, with a focus on acoustic elements that complement the emotional depth of the lyrics."} +{"id":132654,"song":"Mean","artist":"Taylor Swift","lyrics":"[Verse 1]\nYou, with your words like knives\nAnd swords and weapons that you use against me\nYou have knocked me off my feet again\nGot me feeling like I'm nothing\nYou, with your voice like nails on a chalkboard\nCalling me out when I'm wounded\nYou, pickin' on the weaker man\n[Pre-Chorus]\nWell, you can take me down\nWith just one single blow\nBut you don't know what you don't know\n[Chorus]\nSomeday, I'll be livin' in a big, ole city\nAnd all you're ever gonna be is mean\nSomeday, I'll be big enough so you can't hit me\nAnd all you're ever gonna be is mean\nWhy you gotta be so mean?\n[Verse 2]\nYou, with your switching sides\nAnd your wildfire lies and your humiliation\nYou have pointed out my flaws again\nAs if I don't already see them\nI walk with my head down, trying to block you out\n'Cause I'll never impress you\nI just wanna feel okay again [Pre-Chorus]\nI bet you got pushed around\nSomebody made you cold\nBut the cycle ends right now\n'Cause you can't lead me down that road\nAnd you don't know what you don't know\n[Chorus]\nSomeday, I'll be livin' in a big, ole city\nAnd all you're ever gonna be is mean\nSomeday, I'll be big enough so you can't hit me\nAnd all you're ever gonna be is mean\nWhy you gotta be so mean?\n[Bridge]\nAnd I can see you years from now in a bar\nTalking over a football game\nWith that same big, loud opinion\nBut nobody's listening\nWashed up and ranting about the same old bitter things\nDrunk and grumblin' on about how I can't sing\nBut all you are is mean\n[Buildup]\nAll you are is mean\nAnd a liar, and pathetic\nAnd alone in life, and mean\nAnd mean, and mean, and mean [Chorus]\nBut someday, I'll be livin' in a big, ole city\nAnd all you're ever gonna be is mean\nYeah, someday, I'll be big enough so you can't hit me\nAnd all you're ever gonna be is mean\nWhy you gotta be so mean?\nSomeday, I'll be livin' in a big, ole city\n(Why you gotta be so mean?)\nAnd all you're ever gonna be is mean\n(Why you gotta be so mean?)\nSomeday, I'll be big enough so you can't hit me\n(Why you gotta be so mean?)\nAnd all you're ever gonna be is mean\nWhy you gotta be so mean?","prompt":"Write me a song in the style of Taylor Swift that addresses overcoming bullying and rising above a person who is cruel and mean-spirited. The song should convey a narrative of empowerment and feature a catchy chorus that emphasizes triumph over adversity, with lyrics that call out the aggressor's behavior and project a future where the singer is successful and unbothered by past negativity. The musical arrangement should include elements of country-pop akin to Taylor Swift's early work, with an acoustic guitar base and a build-up to a powerful, anthemic bridge."} +{"id":539592,"song":"Out Of The Woods","artist":"Taylor Swift","lyrics":"[Verse 1]\nLooking at it now\nIt all seems so simple\nWe were lying on your couch\nI remember\nYou took a Polaroid of us\nThen discovered (Then discovered)\nThe rest of the world was black and white\nBut we were in screaming color\nAnd I remember thinking\n[Chorus]\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet?\nAre we in the clear yet, in the clear yet? Good\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet?\nAre we in the clear yet, in the clear yet? Good\n(Are we out of the woods?)\n[Verse 2]\nLooking at it now\nLast December (Last December)\nWe were built to fall apart\nThen fall back together (Back together)\nOoh, your necklace hanging from my neck\nThe night we couldn't quite forget\nWhen we decided, we decided\nTo move the furniture so we could dance\nBaby, like we stood a chance\nTwo paper airplanes flying, flying, flying\nAnd I remember thinking [Chorus]\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet?\nAre we in the clear yet, in the clear yet? Good\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? (Oh) Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet?\nAre we in the clear yet, in the clear yet? Good\n(Are we out of the woods?)\n[Bridge]\nRemember when you hit the brakes too soon?\nTwenty stitches in the hospital room\nWhen you started crying, baby, I did too\nBut when the sun came up, I was looking at you\nRemember when we couldn't take the heat?\nI walked out, I said, \"I'm setting you free\"\nBut the monsters turned out to be just trees\nWhen the sun came up, you were looking at me\nYou were looking at me, oh\nYou were looking at me\n(Are we out of the woods yet? Are we out of the woods yet?)\n(Are we out of the woods yet? Are we out of the woods?)\nI remember\n(Are we in the clear yet? Are we in the clear yet?)\n(Are we in the clear yet, in the clear yet? Good)\nOh, I remember [Chorus]\nAre we out of the woods yet? Are we out of the woods yet? (Yeah)\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet? (Say, are we?)\nAre we in the clear yet, in the clear yet? Good\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? (Yeah) Are we in the clear yet? (Yeah)\nAre we in the clear yet, in the clear yet? Good (Clear yet? Good)\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet?\nAre we in the clear yet, in the clear yet? Good (Do you remember?)\nAre we out of the woods yet? Are we out of the woods yet?\nAre we out of the woods yet? Are we out of the woods?\nAre we in the clear yet? Are we in the clear yet?\nAre we in the clear yet, in the clear yet? Good","prompt":"Write me a song in the style of Taylor Swift that encapsulates the feeling of navigating a tumultuous relationship, using vivid imagery like \"Polaroid of us\" and metaphors such as \"two paper airplanes flying\" to convey the ups and downs. The song should have an anthemic chorus that repeats a central question reflecting the uncertainty of the relationship's outcome, similar to \"Are we out of the woods yet?\" Incorporate a bridge that shifts the tone with a moment of reflection, akin to \"Remember when you hit the brakes too soon?\" The overall vibe should be a mix of introspective verses and a powerful, catchy chorus that captures the essence of hope and resilience in the face of adversity."} +{"id":102731,"song":"Starlight","artist":"Taylor Swift","lyrics":"[Chorus]\nI said, \"Oh, my, what a marvelous tune\"\nIt was the best night, never would forget how he moved\nThe whole place was dressed to the nines\nAnd we were dancing, dancing\nLike we're made of starlight\nLike we're made of starlight\n[Verse 1]\nI met Bobby on the boardwalk, summer of '45\nPicked me up, late one night out the window\nWe were 17 and crazy, running wild, wild\nCan't remember what song it was playing when we walked in\nThe night we snuck into a yacht club party\nPretending to be a duchess and a prince\n[Chorus]\nAnd I said, \"Oh, my, what a marvelous tune\"\nIt was the best night, never would forget how he moved\nThe whole place was dressed to the nines\nAnd we were dancing, dancing\nLike we're made of starlight, starlight\nLike we're made of starlight, starlight\n[Verse 2]\nHe said, \u201cLook at you, worrying too much about things you can't change\nYou'll spend your whole life singing the blues if you keep thinking that way\"\nHe was trying to skip rocks on the ocean, saying to me\n\"Don't you see the starlight, starlight?\nDon't you dream impossible things?\" [Chorus]\nLike, \"Oh, my, what a marvelous tune\"\nIt was the best night, never would forget how he moved\nThe whole place was dressed to the nines\nAnd we were dancing, dancing\nLike we're made of starlight, starlight\nLike we're made of starlight, starlight\n[Bridge]\nOoh-ooh, he's talking crazy\nOoh-ooh, dancing with me\nOoh-ooh, we could get married\nHave ten kids and teach 'em how to dream\n[Guitar Solo]\n[Chorus]\nOh, my, what a marvelous tune\nIt was the best night, never would forget how he moved\nThe whole place was dressed to the nines\nAnd we were dancing, dancing\nLike we're made of starlight, starlight\nLike we're made of starlight, starlight\n[Breakdown]\nLike we're made of starlight, starlight\nLike we dream impossible dreams\nLike starlight, starlight\nLike we dream impossible dreams [Outro]\nDon't you see the starlight, starlight?\nDon't you dream impossible things?","prompt":"Write me a song in the style of Taylor Swift that captures the nostalgic romance of a timeless summer night. The lyrics should convey a story of young love and adventure, set in a bygone era, with imagery of dancing under the stars and living in the moment. Include a catchy, memorable chorus that mentions \"marvelous tunes\" and \"dancing like we're made of starlight,\" and weave in a narrative that involves sneaking into an upscale party and dreaming of grand, impossible things. The melody should be enchanting and dreamy, reminiscent of Swift's ethereal and narrative songwriting style."} +{"id":132092,"song":"Tied Together with a Smile","artist":"Taylor Swift","lyrics":"[Verse 1]\nSeems the only one who doesn't see your beauty\nIs the face in the mirror looking back at you\nYou walk around here thinking you're not pretty\nBut that's not true\n'Cause I know you\n[Chorus]\nHold on, baby, you're losing it\nThe water's high, you're jumping into it and letting go\nAnd no one knows\nThat you cry, but you don't tell anyone\nThat you might not be the golden one\nAnd you're tied together with a smile\nBut you're coming undone, oh\n[Verse 2]\nI guess it's true that love was all you wanted\n'Cause you're giving it away like it's extra change\nHoping it will end up in his pocket (Pocket)\nBut he leaves you out like a penny in the rain\nOh, 'cause it's not his price to pay\nIt's not his price to pay\n[Chorus]\nHold on, baby, you're losing it\nThe water's high, you're jumping into it and letting go\nAnd no one knows\nThat you cry, but you don't tell anyone\nThat you might not be the golden one\nAnd you're tied together with a smile\nBut you're coming undone, oh\nOh, oh [Chorus]\nHold on, baby, you're losing it\nThe water's high, you're jumping into it and letting go\nAnd no one knows\nThat you cry but you don't tell anyone\nThat you might not be the golden one\nAnd you're tied together with a smile\nBut you're coming undone, oh\n[Outro]\nYou're tied together with a smile\nBut you're coming undone, oh, oh-oh\nGoodbye, baby\nWith a smile, baby, baby\nOh","prompt":"Write me a song in the style of Taylor Swift that captures the emotional depth and vulnerability of a person struggling with self-perception and hidden pain. The song should have an acoustic, confessional feel, reminiscent of Swift\u2019s earlier country-pop work, with lyrics that convey the experience of maintaining a facade of happiness while internally grappling with insecurity and the desire to be loved. Include metaphorical language that reflects the themes of concealment and inner turmoil, similar to how \"tied together with a smile\" illustrates a forced, fragile cheerfulness."} +{"id":102701,"song":"All Too Well","artist":"Taylor Swift","lyrics":"[Verse 1]\nI walked through the door with you, the air was cold\nBut something 'bout it felt like home somehow\nAnd I left my scarf there at your sister's house\nAnd you've still got it in your drawer, even now\n[Verse 2]\nOh, your sweet disposition and my wide-eyed gaze\nWe're singing in the car, getting lost upstate\nAutumn leaves falling down like pieces into place\nAnd I can picture it after all these days\n[Pre-Chorus]\nAnd I know it's long gone and\nThat magic's not here no more\nAnd I might be okay, but I'm not fine at all\nOh, oh, oh\n[Chorus]\n'Cause there we are again on that little town street\nYou almost ran the red 'cause you were lookin' over at me\nWind in my hair, I was there\nI remember it all too well\n[Verse 3]\nPhoto album on the counter, your cheeks were turning red\nYou used to be a little kid with glasses in a twin-sized bed\nAnd your mother's telling stories 'bout you on the tee-ball team\nYou taught me 'bout your past, thinking your future was me [Pre-Chorus]\nAnd I know it's long gone and\nThere was nothing else I could do\nAnd I forget about you long enough\nTo forget why I needed to\n[Chorus]\n'Cause there we are again in the middle of the night\nWe're dancing \u2018round the kitchen in the refrigerator light\nDown the stairs, I was there\nI remember it all too well, yeah\n[Bridge]\nWell, maybe we got lost in translation\nMaybe I asked for too much\nBut maybe this thing was a masterpiece\n'Til you tore it all up\nRunning scared, I was there\nI remember it all too well\nAnd you call me up again\nJust to break me like a promise\nSo casually cruel in the name of being honest\nI'm a crumpled up piece of paper lying here\n'Cause I remember it all, all, all\nToo well [Verse 4]\nTime won't fly, it's like I'm paralyzed by it\nI'd like to be my old self again, but I'm still trying to find it\nAfter plaid shirt days and nights when you made me your own\nNow, you mail back my things and I walk home alone\nBut you keep my old scarf from that very first week\n'Cause it reminds you of innocence and it smells like me\nYou can't get rid of it\n'Cause you remember it all too well, yeah\n[Chorus]\n'Cause there we are again when I loved you so\nBack before you lost the one real thing you've ever known\nIt was rare, I was there\nI remember it all too well\n[Outro]\nWind in my hair, you were there\nYou remember it all\nDown the stairs, you were there\nYou remember it all\nIt was rare, I was there\nI remember it all too well","prompt":"Write me a song in the style of Taylor Swift that captures the nostalgia and heartache of a past relationship, weaving a narrative that reflects on intimate moments and the bittersweet memories that linger after a breakup. Incorporate vivid imagery and emotional storytelling to create a sense of longing and reflection, much like the detailed recollections of lost love found in \"All Too Well.\" The song should feature acoustic elements, a soft yet powerful vocal delivery, and a build-up to a cathartic bridge, embodying Taylor Swift's signature blend of country roots and pop sensibility."} +{"id":186835,"song":"Christmases When You Were Mine","artist":"Taylor Swift","lyrics":"[Verse 1]\nPlease take down the mistletoe\n'Cause I don't want to think about that right now\n'Cause everything I want is miles away\nIn a snow covered little town\nMy momma's in the kitchen, worrying about me\nSeason's greetings, hope you're well\nWell I'm doing alright\nIf you were wondering\nLately I can never tell\n[Chorus]\nI know this shouldn't be a lonely time\nBut there were Christmases when you were mine\n[Verse 2]\nI've been doing fine without you, really\nUp until the nights got cold\nAnd everybody's here, except you, baby\nSeems like everyone's got someone to hold\n[Chorus]\nBut for me it's just a lonely time\n'Cause there were Christmases when you were mine\n[Verse 3]\nMerry Christmas, everybody\nThat'll have to be something I just say this year\nI'll bet you got your mom another sweater\nAnd were your cousins late again?\nWhen you were putting up the lights this year\nDid you notice one less pair of hands? [Chorus]\nI know this shouldn't be a lonely time\nBut there were Christmases when I didn't wonder how you are tonight\n'Cause there were Christmases when you were mine\n[Outro]\nYou were mine","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a bittersweet holiday season, where the protagonist is grappling with the memories of past Christmases shared with a now-absent loved one. The lyrics should evoke a sense of nostalgia and a poignant longing amidst the festive surroundings, with contrasting themes of warmth from family and the chill of personal loneliness. The melody should complement the introspective and narrative-driven verses, leading up to a memorable, emotionally charged chorus that underscores the sentiment of the season being a time for togetherness, which highlights the protagonist's sense of isolation."} +{"id":6260174,"song":"\u200bl\u200bong story short","artist":"Taylor Swift","lyrics":"[Verse 1]\nFatefully\nI tried to pick my battles 'til the battle picked me\nMisery\nLike the war of words I shouted in my sleep\nAnd you passed right by\nI was in the alley, surrounded on all sides\nThe knife cuts both ways\nIf the shoe fits, walk in it 'til your high heels break\n[Chorus]\nAnd I fell from the pedestal\nRight down the rabbit hole\nLong story short, it was a bad time\nPushed from the precipice\nClung to the nearest lips\nLong story short, it was the wrong guy\n[Post-Chorus]\nNow I'm all about you\nI'm all about you, ah\nYeah, yeah\nI'm all about you, ah\nYeah, yeah\n[Verse 2]\nActually\nI always felt I must look better in the rear view\nMissing me\nAt the golden gates they once held the keys to\nWhen I dropped my sword\nI threw it in the bushes and knocked on your door\nAnd we live in peace\nBut if someone comes at us, this time, I'm ready [Chorus]\n'Cause I fell from the pedestal\nRight down the rabbit hole\nLong story short, it was a bad time\nPushed from the precipice\nClung to the nearest lips\nLong story short, it was the wrong guy\n[Post-Chorus]\nNow I'm all about you\nI'm all about you, ah\nYeah, yeah\nI'm all about you\n[Bridge]\nNo more keepin' score\nNow I just keep you warm (Keep you warm)\nNo more tug of war\nNow I just know there's more (Know there's more)\nNo more keepin' score\nNow I just keep you warm (Keep you warm)\nAnd my waves meet your shore\nEver and evermore\n[Verse 3]\nPast me\nI wanna tell you not to get lost in these petty things\nYour nemeses\nWill defeat themselves before you get the chance to swing\nAnd he's passing by\nRare as the glimmer of a comet in the sky\nAnd he feels like home\nIf the shoe fits, walk in it everywhere you go [Chorus]\nAnd I fell from the pedestal\nRight down the rabbit hole\nLong story short, it was a bad time\nPushed from the precipice\nClimbed right back up the cliff\nLong story short, I survived\n[Post-Chorus]\nNow I'm all about you\n(And now) I'm all about you, ah\n(And now) I'm all about you\n(And now) I'm all about you, ah\nYeah, yeah\nI'm all about you\n(And now) Yeah, yeah\nI'm all about you\n[Outro]\nLong story short, it was a bad time\nLong story short, I survived","prompt":"Write me a song in the style of Taylor Swift that captures the essence of overcoming personal struggles and finding peace in a new love. The lyrics should reflect the journey from battling adversity, symbolized by the imagery of war and falling from grace, to embracing a newfound relationship that feels like home. The song should have a reflective yet uplifting tone, with a chorus that emphasizes the theme of resilience and survival, akin to the line \"long story short, I survived.\" The musical arrangement should be in line with Swift's pop sensibilities, incorporating both acoustic and electronic elements to create a sound that's both intimate and anthemic."} +{"id":3221550,"song":"...Ready for It?","artist":"Taylor Swift","lyrics":"[Verse 1]\nKnew he was a killer first time that I saw him\nWondered how many girls he had loved and left haunted\nBut if he's a ghost, then I can be a phantom\nHoldin' him for ransom, some\nSome boys are tryin' too hard, he don't try at all, though\nYounger than my exes, but he act like such a man, so\nI see nothin' better, I keep him forever\nLike a vendetta-ta\n[Pre-Chorus]\nI, I, I see how this is gon' go\nTouch me and you'll never be alone\nI-Island breeze and lights down low\nNo one has to know\n[Chorus]\nIn the middle of the night, in my dreams\nYou should see the things we do, baby, mmm\nIn the middle of the night, in my dreams\nI know I'm gonna be with you, so I take my time\nAre you ready for it?\n[Verse 2]\nKnew I was a robber first time that he saw me\nStealin' hearts and runnin' off and never sayin' sorry\nBut if I'm a thief, then he can join the heist and\nWe'll move to an island and\nAnd he can be my jailer, Burton to this Taylor\nEvery love I've known in comparison is a failure\nI forget their names now, I'm so very tame now\nNever be the same now, now [Pre-Chorus]\nI, I, I see how this is gon' go (Go)\nTouch me and you'll never be alone\nI-Island breeze and lights down low (Low)\nNo one has to know (No one has to know)\n[Chorus]\nIn the middle of the night, in my dreams (Yeah)\nYou should see the things we do (We do), baby, mmm (Mmm)\nIn the middle of the night (The night) in my dreams (My dreams)\nI know I'm gonna be with you, so I take my time\nAre you ready for it? Oh\nAre you ready for it?\n[Refrain]\nBaby, let the games begin\nLet the games begin\nLet the games begin, ah-ah\nBaby, let the games begin\nLet the games begin\nLet the games begin\n[Pre-Chorus]\nI, I, I see how this is gon' go\nTouch me and you'll never be alone\nI-Island breeze and lights down low\nNo one has to know [Chorus]\nIn the middle of the night (Night), in my dreams (My dreams)\nYou should see the things we do (We do), baby (Baby), mmm (Yeah)\nIn the middle of the night, in my dreams (My dreams)\nI know I'm gonna be with you, so I take my time (Yeah)\nIn the middle of the night\n[Refrain]\nBaby, let the games begin\nLet the games begin\nLet the games begin\nAre you ready for it?\nBaby, let the games begin\nLet the games begin\nLet the games begin\nAre you ready for it?","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a romantic adventure wrapped in mystery and allure, much like a game of cat and mouse. The lyrics should convey a story of two people, each with a hint of a dark past, who find an intoxicating connection with one another. Incorporate themes of daring love, the thrill of the chase, and the excitement of a secret romance. The song should have a dynamic and catchy chorus that asks, \"Are you ready for it?\" to emphasize the anticipation and build-up of the relationship. The musical arrangement should be pop-centric, with a hint of electric edge, reflecting Swift's more recent work."} +{"id":5817277,"song":"The Best Day","artist":"Taylor Swift","lyrics":"[Verse]\nI'm five years old, it's getting cold, I've got my big coat on\nI hear your\u2005laugh\u2005and look up\u2005smiling at you, I run and\u2005run\nPast the pumpkin patch and the tractor rides\nLook now, the\u205fsky\u205fis\u205fgold\nI hug your\u205flegs and fall\u205fasleep on the way home","prompt":"Write me a song in the style of Taylor Swift that captures the essence of childhood nostalgia, incorporating vivid imagery of autumnal scenery such as pumpkin patches and golden skies. The song should evoke the warmth of family memories and convey a sense of innocence and comfort, similar to the tender and reflective narrative found in the verse provided. The lyrics should be personal and emotionally resonant, featuring a storytelling approach characteristic of Taylor Swift's songwriting, with a focus on the small, yet poignant moments that define the simplicity of youth."} +{"id":132077,"song":"Tim McGraw","artist":"Taylor Swift","lyrics":"[Verse 1]\nHe said the way my blue eyes shined\nPut those Georgia stars to shame that night\nI said, \"That's a lie\"\nJust a boy in a Chevy truck\nThat had a tendency of gettin' stuck\nOn backroads at night\n[Pre-Chorus]\nAnd I was right there beside him all summer long\nAnd then the time we woke up to find that summer gone\n[Chorus]\nBut when you think Tim McGraw\nI hope you think my favorite song\nThe one we danced to all night long\nThe moon like a spotlight on the lake\nWhen you think happiness\nI hope you think that little black dress\nThink of my head on your chest\nAnd my old faded blue jeans\nWhen you think Tim McGraw\nI hope you think of me\n[Verse 2]\nSeptember saw a month of tears\nAnd thankin' God that you weren't here\nTo see me like that\nBut in a box beneath my bed\nIs a letter that you never read\nFrom three summers back [Pre-Chorus]\nIt's hard not to find it all a little bittersweet\nAnd lookin' back on all of that, it's nice to believe\n[Chorus]\nWhen you think Tim McGraw\nI hope you think my favorite song\nThe one we danced to all night long\nThe moon like a spotlight on the lake\nWhen you think happiness\nI hope you think that little black dress\nThink of my head on your chest\nAnd my old faded blue jeans\nWhen you think Tim McGraw\nI hope you think of me\n[Bridge]\nAnd I'm back for the first time since then\nI'm standin' on your street\nAnd there's a letter left on your doorstep\nAnd the first thing that you'll read\n[Chorus]\nIs, \"When you think Tim McGraw\nI hope you think my favorite song\nSomeday you'll turn your radio on\nI hope it takes you back to that place\"\nWhen you think happiness\nI hope you think that little black dress\nThink of my head on your chest\nAnd my old faded blue jeans\nWhen you think Tim McGraw\nI hope you think of me [Outro]\nOh, think of me, mmm\nHe said the way my blue eyes shined\nPut those Georgia stars to shame that night\nI said, \"That's a lie\"","prompt":"Write me a song in the style of Taylor Swift that captures the essence of youthful summer love with nostalgic country vibes. The lyrics should reflect on cherished memories and the bittersweet passage of time, using specific imagery such as dancing under the moonlight, a cherished article of clothing, and a poignant keepsake that stirs up past emotions. The song should convey the hope that a certain melody or symbol will remind a lost love of the singer, with a tender and storytelling approach characteristic of Taylor Swift's earlier country work."} +{"id":8485908,"song":"You\u2019re On Your Own, Kid","artist":"Taylor Swift","lyrics":"[Verse 1]\nSummer went away, still, the yearning stays\nI play it cool with the best of them\nI wait patiently, he's gonna notice me\nIt's okay, we're the best of friends\nAnyway\nI hear it in your voice, you're smoking with your boys\nI touch my phone as if it's your face\nI didn't choose this town, I dream of getting out\nThere's just one who could make me stay\nAll my days\n[Pre-Chorus]\nFrom sprinkler splashes to fireplace ashes\nI waited ages to see you there\nI search the party of better bodies\nJust to learn that you never cared\n[Chorus]\nYou're on your own, kid\nYou always have been\n[Verse 2]\nI see the great escape,\n \nso long, Daisy May\nI picked the petals, he loves me not\nSomething different bloomed, writing in my room\nI play my songs in the parking lot\nI'll run away [Pre-Chorus]\nFrom sprinkler splashes to fireplace ashes\nI called a taxi to take me there\nI search the party of better bodies\nJust to learn that my dreams aren't rare\n[Chorus]\nYou're on your own, kid\nYou always have been\n[Instrumental Break]\n[Bridge]\nFrom sprinkler splashes to fireplace ashes\nI gave my blood, sweat, and tears for this\nI hosted parties and starved my body\nLike I'd be saved by a perfect kiss\nThe jokes weren't funny\n, \nI took the money\nMy friends from home don't know what to say\nI looked around in a blood-soaked gown\nAnd I saw something they can't take away\n'Cause there were pages turned with the bridges burned\nEverything you lose is a step you take\nSo, make the friendship bracelets, take the moment and taste it\nYou've got no reason to be afraid [Chorus]\nYou're on your own, kid\nYeah, you can face this\nYou're on your own, kid\nYou always have been","prompt":"Write me a song in the style of Taylor Swift that captures the essence of youthful longing and the realization of independence. The song should explore themes of unrequited love, personal growth, and the bittersweet journey towards self-reliance. It should include vivid imagery, such as contrasting the innocence of \"sprinkler splashes\" with the maturity of \"fireplace ashes,\" and portray the transformation from naive hopes to understanding one's own strength. The musical arrangement should be reminiscent of Swift's narrative-driven songwriting, with an instrumental break that allows for an emotional buildup, leading to a powerful and reflective bridge. The tone should blend melancholy with empowerment, encapsulating the dichotomy of growing pains and self-discovery."} +{"id":132080,"song":"A Place In This World","artist":"Taylor Swift","lyrics":"[Verse 1]\nI don't know what I want, so don't ask me\n'Cause I'm still trying to figure it out\nDon't know what's down this road, I'm just walking\nTrying to see through the rain coming down\nEven though I'm not the only one\nWho feels the way I do\n[Chorus]\nI'm alone, on my own, and that's all I know\nI'll be strong, I'll be wrong, oh, but life goes on\nOh, I'm just a girl trying to find a place in this world\n[Verse 2]\nGot the radio on, my old blue jeans\nAnd I'm wearing my heart on my sleeve\nFeeling lucky today, got the sunshine\nCould you tell me what more do I need?\nAnd tomorrow's just a mystery, oh, yeah\nBut that's okay\n[Chorus]\nI'm alone, on my own, and that's all I know\nI'll be strong, I'll be wrong, oh, but life goes on\nOh, I'm just a girl trying to find a place in this world [Bridge]\nMaybe I'm just a girl on a mission\nBut I'm ready to fly\n[Chorus]\nI'm alone, on my own, and that's all I know\nI'll be strong, I'll be wrong, oh, but life goes on\nOh, I'm alone, on my own, and that's all I know\nOh, I'm just a girl trying to find a place in this world\n[Outro]\nOh, I'm just a girl\nOh, I'm just a girl, oh, oh\nOh, I'm just a girl","prompt":"Write me a song in the style of Taylor Swift that captures the essence of youthful introspection and the search for one's place in the world. The lyrics should convey the uncertainty and determination of a young person facing life's challenges, with a tone that is both vulnerable and hopeful. The song should include a catchy chorus that emphasizes the theme of self-reliance and personal growth, and it should be delivered with the emotional depth and narrative storytelling that are characteristic of Taylor Swift's early country-pop era."} +{"id":2466693,"song":"Cross My Heart","artist":"Taylor Swift","lyrics":"[Verse 1]\nI\u2019ve been counting days and\nI\u2019ve been being patient\nAbout a little thing called love\nCrossing all my fingers\nLetting my heart linger\nTrying to get some help from up above\n[Pre-Chorus]\nI don\u2019t want to jinx my luck\nI\u2019ve left it all behind me\nAnd I\u2019ve been hoping every day\nThat someday you will find me\n[Chorus]\nSo I cross my heart and hope for you\nKnock on wood and rope the moon\nI\u2019ll pray for you and me and hope I\u2019m right\nAnd I wait around that old wishing well\nYou never know if time will tell\nI cross my heart and hope for you tonight\n[Verse 2]\nDreaming of you baby\nI\u2019ve been thinking maybe\nThere is something I can do\n\u2018Cause I\u2019ve been on the verge of\nRunning around in circles\nBaby all I want is you [Pre-Chorus]\nI don\u2019t want to jinx my luck\nI\u2019ve left it all behind me\nAnd I\u2019ve been hoping every day\nThat someday you will find me\n[Chorus]\nSo I cross my heart and hope for you\nKnock on wood and rope the moon\nI\u2019ll pray for you and me and hope I\u2019m right\nAnd I wait around that old wishing well\nYou never know if time will tell\nI cross my heart and hope for you tonight\n[Bridge]\nDo you believe in miracles\nPlease tell me if you\u2019ve seen one\nI\u2019d like to know just where to go\nBecause I think I need one\n[Chorus x2]\nSo I cross my heart and hope for you\nKnock on wood and rope the moon\nI\u2019ll pray for you and me and hope I\u2019m right\nAnd I wait around that old wishing well\nYou never know if time will tell\nI cross my heart and hope for you tonight So I cross my heart and hope for you\nKnock on wood and rope the moon\nI\u2019ll pray for you and me and hope I\u2019m right\nAnd I wait around that old wishing well\nYou never know if time will tell\nI cross my heart and hope for you tonight","prompt":"Write me a song in the style of Taylor Swift that captures a narrative of yearning and hopeful anticipation for love. The lyrics should reflect a blend of patience and earnest desire, with metaphors like \"crossing my heart,\" \"knocking on wood,\" and \"roping the moon\" to convey a sense of romantic superstition and whimsy. The song should embody a sense of optimism and the longing for a destined meeting, reminiscent of Swift's narrative-driven, country-pop sound, complete with a catchy chorus and an emotional bridge that ponders the existence of miracles in love."} +{"id":52592,"song":"Haunted","artist":"Taylor Swift","lyrics":"[Verse 1]\nYou and I walk a fragile line\nI have known it all this time\nBut I never thought I'd live to see it break\nIt's getting dark and it's all too quiet\nAnd I can't trust anything now\nAnd it's coming over you like it's all a big mistake\n[Pre-Chorus]\nWoah, holding my breath\nWon't lose you again\nSomething's made your eyes go cold\n[Chorus]\nCome on, come on, don't leave me like this\nI thought I had you figured out\nSomething's gone terribly wrong\nYou're all I wanted\nCome on, come on, don't leave me like this\nI thought I had you figured out\nCan't breathe whenever you're gone\nCan't turn back now, I'm haunted\n[Verse 2]\nStood there and watched you walk away\nFrom everything we had\nBut I still mean every word I said to you\nHe will try to take away my pain\nAnd he just might make me smile\nBut the whole time, I'm wishing he was you instead [Pre-Chorus]\nOh, holding my breath\nWon't see you again\nSomething keeps me holding onto nothing\n[Chorus]\nCome on, come on, don't leave me like this\nI thought I had you figured out\nSomething's gone terribly wrong\nYou're all I wanted\nCome on, come on, don't leave me like this\nI thought I had you figured out\nCan't breathe whenever you're gone\nCan't turn back now, I'm haunted\n[Bridge]\nI know, I know\nI just know\nYou're not gone\nYou can't be gone, no\n[Chorus]\nCome on, come on, don't leave me like this\nI thought I had you figured out\nSomething's gone terribly wrong\nWon't finish what you started\nCome on, come on, don't leave me like this\nI thought I had you figured out\nCan't breathe whenever you're gone\nI can't go back, I'm haunted [Outro]\nOh-oh, oh-oh, oh-oh, oh\nYou and I walk a fragile line\nI have known it all this time\nNever ever thought I'd see it break\nNever thought I'd see it","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turbulence of a failing relationship, with vivid imagery of fear and longing. The song should include a delicate balance of vulnerability and strength, infused with a sense of haunting regret. Reflect Taylor Swift's narrative songwriting approach, where the lyrics convey a deep sense of personal reflection and a storyline that listeners can relate to. The music should be evocative, with a blend of country and pop elements, featuring an engaging chorus that highlights the desperation and resolve of holding onto a love that's slipping away."} +{"id":186961,"song":"If This Was a Movie","artist":"Taylor Swift","lyrics":"[Verse 1]\nLast night, I heard my own heart beating\nSounded like footsteps on my stairs\nSix months gone and I'm still reaching\nEven though I know you're not there\nI was playing back a thousand memories, baby\nThinking 'bout everything we've been through\nMaybe I've been going back too much lately\nWhen time stood still and I had you\n[Chorus]\nCome back, come back, come back to me like\nYou would, you would if this was a movie\nStand in the rain outside 'til I came out\nCome back, come back, come back to me like\nYou could, you could if you just said you're sorry\nI know that we could work it out somehow\nBut if this was a movie, you'd be here by now\n[Verse 2]\nI know people change and these things happen\nBut I remember how it was back then\nWrapped up in your arms and our friends were laughin'\n'Cause nothing like this ever happened to them\nNow I'm pacing down the hall, chasing down your street\nFlashback to the night when you said to me\nThat nothing's gonna change, not for me and you\nBack before I knew how much I had to lose [Chorus]\nCome back, come back, come back to me like\nYou would, you would if this was a movie\nStand in the rain outside 'til I came out\nCome back, come back, come back to me like\nYou could, you could if you just said you're sorry\nI know that we could work it out somehow\nBut if this was a movie, you'd be here by now\n[Bridge]\nIf you're out there, if you're somewhere, if you're moving on\nI've been waiting for you every day since you've been gone\nI just want it back the way it was before\nAnd I just wanna see you back at my front door\n[Breakdown]\nAnd I say, \"Come back, come back, come back to me like\nYou would before you said it's not that easy\nBefore the fight, before I locked you out\nBut I take it all back now\"\n[Chorus]\nCome back, come back, come back to me like\nYou would, you would if this was a movie\nStand in the rain outside 'til I came out\nCome back, come back, come back to me like\nYou could, you could if you just said you're sorry\nI know that we could work it out somehow\nBut if this was a movie, you'd be here by now [Outro]\nYou'd be here by now\nIt's not the kind of ending you wanna see now\nBaby, what about the ending?\nOh, I thought you'd be here by now\nOh, oh, oh, oh, oh, oh\nThought you'd be here by now","prompt":"Write me a song in the style of Taylor Swift that captures the heartache of longing for a lost love and the wishful thinking of romantic reconciliation, akin to an idealized movie scene. The lyrics should reflect a mix of nostalgia and hope, with references to specific memories and a narrative that conveys the yearning for an apology and a second chance. The song should include vivid imagery of waiting and flashbacks, and convey the emotional intensity of wanting someone to \"come back\" against the odds, set to a melody that blends country roots with pop sensibility."} +{"id":4072964,"song":"Kid in the Crowd","artist":"Taylor Swift","lyrics":"[Verse 1]\nLittle girl, she looks around\nShe's standing in the open ground\nLooks up at the girl alone singing through the microphone\nGirl gives girl a little smile\nAnd just one wink that could have run a mile\nBut life is full of empty days\nBut the little girl said, \"I'm gonna be like that someday\"\n[Chorus]\nI, I remember the eyes\nOf the kid in the crowd\nWho cut me down to size\nAnd realizing is crying out loud\nFor every kid on stage\nThere is a kid in the crowd\n[Verse 2]\nGirl on stage holds her hand\nBacked up by a country band\nLooking down with eyes of grace\nLooked upon that young girl's face\nAnd when she smiled at that eight-year-old\nEndless thoughts that can never be told\nWiped away those empty days\nAnd the little girl said, \"I'm gonna be like that someday\" [Chorus]\nI, I remember the eyes\nOf the kid in the crowd\nWho cut me down to size\nAnd realizing is crying out loud\nFor every kid on stage\nThere is a kid in the crowd\n[Bridge]\n[?] are like moonlit skies\nAnd lovin' eyes are like fireflies\nWannabes, they really can be\nBut the little girl, that little girl was me\n[Chorus]\nI, I remember the time\nI was a kid in the crowd\nWith the dream in my eyes\nRealizing is crying out loud\nThere was a kid on stage\nI was the kid in the crowd\n[Outro]\nOh, oh\nI'm still the kid in the crowd","prompt":"Write me a song in the style of Taylor Swift that captures the nostalgic journey of a young girl's aspirations to be on stage, inspired by a performer she admires. The lyrics should reflect the perspective of both the aspiring little girl and the performer, emphasizing the cyclical nature of inspiration and the connection between artist and audience. Incorporate country music elements and a narrative that unfolds through detailed storytelling, akin to Swift's early work, with a chorus that highlights the emotional realization of dreams and the profound impact of seeing oneself in another's success."} +{"id":1543455,"song":"Mine","artist":"Taylor Swift","lyrics":"[SANTANA]\nYou were in college working part time waitin' tables\nLeft a small town, never looked back\nI was a flight risk with a fear of falling\nWonderin' why we bother with love if it never lasts\nI say, \"Can you believe it?\"\nAs we're lyin' on the couch\nThe moment I could see it\nYes, yes, I can see it now\nDo you remember, we were sittin' there by the water?\nYou put your arm around me for the first time\nYou made a rebel of a careless man's careful daughter\nYou are the best thing that's ever been mine\nFlash forward and we're takin' on the world together\nAnd there's a drawer of my things at your place\nYou learn my secrets and you figure out why I'm guarded\nYou say we'll never make my parents' mistakes\nBut we got bills to pay\nWe got nothing figured out\nWhen it was hard to take\nYes, yes, this is what I thought about Do you remember, we were sittin' there by the water?\nYou put your arm around me for the first time\nYou made a rebel of a careless man's careful daughter\nYou are the best thing that's ever been mine\nDo you remember all the city lights on the water?\nYou saw me start to believe for the first time\nYou made a rebel of a careless man's careful daughter\nYou are the best thing that's ever been mine\nAh-oh-oh\nAnd I remember that fight, 2:30AM\nWhen everything was slippin' right out of our hands\nI ran out crying and you followed me out into the street\nBraced myself for the goodbye\n'Cause that's all I've ever known\nThen you took me by surprise\nYou said, \"I'll never leave you alone\"\nYou said, \"I remember how we felt sitting by the water\nAnd every time I look at you, it's like the first time\nI fell in love with a careless man's careful daughter\nShe is the best thing that's ever been mine\"\nOoh, oh\nYou made a rebel of a careless man's careful daughter\nYou are the best thing that's ever been mine Do you believe it?\nWe're gonna make it now\nAnd I can see it\nI can see it now","prompt":"Write me a song in the style of Taylor Swift that captures the emotional journey of young love, from the uncertainty and fear of heartbreak to the surprise of finding a lasting connection. The song should explore themes of rebellion, coming of age, and the pivotal moments that define a relationship, such as the first time embracing by the water or facing challenges together. The narrative should unfold with vivid imagery, reflecting on both the sweet and trying times, culminating in the realization that they have something special worth fighting for. The tone should blend Taylor Swift's signature storytelling with a touch of nostalgia and a strong emphasis on personal growth and the impact of love."} +{"id":62236,"song":"Safe & Sound","artist":"Taylor Swift","lyrics":"[Verse 1: Taylor Swift]\nI remember tears streaming down your face when I said, \"I'll never let you go\"\nWhen all those shadows almost killed your light\nI remember you said, \"Don't leave me here alone\"\nBut all that's dead and gone and passed tonight\n[Chorus: Taylor Swift with Joy Williams of The Civil Wars backup]\nJust close your eyes\nThe sun is going down\nYou'll be alright\nNo one can hurt you now\nCome morning light\nYou and I'll be safe and sound\n[Verse 2: Taylor Swift with John Paul White of The Civil Wars backup]\nDon't you dare look out your window\nDarling, everything's on fire\nThe war outside our door keeps raging on\nHold on to this lullaby\nEven when (the) music's gone\nGone\n[Chorus]\nJust close your eyes\nThe sun is going down\nYou'll be alright\nNo one can hurt you now\nCome morning light\nYou and I'll be safe and sound [Bridge: Taylor Swift with The Civil Wars backup]\nOoh, ooh\nOoh, ooh\nOh (Oh)\nOh (Oh)\nOoh, ooh\nOoh, ooh\nOh\nOh\n[Chorus: Taylor Swift & The Civil Wars]\nJust close your eyes\nYou'll be alright\nCome morning light\nYou and I'll be safe and sound\n[Outro: Taylor Swift with The Civil Wars backup]\nOoh, ooh\nOoh, ooh\nOoh, ooh\nOoh, ooh\nOoh, ooh\nOoh, ooh","prompt":"Write me a song in the style of Taylor Swift, capturing the emotional intensity and tender reassurance found in her song \"Safe & Sound\" featuring The Civil Wars. The lyrics should express a comforting message amidst a backdrop of turmoil and darkness, with acoustic and folk influences that underscore the vulnerability and warmth of the narrative. The song should include soothing choruses with harmonies similar to those provided by The Civil Wars, creating a lullaby-like quality that offers a sense of protection and solace."} +{"id":4721067,"song":"The Archer","artist":"Taylor Swift","lyrics":"[Verse 1]\nCombat, I'm ready for combat\nI say I don't want that, but what if I do?\n'Cause cruelty wins in the movies\nI've got a hundred thrown-out speeches I almost said to you\n[Pre-Chorus]\nEasy they come, easy they go\nI jump from the train, I ride off alone\nI never grew up, it's getting so old\nHelp me hold on to you\n[Chorus]\nI've been the archer, I've been the prey\nWho could ever leave me, darling\nBut who could stay?\n[Verse 2]\nDark side, I search for your dark side\nBut what if I'm alright, right, right, right here?\nAnd I cut off my nose just to spite my face\nThen I hate my reflection for years and years\n[Pre-Chorus]\nI wake in the night, I pace like a ghost\nThe room is on fire, invisible smoke\nAnd all of my heroes die all alone\nHelp me hold on to you [Chorus]\nI've been the archer, I've been the prey\nScreaming, who could ever leave me, darling\nBut who could stay?\n(I see right through me, I see right through me)\n[Bridge]\n'Cause they see right through me\nThey see right through me\nThey see right through\nCan you see right through me?\nThey see right through\nThey see right through me\nI see right through me\nI see right through me\n[Pre-Chorus]\nAll the king's horses, all the king's men\nCouldn't put me together again\n'Cause all of my enemies started out friends\nHelp me hold on to you\n[Chorus]\nI've been the archer, I've been the prey\nWho could ever leave me, darling\nBut who could stay?\n(I see right through me, I see right through me)\nWho could stay?\nWho could stay?\nWho could stay?\nYou could stay\nYou could stay [Outro]\nCombat, I'm ready for combat","prompt":"Write me a song in the style of Taylor Swift, capturing the introspective and vulnerable narrative of someone who feels like both the hero and the victim in their own story, akin to \"The Archer.\" The lyrics should weave a tale of personal struggles with trust and self-image, using metaphors of combat and cinematic references. The song should have a hauntingly melodic tune that reflects the complexities of growth and the fear of intimacy, with poetic lines that echo the uncertainty of relationships and the desire to be understood and held onto."} +{"id":102684,"song":"Treacherous","artist":"Taylor Swift","lyrics":"[Verse 1]\nPut your lips close to mine\nAs long as they don't touch\nOut of focus, eye to eye\n'Til the gravity's too much\nAnd I'll do anything you say\nIf you say it with your hands\nAnd I'd be smart to walk away\nBut you're quicksand\n[Chorus]\nThis slope is treacherous\nThis path is reckless\nThis slope is treacherous\nAnd I-I-I like it\n[Verse 2]\nI can't decide if it's a choice\nGetting swept away\nI hear the sound of my own voice\nAsking you to stay\nAnd all we are is skin and bone\nTrained to get along\nForever going with the flow\nBut you're friction [Chorus]\nThis slope is treacherous\nThis path is reckless\nThis slope is treacherous\nI, I, I like it\n[Bridge]\nTwo headlights shine through the sleepless night\nAnd I will get you, get you alone\nYour name has echoed through my mind\nAnd I just think you should, think you should know\nThat nothing safe is worth the drive\nAnd I would follow you, follow you home\nI'll follow you, follow you home\n[Chorus]\nThis hope is treacherous\nThis daydream is dangerous\nThis hope is treacherous\nI-I-I, I-I-I, I-I-I\n[Bridge]\nTwo headlights shine through the sleepless night\nAnd I will get you, get you alone\nYour name has echoed through my mind\nAnd I just think you should, think you should know\nThat nothing safe is worth the drive\nAnd I would follow you, follow you home\nI'll follow you, follow you home\nI'll follow you, follow you home\nI'll follow you, follow you home [Outro]\nThis slope is treacherous\nI-I-I like it","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a risky and enthralling romantic attraction, utilizing vivid imagery and metaphors such as \"quicksand\" and \"treacherous slopes\" to convey the dangerous allure of the relationship. The song should have an introspective verse and a catchy, repetitive chorus that emphasizes the theme of irresistible danger. Include a bridge that deepens the narrative with a sense of urgency and longing, akin to a sleepless night and the determination to follow someone home, underscoring the overarching message that the riskiest ventures may be the most rewarding. The tone should be a blend of vulnerability and boldness, characteristic of Taylor Swift's storytelling style in her ballads."} +{"id":96432,"song":"Begin Again","artist":"Taylor Swift","lyrics":"[Verse 1]\nTook a deep breath in the mirror\nHe didn't like it when I wore high heels\nBut I do\nTurn the lock and put my headphones on\nHe always said he didn't get this song\nBut I do, I do\n[Verse 2]\nI walked in, expecting you'd be late\nBut you got here early and you stand and wave\nI walk to you\nYou pull my chair out and help me in\nAnd you don't know how nice that is\nBut I do\n[Chorus]\nAnd you throw your head back laughin' like a little kid\nI think it's strange that you think I'm funny 'cause he never did\nI've been spending the last eight months\nThinkin' all love ever does is break and burn and end\nBut on a Wednesday, in a caf\u00e9, I watched it begin again\n[Verse 3]\nYou said you never met one girl who\nHad as many James Taylor records as you\nBut I do\nWe tell stories and you don't know why\nI'm comin' off a little shy\nBut I do [Chorus]\nBut you throw your head back laughin' like a little kid\nI think it's strange that you think I'm funny 'cause he never did\nI've been spending the last eight months\nThinkin' all love ever does is break and burn and end\nBut on a Wednesday, in a caf\u00e9, I watched it begin again\n[Bridge]\nAnd we walked down the block to my car\nAnd I almost brought him up\nBut you start to talk about the movies\nThat your family watches every single Christmas\nAnd I wanna talk about that\nAnd for the first time, what's past is past\n[Chorus]\n'Cause you throw your head back laughin' like a little kid\nI think it's strange that you think I'm funny 'cause he never did\nI've been spending the last eight months\nThinkin' all love ever does is break and burn and end\nBut on a Wednesday, in a caf\u00e9, I watched it begin again\n[Outro]\nHmm, hmm\nBut on a Wednesday, in a caf\u00e9, I watched it begin again","prompt":"Write me a song in the style of Taylor Swift that tells a story of newfound hope in love after a period of heartbreak, with introspective verses and a catchy, uplifting chorus. The lyrics should reflect on past insecurities and celebrate the small, meaningful gestures of a new potential love interest, contrasting the old with the new. Include specific narrative details, such as meeting in a caf\u00e9, that paint a vivid picture of the beginning stages of a romantic relationship. The song should have a confessional tone, characteristic of Taylor Swift's storytelling, and contain acoustic elements that complement the emotional depth of the lyrics."} +{"id":6260162,"song":"\u200bclosure","artist":"Taylor Swift","lyrics":"[Verse 1]\nIt's been a long time\nAnd seeing the shape of your name\nStill spells out pain\nIt wasn't right\nThe way it all went down\nLooks like you know that now\n[Chorus]\nYes, I got your letter\nYes, I'm doing better\nIt cut deep to know ya, right to the bone\nYes, I got your letter\nYes, I'm doing better\nI know that it's over, I don't need your\nClosure, your closure\n[Verse 2]\nDon't treat me like\nSome situation that needs to be handled\nI'm fine with my spite\nAnd my tears and my beers and my candles\nI can feel you\n \nsmoothing me over\n[Chorus]\nYes, I got your letter\nYes, I'm doing bett\u0435r\nIt cut deep to know ya, right to the bone\nYes, I got your l\u0435tter\nYes, I'm doing better\nI know that it's over, I don't need your\nClosure, your closure\nYour closure, your closure [Bridge]\nI know I'm just a wrinkle in your new life\nStaying friends would iron it out so nice\nGuilty, guilty, reaching out across the sea\nThat you put between you and me\nBut it's fake and it's oh-so unnecessary\n[Chorus]\nYes, I got your letter\nYes, I'm doing better\nIt cut deep to know ya, right to the bone\nYes, I got your letter\nYes, I'm doing better\nI know that it's over, I don't need your\nClosure, closure, your closure\nYour closure","prompt":"Write me a song in the style of Taylor Swift that captures the bittersweet sentiment of moving on from a past relationship, with a focus on self-healing and empowerment. The song should include poignant lyrics that tell the story of receiving a letter from an ex and realizing that closure isn't needed from them to be okay. Emulate Swift's narrative-driven songwriting, with emotionally charged verses and a catchy, defiant chorus that conveys the message of doing better and finding closure independently. The musical style should reflect the blend of country roots and pop sensibility typical of Swift's earlier works."} +{"id":8486446,"song":"Glitch","artist":"Taylor Swift","lyrics":"[Verse 1]\nWe were supposed to be just friends\nYou don't live in my part of town, but maybe I'll see you out some weekend\nDepending on what kind of mood and situationship I'm in\nAnd what's in my system\n[Chorus]\nI think there's been a glitch, oh, yeah\nFive seconds later, I'm fastening myself to you with a stitch, oh, yeah\nAnd I'm not even sorry, nights are so starry\nBlood moonlit\nIt must be counterfeit\nI think there's been a glitch, oh, yeah\n[Verse 2]\nI was supposed to sweat you out\nIn search of glorious happenings of happenstance on someone else's playground\nBut it's been two-thousand one-hundred ninety days of our love blackout\n(Our love is blacking out)\nThe system's breaking down\n(The system's breaking down)\n[Chorus]\nI think there's been a glitch, oh, yeah\nFive seconds later, I'm fastening myself to you with a stitch, oh, yeah\nAnd I'm not even sorry, nights are so starry\nBlood moonlit\nIt must be counterfeit\nI think there's been a glitch [Bridge]\nA brief interruption, a slight malfunction\nI'd go back to wanting dudes who give nothing\nI thought we had no chance\nAnd that's romance, let's dance\n[Chorus]\nGlitch, oh, yeah\nFive seconds later, I'm fastening myself to you with a stitch, oh, yeah\nAnd I'm not even sorry, nights are so starry\nBlood moonlit\nIt must be counterfeit (It must be counterfeit)\nI think there's been a glitch","prompt":"Write me a song in the style of Taylor Swift that captures the essence of an unexpected romance rekindling despite the initial intention of staying friends. The lyrics should reflect a struggle between rational intentions and irresistible attraction, with specific references to the passage of time and celestial imagery like starry nights and a blood moon. Include a catchy chorus that uses the metaphor of a 'glitch' to describe the sudden shift in feelings, and infuse the verses with vivid storytelling that hints at a deeper emotional conflict. The song should have a modern pop sound with elements of Swift's signature confessional lyrics and a touch of electronic influence to match the glitch theme."} +{"id":132663,"song":"Long Live","artist":"Taylor Swift","lyrics":"[Verse 1]\nI said, \"Remember this moment\"\nIn the back of my mind\nThe time we stood with our shaking hands\nThe crowds in stands went wild\nWe were the kings and the queens\nAnd they read off our names\nThe night you danced like you knew our lives\nWould never be the same\nYou held your head like a hero\nOn a history book page\nIt was the end of a decade\nBut the start of an age\n[Chorus]\nLong live the walls we crashed through\nHow the kingdom lights shined just for me and you\nI was screaming, \"Long live all the magic we made\"\nAnd bring on all the pretenders\nOne day, we will be remembered\n[Verse 2]\nI said, \"Remember this feeling\"\nI pass the pictures around\nOf all the years that we stood there on the sidelines\nWishing for right now\nWe are the kings and the queens\nYou traded your baseball cap for a crown\nWhen they gave us our trophies\nAnd we held them up for our town\nAnd the cynics were outraged\nScreaming, \"This is absurd\"\n'Cause for a moment, a band of thieves\nIn ripped up jeans got to rule the world [Chorus]\nLong live the walls we crashed through\nHow the kingdom lights shined just for me and you\nI was screaming, \"Long live all the magic we made\"\nAnd bring on all the pretenders, I'm not afraid\nLong live all the mountains we moved\nI had the time of my life fighting dragons with you\nI was screaming, \"Long live that look on your face\"\nAnd bring on all the pretenders\nOne day, we will be remembered\n[Bridge]\nHold on to spinning around\nConfetti falls to the ground\nMay these memories break our fall\nWill you take a moment? Promise me this\nThat you'll stand by me forever\nBut if, God forbid, fate should step in\nAnd force us into a goodbye\nIf you have children some day\nWhen they point to the pictures\nPlease, tell 'em my name\nTell 'em how the crowds went wild\nTell 'em how I hope they shine\nLong live the walls we crashed through\nI had the time of my life with you [Chorus]\nLong, long live the walls we crashed through\nHow the kingdom lights shined just for me and you\nAnd I was screaming, \"Long live all the magic we made\"\nAnd bring on all the pretenders, I'm not afraid\nSinging, \"Long live all the mountains we moved\"\nI had the time of my life fighting dragons with you\nAnd long, long live that look on your face\nAnd bring on all the pretenders\nOne day, we will be remembered","prompt":"Write me a song in the style of Taylor Swift that captures the nostalgia and triumph of reflecting on past glories and youthful achievements. The lyrics should evoke a sense of reminiscence over the highs of a bygone era, celebrating victories and acknowledging the fleeting nature of these moments. It should hold an anthemic quality, with a chorus that pays tribute to the enduring memories and the legacy left behind. Emphasize the themes of camaraderie, dreams realized, and the bittersweet passage of time, all wrapped in Swift's signature blend of storytelling and pop-country musicality."} +{"id":132659,"song":"Never Grow Up","artist":"Taylor Swift","lyrics":"[Verse 1]\nYour little hand's wrapped around my finger\nAnd it's so quiet in the world tonight\nYour little eyelids flutter 'cause you're dreaming\nSo I tuck you in, turn on your favourite nightlight\n[Pre-Chorus]\nTo you, everything's funny\nYou got nothing to regret\nI'd give all I have, honey\nIf you could stay like that\n[Chorus]\nOh, darling, don't you ever grow up\nDon't you ever grow up, just stay this little\nOh, darling, don't you ever grow up\nDon't you ever grow up, it could stay this simple\nI won't let nobody hurt you\nWon't let no one break your heart\nAnd no one will desert you\nJust try to never grow up\n[Post-Chorus]\nNever grow up\n[Verse 2]\nYou're in the car, on the way to the movies\nAnd you're mortified your mom's dropping you off\nAt fourteen, there's just so much you can't do\nAnd you can't wait to move out someday and call your own shots [Pre-Chorus]\nBut don't make her drop you off around the block\nRemember that she's gettin' older, too\nAnd don't lose the way that you dance around\nIn your PJs getting ready for school\n[Chorus]\nOh, darling, don't you ever grow up\nDon't you ever grow up, just stay this little\nOh, darling, don't you ever grow up\nDon't you ever grow up, it could stay this simple\nNo one's ever burned you\nNothing's ever left you scarred\nAnd even though you want to\nJust try to never grow up\n[Bridge]\nTake pictures in your mind of your childhood room\nMemorize what it sounded like when your dad gets home\nRemember the footsteps, remember the words said\nAnd all your little brother's favorite songs\nI just realized everything I have is, someday, gonna be gone\n[Verse 3]\nSo, here I am in my new apartment\nIn a big city, they just dropped me off\nIt's so much colder than I thought it would be\nSo I tuck myself in and turn my nightlight on [Chorus]\nWish I'd never grown up\nI wish I'd never grown up\nOh, I don't wanna grow up\nWish I'd never grown up, I could still be little\nOh, I don't wanna grow up\nWish I'd never grown up, it could still be simple\nOh, darling, don't you ever grow up\nDon't you ever grow up, just stay this little\nOh, darlin', don't you ever grow up\nDon't you ever grow up, it could stay this simple\nI won't let nobody hurt you (Never grow up)\nWon't let no one break your heart\nAnd even though you want to\nPlease, try to never grow up\n[Outro]\nOh, oh (Never grow up)\nDon't you ever grow up\nOh (Never grow up)\nJust never grow up","prompt":"Write me a song in the style of Taylor Swift that captures the bittersweet emotions of watching someone grow up and the desire to protect them from the complexities of life. The song should have tender verses that paint vivid images of childhood and innocence, a pre-chorus that offers heartfelt advice, and a chorus that pleads for time to stand still. The lyrics should evoke a sense of nostalgia and the longing to preserve simplicity, while the melody should be gentle and acoustic, reminiscent of Swift's early country-pop era. The overall tone should be both touching and reflective, with a bridge that encourages cherishing memories before they fade."} +{"id":3306084,"song":"So It Goes...","artist":"Taylor Swift","lyrics":"[Verse 1]\nSee you in the dark\nAll eyes on you, my magician\nAll eyes on us\nYou make everyone disappear and\nCut me into pieces\nGold cage, hostage to my feelings\nBack against the wall\nTrippin', trip-trippin' when you're gone\n[Pre-Chorus]\n'Cause we break down a little\nBut when you get me alone, it's so simple\n'Cause, baby, I know what you know\nWe can feel it\n[Chorus]\nAnd all the pieces fall right into place\nGettin' caught up in a moment, lipstick on your face\nSo it goes\nI'm yours to keep and I'm yours to lose\nYou know I'm not a bad girl, but I do bad things with you\nSo it goes\n[Verse 2]\nMet you in a bar\nAll eyes on me, your illusionist\nAll eyes on us\nI make all your gray days clear and\nWear you like a necklace\nI'm so chill, but you make me jealous\nBut I got your heart\nSkippin', skip-skippin' when I'm gone [Pre-Chorus]\n'Cause we break down a little\nBut when I get you alone, it's so simple\n'Cause, baby, I know what you know\nWe can feel it\n[Chorus]\nAnd all the pieces fall right into place\nGettin' caught up in a moment, lipstick on your face\nSo it goes\nI'm yours to keep and I'm yours to lose\nYou know I'm not a bad girl, but I do bad things with you\nSo it goes\n[Refrain]\nCome here, dressed in black now\nSo, so, so it goes\nScratches down your back now\nSo, so, so it goes\n[Bridge]\nYou did a number on me\nBut, honestly, baby, who's countin'?\nI did a number on you\nBut, honestly, baby, who's countin'?\nYou did a number on me\nBut, honestly, baby, who's countin'?\nWho's countin'? (One, two, three) [Chorus]\nAnd all the pieces fall (Pieces fall) right into place\nGettin' caught up in a moment (Caught up, caught up), lipstick on your face\nSo it goes\nI'm yours to keep (Oh) and I'm yours to lose (Baby)\nYou know I'm not a bad girl, but I (I do) do bad things with you\nSo it goes\n[Refrain]\nCome here, dressed in black now\nSo, so, so it goes\nScratches down your back now\nSo, so, so it goes\nCome here, dressed in black now\nSo, so, so it goes\nScratches down your back now\nSo, so, so it goes","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a mysterious and intense romantic relationship. The lyrics should depict a dynamic where both individuals are equally captivated and empowered, with imagery of magic, illusions, and a touch of the forbidden. The song should evoke a sense of being lost in the moment, with a recurring motif that suggests a cycle of passion and complexity. Include a catchy chorus that emphasizes how everything falls into place when they're together, hinting at a love that's both thrilling and slightly dangerous. The musical arrangement should be pop-centric with a hint of darkness, reflecting the mood of a secretive romance."} +{"id":4625737,"song":"You Need To Calm Down","artist":"Taylor Swift","lyrics":"[Verse 1]\nYou are somebody that I don't know\nBut you're takin' shots at me like it's Patr\u00f3n\nAnd I'm just like, damn, it's 7 AM\nSay it in the street, that's a knock-out\nBut you say it in a Tweet, that's a cop-out\nAnd I'm just like, \"Hey, are you okay?\"\n[Pre-Chorus]\nAnd I ain't tryna mess with your self-expression\nBut I've learned a lesson that stressin' and obsessin' 'bout somebody else is no fun\nAnd snakes and stones never broke my bones\n[Chorus]\nSo oh-oh, oh-oh, oh-oh, oh-oh, oh-oh\nYou need to calm down, you're being too loud\nAnd I'm just like oh-oh, oh-oh, oh-oh, oh-oh, oh-oh (Oh)\nYou need to just stop, like can you just not step on my gown?\nYou need to calm down\n[Verse 2]\nYou are somebody that we don't know\nBut you're comin' at my friends like a missile\nWhy are you mad when you could be GLAAD? (You could be GLAAD)\nSunshine on the street at the parade\nBut you would rather be in the dark ages\nMakin' that sign must've taken all night [Pre-Chorus]\nYou just need to take several seats and then try to restore the peace\nAnd control your urges to scream about all the people you hate\n'Cause shade never made anybody less gay\n[Chorus]\nSo oh-oh, oh-oh, oh-oh, oh-oh, oh-oh\nYou need to calm down, you're being too loud\nAnd I'm just like oh-oh, oh-oh, oh-oh, oh-oh, oh-oh (Oh)\nYou need to just stop, like can you just not step on his gown?\nYou need to calm down\n[Bridge]\nAnd we see you over there on the internet\nComparing all the girls who are killing it\nBut we figured you out\nWe all know now we all got crowns\nYou need to calm down\n[Chorus]\nOh-oh, oh-oh, oh-oh, oh-oh, oh-oh\nYou need to calm down (You need to calm down)\nYou're being too loud (You're being too loud)\nAnd I'm just like oh-oh, oh-oh, oh-oh, oh-oh, oh-oh (Oh)\nYou need to just stop (Can you stop?)\nLike can you just not step on our gowns?\nYou need to calm down","prompt":"Write me a song in the style of Taylor Swift that addresses the themes of online conflict and the importance of self-expression without attacking others. Incorporate a catchy, pop-infused chorus that emphasizes the message of staying composed and not letting negativity affect one's peace. The song should have a vibrant, anthemic quality with clever, contemporary lyrics that advocate for positivity and inclusivity, similar to the attitude and energy found in Swift's \"You need to calm down.\""} +{"id":187116,"song":"Brought Up That Way","artist":"Taylor Swift","lyrics":"[Verse 1]\nEmily comes home from school\nGrabs onto her daddy's hand\nHe says \"Baby girl, what's wrong with you?\"\nShe says \"Please don't make me go back there again\"\nShe said \"I wish there was some way to make them stop it\"\nSo he drives down to that principal's office and says\n[Chorus]\n\"I didn't bring her up so they could cut her down\nI didn't bring her here so they could shut her out\nI live my whole damn life to see that little girl's smile\nSo why are tears pouring down that sweet face?\nShe wasn't brought up that way\"\n[Verse 2]\nEmily's home late again\nHe sees that boy drive away\nOh, but something's different this time\nShe doesn't have too much to say\nShe said \"He tried but there's just some things I won't do\"\nAnd through the tears she said \"I couldn't do that to you\"\nAnd he said\n[Chorus]\n\"I didn't bring you up so he could wear you down\nTake that innocent heart and turn it inside out\nI live my whole damn life to see my little girl's smile\nSo don't let nobody take that away\nYou weren't brought up that way\" [Verse 3]\nThe phone rings on a rainy night, says \"It's Officer Tate\"\nHe said \"Sir, there's been an accident\nYou better come down here right away\nA drunken driver missed an overpass\nAnd Emily, she's fading fast\"\nHe says \"God, I didn't bring her up to watch them lay her down\nNearly killed me the day they put her own momma in the ground\nOnly thing that kept me alive was that little girl's smile\nSo please don't take that away, it won't be easy taking her today\nShe wasn't brought up that way\"\n[Outro]\nHe stands over the hospital bed\nEmily opens her eyes","prompt":"Write me a song in the style of Taylor Swift that tells a poignant narrative about a father's love and protection for his daughter, Emily, as she faces the harsh realities of life, from bullying at school to a challenging relationship and a tragic accident. The song should capture the emotional depth and storytelling found in Swift's ballads, with verses that detail the struggles and a chorus that emphasizes the father's perspective on raising his daughter with care and resilience. The tone should be both tender and powerful, reflecting the bond between parent and child, and the desire to shield one's loved ones from life's cruelties."} +{"id":186911,"song":"Come In With the Rain","artist":"Taylor Swift","lyrics":"[Verse 1]\nI could go back to every laugh\nBut I don't wanna go there anymore\nAnd I know all the steps up to your door\nBut I don't wanna go there anymore\n[Pre-Chorus]\nTalk to the wind, talk to the sky\nTalk to the man with the reasons why\nAnd let me know what you find\n[Chorus]\nI'll leave my window open\n'Cause I'm too tired at night to call your name\nJust know I'm right here hoping\nThat you'll come in with the rain\n[Verse 2]\nI could stand up and sing you a song\nBut I don't wanna have to go that far\nAnd I, I've got you down, I know you by heart\nAnd you don't even know where I start\n[Pre-Chorus]\nTalk to yourself, talk to the tears\nTalk to the man who put you here\nAnd don't wait for the sky to clear [Chorus]\nI'll leave my window open\n'Cause I'm too tired at night to call your name\nJust know I'm right here hoping\nThat you'll come in with the rain\n[Bridge]\nI've watched you so long, screamed your name\nI don't know what else I can say\n[Chorus]\nBut I'll leave my window open\n'Cause I'm too tired at night for all these games\nJust know I'm right here hoping\nThat you'll come in with the rain\n[Outro]\nI could go back to every laugh\nBut I don't wanna go there anymore","prompt":"Write me a song in the style of Taylor Swift that captures a bittersweet sense of longing and the refusal to return to past memories, using vivid imagery such as talking to the wind and leaving a window open in anticipation. The lyrics should reflect a mix of hope and weariness, with a chorus that conveys a yearning for someone's return, while the verses delve into the nuances of a past relationship. Emphasize the melodic storytelling and emotional resonance characteristic of Swift's music, and ensure the song includes a bridge that intensifies the emotional plea."} +{"id":5793983,"song":"\u200bexile","artist":"Taylor Swift","lyrics":"[Verse 1: Justin Vernon]\nI can see you standing, honey\nWith his arms around your body\nLaughin', but the joke's not\u2005funny\u2005at all\nAnd it\u2005took you five whole minutes\nTo pack\u2005us up and leave me with it\nHoldin' all this love out here in the hall\n[Chorus: Justin Vernon]\nI think I've seen this film before\nAnd I didn't like the ending\nYou're not my homeland anymore\nSo what am I defending now?\nYou were my town, now I'm in exile, seein' you out\nI think I've seen this film before\n[Post-Chorus: Justin Vernon]\nOoh, ooh, ooh\n[Verse 2: Taylor Swift]\nI can see you starin', honey\nLike he's just your understudy\nLike you'd get your knuckles bloody for me\nSecond, third, and hundredth chances\nBalancin' on breaking branches\nThose eyes add insult to injury [Chorus: Taylor Swift]\nI think I've seen this film before\nAnd I didn't like the ending\nI'm not your problem anymore\nSo who am I offending now?\nYou were my crown, now I'm in exile, seein' you out\nI think I've seen this film before\nSo I'm leaving out the side door\n[Bridge: Justin Vernon, \nTaylor Swift\n & \nBoth\n]\nSo step right out, there is no amount\nOf crying I can do for you\nAll this time\nWe always walked a very thin line\nYou didn't even hear me out (\nYou didn't even hear me out\n)\nYou never gave a warning sign (\nI gave so many signs\n)\nAll this time\nI never learned to read your mind (\nNever learned to read my mind\n)\nI couldn't turn things around (\nYou never turned things around\n)\n'Cause you never gave a warning sign (\nI gave so many signs\n)\nSo many signs, so many signs\nYou didn't even see the signs\n[Chorus: Taylor Swift & Justin Vernon, \nTaylor Swift\n]\nI think I've seen this film before\nAnd I didn't like the ending\nYou're not my homeland anymore\nSo what am I defending now?\nYou were my town, now I'm in exile, seein' you out\nI think I've seen this film before\nSo I'm leavin' out the side door [Outro: Justin Vernon & \nTaylor Swift\n]\nSo step right out, there is no amount\nOf crying I can do for you\nAll this time\nWe always walked a very thin line\nYou didn't even hear me out (\nDidn't even hear me out\n)\nYou never gave a warning sign (\nI gave so many signs\n)\nAll this time\nI never learned to read your mind (\nNever learned to read my mind\n)\nI couldn't turn things around (\nYou never turned things around\n)\n'Cause you never gave a warning sign (\nI gave so many signs\n)\nYou never gave a warning sign (All this time)\n(\nSo many times\n) I never learned to read your mind\n(\nSo many signs\n) I couldn't turn things around (I couldn't turn things around)\n'Cause you never gave a warning sign (You never gave a warning sign)\nYou never gave a warning sign\nAh, ah","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of a failing relationship, using poignant and metaphorical lyrics to depict the sense of betrayal and the realization that the love is no longer reciprocated. The song should follow a narrative structure, incorporating a duet format to express both perspectives, akin to the dynamic between Swift and Justin Vernon in \"exile.\" Emphasize the theme of missed warnings and ignored pleas, and ensure the melody conveys a melancholic and reflective mood, typical of Swift's folk and indie-influenced tracks from her \"Folklore\" album."} +{"id":4782856,"song":"I Forgot That You Existed","artist":"Taylor Swift","lyrics":"[Verse 1]\nHow many days did I spend thinking\n'Bout how you did me wrong, wrong, wrong?\nLived in\u2005the\u2005shade you were\u2005throwing\n'Til all of my sunshine was\u2005gone, gone, gone\nAnd I couldn't get away from ya\nIn my feelings more than Drake, so yeah\nYour name on my lips, tongue-tied\nFree rent, living in my mind\n[Pre-Chorus]\nBut then something happened one magical night\n[Chorus]\nI forgot that you existed\nAnd I thought that it would kill me, but it didn't\nAnd it was so nice\nSo peaceful and quiet\nI forgot that you existed\nIt isn't love, it isn't hate, it's just indifference\nI forgot that you\n[Verse 2]\nGot out some popcorn\nAs soon as my rep started going down, down, down\nLaughed on the school yard\nAs soon as I tripped up and hit the ground, ground, ground\nAnd I would've stuck around for ya\nWould've fought the whole town, so yeah\nWould've been right there, front row\nEven if nobody came to your show [Pre-Chorus]\nBut you showed who you are, then one magical night\n[Chorus]\nI forgot that you existed\nAnd I thought that it would kill me, but it didn't\nAnd it was so nice\nSo peaceful and quiet\nI forgot that you existed\nIt isn't love, it isn't hate, it's just indifference\nI forgot that you\n[Bridge]\nSent me a clear message\nTaught me some hard lessons\nI just forget what they were\nIt's all just a blur\n[Chorus]\nI forgot that you existed\nAnd I thought that it would kill me, but it didn't\nAnd it was so nice\nSo peaceful and quiet\nI forgot that you existed\nI did, I did, I did\nIt isn't hate, it's just indifference\nIt isn't love, it isn't hate, it's just indifference\nSo, yeah","prompt":"Write me a song in the style of Taylor Swift that captures the liberating feeling of moving past a negative experience with someone who used to be significant. The lyrics should reflect a journey from dwelling on the hurt caused by this person to reaching a point of peaceful indifference. Incorporate elements of personal growth and the realization that the absence of pain can be just as powerful as the presence of love or hate. The song should have a narrative quality and include vivid imagery, akin to Swift's storytelling, with a catchy, upbeat chorus that emphasizes the shift from pain to freedom and indifference."} +{"id":4472545,"song":"ME!","artist":"Taylor Swift","lyrics":"[Intro: Taylor Swift]\nI promise that you'll never find another like me\n[Verse 1: Taylor Swift]\nI know that I'm a handful, baby, uh\nI know I never think before I jump\nAnd you're the kinda guy the ladies want\n(And there's a lotta cool chicks out there)\nI know that I went psycho on the phone\nI never leave well enough alone\nAnd trouble's gonna follow where I go\n(And there's a lotta cool chicks out there)\n[Pre-Chorus: Taylor Swift]\nBut one of these things is not like the others\nLike a rainbow with all of the colors\nBaby doll, when it comes to a lover\nI promise that you'll never find another like\n[Chorus: Taylor Swift]\nMe-e-e, ooh-ooh-ooh-ooh\nI'm the only one of me\nBaby, that's the fun of me\nEeh-eeh-eeh, ooh-ooh-ooh-ooh\nYou're the only one of you\nBaby, that's the fun of you\nAnd I promise that nobody's gonna love you like me-e-e [Verse 2: Brendon Urie, \nTaylor Swift\n]\nI know I tend to make it about me\nI know you never get just what you see\nBut I will never bore you, baby\n(And there's a lotta lame guys out there)\nAnd when we had that fight out in the rain\nYou ran after me and called my name\nI never wanna see you walk away\n(And there's a lotta lame guys out there)\n[Pre-Chorus: Both, \nBrendon Urie\n]\n'Cause one of these things is not like the others\nLivin' in winter, I am your summer\nBaby doll, when it comes to a lover\nI promise that you'll never find another like\n[Chorus: Brendon Urie, \nBoth\n]\nMe-e-e, ooh-ooh-ooh-ooh\nI'm the only one of me\nLet me keep you company\nEeh-eeh-eeh, ooh-ooh-ooh-ooh\nYou're the only one of you\nBaby, that's the fun of you\nAnd I promise that nobody's gonna love you like me-e-e\n[Bridge: Brendon Urie, \nTaylor Swift\n, \nBoth\n]\nGirl, there ain't no \"I\" in \"team\"\nBut you know there is a \"me\"\nStrike the band up, one, two, three\nI promise that you'll never find another like me\nGirl, there ain't no \"I\" in \"team\"\nBut you know there is a \"me\"\nAnd you can't spell \"awesome\" without \"me\"\nI promise that you'll never find another like [Chorus: Both, \nTaylor Swift\n, \nBrendon Urie\n]\nMe-e-e (\nYeah\n), ooh-ooh-ooh-ooh (\nAnd I want ya, baby\n)\nI'm the only one of me (\nI'm the only one of me\n)\nBaby, that's the fun of me (\nBaby, that's the fun of me\n)\nEeh-eeh-eeh, ooh-ooh-ooh-ooh (\nOh\n)\nYou're the only one of you (\nOh\n)\nBaby, that's the fun of you\nAnd I promise that nobody's gonna love you like me-e-e\n[Outro: Brendon Urie, \nTaylor Swift\n, \nBoth\n]\nGirl, there ain't no \"I\" in \"team\" (\nOoh-ooh-ooh-ooh\n)\nBut you know there is a \"me\"\nI'm the only one of me\n (\nOh-oh\n)\nBaby, that's the fun of me\n(\nEeh-eeh-eeh, ooh-ooh-ooh-ooh\n)\nStrike the band up, one, two, three\nYou can't spell \"awesome\" without \"me\"\nYou're the only one of you\n (Yeah, yeah)\nBaby, that's the fun of you\nAnd I promise that nobody's gonna love you like me-e-e","prompt":"Write me a song in the style of Taylor Swift that captures the upbeat and confident spirit of self-love and uniqueness as heard in \"ME!\" featuring Brendon Urie. The song should include playful and quirky lyrics that emphasize individuality and the joy of being irreplaceable in a relationship. Incorporate catchy pop melodies, a dynamic bridge that reinforces the theme of partnership without losing one's identity, and a memorable chorus that celebrates both the singer's and their love interest's distinctiveness. The song should have a pop sound with a touch of theatrical flair, reminiscent of Taylor Swift's collaboration with Brendon Urie."} +{"id":103834,"song":"The Moment I Knew","artist":"Taylor Swift","lyrics":"[Verse 1]\nYou should've been there\nShould've burst through the door\nWith that \"Baby, I'm right here\" smile\nAnd it would've felt like\nA million little shining stars had just aligned\nAnd I would've been so happy\n[Verse 2]\nChristmas lights glisten\nI've got my eye on the door\nJust waiting for you to walk in\nBut the time is ticking\nPeople ask me how I've been\nAs I comb back through my memory\nHow you said you'd be here\nYou said you'd be here\n[Chorus]\nAnd it was like slow motion\nStanding there in my party dress\nIn red lipstick\nWith no one to impress\nAnd they're all laughing\nAs I'm looking around the room\nBut there was one thing missing\nAnd that was the moment I knew [Verse 3]\nAnd the hours pass by\nNow I just wanna be alone\nBut your close friends always seem to know\nWhen there's something really wrong\nSo they follow me down the hall\nAnd there in the bathroom\nI try not to fall apart\nAnd the sinking feeling starts\nAs I say hopelessly\n\"He said he'd be here\"\n[Chorus]\nAnd it was like slow motion\nStanding there in my party dress\nIn red lipstick\nWith no one to impress\nAnd they're all laughing\nAnd asking me about you\nBut there was one thing missing (Missing)\nAnd that was the moment I knew\n[Bridge]\nWhat do you say\nWhen tears are streaming down your face\nIn front of everyone you know?\nAnd what do you do\nWhen the one who means the most to you\nIs the one who didn't show? [Breakdown]\nYou should've been here\nAnd I would've been so happy\n[Chorus]\nAnd it was like slow motion\nStanding there in my party dress\nIn red lipstick\nWith no one to impress\nAnd they're all standing around me, singing\n\"Happy birthday to you\"\nBut there was one thing missing\nAnd that was the moment I knew\nOh-oh-oh-oh-oh-oh-oh, I knew\nOh-oh-oh-oh-oh-oh-oh\n[Outro]\nYou called me later\nAnd said, \"I'm sorry I didn't make it\"\nAnd I said, \"I'm sorry, too\"\nAnd that was the moment I knew","prompt":"Write me a song in the style of Taylor Swift that captures the poignant heartache of awaiting someone's arrival at a special occasion, only to realize they won't show up. Reflect the narrative storytelling quality of Swift's lyrics, complete with vivid imagery like \"standing there in my party dress\" and the emotional depth of \"the moment I knew.\" The song should have a melancholic melody, embodying the introspection and disappointment of the protagonist, while incorporating specific details like \"Christmas lights\" and \"red lipstick\" to create a deeply personal yet relatable experience. Include a memorable chorus that conveys the slow-motion realization of being let down, in a way that resonates with Swift's signature blend of pop and country sensibilities."} +{"id":9157489,"song":"You\u2019re Losing Me (From The Vault)","artist":"Taylor Swift","lyrics":"[Verse 1]\nYou say, \"I don't understand,\" and I say, \"I know you don't\"\nWe thought a cure would come through in time, now, I fear it won't\nRemember lookin' at this room, we loved it 'cause of the light\nNow, I just sit in the dark and wonder if it's time\n[Pre-Chorus]\nDo I throw out everything we built or keep it?\nI'm getting tired even for a phoenix\nAlways risin' from the ashes\nMendin' all her gashes\nYou might just have dealt the final blow\n[Chorus]\nStop, you're losin' me\nStop, you're losin' me\nStop, you're losin' me\nI can't find a pulse\nMy heart won't start anymore for you\n'Cause you're losin' me\n[Verse 2]\nEvery mornin', I glared at you with storms in my eyes\nHow can you say that you love someone you can't tell is dyin'?\nI sent you signals and bit my nails down to the quick\nMy face was gray, but you wouldn't admit that we were sick [Pre-Chorus]\nAnd the air is thick with loss and indecision\nI know my pain is such an imposition\nNow, you're runnin' down the hallway\nAnd you know what they all say\n\"You don't know what you got until it's gone\"\n[Chorus]\nStop, you're losin' me\nStop, you're losin' me\nStop, you're losin' me\nI can't find a pulse\nMy heart won't start anymore for you\n'Cause you're losin' me\n'Cause you're losin' me\nStop (Stop) 'cause you're losin' me\n[Post-Chorus]\nMy heart won't start anymore\n(Stop 'cause you're losin' me)\nMy heart won't start anymore\n(Stop 'cause you're losin' me)\n[Bridge]\nHow long could we be a sad song\n'Til we were too far gone to bring back to life?\nI gave you all my best me's, my endless empathy\nAnd all I did was bleed as I tried to be the bravest soldier\nFighting in only your army, frontlines, don't you ignore me\nI'm the best thing at this party (You're losin' me)\nAnd I wouldn't marry me either\nA pathological people pleaser\nWho only wanted you to see her\nAnd I'm fadin', thinkin'\n\"Do something, babe, say something\" (Say something)\n\"Lose something, babe, risk something\" (You're losin' me)\n\"Choose something, babe, I got nothing\" (I got nothing)\n\"To believe, unless you're choosin' me\" [Outro]\nYou're losin' me\nStop (Stop, stop), you're losin' me\nStop (Stop, stop), you're losin' me\nI can't find a pulse\nMy heart won't start anymore","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of a fading relationship, incorporating vivid imagery and metaphors about illness and loss. The song should feature introspective verses, a powerful pre-chorus highlighting the struggle of deciding whether to hold on or let go, and a catchy, repetitive chorus emphasizing the theme of being lost by a partner. Include a bridge that intensifies the narrative, revealing the protagonist's deep vulnerability and a desire for recognition and change within the relationship. The tone should be both reflective and assertive, with an undercurrent of heartache and resilience, typical of Taylor Swift's narrative songwriting."} +{"id":187017,"song":"Beautiful Eyes","artist":"Taylor Swift","lyrics":"[Verse 1]\nYour beautiful eyes\nStare right into mine\nAnd sometimes, I think of you late at night\nI don't know why\n[Pre-Chorus]\nI wanna be somewhere where you are\nI wanna be where\n[Chorus]\nYou're here, your eyes are lookin' into mine\nSo baby, make me fly\nMy heart has never felt this way before\nI'm looking through your\u2014\nI'm looking through your eyes\n[Verse 2]\nI wake up, I'm alive\nIn only a little while, I'll cry\n'Cause you're my lullaby\nSo baby, come hold me tight 'cause I\n[Pre-Chorus]\nI wanna be everything you need\nI wanna be where [Chorus]\nYou're here, your eyes are lookin' into mine\nSo baby, make me fly\nMy heart has never felt this way before\nI'm looking through your\u2014\nI'm looking through your eyes\n[Bridge]\nJust as long as you're mine\nI'll be your everything tonight\nLet me love you, kiss you\nOh, baby, let me miss you\nLet me see your, dream about, dream about\nDream about your eyes\n[Outro]\nAh, ah\nBeautiful eyes","prompt":"Write me a song in the style of Taylor Swift that captures the essence of young romantic longing and the infatuation that comes with gazing into a lover's eyes. The lyrics should express the intensity of feeling alive and the desire to be close to the object of affection, with a touch of vulnerability that comes from fearing the loss of this connection. The song should include verses that describe the deep personal reflections at night and a pre-chorus that yearns for proximity, leading into a chorus that emphasizes the transformative power of the lover's gaze. Include a bridge that pledges devotion and a sense of completeness when with the beloved, and conclude with an outro that harks back to the recurring motif of the beloved's beautiful eyes. The musical style should feature Swift's signature blend of country-pop elements and evocative storytelling, highlighting emotional highs with an uplifting melody."} +{"id":5793963,"song":"\u200bepiphany","artist":"Taylor Swift","lyrics":"[Verse 1]\nKeep your helmet, keep your life, son\nJust a flesh wound, here's your rifle\nCrawling up the\u2005beaches\u2005now\n\"Sir, I think\u2005he's bleeding out\"\nAnd some things you\u2005just can't speak about\n[Chorus]\nWith you I serve, with you I fall down, down\nWatch you breathe in, watch you breathing out, out\n[Verse 2]\nSomething med school did not cover\nSomeone's daughter, someone's mother\nHolds your hand through plastic now\n\"Doc, I think she's crashing out\"\nAnd some things you just can't speak about\n[Bridge]\nOnly twenty minutes to sleep\nBut you dream of some epiphany\nJust one single glimpse of relief\nTo make some sense of what you've seen\n[Chorus]\nWith you I serve, with you I fall down, down (Down)\nWatch you breathe in, watch you breathing out, out\nWith you I serve (With you I serve), with you I fall down (Down), down (Down)\nWatch you breathe in (Watch you breathe in), watch you breathing out (Out), out (Out) [Outro]\nOnly twenty minutes to sleep\nBut you dream of some epiphany\nJust one single glimpse of relief\nTo make some sense of what you've seen","prompt":"Write me a song in the style of Taylor Swift that captures the raw emotional intensity and storytelling of a soldier's experience in conflict, as seen in the provided lyrics. The song should reflect on the themes of duty, sacrifice, and the haunting moments of war that linger in silence. Incorporate vivid imagery of the battlefield and medical emergencies, while also exploring the personal connections and shared struggles between those who serve together. Emphasize the delicate balance between life and death, and the yearning for a moment of clarity amidst the chaos. The musical style should be evocative and poignant, with a focus on narrative lyrics that Taylor Swift is known for, allowing the listener to deeply empathize with the characters' experiences."} +{"id":4499978,"song":"I Bet You Think About Me (Taylor\u2019s Version) [From the Vault]","artist":"Taylor Swift","lyrics":"[Verse 1: Taylor Swift]\n3 AM and I'm still awake, I'll bet you're just fine\nFast asleep in your city that's better than mine\nAnd the girl in your bed has a fine pedigree\nAnd I'll bet your friends tell you she's better than me, huh\n[Verse 2: Taylor Swift]\nWell, I tried to fit in with your upper-crust circles\nYeah, they let me sit in back when we were in love\nOh, they sit around talkin' about the meaning of life\nAnd the book that just saved 'em that I hadn't heard of\n[Chorus: Taylor Swift & Chris Stapleton, \nTaylor Swift\n]\nBut now that we're done and it's over\nI bet you couldn't believe\nWhen you realized I'm harder to forget than I was to leave\nAnd I bet you think about me\n[Verse 3: Taylor Swift]\nYou grew up in a silver-spoon gated community\nGlamorous, shiny, bright Beverly Hills\nI was raised on a farm, no, it wasn't a mansion\nJust livin' room dancin' and kitchen table bills\n[Verse 4: Taylor Swift & Chris Stapleton]\nBut you know what they say, you can't help who you fall for\nAnd you and I fell like an early spring snow\nBut reality crept in, you said we're too different\nYou laughed at my dreams, rolled your eyes at my jokes [Chorus: Taylor Swift & Chris Stapleton, \nTaylor Swift\n]\nMr. Superior Thinkin'\nDo you have all the space that you need?\nI don't have to be your shrink to know that you'll never be happy\nAnd I bet you think about me\n[Post-Chorus: Taylor Swift, \nTaylor Swift & Chris Stapleton\n]\nI bet you think about \nme, yes\nI bet you think about me\n[Bridge: Taylor Swift & Chris Stapleton, \nTaylor Swift\n]\nOh, block it all out\nThe voices so loud, sayin'\n\"Why did you let her go?\"\nDoes it make you feel sad\nThat the love that you're lookin' for\nIs the love that you had?\n[Verse 5: Taylor Swift]\nNow you're out in the world, searchin' for your soul\nScared not to be hip, scared to get old\nChasing make-believe status, last time you felt free\nWas when none of that shit mattered 'cause you were with me\n[Chorus: Taylor Swift & Chris Stapleton, \nTaylor Swift\n]\nBut now that we're done and it's over\nI bet it's hard to believe\nBut it turned out I'm harder to forget than I was to leave\nAnd, yeah\n, I bet you think about me [Post-Chorus: Taylor Swift, \nTaylor Swift & Chris Stapleton\n]\nI bet you think about \nme, yes\nI bet you think about me\n[Outro: Taylor Swift, \nTaylor Swift & Chris Stapleton\n]\nI bet you think about me when you're out\nAt your \ncool indie music concerts every week\nI bet you think about me in your house\nWith your organic shoes and your million-dollar couch\nI bet you think about me when you say\n\"Oh my god, she's insane, she wrote a song about me\"\nI bet you think about me","prompt":"Write me a song in the style of Taylor Swift that captures the juxtaposition of urban sophistication and rural simplicity, reflecting on a past relationship where differences in background and lifestyle led to a breakup. The song should convey a sense of bittersweet nostalgia and a confident realization that the narrator is unforgettable despite the separation. Include vivid imagery contrasting the ex-partner's new, polished life with the genuine, unpretentious memories they once shared. The lyrics should have a conversational tone and include a catchy, reflective chorus that suggests the ex still thinks about the narrator, with an undercurrent of Taylor Swift's signature blend of storytelling and emotional honesty."} +{"id":6260158,"song":"\u200bmarjorie","artist":"Taylor Swift","lyrics":"[Verse 1]\nNever be so kind\nYou forget to be clever\nNever be so clever\nYou forget to be kind\n[Pre-Chorus]\nAnd if I didn't know better\nI'd think you were talking to me now\nIf I didn't know better\nI'd think you were still around\n[Chorus]\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, you're alive in my head\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, so alive\n[Verse 2]\nNever be so polit\u0435\nYou forget your power\nNev\u0435r wield such power\nYou forget to be polite [Pre-Chorus]\nAnd if I didn't know better\nI'd think you were listening to me now\nIf I didn't know better\nI'd think you were still around\n[Chorus]\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, you're alive in my head\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, so alive\n[Bridge]\nThe autumn chill that wakes me up\nYou loved the amber skies so much\nLong limbs and frozen swims\nYou'd always go past where our feet could touch\nAnd I complained the whole way there\nThe car ride back and up the stairs\nI should've asked you questions\nI should've asked you how to be\nAsked you to write it down for me\nShould've kept every grocery store receipt\n'Cause every scrap of you would be taken from me\nWatched as you signed your name Marjorie\nAll your closets of backlogged dreams\nAnd how you left them all to me [Chorus]\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, you're alive in my head\nWhat died didn't stay dead\nWhat died didn't stay dead\nYou're alive, so alive\n[Outro]\nAnd if I didn't know better\nI'd think you were singing to me now\nIf I didn't know better\nI'd think you were still around\nI know better\nBut I still feel you all around\nI know better\nBut you're still around","prompt":"Write me a song in the style of Taylor Swift that explores the themes of remembrance and the persistence of a loved one's influence after their passing. Incorporate clever wordplay and emotional depth to express the dichotomy between wisdom and kindness, and the power and politeness. The song should have a hauntingly beautiful chorus with repeated lines about the deceased not staying dead, signifying their ongoing presence in the narrator's thoughts. The bridge should be reflective, with specific imagery that evokes nostalgia and loss, akin to the vivid autumnal scenes and personal anecdotes present in Taylor Swift's storytelling. Use a structure that includes verses, a pre-chorus, chorus, and bridge, and maintain a poignant, heartfelt delivery throughout the song."} +{"id":102726,"song":"Sad Beautiful Tragic","artist":"Taylor Swift","lyrics":"[Verse 1]\nLong handwritten note deep in your pocket\nWords, how little they mean when you're a little too late\nI stood right by the tracks, your face in a locket\nGood girls, hopeful they'll be and long they will wait\n[Chorus]\nWe had a beautiful magic love there\nWhat a sad, beautiful, tragic love affair\n[Verse 2]\nIn dreams, I meet you in warm conversation\nWe both wake in lonely beds, different cities\nAnd time is taking its sweet time erasing you\nAnd you've got your demons, and darling, they all look like me\n[Chorus]\n'Cause we had a beautiful magic love there\nWhat a sad, beautiful, tragic love affair\n[Bridge]\nDistance, timing\nBreakdown, fighting\nSilence, the train runs off its tracks\nKiss me, try to fix it\nCould you just try to listen?\nHang up, give up\nAnd for the life of us we can't get back [Breakdown]\nA beautiful, magic love there\nWhat a sad, beautiful, tragic\nBeautiful, tragic, beautiful\n[Chorus]\nWhat we had, a beautiful magic love there\nWhat a sad, beautiful, tragic, love affair\nWe had a beautiful magic love there\nWhat a sad, beautiful, tragic love affair","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a bittersweet, past love story, incorporating vivid storytelling with specific, emotional imagery. The song should reflect on the complexity of a relationship that was once magical and full of love but ultimately fell apart due to timing and distance. The tone should be melancholic yet beautiful, with a touch of Swift's characteristic blend of acoustic and pop elements, and it should include a memorable, singable chorus that emphasizes the tragic beauty of the love affair."} +{"id":2973355,"song":"That\u2019s When (Taylor\u2019s Version) [From the Vault]","artist":"Taylor Swift","lyrics":"[Verse 1: Taylor Swift]\nYou said, \"I know\"\nWhen I said, \"I need some time, need some space\nTo think about all of this\"\nAnd you watched me go\nAnd I knew my words were hard to hear\nAnd harder to ever take back\n[Pre-Chorus: Taylor Swift]\nAnd I said, \"When can I-I-I come back?\"\n[Chorus: Taylor Swift, \nKeith Urban\n]\nAnd you said, \"That's when\nWhen I wake up in the morning\nThat's when, when it's sunny or storming\nLaughing, when I'm crying\nAnd that's when I'll be waiting at the front gate\nThat's when, when I see your face\nI'll let you in, and baby, that's when\"\nMm, mm\n[Verse 2: Keith Urban, \nTaylor Swift\n]\nI said, \"I know\"\nWhen you said, \"I did you wrong, made mistakes\nAnd put you through all of this\" \n(Through all of this)\nThen through the phone\nCame all your tears\nAnd I said, \"Leave those all in our past\" [Pre-Chorus: Keith Urban]\nAnd you said, \"When can I-I-I come back?\"\n[Chorus: Keith Urban & Taylor Swift]\nAnd I said, \"That's when\nWhen I wake up in the morning\nThat's when, when it's sunny or storming\nLaughing, when I'm crying\nAnd that's when I'll be waiting at the front gate\nThat's when, when I see your face\nI'll let you in, and baby, that's when\"\n[Bridge: Taylor Swift]\nAnd you said, \"Honestly\nWhen you were gone\nDid you ever think of me?\"\nAnd I said\n[Chorus: Taylor Swift, \nTaylor Swift & Keith Urban\n]\n\"That's when, when I woke up in the morning\nThat's when it was sunny or storming\nLaughing, \nwhen I was crying\nAnd that's when you were waiting at the front gate\nThat's when, when I saw your face\nYou let me in, and baby, that's when\" [Outro: Taylor Swift, \nTaylor Swift & Keith Urban\n]\nThat's when, when I wake up in the morning (Yeah)\nThat's when, when it's sunny or storming\nWhen I'm laughing, when I'm crying\n(That's when I'll be waiting at the front gate)\nThat's when I miss you, that's when I want you\n(That's when, when I see your face)\nThat's when I love you, that's when","prompt":"Write me a song in the style of Taylor Swift featuring elements of a duet as seen in her collaboration with Keith Urban. The song should explore the emotional dynamics of longing and reconciliation, with lyrics that describe the complexity of relationships through conversations and questions. It should include a catchy chorus that emphasizes the theme of \"That's when\" to signify the crucial moments of realization and reunion. The musical arrangement should complement Swift\u2019s narrative songwriting and Urban's country influences, blending both pop and country elements seamlessly."} +{"id":187445,"song":"We Were Happy (Taylor\u2019s Version) [From the Vault]","artist":"Taylor Swift","lyrics":"[Verse 1]\nWe used to walk along the streets\nWhen the porch lights were shining bright\nBefore I had somewhere to be\nBack when we had all night and we were happy\nI do recall a good while back,\n \nwe snuck into the circus\nYou threw your arms around my neck, back when I deserved it\nAnd we were happy\n[Chorus]\nWhen it was good, baby, it was good, baby\nWe showed 'em all up\nNo one could touch the way we laughed in the dark\nTalking 'bout your daddy's farm we were gonna buy someday\nAnd we were happy\n[Verse 2]\nWe used to watch the sun go down on the boats in the water\nThat's sorta how I feel right now\nAnd goodbye's so much harder 'cause we were happy\n[Chorus]\nWhen it was good, baby, it was good, baby\nWe showed 'em all up\nNo one could touch the way we laughed in the dark\nTalking 'bout your daddy's farm we were gonna buy someday\nAnd we were happy\nWe were happy [Bridge]\nOh, I hate those voices telling me I'm not in love anymore\nBut they don't give me choices and that's what these tears are for\n'Cause we were happy\nWe were happy\n[Chorus]\nWhen it was good, baby, it was good, baby\nWe showed 'em all up\nNo one could touch the way we laughed in the dark\nTalking 'bout your daddy's farm\nAnd you were gonna marry me\nAnd we were happy\nWe were happy\nOh-oh-oh-oh\nWe were happy","prompt":"Write me a song in the style of Taylor Swift that captures the nostalgic reminiscence of past love and the bittersweet memories of happier times. The song should include vivid imagery of shared moments like walking along the streets with porch lights shining, sneaking into the circus, and watching sunsets over the water. Emphasize the contrast between the past happiness and the present sense of loss, using a reflective and emotional tone that is characteristic of Taylor Swift's narrative songwriting. The chorus should convey a sense of longing for the days when the relationship felt untouchable and full of promise, including plans of buying a farm and dreaming of a future together. Include a bridge that addresses the internal struggle of moving on from a love that was once all-consuming."} +{"id":8434253,"song":"Anti-Hero","artist":"Taylor Swift","lyrics":"[Verse 1]\nI have this thing where I get older, but just never wiser\nMidnights become my afternoons\nWhen my depression works the graveyard shift\n, \nall of the people\nI've ghosted stand there in the room\n[Pre-Chorus]\nI should not be left to my own devices\nThey come with prices and vices\nI end up in crisis\n(Tale as old as time)\nI wake up screaming from dreaming\nOne day, I'll watch as you're leaving\n'Cause you got tired of my scheming\n(For the last time)\n[Chorus]\nIt's me, hi\nI'm the problem, it's me\nAt teatime, everybody agrees\nI'll stare directly at the sun, but never in the mirror\nIt must be exhausting always rooting for the anti-hero\n[Verse 2]\nSometimes, I feel like everybody is a sexy baby\nAnd I'm a monster on the hill\nToo big to hang out, slowly lurching toward your favorite city\nPierced through the heart, but never killed [Pre-Chorus]\nDid you hear my covert narcissism I disguise as altruism\nLike some kind of congressman?\n(A tale as old as time)\nI wake up screaming from dreaming\nOne day, I'll watch as you're leaving\nAnd life will lose all its meaning\n(For the last time)\n[Chorus]\nIt's me, hi\nI'm the problem, it's me (I'm the problem, it's me)\nAt teatime, everybody agrees\nI'll stare directly at the sun, but never in the mirror\nIt must be exhausting always rooting for the anti-hero\n[Bridge]\nI have this dream my daughter-in-law kills me for the money\nShe thinks I left them in the will\nThe family gathers 'round and reads it and then someone screams out\n\"She's laughing up at us from Hell\"\n[Breakdown]\nIt's me, hi\nI'm the problem, it's me\nIt's me, hi\nI'm the problem, it's me\nIt's me, hi\nEverybody agrees, everybody agrees [Chorus]\nIt's me, hi (Hi)\nI'm the problem, it's me (I'm the problem, it's me)\nAt teatime (Teatime), everybody agrees (Everybody agrees)\nI'll stare directly at the sun, but never in the mirror\nIt must be exhausting always rooting for the anti-hero","prompt":"Write me a song in the style of Taylor Swift that captures a blend of self-awareness and irony, exploring themes of personal flaws and the struggle with inner demons. The lyrics should include vivid metaphors, such as contrasting the brightness of the sun with the avoidance of self-reflection, and weave a narrative that touches on the complexities of being one's own antagonist. Ensure the song has a catchy, confessional chorus that encapsulates the idea of being the \"anti-hero\" in one's life story. The music should be reflective of Taylor Swift's evolution, with a pop sound that has hints of both vulnerability and defiance."} +{"id":132082,"song":"Cold as You","artist":"Taylor Swift","lyrics":"[Verse 1]\nYou have a way of coming easily to me\nAnd when you take, you take the very best of me\nSo I start a fight 'cause I need to feel something\nAnd you do what you want 'cause I'm not what you wanted\n[Chorus]\nOh, what a shame, what a rainy ending\nGiven to a perfect day\nJust walk away, ain't no use defending\nWords that you will never say\nAnd now that I'm sitting here thinking it through\nI've never been anywhere cold as you\n[Verse 2]\nYou put up walls and paint them all a shade of gray\nAnd I stood there loving you and wished them all away\nAnd you come away with a great little story\nOf a mess of a dreamer with the nerve to adore you\n[Chorus]\nOh, what a shame, what a rainy ending\nGiven to a perfect day\nSo just walk away, ain't no use defending\nWords that you will never say\nAnd now that I'm sitting here thinking it through\nI've never been anywhere cold as you [Bridge]\nYou never did give a damn thing, honey\nBut I cried, cried for you\nAnd I know you wouldn't have told nobody\nIf I died, died for you, died for you\n[Chorus]\nOh, what a shame, what a rainy ending\nGiven to a perfect day, oh\nEvery smile you fake is so condescending\nCounting all the scars you made\nAnd now that I'm sitting here thinking it through\nI've never been anywhere cold as you\nOoh-oh","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of an unrequited love, with vivid imagery of coldness and distance metaphorically representing the relationship. The song should have a storytelling approach, reflective verses, and a catchy, melancholic chorus that emphasizes the theme of a perfect day ruined by the indifference of a loved one. Include the sense of confrontation and a realization of self-worth despite the heartache, using a blend of acoustic and pop elements typical of Taylor Swift's music."} +{"id":3280165,"song":"Gorgeous","artist":"Taylor Swift","lyrics":"[Intro: James Reynolds]\nGorgeous\n[Verse 1]\nYou should take it as a compliment\nThat I got drunk and made fun of the way you talk\nYou should think about the consequence\nOf your magnetic field bein' a little too strong\nAnd I got a boyfriend, he's older than us\nHe's in the club doin' I don't know what\nYou're so cool, it makes me hate you so much (I hate you so much)\n[Pre-Chorus]\nWhisky on ice, Sunset and Vine\nYou've ruined my life by not bein' mine\n[Chorus]\nYou're so gorgeous\nI can't say anything to your face\n'Cause look at your face (\nGorgeous\n)\nAnd I'm so furious\nAt you for makin' me feel this way\nBut what can I say? You're gorgeous\n[Verse 2]\nYou should take it as a compliment\nThat I'm talkin' to everyone here but you (But you, but you)\nAnd you should think about the consequence\nOf you touchin' my hand in a darkened room (Dark room, dark room)\nIf you've got a girlfriend, I'm jealous of her\nBut if you're single, that's honestly worse\n'Cause you're so gorgeous it actually hurts (Honey, it hurts) [Pre-Chorus]\nOcean blue eyes lookin' in mine\nI feel like I might sink and drown and die\n[Chorus]\nYou're so gorgeous\nI can't say anything to your face (To your face)\n'Cause look at your face (Look at your face; \nGorgeous\n)\nAnd I'm so furious\nAt you for makin' me feel this way (Feel this way)\nBut what can I say? You're gorgeous\n[Bridge]\nYou make me so happy it turns back to sad (Yeah)\nThere's nothin' I hate more than what I can't have (And)\nYou are so gorgeous, it makes me so mad (Mm)\nYou make me so happy it turns back to sad (Yeah)\nThere's nothin' I hate more than what I can't have (And)\nGuess I'll just stumble on home to my cats (Ugh) alone\nUnless you wanna come along (Oh)\n[Chorus]\nYou're so gorgeous (Gorgeous)\nI can't say anything to your face (To your face)\n'Cause look at your face (Look at your face; \nGorgeous\n)\nAnd I'm so furious (I'm so furious)\nAt you for making me feel this way (Feel this way)\nBut what can I say? (I say) You're gorgeous [Outro]\nYou make me so happy it turns back to sad (Yeah)\nThere's nothin' I hate more than what I can't have (And)\nYou are so gorgeous, it makes me so mad (Mm)\nYou're gorgeous\nYou make me so happy it turns back to sad (Turns back to sad)\nThere's nothin' I hate more than what I can't have (What I can't have)\nYou are so gorgeous, it makes me so mad (Mm)\nYou're gorgeous","prompt":"Write me a song in the style of Taylor Swift that captures the essence of unattainable attraction and conflicted emotions, much like her song \"Gorgeous.\" The lyrics should reflect the witty and candid storytelling of a narrator who is infatuated with someone they can't have, resulting in a mix of admiration and frustration. The music should have a playful yet bitter-sweet tone with a catchy, pop-influenced chorus that emphasizes the word \"gorgeous\" to underline the central theme of irresistible beauty. Include vivid imagery and personal anecdotes to create an intimate and relatable atmosphere, reminiscent of Swift's conversational and vivid songwriting style."} +{"id":6478856,"song":"Jump Then Fall (Taylor\u2019s Version)","artist":"Taylor Swift","lyrics":"[Verse 1]\nI like the way you sound in the mornin'\nWe're on the phone and without a warnin'\nI realize your laugh is the best sound\nI have ever heard\nI like the way I can't keep my focus\nI watch you talk, you didn't notice\nI hear the words, but all I can think is\n\"We should be together\"\n[Pre-Chorus]\nEvery time you smile, I smile\nAnd every time you shine, I'll shine for you\n[Chorus]\nWoah-oh, I'm feelin' you, baby\nDon't be afraid to jump, then fall\nJump, then fall into me\nBaby, I'm never gonna leave you\nSay that you wanna be with me too\n'Cause I'ma stay through it all\nSo, jump, then fall\n[Verse 2]\nHuh, well, I like the way your hair falls in your face\nYou got the keys to me, I love each freckle on your face, oh\nI've never been so wrapped up, honey\nI like the way you're everything I ever wanted\nI had time to think it oh-over\nAnd all I can say is, \"Come closer\"\nTake a deep breath and jump, then fall into me [Pre-Chorus]\n'Cause every time you smile, I smile\nAnd every time you shine, I'll shine for you\n[Chorus]\nWoah-oh, I'm feelin' you, baby\nDon't be afraid to jump, then fall\nJump, then fall into me\nBaby, I'm never gonna leave you\nSay that you wanna be with me too\n'Cause I'ma stay through it all\nSo, jump, then fall\n[Bridge]\nThe bottom's gonna drop out from under our feet\nI'll catch you, I'll catch you\nWhen people say things that bring you to your knees\nI'll catch you\nThe time is gonna come when you're so mad you could cry\nBut I'll hold you through the night until you smile\n[Chorus]\nWoah-oh, I need you, baby\nDon't be afraid, please, jump, then fall\nJump, then fall into me\nBaby, I'm never gonna leave you\nSay that you wanna be with me too\n'Cause I'ma stay through it all\nSo, jump, then fall\nJump, then fall, baby\nJump, then fall into me, into me [Outro]\nEvery time you smile, I smile\nAnd every time you shine, I'll shine\nAnd every time you're here\nBaby, I'll show you, I'll show you\nYou can jump, then fall, jump, then fall\nJump, then fall into me, into me, yeah","prompt":"Write me a song in the style of Taylor Swift that captures the essence of young love with an emphasis on the exhilarating feeling of taking a risk together. The lyrics should include playful and romantic imagery, reflecting the intimate moments and idiosyncrasies of a blossoming relationship. The tone should be optimistic and heartfelt, incorporating a catchy, sing-along chorus that encourages someone to 'jump, then fall' into love, promising unwavering support and companionship. The musical arrangement should be reminiscent of Swift's country-pop era, with an acoustic guitar-led melody that builds into a memorable and uplifting bridge."} +{"id":5793981,"song":"\u200bmirrorball","artist":"Taylor Swift","lyrics":"[Verse 1]\nI want you to know\nI'm a mirrorball\nI'll show you every version of yourself tonight\nI'll get\u2005you\u2005out on the\u2005floor\nShimmering beautiful\nAnd when I break, it's\u2005in a million pieces\n[Chorus]\nHush, when no one is around, my dear\nYou'll find me on my tallest tiptoes\nSpinning in my highest heels, love\nShining just for you\nHush, I know they said the end is near\nBut I'm still on my tallest tiptoes\nSpinning in my highest heels, love\nShining just for you\n[Verse 2]\nI want you to know\nI'm a mirrorball\nI can change everything about me to fit in\nYou are not like the regulars\nThe masquerade revelers\nDrunk as they watch my shattered edges glisten [Chorus]\nHush, when no one is around, my dear\nYou'll find me on my tallest tiptoes\nSpinning in my highest heels, love\nShining just for you\nHush, I know they said the end is near\nBut I'm still on my tallest tiptoes\nSpinning in my highest heels, love\nShining just for you\n[Bridge]\nAnd they called off the circus, burned the disco down\nWhen they sent home the horses and the rodeo clowns\nI'm still on that tightrope\nI'm still trying everything to get you laughing at me\nAnd I'm still a believer, but I don't know why\nI've never been a natural, all I do is try, try, try\nI'm still on that trapeze\nI'm still trying everything to keep you looking at me\n[Outro]\nBecause I'm a mirrorball\nI'm a mirrorball\nAnd I'll show you every version of yourself tonight","prompt":"Write me a song in the style of Taylor Swift that encapsulates the ethereal and introspective nature of \"Mirrorball.\" The lyrics should reflect the themes of adaptability and resilience, with a touch of vulnerability, embodying a character who changes themselves to fit into different environments and please others. The music should have a soft, dreamy quality with an underlying strength, much like Swift's indie-folk and alternative pop sound from her \"Folklore\" album. Incorporate the imagery of a mirrorball\u2014shimmering and spinning, representing the many facets of the character's persona\u2014as well as metaphorical references to a circus or performance to convey the constant effort to entertain and engage. Keep the tone intimate and confessional, with a chorus that captures the determination to shine despite the challenges, all while maintaining Swift's signature poetic storytelling."} +{"id":8485919,"song":"Sweet Nothing","artist":"Taylor Swift","lyrics":"[Verse 1]\nI spy with my little tired eye\nTiny as a firefly\nA pebble that we picked up last July\nDown deep inside your pocket\nWe almost forgot it\nDoes it ever miss Wicklow sometimes?\nOoh, ooh\n[Chorus]\nThey said the end is comin'\nEveryone\u2019s up to somethin'\nI find myself runnin' home to your sweet nothings\nOutside, they\u2019re push and shovin'\nYou're in the kitchen hummin'\nAll that you ever wanted from me was sweet nothin'\n[Verse 2]\nOn the way home\nI wrote a poem\nYou say, \"What a mind\"\nThis happens all the time\nOoh, ooh\n[Chorus]\n'Caus\u0435 they said the end is comin'\nEv\u0435ryone's up to somethin\u2019\nI find myself runnin\u2019 home to your sweet nothings\nOutside, they're push and shovin\u2019\nYou're in the kitchen hummin'\nAll that you ever wanted from me was nothin' [Bridge]\nIndustry disruptors and soul deconstructors\nAnd smooth-talking hucksters out glad-handing each other\nAnd the voices that implore, \"You should be doing more\"\nTo you, I can admit that I\u2019m just too soft for all of it\nOoh\n[Chorus]\nThey said the end is comin'\nEveryone's up to somethin'\nI find myself runnin' home to your sweet nothings\nOutside, they're push and shovin'\nYou're in the kitchen hummin'\nAll that you ever wanted from me was sweet nothin'\nThey said the end is comin' (They said the end is comin')\nEveryone's up to somethin' (Everyone's up to somethin')\nI find myself runnin' home to your sweet nothings\nOutside, they're push and shovin' (Outside, they're push and shovin')\nYou're in the kitchen hummin' (You're in the kitchen hummin')\nAll that you ever wanted from me was sweet nothin'","prompt":"Write me a song in the style of Taylor Swift that captures the introspective reflection on a relationship amidst external chaos. The song should feature vivid imagery, such as the comparison of a cherished memory to a small, glowing insect, and the juxtaposition of a tumultuous world against the comfort of domestic bliss. Lyrics should include the motif of returning home to simple, yet profound expressions of love, which are described as 'sweet nothings'. The melody should be reminiscent of Swift's storytelling approach, with a bridge that critiques societal pressures and the complexity of the modern world. The overall tone should mix sweetness with melancholy, and the pace should allow for moments of contemplative calm."} +{"id":3021521,"song":"You Do","artist":"Taylor Swift","lyrics":"[Verse 1]\nHere I am, once again\nIn your driveway, thinking I should be leaving\nI should go but it's so entertaining watching you breathing\nYou went and got to me like\nThe stupid song on the radio that you try to forget\nBut it sticks in your head\nSo goodbye, it's not goodnight\nCause I'll be seeing you in my dreamin'\n[Chorus]\nBoy, you got me like a shot to the heart\nGot me shakin' so bad, spilled my coffee in the car\nCaught a red light I ran right through\nGotta call my friends, tell them all about you\nAlways looking like one of those nights\nWhen you're thinkin' 'bout kissing 'til the morning light\nYou got me, you do\n[Verse 2]\nIn a daze, pull the shades\nClose my eyes and picture you at my window\nI relax, I go back to all the things you said\nThat only I know\n[Chorus]\nBoy, you got me like a shot to the heart\nGot me shakin' so bad, spilled my coffee in the car\nCaught a red light I ran right through\nGotta call my friends, tell them all about you\nAlways looking like one of those nights\nWhen you're thinkin' 'bout kissing 'til the morning light\nYou got me, you do [Bridge]\nI'm runnin' right out to my car\nAnd I pull out the drive\nIt's only been ten minutes\nBut I have to see you one more time\n[Chorus]\nBoy, you got me like a shot to the heart\nGot me shakin' so bad, spilled my coffee in the car\nCaught a red light I ran right through\nGotta call my friends, tell them all about you\nAlways looking like one of those nights\nWhen you're thinkin' 'bout kissing 'til the morning light\nYou got me, you do","prompt":"Write me a song in the style of Taylor Swift that captures the intoxicating rush of a new crush, using vivid imagery like \"spilled my coffee in the car\" and emotionally charged actions such as \"ran right through a red light.\" The song should evoke the youthful and relatable experience of being so enamored with someone that it disrupts daily routines, leading to impulsive decisions like needing to see them one more time. It should include a catchy, repeated chorus that encapsulates the feeling of being helplessly drawn to someone, as though they've shot you straight through the heart, and convey the blend of excitement and chaos that comes with falling head over heels, possibly hinting at the potential of a romantic encounter lasting until the morning light."} +{"id":187131,"song":"Can I Go with You","artist":"Taylor Swift","lyrics":"[Verse 1]\nAny day now, they're talking war\nI can see the look that's in your eyes\nThey're not talking a week or two\nOh, daddy can I go with you?\nOh, daddy can I go with you?\n[Verse 2]\nYou pack a suitcase, take a picture from the wall\nI always knew this time would come\nWhen I ask how long you think you're going to be\nYou say, this crazy world's come undone\n[Verse 3]\nSummer's over and leaves begin to fall\nAnd another winter's on the way\nI knew I wasn't going to take this very well\nBut I'd give anything to have you here today\n[Verse 4]\nEveryday now they're talking war\n& I know this time is like it's never been before\nWe're not talking about a week or two\n[Outro]\nOh, daddy can I go with you?\nOh, daddy can I go with you?\nOh, daddy can I go with you?","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of a child facing the impending departure of a parent due to war. The lyrics should reflect the innocence of the child mixed with the harsh reality of the world, using imagery such as changing seasons to symbolize the transition and uncertainty ahead. The song structure should include verses that build up the narrative, a repeating heartfelt plea in the chorus, and an outro that leaves a lingering sense of longing. The musical style should blend country roots with pop sensibilities, evoking a bittersweet and reflective mood."} +{"id":78585,"song":"Dear John","artist":"Taylor Swift","lyrics":"[Verse 1]\nLong were the nights when\nMy days once revolved around you\nCounting my footsteps\nPraying the floor won't fall through again\nAnd my mother accused me of losing my mind\nBut I swore I was fine\nYou paint me a blue sky\nThen go back and turn it to rain\nAnd I lived in your chess game\nBut you changed the rules everyday\nWondering which version of you I might get on the phone tonight\nWell, I stopped pickin' up and this song is to let you know why\n[Chorus]\nDear John, I see it all now that you're gone\nDon't you think I was too young to be messed with?\nThe girl in the dress cried the whole way home\nI should've known\n[Verse 2]\nWell, maybe it's me\nAnd my blind optimism to blame\nOr maybe it's you and your sick need\nTo give love and take it away\nAnd you'll add my name to your long list of traitors\nWho don't understand\nAnd I look back in regret how I ignored when they said\n\"Run as fast as you can\" [Chorus]\nDear John, I see it all now that you're gone\nDon't you think I was too young to be messed with?\nThe girl in the dress cried the whole way home\nDear John, I see it all now, it was wrong\nDon't you think nineteen's too young\nTo be played by your dark, twisted games when I loved you so?\nI should've known\n[Bridge]\nYou are an expert at sorry and keeping lines blurry\nNever impressed by me acing your tests\nAll the girls that you've run dry have tired lifeless eyes\n'Cause you burned them out\nBut I took your matches before fire could catch me\nSo don't look now\nI'm shining like fireworks over your sad empty town\nOh, oh\n[Chorus]\nDear John, I see it all now that you're gone\nDon't you think I was too young to be messed with?\nThe girl in the dress cried the whole way home\nI see it all now that you're gone\nDon't you think I was too young to be messed with?\nThe girl in the dress wrote you a song\nYou should've known [Outro]\nYou should've known\nDon't you think I was too young?\nYou should've known","prompt":"Write me a song in the style of Taylor Swift that explores the emotional aftermath of a young woman reflecting on a past, manipulative relationship. The song should convey a mix of vulnerability and empowerment, with a narrative that moves from recounting the pain of being taken advantage of to a strong declaration of self-worth and independence. Include introspective verses and a chorus that serves as a poignant message to the former partner, reminiscent of the storytelling and emotional depth found in Swift's \"Dear John.\" Incorporate acoustic elements with a country-pop flair, and ensure the lyrics capture the journey from naivety to enlightenment, much like a diary entry turned into a powerful anthem."} +{"id":4499977,"song":"Her","artist":"Taylor Swift","lyrics":"[Verse 1]\nShe's real pretty if you\u2019re into that brunette\nLooks good without any makeup on\nGreen eyes kind of thing\nUh huh\nShe's spontaneous, she ain't afraid of anything\nShe\u2019s not the jealous type\nShe's the type you give a diamond ring\n[Pre-Chorus]\nAnd I came along, just after she walked out\nPicking up the pieces 'til I've figured out\n[Chorus]\nThere's a girl that you want\nShe's everything that I am not\nAnd you can't stop thinking about her\nThere's a thin little line\nAnd it\u2019s like you cross it every time\nWhen you can\u2019t stop thinking about her\n[Verse 2]\nShe came from a really small town\nShe liked to watch football with you\nWell, I'd learn football too, if you wanted me to\nUh huh\nShe\u2019s really good with babies, she'd be a great mother\nShe said I should really meet her sometime\nUh huh [Pre-Chorus]\nIt's getting old, I wonder if you've seen\nThe favorite conversation\u2019s killing me\n[Chorus]\nThere's a girl that you want\nShe's everything that I am not\nAnd you can't stop thinking about her\nThere's a thin little line\nAnd it's like you cross it every time\nWhen you can't stop thinking about her\n[Bridge]\nDon't you know I was a 4.0 in school?","prompt":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love and jealousy. The lyrics should reflect the perspective of someone who feels overshadowed by another person who embodies everything they believe they are not. Incorporate elements of introspection and a narrative that details the protagonist's emotional struggle with their own identity in the face of their significant other's apparent infatuation with someone else. The song should be set in a contemporary pop-country genre, with a catchy chorus that emphasizes the recurring thought of the 'other' person. Include Taylor Swift's signature storytelling approach, with vivid imagery and personal anecdotes that create a relatable and emotive atmosphere."} +{"id":2940047,"song":"Love to Lose","artist":"Taylor Swift","lyrics":"[Verse 1]\nCome on, gather 'round, I'm gonna tell you how the fire went out\nSorry for the inconvenience, I didn't mean to let you down\nWe were supposed to be forever but it's too bad you didn't see that to me\nYou were the perfect view of misery\n[Chorus]\nI never talked about the tears I cried\nAll the sleepless nights or the endless fights\nI never talked about the \ndays he called\nThere was something wrong, it was all my fault\nI had it all, what a shame, what a fall now\nBut in case you haven't heard the news\nThere wasn't much love to lose\n[Verse 2]\nLet's talk about that golden boy that I met on a winter night\nHow was I supposed to know that he was just as cold inside?\nHe smiled and I smiled, well the camera's in your mind\nAnd I lied, I swore that everything was fine\n[Chorus]\nI never talked about the tears I cried\nAll the sleepless nights or the endless fights\nI never talked about the \nnights he called\nThere was something wrong, it was all my fault\nI had it all, what a shame, what a fall now\nBut in case you haven't heard the news\nThere wasn't much love to lose [Bridge]\nI know you wanna talk about me\nHow I gave up on love so foolishly\nBut keep in mind\n[Chorus]\nI never talked about the tears I cried\nAll the sleepless nights or the endless fights\nI never talked about the \nnights he called\nThere was something wrong, it was all my fault\nI had it all, what a shame, what a fall now\nBut in case you haven't heard the news\nThere wasn't much love to lose\n[Outro]\nCome on, gather 'round, I'm gonna tell you how the fire went out","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a reflective and confessional narrative about love lost and the personal growth that follows. The song should weave a tale of past relationships, the illusion of perfection, and the eventual realization and acceptance of their flaws. The lyrics should be poignant, with a blend of melancholy and empowerment, and the musical composition should reflect Swift's signature blend of country roots with modern pop sensibility. Include vivid imagery and emotional depth to convey the journey from heartache to self-awareness, echoing the storytelling quality found in Swift's own discography."} +{"id":5793961,"song":"\u200bpeace","artist":"Taylor Swift","lyrics":"[Verse 1]\nOur coming-of-age has come and gone\nSuddenly, this summer, it's clear\nI never had the courage of\u2005my\u2005convictions\nAs long as\u2005danger is near\nAnd it's just around\u2005the corner, darlin'\n'Cause it lives in me\nNo, I could never\u205fgive\u205fyou\u205fpeace\n[Chorus]\nBut I'm a\u205ffire and I'll\u205fkeep your brittle heart warm\nIf your cascade, ocean wave blues come\nAll these people think love's for show\nBut I would die for you in secret\nThe devil's in the details, but you got a friend in me\nWould it be enough if I could never give you peace?\n[Verse 2]\nYour integrity makes me seem small\nYou paint dreamscapes on the wall\nI talk shit with my friends, it's like I'm wasting your honor\nAnd you know that I'd swing with you for the fences\nSit with you in the trenches\nGive you my wild, give you a child\nGive you the silence that only comes when two people understand each other\nFamily that I chose, now that I see your brother as my brother\nIs it enough?\nBut there's robbers to the east, clowns to the west\nI'd give you my sunshine, give you my best\nBut the rain is always gonna come if you're standin' with me [Chorus]\nBut I'm a fire and I'll keep your brittle heart warm\nIf your cascade, ocean wave blues come\nAll these people think love's for show\nBut I would die for you in secret\nThe devil's in the details, but you got a friend in me\nWould it be enough if I could never give you peace?\nWould it be enough if I could never give you peace?\nWould it be enough if I could never give you peace?","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a tumultuous but deep love. The lyrics should reflect on the complexity of giving solace to a partner despite internal and external chaos. Include vivid imagery that contrasts the harsh realities with the intimate, tender moments of a relationship. The song should have a confessional tone, with an undercurrent of devotion and the bittersweet acknowledgement that love cannot solve every problem. Incorporate themes of loyalty, the struggle for peace, and the readiness to stand by someone through life's metaphorical battles."} +{"id":57189,"song":"Teardrops On My Guitar","artist":"Taylor Swift","lyrics":"[Verse 1]\nDrew looks at me\nI fake a smile so he won't see\nThat I want and I'm needing\nEverything that we should be\n[Pre-Chorus]\nI'll bet she's beautiful, that girl he talks about\nAnd she's got everything that I have to live without\n[Verse 2]\nDrew talks to me\nI laugh 'cause it's just so funny\nThat I can't even see\nAnyone when he's with me\n[Pre-Chorus]\nHe says he's so in love, he's finally got it right\nI wonder if he knows he's all I think about at night\n[Chorus]\nHe's the reason for the teardrops on my guitar\nThe only thing that keeps me wishin' on a wishing star\nHe's the song in the car I keep singing, don't know why I do\n[Verse 3]\nDrew walks by me\nCan he tell that I can't breathe?\nAnd there he goes, so perfectly\nThe kind of flawless I wish I could be [Pre-Chorus]\nShe'd better hold him tight, give him all her love\nLook in those beautiful eyes and know she's lucky 'cause\n[Chorus]\nHe's the reason for the teardrops on my guitar\nThe only thing that keeps me wishin' on a wishing star\nHe's the song in the car I keep singing, don't know why I do\n[Pre-Chorus]\nSo I'll drive home alone as I turn off the light\nI'll put his picture down and maybe get some sleep tonight\n[Chorus]\n'Cause he's the reason for the teardrops on my guitar\nThe only one who's got enough of me to break my heart\nHe's the song in the car I keep singing, don't know why I do\n[Outro]\nHe's the time taken up, but there's never enough\nAnd he's all that I need to fall into\nDrew looks at me\nI fake a smile, so he won't see","prompt":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love, with a narrative centered around a character named Drew who is oblivious to the protagonist's affections. The song should embody the vulnerability and yearning found in the provided lyrics, featuring a blend of country and pop elements typical of Taylor Swift\u2019s earlier work. The lyrics should evoke the pain of loving someone who is infatuated with someone else, using motifs such as teardrops, wishing stars, and late-night drives to convey a deep sense of emotional longing and heartache."} +{"id":551089,"song":"Wonderland","artist":"Taylor Swift","lyrics":"[Verse 1]\nFlashing lights\nAnd we took a wrong turn\nAnd we fell down a rabbit hole\nYou held on tight to me\n'Cause nothing's as it seems\nAnd spinning out of control\n[Pre-Chorus]\nDidn't they tell us \"Don't rush into things\"?\nDidn't you flash your green eyes at me?\nHaven't you heard what becomes of curious minds?\nOoh, didn't it all seem new and exciting?\nI felt your arms twistin' around me\nI should have slept with one eye open at night\n[Chorus]\nWe found Wonderland, you and I got lost in it\nAnd we pretended it could last forever (Eh, eh)\nWe found Wonderland, you and I got lost in it\nAnd life was never worse, but never better (Eh, eh)\n[Post-Chorus]\n(Eh, eh, eh, eh, eh, eh)\nIn Wonderland\n(Eh, eh, eh, eh, eh, eh)\nIn Wonderland\n(Eh, eh, eh, eh, eh, eh)\nIn Wonderland\n(Eh, eh, eh, eh, eh, eh)\nIn Wonderland [Verse 2]\nSo, we went on our way\nToo in love to think straight\nAll alone, or so it seemed\nBut there were strangers watchin'\nAnd whispers turned to talkin'\nAnd talking turned to screams, oh\n[Pre-Chorus]\nDidn't they tell us \"Don't rush into things\"?\nDidn't you flash your green eyes at me?\nDidn't you calm my fears with a Cheshire cat smile?\nOoh, didn't it all seem new and exciting?\nI felt your arms twistin' around me\nIt's all fun and games 'til somebody loses their mind\nBut darling\n[Chorus]\nWe found Wonderland, you and I got lost in it\nAnd we pretended it could last forever (Eh, eh)\nWe found Wonderland, you and I got lost in it\nAnd life was never worse but never better (Eh, eh)\n[Post-Chorus]\n(Eh, eh, eh, eh, eh, eh)\nIn Wonderland\n(Eh, eh, eh, eh, eh, eh) Eh, eh\nIn Wonderland\n(Eh, eh, eh, eh, eh, eh)\nIn Wonderland\n(Eh, eh, eh, eh, eh, eh) Woah\nIn Wonderland [Bridge]\nI reached for you, but you were gone\nI knew I had to go back home\nYou searched the world for somethin' else\nTo make you feel like what we had\nAnd in the end, in Wonderland, we both went mad\nOh\n[Chorus]\nWe found Wonderland, you and I got lost in it\nAnd we pretended it could last forever (Last forever; Eh, eh)\nWe found Wonderland, you and I got lost in it (Got lost in it)\nAnd life was never worse but never better (Never better; Eh, eh)\n(Eh, eh, eh, eh, eh)\nWe found Wonderland, you and I got lost in it\n(Eh, eh, eh, eh, eh)\nAnd we pretended it could last forever (In Wonderland)\n(Eh, eh, eh, eh, eh)\nWe found Wonderland, you and I got lost in it (Lost in it)\n(Eh, eh, eh, eh, eh)\nAnd life was never worse but never better\nIn Wonderland","prompt":"Write me a song in the style of Taylor Swift that captures a whimsical, yet bittersweet journey through a fantastical love story, reminiscent of a modern Alice in Wonderland. The lyrics should explore the themes of diving headfirst into romance, the excitement of the unknown, and the ultimate realization of impermanence. Include vivid imagery and metaphors related to fairy tales, and ensure the song has a catchy, pop-driven chorus that emphasizes the contrast between the highs and lows of the relationship, with an emotional bridge that reflects on the loss and the return to reality."} +{"id":5816082,"song":"\u200bcardigan (cabin in candlelight version)","artist":"Taylor Swift","lyrics":"[Verse 1]\nVintage tee, brand new phone\nHigh heels on cobblestones\nWhen you are young, they assume you know\u2005nothing\nSequin\u2005smile, black lipstick\nSensual\u2005politics\nWhen you are young, they assume\u2005you know nothing\n[Chorus]\nBut I knew you\nDancin' in your Levi's\nDrunk under\u205fa\u205fstreetlight,\u205fI\nI knew you\nHand\u205funder my sweatshirt\nBaby,\u205fkiss it better, I\n[Refrain]\nAnd when I felt like I was an old cardigan\nUnder someone's bed\nYou put me on and said I was your favorite\n[Verse 2]\nA friend to all is a friend to none\nChase two girls, lose the one\nWhen you are young, they assume you know nothing [Chorus]\nBut I knew you\nPlaying hide-and-seek and\nGiving me your weekends, I\nI knew you\nYour heartbeat on the High Line\nOnce in twenty lifetimes, I\n[Refrain]\nAnd when I felt like I was an old cardigan\nUnder someone's bed\nYou put me on and said I was your favorite\n[Bridge]\nTo kiss in cars and downtown bars\nWas all we needed\nYou drew stars around my scars\nBut now I'm bleedin'\n[Chorus]\n'Cause I knew you\nSteppin' on the last train\nMarked me like a bloodstain, I\nI knew you\nTried to change the ending\nPeter losing Wendy, I\nI knew you\nLeavin' like a father\nRunning like water, I\nAnd when you are young, they assume you know nothing [Verse 3]\nBut I knew you'd linger like a tattoo kiss\nI knew you'd haunt all of my what-ifs\nThe smell of smoke would hang around this long\n'Cause I knew everything when I was young\nI knew I'd curse you for the longest time\nChasin' shadows in the grocery line\nI knew you'd miss me once the thrill expired\nAnd you'd be standin' in my front porch light\nAnd I knew you'd come back to me\nYou'd come back to me\nAnd you'd come back to me\nAnd you'd come back\n[Refrain]\nAnd when I felt like I was an old cardigan\nUnder someone's bed\nYou put me on and said I was your favorite","prompt":"Write me a song in the style of Taylor Swift that captures the nostalgic and introspective essence of youthful romance, with vivid imagery such as \"vintage tee, brand new phone\" and emotionally charged metaphors like feeling \"like an old cardigan under someone's bed.\" The lyrics should reflect the nuanced understanding of love from a young person's perspective, often underestimated by others, juxtaposing innocence with moments of profound clarity. Include a storytelling element that unfolds through verses and a chorus, touching on themes of lost love, remembrance, and the bittersweet realization of growing up, similar to the narrative style of Swift's songwriting."} +{"id":3645367,"song":"Delicate (Radio Disney Version)","artist":"Taylor Swift","lyrics":"This ain't for the best\nMy reputation's never been worse, so\nYou must like me for me\nWe can't make\nAny promises now, can we, babe?\nBut you can make me a drink\nDark night on the East Side, where you at?\nPhone lights up my nightstand in the black\nCome here, you can meet me in the back\nDark jeans and your Nikes, look at you\nOh never seen that color blue\nJust think of the fun things we could do\n'Cause I like you\nThis ain't for the best\nMy reputation's never been worse, so\nYou must like me for me\nYeah, I want you\nWe can't make\nAny promises now, can we, babe?\nBut you can make me a drink\nIs it cool that I said all that?\nIs it chill that you're in my head?\n'Cause I know that it's delicate (delicate)\nIs it cool that I said all that\nIs it too soon to do this yet?\n'Cause I know that it's delicate\nIsn't it? Isn't it? Isn't it? Isn't it?\nIsn't it? Isn't it? Isn't it? Isn't it?\nDelicate Third floor on the West Side, me and you\nHandsome, your mansion with a view\nDo the girls back home touch you like I do?\nLong night, with your hands up in my hair\nEchoes of your footsteps on the stairs\nStay here, honey, I don't wanna share\n'Cause I like you\nThis ain't for the best\nMy reputation's never been worse, so\nYou must like me for me\nYeah, I want you\nWe can't make\nAny promises now, can we, babe?\nBut you can make me a drink\nIs it cool that I said all that?\nIs it chill that you're in my head?\n'Cause I know that it's delicate (delicate)\nIs it cool that I said all that\nIs it too soon to do this yet?\n'Cause I know that it's delicate\nIsn't it? Isn't it? Isn't it? Isn't it?\nIsn't it? Isn't it? Isn't it? Isn't it?\nDelicate Sometimes I wonder when you sleep\nAre you ever dreaming of me?\nSometimes when I look into your eyes\nI pretend you're mine, all the time\n'Cause I like you\nIs it cool that I said all that?\nIs it chill that you're in my head?\n'Cause I know that it's delicate (delicate)\nYeah, I want you\nIs it cool that I said all that\nIs it too soon to do this yet?\n'Cause I know that it's delicate (delicate)\n'Cause I like you\nIs it cool that I said all that?\nIs it chill that you're in my head?\n'Cause I know that it's delicate (delicate)\nYeah, I want you\nIs it cool that I said all that\nIs it too soon to do this yet?\n'Cause I know that it's delicate\nDelicate","prompt":"Write a song in the style of Taylor Swift that captures the vulnerability of a new romance under the scrutiny of public perception, with introspective and confessional lyrics. The melody should be subtle and airy, evoking the fragility of the situation, akin to her use of light electronic beats and soft vocal delivery in \"Delicate.\" The song should include themes of uncertainty and the excitement of a private connection in the midst of a chaotic life, using vivid imagery to describe clandestine meetings and the yearning for authenticity in a relationship."} +{"id":8486442,"song":"High Infidelity","artist":"Taylor Swift","lyrics":"[Verse 1]\nLock broken, slur spoken\nWound open, game token\nI didn't know you were keeping count\nRain soaking, blind hoping\nYou said I was freeloading\nI didn't know you were keeping count\n[Chorus]\nHigh infidelity\nPut on your records and regret me\nI bent the truth too far tonight\nI was dancing around, dancing around it\nHigh infidelity\nPut on your headphones and burn my city\nYour picket fence is sharp as knives\nI was dancing around, dancing around it\n[Refrain]\nDo you really wanna know where I was April 29th?\nDo I really have to chart the constellations in his eyes?\n[Verse 2]\nStorm coming, good husband\nBad omen\nDragged my feet right down the aisle\nAt the house lonely, good money\nI'd pay if you'd just know me\nSeemed like the right thing at the time [Refrain]\nYou know there's many different ways that you can kill the one you love\nThe slowest way is never loving them enough\nDo you really wanna know where I was April 29th?\nDo I really have to tell you how he brought me back to life?\n[Chorus]\nHigh infidelity\nPut on your records and regret me\nI bent the truth too far tonight\nI was dancing around, dancing around it\nHigh infidelity\nPut on your headphones and burn my city\nYour picket fence is sharp as knives\nI was dancing around, dancing around it\n[Refrain]\nDo you really want to know where I was April 29th?\nDo I really have to chart the constellations in his eyes?\nYou know there's many different ways that you can kill the one you love\nThe slowest way is never loving them enough\n[Chorus]\nHigh infidelity\nPut on your records and regret meeting me\nI bent the truth too far tonight\nI was dancing around, dancing around it\nHigh infidelity\nPut on your headphones and burn my city\nYour picket fence is sharp as knives\nI was dancing around, dancing around it [Non-Lyrical Break]\n[Post-Chorus]\nOh, there's many different ways that you can kill the one you love\nAnd it's never enough, it's never enough\n[Outro]\nLock broken, slur spoken\nWound open, game token\nI didn't know you were keeping count\nRain soaking, blind hoping\nYou said I was freeloading\nI didn't know you were keeping count\nBut, oh, you were keeping count","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turmoil and introspection of a relationship marred by infidelity. The lyrics should explore themes of betrayal, regret, and the complexity of love, with vivid imagery such as storms, broken locks, and sharp fences. The song should have a confessional tone, reminiscent of Swift\u2019s narrative songwriting, and include a catchy chorus that reflects the pain of being unfaithful. The musical arrangement should complement Swift's country-pop roots, with a blend of acoustic and electronic elements that underscore the song\u2019s introspective nature."} +{"id":6260178,"song":"\u200bit\u2019s time to go","artist":"Taylor Swift","lyrics":"[Verse 1]\nWhen the dinner is cold and the chatter gets old\nYou ask for the tab\nOr that moment again, he's insisting that friends\nLook at each other like that\nWhen the words of a sister come back in whispers\nThat prove she was not\nIn fact what she seemed, not a twin from your dreams\nShe's a crook who was caught\n[Chorus]\nThat old familiar body ache\nThe snaps from the same little breaks in your soul\nYou know when it's time to go\n[Verse 2]\nTwenty years at your job, then the son of the boss\nGets the spot that was yours\nOr trying to stay for the kids, when keeping it how it is\nWill only break their hearts worse\n[Chorus]\nThat old familiar body ache\nThe snaps from the same little breaks in your soul\nYou know when it's time to go [Post-Chorus]\nSometimes, givin' up is the strong thing\nSometimes, to run is the brave thing\nSometimes, walkin' out is the one thing\nThat will find you the right thing\nSometimes, givin' up is the strong thing\nSometimes, to run is the brave thing\nSometimes, walkin' out is the one thing\nThat will find you the right thing\n[Verse 3]\nFifteen years, fifteen million tears\nBegging 'til my knees bled\nI gave it my all, he gave me nothin' at all\nThen wondered why I left\nNow he sits on his throne in his palace of bones\nPraying to his greed\nHe's got my past frozen behind glass\nBut I've got me\n[Chorus]\nThat old familiar body ache\nThe snaps from the same little breaks in my soul\nI know when it's time to go\n[Post-Chorus]\nSometimes, givin' up is the strong thing\nSometimes, to run is the brave thing\nSometimes, walkin' out is the one thing\nThat will find you the right thing\nSometimes, givin' up is the strong thing\nSometimes, to run is the brave thing\nSometimes, walkin' out is the one thing\nThat will find you the right thing [Outro]\nThat will find you the right thing\nAnd you know in your soul\nAnd you know in your soul\nWhen it's time to go\nAnd, well, you know, you know, you know, you know\nWhen it's time to go\nSo then you go and then you go\nYou just go","prompt":"Write me a song in the style of Taylor Swift that captures the essence of knowing when to leave a situation that's no longer beneficial, whether it's a cold relationship, an unfulfilling job, or a deceitful friendship. The lyrics should convey the emotional journey and self-awareness that comes with recognizing that \"it's time to go,\" and encourage the act of leaving as a form of personal strength and bravery. Emphasize the theme of empowerment through difficult decisions and incorporate a narrative that details the struggle and the ultimate realization that leads to a better path. The song should include vivid storytelling, the occasional metaphor, and a chorus that resonates with the bittersweet acknowledgment of necessary change."} +{"id":186955,"song":"Ours","artist":"Taylor Swift","lyrics":"[Verse 1]\nElevator buttons and morning air\nStrangers' silence makes me want to take the stairs\nIf you were here, we'd laugh about their vacant stares\nBut right now, my time is theirs\nSeems like there's always someone who disapproves\nThey'll judge it like they know about me and you\nAnd the verdict comes from those with nothing else to do\nThe jury's out, but my choice is you\n[Chorus]\nSo don't you worry your pretty little mind\nPeople throw rocks at things that shine\nAnd life makes love look hard\nThe stakes are high, the water's rough\nBut this love is ours\n[Verse 2]\nYou never know what people have up their sleeves\nGhosts from your past gonna jump out at me\nLurking in the shadows with their lip gloss smiles\nBut I don't care, 'cause right now, you're mine\nAnd you'll say\n[Chorus]\nDon't you worry your pretty little mind\nPeople throw rocks at things that shine\nAnd life makes love look hard\nThe stakes are high, the water's rough\nBut this love is ours [Bridge]\nAnd it's not theirs to speculate if it's wrong and\nYour hands are tough, but they are where mine belong and\nI'll fight their doubt and give you faith with this song for you\n'Cause I love the gap between your teeth\nAnd I love the riddles that you speak\nAnd any snide remarks from my father about your tattoos\nWill be ignored, 'cause my heart is yours\n[Chorus]\nSo don't you worry your pretty little mind\nPeople throw rocks at things that shine\nAnd life makes love look hard\nAnd don't you worry your pretty little mind\nPeople throw rocks at things that shine\nBut they can't take what's ours\nThey can't take what's ours\nThe stakes are high, the water's rough\nBut this love is ours","prompt":"Write me a song in the style of Taylor Swift that captures the intimate and defiant spirit of a love that stands strong in the face of judgment and adversity. The lyrics should explore themes of resilience and commitment, with metaphorical references to overcoming obstacles and ignoring the critics. Include vivid imagery and personal details that create a sense of shared experiences and secret moments between lovers. The song should have a reflective tone with a chorus that reassures and empowers, embodying the country-pop sound that Taylor Swift is known for."} +{"id":102708,"song":"Stay Stay Stay","artist":"Taylor Swift","lyrics":"[Verse 1]\nI'm pretty sure we almost broke up last night\nI threw my phone across the room, at you\nI was expecting some dramatic turn away\nBut you stayed\nThis morning, I said we should talk about it\n'Cause I read you should never leave a fight unresolved\nThat's when you came in wearing a football helmet\nAnd said, \"Okay, let's talk\"\nAnd I said\n[Chorus]\nStay, stay, stay\nI've been loving you for quite some time, time, time\nYou think that it's funny when I'm mad, mad, mad\nBut I think that it's best if we both stay\n[Verse 2]\nBefore you, I'd only dated self-indulgent takers\nWho took all of their problems out on me\nBut you carry my groceries and now, I'm always laughing\nAnd I love you because you have given me\nNo choice but to\n[Chorus]\nStay, stay, stay\nI've been loving you for quite some time, time, time\nYou think that it's funny when I'm mad, mad, mad\nBut I think that it's best if we both stay, stay, stay, stay [Bridge]\nYou took the time to memorize me\nMy fears, my hopes, and dreams\nI just like hanging out with you all the time\nAll those times that you didn't leave, it's been occurring to me\nI'd like to hang out with you for my whole life\n[Breakdown]\nStay and I'll be loving you for quite some time\nNo one else is gonna love me when I get mad, mad, mad\nSo I think that it's best if we both stay, stay\nStay, stay, stay, stay!\n[Chorus]\nStay, stay, stay\nI've been loving you for quite some time, time, time\nYou think that it's funny when I'm mad, mad, mad\nBut I think that it's best if we both stay, stay\nStay, stay, stay, stay!\n[Outro]\nStay, stay, stay\nI've been loving you for quite some time, time, time\nYou think that it's funny when I'm mad, mad, mad\nBut I think that it's best if we both stay\n(Ha-ha-ha, it's so fun)","prompt":"Write a song in the style of Taylor Swift that captures the playful and endearing aspects of a romantic relationship, incorporating a narrative verse about overcoming a minor conflict and a chorus with a catchy, repetitive hook that emphasizes the desire for both partners to stay together. The song should blend Swift's country roots with her pop sensibilities, featuring vivid storytelling and relatable emotional expressions. Include a bridge that highlights the deep personal connection between the partners, and make sure the overall tone is light-hearted, whimsical, and reflects the joy of being in love."} +{"id":551097,"song":"This Love","artist":"Taylor Swift","lyrics":"[Verse 1]\nClear blue water\nHigh tide came and brought you in\nAnd I could go on and on, on and on and I will\nSkies grew darker\nCurrents swept you out again\nAnd you were just gone and gone, gone and gone\n[Pre-Chorus]\nIn silent screams and wildest dreams\nI never dreamed of this\n[Chorus]\nThis love is good, this love is bad\nThis love is alive back from the dead, oh-oh, oh\nThese hands had to let it go free, and\nThis love came back to me, oh-oh, oh\nOh-oh, oh-oh, oh\n[Verse 2]\nTossing, turning\nStruggled through the night with someone new\nBaby, I could go on and on, on and on\nLantern, burning\nFlickered in my mind, only you\nBut you were still gone, gone, gone [Pre-Chorus]\nBeen losing grip on sinking ships\nYou showed up just in time\n[Chorus]\nThis love is good, this love is bad\nThis love is alive back from the dead, oh-oh, oh\nThese hands had to let it go free, and\nThis love came back to me, oh-oh, oh\nThis love left a permanent mark\nThis love is glowing in the dark, oh-oh, oh\nThese hands had to let it go free, and\nThis love came back to me, oh-oh, oh\n[Post-Chorus]\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love)\n[Bridge]\nYour kiss, my cheek, I watched you leave\nYour smile, my ghost, I fell to my knees\nWhen you're young, you just run\nBut you come back to what you need [Chorus]\nThis love is good, this love is bad\nThis love is alive back from the dead, oh-oh, oh\nThese hands had to let it go free, and\nThis love came back to me, oh-oh, oh\n(This love) This love left a permanent mark\n(This love) This love is glowing in the dark, oh-oh, oh\n(This love) These hands had to let it go free, and\n(This love) This love came back to me, oh-oh, oh\n[Post-Chorus]\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love, oh-oh, oh)\n(This love, this love, this love, this love)\nThis love, this love came back to me, oh-oh, oh","prompt":"Write a song in the emotive storytelling style of Taylor Swift that explores the tumultuous journey of a love that ebbs and flows like the ocean tide. The lyrics should depict the pain of separation, the struggle with new beginnings, and the unexpected joy of a rekindled romance that once seemed lost. Incorporate vivid imagery of nature, such as clear blue water, dark skies, and a flickering lantern, to symbolize the changing states of the relationship. The song should capture a balance between melancholy and hope, with a chorus that emphasizes the resilience of love that comes back to life, evoking a sense of both liberation and destiny."} +{"id":8486447,"song":"Would\u2019ve, Could\u2019ve, Should\u2019ve","artist":"Taylor Swift","lyrics":"[Verse 1]\nIf you would've blinked, then I would've\nLooked away at the first glance\nIf you tasted poison,\u2005you\u2005could've\nSpit me out\u2005at the first chance\nAnd if I\u2005was some paint, did it splatter\nOn a promising grown man?\nAnd if I was a child, did it matter\nIf you got to wash your hands?\n[Pre-Chorus]\nOoh, all I used to do was pray\nWould've, could've, should've\nIf you'd never looked my way\n[Chorus]\nI would've stayed on my knees\nAnd I damn sure never would've danced with the devil\nAt nineteen\nAnd the God's honest truth is that the pain was heaven\nAnd now that I'm grown, I'm scared of ghosts\nMemories feel like weapons\nAnd now that I know, I wish you'd left me wondering\n[Verse 2]\nIf you never touched me, I would've\nGone along with the righteous\nIf I never blushed, then they could've\nNever whispered about this\nAnd if you never saved me from boredom\nI could've gone on as I was\nBut, Lord, you made me feel important\nAnd then you tried to erase us [Pre-Chorus]\nOoh, you're a crisis of my faith\nWould've, could've, should've\nIf I'd only played it safe\n[Chorus]\nI would've stayed on my knees\nAnd I damn sure never would've danced with the devil\nAt nineteen\nAnd the God's honest truth is that the pain was heaven\nAnd now that I'm grown, I'm scared of ghosts\nMemories feel like weapons\nAnd now that I know, I wish you'd left me wondering\n[Bridge]\nGod rest my soul\nI miss who I used to be\nThe tomb won't close\nStained glass windows in my mind\nI regret you all the time\nI can't let this go\nI fight with you in my sleep\nThe wound won't close\nI keep on waiting for a sign\nI regret you all the time [Verse 3]\nIf clarity's in death, then why won't this die?\nYears of tearing down our banners, you and I\nLiving for the thrill of hitting you where it hurts\nGive me back my girlhood, it was mine first\n[Chorus]\nAnd I damn sure never would've danced with the devil\nAt nineteen\nAnd the God's honest truth is that the pain was heaven\nAnd now that I'm grown, I'm scared of ghosts\nMemories feel like weapons\nAnd now that I know, I wish you'd left me wondering\n[Outro]\nGod rest my soul\nI miss who I used to be\nThe tomb won't close\nStained glass windows in my mind\nI regret you all the time\nI can't let this go\nI fight with you in my sleep\nThe wound won't close\nI keep on waiting for a sign\nI regret you all the time\nOh, God rest my soul\nI miss who I used to be\nThe tomb won't close\nStained glass windows in my mind\nI regret you all the time\nI can't let this go\nI fight with you in my sleep\nThe wound won't close\nI keep on waiting for a sign\nI regret you all the time","prompt":"Write me a song in the style of Taylor Swift that captures the introspective reflection on past innocence and the haunting memories of a past relationship. The song should weave a narrative that plays with hypotheticals (\"Would've, could've, should've\"), expressing regret and longing for what might have been had different choices been made. Include a chorus that emphasizes the poignant realization of how experiences at a young age (like at nineteen) can be both thrilling yet damaging. The musical tone should balance vulnerability with the strength found in hindsight, typical of Swift's storytelling ballads, and incorporate imagery such as \"dancing with the devil,\" \"scared of ghosts,\" and \"stained glass windows in my mind\" to convey the complex emotions tied to personal growth and lost innocence."} +{"id":187271,"song":"Bye Bye Baby (Taylor\u2019s Version) [From the Vault]","artist":"Taylor Swift","lyrics":"[Verse 1]\nIt wasn't just like a movie\nThe rain didn't soak through my clothes, down to my skin\nI'm drivin' away and I, I guess you could say\nThis is the last time I'll drive this way again\nLost in the gray and I try to grab at the fray\n'Cause I, I still love you, but I can't\n[Chorus]\nBye, bye to everything I thought was on my side\nBye, bye, baby\nI want you bad, but it's come down to nothing\nAnd all I have is your sympathy\n'Cause you took me home but you just couldn't keep me\nBye, bye, baby\nBye, bye, baby\n[Verse 2]\nThe picture frame is empty\nOn the dresser, vacant just like me\nI see your writing on the dash\nThen back to your hesitation\nI was so sure of everything\nEverything I thought we'd always have\nGuess I never doubted it\nThen the here and the now floods in\nFeels like I'm becoming a part of your past [Chorus]\nBye, bye to everything I thought was on my side\nBye, bye, baby\nI want you bad, but it's come down to nothing\nAnd all I have is your sympathy\n'Cause you took me home but you just couldn't keep me\nBye, bye, baby\n[Bridge]\nAnd there's so much that I can't touch\nYou're all I want, but it's not enough this time\nAnd all the pages are just slipping through my hands\nAnd I'm so scared of how this ends\n[Chorus]\nBye, bye to everything I thought was on my side\nBye, bye, baby\nI want you bad, but it's come down to nothing\nAnd all I have is your sympathy\n'Cause you took me home but you just couldn't keep me\n[Chorus]\nBye, bye to everything I thought was on my side\nBye, bye, baby\nI want you bad, but it's come down to nothing\nAnd all I have is your sympathy\n'Cause you took me home but you just couldn't keep me\nOh, you took me home, I thought you were gonna keep me\nBye, bye, baby\nBye, bye, baby","prompt":"Write me an emotionally charged, narrative-driven song in the style of Taylor Swift that captures the heartache of saying farewell to a cherished relationship. The song should feature vivid storytelling akin to Swift's poignant lyricism, with motifs of driving away, the haunting permanence of absence, and the bittersweet resignation of a love that cannot be sustained. The tone should balance between melancholy and a reflective acceptance, with a chorus that emphasizes the poignant goodbye and the struggle between longing and letting go."} +{"id":2834159,"song":"Check Out This View","artist":"Taylor Swift","lyrics":"[Verse 1]\nI don\u2019t need a lot\nBut there's one thing\nLove has taught me\nIt\u2019s to never expect too much\nDon\u2019t need a believable touch\nI just need you\nI just need you\nAnd I might, I found life\nWhy should we be wasting time?\n[Chorus]\nYou don\u2019t know what you missed\nWhen I look into your eyes like this\nAnd you should be in front of me\nSeeing everything to see\nLooking at you\nCheck out this view\n[Verse 2]\nThink of a quiet beach\nThink of how the waves crash down\nThink about a summer\u2019s eve\nNo offense to them but they ain't got nothing on you\nWalking with you\nIn the light or in the dark\nWell nothing shadows who you are [Chorus]\nAnd you don\u2019t know what you missed\nWhen I look into your eyes like this\nAnd you should be in front of me\nSeeing everything to see\nLooking at you\nCheck out this view\n[Bridge]\nI look outside the window\nEveryday see something new\nBut all I ever wanted was a\nWindow looking at you, at you\n[Chorus]\nAnd you don\u2019t know what you missed\nWhen I look into your eyes like this\nAnd you should be in front of me\nSeeing everything to see\nYou don\u2019t know what you missed\nWhen I look into your eyes like this\nAnd you should be in front of me\nSeeing everything to see\nLooking at you\nCheck out this view","prompt":"Write me a song in the style of Taylor Swift that captures the essence of longing and the realization of what one truly needs in love. The lyrics should express a gentle epiphany that material possessions pale in comparison to the presence of a significant other. Include vivid imagery such as a quiet beach or a summer's eve to highlight the beauty of simple moments shared with a loved one. The song should feature a chorus that emphasizes missed opportunities and the desire for the subject to see the world through the eyes of the narrator. Emulate Taylor Swift's narrative songwriting and her ability to convey deep emotions through relatable scenarios, set to a melody that's both reflective and catchy."} +{"id":6260161,"song":"\u200bgold rush","artist":"Taylor Swift","lyrics":"[Intro]\nGleaming, twinkling\nEyes like sinking\nShips on waters\nSo inviting, I almost jump in\n[Chorus]\nBut I don't like a gold rush, gold rush\nI don't like anticipatin' my face in a red flush\nI don't like that anyone would die to feel your touch\nEverybody wants you\nEverybody wonders what it would be like to love you\nWalk past, quick brush\nI don't like slow motion, double vision in rose blush\nI don't like that falling feels like flying 'til the bone crush\nEverybody wants you\nBut I don't like a gold rush\n[Verse 1]\nWhat must it be like to grow up that beautiful?\nWith your hair falling into place like dominoes\nI see me padding across your wooden floors\nWith my Eagles T-shirt hanging from the door\n[Refrain]\nAt dinner parties, I call you out on your contrarian shit\nAnd the coastal town we wandered 'round had n\u0435ver seen a love as pure as it\nAnd th\u0435n it fades into the gray of my day-old tea\n'Cause it could never be [Chorus]\n'Cause I don't like a gold rush, gold rush\nI don't like anticipatin' my face in a red flush\nI don't like that anyone would die to feel your touch\nEverybody wants you\nEverybody wonders what it would be like to love you\nWalk past, quick brush\nI don't like slow motion, double vision in rose blush\nI don't like that falling feels like flying 'til the bone crush\nEverybody wants you\nBut I don't like a gold rush\n[Verse 2]\nWhat must it be like to grow up that beautiful?\nWith your hair falling into place like dominoes\nMy mind turns your life into folklore\nI can't dare to dream about you anymore\n[Refrain]\nAt dinner parties, I won't call you out on your contrarian shit\nAnd the coastal town we never found will never see a love as pure as it\n'Cause it fades into the gray of my day-old tea\n'Cause it will never be\n[Outro]\nGleaming, twinkling\nEyes like sinking\nShips on waters\nSo inviting, I almost jump in","prompt":"Write me a song in the style of Taylor Swift that captures the bittersweet longing and introspective reflection of unrequited love, as seen in her song \"gold rush\". The lyrics should convey the complexity of admiring someone from afar, dealing with the rush of emotions, and the eventual acceptance that some desires are best left unfulfilled. Emphasize the poetic imagery and the personal narrative typical of Swift's songwriting, incorporating elements of indie folk and alternative pop, with a touch of melancholy and vivid storytelling. The song should have a dreamy, yet grounded feel, and include metaphors and scenarios that paint a picture of an almost magical, yet unattainable romance."} +{"id":132095,"song":"Mary\u2019s Song (Oh My My My)","artist":"Taylor Swift","lyrics":"[Verse 1]\nShe said \nI was seven and you were nine\nI looked at you like the stars that shined\nIn the sky, the pretty lights\nAnd our daddies used to joke about the two of us\nGrowing up and falling in love\nAnd our mamas smiled and rolled their eyes\nAnd said, \n\"Oh, my, my, my\"\n[Chorus]\nTake me back to the house in the backyard tree\nSaid you'd beat me up, you were bigger than me\nYou never did, you never did\nTake me back when our world was one block wide\nI dared you to kiss me and ran when you tried\nJust two kids, you and I\nOh, my, my, my, my\n[Verse 2]\nWell, I was sixteen when suddenly\nI wasn't that little girl you used to see\nBut your eyes still shined like pretty lights\nAnd our daddies used to joke about the two of us\nThey never believed we'd really fall in love\nAnd our mamas smiled and rolled their eyes\nAnd said, \"Oh, my, my, my\" [Chorus]\nTake me back to the creek beds we turned up\n2 AM riding in your truck\nAnd all I need is you next to me\nTake me back to the time we had our very first fight\nThe slamming of doors 'stead of kissing goodnight\nYou stayed outside 'til the morning light\nOh, my, my, my, my\n[Bridge]\nA few years had gone and come around\nWe were sitting at our favorite spot in town\nAnd you looked at me, got down on one knee\n[Chorus]\nTake me back to the time when we walked down the aisle\nOur whole town came and our mamas cried\nYou said, \"I do,\" and I did, too\nTake me home where we met so many years before\nWe'll rock our babies on that very front porch\nAfter all this time, you and I\n[Outro]\nAnd I'll be eighty-seven, you'll be eighty-nine\nI'll still look at you like the stars that shine\nIn the sky, oh, my, my, my","prompt":"Write me a song in the style of Taylor Swift that captures the essence of nostalgic love and the passage of time, reflecting on a childhood romance that evolves into a lifelong relationship. The lyrics should evoke a sense of innocence and growth, featuring imagery of shared memories, from playful childhood antics to significant life milestones. The song must include a chorus that serves as a sentimental anchor, reminiscent of the innocence of youth and the profound simplicity of enduring love. The narrative should flow as a story told from the perspective of one person, with emotional depth and a touch of Taylor Swift's signature storytelling charm, complete with references to familial reactions and the intimate details that make the romance uniquely personal."} +{"id":5199033,"song":"Shake It Off","artist":"Taylor Swift","lyrics":"\u200b\u85e4\u4e95\u98a8\u300cShake It Off\u300d\u306e\u6b4c\u8a5e\n[Verse 1]\nI stay out too late\nGot nothing in my brain\nThat's what people say.. Mmm\nThat's\u2005what\u2005people say.. Mmm\nI\u2005go on too many dates\nBut I\u2005can't make them stay\nAt least that's what people say.. Mmm\nThat's what people say.. Mmm\n[Pre-Chorus 1]\nBut I keep cruising\nCan't stop, won't stop moving\nIt's like I got this music\nIn my mind\nSaying it's gonna be alright\n[Chorus]\nCause the players gonna play, play, play, play, play\nAnd the haters gonna hate, hate, hate, hate, hate\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off\nHeartbreakers gonna break, break, break, break, break\nAnd the fakers gonna fake, fake, fake, fake, fake\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off [Verse 2]\nI never miss a beat\nI'm lightning on my feet\nThat's what they don\u2019t see.. Mmm\nThat's what they don\u2019t see.. Mmm\nI'm dancing on my own\nI make the moves up as I go\nThat's what they don't know.. Mmm\nThat\u2019s what they don\u2019t know.. Mmm\n[Pre-Chorus 2]\nBut I keep cruising\nCan't stop, won't stop grooving\nIt's like I got this music\nIn my mind\nSaying it's gonna be alright\n[Chorus]\nCause the players gonna play, play, play, play, play\nAnd the haters gonna hate, hate, hate, hate, hate\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off\nHeartbreakers gonna break, break, break, break, break\nAnd the fakers gonna fake, fake, fake, fake, fake\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off [Interlude]\n\"Hey---\nJust think while you've been gettin' down and out about the liars and the dirty dirty cheats of the world..\nYou could've been gettin' down\nTo this! Sick! Beat!\"\n[Bridge]\nMy ex man brought his new girlfriend\nShe's like 'oh my God!'\nBut I'm just gonna shake\nAnd to the fella over there\nWith the hella good hair\nWon't you come on over\nBaby we can shake shake shake..\n[Chorus]\nCause the players gonna play, play, play, play, play\nAnd the haters gonna hate, hate, hate, hate, hate\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off\nHeartbreakers gonna break, break, break, break, break\nAnd the fakers gonna fake, fake, fake, fake, fake\nBaby I'm just gonna shake, shake, shake, shake, shake\nShake it off\nShake it off","prompt":"Write me a song in the style of Taylor Swift that captures the upbeat and defiant spirit of \"Shake It Off,\" with lyrics that emphasize resilience in the face of criticism and negativity. The song should feature catchy, repetitive choruses and verses that reflect self-assurance and the ability to overcome naysayers. Incorporate a bridge that playfully addresses past relationships and a pre-chorus that builds momentum leading into the empowering chorus. Emulate Swift's pop musical style with an infectious melody that encourages listeners to dance and \"shake off\" their troubles."} +{"id":8486441,"song":"The Great War","artist":"Taylor Swift","lyrics":"[Verse 1]\nMy knuckles were bruised like violets\nSucker punching walls, cursed you as I sleep-talked\nSpineless in my tomb of silence\nTore your banners down, took the battle underground\nAnd maybe it was egos swinging\nMaybe it was her\nFlashes of the battle come back to me in a blur\n[Chorus]\nAll that bloodshed, crimson clover\nUh-huh, sweet dream was over\nMy hand was the one you reached for\nAll throughout the Great War\nAlways remember\nUh-huh, tears on the l\u0435tter\nI vowed not to cry anymore\nIf w\u0435 survived the Great War\n[Verse 2]\nYou drew up some good faith treaties\nI drew curtains closed, drank my poison all alone\nYou said I have to trust more freely\nBut diesel is desire, you were playing with fire\nAnd maybe it's the past that's talking\nScreaming from the crypt\nTelling me to punish you for things you never did\nSo I justified it [Chorus]\nAll that bloodshed, crimson clover\nUh-huh, the bombs were closer\nMy hand was the one you reached for\nAll throughout the Great War\nAlways remember\nUh-huh, the burning embers\nI vowed not to fight anymore\nIf we survived the Great War\n[Post-Chorus]\nUh-huh, uh-huh\n[Bridge]\nIt turned into something bigger\nSomewhere in the haze, got a sense I'd been betrayed\nYour finger on my hairpin triggers\nSoldier down on that icy ground\nLooked up at me with honor and truth\nBroken and blue, so I called off the troops\nThat was the night I nearly lost you\nI really thought I'd lost you\n[Verse 3]\nWe can plant a memory garden\nSay a solemn prayer, place a poppy in my hair\nThere's no morning glory, it was war, it wasn't fair\nAnd we will never go back [Chorus]\nTo that bloodshed, crimson clover\nUh-huh, the worst was over\nMy hand was the one you reached for\nAll throughout the Great War\nAlways remember\nUh-huh, we're burned for better\nI vowed I would always be yours\n'Cause we survived the Great War\n[Outro]\nUh-huh, uh-huh\nI will always be yours\n'Cause we survived the Great War\nUh-huh\nI vow I will always be yours","prompt":"Write me a song in the style of Taylor Swift that explores the emotional aftermath of a turbulent relationship through war-like imagery and metaphors. The lyrics should include elements of introspection, regret, and the struggle to overcome past conflicts, while ultimately presenting a narrative of reconciliation and hope. The musical arrangement should capture the essence of a ballad with a touch of Swift's signature pop sensibility, incorporating dramatic build-ups and a memorable chorus that emphasizes the theme of surviving 'the Great War' of love."} +{"id":186908,"song":"Untouchable","artist":"Taylor Swift","lyrics":"[Verse 1]\nUntouchable like a distant diamond sky\nI'm reaching out and I just can't tell you why\nI'm caught up in you, I'm caught up in you\n[Pre-Chorus]\nUntouchable, burning brighter than the sun\nAnd when you're close, I feel like coming undone\n[Chorus]\nIn the middle of the night when I'm in this dream\nIt's like a million little stars spelling out your name\nYou got to come on, come on, say that we'll be together\nCome on, come on, little taste of heaven\n[Verse 2]\nIt's half full and I won't wait here all day\nI know you're saying that you'd be here anyway\n[Pre-Chorus]\nBut you're untouchable, burning brighter than the sun\nAnd now that you're close, I feel like coming undone\n[Chorus]\nIn the middle of the night when I'm in this dream\nIt's like a million little stars spelling out your name\nYou got to come on, come on, say that we'll be together\nCome on, come on, oh\nIn the middle of the night waking from this dream\nI want to feel you by my side, standing next to me\nYou got to come on, come on, say that we'll be together\nCome on, come on, little taste of heaven [Bridge]\nI'm caught up in you\nOh-oh, oh, oh-oh\nBut you're untouchable, burning brighter than the sun\nNow that you're close, I feel like coming undone\n[Chorus]\nIn the middle of the night when I'm in this dream\nIt's like a million little stars spelling out your name\nYou got to come on, come on, say that we'll be together\nCome on, come on, oh-oh-oh\nIn the middle of the night when I'm in this dream\nIt's like a million little stars spelling out your name\nYou got to come on, come on, say that we'll be together\nCome on, come on, come on\nIn the middle of the night waking from this dream\nI want to feel you by my side, standing next to me\nYou got to come on, come on, say that we'll be together\nCome on, come on, little taste of heaven\n[Outro]\nOh-oh, oh-oh-oh, oh\nAnd in the middle of the night when I'm in this dream\nIt's like a million little stars spelling out your name\nYou got to come on, come on, oh, come on, come on\nCome on, come on, oh, oh, oh, oh\nLike a million little stars spelling out your name\nThey're spelling out your name, oh","prompt":"Write me a song in the style of Taylor Swift that captures the ethereal and unattainable nature of a love interest, using celestial imagery to convey a sense of yearning and desire. The lyrics should reflect a dreamlike state where the protagonist is reaching out for a connection that feels just beyond their grasp. The song should have a sense of urgency in its chorus, inviting the beloved to commit to being together, and should be imbued with a touch of the hopeful romanticism that is characteristic of Swift's earlier work. Include both verses and a bridge that deepen the narrative of longing and the transformative power of love, akin to the song \"Untouchable.\""} +{"id":551262,"song":"Bad Blood","artist":"Taylor Swift","lyrics":"[Chorus]\n'Cause, baby, now we got bad blood\nYou know it used to be mad love\nSo take a look what you've done\n'Cause, baby, now we got bad blood, hey\nNow we got problems\nAnd I don't think we can solve them\nYou made a really deep cut\nAnd, baby, now we got bad blood, hey\n[Verse 1]\nDid you have to do this?\nI was thinking that you could be trusted\nDid you have to ruin\nWhat was shiny? Now it's all rusted\nDid you have to hit me\nWhere I'm weak? Baby, I couldn't breathe\nAnd rub it in so deep\nSalt in the wound like you're laughin' right at me\n[Pre-Chorus]\nOh, it's so sad to\nThink about the good times\nYou and I\n[Chorus]\n'Cause, baby, now we got bad blood\nYou know it used to be mad love\nSo take a look what you've done\n'Cause, baby, now we got bad blood, hey\nNow we got problems\nAnd I don't think we can solve them\nYou made a really deep cut\nAnd, baby, now we got bad blood, hey [Verse 2]\nDid you think we'd be fine?\nStill got scars on my back from your knife\nSo don't think it's in the past\nThese kinda wounds, they last and they last\nNow, did you think it all through?\nAll these things will catch up to you\nAnd time can heal, but this won't\nSo if you're comin' my way, just don't\n[Pre-Chorus]\nOh, it's so sad to\nThink about the good times\nYou and I\n[Chorus]\n'Cause, baby, now we got bad blood\nYou know it used to be mad love\nSo take a look what you've done\n'Cause, baby, now we've got bad blood, hey\nNow we got problems\nAnd I don't think we can solve them\nYou made a really deep cut\nAnd, baby, now we've got bad blood, hey\n[Bridge]\nBand-aids don't fix bullet holes\nYou say sorry just for show\nIf you live like that, you live with ghosts\nBand-aids don't fix bullet holes (Hey)\nYou say sorry just for show (Hey)\nIf you live like that, you live with ghosts (Hey), mmm\nIf you love like that, blood runs cold [Chorus]\n'Cause, baby, now we got bad blood\nYou know it used to be mad love\nSo take a look what you've done\n'Cause, baby, now we got bad blood, hey (Bad blood)\nNow we got problems\nAnd I don't think we can solve them (Don't think we can solve them)\nYou made a really deep cut\nAnd, baby, now we got bad blood, hey ('Cause now we got bad blood)\n'Cause, baby, now we got bad blood\nYou know it used to be mad love\nSo take a look what you've done (Look what you've done)\n'Cause, baby, now we got bad blood, hey (Ooh, woah)\nNow we got problems\nAnd I don't think we can solve them\nYou made a really deep cut\nAnd, baby, now we got bad blood, hey","prompt":"Write me a song in the style of Taylor Swift that captures the theme of betrayal and the aftermath of a broken relationship, with a chorus emphasizing the transition from love to animosity. The lyrics should explore the hurt and disappointment stemming from trust that was shattered and the lasting emotional scars that remain. Incorporate a pop sound with catchy hooks and a strong beat that could accompany an energetic music video. The tone should be assertive and slightly vengeful, reflecting a narrative of resilience and self-empowerment in the face of deceit."} +{"id":98895,"song":"Change","artist":"Taylor Swift","lyrics":"[Verse 1]\nAnd it's a sad picture, the final blow hits you\nSomebody else gets what you wanted again and\nYou know it's all the same, another time and place\nRepeating history and you're getting sick of it\nBut I believe in whatever you do\nAnd I'll do anything to see it through\n[Chorus]\nBecause these things will change\nCan you feel it now?\nThese walls that they put up to hold us back will fall down\nThis revolution, the time will come\nFor us to finally win\nAnd we'll sing hallelujah, we'll sing hallelujah\nOh, oh\n[Verse 2]\nSo we've been outnumbered, raided, and now, cornered\nIt's hard to fight when the fight ain\u2019t fair\nWe're getting stronger now, find things they never found\nThey might be bigger but we're faster and never scared\nYou can walk away, say we don't need this\nBut there's something in your eyes says we can beat this\n[Chorus]\n'Cause these things will change\nCan you feel it now?\nThese walls that they put up to hold us back will fall down\nThis revolution, the time will come\nFor us to finally win\nAnd we'll sing hallelujah, we'll sing hallelujah\nOh, oh [Bridge]\nTonight, we stand, get off our knees\nFight for what we've worked for all these years\nAnd the battle was long, it's the fight of our lives\nBut we'll stand up champions tonight\n[Chorus]\nIt was the night things changed\nCan you see it now?\nThese walls that they put up to hold us back fell down\nIt's a revolution, throw your hands up\n'Cause we never gave in\nAnd we'll sing hallelujah, we sang hallelujah\nHallelujah","prompt":"Write me a song in the style of Taylor Swift that captures the essence of overcoming adversity and fighting for a cause despite the odds. The lyrics should reflect a journey from struggle to triumph, with an inspiring chorus that speaks to a collective breakthrough. Emphasize themes of persistence, revolution, and the sweet victory of finally winning after being underestimated and challenged. The song should have an anthemic quality, evoking a sense of unity and empowerment, with a narrative that builds to a rousing, celebratory conclusion."} +{"id":4782865,"song":"False God","artist":"Taylor Swift","lyrics":"[Verse 1]\nWe were crazy to think\nCrazy to think that this could work\nRemember how I said I'd\u2005die\u2005for you?\nWe were\u2005stupid to jump\nIn the ocean separating\u2005us\nRemember how I\u2019d fly to you?\n[Pre-Chorus]\nAnd I can't talk to you when you're like this\nStaring out the window like I\u2019m not your favorite town\nI'm New York City\nI still do it for you, babe\nThey all warned us about times like this\nThey say the road gets hard and you get lost\nWhen you're led by blind faith, blind faith\n[Chorus]\nBut we might just get away with it\nReligion's in your lips\nEven if it's a false god\nWe'd still worship\nWe might just get away with it\nThe altar is my hips\nEven if it's a false god\nWe'd still worship this love\nWe\u2019d still worship this love\nWe\u2019d still worship this love [Verse 2]\nI know heaven's a thing\nI go there when you touch me, honey\nHell is when I fight with you\nBut we can patch it up good\nMake confessions and we\u2019re begging for forgiveness\nGot the wine for you\n[Pre-Chorus]\nAnd you can't talk to me when I'm like this\nDaring you to leave me just so I can try and scare you\nYou're the West Village\nYou still do it for me, babe\nThey all warned us about times like this\nThey say the road gets hard and you get lost\nWhen you\u2019re led by blind faith, blind faith\n[Chorus]\nBut we might just get away with it\nReligion's in your lips\nEven if it's a false god\nWe'd still worship\nWe might just get away with it\nThe altar is my hips\nEven if it's a false god\nWe'd still worship this love\nWe'd still worship this love\nWe'd still worship this love, ah [Outro]\nStill worship this love\nEven if it's a false god\nEven if it's a false god\nStill worship this love","prompt":"Write me a song in the style of Taylor Swift that captures the complexity of a turbulent relationship, using vivid city metaphors to express emotional states. The song should explore the themes of devotion and the struggle to maintain a love that others are skeptical of, likening the act of holding onto the relationship to a kind of blind faith or worship. Include elements of storytelling through contrasting experiences of heaven and hell within the dynamics of the connection, and imbue the chorus with the powerful notion that despite the odds, the couple might just succeed. The musical arrangement should reflect Swift's blend of pop and indie sensibilities, with a focus on lyrical intimacy and melodic hooks."} +{"id":187203,"song":"I Heart ?","artist":"Taylor Swift","lyrics":"[Verse 1]\nWish I had concentrated\nThey said love was complicated\nBut it's something I just fell into\nAnd it was overrated\nBut just look what I've created\nI came out alive but I'm black and blue\n[Pre-Chorus]\nBefore you ask me if I\u2019m alright\nThink about what I had to do, yeah\n[Chorus]\nWake up and smell the breakup\nFix my heart, put on my makeup\nAnother mess I didn't plan\nAnd I'll bet you thought you'd beat me\nWish you could only see\nI got an \"I heart question mark\"\nWritten on the back of my hand\n[Verse 2]\nI'd be fine if you just walked by\nBut you had to talk about why\nYou were wrong and I was right\nBut I can't believe you made me\nSit at home, cry like a baby\nWait right by the phone every night [Pre-Chorus]\nAnd now you ask about you and I\nThere's no you and I\nRemember what you put me through, I had to\n[Chorus]\nWake up and smell the breakup\nFix my heart, put on my makeup\nAnother mess I didn't plan\nAnd I'll bet you thought you'd beat me\nWish you could only see\nI got an \"I heart question mark\"\nWritten on the back of my hand\n[Bridge]\nAnd when you're home all alone at night\nYou'll still wonder why\nYou took everything I had, oh, baby\nI haven't thought about you and I\nThere's no you and I\nAnd I know someday you will\n[Chorus]\nWake up and smell the breakup\nRealize that we won't make up\nIt didn't go the way you planned\nAnd you'll know you didn't beat me\nWhen you look down and see\nI got an \"I heart question mark\"\nWritten on the back of my hand [Outro]\nWritten on the back of my hand\nAn \"I heart question mark,\" yeah\nWritten on the back of my hand","prompt":"Write me a song in the style of Taylor Swift that captures the emotional journey of overcoming a breakup, using narrative lyrics that tell a story of self-realization and newfound independence. The song should include vivid imagery and metaphors, such as \"I heart question mark,\" to convey the complexities of love and heartache. It should feature a mix of vulnerable verses and an anthemic chorus, embodying both the country-pop sound and the empowering message typical of Taylor Swift's early work."} +{"id":98867,"song":"Love Story","artist":"Taylor Swift","lyrics":"[Verse 1]\nWe were both young when I first saw you\nI close my eyes and the flashback starts\nI'm standing there\nOn a balcony in summer air\nSee the lights, see the party, the ball gowns\nSee you make your way through the crowd\nAnd say, \"Hello\"\nLittle did I know\n[Pre-Chorus]\nThat you were Romeo, you were throwing pebbles\nAnd my daddy said, \"Stay away from Juliet\"\nAnd I was crying on the staircase\nBegging you, \"Please don't go,\" and I said\n[Chorus]\nRomeo, take me somewhere we can be alone\nI'll be waiting, all there's left to do is run\nYou'll be the prince and I'll be the princess\nIt's a love story, baby, just say, \"Yes\"\n[Verse 2]\nSo I sneak out to the garden to see you\nWe keep quiet 'cause we're dead if they knew\nSo close your eyes\nEscape this town for a little while, oh, oh [Pre-Chorus]\n'Cause you were Romeo, I was a scarlet letter\nAnd my daddy said, \"Stay away from Juliet\"\nBut you were everything to me\nI was begging you, \"Please don't go,\" and I said\n[Chorus]\nRomeo, take me somewhere we can be alone\nI'll be waiting, all there's left to do is run\nYou'll be the prince and I'll be the princess\nIt's a love story, baby, just say, \"Yes\"\nRomeo, save me, they're trying to tell me how to feel\nThis love is difficult, but it's real\nDon't be afraid, we'll make it out of this mess\nIt's a love story, baby, just say, \"Yes\"\n[Post-Chorus]\nOh, oh\n[Bridge]\nBut I got tired of waiting\nWondering if you were ever coming around\nMy faith in you was fading\nWhen I met you on the outskirts of town and I said\n[Chorus]\n\"Romeo, save me, I've been feeling so alone\nI keep waiting for you, but you never come\nIs this in my head? I don't know what to think\"\nHe knelt to the ground and pulled out a ring, and said\n\"Marry me, Juliet, you'll never have to be alone\nI love you and that's all I really know\nI talked to your dad, go pick out a white dress\nIt's a love story, baby, just say 'Yes'\" [Outro]\nOh, oh, oh\nOh, oh, oh\n'Cause we were both young when I first saw you","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a youthful, whimsical romance, filled with dramatic storytelling akin to the tale of Romeo and Juliet. The song should evoke a sense of nostalgia and longing, using vivid imagery to describe clandestine meetings and the thrill of forbidden love. Include elements of tension between the lovers and their disapproving guardians, leading to a climactic resolution that embodies hope and romantic idealism. The melody should be catchy and the narrative should unfold with emotional intensity and a fairy-tale-like charm, characteristic of Taylor Swift's early work."} +{"id":96342,"song":"Red","artist":"Taylor Swift","lyrics":"[Verse 1]\nLoving him is like driving a new Maserati down a dead-end street\nFaster than the wind, passionate as sin, ending so suddenly\nLoving him is like trying to change your mind once you're already flying through the free fall\nLike the colors in autumn, so bright just before they lose it all\n[Chorus]\nLosing him was blue like I'd never known\nMissing him was dark gray, all alone\nForgetting him was like trying to know somebody you've never met\nBut loving him was red\n[Post-Chorus]\n(Red, red)\n(Red, red)\nLoving him was red\n(Red, red)\n(Red, red)\n[Verse 2]\nTouching him was like realizing all you ever wanted was right there in front of you\nMemorizing him was as easy as knowing all the words to your old favorite song\nFighting with him was like trying to solve a crossword and realizing there's no right answer\nRegretting him was like wishing you never found out that love could be that strong\n[Chorus]\nLosing him was blue like I'd never known\nMissing him was dark gray, all alone (Whoa)\nForgetting him was like trying to know somebody you've never met\nBut loving him was red [Post-Chorus]\n(Red, red)\nOh, red (Red, red)\nBurning red (Red, red)\n(Red, red)\n[Bridge]\nRemembering him comes in flashbacks and echoes\nTell myself it's time now, gotta let go\nBut moving on from him is impossible\nWhen I still see it all in my head\nIn burning red\nBurning, it was red\n[Chorus]\nOh, losing him was blue like I'd never known\nMissing him was dark gray, all alone (Whoa)\nForgetting him was like trying to know somebody you've never met\n'Cause loving him was red\n[Post-Chorus]\n(Red, red) Yeah, yeah, red (Red, red)\nBurning red (Red, red)\n(Red, red)\n[Breakdown]\nAnd that's why (Red, red) he's spinning 'round in my head\nComes back to me (Red, red), burning red\n(Red, red) Yeah, yeah\n(Red, red) [Outro]\nHis love was like driving a new Maserati down a dead-end street","prompt":"Write me a song in the style of Taylor Swift that captures the intense and vivid emotional spectrum of a passionate, yet ultimately doomed love affair. The lyrics should employ bold and colorful metaphors to illustrate the tumultuous experiences of love, loss, and reminiscence, akin to the vibrant imagery of driving a luxury car recklessly or the changing seasons. The song should convey the deep blues of loss, the stark grayness of missing someone, and the fiery red of passionate love, using a blend of pop and country elements to create an anthem that resonates with the bittersweet nature of a love that burns bright, but ends too soon."} +{"id":5793971,"song":"\u200bthe lakes","artist":"Taylor Swift","lyrics":"[Verse 1]\nIs it romantic how all my elegies eulogize me?\nI'm not cut out for all these\u2005cynical\u2005clones\nThese hunters with\u2005cell phones\n[Chorus]\nTake me to the Lakes,\u2005where all the poets went to die\nI don't belong and,\u205fmy\u205fbeloved,\u205fneither do you\nThose\u205fWindermere peaks look\u205flike a perfect place to cry\nI'm setting off, but not without my muse\n[Verse 2]\nWhat should be over, burrowed under my skin\nIn heart-stopping waves of hurt\nI've come too far to watch some namedropping sleaze\nTell me what are my words worth\n[Chorus]\nTake me to the Lakes, where all the poets went to die\nI don't belong and, my beloved, neither do you\nThose Windermere peaks look like a perfect place to cry\nI'm setting off, but not without my muse\n[Bridge]\nI want auroras and sad prose\nI want to watch wisteria grow right over my bare feet\n'Cause I haven't moved in years\nAnd I want you right here\nA red rose grew up out of ice frozen ground\nWith no one around to tweet it\nWhile I bathe in cliffside pools\nWith my calamitous love and insurmountable grief [Chorus]\nTake me to the Lakes, where all the poets went to die\nI don't belong and, my beloved, neither do you\nThose Windermere peaks look like a perfect place to cry\nI'm setting off, but not without my muse\nNo, not without you","prompt":"Write me a song in the style of Taylor Swift that conveys a longing to escape the pressures of fame and modern life, seeking solace in a serene, natural setting. The lyrics should reflect a poetic and introspective journey, exploring themes of love, artistic integrity, and the desire for a true connection away from the public eye. Incorporate vivid imagery of nature, such as lakes, peaks, and flowers, to create a sense of tranquility and isolation. The song should have a melancholic yet beautiful tone, reminiscent of Swift's more contemplative and indie-folk work, with a bridge that emphasizes deep emotional longing and a personal narrative."} +{"id":98893,"song":"White Horse","artist":"Taylor Swift","lyrics":"[Verse 1]\nSay you're sorry, that face of an angel\nComes out just when you need it to\nAs I paced back and forth all this time\n'Cause I honestly believed in you\nHoldin' on, the days drag on\nStupid girl, I shoulda known, I shoulda known\n[Chorus]\nThat I'm not a princess, this ain't a fairytale\nI'm not the one you'll sweep off her feet, lead her up the stairwell\nThis ain't Hollywood, this is a small town\nI was a dreamer before you went and let me down\nNow, it's too late for you and your white horse\nTo come around\n[Verse 2]\nMaybe I was naive, got lost in your eyes\nAnd never really had a chance\nMy mistake, I didn't know to be in love\nYou had to fight to have the upper hand\nI had so many dreams about you and me\nHappy endings, now, I know\n[Chorus]\nThat I'm not a princess, this ain't a fairytale\nI'm not the one you'll sweep off her feet, lead her up the stairwell\nThis ain't Hollywood, this is a small town\nI was a dreamer before you went and let me down\nNow, it's too late for you and your white horse\nTo come around [Bridge]\nAnd there you are on your knees\nBeggin' for forgiveness, beggin' for me\nJust like I always wanted\nBut I'm so sorry\n[Chorus]\n'Cause I'm not your princess, this ain't our fairytale\nI'm gonna find someone someday who might actually treat me well\nThis is a big world, that was a small town\nThere in my rear view mirror disappearing now\nAnd it's too late for you and your white horse\nNow, it's too late for you and your white horse\nTo catch me now\n[Outro]\nOh, whoa, whoa, whoa\nTry and catch me now, oh\nIt's too late to catch me now","prompt":"Write me a song in the style of Taylor Swift that captures the heartbreak and disillusionment of a love story gone wrong, juxtaposing fairy tale expectations with harsh reality. The song should feature vivid storytelling and emotional reflections, resembling the narrative of moving on from someone who let you down, with a chorus that emphasizes the realization that the protagonist is not a damsel in distress waiting for a hero, but rather a strong individual coming to terms with disappointment in a small-town setting. The tone should be a blend of melancholy and empowerment, illustrating a journey from naive dreaming to self-assured independence."} +{"id":6959849,"song":"Birch","artist":"Taylor Swift","lyrics":"[Verse 1: Justin Vernon]\nThe way I woke up was old\nWas all fucking choke\nAnd it ain't easier after a week\nWe're on a long byway standing\n[Chorus: Justin Vernon & Taylor Swift]\nWell, if you cannot tell I'll tell you right away\nIf I'll stay a spell, or if I cannot stay\nI am less at ease, not the best at these\nSee the forest trees, call what's these what's these\n[Post-Chorus: Justin Vernon]\nWhat's these (What's these)\n[Verse 2: Justin Vernon & Taylor Swift, \nJustin Vernon\n]\nHey Madeline\n, thanks\nFor \nto case out the fog\n, \nfor Jennifer\nSeems she needed you badly\n[Chorus: Justin Vernon & Taylor Swift]\nSo, I beg on knees\nCan we share IDs?\nWill you always need?\nWe hav\u0435 common needs\nWe can sure depl\u0435te\nWe can be replete\nAddress table needs\nIt is swift your speed [Verse 3: Justin Vernon, \nJustin Vernon & Taylor Swift\n]\nThe way I wake up now is a brand new way\nAnd, no, it ain't that way\n like it was before\n[Chorus: Justin Vernon & Taylor Swift, \nJ\nustin Vernon\n]\nSo, I cannot leave\nYes, I must here stay\n'Cause I know what's good\nAnd I'll die that way\nNo, I cannot seem\nTo get a moment's peace\nIf there's a man like me\nHis birch ain't my tree\n[Outro: Justin Vernon, \nJustin Vernon & Taylor Swift\n]\nThe way I wake up now\nIs a brand new way\nIt ain't what it was before","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a reflective and introspective narrative, featuring a blend of indie-folk and pop elements as seen in her \"Folklore\" album. The song should include a male-female duet with evocative lyrics that convey a sense of longing, identity, and the complexity of relationships, similar to the collaboration with Justin Vernon. Use rich, poetic imagery to describe the struggle with change and the search for stability, incorporating a mix of specific names and abstract concepts that create a personal yet universal story."} +{"id":187197,"song":"Eyes Open","artist":"Taylor Swift","lyrics":"[Intro]\nEverybody's waiting\nEverybody's watching\nEven when you're sleeping\nKeep your eyes open\n[Verse 1]\nThe tricky thing is yesterday we were just children\nPlaying soldiers, just pretending\nDreaming dreams with happy endings\nIn backyards, winning battles with our wooden swords\nBut now we've stepped into a cruel world\nWhere everybody stands and keeps score\nKeep your eyes open\n[Chorus]\nEverybody's waiting for you to break down\nEverybody's watching to see the fallout\nEven when you're sleeping, sleeping\nKeep your eyes open\nKeep your eyes open\nKeep your eyes open\n[Verse 2]\nSo here you are, two steps ahead and staying on guard\nEvery lesson forms a new scar\nThey never thought you'd make it this far\nBut turn around (Turn around)\nOh, they've surrounded you, it's a showdown (Showdown)\nAnd nobody comes to save you now\nBut you got something they don't\nYeah, you got something they don't [Pre-Chorus]\nYou just gotta keep your eyes open\n[Chorus]\nEverybody's waiting for you to break down\nEverybody's watching to see the fallout\nEven when you're sleeping, sleeping\nKeep your eyes open\nKeep your eyes open\nKeep your eyes\u2014\n[Bridge]\nKeep your feet ready, heartbeat steady\nKeep your eyes open\nKeep your aim locked, the night goes dark\nKeep your eyes open\n(Keep your eyes open)\n(Keep your eyes open)\n(Keep your eyes open)\n(Keep your eyes open)\n[Chorus]\nEverybody's waiting for you to break down\nEverybody's watching to see the fallout\nEven when you're sleeping, sleeping\nKeep your eyes open\nKeep your eyes open\nKeep your eyes open\nKeep your eyes open\nKeep your eyes open","prompt":"Write me a song in the style of Taylor Swift that captures the essence of growing from innocence to the harsh realities of the world, with undertones of resilience and vigilance. The lyrics should reflect the transition from a carefree childhood to an adulthood where one must remain alert and guarded, facing challenges and scrutiny from others. The song should convey a story of personal growth and the importance of staying strong, even in solitude, with a melody that balances reflective verses and a powerful, anthemic chorus."} +{"id":187250,"song":"I\u2019d Lie","artist":"Taylor Swift","lyrics":"[Verse 1]\nI don't think that passenger seat\nHas ever looked this good to me\nHe tells me about his night\nAnd I count the colors in his eyes\nHe'll never fall in love, he swears\nAs he runs his fingers through his hair\nI\u2019m laughing 'cause I hope he's wrong\nAnd I don't think it ever crossed his mind\nHe tells a joke, I fake a smile\nBut I know all his favorite songs\n[Chorus]\nAnd I could tell you his favorite color's green\nHe loves to argue, born on the seventeenth\nHis sister's beautiful, he has his father's eyes\nAnd if you asked me if I love him\nI'd lie\n[Verse 2]\nHe looks around the room\nInnocently overlooks the truth\nShouldn't a light go on?\nDoesn't he know that I've had him memorized for so long?\nHe sees everything in black and white\nNever let nobody see him cry\nI don't let nobody see me wishin' he was mine [Chorus]\nI could tell you his favorite color's green\nHe loves to argue, born on the seventeenth\nHis sister's beautiful, he has his father's eyes\nAnd if you asked me if I love him\nI'd lie\n[Bridge]\nHe stands there, then walks away\nMy God, if I could only say\nI'm holding every breath for you\nHe'd never tell you, but he can play guitar\nI think he can see through everything but my heart\nFirst thought when I wake up\nIs, \"My God, he\u2019s beautiful\"\nSo I put on my makeup\nAnd pray for a miracle\n[Chorus]\nYes, I could tell you his favorite color's green\nHe loves to argue, oh, and it kills me\nHis sister's beautiful, he has his father's eyes\nAnd if you asked me if I love him\nIf you asked me if I love him\nI\u2019d lie","prompt":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love and quiet yearning, with a narrative focusing on the subtle details that someone notices about their secret crush. The lyrics should convey a deep familiarity and affection for the person in question, highlighting specific quirks and characteristics like their favorite color, habits, and family traits. Incorporate elements of storytelling and vivid imagery to evoke a sense of intimacy and concealed emotion, with a chorus that reflects the bittersweet nature of loving someone from afar and the personal struggle to conceal those feelings. The song should have a soft, acoustic pop sound that Taylor Swift is known for, with an emotionally charged bridge that brings the internal conflict to a peak."} +{"id":5793964,"song":"\u200bmad woman","artist":"Taylor Swift","lyrics":"[Verse 1]\nWhat did you think I'd say to that?\nDoes a scorpion sting when fighting back?\nThey strike\u2005to\u2005kill, and you\u2005know I will\nYou know I will\nWhat\u2005do you sing on your drive home?\nDo you see my\u205fface\u205fin\u205fthe neighbor's lawn?\nDoes\u205fshe smile?\nOr does\u205fshe mouth, \"Fuck you forever\"?\n[Pre-Chorus]\nEvery time you call me crazy, I get more crazy\nWhat about that?\nAnd when you say I seem angry, I get more angry\n[Chorus]\nAnd there's nothing like a mad woman\nWhat a shame she went mad\nNo one likes a mad woman\nYou made her like that\nAnd you'll poke that bear 'til her claws come out\nAnd you find something to wrap your noose around\nAnd there's nothing like a mad woman\n[Verse 2]\nNow I breathe flames each time I talk\nMy cannons all firin' at your yacht\nThey say, \"Move on,\" but you know I won't\nAnd women like hunting witches too\nDoing your dirtiest work for you\nIt's obvious that wanting me dead\nHas really brought you two together [Pre-Chorus]\nEvery time you call me crazy, I get more crazy\nWhat about that?\nAnd when you say I seem angry, I get more angry\n[Chorus]\nAnd there's nothing like a mad woman\nWhat a shame she went mad\nNo one likes a mad woman\nYou made her like that\nAnd you'll poke that bear 'til her claws come out\nAnd you find something to wrap your noose around\nAnd there's nothing like a mad woman\n[Bridge]\nI'm taking my time, taking my time\n'Cause you took everything from me\nWatching you climb, watching you climb\nOver people like me\nThe master of spin has a couple side flings\nGood wives always know\nShe should be mad, should be scathing like me, but\nNo one likes a mad woman\n[Outro]\nWhat a shame she went mad\nYou made her like that","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a woman wronged and her ensuing indignation, with sharp, evocative imagery akin to scorpions and flames. The song should have a narrative arc similar to a story of betrayal and retaliation, utilizing metaphors of hunting and warfare to convey the fierce emotions. Include a tone of defiance and empowerment, akin to the feminist undertones in Swift's work, and incorporate a catchy, haunting chorus that emphasizes the theme of a \"mad woman\" transformed by mistreatment. The style should blend Swift's lyrical storytelling with a melodious yet assertive instrumental that could resonate with her \"Reputation\" or \"Folklore\" era sound."} +{"id":132079,"song":"Picture to Burn","artist":"Taylor Swift","lyrics":"[Verse 1]\nState the obvious, I didn't get my perfect fantasy\nI realize you love yourself more than you could ever love me\nSo go and tell your friends that I'm obsessive and crazy\nThat's fine, you won't mind if I say\nBy the way\n[Chorus]\nI hate that stupid old pickup truck you never let me drive\nYou're a redneck heartbreak who's really bad at lyin'\nSo watch me strike a match on all my wasted time\nAs far as I'm concerned, you're just another picture to burn\n[Verse 2]\nThere's no time for tears, I'm just sittin' here planning my revenge\nThere's nothing stoppin' me from goin' out with all of your best friends\nAnd if you come around sayin' sorry to me\nMy daddy's gonna show ya how sorry you'll be\n[Chorus]\n'Cause I hate that stupid old pickup truck you never let me drive\nYou're a redneck heartbreak who's really bad at lyin'\nSo watch me strike a match on all my wasted time\nAs far as I'm concerned, you're just another picture to burn\n[Bridge]\nAnd if you're missing me, you'd better keep it to yourself\n'Cause coming back around here would be bad for your health [Chorus]\n'Cause I hate that stupid old pickup truck you never let me drive\nYou're a redneck heartbreak who's really bad at lyin'\nSo watch me strike a match on all my wasted time\nIn case you haven't heard\nI really, really hate that stupid old pickup truck you never let me drive\nYou're a redneck heartbreak who's really bad at lyin'\nSo watch me strike a match on all my wasted time\nAs far as I'm concerned, you're just another picture to burn\n[Outro]\nBurn, burn, burn, baby, burn\nYou're just another picture to burn\nBaby, burn","prompt":"Write me a song in the style of Taylor Swift that encapsulates the fiery energy of a young woman scorned by a self-centered lover. The lyrics should convey a blend of sass and empowerment, with vivid imagery that reflects a narrative of moving on and seeking retribution. The song should have a catchy, up-tempo country-pop melody, characteristic of Swift's earlier work, complete with references to specific, relatable details like the resentment of a \"stupid old pickup truck\" and the act of striking a match as a symbol of burning away the past. Invoke the spirit of youthful defiance and a strong, independent mindset, as seen in Swift's \"Picture to Burn.\""} +{"id":124510,"song":"Tell Me Why","artist":"Taylor Swift","lyrics":"[Verse 1]\nI took a chance, I took a shot\nAnd you might think I'm bulletproof, but I'm not\nYou took a swing, I took it hard\nAnd down here from the ground, I see who you are\n[Chorus]\nI'm sick and tired of your attitude\nI'm feeling like I don't know you\nYou tell me that you love me, then cut me down\nAnd I need you like a heartbeat\nBut you know you got a mean streak\nThat makes me run for cover when you're around\nAnd here's to you and your temper\nYes, I remember what you said last night\nAnd I know that you see what you're doing to me\nTell me why\n[Verse 2]\nYou could write a book on how to ruin someone's perfect day\nWell, I get so confused and frustrated\nForget what I'm trying to say, oh\n[Chorus]\nI'm sick and tired of your reasons\nI got no one to believe in\nYou tell me that you want me, then push me around\nAnd I need you like a heartbeat\nBut you know you got a mean streak\nThat makes me run for cover when you're around\nHere's to you and your temper\nYes, I remember what you said last night\nAnd I know that you see what you're doing to me\nTell me why [Bridge]\nWhy do you have to make me feel small\nSo you can feel whole inside?\nWhy do you have to put down my dreams\nSo you're the only thing on my mind?\n[Chorus]\nI'm sick and tired of your attitude\nI'm feeling like I don't know you\nYou tell me that you want me, then cut me down\nI'm sick and tired of your reasons\nI've got no one to believe in\nYou ask me for my love, then you push me around\nHere's to you and your temper\nYes, I remember what you said last night\nAnd I know that you see what you're doing to me\nTell me why (Why)\nTell me why (Why)\n[Outro]\nI take a step back, let you go\nI told you I'm not bulletproof\nNow you know","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of a toxic relationship, using vivid storytelling and a blend of acoustic and pop elements. The lyrics should express feelings of frustration and confusion caused by a partner's inconsistent and hurtful behavior. Include a catchy chorus that conveys the need for the protagonist's love despite the partner's \"mean streak,\" and a bridge that questions the partner's motives for diminishing the protagonist's self-worth and dreams."} +{"id":187442,"song":"This Is Really Happening","artist":"Taylor Swift","lyrics":"[Verse 1]\nBeneath the chandelier of stars and atmosphere\nTangled like the roots on the ground\nThe windows opened up\nThe wind is blowing and we're both not making a sound\nIt's like I'm melting on into you\nGive me a reason why we should ever move\nAnd\n[Chorus]\nTell me\nYou'll never leave me\nAnd I'm not crazy and\nThis is really happening\nThat this is really happening\n[Verse 2]\nCould this be better?\nYou write me letters\nThough you see me every day\nYou tend to treat me like\nMy name is up in lights\nIt really blows me away\nLock me up in a dark room\nAnd I still can't take my eyes off you [Chorus]\nTell me\nYou'll never leave me\nAnd I'm not crazy and\nThis is really happening\nThat this is really happening\n[Bridge]\nAll those kisses up against your car\nFor all those wishes on planes\nWe thought were stars\nMemories like photographs\nOh, baby, here we are\n[Chorus]\nTell me\nYou'll never leave me\nAnd I'm not crazy and\nOh, this is really happening\nOh, oh, baby\n[Chorus]\nTell me\nYou'll always need me\nThat I drive you crazy\nAnd this is really happening\nOh, that this is really happening [Outro]\nTell me, oh\nYou'll always need me\n(Need me, tell me)\n(Baby)\nThat I drive you crazy\n(Oh)\nThat this is really happening","prompt":"Write me a song in the style of Taylor Swift that captures the romantic and dreamy essence of an intimate relationship, with vivid imagery such as a \"chandelier of stars\" and roots tangling on the ground. The song should express the longing for reassurance in love, with a chorus that pleads for confirmation that the feelings are mutual, real, and lasting. Include personal elements like exchanged letters, despite daily encounters, and the adoration that feels like being in the spotlight. The bridge should reflect on intimate moments and shared memories that are as precious as photographs, leading to a heartfelt and repeated chorus where the singer asks for affirmations of being needed and driving their partner crazy with love, emphasizing that what they are experiencing is truly happening."} +{"id":542396,"song":"All You Had To Do Was Stay","artist":"Taylor Swift","lyrics":"[Intro]\n(Hey, hey, hey)\n(Hey, hey, hey)\n(Hey, hey, hey)\n(Hey, hey, hey)\n[Verse 1]\nPeople like you always want back\nThe love they gave away\nAnd people like me wanna believe you\nWhen you say you've changed\nThe more I think about it now\nThe less I know\nAll I know is that you drove us\nOff the road\n[Chorus]\n(Stay) Hey, all you had to do was stay\nHad me in the palm of your hand, then\nWhy'd you have to go and lock me out when I let you in?\n(Stay) Hey, now you say you want it back\nNow that it's just too late, well, could've been easy\nAll you had to do was (Stay)\n[Post-Chorus]\nAll you had to do was (Stay)\nAll you had to do was (Stay)\nAll you had to do was (Stay)\nAll you had to do was stay [Verse 2]\nHere you are now, calling me up\nBut I don't know what to say\nI've been pickin' up the pieces\nOf the mess you made\nPeople like you always want back\nThe love they pushed aside\nBut people like me are gone forever\nWhen you say goodbye\n[Chorus]\n(Stay) Hey, all you had to do was stay\nHad me in the palm of your hand, then\nWhy'd you have to go and lock me out when I let you in?\n(Stay) Hey, now you say you want it back\nNow that it's just too late, well, could've been easy\nAll you had to do was (Stay)\n[Post-Chorus]\nAll you had to do was (Stay)\nAll you had to do was (Stay)\nAll you had to do was (Stay, stay, stay, stay, stay)\n[Bridge]\nLet me remind you\nThis was what you wanted (Oh, oh, oh-oh-oh)\nYou ended it\nYou were all I wanted (Oh, oh, oh-oh-oh)\nBut not like this\nNot like this, not like this\nOh, all you had to do was [Chorus]\n(Stay) Hey, all you had to do was stay\nHad me in the palm of your hand, then\nWhy'd you have to go and lock me out when I let you in?\n(Stay) Hey, now you say you want it back\nNow that it's just too late, well, could've been easy\nAll you had to do was\n(Stay) Hey, all you had to do was stay\nHad me in the palm of your hand, then\nWhy'd you have to go and lock me out when I let you in?\n(Stay) Hey, now you say you want it back\nNow that it's just too late, well, it could've been easy (All you had to do was stay)\nAll you had to do was (Stay)\n[Post-Chorus]\nAll you had to do was (Stay, oh)\nAll you had to do was (Stay)\nAll you had to do was (Stay, ooh)\nAll you had to do was (Stay)","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a bittersweet goodbye, where one person longs for the stability and love they once had, reflecting on the regret and confusion following a breakup. The song should have a catchy, repetitive chorus emphasizing the phrase \"All you had to do was stay,\" embodying the blend of pop and country elements with emotionally charged lyrics characteristic of Swift's music. The narrative should explore the themes of lost opportunities, the pain of being left behind, and the complex feelings of wanting someone back who has already moved on."} +{"id":8486436,"song":"Dear Reader","artist":"Taylor Swift","lyrics":"[Verse 1]\nDear reader, if it feels like a trap\nYou're already in one\nDear reader, get out your map\nPick somewhere and just run\nDear reader, burn all the files\nDesert all your past lives\nAnd if you don't recognize yourself\nThat means you did it right\n[Chorus]\nNever take advice from someone who's falling apart\nNever take advice from someone who's falling apart (You should find another)\n[Verse 2]\nDear reader, bend when you can\nSnap when you have to\nDear reader, you don't have to answer\nJust 'cause they asked you\n(You should find another)\nDear reader, the greatest of luxuries is your secrets\nDear reader, when you aim at the devil\nMake sure you don't miss\n[Chorus]\nNever take advice from someone who's falling apart\nNever take advice from someone who's falling apart [Bridge]\nSo I wander through these nights\nI prefer hiding in plain sight\nMy fourth drink in my hand\nThese desperate prayers of a cursed man\nSpilling out to you for free\nBut darling, darling, please\nYou wouldn't take my word for it if you knew who was talking\nIf you knew where I was walking\nTo a house, not a home, all alone 'cause nobody's there\nWhere I pace in my pen and my friends found friends who care\nNo one sees when you lose when you're playing solitaire\n[Outro]\nYou should find another guiding light, guiding light\nBut I shine so bright\nYou should find another guiding light, guiding light\nBut I shine so bright\nYou should find another, you should find another (Guiding light)\nFind another, you should find another\nYou should find another","prompt":"Write me a song in the style of Taylor Swift that captures the essence of introspection and self-reliance found in the provided lyrics. The song should have a confessional tone, with verses that speak directly to the listener, offering advice based on personal experience and the journey towards self-discovery. Incorporate a catchy chorus that warns against taking guidance from someone who is struggling themselves, and bridge the song with a reflective and slightly haunting monologue. The overall musical style should blend Taylor Swift's signature storytelling with an acoustic and indie pop vibe, evoking a sense of earnestness and vulnerability."} +{"id":542383,"song":"How You Get The Girl","artist":"Taylor Swift","lyrics":"[Intro]\nOh, oh, oh\nOh, oh, oh\nOh-oh, oh-oh\n[Verse 1]\nStand there like a ghost\nShaking from the rain, rain\nShe'll open up the door and say, \"Are you insane?\"\nSay it's been a long six months\nAnd you were too afraid to tell her what you want, want\n[Pre-Chorus]\nAnd that's how it works\nThat's how you get the girl\nAnd then, you say\n[Chorus]\nI want you for worse or for better\nI would wait forever and ever\nBroke your heart, I'll put it back together\nI would wait forever and ever\nAnd that's how it works\nThat's how you get the girl, girl (Oh-oh, oh)\nAnd that's how it works\nThat's how you get the girl, girl [Verse 2]\nRemind her how it used to be, be, yeah-yeah\nWith pictures in frames of kisses on cheeks, cheeks\nTell her how you must have lost your mind, ooh-ooh\nWhen you left her all alone\nAnd never told her why, why\n[Pre-Chorus]\nAnd that's how it works\nThat's how you lost the girl\nAnd now, you say\n[Chorus]\nI want you for worse or for better\nI would wait forever and ever (Ever and ever)\nBroke your heart, I'll put it back together\nI would wait forever and ever\nAnd that's how it works\nThat's how you get the girl, girl (Oh-oh, oh-oh)\nAnd that's how it works\nThat's how you get the girl, girl\nYeah, yeah\n[Bridge]\nAnd you know\nOh, oh, oh, oh, oh, oh, oh, oh, oh, oh\nThat I don't want you to go, oh, oh [Breakdown]\nRemind me how it used to be\nPictures in frames of kisses on cheeks\nAnd say you want me, yeah-yeah\nAnd then you say\n[Chorus]\nI want you for worse or for better (Worse or for better)\nI would wait forever and ever (Ever and ever)\nBroke your heart, I'll put it back together\nI want you forever and ever (I would wait forever and ever)\nAnd that's how it works\nThat's how you get the girl, girl (This is how it works)\nAnd that's how it works\nThat's how you get the girl, girl (Get the girl)\n(That's how it works)\nAnd that's how it works\nThat's how you get the girl, girl\n(Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh)\nAnd that's how it works\nThat's how you get the girl, girl\n(Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh)\n[Outro]\nAnd that's how it works\nThat's how you got the girl","prompt":"Write me a song in the style of Taylor Swift that captures a narrative of lost love and the yearning to mend a broken relationship. The lyrics should illustrate a heartfelt apology and a promise of unconditional commitment, incorporating vivid imagery of past memories and a hopeful future. The melody should be catchy with an emotional build-up, reflective of Swift's pop-country sensibility and storytelling prowess."} +{"id":552952,"song":"I Wish You Would (Voice Memo)","artist":"Taylor Swift","lyrics":"This is another way I've written songs recently\nThis is a song I did with \nJack Antonoff\n, and Jack is one of my friends and so we were hanging out and he pulled out his phone and goes \"I made this amazing track the other day. It's so cool, I love these guitar sounds.\"\nAnd he played it for me and immediately I could hear this finished song in my head, and I just said \"Please, please let me have that. Let me play with it, like send it to me\"\nAnd so he sent it to me and I was on tour and this was me playing the track on my laptop recording me singing the vocal into my phone and it ended up being a song called \"\nI Wish You Would\n\", because Jack wrote back and said \"I love that\"\nSo this is another way of writing, it's writing to track:\nOkay so this is an idea called \"I Wish You Would\". It's kind of about this guy who's like, he's driving down the street at the middle of the night and he passes his ex-girlfriend's house and it's like, he thinks she hates him, but she's still in love with him, very dramatic. This track is sick, hope you like this\nIt's 2 am, in your car\nWindows down, past my street the memories start\nIt's in the past\nYou drive straight ahead\nYou thinking that I hate you now\n'Cause you still don't know what I never said\nI wish you would come back\nWish I never hung up the phone like I did\nI wish you knew that\nI'd never forget you as long as I live, and I\nWish you were right here, right now, it's all good\nI wish you would\nDo you like it!?","prompt":"Write me a song in the style of Taylor Swift that encapsulates the bittersweet nostalgia of past relationships, featuring evocative imagery of late-night drives and memories flooding back. The song should have a cinematic feel akin to \"I Wish You Would,\" with an emotional narrative about misunderstandings and yearnings for reconciliation. Incorporate a catchy, guitar-driven track that underscores the drama and intensity of the scenario, and ensure the lyrics convey a mix of regret and hope, reflecting the complexity of the protagonist's feelings."} +{"id":3281524,"song":"New Year\u2019s Day","artist":"Taylor Swift","lyrics":"[Verse 1]\nThere's glitter on the floor after the party\nGirls carrying their shoes down in the lobby\nCandle wax and Polaroids on the hardwood floor\nYou and me from the night before, but\n[Chorus]\nDon\u2019t read the last page\nBut I stay when you're lost and I'm scared and you\u2019re turning away\nI want your midnights\nBut I'll be cleaning up bottles with you on New Year's Day\n[Verse 2]\nYou squeeze my hand three times in the back of the taxi\nI can tell that it's gonna be a long road\nI'll be there if you're the toast of the town, babe\nOr if you strike out and you're crawling home\n[Chorus]\nDon't read the last page\nBut I stay when it\u2019s hard or it\u2019s wrong or we're making mistakes\nI want your midnights\nBut I\u2019ll be cleaning up bottles with you on New Year's Day\n[Post-Chorus]\nHold on to the memories, they will hold on to you\nHold on to the memories, they will hold on to you\nHold on to the memories, they will hold on to you\nAnd I will hold on to you [Bridge]\nPlease don't ever become a stranger\nWhose laugh I could recognize anywhere\nPlease don't ever become a stranger\nWhose laugh I could recognize anywhere\n[Verse 3]\nThere\u2019s glitter on the floor after the party\nGirls carrying their shoes down in the lobby\nCandle wax and Polaroids on the hardwood floor\nYou and me forevermore\n[Chorus]\nDon't read the last page\nBut I stay when it's hard or it's wrong or we're making mistakes\nI want your midnights\nBut I'll be cleaning up bottles with you on New Year's Day\n[Post-Chorus]\nHold on to the memories, they will hold on to you\nHold on to the memories, they will hold on to you\nHold on to the memories, they will hold on to you\nAnd I will hold on to you\n[Outro]\nPlease don't ever become a stranger\n(To the memories, they will hold on to you)\nWhose laugh I could recognize anywhere\n(Hold on to the memories, they will hold on to you)\nPlease don't ever become a stranger\n(Hold on to the memories, they will hold on to you)\nWhose laugh I could recognize anywhere\n(I will hold on to you)","prompt":"Write me a song in the style of Taylor Swift that captures the bittersweet aftermath of a party, with vivid imagery like glitter on the floor and abandoned Polaroids. The lyrics should explore themes of enduring love and commitment through both mundane and profound moments, and should include a memorable, heartfelt chorus that emphasizes holding onto memories and standing by one another through all of life's ups and downs. The musical arrangement should be intimate and reflective, with a touch of melancholy that suits a New Year's Day reflection."} +{"id":132094,"song":"Should\u2019ve Said No","artist":"Taylor Swift","lyrics":"[Verse 1]\nIt's strange to think the songs we used to sing\nThe smiles, the flowers, everything is gone\nYesterday, I found out about you\nEven now, just lookin' at you feels wrong\n[Pre-Chorus]\nYou say that you'd take it all back\nGiven one chance\nIt was a moment of weakness\nAnd you said yes\n[Chorus]\nYou should've said no, you should've gone home\nYou should've thought twice 'fore you let it all go\nYou should've known that word\n'Bout what you did with her'd get back to me (Get back to me)\nAnd I should've been there in the back of your mind\nI shouldn't be asking myself why\nYou shouldn't be begging for forgiveness at my feet\nYou should've said no\nBaby, and you might still have me\n[Verse 2]\nYou can see that I've been cryin'\nAnd baby, you know all the right things to say\nBut do you honestly expect me to believe\nWe could ever be the same? [Pre-Chorus]\nYou say that the past is the past\nYou need one chance\nIt was a moment of weakness\nAnd you said yes\n[Chorus]\nYou should've said no, you should've gone home\nYou should've thought twice 'fore you let it all go\nYou should've known that word\n'Bout what you did with her\u2019d get back to me (Get back to me)\nAnd I should've been there in the back of your mind\nI shouldn't be asking myself why\nYou shouldn't be begging for forgiveness at my feet\nYou should've said no\nBaby, and you might still have me\nOh, oh\n[Bridge]\nI can't resist\nBefore you go, tell me this\nWas it worth it?\nWas she worth this?\nNo, no\nNo, no, no, no [Chorus]\nYou should've said no, you should've gone home\nYou should've thought twice 'fore you let it all go\nYou should've known that word\n'Bout what you did with her\u2019d get back to me (Get back to me)\nAnd I should've been there, in the back of your mind\nI shouldn't be asking myself why\nYou shouldn't be begging for forgiveness at my feet\nYou should've said no\nBaby, and you might still have me","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of discovering a partner's infidelity. The lyrics should express feelings of betrayal, disappointment, and the realization that things can never return to the way they were. The song should have a strong narrative, featuring verses that detail the pain of the revelation and a chorus that emphasizes the idea that the partner \"should've said no\" to temptation. The musical arrangement should be reminiscent of Swift's country-pop roots, with an acoustic guitar-led melody that builds to a powerful, cathartic bridge. The tone should be a blend of vulnerability and assertive strength, capturing the complexity of confronting someone who has broken your trust."} +{"id":3283031,"song":"This Is Why We Can\u2019t Have Nice Things","artist":"Taylor Swift","lyrics":"[Verse 1]\nIt was so nice throwing big parties\nJump into the pool from the balcony\nEveryone swimming in a champagne sea\nAnd there are no rules when you show up here\nBass beat rattling the chandelier\nFeeling so Gatsby for that whole year\n[Pre-Chorus]\nSo why'd you have to rain on my parade?\nI'm shaking my head and locking the gates\n[Chorus]\nThis is why we can't have nice things, darling\nBecause you break them, I had to take them away\nThis is why we can't have nice things, honey (Oh)\nDid you think I wouldn't hear all the things you said about me?\nThis is why we can't have nice things\n[Verse 2]\nIt was so nice being friends again\nThere I was, giving you a second chance\nBut you stabbed me in the back while shaking my hand\nAnd therein lies the issue, friends don't try to trick you\nGet you on the phone and mind-twist you\nAnd so I took an axe to a mended fence [Pre-Chorus]\nBut I'm not the only friend you've lost lately (Mm-mm)\nIf only you weren't so shady\n[Chorus]\nThis is why we can't have nice things, darling (Yeah)\nBecause you break them, I had to take them away\nThis is why we can't have nice (Nice things) things (Baby), honey\nDid you think I wouldn't hear all the things you said about me?\nThis is why we can't have\u2014\n[Bridge]\nHere's a toast to my real friends\nThey don't care about the he-said, she-said\nAnd here's to my baby\nHe ain't reading what they call me lately\nAnd here's to my mama\nHad to listen to all this drama\nAnd here's to you\n'Cause forgiveness is a nice thing to do\nHaha, I can't even say it with a straight face\n[Chorus]\nThis is why we can't have nice things, darling (Darling)\nBecause you break them, I had to take them away\nThis is why we can't have nice (Uh-uh) things (Oh, no), honey (Baby, oh)\nDid you think I wouldn't hear all the things you said about me?\nThis is why we can't have nice things, darling\n(And here's to my real friends)\nBecause you break them, I had to take them\n(And here's to my baby)\nNice things, honey\n(They didn't care about that he-said, she-said)\nDid you think I wouldn't hear all the things you said about me?\nThis is why we can't have nice things","prompt":"Write me a song in the style of Taylor Swift that captures the essence of lavish celebrations and the betrayal of a friendship. The song should echo the opulence and carefree spirit of Gatsby-esque parties, while contrasting it with the disappointment and consequences of broken trust. Include a tone of playful sarcasm and the theme of resilience in the face of gossip and backstabbing, much like the narrative found in \"This is Why We Can't Have Nice Things\". Emphasize the process of cutting ties with a deceitful friend and the recognition of true, supportive relationships."} +{"id":70979,"song":"Both of Us","artist":"Taylor Swift","lyrics":"[Chorus: Taylor Swift]\nI wish I was strong enough to lift not one but both of us\nSome day I will be strong enough to lift not one but both of us\n[Verse 1: B.o.B]\nUhh\nEver thought about losing it\nWhen your money\u2019s all gone and you lose your whip\nYou might lose your grip when the landlord tell you that you due for rent\nAnd the grass so green on the other side\nMake a nigga wanna run straight through the fence\nOpen up the fridge 'bout 20 times\nBut you still can\u2019t find no food in it\nThat\u2019s foolishness\nAnd sometimes I wonder, why we care so much about the way we look\nAnd the way we talk and the way we act and the clothes we bought\nHow much that cost?\nDoes it even really matter?\n'Cause if life is a uphill battle\nBut y\u2019all tryna climb with the same ol\u2019 ladder\nIn the same boat, with the same ol\u2019 paddle\nWhy so shallow? I\u2019m just askin'\nWhat\u2019s the pattern to the madness?\nEverybody ain\u2019t a number one draft pick\nMost of us ain\u2019t Hollywood actors\nBut if it\u2019s all for one, and one for all\nThen maybe one day, we all could ball\nDo it one time for the underdogs\nSincerely yours, from one of y'all [Chorus: Taylor Swift]\nI wish I was strong enough to lift not one but both of us\nSome day I will be strong enough to lift not one but both of us\n[Verse 2: B.o.B]\nI could feel your pain, I could feel your struggle\nYou just wanna live, but everything's so low\nThat you could drown in a puddle\nThat\u2019s why I gotta hold us up, yeah, hold us up\nFor all the times no one\u2019s ever spoke for us\nTo every single time that they play this song\nYou can say that that\u2019s what Bobby Ray wrote for us\nWhen the tides get too high\nAnd the sea up underneath gets so deep\nAnd you feel like you\u2019re just another person\nGetting lost in the crowd, way up high in the nosebleeds\nUh, because we've both been there, both of us\nBut we still stand tall with our shoulders up\nAnd even though we always against the odds\nThese are the things that\u2019ve molded us\nAnd if life hadn\u2019t chosen us\nSometimes I wonder where I would've wound up\n'Cause if it was up to me, I\u2019d make a new blueprint\nThen build it from the ground up, hey\nBut if it\u2019s all for one, and one for all\nThen maybe one day, we all could ball\nDo it one time for the underdogs\nFrom Bobby Ray, to all of y\u2019all [Chorus: Taylor Swift]\nI wish I was strong enough to lift not one but both of us\nSome day I will be strong enough to lift not one but both of us","prompt":"Write me a song in the style of Taylor Swift that captures a sense of empathy and resilience in the face of hardship, reflecting on societal pressures and the struggles of everyday life. The lyrics should resonate with themes of hope and unity, emphasizing the desire to support and uplift not just oneself but others as well. The musical arrangement should blend Swift's signature pop sensibilities with an anthemic chorus that could serve as a rallying cry for the underdogs and the overlooked. Include introspective verses that ponder the superficial aspects of society and the universal challenges we all face, ultimately conveying a message of collective strength and perseverance."} +{"id":124513,"song":"Forever & Always","artist":"Taylor Swift","lyrics":"[Verse 1]\nOnce upon a time\nI believe it was a Tuesday when I caught your eye\nAnd we caught onto something\nI hold onto the night\nYou looked me in the eye and told me you loved me\nWere you just kidding?\n'Cause it seems to me\nThis thing is breaking down, we almost never speak\nI don't feel welcome anymore\nBaby, what happened? Please, tell me\n'Cause one second, it was perfect\nNow, you're halfway out the door\n[Chorus]\nAnd I stare at the phone, he still hasn't called\nAnd then you feel so low you can't feel nothing at all\nAnd you flashback to when he said, \"Forever and always\"\nOh, and it \nrains in your bedroom\nEverything is wrong\nIt rains when you're here and it rains when you're gone\n'Cause I was there when you said, \"Forever and always\"\n[Verse 2]\nWas I out of line?\nDid I say something way too honest, made you run and hide\nLike a scared little boy?\nI looked into your eyes\nThought I knew you for a minute, now, I'm not so sure\nSo here's to everything coming down to nothing\nHere's to silence that cuts me to the core\nWhere is this going?\nThought I knew for a minute, but I don't anymore [Chorus]\nAnd I stare at the phone, he still hasn't called\nAnd then you feel so low you can't feel nothing at all\nAnd you flashback to when he said, \"Forever and always\"\nOh, and it rains in your bedroom\nEverything is wrong\nIt rains when you're here and it rains when you're gone\n'Cause I was there when you said, \"Forever and always\"\nYou didn't mean it, baby, I don't think so\n[Bridge]\nOh, back up, baby, back up\nDid you forget everything?\nBack up, baby, back up\nDid you forget everything?\n[Chorus]\n'Cause it rains in your bedroom\nEverything is wrong\nIt rains when you're here and it rains when you're gone\n'Cause I was there when you said, \"Forever and always\"\nOh, I stare at the phone, he still hasn't called\nAnd then you feel so low you can't feel nothing at all\nAnd you flashback to when we said, \"Forever and always\"\nAnd it rains in your bedroom\nEverything is wrong\nIt rains when you're here and it rains when you're gone\n'Cause I was there when you said, \"Forever and always\" [Outro]\nYou didn't mean it, baby\nYou said, \"Forever and always\", yeah","prompt":"Write a song in the style of Taylor Swift that captures the emotional turmoil of a fading relationship, incorporating vivid imagery of rain in the bedroom to symbolize sorrow and heartbreak. The song should tell a story of surprise and betrayal, reflecting on a promise of \"Forever and always\" that wasn't kept, with a tone that transitions from hopeful to disillusioned. Utilize Swift's narrative songwriting approach, blending country and pop elements, to convey the complexity of feelings experienced during a breakup, including waiting for a call that never comes and questioning what went wrong."} +{"id":2927948,"song":"I Don\u2019t Wanna Live Forever","artist":"Taylor Swift","lyrics":"[Verse 1: ZAYN]\nBeen sittin' eyes wide open\nBehind these four walls, hopin' you'd call\nIt's just a cruel existence\nLike there's no point hopin' at all\n[Pre-Chorus: ZAYN]\nBaby, baby, I feel crazy\nUp all night, all night and every day\nGive me somethin', oh, but you say nothin'\nWhat is happening to me?\n[Chorus: ZAYN]\nI don't wanna live forever\n'Cause I know I'll be living in vain\nAnd I don't wanna fit wherever\nI just wanna keep calling your name\nUntil you come back home\nI just wanna keep calling your name\nUntil you come back home\nI just wanna keep calling your name\nUntil you come back home\n[Verse 2: Taylor Swift]\nI'm sittin' eyes wide open\nAnd I got one thing stuck in my mind\nWonderin' if I dodged a bullet\nOr just lost the love of my life, oh [Pre-Chorus: Taylor Swift]\nBaby, baby, I feel crazy\nUp all night, all night and every day\nI gave you somethin', but you gave me nothin'\nWhat is happening to me?\n[Chorus: ZAYN, \nTaylor Swift\n, \nBoth\n]\nI don't wanna live forever\n'Cause I know I'll be living in vain\nAnd I don't wanna fit (\nFit, babe\n) wherever (\nWherever\n)\nI just wanna keep calling your name\nUntil you come back home\nI just wanna keep calling your name\nUntil you come back home\nI just wanna keep calling your name\nUntil you come back\n home\n[Bridge: Taylor Swift, \nZAYN\n, \nBoth\n]\nI've been looking sad in all the nicest places\nBaby, baby, I feel crazy\nI see you around in all these empty faces\nUp all night, all night and every day\nI've been looking sad in all the nicest places\nGive me somethin', oh, but you say nothin'\nNow I'm in a cab, I tell 'em where your place is\nWhat is happening to me? [Chorus: ZAYN, \nTaylor Swift\n, \nBoth\n]\nI don't wanna live forever\n'Cause I know I'll be living in vain\nAnd I don't wanna fit (I don't wanna fit, \nfit, babe\n) wherever (\nWherever\n)\nI just wanna keep calling your name\nUntil you come back home\n (Home)\nI just wanna keep calling your name\nUntil you come back home\n (Back, woah)\nI just wanna keep calling your name\nUntil you come back home\n (I don't wanna fit)\n[Post-Chorus: ZAYN & Taylor Swift, \nZAYN\n]\nI just wanna keep calling your name\nUntil you come back home (\nBack home, until you, baby\n)\nI just wanna keep calling your name\nUntil you come back home\n[Outro: Taylor Swift, \nZAYN\n]\nI just wanna keep callin' your name\nUntil you come back home\nUntil you come back home","prompt":"Write me a song in the style of Taylor Swift that captures the essence of yearning after a lost love and the desperation of wanting someone to return, incorporating the personal emotional turmoil and narrative storytelling found in her music. The song should exhibit the intimacy and vulnerability of Swift's slower ballads, while also reflecting the lyrical complexity and pop sensibility of her work, suitable for a powerful duet."} +{"id":5793972,"song":"\u200binvisible string","artist":"Taylor Swift","lyrics":"[Verse 1]\nGreen was the color of the grass\nWhere I used to read at Centennial Park\nI used\u2005to\u2005think I would\u2005meet somebody there\nTeal was the color\u2005of your shirt\nWhen you were sixteen at the yogurt shop\nYou\u205fused\u205fto\u205fwork at to\u205fmake a little\u205fmoney\n[Chorus]\nTime, curious time\nGave me no compasses, gave me no signs\nWere there clues I didn't see?\nAnd isn't it just so pretty to think\nAll along there was some\nInvisible string\nTying you to me?\nOoh-ooh-ooh-ooh\n[Verse 2]\nBad was the blood of the song in the cab\nOn your first trip to LA\nYou ate at my favorite spot for dinner\nBold was the waitress on our three-year trip\nGetting lunch down by the Lakes\nShe said I looked like an American singer [Chorus]\nTime, mystical time\nCutting me open, then healing me fine\nWere there clues I didn't see?\nAnd isn't it just so pretty to think\nAll along there was some\nInvisible string\nTying you to me?\nOoh-ooh-ooh-ooh\n[Bridge]\nA string that pulled me\nOut of all the wrong arms, right into that dive bar\nSomething wrapped all of my past mistakes in barbed wire\nChains around my demons\nWool to brave the seasons\nOne single thread of gold\nTied me to you\n[Verse 3]\nCold was the steel of my axe to grind\nFor the boys who broke my heart\nNow I send their babies presents\nGold was the color of the leaves\nWhen I showed you around Centennial Park\nHell was the journey, but it brought me heaven [Chorus]\nTime, wondrous time\nGave me the blues and then purple-pink skies\nAnd it's cool, b\naby, with me\nAnd isn't it just so pretty to think\nAll along there was some\nInvisible string\nTying you to me?\nOoh-ooh-ooh-ooh\nMe\nOoh-ooh-ooh-ooh\n[Outro]\n(Ah-ah-ah)\n(Ah-ah-ah)","prompt":"Write me a song in the style of Taylor Swift that explores the theme of destiny and interconnectedness through the metaphor of an \"invisible string\" tying two people together. The lyrics should reflect on past experiences, both the hardships and the serendipitous moments, hinting at a predestined relationship. Incorporate vivid color imagery to symbolize different life stages and emotions, similar to how green grass, teal shirts, and golden leaves are used. The tone should be reflective yet ultimately optimistic, with a melody that complements a storytelling approach, capturing the essence of a personal, introspective journey that leads to a meaningful connection."} +{"id":6263242,"song":"\u200br\u200bight where you left me","artist":"Taylor Swift","lyrics":"[Verse 1]\nFriends break up, friends get married\nStrangers get born, strangers get buried\nTrends change, rumors fly through new skies\nBut I'm right where you left me\nMatches burn after the other\nPages turn and stick to each other\nWages earned and lessons learned\nBut I, I'm right where you left me\n[Pre-Chorus]\nHelp, I'm still at the restaurant\nStill sitting in a corner I haunt\nCross-legged in the dim light\nThey say, \"What a sad sight,\" I\nI swear you could hear a hair pin drop\nRight when I felt the moment stop\nGlass shattered on the white cloth\nEverybody moved on, I, I stayed there\nDust collected on my pinned-up hair\nThey expected me to find somewhere\nSome perspective, but I sat and stared right where\n[Chorus]\nYou left me, you left me no, oh, you left me no\nYou left me no choice but to stay here forever\nYou left me, you left me no, oh, you left me no\nYou left me no choice but to stay here forever [Bridge]\nDid you ever hear about the girl who got frozen?\nTime went on for everybody else, she won't know it\nShe's still twenty-three inside her fantasy\nHow it was supposed to be\nDid you hear about the girl who lives in delusion?\nBreakups happen every day, you don't have to lose it\nShe's still twenty-three inside her fantasy\nAnd you're sitting in front of me\n[Pre-Chorus]\nAt the restaurant\nWhen I was still the one you want\nCross-legged in the dim light\nEverything was just right, I\nI could feel the mascara run\nYou told me that you met someone\nGlass shattered on the white cloth\nEverybody moved on\nHelp, I'm still at the restaurant\nStill sitting in a corner I haunt\nCross-legged in the dim light\nThey say, \"What a sad sight,\" I, I stayed there\nDust collected on my pinned-up hair\nI'm sure that you got a wife out there\nKids and Christmas, but I'm unaware 'cause I'm right where\nI cause no harm, mind my business\nIf our love died young, I can't bear witness, and it's been so long\nIf you ever think you got it wrong, I'm right where [Chorus]\nYou left me, you left me no, oh, you left me no\nYou left me no choice but to stay here forever\nYou left me, you left me no, oh, you left me no\nYou left me no choice but to stay here forever","prompt":"Write me a song in the style of Taylor Swift that captures the poignant emotions of being stuck in the past after a breakup, where the protagonist is metaphorically frozen in time at the scene of their heartbreak. The lyrics should evoke a sense of stagnation and nostalgia, with vivid imagery of being left behind while life moves on for others. Incorporate the bittersweet realization of being unable to move on, using references to physical settings that symbolize the internal struggle, such as sitting alone in a restaurant. The song should have a narrative quality, with a blend of melancholy and the signature Taylor Swift storytelling, set to a melody that complements the introspective and confessional nature of the lyrics."} +{"id":5793985,"song":"\u200bthe last great american dynasty","artist":"Taylor Swift","lyrics":"[Verse 1]\nRebekah rode up on the afternoon train, it was sunny\nHer saltbox house on the coast\u2005took\u2005her mind off\u2005St. Louis\nBill was the heir to\u2005the Standard Oil name and money\nAnd the town said, \"How\u205fdid\u205fa\u205fmiddle-class divorc\u00e9e do\u205fit?\"\nThe wedding was\u205fcharming, if a little gauche\nThere's only so far new money goes\nThey picked out a home and called it \"Holiday House\"\nTheir parties were tasteful, if a little loud\nThe doctor had told him to settle down\nIt must have been her fault his heart gave out\n[Chorus]\nAnd they said\n\"There goes the last great American dynasty\nWho knows, if she never showed up, what could've been\nThere goes the maddest woman this town has ever seen\nShe had a marvelous time ruining everything\"\n[Verse 2]\nRebekah gave up on the Rhode Island set forever\nFlew in all her Bitch Pack friends from the city\nFilled the pool with champagne and swam with the big names\nAnd blew through the money on the boys and the ballet\nAnd losing on card game bets with Dal\u00ed [Chorus]\nAnd they said\n\"There goes the last great American dynasty\nWho knows, if she never showed up, what could've been\nThere goes the most shameless woman this town has ever seen\nShe had a marvelous time ruining everything\"\n[Bridge]\nThey say she was seen on occasion\nPacing the rocks, staring out at the midnight sea\nAnd in a feud with her neighbor\nShe stole his dog and dyed it key lime green\nFifty years is a long time\nHoliday House sat quietly on that beach\nFree of women with madness, their men and bad habits\nAnd then it was bought by me\n[Chorus]\nWho knows, if I never showed up, what could've been\nThere goes the loudest woman this town has ever seen\nI had a marvelous time ruining everything\n[Outro]\nI had a marvelous time ruining everything\nA marvelous time ruining everything\nA marvelous time\nI had a marvelous time","prompt":"Write me a song in the style of Taylor Swift that tells the story of a high-society woman whose extravagant and controversial lifestyle leads her to be labeled as the town's most scandalous figure. The song should capture the essence of Swift's narrative songwriting, with vivid imagery and storytelling that chronicles the rise and fall of the woman's social status. It should include a catchy, reflective chorus that contemplates the impact of her actions and the legacy she leaves behind, wrapped in a blend of pop and folk elements reminiscent of Swift's unique musical blend."} +{"id":551256,"song":"Wildest Dreams","artist":"Taylor Swift","lyrics":"[Verse 1]\nHe said, \"Let's get out of this town\nDrive out of the city, away from the crowds\"\nI thought, \"Heaven can't help me now\"\nNothing lasts forever\nBut this is gonna take me down\n[Pre-Chorus]\nHe's so tall and handsome as hell\nHe's so bad, but he does it so well\nI can see the end as it begins\nMy one condition is\n[Chorus]\nSay you'll remember me\nStandin' in a nice dress\nStarin' at the sunset, babe\nRed lips and rosy cheeks\nSay you'll see me again\nEven if it's just in your\nWildest dreams, ah, ha\nWildest dreams, ah, ha\n[Verse 2]\nI said, \"No one has to know what we do\"\nHis hands are in my hair, his clothes are in my room\nAnd his voice is a familiar sound\nNothin' lasts forever\nBut this is gettin' good now [Pre-Chorus]\nHe's so tall and handsome as hell\nHe's so bad, but he does it so well\nAnd when we've had our very last kiss\nMy last request is\n[Chorus]\nSay you'll remember me\nStandin' in a nice dress\nStarin' at the sunset, babe\nRed lips and rosy cheeks\nSay you'll see me again\nEven if it's just in your\nWildest dreams, ah, ha\nWildest dreams, ah, ha\n[Bridge]\nYou'll see me in hindsight\nTangled up with you all night\nBurnin' it down\nSomeday, when you leave me\nI bet these memories\nFollow you around\nYou'll see me in hindsight\nTangled up with you all night\nBurnin' (Burnin') it (It) down (Down)\nSomeday, when you leave me\nI bet these memories\nFollow (Follow) you (You) around\n(Follow you around) [Breakdown]\nSay you'll remember me\nStanding in a nice dress\nStarin' at the sunset, babe\nRed lips and rosy cheeks\nSay you'll see me again\nEven if it's just pretend\n[Chorus]\nSay you'll remember me\nStandin' in a nice dress\nStarin' at the sunset, babe\nRed lips and rosy cheeks\nSay you'll see me again\nEven if it's just in your (Just pretend, just pretend)\nWildest dreams, ah, ha (Ah)\nIn your wildest dreams, ah, ha\nEven if it's just in your\nIn your wildest dreams, ah, ha\nIn your wildest dreams, ah, ha","prompt":"Write me a song in the style of Taylor Swift that captures a sense of bittersweet romance and nostalgic yearning, with vivid imagery of a fleeting love affair. The lyrics should convey the intense connection between lovers who are aware their relationship won't last, using metaphors of driving away from the city and burning memories. The song should include emotional pleas to be remembered fondly, paired with visual details such as red lips, rosy cheeks, and sunset backdrops, all set to a melody that's both haunting and beautiful, evoking the dreamy, melancholic essence of Swift's \"Wildest Dreams.\""} +{"id":3774,"song":"Back to December","artist":"Taylor Swift","lyrics":"[Verse 1]\nI'm so glad you made time to see me\nHow's life? Tell me, how's your family?\nI haven't seen them in a while\nYou've been good, busier than ever\nWe small talk, work and the weather\nYour guard is up and I know why\n[Pre-Chorus]\nBecause the last time you saw me\nIs still burned in the back of your mind\nYou gave me roses and I left them there to die\n[Chorus]\nSo this is me swallowing my pride\nStandin' in front of you sayin', \"I'm sorry for that night\"\nAnd I go back to December all the time\nIt turns out freedom ain't nothing but missin' you\nWishin' I'd realized what I had when you were mine\nI go back to December, turn around and make it alright\nI go back to December all the time\n[Verse 2]\nThese days, I haven't been sleeping\nStayin' up, playing back myself leavin'\nWhen your birthday passed and I didn't call\nThen I think about summer, all the beautiful times\nI watched you laughing from the passenger side\nAnd realized I loved you in the fall [Pre-Chorus]\nAnd then the cold came, the dark days\nWhen fear crept into my mind\nYou gave me all your love and all I gave you was goodbye\n[Chorus]\nSo this is me swallowing my pride\nStandin' in front of you, sayin', \"I'm sorry for that night\"\nAnd I go back to December all the time\nIt turns out freedom ain't nothing but missin' you\nWishin' I'd realized what I had when you were mine\nI go back to December, turn around and change my own mind\nI go back to December all the time\n[Bridge]\nI miss your tanned skin, your sweet smile\nSo good to me, so right\nAnd how you held me in your arms that September night\nThe first time you ever saw me cry\nMaybe this is wishful thinkin'\nProbably mindless dreaming\nBut if we loved again, I swear I'd love you right\nI'd go back in time and change it, but I can't\nSo, if the chain is on your door, I understand\n[Chorus]\nBut this is me swallowing my pride\nStandin' in front of you, sayin', \"I'm sorry for that night\"\nAnd I go back to December\nIt turns out freedom ain't nothing but missin' you\nWishin' I'd realized what I had when you were mine\nI go back to December, turn around and make it alright\nI go back to December, turn around and change my own mind\nI go back to December all the time [Outro]\nAll the time","prompt":"Write me a song in the style of Taylor Swift that captures the essence of reflective storytelling with a touch of melancholy, as seen in her song \"Back to December.\" The lyrics should revolve around themes of regret, reminiscence, and the desire for reconciliation after a breakup. The musical composition should be reminiscent of Swift's acoustic and soft rock influences, with a focus on narrative-driven verses and a memorable, heartfelt chorus that emphasizes the yearning to return to a past moment and make things right. The song should incorporate seasonal metaphors and provide vivid imagery of past memories, conveying a deep sense of nostalgia and personal growth."} +{"id":3306086,"song":"Don\u2019t Blame Me","artist":"Taylor Swift","lyrics":"[Intro]\nDon't blame me, love made me crazy\nIf it doesn't, you ain't doin' it right\nLord, save me, my drug is my baby\nI'll be usin' for the rest of my life\n[Verse 1]\nI've been breakin' hearts a long time\nAnd toyin' with them older guys\nJust playthings for me to use\nSomethin' happened for the first time\nIn the darkest little paradise\nShaking, pacin', I just need you\n[Pre-Chorus]\nFor you, I would cross the line\nI would waste my time, I would lose my mind\nThey say, \"She's gone too far this time\"\n[Chorus]\nDon't blame me, love made me crazy\nIf it doesn't, you ain't doin' it right\nLord, save me, my drug is my baby\nI'll be usin' for the rest of my life\nDon't blame me, love made me crazy\nIf it doesn't, you ain't doin' it right\nOh, Lord, save me, my drug is my baby\nI'll be usin' for the rest of my life [Verse 2]\nMy name is whatever you decide and\nI'm just gonna call you mine\nI'm insane, but I'm your baby (Your baby)\nEchoes (Echoes) of your name inside my mind\nHalo hidin' my obsession\nI once was poison ivy, but now, I'm your daisy\n[Pre-Chorus]\nAnd, baby, for you, I (I) would (Would) fall from grace\nJust (Just) to (To) touch your face, if (If) you (You) walk away\nI'd beg ya on my knees to stay\n[Chorus]\nDon't blame me, love made me crazy\nIf it doesn't, you ain't doin' it right\nLord, save me, my drug is my baby\nI'll be usin' for the rest of my life (Yeah, ooh)\nDon't blame me, love made me crazy\nIf it doesn't, you ain't doin' it right\nOh, Lord, save me, my drug is my baby\nI'll be usin' for the rest of my life\n[Bridge]\nI get so high, oh\nEvery time you're, every time you're lovin' me\nYou're lovin' me\nTrip of my life, oh\nEvery time you're, every time you're touchin' me\nYou're touchin' me\nEvery time you're, every time you're lovin' me [Breakdown]\nOh, Lord, save me, my drug is my baby\nI'll be usin' for the rest of my life\n(Usin' for the rest of my life, oh, woah)\n[Chorus]\nDon't blame me, love made me crazy\nIf it doesn't, you ain't doin' it right (Doin' it right, no)\nLord, save me, my drug is my baby\nI'll be usin' for the rest of my life (Oh)\nDon't blame me, love made me crazy (Ooh)\nIf it doesn't, you ain't doin' it right (You ain't doin', babe)\nOh, Lord, save me, my drug is my baby\nI'll be usin' for the rest of my life (I'll be usin', I'll be usin')\n[Outro]\nI get so high, oh\nEvery time you're, every time you're lovin' me\nYou're lovin' me\nOh, Lord, save me, my drug is my baby\nI'll be usin' for the rest of my life","prompt":"Write me a song in the style of Taylor Swift that explores the intoxicating nature of love as an addiction, using vivid imagery and metaphors to describe the protagonist's deep infatuation. The song should have a confessional tone, with the singer acknowledging the madness brought on by love and their willingness to do anything for their partner. Include a catchy chorus that conveys the theme of love as a drug, and ensure the verses reflect a journey from self-awareness to obsession, similar to the storytelling found in \"Don't Blame Me.\" Incorporate a bridge that heightens the emotional intensity of the song, and maintain the pop sensibility with a hint of dark, edgy production that complements the lyrical content."} +{"id":3306083,"song":"I Did Something Bad","artist":"Taylor Swift","lyrics":"[Verse 1]\nI never trust a narcissist, but they love me\nSo I play 'em like a violin\nAnd I make it look, oh, so easy\n'Cause for every lie I tell them, they tell me three\nThis is how the world works\nNow all he thinks about is me\n[Pre-Chorus]\nI can feel the flames on my skin\nCrimson red paint on my lips\nIf a man talks shit, then I owe him nothin'\nI don't regret it one bit 'cause he had it comin'\n[Chorus]\nThey say I did somethin' bad\nThen why's it feel so good?\nThey say I did somethin' bad\nBut why's it feel so good?\nMost fun I ever had\nAnd I'd do it over and over and over again if I could\nIt just felt so good, good\n[Post-Chorus]\nRa-di-di-di-di-di-di-di-di-di-da-da\nRa-di-di-di-di-di-di-di-di-di-da-da\nRa-di-di-di-di-di-di-di-di-di-da-da\nDa-da, da, da [Verse 2]\nI never trust a playboy, but they love me\nSo I fly 'em all around the world\nAnd I let them think they saved me\nThey never see it comin', what I do next\nThis is how the world works\nYou gotta leave before you get left\n[Pre-Chorus]\nI can feel the flames on my skin\nHe says, \"Don't throw away a good thing\"\nBut if he drops my name, then I owe him nothin'\nAnd if he spends my change, then he had it comin'\n[Chorus]\nThey say I did somethin' bad (\nDa-da\n)\nThen why's it feel so good?\nThey say I did somethin' bad\nBut why's it feel so good?\nMost fun I ever had\nAnd I'd do it over and over and over again if I could\nIt just felt so good, good\n[Post-Chorus]\nRa-di-di-di-di-di-di-di-di-di-da-da\nRa-di-di-di-di-di-di-di-di-di-da-da\n(It just felt so good)\nRa-di-di-di-di-di-di-di-di-di-da-da\nDa-da, da, da [Bridge]\nThey're burning all the witches, even if you aren't one\nThey got their pitchforks and proof, their receipts and reasons\nThey're burning all the witches, even if you aren't one\nSo light me up (Light me up), light me up (Light me up)\nLight me up, go ahead and light me up (Light me up)\nLight me up (Light me up), light me up (Light me up)\nLight me up (Light me up), light me up\n[Chorus]\nThey say I did somethin' bad (Oh)\nThen why's it feel so good? (So good)\nThey say I did somethin' bad\nBut why's it feel so (Good) good?\nMost fun I ever had (Most fun I ever had)\nAnd I'd do it over and over and over again if I could\nIt just felt so good (Good), good\n[Post-Chorus]\nRa-di-di-di-di-di-di-di-di-di-da-da\n (Bad)\nRa-di-di-di-di-di-di-di-di-di-da-da\nOh, they say I did somethin' bad (They say I did somethin' bad)\nRa-di-di-di-di-di-di-di-di-di-da-da\nThen why's it feel so good, good?\n[Outro]\nSo good (Bad), why's it feel so good?\nWhy's it feel, why's it feel so good? (Bad)\nIt just felt so good, good","prompt":"Craft a song in the style of Taylor Swift that explores the intoxicating feeling of doing something rebellious and the subsequent empowerment that comes with it. The song should include sharp, clever lyrics that play with the theme of defiance and a self-assured attitude, much like the song \"I Did Something Bad\" by Taylor Swift. It should have a catchy, anthemic chorus that embodies the thrill of mischievous actions feeling gratifying, despite societal disapproval. Incorporate a bridge that heightens the drama, perhaps referencing historical acts of rebellion or persecution. The musical arrangement should be bold and pop-driven, with a hint of dark, edgy undertones to match the mood of the lyrics."} +{"id":7078185,"song":"Message In A Bottle (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Verse 1]\nI know that you like me\nAnd it's kinda frightenin' standin' here waitin', waitin'\nAnd I became hypnotized\nBy freckles and bright eyes, tongue-tied\n[Pre-Chorus]\nBut now, you're so far away and I'm down\nFeelin' like a face in the crowd\nI'm reachin' for you, terrified\n[Chorus]\n'Cause you could be the one that I love\nI could be the one that you dream of\nA message in a bottle is all I can do\nStandin' here, hopin' it gets to you\nYou could be the one that I keep, and I\nI could be the reason you can't sleep at night\nA m\u0435ssage in a bottle is all I can do\nStandin' her\u0435, hopin' it gets to you\n[Verse 2]\nThese days I'm restless\nWorkdays are endless, look how you made me, made me\nBut time moves faster\nReplayin' your laughter, disaster [Pre-Chorus]\n'Cause now, you're so far away and I'm down\nFeelin' like a face in the crowd\nI'm reachin' for you, terrified, 'cause\n[Chorus]\n'Cause you could be the one that I love\nI could be the one that you dream of\nA message in a bottle is all I can do\nStandin' here, hopin' it gets to you (It gets to you)\nYou could be the one that I keep, and I (Ah)\nI could be the reason you can't sleep at night (At)\nA message in a bottle is all I can do\nStandin' here, hopin' it gets to you\n[Bridge]\nHow is it in London? (London)\nWhere were you while I'm wonderin' (Wonderin')\nIf I'll ever see you again?\nYou could be the one that I love, mm-mm\nAnd now I'm standin' here, hopin' it gets to you\n[Chorus]\n'Cause you could be the one that I love (Yeah, yeah)\nI could be the one that you dream of (Of)\nA message in a bottle is all I can do\nStandin' here, hopin' it gets to you (It gets to you)\nYou could be the one that I keep, and I\nI could be the reason you can't sleep at night (I can't sleep at night)\nA message in a bottle is all I can do (Yeah, yeah)\nStandin' here, hopin' it gets to you (Yeah, yeah) [Outro]\n(Love) You could be the one that I love\n(Love) You could be the one that I love\n(Love) My love\nAnd now I'm standin' here, hopin' this gets to you","prompt":"Write me a song in the style of Taylor Swift that explores the longing and vulnerability of unspoken love, incorporating the emotions of hope and fear as two people are separated by distance. The song should capture the essence of a modern romantic ballad with vivid imagery such as \"freckles and bright eyes\" and a recurring metaphor of a \"message in a bottle\" to symbolize attempts at communicating deep affection. The narrative should include the inner turmoil of waiting and the agony of being \"a face in the crowd,\" while maintaining a catchy, anthem-like chorus that echoes the possibility of being the one the other person dreams of."} +{"id":3021464,"song":"This Here Guitar","artist":"Taylor Swift","lyrics":"[Verse 1]\nWalking downtown shuffling my feet\nI try to dream my dreams above the concrete\nStore windows, traveled for miles\nBut something I passed really caught my eye\nIt was cracked down the middle, permanent scars\nBut I fell in love with this here guitar\n[Chorus]\nNice to meet you, can I teach you\nAll I know, can you show me what you do\nWhere have you been\nWhat have you seen\nWho were you before you even knew me\nHave you been played for endless hours\nOr were you left in the corner\nOr were you someone's best friend\nThis here guitar\n[Verse 2]\nIt was my baby, anyone could see\nI love the cracks, the curves, the hidden beauty\nBut I can't help wondering why\nIt came to me and where we'll say goodbye\nThe cracks down the middle\nCan't see where they are\nSince I fell in love with this here guitar [Chorus]\nNice to meet you, can I teach you\nAll I know, can you show me what you do\nWhere have you been\nWhat have you seen\nWho were you before you even knew me\nHave you been played for endless hours\nOr were you left in the corner\nOr were you someone's best friend\nThis here guitar\n[Bridge]\nWere you a present from a father to a son?\nDid he forget you\nOr just play you 'til you came undone?\nHey, did some primadonna love you\n'Til she got her fame and fortune?\nI won't do that to you\n[Chorus]\nNice to meet you, can I teach you\nAll I know, can you show me what you do\nWhere have you been?\nWhat have you seen?\nWho were you before you even knew me?\nHave you been played for endless hours\nOr were you left in the corner\nOr were you someone's best friend?\nThis here guitar\nYou're my guitar\nThis here guitar","prompt":"Write a song in the style of Taylor Swift that tells the story of a person discovering an old guitar, pondering its history, and forming a bond with it. The song should feature vivid storytelling in the verses, an emotional and catchy chorus, and a bridge that asks reflective questions about the guitar's past. Capture the essence of finding beauty in imperfection and the intimate connection between a musician and their instrument, reminiscent of Swift's narrative songwriting and her ability to personify objects with sentimental value."} +{"id":57418,"song":"You\u2019re Not Sorry","artist":"Taylor Swift","lyrics":"[Verse 1]\nAll this time I was wasting hoping you would come around\nI've been giving out chances every time and all you do is let me down\nAnd it's taken me this long, baby, but I've figured you out\nAnd you're thinking we'll be fine again, but not this time around\n[Chorus]\nYou don't have to call anymore\nI won't pick up the phone\nThis is the last straw\nDon't wanna hurt anymore\nAnd you can tell me that you're sorry\nBut I don't believe you, baby, like I did before\nYou're not sorry (No, no, no, no)\n[Verse 2]\nYou're looking so innocent, I might believe you if I didn't know\nCould've loved you all my life if you hadn't left me waiting in the cold\nAnd you've got your share of secrets\nAnd I'm tired of being last to know, oh\nAnd now, you're asking me to listen 'cause it's worked each time before\n[Chorus]\nBut you don't have to call anymore\nI won't pick up the phone\nThis is the last straw\nDon't wanna hurt anymore\nAnd you can tell me that you're sorry\nBut I don't believe you, baby, like I did before\nYou're not sorry (No, no, no, no)\nYou're not sorry (No, no, no, no) [Bridge]\nYou had me crawling for you, honey, and it never would've gone away, no\nYou used to shine so bright, but I watched all of it fade\n[Chorus]\nSo you don't have to call anymore\nI won't pick up the phone\nThis is the last straw\nThere's nothing left to beg for\nAnd you can tell me that you're sorry\nBut I don't believe you, baby, like I did before\nYou're not sorry (No, no, no, no)\nYou're not sorry (No, no, no, no)\n(No, no, no, no, no, no, no, no, no, no, no, no)\nWoah, oh, oh-oh, oh-oh-oh\n(Oh, oh, oh, no, no, no, no, no, no)","prompt":"Write me a song in the style of Taylor Swift that captures the essence of heartache and the strength found in letting go of a disappointing relationship, with emotionally charged lyrics similar to those in \"You're Not Sorry.\" The song should portray a narrative of disillusionment and empowerment, featuring a blend of country-pop elements and vivid storytelling. The lyrics should convey a sense of finality and independence, with a catchy chorus that underlines the theme of no longer accepting empty apologies and choosing self-worth over false hope."} +{"id":1999086,"song":"22","artist":"Taylor Swift","lyrics":"[Verse 1: Alex Goot]\nIt feels like a perfect night to dress up like hipsters\nAnd make fun of our ex's (oh oh oh oh)\nIt feels like a perfect night for breakfast at midnight\nTo fall in love with strangers (oh oh oh oh)\nYeah! We're happy, free, confused and lonely at the same time\nIt's miserable and magical, oh yeah\nTonight's the night when we forget about the deadlines\nIt's time (oh oh)\n[Chours: Alex Goot, \nChrissy Costanza\n & \nboth\n]\nI don't know about you but I'm feelin 22\nEverything will be alright if you'll keep me next to you\nBut you don't know about me\nBut I bet you want to\nEverything will be alright if we just keep dancing like we're\n22 (oh oh)\nYea, 22 (oh oh)\n[Verse 2: Sam Tsui]\nIt seems like one of those nights this place is too crowded\nToo many cool kids (woa oh)\nIt seems like one of those nights we ditch the whole scene\nAnd end up dreaming instead of sleeping\nYea! We're happy, free, confused and lonely in the best way\nIt's miserable and magical, oh yea\nTonight's the night when we forget about the heartbreaks\nIt's time (oh oh) [Chours: Chrissy Costanza & Sam Tsui]\nI don't know about you but I'm feelin 22\nEverything will be alright if you'll keep me next to you\nBut you don't know about me\nBut I bet you want to\nEverything will be alright if we just keep dancing like we're\u2026\n22 (oh oh)\n22 (oh oh)\n[Bridge: King The Kid]\nIt feels like one of those nights (we ditch the whole scene)\nIt feels like one of those nights (we won't be sleepin)\nIt feels like one of those nights (you look like bad news)\nI gotta have you, I gotta have you\n[Chours: Alex Goot & Sam Tsui]\nI don't know about you but I'm feelin 22\nEverything will be alright if you'll keep me next to you\nBut you don't know about me\nBut I bet you want to\nEverything will be alright if we just keep dancing like we're\u2026\n22 (oh oh)\n22 (oh oh)\n[Outro]\nIt feels like one of those nights\nIt feels like one of those nights\nIt feels like one of those nights (we ditch the whole scene)\nIt feels like one of those nights (we won't be sleepin)\nIt feels like one of those nights (you look like bad news)\nI gotta have you, I gotta have you","prompt":"Write me a song in the style of Taylor Swift that captures the essence of being carefree and youthful, complete with references to hipster culture and nostalgic adventures. The song should convey a mix of happiness, confusion, and a touch of loneliness, embodying a magical yet miserable night out. It should include a catchy, anthemic chorus that plays with the idea of feeling '22' and the liberation that comes with that age. The lyrics should suggest a narrative of escaping the pressures of deadlines and heartbreaks, with a bridge that hints at bad news but an irresistible attraction. Emphasize the importance of companionship and the simple joy of dancing through the night as a remedy to life's complexities."} +{"id":3306080,"song":"Dancing With Our Hands Tied","artist":"Taylor Swift","lyrics":"[Verse 1]\nI, I loved you in secret\nFirst sight, yeah, we love without reason\nOh, twenty-five years old\nOh, how were you to know? And\nMy, my love had been frozen\nDeep blue, but you painted me golden\nOh, and you held me close\nOh, how was I to know? I\u2013\n[Pre-Chorus]\nCould've spent forever with your hands in my pockets\nPicture of your face in an invisible locket\nYou said there was nothing in the world that could stop it\nI had a bad feeling\nAnd darling, you had turned my bed into a sacred oasis\nPeople started talking, putting us through our paces\nI knew there was no one in the world who could take it\nI had a bad feeling\n[Chorus]\nBut we were dancing\nDancing with our hands tied, hands tied\nYeah, we were dancing\nLike it was the first time, first time\nYeah, we were dancing\nDancing with our hands tied, hands tied\nYeah, we were dancing\nAnd I had a bad feeling\nBut we were dancing [Verse 2]\nI, I loved you in spite of\nDeep fears that the world would divide us\nSo, baby, can we dance\nOh, through an avalanche? And\nSay, say that we got it\nI'm a mess, but I'm the mess that you wanted\nOh, 'cause it's gravity\nOh, keeping you with me, I\u2013\n[Pre-Chorus]\nCould've spent forever with your hands in my pockets\nPicture of your face in an invisible locket\nYou said there was nothing in the world that could stop it\nI had a bad feeling\n[Chorus]\nBut we were dancing\nDancing with our hands tied, hands tied\nYeah, we were dancing\nLike it was the first time, first time\nYeah, we were dancing\nDancing with our hands tied, hands tied\nYeah, we were dancing (Knew we had our hands tied)\nAnd I had a bad feeling\nBut we were dancing [Bridge]\nI'd kiss you as the lights went out\nSwaying as the room burned down\nI'd hold you as the water rushes in\nIf I could dance with you again\nI'd kiss you as the lights went out\nSwaying as the room burned down\nI'd hold you as the water rushes in\nIf I could dance with you again (Again)\n[Chorus]\nDancing with our hands tied, hands tied\nOh, yeah, we were dancing\nLike it was the first time, first time (First time, first time)\nYeah, we were dancing (Oh)\nDancing with our hands tied, hands tied (Dancing with our hands tied)\nYeah, we were dancing (Ooh)\nAnd I had a bad feeling (Had a bad feeling)\nBut we were dancing\n[Outro]\n(Ooh-ooh, ooh-ooh)\nHands tied, hands tied (Dancing)","prompt":"Write me a song in the style of Taylor Swift that captures the essence of young, secretive love that is intense and bittersweet. The lyrics should revolve around a narrative of lovers who cherish their connection despite external doubts and fears, with a recognition of an underlying unease about the future. The musical arrangement should include Swift's signature blend of pop and country elements, with emotionally-driven verses leading into a catchy, anthemic chorus that emphasizes the theme of 'dancing with our hands tied' as a metaphor for a relationship with inherent limitations. The song should convey the complexity of emotions through vivid imagery and metaphors, such as the \"invisible locket\" and \"sacred oasis,\" and include a bridge that heightens the emotional stakes, reminiscent of Swift's storytelling approach."} +{"id":102718,"song":"Holy Ground","artist":"Taylor Swift","lyrics":"[Verse 1]\nI was reminiscing just the other day\nWhile having coffee all alone, and Lord, it took me away\nBack to a first-glance feeling on New York time\nBack when you fit in my poems like a perfect rhyme\nTook off faster than a green light, go\nHey, you skip the conversation when you already know\nI left a note on the door with a joke we'd made\nAnd that was the first day\n[Chorus]\nAnd darling, it was good\nNever looking down\nAnd right there where we stood\nWas holy ground\n[Verse 2]\nSpinning like a girl in a brand new dress\nWe had this big wide city all to ourselves\nWe blocked the noise with the sound of, \"I need you\"\nAnd for the first time, I had something to lose\nAnd I guess we fell apart in the usual way\nAnd the story's got dust on every page\nBut sometimes, I wonder how you think about it now\nAnd I see your face in every crowd [Chorus]\n'Cause darling, it was good\nNever looking down\nAnd right there where we stood\nWas holy ground\n[Bridge]\nTonight, I'm gonna dance\nFor all that we've been through\nBut I don't wanna dance\nIf I'm not dancing with you\nTonight, I'm gonna dance\nLike you were in this room\nBut I don't wanna dance\nIf I'm not dancing with you\n[Chorus]\nIt was good\nNever looking down\nAnd right there where we stood\nWas holy ground\n[Outro]\nTonight, I'm gonna dance\nFor all that we've been through\nBut I don't wanna dance\nIf I'm not dancing with you\nTonight, I'm gonna dance\nLike you were in this room\nBut I don't wanna dance\nIf I'm not dancing with you","prompt":"Write me a song in the style of Taylor Swift that captures the nostalgic reminiscence of a past romance, with vivid imagery of New York City as a backdrop. The lyrics should include a blend of tender memories and poignant realizations, reflecting on a love that was once vibrant and the pang of its absence. Include a chorus that conveys a sense of sacredness about the place where the relationship thrived, and create a bridge that expresses a bittersweet desire to dance alone, yet yearning for the presence of a former partner. The song should have an intimate, acoustic feel with emotionally rich storytelling, typical of Taylor Swift's earlier work."} +{"id":3310192,"song":"Look What You Made Me Do","artist":"Taylor Swift","lyrics":"I don't like your \nlittle games\nDon't like your tilted stage\nThe role you made me play\nOf the fool, no, I don't like you\nI don't like your perfect crime\nHow you laugh when you lie\nYou said the gun was mine\nIsn't cool, no, I don't like you (oh)\nBut I got smarter, \nI got harder in the nick of time\nHoney, I rose up from the dead, I do it all the time\nI've got a list of names and yours is in red, underlined\nI check it once, then I check it twice, oh!\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me do\nI don't like your kingdom keys\nThey once belonged to me\nYou asked me for a place to sleep\nLocked me out and threw a feast (what?)\nThe world moves on, another day, another drama, drama\nBut not for me, not for me, all I think about is karma\nAnd then the world moves on, but one thing's for sure\nMaybe I got mine, \nbut you'll all get yours But I got smarter, I got harder in the nick of time\nHoney, I rose up from the dead, I do it all the time\nI've got a list of names and yours is in red, underlined\nI check it once, then I check it twice, oh!\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me do\nI don't trust nobody and nobody trusts me\nI'll be the actor starring in your bad dreams\nI don't trust nobody and nobody trusts me\nI'll be the actor starring in your bad dreams\nI don't trust nobody and nobody trusts me\nI'll be the actor starring in your bad dreams\nI don't trust nobody and nobody trusts me\nI'll be the actor starring in your bad dreams\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me\nI'm sorry, the old Frank can't come to the phone right now\nWhy? Oh, cause he's dead! (Oh) Ooh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me do\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me\nOoh, look what you made me do\nLook what you made me do\nLook what you just made me do\nLook what you just made me do","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a dramatic transformation and personal empowerment following betrayal. The lyrics should explore themes of overcoming deceit and manipulation, with a tone of defiance and strength. Include a catchy, repetitive chorus that emphasizes the protagonist's newfound resilience and the consequences of their adversary's actions, similar to the style of \"Look What You Made Me Do.\" The song should have a pop sound with a slight edge, reflecting Swift's evolution as an artist."} +{"id":6959851,"song":"Renegade","artist":"Taylor Swift","lyrics":"[Verse 1: Taylor Swift]\nI tapped on your window on your darkest night\nThe shape of you was jagged and weak\nThere was nowhere for me to stay, but I stayed anyway\nAnd if I would've known\nHow many pieces you had crumbled into\nI might have let them lay\n[Chorus: Taylor Swift, \nTaylor Swift & Justin Vernon\n]\nAre you really gonna talk about timing in times like these?\nAnd let all your damage damage me\nAnd carry your baggage up my street\nAnd make me your future history, it\u2019s time\nYou've come a long way, open the blinds, let me see your face\nYou wouldn't be the first renegade\n to need somebody\n[Post-Chorus: Taylor Swift, \nTaylor Swift & Justin Vernon\n]\nIs it insensitive for me to say\n\"\nGet your shit together\n so I can love you\"?\nIs it really your anxiety that stops you\nFrom giving me \neverything\nOr do you just not want to?\n[Verse 2: Taylor Swift]\nI tapped on your window on your darkest night\nThe shape of you was jagged and weak\nThere was nowhere for me to stay, but I stayed anyway\nYou fire off missiles \u2019cause you hate yourself\nBut do you know you're demolishing me?\nAnd then you squeeze my hand as I'm about to leave [Chorus: Taylor Swift, \nTaylor Swift & Justin Vernon\n]\nAre you really gonna \ntalk about timing in times like these?\nAnd let all your damage damage me\nAnd carry your baggage up my street\nAnd make me your future history, it's time\nYou've come a long way, open the blinds, let me see your face\nYou wouldn't be the first renegade to need somebody\n[Post-Chorus: Taylor Swift \nwith Justin Vernon\n]\nIs it insensitive for me to say\n\"\nGet your shit together\n so I can love you\"?\nIs it really your anxiety that stops you\nFrom giving me \neverything\nOr do you just not want to?\n[Bridge: Taylor Swift]\nAnd if I would've known\nHow sharp the pieces were you'd crumbled into\nI might\u2019ve let them lay\n[Chorus: Taylor Swift]\nAre you really gonna talk about timing in times like these?\nAnd let all your damage damage me\nAnd carry your baggage up my street\nAnd make me your future history, it\u2019s time\nYou've come a long way, open the blinds, let me see your face\nYou wouldn\u2019t be the first renegade to need somebody [Outro: Taylor Swift, \nJustin Vernon\n]\nTo need somebody, to need somebody\nTo need somebody, to need\nAre you really gonna talk about timing in times like these?\nAnd let all your damage damage me\nAnd carry your baggage up my street\nAnd make me your future history, it's time\nIs it insensitive for me to say\n\"Get your shit together so I can love you\"?\nYou've come a long way, open the blinds, let me see your face\nYou wouldn't be the first renegade to need somebody\nIs it really your anxiety that stops you\nFrom giving me everything\nOr do you just not want to?","prompt":"Write me a song in the style of Taylor Swift that captures the emotional complexity of a strained relationship, featuring evocative imagery and a raw, confessional tone. The song should include a blend of vulnerability and assertiveness, illustrating the dynamic between two people where one is urging the other to confront their issues for the sake of the relationship. Incorporate a chorus that questions the timing of their struggles and the willingness to carry each other's emotional baggage, while also hinting at a desire for genuine connection despite the challenges. Include a bridge that reflects on the sharpness of the emotional fragments left behind, and an outro that emphasizes the need for mutual support. The song should have a folk-pop influence, with a hint of indie collaboration, reminiscent of Taylor Swift's later works."} +{"id":4765529,"song":"The Man","artist":"Taylor Swift","lyrics":"[Verse 1]\nI would be complex, I would be cool\nThey'd say I played the field before I found someone to commit to\nAnd that would be okay for me to do\nEvery conquest I had made would make me more of a boss to you\n[Pre-Chorus]\nI\u2019d be a fearless leader, I'd be an alpha type\nWhen everyone believes ya, what's that like?\n[Chorus]\nI\u2019m so sick of running as fast as I can\nWonderin' if I'd get there quicker if I was a man\nAnd I'm so sick of them comin' at me again\n'Cause if I was a man, then I'd be the man\nI'd be the man (Man)\nI\u2019d be the man (Man)\n[Verse 2]\nThey\u2019d say I hustled, put in the work\nThey wouldn't shake their heads and question how much of this I deserve\nWhat I was wearing, if I was rude\nCould all be separated from my good ideas and power moves\n[Pre-Chorus]\nAnd they would toast to me, oh (Ayy), let the players play\nI\u2019d be just like Leo in Saint-Tropez [Chorus]\nI'm so sick of running as fast as I can\nWonderin' if I'd get there quicker if I was a man\nAnd I\u2019m so sick of them comin' at me again\n'Cause if I was a man, then I'd be the man\nI'd be the man (Man)\nI'd be the man (Man)\n[Bridge]\nWhat's it like to brag about raking in dollars\nAnd getting bitches and models?\nAnd it's all good if you're bad\nAnd it's okay if you're mad\nIf I was out flashin' my dollars\nI'd be a bitch, not a baller\nThey'd paint me out to be bad\nSo it's okay that I'm mad\n[Chorus]\nI'm so sick of running as fast as I can\nWonderin' if I'd get there quicker if I was a man\n (You know that)\nAnd I'm so sick of them comin' at me again (Comin' at me again)\n'Cause if I was a man (If I was a man), then I'd be the man (Then I'd be the man)\nI'm so sick of running as fast as I can (As fast as I can)\nWonderin' if I'd get there quicker if I was a man (Hey)\nAnd I'm so sick of them comin' at me again (Comin' at me again)\n'Cause if I was a man (If I was a man), then I'd be the man\nI'd be the man (Man)\nI'd be the man (Man, oh)\nI'd be the man (Man, yeah)\nI'd be the man (Man, I'd be the man) [Outro]\nIf I was a man\nThen I'd be the man","prompt":"Write me a song in the style of Taylor Swift that explores the double standards and gender roles in society, much like her song \"The Man.\" The lyrics should reflect the internal dialogue of someone who imagines the freedoms and successes they might enjoy if societal expectations were reversed. The song should have a catchy chorus that emphasizes the frustration of being held back by gender stereotypes, and verses that detail the specific ways in which the character would navigate the world differently. Incorporate clever, Swift-esque wordplay and vivid imagery to challenge the status quo, all while maintaining a pop sensibility with an empowering tone."} +{"id":98869,"song":"You Belong With Me","artist":"Taylor Swift","lyrics":"[Verse 1]\nYou're on the phone with your girlfriend, she's upset\nShe's going off about something that you said\n'Cause she doesn't get your humor like I do\nI'm in the room, it's a typical Tuesday night\nI'm listening to the kind of music she doesn't like\nAnd she'll never know your story like I do\n[Pre-Chorus]\nBut she wears short skirts, I wear T-shirts\nShe's Cheer Captain and I'm on the bleachers\nDreaming 'bout the day when you wake up and find\nThat what you're looking for has been here the whole time\n[Chorus]\nIf you could see that I'm the one who understands you\nBeen here all along, so why can't you see?\nYou belong with me, you belong with me\n[Verse 2]\nWalking the streets with you and your worn-out jeans\nI can't help thinking this is how it ought to be\nLaughing on a park bench, thinking to myself\nHey, isn't this easy?\nAnd you've got a smile that could light up this whole town\nI haven't seen it in a while since she brought you down\nYou say you're fine, I know you better than that\nHey, whatcha doing with a girl like that? [Pre-Chorus]\nShe wears high heels, I wear sneakers\nShe's Cheer Captain and I'm on the bleachers\nDreaming 'bout the day when you wake up and find\nThat what you're looking for has been here the whole time\n[Chorus]\nIf you could see that I'm the one who understands you\nBeen here all along, so why can't you see?\nYou belong with me\nStanding by and waiting at your back door\nAll this time, how could you not know, baby?\nYou belong with me, you belong with me\n[Bridge]\nOh, I remember you driving to my house\nIn the middle of the night\nI'm the one who makes you laugh\nWhen you know you're 'bout to cry\nAnd I know your favorite songs\nAnd you tell me 'bout your dreams\nThink I know where you belong\nThink I know it's with me\n[Chorus]\nCan't you see that I'm the one who understands you\nBeen here all along, so why can't you see?\nYou belong with me\nStanding by and waiting at your back door\nAll this time, how could you not know, baby?\nYou belong with me, you belong with me [Outro]\nYou belong with me\nHave you ever thought just maybe\nYou belong with me?\nYou belong with me","prompt":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love and longing from the perspective of a girl-next-door character. The lyrics should reflect yearning for a close friend who is unaware of her affections, contrasting her genuine understanding and connection with him against his current girlfriend's apparent mismatch. Incorporate vivid storytelling with specific scenarios that highlight the protagonist's down-to-earth nature and the authenticity of her feelings. The musical style should blend country-pop elements with catchy, relatable choruses, and the overall tone should be one of hopeful optimism mixed with a touch of teenage wistfulness."} +{"id":4968964,"song":"Beautiful Ghosts","artist":"Taylor Swift","lyrics":"[Verse 1]\nFollow me home if you dare to\nI wouldn't know where to lead you\nShould I take\u2005chances\u2005when no one\u2005took chances on me?\nSo I watch\u2005from the dark, wait for my life to start\nWith no beauty in my memory\n[Chorus]\nAll that I wanted was to be wanted\nToo young to wander London streets, alone and haunted\nBorn into nothing\nAt least you have something, something to cling to\nVisions of dazzling rooms I'll never get let into\nAnd the memories were lost long ago\nBut at least you have beautiful ghosts\n[Verse 2]\nPerilous night, their voices calling\nA flicker of light before the dawning\nOut here, the wild ones are taming the fear within me\nScared to call them my friends and be broken again\nIs this hope just a mystical dream?\n[Chorus]\nAll that I wanted was to be wanted\nToo young to wander London streets, alone and haunted\nBorn into nothing\nAt least you have something, something to cling to\nVisions of dazzling rooms I'll never get let into\nAnd the memories were lost long ago\nBut at least you have beautiful ghosts [Bridge]\nAnd so maybe my home isn't what I had known\nWhat I thought it would be\nBut I feel so alive with these phantoms of night\nAnd I know that this life isn't safe, but it's wild and it's free\n[Chorus]\nAll that I wanted was to be wanted\nI'll never wander London streets, alone and haunted\nBorn into nothing\nWith them, I have something, something to cling to\nI never knew I'd love this world they've let me into\nAnd the memories were lost long ago\nSo I'll dance with these beautiful ghosts\nAnd the memories were lost long ago\nSo I'll dance with these beautiful ghosts","prompt":"Write me a song in the style of Taylor Swift that captures the essence of yearning and the feeling of being an outsider looking in. The lyrics should touch on themes of longing to belong, the bittersweet nature of unattainable dreams, and finding solace in one's imagination. The melody should be haunting yet beautiful, reflecting the melancholic but hopeful tone of someone who feels lost but is beginning to find their place in the world, akin to the narrative structure and emotional depth found in Swift's \"Beautiful Ghosts.\""} +{"id":6260168,"song":"\u200bconey island","artist":"Taylor Swift","lyrics":"[Verse 1: Taylor Swift]\nBreak my soul in two looking for you\nBut you're right here\nIf I can't relate to you anymore\nThen who am I related to?\nAnd if this is the long haul\nHow'd we get here so soon?\nDid I close my fist around something delicate?\nDid I shatter you?\n[Chorus: Taylor Swift]\nAnd I'm sitting on a bench in Coney Island\nWondering, where did my baby go?\nThe fast times, the bright lights, the merry go\nSorry for not making you my centerfold\nOver and over\nLost again with no surprises\nDisappointments, close your eyes\nAnd it gets colder and colder\nWhen the sun goes down\n[Verse 2: Matt Berninger \nwith Taylor Swift\n]\nThe question pounds my head\nWhat's a lifetime of achievement\nIf I pushed you to the edge\nBut you were too polite to leave me?\nAnd do you miss the rogue\nWho coaxed you into paradise and left you there?\nWill you forgive my soul\nWhen you're too wise to trust me and too old to care? [Chorus: Taylor Swift \nwith Matt Berninger\n]\n'Cause we were like the mall before the internet\nIt was the one place to be\nThe mischief, the gift-wrapped suburban dreams\nSorry for not winning you an arcade ring\nOver and over\nLost again with no surprises\nDisappointments, close your eyes\nAnd it gets colder and colder\nWhen the sun goes down\n[Bridge: Taylor Swift, \nMatt Berninger\n, \nBoth\n]\nWere you waiting at our old spot\nIn the tree line by the gold clock\nDid I leave you hanging every single day?\nWere you standing in the hallway\nWith a big cake, happy birthday\nDid I paint your bluest skies the darkest grey?\nA universe away\nAnd when I got into the accident\nThe sight that flashed before me was your face\nBut when I walked up to the podium\nI think that I forgot to say your name\n[Chorus: Taylor Swift & Matt Berninger]\nI'm on a bench in Coney Island\nWondering, where did my baby go?\nThe fast times, the bright lights, the merry go\nSorry for not making you my centerfold\nOver and over\nLost again with no surprises\nDisappointments, close your eyes\nAnd it gets colder and colder\nWhen the sun goes down [Outro: Taylor Swift & Matt Berninger]\nWhen the sun goes down\nThe sight that flashed before me was your face\nWhen the sun goes down\nBut I think that I forgot to say your name\nOver and over\nSorry for not making you my, making you my\nMaking you my centerfold","prompt":"Write me a song in the style of Taylor Swift that captures the reflective and melancholic mood of lost love and missed opportunities, much like her song \"Coney Island.\" The lyrics should explore themes of regret, nostalgia, and the complexities of relationships, featuring introspective verses and a memorable, emotive chorus. Include a male vocal in the style of Matt Berninger for a duet effect, where both perspectives add depth to the narrative. The song should evoke the feeling of a chilly, deserted amusement park and employ imagery that conveys the passage of time and the haunting nature of memories."} +{"id":5191847,"song":"Only The Young","artist":"Taylor Swift","lyrics":"[Verse 1]\nIt keeps me awake, the look on your face\nThe moment you heard the news\nYou're screaming\u2005inside\u2005and frozen in\u2005time\nYou did all that you could\u2005do\nThe game was rigged, the ref got tricked\nThe wrong ones think they\u2019re right\nYou were outnumbered this time\n[Chorus]\nBut only the young, only the young\nOnly the young, only the young\nCan run\nCan run\nSo run, and run, and run\n[Verse 2]\nSo every day now\nYou brace for the sound you've only heard on TV\nYou go to class, scared\nWondering where the best hiding spot would be\nAnd the big bad man and his big bad clan\nTheir hands are stained with red\nOh, how quickly they forget\n[Pre-Chorus]\nThey aren't gonna help us\nToo busy helping themselves\nThey aren't gonna change this\nWe gotta do it ourselves\nThey think that it's over\nBut it's just begun [Chorus]\nOnly one thing can save us\nOnly the young (\nOnly the young\n)\nOnly the young (\nOnly the young\n)\nOnly the young (\nOnly the young\n)\nOnly the young\nOnly the young (\nOnly the young\n)\nOnly the young (\nOnly the young\n)\nOnly the young (\nOnly the young\n)\nOnly the young\nOnly the young (\nOnly the young\n; Don't say you're too tired to fight)\nOnly the young (\nOnly the young\n; It's just a matter of time)\nOnly the young (\nOnly the young\n; Up there's the finish line)\nOnly the young\nCan run\n[Post-Chorus]\nDon't say you're too tired to fight\nIt's just a matter of time (Can run)\nUp there's the finish line (So run, and run, and run)\nDon't say you're too tired to fight\nIt's just a matter of time (So run)\nUp there's the finish line (And run, and run, and run)\n[Outro]\nOnly the young\nOnly the young\nOnly the young","prompt":"Write me a song in the style of Taylor Swift that captures the essence of youthful resilience and activism in the face of systemic injustice and apathy. The song should convey a sense of urgency and hope, encouraging the young generation to take action and not be deterred by the daunting challenges they face. The lyrics should reflect the emotional turmoil of coming of age in a tumultuous world while also offering an empowering message that they have the power to effect change. Incorporate a blend of storytelling and reflective commentary, as well as a catchy chorus that emphasizes the unique strength and potential of youth."} +{"id":241562,"song":"Sweeter Than Fiction","artist":"Taylor Swift","lyrics":"[Verse 1]\nHit the ground, hit the ground, hit the ground, oh, oh\nOnly sound, only sound that you hear is, \"No\"\nYou never saw it comin', slipped when you started runnin'\nAnd now you've come undone, and I, I, I, I\n[Pre-Chorus]\nSeen you fall, seen you crawl on your knees, eh, ayy\nSeen you lost in a crowd, seen your colors fade\nWish I could make it better, someday you won't remember\nThis pain you thought would last forever and ever\n[Chorus]\nThere you'll stand, ten feet tall\nI will say, \"I knew it all along\"\nYour eyes, wider than distance\nThis life is sweeter than fiction\n[Verse 2]\nJust a shot, just a shot in the dark, oh, oh\nAll you got, all you got are your shattered hopes\nThey never saw it comin', you hit the ground runnin'\nAnd now you're on to somethin', I, I, I say\n[Pre-Chorus]\n\"What a sight, what a sight\" when the light came on\nProved me right, proved me right when you proved them wrong\nAnd, in this perfect weather, it's like we don't remember\nThe rain we thought would last forever and ever [Chorus]\nThere you'll stand, ten feet tall\nI will say, \"I knew it all along\"\nYour eyes, wider than distance\nThis life is sweeter than fiction\nThere you'll stand, next to me (Next to me)\nAll at once, the rest is history (Ooh)\nYour eyes, wider than distance\nThis life is sweeter than fiction (Sweeter than fiction)\n[Bridge]\nI'll be one of the many sayin'\n\"Look at you now, look at you now and now\"\nI'll be one of the many saying\n\"You've made us proud, you've made us proud, proud\"\nI'll be one of the many sayin'\n\"Look at you now, look at you now and now\"\nI'll be one of the many sayin'\n\"You've made us proud, you've made us proud, proud\"\nAnd when they call your name\nAnd they put your picture in a frame\nYou know that I'll be there time and again\n'Cause I loved you when, when you\n[Pre-Chorus]\nHit the ground, hit the ground, hit the ground, oh, oh\nOnly sound, only sound that you heard was, \"No\"\nNow, in this perfect weather, it's like we don't remember\nThe rain we thought would last forever and ever (Forever) [Chorus]\nThere you'll stand, ten feet tall (Ten feet tall)\nI will say, \"I knew it all along\" (Along)\nYour eyes, wider than distance (I knew it all along)\nThis life is sweeter than fiction (Sweeter than fiction)\nThere you'll stand, next to me (Next to me)\nAll at once, the rest is history (Ooh)\nYour eyes, wider than distance (I knew it all along)\nThis life is sweeter than fiction (It's sweeter than fiction)\n[Outro]\nIt's sweeter than fiction\nIt's sweeter, yeah\nIt's sweeter, it's sweeter\nIt's sweeter than fiction","prompt":"Write me a song in the style of Taylor Swift that captures the essence of overcoming adversity, with a narrative that evolves from struggle to triumph. The lyrics should convey a story of someone who has been doubted and faced setbacks, yet ultimately stands tall and proud, proving the skeptics wrong. Incorporate a sense of personal growth and a victorious mood, similar to the uplifting and reflective tone found in Taylor Swift's \"Sweeter Than Fiction.\" The song should have a catchy chorus that celebrates the sweet victory of life being better than what one might have imagined, with vivid imagery and emotional depth reminiscent of Swift's storytelling prowess."} +{"id":6260163,"song":"\u200b\u2019tis the damn season","artist":"Taylor Swift","lyrics":"[Verse 1]\nIf I wanted to know who you were hanging with\nWhile I was gone, I would've asked you\nIt's the kind of cold, fogs up windshield glass\nBut I felt it when I passed you\nThere's an ache in you, put there by the ache in me\nBut if it's all the same to you\nIt's the same to me\n[Chorus]\nSo we could call it even\nYou could call me \"babe\" for the weekend\n\u200b'Tis the damn season\n, \nwrite this down\nI'm stayin' at my parents' house\nAnd the road not taken looks real good now\nAnd it always leads to you and my hometown\n[Verse 2]\nI park\u0435d my car right between the Methodist\nAnd th\u0435 school that used to be ours\nThe holidays linger like bad perfume\nYou can run, but only so far\nI escaped it too, remember how you watched me leave\nBut if it's okay with you, it's okay with me\n[Chorus]\nWe could call it even\nYou could call me \"babe\" for the weekend\n\u200b'Tis the damn season, write this down\nI'm stayin' at my parents' house\nAnd the road not taken looks real good now\nTime flies, messy as the mud on your truck tires\nNow I'm missing your smile, hear me out\nWe could just ride around\nAnd the road not taken looks real good now\nAnd it always leads to you and my hometown [Bridge]\nSleep in half the day just for old times' sake\nI won't ask you to wait if you don't ask me to stay\nSo I'll go back to L.A. and the so-called friends\nWho'll write books about me if I ever make it\nAnd wonder about the only soul\nWho can tell which smiles I'm fakin'\nAnd the heart I know I'm breakin' is my own\nTo leave the warmest bed I've ever known\nWe could call it even\nEven though I'm leaving\nAnd I'll be yours for the weekend\n\u200b'Tis the damn season\n[Chorus]\nWe could call it even\nYou could call me \"babe\" for the weekend\n\u200b'Tis the damn season, write this down\nI'm stayin' at my parents' house\nAnd the road not taken looks real good now\nTime flies, messy as the mud on your truck tires\nNow I'm missing your smile, hear me out\nWe could just ride around\nAnd the road not taken looks real good now\nAnd it always leads to you and my hometown [Outro]\nIt always leads to you and my hometown","prompt":"Write me a song in the style of Taylor Swift that captures the nostalgic and bittersweet emotions of returning home for the holidays and rekindling an old flame. The lyrics should convey the complexity of revisiting past relationships and the allure of what-could-have-been, set against the backdrop of a small hometown. The melody should be evocative and reflective, with a touch of Swift's signature storytelling that weaves personal anecdotes with universal themes. Include vivid imagery of seasonal changes and the tension between staying and leaving, and ensure the chorus is catchy and emphasizes the temporary nature of the reunion, using phrases like \"for the weekend\" to highlight the fleeting connection."} +{"id":4782869,"song":"Afterglow","artist":"Taylor Swift","lyrics":"[Verse 1]\nI blew things out of proportion, now you're blue\nPut you in jail for something you\u2005didn\u2019t\u2005do\nI pinned your\u2005hands behind your back, oh\nThought I\u2005had reason to attack, but no\n[Pre-Chorus 1]\nFighting with a true love is boxing with no gloves\nChemistry 'til it blows up, 'til there\u2019s no us\nWhy'd I have to break what I love so much?\nIt's on your face, and I'm to blame, I need to say\n[Chorus]\nHey, it's all me, in my head\nI'm the one who burned us down\nBut it's not what I meant\nSorry that I hurt you\nI don't wanna do, I don\u2019t wanna do this to you (Ooh)\nI don\u2019t wanna lose, I don't wanna lose this with you (Ooh)\nI need to say, hey, it\u2019s all me, just don't go\nMeet me in the afterglow\n[Verse 2]\nIt's so excruciating to see you low\nJust wanna lift you up and not let you go\nThis ultraviolet morning light below\nTells me this love is worth the fight, oh [Pre-Chorus 2]\nI lived like an island, punished you with silence\nWent off like sirens, just crying\nWhy'd I have to break what I love so much?\nIt\u2019s on your face, don't walk away, I need to say\n[Chorus]\nHey, it's all me, in my head\nI'm the one who burned us down\nBut it's not what I meant\nI'm sorry that I hurt you\nI don't wanna do, I don't wanna do this to you (Ooh)\nI don't wanna lose, I don't wanna lose this with you (Ooh)\nI need to say, hey, it's all me, just don't go\nMeet me in the afterglow\n[Bridge]\nTell me that you're still mine\nTell me that we'll be just fine\nEven when I lose my mind\nI need to say\nTell me that it's not my fault\nTell me that I'm all you want\nEven when I break your heart\nI need to say [Chorus]\nHey, it's all me, in my head\nI'm the one who burned us down\nBut it's not what I meant\nSorry that I hurt you\nI don't wanna do, I don't wanna do this to you (Ooh)\nI don't wanna lose, I don't wanna lose this with you (Ooh)\nI need to say, hey, it's all me, just don't go\nMeet me in the afterglow","prompt":"Write me a song in the style of Taylor Swift that captures the essence of acknowledging one's own mistakes in a relationship and seeking forgiveness. The lyrics should include a narrative where the protagonist has caused emotional harm to their partner, possibly due to overreaction or miscommunication, and is coming to terms with their own responsibility in the conflict. The song should have an emotional tone, a touch of melancholy mixed with hope, and should build up to a chorus that expresses regret and a desire for reconciliation. Incorporate vivid imagery and metaphors similar to Taylor Swift's \"Afterglow,\" with references to \"boxing with no gloves\" and \"ultraviolet morning light,\" to convey the intensity and fragility of the situation. The musical style should blend soft pop with acoustic elements, evoking a sense of intimacy and reflection."} +{"id":423314,"song":"Enchanted","artist":"Taylor Swift","lyrics":"[Verse 1]\nThere I was again tonight forcing laughter, faking smiles\nSame old tired, lonely place\nWalls of insincerity\nShifting eyes and vacancy vanished when I saw your face\nAll I can say is it was enchanting to meet you\nYour eyes whispered \"have we met?\"\nAcross the room your silhouette starts to make it's way to me\nThe playful conversation starts\nCounter all your quick remarks like passing notes in secrecy\nAll I can say is it was enchanting to meet you\nOh, Taylor, I was so enchanted to meet you too\n[Chorus]\nThis night is sparkling, don't you let it go\nI'm wonderstruck, blushing all the way home\nI'll spend forever wondering if you knew\nI was enchanted to meet you too\n[Verse 2]\nThe lingering question kept me up\n2 AM, who do you love?\nI wondered till I'm wide awake\nNow I'm pacing back and forth, wishing you were at my door\nI'd open up and you would say\nIt was enchanting to meet you\nOh, Taylor, I was so enchanted to meet you too [Chorus]\nThis night is sparkling, don't you let it go\nI'm wonderstruck, blushing all the way home\nI'll spend forever wondering if you knew\nI was enchanted to meet you too\n[Bridge]\nThis is me praying that this was the very first page\nNot where the story line ends\nMy thoughts will echo your name until I see you again\nThese are the words I held back as I was leaving too soon\nI was enchanted to meet you too\nPlease don't be in love with someone else\nPlease don't have somebody waiting on you\nPlease don't be in love with someone else\nPlease don't have somebody waiting on you\n[Chorus]\nThis night is sparkling, don't you let it go\nI'm wonderstruck, blushing all the way home\nI'll spend forever wondering if you knew\nThis night is flawless, don't you let it go\nI'm wonderstruck, dancing around all alone\nTaylor I'll spend my whole life wondering if you knew\nI was enchanted to meet you too [Outro]\nI was never in love with someone else\nI never had somebody waiting on me\n'Cause you were all of my dreams come true\nAnd I just wish you knew\nTaylor, I was so in love with you","prompt":"Write me a song in the style of Taylor Swift that encapsulates the romantic and wistful feeling of a magical first encounter with someone special. The lyrics should reflect a mix of hopeful emotions, a touch of vulnerability, and the enchantment of a sparkling night that the narrator doesn't want to end. The song should include vivid imagery and metaphors that convey the intensity of a potential love story beginning, the fear of unrequited feelings, and a longing for the moment to lead to something more. The musical arrangement should be reminiscent of Taylor Swift's signature storytelling approach, combining soft melodies with a build-up to an anthemic chorus that captures the essence of a fairy-tale-like and unforgettable meeting."} +{"id":4782870,"song":"It\u2019s Nice To Have A Friend","artist":"Taylor Swift","lyrics":"[Intro]\nOoh\nOoh\n[Verse 1]\nSchool bell rings, walk me home\nSidewalk chalk covered in snow\nLost my gloves, you give me one\n\"Wanna hang out?\" Yeah, sounds like fun\nVideo games, you pass me a note\nSleeping in tents\n[Chorus]\nIt's nice to have a friend (Ooh)\nIt's nice to have a friend (Ooh)\n[Verse 2]\nLight pink sky, up on the roof\nSun sinks down, no curfew\nTwenty questions, we tell the truth\nYou've been stressed out lately, yeah, me too\nSomething gave you the nerve\nTo touch my hand\n[Chorus]\nIt's nice to have a friend (Ooh)\nIt's nice to have a friend (Ooh) [Instrumental Bridge]\n[Verse 3]\nChurch bells ring, carry me home\nRice on the ground looks like snow\nCall my bluff, call you \"Babe\"\nHave my back, yeah, every day\nFeels like home, stay in bed\nThe whole weekend\n[Chorus]\nIt's nice to have a friend (Ooh)\nIt's nice to have a friend (Ooh)\nIt's nice to have a friend (Ooh)\n(Ooh)","prompt":"Write me a song in the style of Taylor Swift that captures the innocence and nostalgia of childhood friendships evolving into something deeper. The lyrics should include gentle, vivid imagery such as schoolyard scenes, shared secrets, and comforting companionship. The melody should be soft and reflective, with a hint of whimsy, resembling the subtlety of Taylor Swift's quieter, storytelling tracks. Include an instrumental bridge that adds to the dreamy atmosphere of the song, and ensure the chorus emphasizes the warmth and simplicity of the phrase \"It's nice to have a friend.\""} +{"id":8486438,"song":"Paris","artist":"Taylor Swift","lyrics":"[Verse 1]\n\"Your ex-friend's sister\nMet someone at a club and he kissed her\nTurns out, it was that guy you hooked up with ages ago\nSome wannabe Z-lister\nAnd all the outfits were terrible\n2003 unbearable\nDid you see the photos?\"\nNo, I didn't, but thanks, though\n[Pre-Chorus]\nI'm so in love that I might stop breathing\nDrew a map on your bedroom ceiling\nNo, I didn't see the news\n'Cause we were somewhere else\nStumbled down pretend alleyways\nCheap wine, make believe it's champagne\nI was taken by the view\n[Chorus]\nLike we were in Paris\nLike we were somewhere else\nLike we were in Paris, oh\nWe were somewhere else\n[Verse 2]\nPrivacy sign on the door\nAnd on my page and on the whole world\nRomance is not dead if you keep it just yours\nLevitate above all the messes made\nSit quiet by my side in the shade\nAnd not the kind that's thrown\nI mean, the kind under where a tree has grown [Pre-Chorus]\nI'm so in love that I might stop breathing\nDrew a map on your bedroom ceiling\nNo, I didn't see the news\n'Cause we were somewhere else\nStumbled down pretend alleyways\nCheap wine, make believe it's champagne\nI was taken by the view\n[Chorus]\nLike we were in Paris, oh\nLike we were somewhere else\nLike we were in Paris, oh\nWe were somewhere else\n[Bridge]\nI wanna brainwash you\nInto loving me forever\nI wanna transport you\nTo somewhere the culture's clever\nConfess my truth\nIn swooping, sloping, cursive letters\nLet the only flashing lights be the tower at midnight\nIn my mind\n[Breakdown]\nWe drew a map on your bedroom ceiling\nNo, I didn't see the news\n'Cause we were somewhere else\nIn an alleyway, drinking champagne [Chorus]\n'Cause we were in Paris\nYes, we were somewhere else\nMy love, we were in Paris\nYes, we were somewhere else","prompt":"Write a song in the style of Taylor Swift that captures the essence of a romantic escape, using detailed storytelling to weave a narrative about past connections, fashion faux pas, and a love so immersive it creates a personal world. The song should feature evocative imagery, such as drawing maps on bedroom ceilings and drinking cheap wine in alleyways, while conjuring the illusion of being in an enchanting city like Paris. Reflect on the concept of privacy in romance, the desire to maintain its sanctity amidst chaos, and the youthful yearning to elevate the mundane to the magical, all within Taylor Swift's signature confessional and melodic pop-country framework."} +{"id":102727,"song":"The Lucky One","artist":"Taylor Swift","lyrics":"[Verse 1]\nNew to town with a made-up name\nIn the angel's city, chasing fortune and fame\nAnd the camera flashes make it look like a dream\nYou had it figured out since you were in school\nEverybody loves pretty, everybody loves cool\nSo overnight, you look like a sixties queen\n[Pre-Chorus 1]\nAnother name goes up in lights\nLike diamonds in the sky\n[Chorus 1]\nAnd they\u2019ll tell you now, you\u2019re the lucky one\nYeah, they\u2019ll tell you now, you\u2019re the lucky one\nBut can you tell me now, you\u2019re the lucky one?\nOh, oh, oh\n[Verse 2]\nNow, it\u2019s big black cars and Riviera views\nAnd your lover in the foyer doesn\u2019t even know you\nAnd your secrets end up splashed on the news front page\nAnd they tell you that you\u2019re lucky, but you\u2019re so confused\n'Cause you don\u2019t feel pretty, you just feel used\nAnd all the young things line up to take your place [Pre-Chorus 2]\nAnother name goes up in lights\nYou wonder if you\u2019ll make it out alive\n[Chorus 1]\nAnd they\u2019ll tell you now, you\u2019re the lucky one\nYeah, they\u2019ll tell you now, you\u2019re the lucky one\nBut can you tell me now, you\u2019re the lucky one?\nOh, oh, oh\n[Verse 3]\nIt was a few years later, I showed up here\nAnd they still tell the legend of how you disappeared\nHow you took the money and your dignity and got the hell out\nThey say you bought a bunch of land somewhere\nChose the rose garden over Madison Square\nAnd it took some time, but I understand it now\n[Pre-Chorus 3]\n'Cause now, my name is up in lights\nBut I think you got it right\n[Chorus 2]\nLet me tell you now, you\u2019re the lucky one\nLet me tell you now, you\u2019re the lucky one\nLet me tell you now, you\u2019re the lucky one, oh, oh, oh\nAnd they\u2019ll tell you now, you\u2019re the lucky one\nYeah, they\u2019ll tell you now, you\u2019re the lucky one\nAnd they\u2019ll tell you now, you\u2019re the lucky one, oh, oh, oh\nOh, whoa, oh, oh","prompt":"Write a song in the style of Taylor Swift that explores the dichotomy between fame and personal fulfillment, using vivid storytelling to depict the journey of an individual who moves to the city with dreams of stardom. The song should capture the glittering allure of the spotlight and the hidden struggles that come with it, ultimately revealing a realization that true happiness might lie away from the public eye. Use a narrative structure, emotive lyrics, and a melodic pop sound reminiscent of Swift's storytelling approach in songs like \"The Lucky One.\""} +{"id":6260155,"song":"\u200bwillow","artist":"Taylor Swift","lyrics":"[Verse 1]\nI'm like the water when your ship rolled in that night\nRough on the surface, but you cut through like a knife\nAnd if it was an open-shut case\nI never would've known from that look on your face\nLost in your current like a priceless wine\n[Chorus]\nThe more that you say, the less I know\nWherever you stray, I follow\nI'm begging for you to take my hand\nWreck my plans, that's my man\n[Verse 2]\nLife was a willow and it bent right to your wind\nHead on the pillow, I could feel you sneakin' in\nAs if you were a mythical thing\nLike you were a trophy or a champion ring\nAnd there was one prize I'd cheat to win\n[Chorus]\nThe more that you say, the less I know\nWherever you stray, I follow\nI'm begging for you to take my hand\nWreck my plans, that's my man\nYou know that my train could take you home\nAnywhere else is hollow\nI'm begging for you to take my hand\nWreck my plans, that's my man [Bridge]\nLife was a willow and it bent right to your wind\nThey count me out time and time again\nLife was a willow and it bent right to your wind\nBut I come back stronger than a '90s trend\n[Verse 3]\nWait for the signal, and I'll meet you after dark\nShow me the places where the others gave you scars\nNow this is an open-shut case\nI guess I should've known from the look on your face\nEvery bait-and-switch was a work of art\n[Chorus]\nThe more that you say, the less I know\nWherever you stray, I follow\nI'm begging for you to take my hand\nWreck my plans, that's my man\nYou know that my train could take you home\nAnywhere else is hollow\nI'm begging for you to take my hand\nWreck my plans, that's my man\nThe more that you say, the less I know\nWherever you stray, I follow\nI'm begging for you to take my hand\nWreck my plans, that's my man\nYou know that my train could take you home\nAnywhere else is hollow\nI'm begging for you to take my hand\nWreck my plans, that's my man [Outro]\nHey, that's my man\nThat's my man\nYeah, that's my man\nEvery bait-and-switch was a work of art\nThat's my man\nHey, that's my man\nI'm begging for you to take my hand\nWreck my plans, that's my man","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a tumultuous yet magnetic love story, with vivid imagery comparing the relationship to natural forces and revered objects. It should include a narrative of devotion and the willingness to abandon one's own plans for the beloved, using metaphors such as water's unpredictability, the malleability of a willow in the wind, and the enduring quality of a '90s trend. The chorus should emphasize a paradoxical understanding of the relationship, where communication leads to confusion, yet there's an irresistible pull to follow the partner. Include evocative language that paints the lover as both a sanctuary and a source of scars, showcasing a mix of vulnerability and strength."} +{"id":186996,"song":"American Boy","artist":"Taylor Swift","lyrics":"[Verse 1]\nAmerican boy, living life as it goes\nSitting on the fence posts\nLiving in the lie\nAmerican boy, living in the real world\nTrying just to get the girl\nTrying to survive\n[Chorus]\nThe simple things in life are always new\nGrowing up on Sam Hill avenue\nMama makes her cookies and daddy's just\nThe greatest living hero that ever was\nNothing in the world can ever once destroy\nThe hope of an American boy\n[Verse 2]\nLiving off of bar tips, trying for relationships\nLooking for the love\nSuddenly rise, an American beauty\nSuddenly he cheats, sent from above\n[Chorus]\nThe simple things in life are always new\nGrowing up on Sam Hill avenue\nMama makes her cookies and daddy's just\nThe greatest living hero that ever was\nNothing in the world can ever once destroy\nThe hope of an American boy [Verse 3]\nAmerican boy, raising little babies\nHearing daddy maybe, I'll be like you\nSuddenly life, seems just like a new dawn\nThat's grown up, American boy\n[Chorus]\nThe simple things in life are always new\nGrowing up on Grandview avenue\nMama makes her cookies and daddy's just\nThe greatest living hero that ever was\nNothing in the world will ever once destroy\nNo, nothing in the world will ever once destroy\nThe hope of an American boy","prompt":"Write me a song in the style of Taylor Swift that captures the essence of an all-American upbringing, with nostalgic references to childhood, family values, and the pursuit of dreams. The song should tell a story of an American boy's life journey, from his simpler, carefree days to the complexities of adulthood and fatherhood, all while maintaining a sense of hope and resilience. The lyrics should include imagery of small-town life, cherished family moments, and the trials of young love and ambition. The melody should evoke a sense of warmth and familiarity, reminiscent of Taylor Swift's storytelling prowess and her ability to connect with universal emotions."} +{"id":6260173,"song":"\u200bcowboy like me","artist":"Taylor Swift","lyrics":"[Verse 1]\nAnd the tennis court was covered up\nWith some tent-like thing\nAnd you asked me to dance\nBut I said, \"Dancin' is a dangerous game\"\nOh, I thought\nThis is gonna be one of those things\nNow I know\nI'm never gonna love again\n[Refrain]\nI've got some tricks up my sleeve\nTakes one to know one\nYou're a cowboy like me\n[Verse 2]\nNever wanted love\nJust a fancy car\nNow I'm waiting by the phone\nLike I'm sitting in an airport bar\n[Refrain]\nYou had some tricks up your sleeve\nTakes one to know one\nYou're a cowboy like me [Chorus]\nPerched in the dark\nTellin' all the rich folks anything they wanna hear\nLike it could be love\nI could be the way forward\nOnly if they pay for it\nYou're a bandit like me\nEyes full of stars\nHustling for the good life, never thought I'd meet you here\nIt could be love\nWe could be the way forward\nAnd I know I'll pay for it\n[Chorus]\nYou're a cowboy like me\nPerched in the dark\nTellin' all the rich folks anything they wanna hear\nLike it could be love\nI could be the way forward\nOnly if they pay for it\nYou're a bandit like me\nEyes full of stars\nHustlin' for the good life, never thought I'd meet you here\nIt could be love\nWe could be the way forward\nAnd I know I'll pay for it [Bridge]\nAnd the skeletons in both our closets\nPlotted hard to fuck this up\nAnd the old men that I've swindled\nReally did believe I was the one\nAnd the ladies lunchin' have their stories about\nWhen you passed through town\nOh, but that was all before I locked it down\n[Verse 3]\nNow you hang from my lips\nLike the Gardens of Babylon\nWith your boots beneath my bed\nForever is the sweetest con\n[Refrain]\nI've had some tricks up my sleeve\nTakes one to know one\nYou're a cowboy like me\n[Outro]\nAnd I'm never gonna love again\nI'm never gonna love again\nI'm never gonna love again","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a cautious romantic adventure, where two similar souls with a history of trickery and self-preservation find themselves unexpectedly in love. The lyrics should paint a vivid narrative of two outsiders, perhaps likened to cowboys or bandits, meeting by chance and recognizing a shared hustling spirit, each with a past they're trying to outrun. The song should have reflective verses and a chorus that evokes the bittersweet realization that love is worth the risk, even if it comes with a price. Incorporate imagery of hidden vulnerabilities (skeletons in closets) and the idea that love is the ultimate con, with both characters being equally matched in their wits and defenses. The musical style should be evocative of Swift's storytelling prowess, with a touch of country influence and a sweeping, memorable melody."} +{"id":101934,"song":"Hey Stephen","artist":"Taylor Swift","lyrics":"[Intro]\nMmm-mm, mm-mm\nMmm-mm, mm-mm\nMmm-mm, mm-mm, yeah\n[Verse 1]\nHey, Stephen, I know looks can be deceiving\nBut I know I saw a light in you\nAnd as we walked, we were talking\nI didn't say half the things I wanted to\nOf all the girls tossing rocks at your window\nI'll be the one waiting there even when it's cold\nHey, Stephen, boy, you might have me believing\nI don't always have to be alone\n[Chorus]\n'Cause I can't help it if you look like an angel\nCan't help it if I wanna kiss you in the rain so\nCome feel this magic I've been feeling since I met you\nCan't help it if there's no one else\nMmm, I can't help myself\n[Verse 2]\nHey, Stephen, I've been holding back this feeling\nSo I got some things to say to you, ha\nI've seen it all, so I thought\nBut I never seen nobody shine the way you do\nThe way you walk, way you talk, way you say my name\nIt's beautiful, wonderful, don't you ever change\nHey, Stephen, why are people always leaving?\nI think you and I should stay the same [Chorus]\n'Cause I can't help it if you look like an angel\nCan't help it if I wanna kiss you in the rain so\nCome feel this magic I've been feeling since I met you\nCan't help it if there's no one else\nMmm, I can't help myself\n[Bridge]\nThey're dimming the street lights, you're perfect for me\nWhy aren't you here tonight?\nI'm waiting alone now, so come on and come out\nAnd pull me near and shine, shine, shine\n[Breakdown]\nHey, Stephen, I could give you fifty reasons\nWhy I should be the one you choose\nAll those other girls, well, they're beautiful\nBut would they write a song for you? (Ha-ha)\n[Chorus]\nI can't help it if you look like an angel\nCan't help it if I wanna kiss you in the rain so\nCome feel this magic I've been feeling since I met you\nCan't help it if there's no one else\nMmm, I can't help myself\nIf you look like an angel\nCan't help it if I wanna kiss you in the rain so\nCome feel this magic I've been feeling since I met you\nCan't help it if there's no one else\nMmm, I can't help myself [Outro]\nMyself\nCan't help myself\nI can't help myself","prompt":"Write me a song in the style of Taylor Swift that captures a youthful, romantic infatuation with a boy named Stephen, using vivid storytelling and emotional authenticity. The lyrics should convey a sense of unspoken feelings, a magical connection, and a desire for closeness despite the uncertainty of reciprocation. Incorporate elements of innocence and a playful tone, reminiscent of Swift's country-pop era, and include a catchy, memorable chorus that emphasizes an irresistible attraction and a personal touch, hinting at the idea of writing a song for someone special."} +{"id":6260153,"song":"\u200bivy","artist":"Taylor Swift","lyrics":"[Verse 1]\nHow's one to know?\nI'd meet you where the spirit meets the bones\nIn a faith-forgotten land\nIn from the snow\nYour touch brought forth an incandescent glow\nTarnished but so grand\n[Pre-Chorus]\nAnd the old widow goes to the stone every day\nBut I don't, I just sit here and wait\nGrieving for the living\n[Chorus]\nOh, goddamn\nMy pain fits in the palm of your freezing hand\nTaking mine, but it's been promised to another\nOh, I can't\nStop you putting roots in my dreamland\nMy house of stone, your ivy grows\nAnd now I'm covered in you\n[Verse 2]\nI wish to know\nThe fatal flaw that makes you long to be\nMagnificently cursed\nHe's in the room\nYour opal eyes are all I wish to see\nHe wants what's only yours [Chorus]\nOh, goddamn\nMy pain fits in the palm of your freezing hand\nTaking mine, but it's been promised to another\nOh, I can't\nStop you putting roots in my dreamland\nMy house of stone, your ivy grows\nAnd now I'm covered\n[Verse 3]\nClover blooms in the fields\nSpring breaks loose, the time is near\nWhat would he do if he found us out?\nCrescent moon, coast is clear\nSpring breaks loose, but so does fear\nHe's gonna burn this house to the ground\nHow's one to know?\nI'd live and die for moments that we stole\nOn begged and borrowed time\nSo tell me to run\nOr dare to sit and watch what we'll become\nAnd drink my husband's wine\n[Chorus]\nOh, goddamn\nMy pain fits in the palm of your freezing hand\nTaking mine, but it's been promised to another\nOh, I can't\nStop you putting roots in my dreamland\nMy house of stone, your ivy grows\nAnd now I'm covered in you\nAnd I'm covered in you [Bridge]\nSo yeah, it's a fire\nIt's a goddamn blaze in the dark\nAnd you started it\nYou started it\nSo yeah, it's a war\nIt's the goddamn fight of my life\nAnd you started it\nYou started it\n[Chorus]\nOh, I can't\nStop you putting roots in my dreamland\nMy house of stone, your ivy grows\nAnd now I'm covered\nIn you, in you\nNow I'm covered in you\nIn you","prompt":"Write me a song in the style of Taylor Swift that captures the essence of forbidden love and the complexities of longing and heartache. The lyrics should explore the bittersweet intersection of love and loss, wrapped in a narrative of a romance that is both enchanted and cursed, much like the song's protagonist who is entangled with someone whose presence is inescapable, yet whose commitment lies elsewhere. Emphasize the delicate balance between the warmth of affection and the cold reality of an unfulfilled relationship, using vivid imagery such as \"spirit meets the bones\" and \"house of stone, your ivy grows.\" Incorporate a sense of melancholic storytelling, characteristic of Swift's lyrical style, with a chorus that is both haunting and catchy, reflecting the tension of clinging to a love that is both a comfort and a pain."} +{"id":4782857,"song":"Paper Rings","artist":"Taylor Swift","lyrics":"[Verse 1]\nThe moon is high\nLike your friends were the night that we first met\nWent home and tried to stalk you on the internet\nNow I've read all of the books beside your bed\nThe wine is cold\nLike the shoulder that I gave you in the street\nCat and mouse for a month or two or three\nNow I wake up in the night and watch you breathe\n[Pre-Chorus]\n(Ayy)\nKiss me once 'cause you know I had a long night (Oh)\nKiss me twice 'cause it's gonna be alright (Uh)\nThree times 'cause I waited my whole life (One, two, one, two, three, four)\n[Chorus]\nI like shiny things, but I'd marry you with paper rings\nUh-huh, that's right\nDarling, you're the one I want, and\nI hate accidents, except when we went from friends to this\nUh-huh, that's right\nDarling, you're the one I want\nIn paper rings, in picture frames, in dirty dreams\nOh, you're the one I want [Verse 2]\nIn the winter, in the icy outdoor pool\nWhen you jumped in first, I went in too\nI'm with you even if it makes me blue\nWhich takes me back\nTo the color that we painted your brother's wall\nHoney, without all the exes, fights and flaws\nWe wouldn't be standing here so tall, so\n[Pre-Chorus]\n(Ayy)\nKiss you once 'cause I know you had a long night (Oh)\nKiss you twice 'cause it's gonna be alright (Uh)\nThree times 'cause you waited your whole life (One, two, one, two, three, four)\nAh\n[Chorus]\nI like shiny things, but I'd marry you with paper rings\nUh-huh, that's right\nDarling, you're the one I want, and\nI hate accidents, except when we went from friends to this\nUh-huh, that's right\nDarling, you're the one I want\nIn paper rings, in picture frames, in dirty dreams\nOh, you're the one I want [Bridge]\nI want to drive away with you\nI want your complications too\nI want your dreary Mondays\nWrap your arms around me, baby boy\nI want to drive away with you\nI want your complications too\nI want your dreary Mondays\nWrap your arms around me, baby boy\nUh-huh\n[Chorus]\nI like shiny things, but I'd marry you with paper rings\nAh-ah, that's right, you're the one I want\nI hate accidents, except when we went from friends to this\nAh-ah, darling, you're the one I want\nI like shiny things, but I'd marry you with paper rings\nUh-huh, that's right\nDarling, you're the one I want, and\nI hate accidents, except when we went from friends to this\nUh-huh, that's right\nDarling, you're the one I want\nIn paper rings, in picture frames, in all my dreams\nYou're the one I want\nIn paper rings, in picture frames, in all my dreams\nOh, you're the one I want [Outro]\nYou're the one I want, one I want\nYou're the one I want, one I want","prompt":"Write me a song in the style of Taylor Swift that captures a playful and romantic narrative, similar to the storytelling in \"Paper Rings.\" The lyrics should reflect the journey from friendship to love, using vivid imagery and metaphors like stalking on the internet, cold wine, and paper rings to convey the intimacy and depth of the relationship. Include a catchy, upbeat chorus that emphasizes the joy of simplicity in love over materialism, and ensure the verses explore the shared history and quirky moments that define the couple's bond. Aim for a sound that combines acoustic pop with elements of indie rock, embodying the energy and enthusiasm of young love with a touch of nostalgia."} +{"id":542390,"song":"Style","artist":"Taylor Swift","lyrics":"[Verse 1]\nMidnight\nYou come and pick me up, no headlights\nA long drive\nCould end in burning flames or paradise\nFade into view, oh\nIt's been a while since I have even heard from you\n(Heard from you)\n[Pre-Chorus]\nAnd I should just tell you to leave, 'cause I\nKnow exactly where it leads, but I\nWatch us go 'round and 'round each time\n[Chorus]\nYou got that James Dean daydream look in your eye\nAnd I got that red lip classic thing that you like\nAnd when we go crashing down, we come back every time\n'Cause we never go out of style, we never go out of style\nYou got that long hair, slicked back, white t-shirt\nAnd I got that good girl faith and a tight little skirt\nAnd when we go crashing down, we come back every time\n'Cause we never go out of style, we never go out of style\n[Verse 2]\nSo it goes\nHe can't keep his wild eyes on the road, mmm\nTakes me home\nThe lights are off, he's taking off his coat, mmm, yeah\nI say, \"I heard, oh\nThat you've been out and about with some other girl\"\nSome other girl [Pre-Chorus]\nHe says, \"What you heard is true, but I\nCan't stop thinking 'bout you and I\"\nI said, \"I've been there too a few times\"\n[Chorus]\n'Cause you got that James Dean daydream look in your eye\nAnd I got that red lip classic thing that you like\nAnd when we go crashing down, we come back every time\n'Cause we never go out of style, we never go out of style\nYou got that long hair, slicked back, white t-shirt\nAnd I got that good girl faith and a tight little skirt (A tight little skirt)\nAnd when we go crashing down, we come back every time\n'Cause we never go out of style (We never go, we never go), we never go out of style\n[Bridge]\nTake me home (Ah)\nJust take me home (Ah)\nYeah, just take me home (Ah)\nOh-oh, woah-oh, oh (Out of style)\n[Chorus]\nOh, you got that James Dean daydream look in your eye\nAnd I got that red lip classic thing that you like\nAnd when we go crashing down (And when we go), we come back every time\n'Cause we never go out of style, we never go out of style","prompt":"Write me a song in the style of Taylor Swift that encapsulates a tumultuous yet timeless romance, with vivid imagery such as \"James Dean daydream look\" and \"red lip classic thing.\" The song should have a bittersweet tone, combining elements of longing and nostalgia with a touch of defiance. It should feature evocative storytelling in the verses, a memorable and catchy chorus that emphasizes the never-ending cycle of breaking up and coming back together, and a bridge that adds a sense of longing. The music should be pop with a hint of rock influence, capturing the essence of a relationship that, despite its ups and downs, \"never goes out of style.\""} +{"id":9199321,"song":"Timeless (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Verse 1]\nDown the block, there's an antique shop\nAnd something in my head said, \"Stop,\" so I walked in\nOn the counter was a cardboard box\nAnd the sign said, \"Photos: twenty-five cents each\"\nBlack and white, saw a 30s bride\nAnd school lovers laughin' on the porch of their first house\nThe kinda love that you only find once in a lifetime\nThe kind you don't put down\n[Pre-Chorus]\nAnd that's when I called you and it's so hard to explain\nBut in those photos, I saw us instead\nAnd, somehow, I know that you and I would've found each other\nIn another life, you still would've turned my head even if w\u0435'd met\n[Chorus]\nOn a crowded street in 1944\nAnd you wer\u0435 headed off to fight in the war\nYou still would've been mine\nWe would have been timeless\nI would've read your love letters every single night\nAnd prayed to God you'd be comin' home all right\nAnd you would've been fine\nWe would have been timeless\n'Cause I believe that we were supposed to find this\nSo, even in a different life, you still would've been mine\nWe would've been timeless [Verse 2]\nI had to smile when it caught my eye\nThere was one of a teenage couple in the driveway\nHoldin' hands on the way to a dance\nAnd the date on the back said 1958\nWhich brought me back to the first time I saw you\nTime stood still like somethin' in this old shop\nI thought about it as I started lookin' 'round\nAt these precious things that time forgot\n[Pre-Chorus]\nThat's when I came upon a book covered in cobwebs\nStory of a romance torn apart by fate\nHundreds of years ago, they fell in love, like we did\nAnd I'd die for you in the same way if I first saw your face\n[Chorus]\nIn the fifteen hundreds off in a foreign land\nAnd I was forced to marry another man\nYou still would've been mine\nWe would have been timeless\nI would've read your love letters every single night\nAnd run away and left it all behind\nYou still would've been mine\nWe would've been timeless\n'Cause I believe that we were supposed to find this\nSo, even in a different life, you still would've been mine\nWe would've been timeless [Bridge]\nTime breaks down your mind and body\nDon't you let it touch your soul\nIt was like an age-old classic\nThe first time that you saw me\nThe story started when you said, \"Hello\"\n[Chorus]\nIn a crowded room a few short years ago\nAnd sometimes there's no proof, you just know\nYou're always gonna be mine\nWe're gonna be\nI'm gonna love you when our hair is turnin' gray\nWe'll have a cardboard box of photos of the life we've made\nAnd you'll say, \"Oh my, we really were timeless\"\n[Post-Chorus]\nWe're gonna be timeless, timeless\nYou still would've been mine\nWe would've been\nEven if we'd met on a crowded street in 1944\nYou still would've been mine\nWe would've been\n[Outro]\nDown the block, there's an antique shop\nAnd somethin' in my head said, \"Stop,\" so I walked in","prompt":"Write me a song in the style of Taylor Swift that tells a love story transcending time and space. The lyrics should evoke nostalgia and a sense of eternal connection, with references to different historical eras and the feeling of destined love. The song should include vivid storytelling akin to antique shop discoveries, timeless romance, and the belief in love letters and fate, all set against Taylor Swift's signature blend of country roots and pop sensibility."} +{"id":132101,"song":"A Perfectly Good Heart","artist":"Taylor Swift","lyrics":"[Chorus]\nWhy would you wanna break\nA perfectly good heart?\nWhy would you wanna take\nOur love and tear it all apart now?\nWhy would you wanna make\nThe very first scar?\nWhy would you wanna break\nA perfectly good heart?\n[Verse]\nMaybe I should've seen the signs\nShould've read the writing on the wall\nAnd realized by the distance in your eyes\nThat I would be the one to fall\n[Pre-Chorus]\nNo matter what you say\nI still can't believe that you would walk away\nIt don't make sense to me, but\n[Chorus]\nWhy would you wanna break\nA perfectly good heart?\nWhy would you wanna take\nOur love and tear it all apart now?\nWhy would you wanna make\nThe very first scar?\nWhy would you wanna break\nA perfectly good heart? [Bridge]\nIt's not unbroken anymore (It's not unbroken anymore)\nHow do I get it back the way it was before?\n[Chorus]\nWhy would you wanna break\nA perfectly good heart?\nWhy would you wanna take\nOur love and tear it all apart now?\nWhy would you wanna make\nThe very first scar?\nWhy would you wanna break\u2014\n(Why) Would you wanna break it?\n[Chorus]\nWhy would you wanna break\nA perfectly good heart?\nWhy would you wanna take\nOur love and tear it all apart now?\nWhy would you wanna make\nThe very first scar?\nWhy would you wanna break\nA perfectly good heart?\n[Post-Chorus]\nMmm-hmm","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of heartbreak, reflecting on the puzzlement and pain of love being torn apart. The lyrics should delve into the themes of betrayal and the innocence of a first heartbreak, using vivid imagery and a personal narrative to convey the feelings of disbelief and longing for the past. The song should mimic Swift's early country-pop sound, with a melodic chorus that emphasizes the core question of why someone would want to damage a relationship that was once whole."} +{"id":6260160,"song":"\u200bchampagne problems","artist":"Taylor Swift","lyrics":"[Verse 1]\nYou booked the night train for a reason\nSo you could sit there in this hurt\nBustling crowds or silent sleepers\nYou're not sure which is worse\n[Chorus]\nBecause I dropped your hand while dancing\nLeft you\u205fout\u205fthere\u205fstanding\nCrestfallen on the\u205flanding\nChampagne problems\nYour mom's\u205fring in your pocket\nMy picture in your wallet\nYour heart was glass, I dropped it\nChampagne problems\n[Verse 2]\nYou told your family for a reason\nYou couldn't keep it in\nYour sister splashed out on the bottle\nNow no one's celebrating\n[Chorus]\nDom P\u00e9rignon, you brought it\nNo crowd of friends applauded\nYour hometown skeptics called it\nChampagne problems\nYou had a speech, you're speechless\nLove slipped beyond your reaches\nAnd I couldn't give a reason\nChampagne problems [Bridge]\nYour Midas touch on the Chevy door\nNovember flush and your flannel cure\n\"This dorm was once a madhouse\"\nI made a joke, \"Well, it's made for me\"\nHow evergreen, our group of friends\nDon't think we'll say that word again\nAnd soon they'll have the nerve to deck the halls\nThat we once walked through\nOne for the money, two for the show\nI never was ready so I watch you go\nSometimes you just don't know the answer\n'Til someone's on their knees and asks you\n\"She would've made such a lovely bride\nWhat a shame she's fucked in the head,\" they said\nBut you'll find the real thing instead\nShe'll patch up your tapestry that I shred\n[Chorus]\nAnd hold your hand while dancing\nNever leave you standing\nCrestfallen on the landing\nWith champagne problems\nYour mom's ring in your pocket\nHer picture in your wallet\nYou won't remember all my\nChampagne problems [Outro]\nYou won't remember all my\nChampagne problems","prompt":"Write me a song in the style of Taylor Swift that explores the emotional complexity of a failed relationship through vivid storytelling. The song should include poignant and detailed imagery, akin to the lyrics of \"Champagne Problems,\" where metaphors and references to specific objects, like a train ride or a family heirloom, symbolize deeper feelings of regret and loss. Incorporate a blend of melancholy and reflective tones, a chorus that captures the essence of a bittersweet farewell, and verses that reveal the narrative of heartbreak with a touch of Swift's characteristic wistfulness and sharp, insightful observations."} +{"id":4499979,"song":"I Can See You (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Intro]\nI-I-I-I\n[Verse 1]\nYou brush past me in the hallway\nAnd you don't think I, I, I can see ya, do ya?\nI\u2019ve been watchin' you for ages\nAnd I spend my time tryin' not to feel it\n[Pre-Chorus]\nBut what would you do if I went to touch you now?\nWhat would you do if they never found us out?\nWhat would you do if we never made a sound?\n[Chorus]\n\u2019Cause I can see you waitin' down the hall from me\nAnd I could see you up against the wall with me\nAnd what would you do? Baby, if you only knew\nThat I can see you\n[Post-Chorus]\nI-I-I-I\n[Verse 2]\nAnd we kept everything professional\nBut something's changed, it's somethin' I, I like\nThey keep watchful eyes on us\nSo it's best that we move fast and keep quiet\nYou won't believe half the things I see inside my head\nWait 'til you see half the things that haven\u2019t happened yet [Pre-Chorus]\nBut what would you do if I went to touch you now?\nWhat would you do if they never found us out?\nWhat would you do if we never made a sound?\n[Chorus]\n\u2019Cause I can see you waitin' down the hall from me\nAnd I could see you up against the wall with me\nAnd what would you do? Baby, if you only knew, oh, oh, oh\nThat I could see you throw your jacket on the floor\nI could see you, make me want you even more\nWhat would you do? Baby, if you only knew\nThat I can see you\n[Post-Chorus]\nI-I-I-I\n[Bridge]\nI can see you in your suit and your necktie\nPassed me a note sayin\u2019, \"Meet me tonight\"\nThen we kiss and you know I won't ever tell, yeah\nAnd I could see you being my addiction\nYou can see me as a secret mission\nHide away and I will start behaving myself\n[Pre-Chorus]\nI-I-I-I\nOh-oh, oh, oh [Chorus]\nI can see you waitin' down the hall from me\nAnd I could see you up against the wall with me\nAnd what would you do? Baby, if you only knew, oh\nThat I could see you throw your jacket on the floor\nI could see you, make me want you even more\nWhat would you do? Baby, if you only knew\nThat I can see you, oh, I can see you\n[Outro]\nOh, I see you, I see you, baby\nI see you\n(I-I-I-I) I see you, I see you, baby\nOh, baby","prompt":"Write me a song in the style of Taylor Swift that captures the tension and excitement of a secret office romance. The lyrics should reflect the story of two individuals who are trying to keep their relationship hidden, with themes of anticipation and longing. Include vivid imagery of stolen glances in the hallway and the thrill of concealed affection, all while maintaining a sense of discretion. The song should have a catchy chorus that conveys the electric feeling of an unspoken connection, and it should embody the narrative-driven, confessional pop sound that Taylor Swift is known for."} +{"id":132661,"song":"Last Kiss","artist":"Taylor Swift","lyrics":"[Verse 1]\nI still remember the look on your face\nLit through the darkness at 1:58\nThe words that you whispered for just us to know\nYou told me you loved me, so why did you go away?\nAway\n[Verse 2]\nI do recall now, the smell of the rain\nFresh on the pavement\n, \nI ran off the plane\nThat July ninth, the beat of your heart\nIt jumps through your shirt, I can still feel your arms\n[Pre-Chorus]\nBut now I'll go\nSit on the floor wearing your clothes\nAll that I know is I don't know\nHow to be something you miss\n[Chorus]\nI never thought we'd have a last kiss\nI never imagined we'd end like this\nYour name, forever the name on my lips\n[Verse 3]\nI do remember the swing of your step\nThe life of the party, you're showing off again\nAnd I'd roll my eyes and then you'd pull me in\nI'm not much for dancing, but for you, I did\nBecause I love your handshake, meeting my father\nI love how you walk with your hands in your pockets\nHow you'd kiss me when I was in the middle of saying something\nThere's not a day I don't miss those rude interruptions [Pre-Chorus]\nAnd I'll go\nSit on the floor wearing your clothes\nAll that I know is I don't know\nHow to be something you miss\n[Chorus]\nI never thought we'd have a last kiss\nI never imagined we'd end like this\nYour name, forever the name on my lips, ooh\n[Bridge]\nSo I'll watch your life in pictures like I used to watch you sleep\nAnd I feel you forget me like I used to feel you breathe\nAnd I'll keep up with our old friends just to ask them how you are\nHope it's nice where you are\n[Verse 4]\nAnd I hope the sun shines and it's a beautiful day\nAnd something reminds you you wish you had stayed\nYou can plan for a change in the weather and time\nBut I never planned on you changing your mind\n[Pre-Chorus]\nSo, I'll go\nSit on the floor wearing your clothes\nAll that I know is I don't know\nHow to be something you miss [Chorus]\nI never thought we'd have a last kiss\nI never imagined we'd end like this\nYour name, forever the name on my lips\n[Outro]\nJust like our last kiss\nForever the name on my lips\nForever the name on my lips\nJust like our last","prompt":"Write a song in the style of Taylor Swift that captures the emotional intensity and narrative storytelling of a heart-wrenching breakup. The lyrics should evoke vivid memories and specific moments shared between lovers, expressing feelings of nostalgia, loss, and longing. The song should include sensory details like the smell of rain, the feeling of a loved one's arms, and the interruption of a kiss. It should feature a melancholic melody with a touch of country influence, reflecting on the bittersweet nature of a final goodbye and the lingering presence of a former partner. The chorus should be poignant and memorable, highlighting the permanence of the lost love's name on the singer's lips."} +{"id":552892,"song":"New Romantics","artist":"Taylor Swift","lyrics":"[Verse 1]\nWe're all bored, we're all so tired of everything\nWe wait for trains that just aren't comin'\nWe show off our different scarlet letters\nTrust me, mine is better\nWe're so young, but we're on the road to ruin\nWe play dumb, but we know exactly what we're doin'\nWe cry tears of mascara in the bathroom\nHoney, life is just a classroom\nAh-ah-ah-ah-ah-ah\n[Chorus]\n'Cause baby, I could build a castle\nOut of all the bricks they threw at me\nAnd every day is like a battle\nBut every night with us is like a dream\nBaby, we're the new romantics, come on, come along with me\nHeartbreak is the national anthem, we sing it proudly\nWe are too busy dancin' to get knocked off our feet\nBaby, we're the new romantics\nThe best people in life are free\n[Verse 2]\nWe're all here, the lights and noise are blinding\nWe hang back, it's all in the timing\nIt's poker, he can't see it in my face\nBut I'm about to play my Ace, ah\nWe need love, but all we want is danger\nWe team up, then switch sides like a record changer\nThe rumors are terrible and cruel\nBut, honey, most of them are true\nAh-ah-ah-ah-ah-ah [Chorus]\n'Cause baby, I could build a castle\nOut of all the bricks they threw at me\nAnd every day is like a battle\nBut every night with us is like a dream\nBaby, we're the new romantics, come on, come along with me\nHeartbreak is the national anthem, we sing it proudly\nWe are too busy dancin' (Yeah) to get knocked off our feet (Hey)\nBaby, we're the new romantics\nThe best people in life are free\n[Post-Chorus]\n(Oh, oh, oh-oh, oh) Oh\n(Oh, oh, oh-oh, oh) So, come on, come along with me\n(Oh, oh, oh-oh, oh) The best people in life are free\n(Oh, oh, oh-oh, oh)\n[Bridge]\nPlease, take my hand and\nPlease, take me dancing and\nPlease, leave me stranded\nIt's so romantic (It's so romantic)\nAh-ah-ah-ah-ah-ah\n[Chorus]\n'Cause baby, I could build a castle (Oh)\nOut of all the bricks they threw at me (At me)\nAnd every day is like a battle (Oh)\nBut every night with us is like a dream (Is like a dream)\n'Cause baby, I could build a castle (Castle)\nOut of all the bricks they threw at me (And)\nAnd every day is like a battle (Oh)\nBut every night with us is like a dream\nBaby, we're the new romantics, come on, come along with me\nHeartbreak is the national anthem, we sing it proudly\nWe are too busy dancin' (Hey) to get knocked off our feet\nBaby, we're the new romantics\nThe best people in life are free","prompt":"Write me a song in the style of Taylor Swift that captures the essence of youthful defiance and romantic idealism. The song should evoke a sense of resilience, with a protagonist who turns adversity into strength, building 'castles' from metaphorical 'bricks' thrown by critics. It should celebrate the carefree spirit of dancing through challenges and proclaim heartbreak as a unifying experience, almost an anthem. Incorporate a catchy, anthemic chorus that conveys the message, \"The best things in life are free,\" and ensure the verses reflect a narrative of overcoming societal pressures and embracing the thrill of the unknown, all with Taylor Swift's signature blend of pop sensibilities and emotive storytelling."} +{"id":186915,"song":"SuperStar","artist":"Taylor Swift","lyrics":"[Verse 1]\nThis is wrong but I can't help but feel like\nThere ain\u2019t nothing more right babe\nMisty morning comes again and I can't\nHelp but wish I could see your face\nAnd I knew from the first note played\nI'd be breaking all my rules to see you\nYou smile that beautiful smile and all the girls in the front row\nScream your name\n[Chorus]\nSo dim that spotlight, tell me things like\n\"I can't take my eyes off of you\"\nI'm no one special, just another wide-eyed girl\nWho's desperately in love with you\nGive me a photograph to hang on my wall, superstar\n[Verse 2]\nMorning loneliness\nComes around when I'm not dreaming about you\nWhen my world wakes up today\nYou'll be in another town\nAnd I knew when I saw your face\nI'd be counting down the ways to see you\nYou smile that beautiful smile and all the girls in the front row Scream your name [Chorus]\nSo dim that spotlight, tell me things like\n\"I can't take my eyes off of you\"\nI'm no one special, just another wide-eyed girl\nWho's desperately in love with you\nGive me a photograph to hang on my wall, superstar\n[Bridge]\nYou played in bars, you play guitar\nAnd I'm invisible and everyone knows who you are\nAnd you'll never see, you sing me to sleep\nEvery night from the radio\n[Chorus]\nSo dim that spotlight, tell me things like\n\"I can't take my eyes off of you\"\nI'm no one special, just another wide-eyed girl\nWho's desperately in love with you\nGive me a photograph to hang on my wall, superstar\n[Outro]\nSweet, sweet superstar\nSuperstar","prompt":"Write me a song in the style of Taylor Swift that captures a bittersweet longing for a distant love, blending themes of admiration and a touch of celebrity infatuation. The lyrics should convey the narrative of a person who cherishes a superstar from afar, feeling both the thrill of being close to their charm and the pang of an unattainable romance. Emphasize the emotional rollercoaster of the protagonist through vivid, romantic imagery and a catchy, melancholic chorus. The song should have a soft, acoustic feel with hints of country influence, reflecting the early era of Taylor Swift's music career."} +{"id":3021501,"song":"Welcome Distraction","artist":"Taylor Swift","lyrics":"[Verse 1]\nI got a little thing I call self control\n'Cause I get a little crazy when I let too much go\nLove\u2019s a little messy, and you are too\nRight now, I\u2019m scared of both of you\nI laugh, and I play, and I wasn\u2019t gonna stray\nSwore I\u2019d never let a man in my way\nYou\u2019re the last thing I needed today\n[Chorus]\nAnd I don\u2019t know\nWhere I lost control\nAnd couldn\u2019t take it any longer\nMust have been somewhere between\nYour smile and the way you say my name\nI can\u2019t win, so I give in\nThe more I fight, it just gets stronger\nYou\u2019re an inconvenient kind of satisfaction\nWelcome distraction, welcome distraction\n[Verse 2]\nGone and spilled my coffee tryna get to the phone\n'Cause it might be you, you just never know\nCan\u2019t talk to my friends without you coming up\nIt\u2019s even kind of cute the way you cuss\nI wrote your name down a hundred thousand times\n'Cause it looks so good right next to mine\nYou\u2019re the last thing I needed tonight [Chorus]\nAnd I don\u2019t know\nWhere I lost control\nAnd couldn\u2019t take it any longer\nMust have been somewhere between\nYour smile and the way you say my name\nI can\u2019t win, so I give in\nThe more I fight, it just gets stronger\nYou\u2019re an inconvenient kind of satisfaction\nWelcome distraction\n[Bridge]\nI\u2019m acting like a girl with nothing to lose\nWhen did I stop caring about anything but you?\n[Chorus]\nAnd I don\u2019t know\nWhere I lost control\nAnd couldn\u2019t take it any longer\nMust have been somewhere between\nYour smile and the way you say my name\nI can\u2019t win, so I give in\nThe more I fight, it just gets stronger\nYou\u2019re an inconvenient kind of satisfaction\n[Outro]\nWelcome distraction, welcome distraction\nWelcome distraction, welcome distraction, oh, oh","prompt":"Write a song in the style of Taylor Swift that captures the essence of a romantic struggle with self-control and the irresistible allure of a new love. The lyrics should explore the tension between maintaining independence and succumbing to the magnetic pull of a romantic interest, highlighting the conflicting emotions involved. The song should be set to a catchy, pop-melodic tune with hints of country influence, embodying the narrative storytelling and emotional vulnerability characteristic of Swift's music. Include verses that convey the messiness of love and a powerful chorus that emphasizes the theme of a \"welcome distraction\" from the protagonist's usual self-restraint."} +{"id":731773,"song":"Blank Space","artist":"Taylor Swift","lyrics":"[Verse 1]\nNice to meet you, where you been?\nI could show you incredible things\nMagic, madness, heaven, sin\nSaw you there and I thought\nOh my God, look at that face\nYou look like my next mistake\nLove's a game, wanna play?\nHey, hey\nNew money, suit and tie\nI can read you like a magazine\nAin't it funny, rumors fly\nAnd I know you heard about me\nSo hey, let's be friends\nI'm dying to see how this one ends\nGrab your passport and my hand\nI can make the good girls bad for a weekend\n[Chorus]\nSo it's gonna be forever\nOr it's gonna go down in flames\nYou can tell me when it's over\nIf the high was worth the pain\nGot a long list of ex-lovers\nThey'll tell you I'm insane\n'Cause you know I love the players\nAnd you love the game\n'Cause we're young and we're reckless\nWe'll take this way too far\nIt'll leave you breathless\nOr with a nasty scar\nGot a long list of ex-lovers\nThey'll tell you I'm insane\nBut I've got a blank space, baby\nAnd I'll write your... name [Verse 2]\nCherry lips, crystal skies\nI could show you incredible things\nStolen kisses, pretty lies\nYou're the Queen, baby, I'm your King\nFind out what you want\nBe that guy for a month\nBut, the worst is yet to come, oh no\nScreaming, crying, perfect storms\nI could make all the tables turn\nRose garden filled with thorns\nKeep you second guessing like\n\"Oh my God, who is he? Who is he?\"\nI get drunk on jealousy\nBut you'll come back each time you leave\n'Cause, darling, I'm a nightmare dressed like a daydream\n[Chorus]\nSo it's gonna be forever\nOr it's gonna go down in flames\nYou can tell me when it's over\nIf the high was worth the pain\nGot a long list of ex-lovers\nThey'll tell you I'm insane\n'Cause you know I love the players\nAnd you love the game\n'Cause we're young and we're reckless\nWe'll take this way too far\nIt'll leave you breathless\nOr with a nasty scar\nGot a long list of ex-lovers\nThey'll tell you I'm insane\nBut I've got a blank space, baby\nAnd I'll write your name... [Bridge]\nGirls only want love if it's torture\nDon't say I didn't, don't say I didn't warn you\nIt's torture, it's torture\nDon't say I didn't warn you\nIt's torture, it's torture\nDon't say I didn't warn you\n[Chorus]\nSo it's gonna be forever\nOr it's gonna go down in flames\nYou can tell me when it's over\nIf the high was worth the pain\nGot a long list of ex-lovers\nThey'll tell you I'm insane\n'Cause you know I love the players\nAnd you love the game\n'Cause we're young and we're reckless\nWe'll take this way too far\nIt'll leave you breathless\nOr with a nasty scar\nGot a long list of ex-lovers\nThey'll tell you I'm insane\nBut I've got a blank space, baby\nAnd I'll write your name","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a flirtatious and self-aware narrative, blending pop with a hint of cynicism about romance. The lyrics should feature clever wordplay and vivid imagery, such as comparing relationships to games and weaving in themes of infatuation, jealousy, and the thrill of new love. Include a catchy, anthemic chorus that reflects the highs and lows of dating, using a mix of vulnerability and confidence in the tone. The song should be structured with verses, a bridge, and a chorus that all contribute to an engaging story of romantic adventure and the potential for heartbreak."} +{"id":3283019,"song":"Getaway Car","artist":"Taylor Swift","lyrics":"[Intro]\nNo, nothin' good starts in a getaway car\n[Verse 1]\nIt was the best of times, the worst of crimes\nI struck a match and blew your mind\nBut I didn\u2019t mean it and you didn't see it\nThe ties were black, the lies were white\nIn shades of gray in candlelight\nI wanted to leave him, I needed a reason\n[Pre-Chorus]\n\"X\" marks the spot where we fell apart\nHe poisoned the well, I was lyin' to myself\nI knew it from the first Old Fashioned, we were cursed\nWe never had a shotgun shot in the dark (Oh)\n[Chorus]\nYou were drivin\u2019 the getaway car\nWe were flyin', but we'd never get far\nDon't pretend it's such a mystery\nThink about the place where you first met me\nRidin' in a getaway car\nThere were sirens in the beat of your heart\nShoulda known I'd be the first to leave\nThink about the place where you first met me [Post-Chorus]\nIn a getaway car (Oh-oh-oh)\nNo, they never get far (Oh-oh-ah)\nNo, nothin' good starts in a getaway car\n[Verse 2]\nIt was the great escape, the prison break\nThe light of freedom on my face\nBut you weren\u2019t thinkin\u2019 and I was just drinkin'\nWhile he was runnin\u2019 after us, I was screamin', \"Go, go, go\"\nBut with three of us, honey, it's a sideshow\nAnd a circus ain't a love story and now we\u2019re both sorry (We're both sorry)\n[Pre-Chorus]\n\"X\" marks the spot where we fell apart\nHe poisoned the well, every man for himself\nI knew it from the first Old Fashioned, we were cursed\nIt hit you like a shotgun shot to the heart (Oh)\n[Chorus]\nYou were drivin' the getaway car\nWe were flyin', but we'd never get far\nDon't pretend it's such a mystery\nThink about the place where you first met me\nRidin' in a getaway car\nThere were sirens in the beat of your heart\nShoulda known I'd be the first to leave\nThink about the place where you first met me [Post-Chorus]\nIn a getaway car (Oh-oh-oh)\nNo, they never get far (Oh-oh-ah)\nNo, nothin' good starts in a getaway car\n[Bridge]\nWe were jet-set, Bonnie and Clyde (Oh-oh)\nUntil I switched to the other side, to the other side\nIt's no surprise I turned you in (Oh-oh)\n'Cause us traitors never win\n[Breakdown]\nI'm in a getaway car\nI left you in a motel bar\nPut the money in a bag and I stole the keys\nThat was the last time you ever saw me (Oh)\n[Chorus]\nDrivin' the getaway car\nWe were flyin', but we'd never get far (Don't pretend)\nDon't pretend it's such a mystery\nThink about the place where you first met me\nRidin' in a getaway car\nThere were sirens in the beat of your heart (Shoulda known)\nShoulda known I'd be the first to leave\nThink about the place where you first met me [Post-Chorus]\nIn a getaway car (Oh-oh-oh)\nNo, they never get far, oh-oh-ah\nNo, nothin' good starts in a getaway car\n[Outro]\nI was ridin' in a getaway car\nI was cryin' in a getaway car\nI was dyin' in a getaway car\nSaid goodbye in a getaway car\nRidin' in a getaway car\nI was cryin' in a getaway car\nI was dyin' in a getaway car\nSaid goodbye in a getaway car","prompt":"Write me a song in the style of Taylor Swift that captures the thrilling and tumultuous narrative of a doomed love affair likened to a high-speed chase in a \"getaway car.\" The song should weave a tale of romantic entanglement, betrayal, and escape, illustrating the contrast between the initial excitement and the inevitable downfall of the relationship. Use vivid imagery and metaphorical language to convey the intensity of the emotions involved, with a catchy, pop-infused melody that underscores the urgency and drama of the storyline. Include elements of introspection and a sense of bittersweet reminiscence, as well as a chorus that emphasizes the idea that nothing good starts with a getaway, all while mirroring Taylor Swift's signature storytelling and lyrical prowess."} +{"id":4782854,"song":"London Boy","artist":"Taylor Swift","lyrics":"[Intro: Idris Elba & \nJames Corden\n]\nWe can go drivin' in, on my scooter\nUh, you know, just 'round London (\nOh, I'd\u2014\n)\n[Verse 1]\nI love my hometown as much as Motown, I love SoCal\nAnd you know I love Springsteen, faded blue jeans, Tennessee whiskey\nBut somethin' happened, I heard him laughin'\nI saw the dimples first and then I heard the accent\n[Pre-Chorus]\nThey say, \"Home is where the heart is\"\nBut that's not where mine lives\n[Chorus]\nYou know I love a London boy\nI enjoy walkin' Camden Market in the afternoon\nHe likes my American smile, like a child when our eyes meet\nDarling, I fancy you\nTook me back to Highgate, met all of his best mates\nSo I guess all the rumors are true\nYou know I love a London boy\nBoy, I fancy you (Ooh)\n[Verse 2]\nAnd now I love high tea, stories from Uni' and the West End\nYou can find me in the pub, we are watchin' rugby with his school friends\nShow me a gray sky, a rainy cab ride\nBabes, don't threaten me with a good time [Pre-Chorus]\nThey say, \"Home is where the heart is\"\nBut, God, I love the English\n[Chorus]\nYou know I love a London boy\nI enjoy nights in Brixton, Shoreditch in the afternoon\nHe likes my American smile, like a child when our eyes meet\nDarling, I fancy you\nTook me back to Highgate, met all of his best mates\nSo I guess all the rumors are true\nYou know I love a London boy\nBoy, I fancy you\n[Bridge]\nSo please show me Hackney\nDoesn't have to be Louis V up on Bond Street\nJust wanna be with you\nWanna be with you\nStick with me, I'm your queen\nLike a Tennessee Stella McCartney on the Heath\nJust wanna be with you (Wanna be with you)\nWanna be with you, oh, woah\n[Chorus]\nYou know I love a London boy\nI enjoy walkin' Soho, drinkin' in the afternoon (Yeah)\nHe likes my American smile, like a child when our eyes meet\nDarling, I fancy you (You)\nTook me back to Highgate, met all of his best mates\nSo I guess all the rumors are true (Yeah)\nYou know I love a London boy (Oh)\nBoy (Oh), I fancy you (I fancy you; ooh) [Outro]\nSo please show me Hackney\nDoesn't have to be Louis V up on Bond Street\nJust wanna be with you (Ooh)\nI, oh, I, I fancy you, oh, woah-ah-ah (Ooh)\nStick with me, I'm your queen\nLike a Tennessee Stella McCartney on the Heath\nJust wanna be with you (Ooh), wanna be with you\nI fancy you (Yeah), I fancy you, ah-ah (Ooh)","prompt":"Write me a song in the style of Taylor Swift that captures the essence of falling in love with someone from a different place, emphasizing the charm of their hometown and cultural differences. Incorporate references to specific locations and cultural elements, such as local hangouts or traditions, and describe the feeling of being welcomed into someone else's world. The song should have a playful yet affectionate tone, with a touch of whimsy that celebrates the fusion of two distinct lifestyles. Use vivid imagery and metaphors that convey the excitement and novelty of this cross-cultural romance, set against a backdrop of iconic city scenes."} +{"id":9666585,"song":"Now That We Don\u2019t Talk (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Verse 1]\nYou went to a party\nI heard from everybody\nYou part the crowd like the Red Sea\nDon't even get me started\nDid you get anxious though\nOn the way home?\nI guess I'll never, ever know\nNow that we don't talk\n[Verse 2]\nYou grew your hair long\nYou got new icons\nAnd from the outside\nIt looks like you're tryin' lives on\nI miss the old ways\nYou didn't have to change\nBut I guess I don't have a say\nNow that we don't talk\n[Chorus]\nI call my mom, she said that it was for the best\nRemind myself, the mor\u0435 I gave, you'd want me less\nI cannot b\u0435 your friend, so I pay the price of what I lost\nAnd what it cost, now that we don't talk [Bridge]\nWhat do you tell your friends we\nShared dinners, long weekends with?\nTruth is, I can't pretend it's\nPlatonic, it's just ended, so\n[Chorus]\nI call my mom, she said to get it off my chest (Off my chest)\nRemind myself the way you faded 'til I left (Until I left)\nI cannot be your friend, so I pay the price of what I lost (Of what I lost)\nAnd what it cost, now that we don't talk\n[Outro]\nI don't have to pretend I like acid rock\nOr that I'd like to be on a mega yacht\nWith important men who think important thoughts\nGuess maybe I am better off now that we don't talk\nAnd the only way back to my dignity\nWas to turn into a shrouded mystery\nJust like I had been when you were chasing me\nGuess this is how it has to be now that we don't talk","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turmoil and reflection after a personal change in a relationship where the protagonist no longer communicates with someone they used to be close to. The lyrics should convey a sense of nostalgia for the past, a poignant acceptance of change, and the bittersweet growth that comes from moving on. The song should include specific details that hint at the history between the characters, such as shared experiences or habits, and it should have a confessional tone, with the singer reaching out to a trusted confidant for advice. The melody should be evocative of Swift's narrative-driven pop\/country crossover, with an emphasis on storytelling and a relatable chorus that resonates with the theme of lost connections and personal evolution."} +{"id":2016042,"song":"Tell Me","artist":"Taylor Swift","lyrics":"[Verse 1]\nIt was something like a perfect start to this love yesterday\nBut now who are you?\nI thought I knew\nYour eyes happen now to look right through me\nIt\u2019s like you forgot the words you whispered to me\nThey weren't true\nIt's like it wasn't you\n[Chorus]\nCould you tell me what did I do?\nBecause it can't be we're already through\nDid you sell me out for a fool after you held me?\nWas that just what you do?\nWhat did you need from me?\nTell me\n[Verse 2]\nTake time to realize\nI know that people change their minds\nBut that was something I wished you would say to my face\nBut you ran away\n[Chorus]\nCould you tell me what did I do?\nBecause it can't be we're already through\nDid you sell me out for a fool after you held me?\nWas that just what you do?\nWhat did you need from me?\nTell me [Bridge]\nIf I had a reason or a simple goodbye\nBaby, even a lie\nYeah, yeah\n[Chorus]\nTell me what did I do\n'Cause, baby, suddenly we're already through\nDid you sell me out for a fool after you held me?\nWas that just what you do?\nWhat did you need from me?\nAnd tell me\n[Outro]\nAnd tell me\nOh-oh-oh, oh-yeah\nAnd tell me\nTell me","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a sudden and unexpected breakup, reflecting on the confusion and sense of betrayal felt when someone changes overnight. The lyrics should convey introspective verses and a powerful chorus, questioning the reasons behind the change and seeking closure. The musical arrangement should be reminiscent of Swift's blend of country roots with pop sensibility, allowing for an emotional delivery that resonates with the listener's own experiences of lost love and the quest for understanding."} +{"id":5793975,"song":"\u200bthis is me trying","artist":"Taylor Swift","lyrics":"[Verse 1]\nI've been having a hard time adjusting\nI had the shiniest wheels, now they're rusting\nI didn't\u2005know\u2005if you'd care\u2005if I came back\nI have a\u2005lot of regrets about that\nPulled the car off the road to the lookout\nCould've followed my fears all the way down\nAnd maybe I don't quite know what to say\nBut I'm here in your doorway\n[Chorus]\nI just wanted you to know that this is me trying\nI just wanted you to know that this is me trying\n[Verse 2]\nThey told me all of my cages were mental\nSo I got wasted like all my potential\nAnd my words shoot to kill when I'm mad\nI have a lot of regrets about that\nI was so ahead of the curve, the curve became a sphere\nFell behind all my classmates and I ended up here\nPouring out my heart to a stranger\nBut I didn't pour the whiskey\n[Chorus]\nI just wanted you to know that this is me trying\nI just wanted you to know that this is me trying [Post-Chorus]\nAt least I'm trying\n[Bridge]\nAnd it's hard to be at a party when I feel like an open wound\nIt's hard to be anywhere these days when all I want is you\nYou're a flashback in a film reel\n \non the one screen in my town\n[Chorus]\nAnd I just wanted you to know that this is me trying\n(And maybe I don't quite know what to say)\nI just wanted you to know that this is me trying\n[Outro]\nAt least I'm trying","prompt":"Write me a song in the style of Taylor Swift that captures the essence of personal struggle and vulnerability, reflecting on past mistakes and the effort to move forward. The song should include introspective lyrics and a narrative that conveys a sense of growth and the difficulties of change. Incorporate a chorus that repeats a line emphasizing the attempt to make amends or improve oneself. The musical arrangement should align with Taylor Swift's signature blend of country roots and pop sensibilities, evoking a mood that is both reflective and earnest."} +{"id":2466692,"song":"Angelina","artist":"Taylor Swift","lyrics":"[Verse 1]\nAngelina\u2019s got a pretty face\nAnd really long brown hair\nLives somewhere in some wide open space\nI\u2019ve never been there\nI guess some people come around and purpose she\nBut I don\u2019t cause\n[Chorus]\nI have always been a bit reckless\nAnd I am not your typical princess\nI\u2019m fine just a bit of a mess\nAnd I\u2019m not perfect you could say\nI wasn\u2019t brought up that way\n[Verse 2]\nJust watched Stephen run across the field\nWatched him catch the ball\nHe\u2019s got everything you\u2019d wanna be\nHe\u2019s funny, dark and tall\nWatch him run across to Angelina\nBut I won\u2019t cause\n[Chorus]\nI have always been a bit reckless\nAnd I am not your typical princess\nI\u2019m fine just a bit of a mess\nAnd I\u2019m not perfect you could say\nI wasn\u2019t brought up that way [Bridge]\nStardom pushed across the line\nTripped over my two feet hey oh yeah\nBut ain\u2019t it funny how\nIt all comes out\nIsn\u2019t life sweet?\n[Chorus]\nBut, I have always been a bit reckless\nI am not your typical princess\nI\u2019m fine just a bit of a mess\nAnd I\u2019m not perfect you could say, oh-oh\n[Chorus]\nI have always been a bit reckless\nAnd I am not your typical princess\nI\u2019m fine just a bit of a mess\nAnd I\u2019m not perfect you could say\nI wasn\u2019t brought up that way","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a youthful, rebellious spirit, contrasting the protagonist's carefree and imperfect nature with the more polished and idealized figures they observe around them. The lyrics should focus on themes of individuality, self-acceptance, and the beauty of embracing one's flaws, much like a coming-of-age story set to a blend of country and pop melodies. Incorporate vivid imagery and personal storytelling techniques characteristic of Swift's earlier work, while ensuring that the song includes both introspective verses and a catchy, anthemic chorus."} +{"id":186861,"song":"Christmas Must Be Something More","artist":"Taylor Swift","lyrics":"[Verse 1]\nWhat if ribbons and bows didn't mean a thing?\nWould the song still survive without five golden rings?\nWould you still wanna kiss without mistletoe?\nWhat would happen if God never let it snow?\nWhat would happen if Christmas carols told a lie?\nTell me, what would you find?\n[Chorus]\nYou'd see that today holds something special\nSomething holy, not superficial\nSo here's to the birthday boy who saved our lives\nIt's something we all try to ignore\nAnd put a wreath up on your door\nSo here's something you should know that is for sure\nChristmas must be something more\n[Verse 2]\nWhat if angels did not pay attention to\nAll the things that we wished they would always do?\nWhat if happiness came in a cardboard box?\nThen I think there is something we all forgot\nWhat would happen if presents all went away?\nTell me, what would you find?\n[Chorus]\nYou'd see that today holds something special\nSomething holy, not superficial\nSo here's to the birthday boy who saved our lives\nIt's something we all try to ignore\nAnd put a wreath up on your door\nSo here's something you should know that is for sure\nChristmas must be something more [Bridge]\nWe get so caught up in all of it\nBusiness and relationships\nHundred-mile-an-hour lives\nAnd it's this time of year\nAnd everybody's here\nIt seems the last thing on your mind\n[Chorus]\nIs that the day holds something special\nSomething holy, not superficial\nSo here's to Jesus Christ who saved our lives\nIt's something we all try to ignore\nAnd put a wreath up on your door\nBut here's something you should know that is for sure\nChristmas must be something\nChristmas must be something\nChristmas must be something more\n[Outro]\nThere's gotta be more\nThere's gotta be more","prompt":"Write me a song in the style of Taylor Swift that explores the deeper meaning of Christmas beyond the commercial and materialistic aspects, emphasizing the spiritual and holy significance of the holiday. The lyrics should question the importance of traditional festive symbols and imagine a Christmas stripped of its commercial trappings, ultimately highlighting the birth of Jesus as the true reason for the season. The song should maintain a reflective and earnest tone, characteristic of Taylor Swift's narrative songwriting, and include a chorus that is both catchy and thought-provoking, reminding listeners that Christmas is about something more substantial than just presents and decorations."} +{"id":6260141,"song":"\u200bevermore","artist":"Taylor Swift","lyrics":"[Verse 1: Taylor Swift]\nGray November\nI've been down since July\nMotion capture\nPut me in a bad light\nI replay my footsteps on each stepping stone\nTrying to find the one where I went wrong\nWriting letters\nAddressed to the fire\n[Chorus: Taylor Swift]\nAnd I was catchin' my breath\nStarin' out an open window, catchin' my death\nAnd I couldn't be sure\nI had a feeling so peculiar\nThat this pain would be for\nEvermore\n[Verse 2: Taylor Swift]\nHey, December\nGuess I'm feeling unmoored\nCan't remember\nWhat I used to fight for\nI rewind th\u0435 tape, but all it does is pause\nOn th\u0435 very moment all was lost\nSending signals\nTo be double-crossed [Chorus: Taylor Swift]\nAnd I was catchin' my breath\nBarefoot in the wildest winter, catchin' my death\nAnd I couldn't be sure\nI had a feeling so peculiar\nThat this pain would be for\nEvermore\n[Post-Chorus: Justin Vernon]\n(Evermore)\n[Bridge: Justin Vernon, \nTaylor Swift\n]\nCan't not think of all the cost\nAnd the things that will be lost\nOh, can we just get a pause?\nTo be certain we'll be tall again\nWhether weather be the frost\nOr the violence of the dog days\nI'm on waves, out being tossed\nIs there a line that I could just go cross?\nAnd when I was shipwrecked\n (Can't think of all the cost now)\nI thought of you\n (All the things that will be lost now)\nIn the cracks of light\n (Can we just get a pause?)\nI dreamed of you\n (To be certain we'll be tall again)\n(If you think of all the cost)\nIt was real enough\n (Whether weather be the frost)\nTo get me through\n (Or the violence of the dog days)\n(Or the violence of the dog days)\n(Out on waves, being tossed)\n(I'm on waves, out being tossed)\nBut I swear\n (Is there a line that we can just go cross?)\nYou were there [Chorus: Taylor Swift & Justin Vernon]\nAnd I was catchin' my breath\nFloors of a cabin creakin' under my step\nAnd I couldn't be sure\nI had a feeling so peculiar\nThis pain wouldn't be for\nEvermore\n[Outro: Taylor Swift, \nJustin Vernon\n, \nBoth\n]\nEvermore (\nEvermore\n)\nEvermore\n (\nEvermore\n)\nThis pain wouldn't be for evermore\nEvermore","prompt":"Write a song in the style of Taylor Swift that captures a melancholic and introspective journey through past struggles and the hope for overcoming persistent pain, using vivid imagery such as \"gray November\" and \"barefoot in the wildest winter.\" The song should weave a narrative that moves from despair to a cautious optimism, incorporating elements of indie folk and alternative rock. It should include a haunting, echoing chorus that emphasizes the theme of enduring pain with the word \"evermore,\" and feature a bridge with another artist that adds depth and a second perspective to the story. The overall tone should be poetic and reflective, with a touch of the ethereal quality found in her album \"Evermore.\""} +{"id":3305019,"song":"King of My Heart","artist":"Taylor Swift","lyrics":"[Verse 1]\nI'm perfectly fine, I live on my own\nI made up my mind, I'm better off bein' alone\nWe met a few weeks ago\nNow you try on callin' me \"baby\" like tryin' on clothes\n[Pre-Chorus]\nSalute to me, I'm your American queen\nAnd you move to me like I'm a Motown beat\nAnd we rule the kingdom inside my room\n'Cause all the boys and their expensive cars\nWith their Range Rovers and their Jaguars\nNever took me quite where you do\n[Chorus]\nAnd all at once, you are the one I have been waiting for\nKing of my heart, body and soul, ooh-woah\nAnd all at once, you're all I want, I'll never let you go\nKing of my heart, body and soul, ooh-woah\n[Post-Chorus]\nAnd all at once, I've been waiting, waiting\nOoh-woah, ooh-woah\nAnd all at once, you are the one, I have been waiting, waiting\nBody and soul, ooh-woah\nAnd all at once [Verse 2]\nLate in the night, the city's asleep\nYour love is a secret I'm hoping, dreaming, dying to keep\nChange my priorities\nThe taste of your lips is my idea of luxury\n[Pre-Chorus]\nSalute to me, I'm your American queen\nAnd you move to me like I'm a Motown beat\nAnd we rule the kingdom inside my room (Inside my room, oh)\n'Cause all the boys and their expensive cars\nWith their Range Rovers and their Jaguars\nNever took me quite where you do (Where you do)\n[Chorus]\nAnd all at once, you are the one I have been waiting for\nKing of my heart, body and soul, ooh-woah\nAnd all at once, you're all I want, I'll never let you go\nKing of my heart (My heart), body and soul, ooh-woah\n[Post-Chorus]\nAnd all at once (Hey), I've been waiting, waiting (Waiting)\nOoh-woah, ooh-woah\nAnd all at once, you are the one I have been waiting (Waiting), waiting (Waiting)\nBody and soul, ooh-woah\nAnd all at once [Bridge]\nIs this the end of all the endings?\nMy broken bones are mending\nWith all these nights we're spending\nUp on the roof with a school girl crush\nDrinking beer out of plastic cups\nSay you fancy me, not fancy stuff\nBaby, all at once, this is enough\n[Breakdown]\nAnd all at once, you are the one I have been waiting for\nKing of my heart, body and soul, ooh-woah\n[Chorus]\nAnd all at once, you are the one I have been waiting for\nKing of my heart, body and soul, ooh-woah\nAnd all at once, you're all I want, I'll never let you go\nKing of my heart (My heart), body and soul (My soul), ooh-woah\n[Post-Chorus]\nAnd all at once, I've been waiting, waiting\nOoh-woah, ooh-woah (Ooh-woah)\nAnd all at once, you are the one I have been waiting, waiting\nBody and soul, ooh-woah\nAnd all at once","prompt":"Write me a song in the style of Taylor Swift that captures the essence of finding true love unexpectedly and the realization that it surpasses all previous romantic experiences. The lyrics should convey a sense of independence that's transformed by a profound connection with a new love interest, akin to royalty in a personal kingdom. Incorporate imagery of modern luxury and a nostalgic nod to Motown rhythm, juxtaposed with intimate, down-to-earth moments that signify genuine affection. The song should build to a celebratory chorus that emphasizes the soul-deep bond and the irreplaceable nature of this newfound love, using repeated phrases for emotional impact."} +{"id":4499981,"song":"Mr. Perfectly Fine (Taylor\u2019s Version) [From the Vault]","artist":"Taylor Swift","lyrics":"[Verse 1]\nMr. \"Perfect face\"\nMr. \"Here to stay\"\nMr. \"Looked me in the eye and told me you would never go away\"\nEverything was right\nMr. \"I've been waitin' for you all my life\"\nMr. \"Every single day until the end, I will be by your side\"\n[Pre-Chorus]\nBut that was when I got to know Mr. \"Change of heart\"\nMr. \"Leaves me all alone,\" I fall apart\nIt takes everything in me just to get up each day\nBut it's wonderful to see that you're okay\n[Chorus]\nHello, Mr. \"Perfectly fine\"\nHow's your heart after breakin' mine?\nMr. \"Always at the right place at the right time,\" baby\nHello, Mr. \"Casually cruel\"\nMr. \"Everything revolves around you\"\nI've been Miss Misery since your goodbye\nAnd you're Mr. \"Perfectly fine\"\n[Verse 2]\nMr. \"Never told me why\"\nMr. \"Never had to see me cry\"\nMr. \"Insincere apology so he doesn't look like the bad guy\"\nHe goes about his day\nForgets he ever even heard my name\nWell, I thought you might be different than the rest, I guess you're all the same [Pre-Chorus]\n'Cause I hear he's got his arm 'round a brand-new girl\nI've been pickin' up my heart, he's been pickin' up her\nAnd I never got past what you put me through\nBut it's wonderful to see that it never phased you\n[Chorus]\nHello, Mr. \"Perfectly fine\"\nHow's your heart after breakin' mine?\nMr. \"Always at the right place at the right time,\" baby\nHello, Mr. \"Casually cruel\"\nMr. \"Everything revolves around you\"\nI've been Miss Misery since your goodbye\nAnd you're Mr. \"Perfectly fine\"\n[Verse 3]\nSo dignified in your well-pressed suit\nSo strategized, all the eyes on you\nSashay your way to your seat\nIt's the best seat, in the best room\nOh, he's so smug, Mr. \"Always wins\"\nSo far above me in every sense\nSo far above feeling anything\n[Bridge]\nAnd it's really such a shame\nIt's such a shame\n'Cause I was Miss \"Here to stay\"\nNow I'm Miss \"Gonna be alright someday\"\nAnd someday maybe you'll miss me\nBut by then, you'll be Mr. \"Too late\" [Chorus]\nGoodbye, Mr. \"Perfectly fine\"\nHow's your heart after breakin' mine?\nMr. \"Always at the right place at the right time,\" baby\nGoodbye, Mr. \"Casually cruel\"\nMr. \"Everything revolves around you\"\nI've been Miss Misery for the last time\nAnd you're Mr. \"Perfectly fine\"\n[Outro]\nYou're perfectly fine\nMr. \"Looked me in the eye and told me you would never go away\"\nYou said you'd never go away","prompt":"Write me a song in the style of Taylor Swift that captures the narrative of a scorned lover reflecting on their past relationship with a seemingly flawless yet emotionally detached ex-partner. The song should evoke a story of betrayal, heartbreak, and eventual empowerment, with vivid character descriptions and a catchy, bittersweet chorus that contrasts the protagonist's pain with the ex's unaffected demeanor. Include elements of Taylor Swift's signature country-pop sound, incorporating both acoustic and electronic instrumentation to create a track that is both deeply personal and universally relatable, showcasing the journey from vulnerability to strength."} +{"id":186852,"song":"Silent Night","artist":"Taylor Swift","lyrics":"[Verse 1]\nSilent night, holy night\nAll is calm and all is bright\nRound yon virgin mother and child\nHoly infant so tender and mild\nSleep in heavenly peace\nSleep in heavenly peace\n[Verse 2]\nSilent night, holy night\nShepherds quake at the sight\nGlories stream from Heaven afar\nHeavenly hosts sing Hallelujah\nChrist the Saviour is born\nChrist our Saviour is born\n[Verse 3]\nSilent night, holy night\nSon of God\nLove's pure light\nRadiant beams from thy holy face\nWith the dawn of redeeming grace\nJesus Lord at thy birth\nJesus Lord at thy birth\n[Outro]\nHallelujah!\nHallelujah!\nHallelujah!\nChrist the Saviour is born","prompt":"Write me a song in the style of Taylor Swift that captures the serene and sacred atmosphere of a \"Silent Night,\" focusing on themes of peace, the maternal bond, and divine love. The lyrics should evoke a narrative of a tranquil, holy evening, with imagery of a mother and child, and celestial beings celebrating a momentous birth. The musical style should blend Swift's signature storytelling and melodic sensibilities with a touch of holiday spirit, incorporating elements of her country roots and pop evolution. Include a sense of wonder and reverence akin to the classic carol, while infusing it with Taylor's unique voice and contemporary flair."} +{"id":186922,"song":"The Other Side Of The Door","artist":"Taylor Swift","lyrics":"[Verse 1]\nIn the heat of the fight, I walked away\nIgnoring words that you were saying\nTryin' to make me stay\nI said, \"This time I've had enough\"\nAnd you've called a hundred times\nBut I'm not picking up\n[Pre-Chorus]\n'Cause I'm so mad\nI might tell you that it's over\nBut if you look a little closer\n[Chorus]\nI said, \"Leave,\" but all I really want is you\nTo stand outside my window throwing pebbles\nScreaming, \"I'm in love with you\"\nWait there in the pouring rain, coming back for more\nAnd don't you leave, 'cause I know all I need is on\nThe other side of the door\n[Verse 2]\nMe and my stupid pride are sitting here alone\nGoing through the photographs, staring at the phone\nI keep going back over things we both said\nAnd I remember the slamming door\nAnd all the things that I misread [Pre-Chorus]\nSo, babe, if you know everything\nTell me why you couldn't see\nWhen I left, I wanted you to chase after me, yeah\n[Chorus]\nI said, \"Leave,\" but all I really want is you\nTo stand outside my window throwing pebbles\nScreaming, \"I'm in love with you\"\nWait there in the pouring rain, coming back for more\nAnd don't you leave, 'cause I know all I need is on\nThe other side of the door\n[Bridge]\nAnd I'll scream out the window\n\"I can't even look at you\"\n\"I don't need you,\" but I do, I do, I do\nI'll say, \"There's nothing you can say\"\n\"To make this right again, I mean it, I mean it\"\nWhat I mean is\n[Chorus]\nI said, \"Leave,\" but, baby, all I want is you\nTo stand outside my window throwing pebbles\nScreaming, \"I'm in love with you\"\nWait there in the pouring rain, coming back for more\nAnd don't you leave, 'cause I know all I need is on\nThe other side of the door [Outro]\nWith your face and the beautiful eyes\nAnd the conversation with the little white lies\nAnd the faded picture of a beautiful night\nYou carried me from your car up the stairs\nAnd I broke down crying, was she worth this mess?\nAfter everything and that little black dress\nAfter everything, I must confess, I need you","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turmoil of a heated argument and the subsequent regret of a lover who impulsively walked away. The song should feature narrative verses that depict the struggle between pride and desire, a catchy and confessional chorus where the protagonist admits they actually want their lover to pursue them despite telling them to leave, and a bridge that conveys conflicting feelings of anger and longing. Include vivid imagery such as \"throwing pebbles at a window\" and \"standing in the pouring rain,\" and ensure the tone fluctuates between defiance and vulnerability, typical of Swift's storytelling approach, to evoke a rollercoaster of emotions."} +{"id":5793962,"song":"\u200bbetty","artist":"Taylor Swift","lyrics":"[Verse 1]\nBetty, I won't make assumptions\nAbout why you switched your homeroom, but\nI think it's 'cause of\u2005me\nBetty,\u2005one time, I\u2005was riding on my skateboard\nWhen I\u2005passed your house\nIt's like I couldn't breathe\n[Pre-Chorus]\nYou heard the rumors from Inez\nYou can't believe a word she says\nMost times, but this time, it was true\nThe worst thing that I ever did\nWas what I did to you\n[Chorus]\nBut if I just showed up at your party\nWould you have me? Would you want me?\nWould you tell me to go fuck myself\nOr lead me to the garden?\nIn the garden, would you trust me\nIf I told you it was just a summer thing?\nI'm only seventeen, I don't know anything\nBut I know I miss you\n[Verse 2]\nBetty, I know where it all went wrong\nYour favorite song was playing\nFrom the far side of the gym\nI was nowhere to be found\nI hate the crowds, you know that\nPlus, I saw you dance with him [Pre-Chorus]\nYou heard the rumors from Inez\nYou can't believe a word she says\nMost times, but this time, it was true\nThe worst thing that I ever did\nWas what I did to you\n[Chorus]\nBut if I just showed up at your party\nWould you have me? Would you want me?\nWould you tell me to go fuck myself\nOr lead me to the garden?\nIn the garden, would you trust me\nIf I told you it was just a summer thing?\nI'm only seventeen, I don't know anything\nBut I know I miss you\n[Bridge]\nI was walking home on broken cobblestones\nJust thinking of you when she pulled up like\nA figment of my worst intentions\nShe said, \"James, get in, let's drive\"\nThose days turned into nights\nSlept next to her, but\nI dreamt of you all summer long [Verse 3]\nBetty, I'm here on your doorstep\nAnd I planned it out for weeks now\nBut it's finally sinkin' in\nBetty, right now is the last time\nI can dream about what happens when\nYou see my face again\n[Pre-Chorus]\nThe only thing I wanna do\nIs make it up to you\nSo I showed up at your party\nYeah, I showed up at your party\n[Chorus]\nYeah, I showed up at your party\nWill you have me? Will you love me?\nWill you kiss me on the porch\nIn front of all your stupid friends?\nIf you kiss me, will it be just like I dreamed it?\nWill it patch your broken wings?\nI'm only seventeen, I don't know anything\nBut I know I miss you\n[Outro]\nStanding in your cardigan\nKissin' in my car again\nStopped at a streetlight\nYou know I miss you","prompt":"Write a song in the style of Taylor Swift that captures the reflective and nostalgic emotions of teenage love and regret. It should feature a narrator who reminisces about past mistakes and yearns for forgiveness, with specific references to small, evocative details like passing by a loved one's house or the music that was playing at a significant moment. The lyrics should convey a blend of innocence and maturity, embodying the voice of someone who is on the cusp of adulthood yet still grappling with the intensity of youthful emotions. The song should build up to a moment of vulnerability and hope, where the narrator seeks a second chance at a party, wondering if reconciliation is possible. Include vivid imagery and a storytelling approach that is characteristic of Taylor Swift's songwriting."} +{"id":4499926,"song":"Don\u2019t You (Taylor\u2019s Version) [From the Vault]","artist":"Taylor Swift","lyrics":"[Verse 1]\nHey, I knew I'd run into you somewhere\nIt's been a while, I didn't mean to stare\nI heard she's nothin' like me\nI'm sure she'll make you happy\n[Chorus]\nBut don't you, don't you\nSmile at me and ask me how I've been\nDon't you say you've\nMissed me if you don't want me again\nYou don't know how much I feel I love you still\nSo why don't you, don't you?\n[Post-Chorus]\nAh, ah, ah, ah\nAh, ah, ah\n[Verse 2]\nSometimes, I really wish that I could hate you\nI've tried, but that's just somethin' I can't do\nMy heart knows what the truth is\nI swore I wouldn't do this\n[Chorus]\nBut don't you, don't you\nSmile at me and ask me how I've been\nDon't you say you've\nMissed me if you don't want me again\nYou don't know how much I feel I love you still\nSo why don't you, don't you? [Bridge]\nSo I'll walk out of here tonight\nTry to go on with my life\nAnd you can say we're still friends\n(But I don't wanna pretend)\nSo if I see you again\n[Chorus]\nDon't you (Don't you), don't you\nSmile at me and ask me how I've been\nDon't you (Don't you) say you've\nMissed me if you don't want me again\nYou don't (You don't) know how much I feel I love you still\nSo why don't you, don't you?\n[Outro]\nAh, ah, ah, ah\nDon't you (Ah, ah, ah)","prompt":"Write a song in the style of Taylor Swift that captures the emotional intensity of encountering an ex-lover, expressing a blend of nostalgia, lingering love, and the pain of moving on. The lyrics should convey the protagonist\u2019s struggle with their enduring feelings and their desire not to be led on if there\u2019s no chance of reconciliation. The song should feature a poignant chorus that emphasizes the plea to the ex not to engage in friendly small talk or false professions of missing her if they do not intend to reignite the relationship. The musical arrangement should reflect Swift's signature blend of country-pop and narrative storytelling, with an acoustic undercurrent that underscores the vulnerability and raw honesty of the lyrics."} +{"id":4765979,"song":"I Think He Knows","artist":"Taylor Swift","lyrics":"[Verse 1]\nI think he knows\nHis footprints on the sidewalk\nLead to where I can't stop\nGo there every\u2005night\nI\u2005think he knows\nHis\u2005hands around a cold glass\nMake me\u2005wanna know that\nBody like it's mine\n[Pre-Chorus]\nHe got that boyish look that I like in a man\nI am an architect, I'm drawing up the plans\nIt's like I'm 17, nobody understands\nNo one understands\n[Chorus]\nHe got my heartbeat\nSkipping down 16th Avenue\nGot that, ah, I mean\nWanna see what's under that attitude like\nI want you, bless my soul\nAnd I ain't gotta tell him, I think he knows\nI think he knows\n[Verse 2]\nI think he knows\nWhen we get all alone\nI'll make myself at home\nAnd he'll want me to stay\nI think he knows\nHe'd better lock it down\nOr I won't stick around\n'Cause good ones never wait (Ha) [Pre-Chorus]\nHe got that boyish look that I like in a man\nI am an architect, I'm drawing up the plans\nHe's so obsessed with me and, boy, I understand\nBoy, I understand\n[Chorus]\nHe got my heartbeat (Heartbeat)\nSkipping down 16th Avenue\nGot that, ah, I mean (I mean)\nWanna see what's under that attitude like\nI want you, bless my soul\nAnd I ain't gotta tell him, I think he knows\nI think he knows\n[Post-Chorus]\nI want you, bless my\nI want you, bless my\nI want you, bless my\nI want you, bless my soul\n[Bridge]\nLyrical smile, indigo eyes, hand on my thigh\nWe could follow the sparks, I'll drive\nLyrical smile, indigo eyes, hand on my thigh\nWe could follow the sparks, I'll drive\n\"So where we gonna go?\"\nI whisper in the dark\n\"Where we gonna go?\"\nI think he knows [Chorus]\nHe got my heartbeat (Heartbeat)\nSkipping down 16th Avenue (Baby)\nGot that, ah, I mean (I mean)\nWanna see what's under that attitude like (Yeah)\nI want you, bless my soul\nAnd I ain't gotta tell him, I think he knows\nI think he knows\n[Post-Chorus]\nI want you, bless my\nI want you, bless my\nI want you, bless my (Oh, baby)\nI want you, bless my soul (He got my heartbeat)\nI want you, bless my (Skipping down 16th Avenue, baby)\nI want you, bless my\nI want you, bless my soul\nAnd I ain't gotta tell him, I think he knows","prompt":"Write me a song in the style of Taylor Swift that captures the playful and confident spirit of a new romance. The lyrics should portray a strong sense of mutual attraction and the thrill of unspoken understanding between two people. Include vivid imagery, such as \"footprints on the sidewalk\" and \"hands around a cold glass,\" to convey a storyline where the protagonist is intrigued by their love interest's demeanor, including a \"boyish look\" and a mysterious \"attitude.\" The song should have a catchy, up-tempo feel with a chorus that reflects the heart-racing excitement of being in love, similar to the way \"I think he knows\" suggests an intimate connection without words. Emphasize the feeling of being on the cusp of a romantic adventure, with a bridge that brings in elements of desire and anticipation, akin to \"Lyrical smile, indigo eyes, hand on my thigh.\" Channel Swift's signature blend of storytelling, catchy hooks, and relatable emotional depth."} +{"id":187432,"song":"Ronan","artist":"Taylor Swift","lyrics":"[Verse 1]\nI remember you bare feet, down the hallway\nI remember your little laugh\nRace cars on the kitchen floor, plastic dinosaurs\nI love you to the moon and back\nI remember your blue eyes looking into mine\nLike we had our own secret club\nI remember you dancing before bed time\nThen jumping on me waking me up\nI can still feel you hold my hand, little man\nAnd even the moment I knew\nYou fought it hard like an army guy\nRemember I leaned in and whispered to you\n[Chorus]\n\"Come on, baby, with me\nWe're going to fly away from here\nYou were my best four years\"\n[Verse 2]\nI remember the drive home\nWhen the blind hope turned to crying and screaming, \"Why?\"\nFlowers pile up in the worst way, no one knows what to say\nAbout a beautiful boy who died\nAnd it's about to be Halloween\nYou could be anything you wanted, if you were still here\nI remember the last day, when I kissed your face\nAnd whispered in your ear [Chorus]\n\"Come on, baby, with me\nWe're going to fly away from here\nOut of this curtained room and this hospital grey\nWe'll just disappear\nCome on, baby, with me\nWe're going to fly away from here\nYou were my best four years\"\n[Bridge]\nWhat if I'm standing in your closet trying to talk to you?\nAnd what if I kept the hand-me-downs you won't grow into?\nAnd what if I really thought some miracle would see us through?\nWhat if the miracle was even getting one moment with you?\n[Chorus]\nCome on, baby, with me\nWe're going to fly away from here\nCome on, baby, with me\nWe're going to fly away from here\nYou were my best four years\n[Outro]\nI remember you bare feet, down the hallway\nI love you to the moon and back","prompt":"Write me a song in the style of Taylor Swift that captures the poignant reminiscence of cherished moments with a loved one who has passed away. Emphasize the tender memories of innocence and love, such as barefoot walks and laughter, and the heartbreaking reality of loss, portrayed through vivid imagery like race cars on the kitchen floor and plastic dinosaurs. The song should convey a deep sense of personal storytelling and emotional vulnerability, with a chorus that emphasizes the yearning to escape the pain and fly away from the sorrow. Include a bridge that deals with the struggle of holding onto hope and the beauty of having had even a moment with the person who meant so much. The musical style should be reminiscent of Taylor Swift's heartfelt balladry, with a focus on acoustic elements that highlight the song's intimate and reflective nature."} +{"id":102711,"song":"The Last Time","artist":"Taylor Swift","lyrics":"[Verse 1: Gary Lightbody]\nFind myself at your door\nJust like all those times before\nI\u2019m not sure how I got there\nAll roads, they lead me here\nI imagine you are home\nIn your room, all alone\nAnd you open your eyes into mine\nAnd everything feels better\n[Pre-Chorus: Both]\nAnd right before your eyes\nI'm breaking, no past\nNo reasons why\nJust you and me\n[Chorus: Both]\nThis is the last time I'm asking you this\nPut my name at the top of your list\nThis is the last time I'm asking you why\nYou break my heart in the blink of an eye (Eye, eye)\n[Verse 2: Taylor Swift]\nYou find yourself at my door\nAnd just like all those times before\nYou wear your best apology\nBut I was there to watch you leave\nAnd all the times I let you in\nJust for you to go again\nDisappear when you come back\nEverything is better [Pre-Chorus: Both]\nAnd right before your eyes\nI'm aching, run fast\nNowhere to hide\nJust you and me\n[Chorus: Both]\nThis is the last time I'm asking you this\nPut my name at the top of your list\nThis is the last time I'm asking you why\nYou break my heart in the blink of an eye (Eye, eye)\n[Guitar Solo]\n[Bridge: Taylor Swift, \nGary Lightbody\n & \nBoth\n]\nThis is the last time you tell me I've got it wrong\nThis is the last time I say it's been you all along\nThis is the last time I let you in my door\nThis is the last time, I won't hurt you anymore\nOh-ho, oh-ho, oh-ho, oh-ho\nOh-ho, oh-ho, oh-ho, oh-ho\n[Chorus: Both]\nThis is the last time I'm asking you this\nPut my name at the top of your list\nThis is the last time I'm asking you why\nYou break my heart in the blink of an eye [Post-Chorus: Taylor Swift & \nGary Lightbody\n]\nThis is the last time I'm asking you this \n(This is the last time I'm asking you this)\nPut my name at the top of your list \n(Put my name at the top of your list)\nThis is the last time I'm asking you why \n(This is the last time I'm asking you why)\nYou break my heart in the blink of an eye \n(You break my heart)\n[Outro: Both]\nThis is the last time I'm asking you, last time I'm asking you\nLast time I'm asking you this\nThis is the last time I'm asking you, last time I'm asking you\nLast time I'm asking you this\nThis is the last time I'm asking you, last time I'm asking you\nLast time I'm asking you this\nThis is the last time I'm asking you, last time I'm asking you\nLast time I'm asking you this","prompt":"Write me a song in the style of Taylor Swift that captures the emotional intensity of a turbulent relationship, where the protagonists find themselves repeatedly at each other's doors, seeking closure or reconciliation. The lyrics should convey a sense of finality, as if this encounter is the ultimate one, with a poignant request to be prioritized above all else. The song should include a balance of vulnerability and determination, with a melodic guitar solo to underscore the bridge. The musical composition should evoke the bittersweet blend of hope and heartache, characteristic of Swift's duets, with particular attention to building a narrative that resonates with themes of love, regret, and the pain of letting go."} +{"id":7823793,"song":"Carolina","artist":"Taylor Swift","lyrics":"[Verse 1]\nOh, Carolina creeks running through my veins\nLost I was born, lonesome I came\nLonesome I'll always stay\nCarolina knows why, for years, I roam\nFree as these birds, light as whispers\nCarolina knows\n[Pre-Chorus]\nAnd you didn't\u205fsee\u205fme\u205fhere\nNo, they never\u205fdid see me\u205fhere\nAnd she's in my dreams\n[Chorus]\nInto the mist, into the clouds\nDon't leave\nI make a fist, I'll make it count\nAnd there are places I will never, ever go\nAnd things that only Carolina will ever know\n[Verse 2]\nCarolina stains on the dress she left\nIndelible scars, pivotal marks\nBlue as the life she fled\nCarolina pines, won't you cover me?\nHide me like robes down the back road\nMuddy these webs we weave [Pre-Chorus]\nAnd you didn't see me here\nOh, they never did see me\nAnd she's in my dreams\n[Chorus]\nInto the mist, into the clouds\nDon't leave\nI make a fist, I'll make it count\nAnd there are places I will never, ever go\nAnd things that only Carolina will ever know\n[Bridge]\nAnd you didn't see me here\nThey never did see me here\nNo, you didn't see me here\nThey never saw me\n[Outro]\nOh, Carolina knows why for years they've said\nThat I was guilty as sin and sleep in a liar's bed\nBut the sleep comes fast and I'll meet no ghosts\nIt's between me, the sand, and the sea\nCarolina knows","prompt":"Write me a song in the style of Taylor Swift that captures the essence of bittersweet nostalgia and a deep connection to a place, with evocative imagery of nature and the feeling of being unseen or misunderstood. The lyrics should convey a sense of longing and personal revelation, with a touch of melancholy wrapped in a melodic structure that builds from introspective verses to a powerful, emotional chorus, reminiscent of the storytelling and emotional depth found in songs like \"Carolina.\" The tune should blend acoustic elements with Swift's signature pop sensibility, creating a haunting yet catchy melody that stays with the listener."} +{"id":551081,"song":"Clean","artist":"Taylor Swift","lyrics":"[Verse 1]\nThe drought was the very worst, ah-ah, ah-ah\nWhen the flowers that we'd grown together died of thirst\nIt was months and months of back and forth, ah-ah, ah-ah\nYou're still all over me like a wine-stained dress I can't wear anymore\n[Pre-Chorus]\nHung my head as I lost the war\nAnd the sky turned black like a perfect storm\n[Chorus]\nThe rain came pouring down\nWhen I was drownin', that's when I could finally breathe\nAnd by mornin'\nGone was any trace of you, I think I am finally clean\n[Verse 2]\nThere was nothin' left to do, ah-ah, ah-ah\nWhen the butterflies turned to dust that covered my whole room\nSo I punched a hole in the roof, ah-ah, ah-ah\nLet the flood carry away all my pictures of you\n[Pre-Chorus]\nThe water filled my lungs, I screamed so loud\nBut no one heard a thing [Chorus]\nThe rain came pouring down\nWhen I was drownin', that's when I could finally breathe\nAnd by mornin'\nGone was any trace of you, I think I am finally clean\n[Post-Chorus]\nI think I am finally clean\nAh-ah-ah-ah-ah\nSaid, I think I am finally clean\nAh-ah-ah-ah\n[Bridge]\nTen months sober, I must admit\nJust because you're clean, don't mean you don't miss it\nTen months older, I won't give in\nNow that I'm clean, I'm never gonna risk it\nThe drought was the very worst, ah-ah, ah-ah\nWhen the flowers that we'd grown together died of thirst (Oh)\n[Chorus]\nThe rain came pouring down\nWhen I was drownin', that's when I could finally breathe\nAnd by mornin'\nGone was any trace of you, I think I am finally clean\nThe rain came pouring down\nWhen I was drownin', that's when I could finally breathe\nAnd by mornin'\nGone was any trace of you, I think I am finally clean [Outro]\nFinally clean\nThink I'm finally clean\nAh-ah, ah-ah\nThink I'm finally clean","prompt":"Write me a song in the style of Taylor Swift that captures the emotional journey of overcoming a difficult period, characterized by metaphors of a drought and rain symbolizing hardship and renewal respectively. The lyrics should convey a personal narrative of struggle and healing, using imagery like flowers dying of thirst and being overwhelmed by a storm, which leads to a cathartic release and a sense of purification. The tone should balance vulnerability with resilience, reflecting on the past with a mix of sorrow and strength, ultimately arriving at a place of cleansing and sobriety. Include a bridge that acknowledges the ongoing challenge of staying 'clean,' yet committing to change, and make sure the song resonates with Taylor's heartfelt storytelling and melodic pop sensibility."} +{"id":103836,"song":"Girl at Home","artist":"Taylor Swift","lyrics":"[Intro]\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that, ah-ah\nDon't look at me, you got a girl at home\nAnd everybody knows that\n[Verse 1]\nI don't even know her\nBut I feel a responsibility\nTo do what's upstanding and right\nIt's kinda like a code, yeah\nAnd you've been getting closer and closer\nAnd crossing so many lines\n[Pre-Chorus]\nAnd it would be a fine proposition\nIf I was a stupid girl\nBut, honey, I am no one's exception\nThis, I have previously learned\n[Chorus]\nSo don't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that, ah-ah\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that\nI see you turn off your phone\nAnd now you've got me alone, and I say\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that [Verse 2]\nI just want to make sure\nYou understand perfectly\nYou're the kind of man who makes me sad\nWhile she waits up\nYou chase down the newest thing\nAnd take for granted what you have\n[Pre-Chorus]\nAnd it would be a fine proposition\nIf I was a stupid girl\nAnd, yeah, I might go with it\nIf I hadn't once been just like her\n[Chorus]\nSo don't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that, ah-ah\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that\nI see you turn off your phone\nAnd now you've got me alone, and I say\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that\n[Post-Chorus]\nOh-oh-oh, oh-oh-oh\nOh-oh-oh, oh-oh-oh [Bridge]\nCall a cab, lose my number\nYou're about to lose your girl\nCall a cab, lose my number\nLet's consider this lesson learned\n[Chorus]\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that, ah-ah\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that\nWant to see you pick up your phone\nAnd tell her you're coming home\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that\n[Outro]\nDon't look at me, you got a girl at home\nAnd everybody knows that, everybody knows that\nIt would be a fine proposition\nIf I hadn't once been just like her","prompt":"Write me a song in the style of Taylor Swift that captures the essence of someone who is morally conflicted about a romantic interest who is already in a relationship. The lyrics should reflect a strong sense of personal ethics and the refusal to be an accomplice to infidelity. It should convey the inner turmoil and the steadfast decision to do what's right, despite the attraction. The song should have narrative storytelling, emotional depth, and a catchy, memorable chorus that emphasizes the message. Include a bridge that serves as a turning point, highlighting the protagonist's resolve. The musical arrangement should be reminiscent of Swift's country-pop era, with a blend of acoustic and electric guitars, creating an anthem for self-respect and integrity."} +{"id":5793974,"song":"\u200billicit affairs","artist":"Taylor Swift","lyrics":"[Verse 1]\nMake sure nobody sees you leave\nHood over your head, keep your eyes down\nTell your friends\u2005you're\u2005out for a\u2005run\nYou\u2019ll be flushed when you return\nTake\u2005the road less traveled by\nTell yourself you can always stop\nWhat started in beautiful rooms\nEnds with meetings in parking lots\n[Chorus]\nAnd that's the thing about illicit affairs\nAnd clandestine meetings and longing stares\nIt's born from just one single glance\nBut it dies and it dies and it dies\nA million little times\n[Verse 2]\nLeave the perfume on the shelf\nThat you picked out just for him\nSo you leave no trace behind\nLike you don\u2019t even exist\nTake the words for what they are\nA dwindling, mercurial high\nA drug that only worked\nThe first few hundred times [Chorus]\nAnd that's the thing about illicit affairs\nAnd clandestine meetings and stolen stares\nThey show their truth one single time\nBut they lie and they lie and they lie\nA million little times\n[Bridge]\nAnd you wanna scream\nDon't call me \"kid,\" don't call me \"baby\"\nLook at this godforsaken mess that you made me\nYou showed me colors you know I can't see with anyone else\nDon't call me \"kid,\" don't call me \"baby\"\nLook at this idiotic fool that you made me\nYou taught me a secret language I can't speak with anyone else\n[Outro]\nAnd you know damn well\nFor you, I would ruin myself\nA million little times","prompt":"Write a song in the style of Taylor Swift that captures the essence of secret relationships and the emotional rollercoaster they involve, with a focus on the clandestine nature of such affairs, the intense feelings they evoke, and their inevitable end. The song should incorporate vivid imagery and metaphors, reflecting on the highs and lows, the measures taken to keep the affair hidden, and the personal turmoil that comes with it. The narrative should be poignant and confessional, with a bridge that conveys deep frustration and a sense of betrayal, culminating in a realization of self-compromise."} +{"id":8400683,"song":"Mastermind","artist":"Taylor Swift","lyrics":"[Verse 1]\nOnce upon a time, the planets and the fates\nAnd all the stars aligned\nYou and I ended up in the same room\nAt the same time\n[Pre-Chorus]\nAnd the touch of a hand lit the fuse\nOf a chain reaction of countermoves\nTo assess the equation of you\nCheckmate, I couldn't lose\n[Chorus]\nWhat if I told you none of it was accidental?\nAnd the first night that you saw me\nNothing was gonna stop me\nI laid the groundwork, and then\nJust like clockwork\nThe dominoes cascaded in a line\nWhat if I told you I'm a mastermind?\nAnd now you're mine\nIt was all by d\u0435sign\n'Cause I'm a mastermind\n[Verse 2]\nYou see, all the wis\u0435st women\nHad to do it this way\n'Cause we were born to be the pawn\nIn every lover's game [Pre-Chorus]\nIf you fail to plan, you plan to fail\nStrategy sets the scene for the tale\nI'm the wind in our free-flowing sails\nAnd the liquor in our cocktails\n[Chorus]\nWhat if I told you none of it was accidental?\nAnd the first night that you saw me\nI knew I wanted your body\nI laid the groundwork, and then\nJust like clockwork\nThe dominoes cascaded in a line\nWhat if I told you I'm a mastermind?\nAnd now you're mine\nIt was all my design\n'Cause I'm a mastermind\n[Bridge]\nNo one wanted to play with me as a little kid\nSo I've been scheming like a criminal ever since\nTo make them love me and make it seem effortless\nThis is the first time I've felt the need to confess\nAnd I swear\nI'm only cryptic and Machiavellian\n'Cause I care [Chorus]\nSo I told you none of it was accidental\nAnd the first night that you saw me\nNothing was gonna stop me\nI laid the groundwork, and then\nSaw a wide smirk on your face\nYou knew the entire time\nYou knew that I'm a mastermind\nAnd now you're mine\nYeah, all you did was smile\n'Cause I'm a mastermind","prompt":"Write me a song in the style of Taylor Swift that tells the story of someone who meticulously plans to win over their love interest, using clever and strategic moves to ensure their affections are returned. The song should have a narrative verse-chorus structure, laced with metaphorical language that evokes a sense of destiny and cunning, reminiscent of a chess game. Incorporate a sense of self-awareness and confidence in the narrator's voice, with a bridge that reveals a vulnerable past driving their calculated approach to love. The musical style should blend Swift's storytelling prowess with a catchy, melodic pop sensibility."} +{"id":5793979,"song":"\u200bseven","artist":"Taylor Swift","lyrics":"[Verse 1]\nPlease picture me in the trees\nI hit my peak at seven\nFeet in the swing over\u2005the\u2005creek\nI was too\u2005scared to jump in\nBut I, I\u2005was high in the sky\nWith Pennsylvania under me\nAre there still beautiful things?\n[Chorus]\nSweet tea in the summer\nCross your heart, won't tell no other\nAnd though I can\u2019t recall your face\nI still got love for you\nYour braids like a pattern\nLove you to the Moon and to Saturn\nPassed down like folk songs\nThe love lasts so long\n[Bridge]\nAnd I've been meaning to tell you\nI think your house is haunted\nYour dad is always mad and that must be why\nAnd I think you should come live with me\nAnd we can be pirates\nThen you won't have to cry\nOr hide in the closet\nAnd just like a folk song\nOur love will be passed on [Verse 2]\nPlease picture me in the weeds\nBefore I learned civility\nI used to scream ferociously\nAny time I wanted\nI, I\n[Chorus]\nSweet tea in the summer\nCross my heart, won\u2019t tell no other\nAnd though I can't recall your face\nI still got love for you\nPack your dolls and a sweater\nWe'll move to India forever\nPassed down like folk songs\nOur love lasts so long","prompt":"Write me a song in the style of Taylor Swift that captures a blend of nostalgia and whimsical storytelling, with lyrics that reflect on childhood memories and the bittersweet passage of time. The song should include vivid imagery of nature and a sense of innocence lost, as well as themes of lasting love and the idea of love being passed down through generations like folk songs. Incorporate a mix of specific details\u2014such as swinging over a creek and hiding in a closet\u2014with more universal experiences, like dealing with a haunted house and the desire to run away and become pirates. The musical arrangement should be reminiscent of Taylor Swift's folk and indie-pop influences, with a hint of her country roots."} +{"id":124511,"song":"The Way I Loved You","artist":"Taylor Swift","lyrics":"[Verse 1]\nHe is sensible and so incredible\nAnd all my single friends are jealous\nHe says everything I need to hear and it's like\nI couldn't ask for anything better\nHe opens up my door and I get into his car\nAnd he says you look beautiful tonight\nAnd I feel perfectly fine\n[Chorus]\nBut I miss screaming and fighting and kissing in the rain\nAnd it's 2AM and I'm cursing your name\nYou're so in love that you act insane\nAnd that's the way I loved you\nBreaking down and coming undone\nIt's a roller coaster kind of rush\nAnd I never knew I could feel that much\nAnd that's the way I loved you\n[Verse 2]\nHe respects my space\nAnd never makes me wait\nAnd he calls exactly when he says he will\nHe's close to my mother\nTalks business with my father\nHe's charming and endearing\nAnd I'm comfortable [Chorus]\nBut I miss screaming and fighting and kissing in the rain\nAnd it's 2AM and I'm cursing your name\nYou're so in love that you acted insane\nAnd that's the way I loved you\nBreaking down and coming undone\nIt's a roller coaster kind of rush\nAnd I never knew I could feel that much\nAnd that's the way I loved you\n[Bridge]\nHe can't see the smile I'm faking\nAnd my heart's not breaking\n'Cause I'm not feeling anything at all\nAnd you were wild and crazy\nJust so frustrating\nIntoxicating, complicated\nGot away by some mistake and now\n[Chorus]\nI miss screaming and fighting and kissing in the rain\nIt's 2AM and I'm cursing your name\nI'm so in love that I acted insane\nAnd that's the way I loved you\nBreaking down and coming undone\nIt's a roller coaster kind of rush\nAnd I never knew I could feel that much\nAnd that's the way I loved you, oh, oh [Outro]\nAnd that's the way I loved you, oh, oh\nNever knew I could feel that much\nAnd that's the way I loved you","prompt":"Write me a song in the style of Taylor Swift that captures the emotional complexity of reminiscing about a past, passionate relationship while in a new, stable one. The lyrics should express nostalgia for the intensity and madness of the old love, contrasting it with the comfort and sanity of the current relationship. Include vivid imagery such as \"screaming and fighting and kissing in the rain\" to convey the turbulence of the old romance, while also describing the dependable and respectful nature of the new partner. The song should have a confessional tone, with a bridge that reveals a deeper longing for the excitement of the past, despite the outward appearance of contentment."} +{"id":58813,"song":"Better Than Revenge","artist":"Taylor Swift","lyrics":"[Intro]\nNow, go stand in the corner and think about what you did (Ha)\nHaha, time for a little revenge\n[Verse 1]\nThe story starts when it was hot and it was summer and\nI had it all, I had him right there where I wanted him\nShe came along, got him alone, and let's hear the applause\nShe took him faster than you can say \"Sabotage\"\nI never saw it coming, wouldn't have suspected it\nI underestimated just who I was dealing with\nShe had to know the pain was beating on me like a drum\nShe underestimated just who she was stealing from\n[Chorus]\nShe's not a saint and she's not what you think\nShe's an actress, woah\nShe's better known for the things that she does\nOn the mattress, woah\nSoon, she's gonna find stealing other people's toys\nOn the playground won't make you many friends\nShe should keep in mind, she should keep in mind\nThere is nothing I do better than revenge, ha\n[Verse 2]\nShe looks at life like it's a party and she's on the list\nShe looks at me like I'm a trend and she's so over it\nI think her ever-present frown is a little troubling and\nShe thinks I'm psycho 'cause I like to rhyme her name with things\nBut sophistication isn't what you wear or who you know\nOr pushing people down to get you where you wanna go\nOh, they didn't teach you that in prep school so it's up to me\nBut no amount of vintage dresses gives you dignity\n(Think about what you did) [Chorus]\nShe's not a saint and she's not what you think\nShe's an actress, woah\nShe's better known for the things that she does\nOn the mattress, woah\nSoon, she's gonna find stealing other people's toys\nOn the playground won't make you many friends\nShe should keep in mind, she should keep in mind\nThere is nothing I do better than revenge, ha\n[Bridge]\nI'm just another thing for you to roll your eyes at, honey\nYou might have him, but haven't you heard?\nI'm just another thing for you to roll your eyes at, honey\nYou might have him, but I always get the last word\nWoah, woah-ah-oh\n[Chorus]\nShe's not a saint and she's not what you think\nShe's an actress, woah (She deserved it)\nShe's better known for the things that she does\nOn the mattress, woah\nSoon, she's gonna find stealing other people's toys\nOn the playground won't make you many friends\nShe should keep in mind, she should keep in mind\nThere is nothing I do better than revenge [Outro]\nDo you still feel like you know what you're doing?\n'Cause I don't think you do, oh (No, no, no, no)\nDo you still feel like you know what you're doing? (No)\nI don't think you do, I don't think you do\nLet's hear the applause (Come on, come on)\nCome on, show me how much better you are\n(So much better, yeah?)\nSee, you deserve some applause\n'Cause you're so much better\nShe took him faster than you could say \"Sabotage\"","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a scorned lover plotting sweet revenge during a sizzling summer. The lyrics should convey a blend of biting wit and raw emotion, revealing a story of betrayal and retribution. The song should have a catchy, pop-driven melody with an undercurrent of country influence, featuring vivid storytelling that paints the other woman as a deceptive actress and the protagonist as someone who excels in the art of payback. Include a chorus that's both memorable and biting, reflecting the central theme that there's nothing the main character does better than revenge."} +{"id":4782863,"song":"Death By A Thousand Cuts","artist":"Taylor Swift","lyrics":"[Intro]\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\nMy, my, my, my\n[Chorus]\nSaying goodbye is death by a thousand cuts\nFlashbacks waking me up\nI get drunk, but it's not enough\n\u2019Cause the morning comes and you're not my baby\nI look through the windows of this love\nEven though we boarded them up\nChandelier's still flickering here\n\u2019Cause I can't pretend it's okay when it's not\nIt's death by a thousand cuts\n[Verse]\nI dress to kill my time, I take the long way home\nI ask the traffic lights if it'll be alright\nThey say, \"I don't know\"\nAnd what once was ours is no one's now\nI see you everywhere, the only thing we share\nIs this small town\nYou said it was a great love, one for the ages\nBut if the story\u2019s over, why am I still writing pages? [Chorus]\n\u2019Cause saying goodbye is death by a thousand cuts\nFlashbacks waking me up\nI get drunk, but it's not enough\n\u2019Cause the morning comes and you're not my baby\nI look through the windows of this love\nEven though we boarded them up\nChandelier's still flickering here\n'Cause I can\u2019t pretend it's okay when it's not\nIt's death by a thousand cuts\n[Bridge]\nMy heart, my hips, my body, my love\nTryna find a part of me that you didn't touch\nGave up on me like I was a bad drug\nNow I'm searching for signs in a haunted club\nOur songs, our films, united we stand\nOur country, guess it was a lawless land\nQuiet my fears with the touch of your hand\nPaper cut stings from our paper-thin plans\nMy time, my wine, my spirit, my trust\nTryna find a part of me you didn't take up\nGave you too much, but it wasn't enough\nBut I'll be alright, it's just a thousand cuts\n[Chorus]\nI get drunk, but it's not enough\n'Cause you're not my baby\nI look through the windows of this love\nEven though we boarded them up\nChandelier's still flickering here\n'Cause I can't pretend it's okay when it's not\nNo, it's not\nIt's death by a thousand cuts (You didn't touch) [Post-Chorus]\nTryna find a part of me that you didn't touch\nMy body, my love, my trust (It's death by a thousand cuts)\nBut it wasn't enough, it wasn't enough, no, no\n[Outro]\nI take the long way home\nI ask the traffic lights if it'll be alright\nThey say, \"I don't know\"","prompt":"Write me a song in the style of Taylor Swift that captures the heartbreak and melancholy of a lost love, using vivid imagery such as flashbacks, traffic lights, and chandeliers to convey the ongoing struggle with moving on. The song should include an emotional chorus that repeats the theme of \"death by a thousand cuts\" as a metaphor for the pain of saying goodbye, and verses that depict the attempts to heal and find oneself post-breakup. The musical style should be reflective of Swift's narrative songwriting, with an acoustic, indie-pop sound that underscores the introspective and bittersweet lyrics."} +{"id":154241,"song":"Highway Don\u2019t Care","artist":"Taylor Swift","lyrics":"[Verse 1: Tim McGraw]\nBet your window's rolled down and your hair's pulled back\nAnd I bet you got no idea you're going way too fast\nYou're trying not to think about what went wrong\nTrying not to stop 'til you get where you goin'\nYou're trying to stay awake so I bet you turn on the radio\nAnd the song goes\n[Pre-Chorus: Taylor Swift]\nI can't live without you, I can't live without you, baby\nI can't live without you, I can't live without you, baby, oh, baby\n[Chorus: Tim McGraw]\nThe highway won't hold you tonight\nThe highway don't know you're alive\nThe highway don't care if you're all alone\nBut I do, I do\nThe highway won't dry your tears\nThe highway don't need you here\nThe highway don't care if you're coming home\nBut I do, I do\n[Verse 2: Tim McGraw & Taylor Swift]\nI bet you got a dead cell phone in your shotgun seat\nYeah, I bet you're bending God's ear talking 'bout me\nYou're trying not to let the first tear fall out\nYou're trying not to think about turning around\nYou're trying not to get lost in the sound but that song is always on\nSo you sing along [Pre-Chorus: Taylor Swift]\nI can't live without you, I can't live without you, baby\nI can't live without you, I can't live without you, baby, oh baby\n[Chorus: Tim McGraw]\nThe highway won't hold you tonight\nThe highway don't know you're alive\nThe highway don't care if you're all alone\nBut I do, I do\nThe highway won't dry your tears\nThe highway don't need you here\nThe highway don't care if you're coming home\nBut I do, I do\n[Pre-Chorus: Taylor Swift]\nI can't live without you, I can't live without you, baby\nI can't live without you, I can't live without you, baby, oh baby\n[Bridge: Tim McGraw & \nTaylor Swift\n]\nThe highway don't care\nThe highway don't care\nThe highway don't care\nBut I do, I do\nI can't live without you, I can't live without you, baby\nI can't live without I can't live without you, baby, oh baby\nThe highway don't care\nThe highway don't care\nThe highway don't care\nBut I do, I do\nI can't live without you, I can't live without you, baby\nI can't live without I can't live without you, baby\nThe highway don't care\nThe highway don't care\nThe highway don't care\nBut I do, I do\nI can't live without you, I can't live without you, baby\nI can't live without I can't live without you, baby, oh baby\nThe highway don't care\nThe highway don't care\nThe highway don't care\nBut I do, I do [Outro: Taylor Swift]\nI can't live without you, I can't live without you, baby","prompt":"Write me a song in the style of Taylor Swift that captures the emotional intensity of a bittersweet farewell, with lyrics that reflect the pain of separation and the indifference of the world around, contrasted with deep personal care. The song should have a country-pop blend reminiscent of her earlier works, and it should tell a story that unfolds along a metaphorical highway, using vivid imagery of driving, speed, and distance to symbolize the journey of moving on. Include a catchy, heart-wrenching chorus that emphasizes the theme \"the world doesn't care, but I do.\""} +{"id":4508914,"song":"Lover","artist":"Taylor Swift","lyrics":"[Verse 1]\nWe could leave the Christmas lights up 'til January\nAnd this is our place, we make the rules\nAnd there's a dazzling haze, a mysterious way about you, dear\nHave I known you twenty seconds or twenty years?\n[Chorus]\nCan I go where you go?\nCan we always be this close?\nForever and ever, ah\nTake me out and take me home\nYou're my, my, my, my lover\n[Verse 2]\nWe could let our friends crash in the living room\nThis is our place, we make the call\nAnd I'm highly suspicious that everyone who sees you wants you\nI've loved you three summers now, honey, but I want 'em all\n[Chorus]\nCan I go where you go?\nCan we always be this close?\nForever and ever, ah\nTake me out and take me home (Forever and ever)\nYou're my, my, my, my lover [Bridge]\nLadies and gentlemen, will you please stand?\nWith every guitar string scar on my hand\nI take this magnetic force of a man to be my lover\nMy heart's been borrowed and yours has been blue\nAll's well that ends well to end up with you\nSwear to be overdramatic and true to my lover\nAnd you'll save all your dirtiest jokes for me\nAnd at every table, I'll save you a seat, lover\n[Chorus]\nCan I go where you go?\nCan we always be this close?\nForever and ever, ah\nTake me out and take me home (Forever and ever)\nYou're my, my, my, my\nOh, you're my, my, my, my\nDarling, you're my, my, my, my lover","prompt":"Write me a song in the style of Taylor Swift that captures the intimate and whimsical romance of a couple who defy conventions, reveling in their own set of rules within their shared space. The lyrics should reflect a deep connection suggesting a timeless bond, with chorus lines that emphasize the desire to remain inseparably close to the partner, invoking a sense of forever commitment. Incorporate vivid imagery, such as Christmas lights in January, and personal touches like guitar string scars, to create a sense of personalized storytelling. The song should have an air of endearment and a bridge that conveys a grand romantic gesture, all while maintaining the signature Taylor Swift blend of heartfelt narrative and catchy, sing-along choruses."} +{"id":132097,"song":"Our Song","artist":"Taylor Swift","lyrics":"[Verse 1]\nI was ridin' shotgun with my hair undone\nIn the front seat of his car\nHe's got a one-hand feel on the steering wheel\nThe other on my heart\nI look around, turn the radio down\nHe says, \"Baby, is something wrong?\"\nI say, \"Nothin', I was just thinkin'\nHow we don't have a song\"\nAnd he says\n[Chorus]\nOur song is the slamming screen door\nSneakin' out late, tapping on your window\nWhen we're on the phone and you talk real slow\n'Cause it's late and your mama don't know\nOur song is the way you laugh\nThe first date: \"Man, I didn't kiss her, and I should have\"\nAnd when I got home, 'fore I said amen\nAskin' God if he could play it again\n[Verse 2]\nI was walking up the front porch steps\nAfter everything that day\nHad gone all wrong or been trampled on\nAnd lost and thrown away\nGot to the hallway, well on my way\nTo my lovin' bed\nI almost didn't notice all the roses\nAnd the note that said [Chorus]\nOur song is the slamming screen door\nSneakin' out late, tapping on your window\nWhen we're on the phone and you talk real slow\n'Cause it's late and your mama don't know\nOur song is the way you laugh\nThe first date: \"Man, I didn't kiss her, and I should have\"\nAnd when I got home, 'fore I said amen\nAskin' God if he could play it again\n[Post-Chorus]\nDa-da-da-da\n[Bridge]\nI've heard every album, listened to the radio\nWaited for somethin' to come along\nThat was as good as our song\n[Chorus]\n'Cause our song is the slamming screen door\nSneakin' out late, tappin' on his window\nWhen we're on the phone and he talks real slow\n'Cause it's late and his mama don't know\nOur song is the way he laughs\nThe first date: \"Man, I didn't kiss him, and I should have\"\nAnd when I got home, 'fore I said amen\nAskin' God if he could play it again [Post-Chorus]\nPlay it again, oh, yeah\nOh, oh, yeah\n[Outro]\nI was ridin' shotgun with my hair undone\nIn the front seat of his car\nI grabbed a pen and an old napkin\nAnd I wrote down our song","prompt":"Write me a song in the style of Taylor Swift that captures the essence of youthful romance and nostalgia, with vivid storytelling and a country-pop melody. The lyrics should highlight innocent, playful moments like sneaking out and cherished memories that become the couple's unique anthem. Include specific narrative details and emotional undertones that resonate with the experience of first love, akin to the descriptive and sentimental journey in Swift's \"Our Song.\""} +{"id":186963,"song":"Superman","artist":"Taylor Swift","lyrics":"[Verse 1]\nTall, dark, and superman\nHe puts papers in his briefcase and drives away\nTo save the world or go to work\nIt's the same thing to me\nHe's got his mother's eyes, his father's ambition\nI wonder if he knows how much that I miss him\nI hang on every word you say, yay\nAnd you smile and say, \"How are you?\u201d\nI say, \"Just fine\"\nI always forget to tell you, I love you\nI love you forever\n[Chorus]\nI watch superman fly away\nYou've got a busy day today\nGo save the world, I'll be around\nAnd I watch superman fly away\nCome back, I'll be with you someday\nI'll be right here on the ground\nWhen you come back down\n[Verse 2]\nTall, dark and beautiful\nHe's complicated, he's irrational\nBut I hope someday you'll take me away and save the day, yeah\nSomething in his deep brown eyes has me sayin'\nHe's not all bad like his reputation\nAnd I can't hear one single word they say\nAnd you'll leave, got places to be and I'll be okay\nI always forget to tell you I love you\nI loved you from the very first day [Chorus]\nI watch superman fly away\nYou've got a busy day today\nGo save the world, I'll be around\nI watch superman fly away\nCome back, I'll be with you someday\nI'll be right here on the ground\nWhen you come back down\n[Bridge]\nAnd I watch you fly around the world\nAnd I hope you don't save some other girl\nDon't forget, don't forget about me\nI'm far away, but I never let you go\nI'm love-struck and looking out the window\nDon't forget, don't forget where I'll be\nRight here, wishing the flowers were from you\nWishing the card was from you\nWishing the call was from you\n'Cause I loved you from the very first day\n[Chorus]\nI watch superman fly away\nYou've got a busy day today\nGo save the world, I'll be around\nForever and ever here\nI watch superman fly away\nI swear, I'll be with you someday\nI'll be right here on the ground\nWhen you come back down [Outro]\nLa, la, la, la, la, la\nLa, la, la, la, la, la\nWhen you come back down","prompt":"Write me a song in the style of Taylor Swift that captures the romantic and wistful longing for a partner who is always busy and preoccupied with his responsibilities, akin to Superman. The song should have an acoustic pop feel, with lyrics that depict the admiration for the partner's ambition and the bittersweet reality of loving someone who has a world to save. It should include elements of storytelling, reflecting on the protagonist's emotions and the hope of being truly united with their love someday. The chorus should be catchy and reflect the theme of waiting for the partner's return, while the bridge should convey a sense of fear of being forgotten, yet remaining hopeful and in love."} +{"id":6260164,"song":"\u200btolerate it","artist":"Taylor Swift","lyrics":"[Verse 1]\nI sit and watch you readin' with your head low\nI wake and watch you breathin' with your eyes closed\nI sit and watch you\nI notice everything you do or don't do\nYou're so much older and wiser, and I\n[Chorus]\nI wait by the door like I'm just a kid\nUse my best colors for your portrait\nLay the table with the fancy shit\nAnd watch you tolerate it\nIf it's all in my head, tell me now\nTell me I've got it wrong somehow\nI know my love should be celebrated\nBut you tolerate it\n[Verse 2]\nI greet you with a battle hero's welcome\nI take your indiscretions all in good fun\nI sit and list\u0435n\nI polish plates until they gleam and glist\u0435n\nYou're so much older and wiser, and I\n[Chorus]\nI wait by the door like I'm just a kid\nUse my best colors for your portrait\nLay the table with the fancy shit\nAnd watch you tolerate it\nIf it's all in my head, tell me now\nTell me I've got it wrong somehow\nI know my love should be celebrated\nBut you tolerate it [Bridge]\nWhile you were out buildin' other worlds, where was I?\nWhere's that man who'd throw blankets over my barbed wire?\nI made you my temple, my mural, my sky\nNow I'm beggin' for footnotes in the story of your life\nDrawin' hearts in the byline\nAlways takin' up too much space or time\nYou assume I'm fine, but what would you do if I (I)\n[Chorus]\nBreak free and leave us in ruins?\nTook this dagger in me and removed it\nGain the weight of you, then lose it\nBelieve me, I could do it\nIf it's all in my head, tell me now\nTell me I've got it wrong somehow\nI know my love should be celebrated\nBut you tolerate it\n[Outro]\nI sit and watch you","prompt":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love and the longing to be truly seen and appreciated within a relationship. Emulate Swift's introspective and narrative-driven lyricism, focusing on the nuanced emotions of feeling tolerated rather than celebrated by a partner. The song should encompass the delicate balance of admiration and the subtle heartache of being overlooked, using vivid imagery and metaphors to paint the emotional landscape. Include a bridge that shifts the perspective, offering a moment of empowerment amidst vulnerability. The musical arrangement should be reminiscent of Swift's folk and indie-pop influences, with a soft and melodic tune that underscores the song's introspective nature."} +{"id":98894,"song":"Breathe","artist":"Taylor Swift","lyrics":"[Verse 1: Taylor Swift]\nI see your face in my mind as I drive away\n'Cause none of us thought it was gonna end that way\nPeople are people and sometimes, we change our minds\nBut it's killing me to see you go after all this time\n[Verse 2: Taylor Swift \nwith Colbie Caillat\n]\nMusic starts playing like the end of a sad movie\nIt's the kind of ending you don't really wanna see\n'Cause it's tragedy and it'll only bring you down\nNow, I don't know what to be without you around\n[Pre-Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd we know it's never simple, never easy\nNever a clean break, \nno one here to save me\nYou're the only thing I know like the back of my hand\n[Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd I can't \nbreathe\n without you, but I have to\nBreathe without you, but I have to\n[Verse 3: Taylor Swift \nwith Colbie Caillat\n]\nNever wanted this, never wanna see you hurt\nEvery little bump in the road, I tried to swerve\nBut people are people and sometimes, it doesn't work out\nNothing we say is gonna save us from the fall out [Pre-Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd we know it's never simple, never easy\nNever a clean break, \nno one here to save me\nYou're the only thing I know like the back of my hand\n[Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd I can't \nbreathe without you, but I have to\nBreathe without you but I have to\n[Bridge: Taylor Swift \nwith Colbie Caillat\n]\nIt's 2 A.M\n, feeling like I just \nlost a friend\nHope you know it's \nnot easy, easy for me\nIt's 2 A.M\n, feeling like \nI just lost a friend\nHope you know this ain't easy, easy for me\n[Pre-Chorus: Taylor Swift \nwith Colbie Caillat\n]\nAnd we know it's never simple, never easy\nNever a clean break, \nno one here to save me\n, oh-oh\n[Chorus: Taylor Swift \nwith Colbie Caillat\n]\nI can't \nbreathe without you, but I have to\nBreathe without you, but I have to\nBreathe \nwithout you, but I have to\n[Outro: Taylor Swift & Colbie Caillat]\nI'm sorry, I'm sorry (Mmm)\nI'm sorry, (Yeah, yeah) I'm sorry\nI'm sorry, I'm sorry\nI'm sorry","prompt":"Write me a song in the style of Taylor Swift that captures the heartfelt emotion of a breakup, where the protagonist is driving away and reflecting on the sudden end of a relationship. The song should convey the complexities of moving on, even when it feels impossible, with lyrical themes of nostalgia, heartache, and the painful process of letting go. It should have a melancholic melody akin to a sad movie ending, and include a collaboration with an artist like Colbie Caillat to add harmonies that enhance the emotional depth of the chorus. The narrative should include specific details like it being 2 A.M. and feeling like they've lost a friend, emphasizing the intimate struggle of coping with the loss."} +{"id":4765965,"song":"Cornelia Street","artist":"Taylor Swift","lyrics":"[Verse 1]\nWe were in the backseat\nDrunk on something stronger than the drinks in the bar\n\"I rent\u2005a\u2005place on Cornelia\u2005Street\"\nI say casually in the car\nWe\u2005were a fresh page on the desk\nFilling in the blanks as we go\nAs if the street lights pointed in an arrow head\nLeading us home\n[Chorus]\nAnd I hope I never lose you, hope it never ends\nI'd never walk Cornelia Street again\nThat's the kinda heartbreak time could never mend\nI'd never walk Cornelia Street again\nAnd baby, I get mystified by how this city screams your name\nAnd baby, I'm so terrified of if you ever walk away\nI'd never walk Cornelia Street again\nI'd never walk Cornelia Street again\n[Verse 2]\nWindows flung right open, autumn air\nJacket 'round my shoulders is yours\nWe bless the rains on Cornelia Street\nMemorize the creaks in the floor\nBack when we were card sharks, playing games\nI thought you were leading me on\nI packed my bags, left Cornelia Street\nBefore you even knew I was gone [Pre-Chorus]\nBut then you called, showed your hand\nI turned around before I hit the tunnel\nSat on the roof, you and I\n[Chorus]\nI hope I never lose you, hope it never ends\nI'd never walk Cornelia Street again\nThat's the kinda heartbreak time could never mend\nI'd never walk Cornelia Street again\nAnd baby, I get mystified by how this city screams your name (City screams your name)\nAnd baby, I'm so terrified of if you ever walk away\nI'd never walk Cornelia Street again\nI'd never walk Cornelia Street again\n[Bridge]\nYou hold my hand on the street\nWalk me back to that apartment\nYears ago, we were just inside\nBarefoot in the kitchen\nSacred new beginnings\nThat became my religion, listen\n[Chorus]\nI hope I never lose you\nI'd never walk Cornelia Street again\nOh, never again\nAnd baby, I get mystified by how this city screams your name (City screams your name)\nAnd baby, I'm so terrified of if you ever walk away\nI'd never walk Cornelia Street again\nI'd never walk Cornelia Street again [Post-Chorus]\nI don't wanna lose you (Hope it never ends)\nI'd never walk Cornelia Street again\nI don't wanna lose you (Yeah)\n[Outro]\n\"I rent a place on Cornelia Street\"\nI say casually in the car","prompt":"Write me a song in the style of Taylor Swift that captures the nostalgic and romantic essence of a significant location, interweaving personal memories with a tender love story. The lyrics should express a fear of losing a loved one and the heartbreak that would be associated with that loss, using vivid imagery of city life and intimate moments. The song should have emotional verses and a catchy, repetitive chorus that emphasizes the significance of the place and the relationship it symbolizes."} +{"id":98888,"song":"Fifteen","artist":"Taylor Swift","lyrics":"[Verse 1]\nYou take a deep breath and you walk through the doors\nIt's the mornin' of your very first day\nYou say \"hi\" to your friends you ain't seen in a while\nTry and stay out of everybody's way\nIt's your freshman year and you're gonna be here\nFor the next four years in this town\nHopin' one of those senior boys will wink at you and say\n\"You know, I haven't seen you around before\"\n[Chorus]\n'Cause when you're fifteen and somebody tells you they love you\nYou're gonna believe them\nAnd when you're fifteen, feelin' like there's nothin' to figure out\nWell, count to ten, take it in\nThis is life before you know who you're gonna be\nFifteen\n[Verse 2]\nYou sit in class next to a redhead named Abigail\nAnd soon enough, you're best friends\nLaughin' at the other girls who think they're so cool\nWe'll be outta here as soon as we can\nAnd then, you're on your very first date and he's got a car\nAnd you're feelin' like flyin'\nAnd your mama's waitin' up and you're thinkin' he's the one\nAnd you're dancin' 'round your room when the night ends\nWhen the night ends [Chorus]\n'Cause when you're fifteen and somebody tells you they love you\nYou're gonna believe them\nAnd when you're fifteen and your first kiss\nMakes your head spin 'round\nBut in your life, you'll do things greater than\nDating the boy on the football team\nBut I didn't know it at fifteen\n[Bridge]\nWhen all you wanted was to be wanted\nWish you could go back and tell yourself what you know now\nBack then, I swore I was gonna marry him someday\nBut I realized some bigger dreams of mine\nAnd Abigail gave everything she had\nTo a boy who changed his mind\nAnd we both cried\n[Chorus]\n'Cause when you're fifteen and somebody tells you they love you\nYou're gonna believe them\nAnd when you're fifteen, don't forget to look before you fall\nI've found time can heal most anything\nAnd you just might find who you're supposed to be\nI didn't know who I was supposed to be\nAt fifteen [Post-Chorus]\nLa-la-la, la-la-la, la-la-la-la\nLa-la-la, la-la-la, la-la-la-la\nLa-la-la, la-la-la\n[Outro]\nYour very first day\nTake a deep breath, girl\nTake a deep breath as you walk through the doors","prompt":"Write me a song in the style of Taylor Swift that captures the mix of innocence and the formative experiences of teenage life, complete with the nuanced storytelling of high school memories, friendships, and first loves. The song should embody a reflective and nostalgic tone, similar to her acoustic, country-pop sound, with lyrics that convey the emotion of growing up and the lessons learned along the way, just as she does in her narrative-rich song \"Fifteen.\""} +{"id":132100,"song":"Invisible","artist":"Taylor Swift","lyrics":"[Verse 1]\nShe can't see the way your eyes\nLight up when you smile\nShe'll never notice how you stop and stare\nWhenever she walks by\n[Pre-Chorus]\nAnd you can't see me wanting you the way you want her\nBut you are everything to me\n[Chorus]\nAnd I just wanna show you\nShe don't even know you\nShe's never gonna love you like I want to\nAnd you just see right through me\nBut if you only knew me\nWe could be a beautiful miracle, unbelievable\nInstead of just invisible\n[Post-Chorus]\nOh, yeah, oh\n[Verse 2]\nThere's a fire inside of you\nThat can't help but shine through\nShe's never gonna see the light\nNo matter what you do [Pre-Chorus]\nAnd all I think about is how to make you think of me\nAnd everything that we could be\n[Chorus]\nAnd I just wanna show you\nShe don't even know you\nShe's never gonna love you like I want to\nAnd you just see right through me\nBut if you only knew me\nWe could be a beautiful miracle, unbelievable\nInstead of just invisible\n[Bridge]\nLike shadows in a faded light\nOh, we're invisible\nI just wanna open your eyes\nAnd make you realize\n[Chorus]\nI just wanna show you\nShe don't even know you\nBaby, let me love you, let me want you\nYou just see right through me\nBut if you only knew me\nWe could be a beautiful miracle, unbelievable\nInstead of just invisible [Post-Chorus]\nOh, yeah\n[Outro]\nShe can't see the way your eyes\nLight up when you smile","prompt":"Write me a song in the style of Taylor Swift that captures the essence of unrequited love and longing, with lyrics that convey the feelings of being invisible to one's love interest who is enamored with someone else. The song should have emotive verses and a catchy chorus that reflects the yearning to be seen and loved, similar to the narrative storytelling and emotional depth found in Swift's music, paired with a melody that blends country roots with pop sensibility."} +{"id":187260,"song":"Lucky You","artist":"Taylor Swift","lyrics":"[Verse 1]\nThere's a little girl in this little town\nWith a little too much heart to go around\nLive forever, never say never\nYou could do better, that's what she says\n[Chorus]\nMama named her Lucky on a starlit night\nA rabbit foot in her pocket, she dances in spite\nOf the fact that she's different\nAnd yet she's the same\nAnd she says, \"Do-do-do-do-do-do-do-do\nDo-do-do-do-do-do-do, do-do-do-do\nDo-do-do, do-do-do, do-do-do-do\nLucky you, lucky you\"\n[Verse 2]\nShe sings her little song, she walks along\nA little pathway headed for the skies\nLeft to travels, lives they unravel\nMind over matter, that's what she says\n[Chorus]\nMama named her Lucky on a starlit night\nA rabbit foot in her pocket, she dances in spite\nOf the fact that she's different\nAnd yet she's the same\nAnd she says, \"Do-do-do-do-do-do-do-do\nDo-do-do-do-do-do-do, do-do-do-do\nDo-do-do, do-do-do, do-do-do-do\nLucky you, lucky you, lucky you\" [Bridge]\nMaybe she'll sing you do-do-do-do\nMaybe she'll bring you into the skies\nHoney, she'll love you, funny how some view\nAngels above you aren't so far away\n[Chorus]\nMama named her Lucky on a starlit night\nA rabbit foot in her pocket, she dances in spite\nOf the fact that she's different\nAnd yet she's the same\nAnd she says, \"Lucky you, lucky you\"","prompt":"Write me a song in the style of Taylor Swift that tells the story of a girl named Lucky, who, despite being different, embraces her unique spirit with optimism. The song should have a narrative quality, capturing the essence of small-town life and the concept of carving out one's destiny. It should include a catchy, repetitive chorus that highlights the phrase \"Lucky you,\" and incorporate vivid imagery such as starlit nights and rabbit feet to symbolize luck and dreams. The melody should be uplifting, with a blend of country and pop elements typical of Taylor Swift's music, and the lyrics should convey a sense of youthful hope and resilience."} +{"id":187430,"song":"Permanent Marker","artist":"Taylor Swift","lyrics":"[Verse 1]\nI know he loved you a long time ago\nI ain't jealous of you, just thought you should know\nYou were never good enough for him or anything like me\nSo you might as well sit back 'cause I ain't trying to show maturity\n[Chorus]\n\"X\" is the shape I drew through your face\nIn permanent marker, oh, yeah\nJust like the mark you knew you were making\nWho do you think you are\nTo write on his heart in permanent marker?\n[Verse 2]\nI found that picture of you in that green dress\nHe sure had a good time cleaning up that mess\nHe found thirty other pieces but he'll never find them all\nTried to tape it back together, now he knows to keep it off the wall\n[Chorus]\n\"X\" is the shape I drew through your face\nIn permanent marker, oh, yeah\nJust like the mark you knew you were making\nWho do you think you are\nTo write on his heart in permanent marker?\n\"X\" is the shape I drew through your face\nIn permanent marker, oh, yeah\nOh, just like the mark you knew you were making\nWho do you think you are\nTo write on his heart?\n\"X\" is the shape I drew through your face\nIn permanent marker, oh, yeah\nJust like the mark that you knew that you were making\nWho do you think you are\nTo write on his heart in permanent marker? [Outro]\nIn permanent marker\nOh, permanent marker, yeah","prompt":"Write me a song in the style of Taylor Swift that explores the themes of jealousy and confrontation in a past relationship, using vivid imagery like \"permanent marker\" to symbolize the lasting impact of an ex's actions. The song should have a narrative verse-chorus structure, with emotionally charged lyrics and a pop-country blend that is characteristic of Taylor Swift's earlier work. Include metaphorical language to describe the complexities of love and heartbreak, and ensure the tone conveys a mix of bitterness and assertiveness."} +{"id":50968,"song":"Speak Now","artist":"Taylor Swift","lyrics":"[Verse 1]\nI am not the kind of girl\nWho should be rudely bargin' in on a white veil occasion\nBut you are not the kind of boy\nWho should be marrying the wrong girl\nI sneak in and see your friends\nAnd her snotty little family all dressed in pastel\nAnd she is yelling at a bridesmaid\nSomewhere back inside a room\nWearin' a gown shaped like a pastry\n[Pre-Chorus]\nThis is surely not what you thought it would be\nI lose myself in a daydream\nWhere I stand and say\n[Chorus]\nDon't say yes, run away now\nI'll meet you when you're out\nOf the church, at the back door\nDon't wait or say a single vow\nYou need to hear me out\nAnd they said, \"Speak now\"\n[Verse 2]\nFond gestures are exchanged\nAnd the organ starts to play a song that sounds like a death march\nAnd I am hiding in the curtains\nIt seems that I was uninvited by your lovely bride-to-be [Pre-Chorus]\nShe floats down the aisle like a pageant queen\nBut I know you wish it was me\nYou wish it was me, don't you?\n[Chorus]\nDon't say yes, run away now\nI'll meet you when you're out\nOf the church, at the back door\nDon't wait or say a single vow\nYou need to hear me out\nAnd they said, \"Speak now\"\nDon't say yes, run away now (Run away now)\nI'll meet you when you're out\nOf the church, at the back door\nDon't wait or say a single vow (Say a single vow)\nYour time is running out\nAnd they said, \"Speak now\"\n[Post-Chorus]\nOoh (Run away now), la\nOoh (Say a single vow), ooh\n[Bridge]\nI hear the preacher say\n\"Speak now or forever hold your peace\"\nThere's the silence, there's my last chance\nI stand up with shaky hands, all eyes on me\nHorrified looks from everyone in the room\nBut I'm only lookin' at you [Verse 3]\nI am not the kind of girl\nWho should be rudely bargin' in on a white veil occasion\nBut you are not the kind of boy\nWho should be marrying the wrong girl, haha\n[Chorus]\nSo, don't say yes, run away now\nI'll meet you when you're out\nOf the church, at the back door\nDon't wait or say a single vow\nYou need to hear me out\nThey said, \"Speak now\"\nAnd you say, \"Let's run away now (Run away now)\nI'll meet you when I'm out\nOf my tux, at the back door\nBaby, I didn't say my vows (Say a single vow)\nSo glad you were around\nWhen they said, 'Speak now'\"","prompt":"Write me a song in the style of Taylor Swift that tells a story of a dramatic, uninvited guest interrupting a wedding, with vivid imagery and emotional stakes. The song should capture the essence of a conflicted love triangle, using a blend of country and pop musical elements. It should include a catchy chorus that conveys the urgency of speaking up before it's too late, and the narrative should unfold with descriptive verses that paint the scene of the wedding, the tension between the characters, and the resolution of the protagonist taking a bold step to prevent a regretful union."} +{"id":132091,"song":"The Outside","artist":"Taylor Swift","lyrics":"[Verse 1]\nI didn't know what I would find\nWhen I went looking for a reason, I know\nI didn't read between the lines\nAnd, baby, I've got nowhere to go\n[Pre-Chorus]\nI tried to take the road less traveled by\nBut nothing seems to work the first few times\nAm I right?\n[Chorus]\nSo how can I ever try to be better?\nNobody ever lets me in\nI can still see you, this ain't the best view\nOn the outside looking in\nI've been a lot of lonely places\nI've never been on the outside\n[Verse 2]\nYou saw me there, but never knew\nThat I would give it all up to be\nA part of this, a part of you\nAnd now, it's all too late, so you see\n[Pre-Chorus]\nYou could've helped if you had wanted to\nBut no one notices until it's too late to do anything [Chorus]\nHow can I ever try to be better?\nNobody ever lets me in\nI can still see you, this ain't the best view\nOn the outside looking in\nI've been a lot of lonely places\nI've never been on the outside\n[Post-Chorus]\nOh, yeah\n[Chorus]\nHow can I ever try to be better?\nNobody ever lets me in\nAnd I can still see you, this ain't the best view\nOn the outside looking in\nI've been a lot of lonely places\nI've never been on the outside\n[Outro]\nOh-oh\nOh, oh-oh\nOh-oh\nOh-oh","prompt":"Write me a song in the style of Taylor Swift that captures the essence of introspection and the feeling of being an outsider. It should have emotionally charged lyrics reflecting on missed opportunities and the desire to belong, with a tone that oscillates between hopefulness and resignation. The song should include vivid storytelling in its verses, a catchy and reflective chorus, and a melody that fits within Swift\u2019s pop-country crossover sound. The narrative should evoke a sense of yearning and the bittersweet realization of recognizing one's place on \"the outside looking in.\""} +{"id":84880,"song":"We Are Never Ever Getting Back Together","artist":"Taylor Swift","lyrics":"[Verse 1]\nI remember when we broke up the first time\nSaying, \"This is it, I've had enough,\" 'cause like\nWe hadn't seen each other in a month\nWhen you said you needed space (What?)\nThen you come around again and say\n\"Baby, I miss you and I swear I'm gonna change, trust me\"\nRemember how that lasted for a day?\nI say, \"I hate you,\" we break up, you call me, \"I love you\"\n[Pre-Chorus]\nOoh-ooh-ooh-ooh-ooh\nWe called it off again last night, but\nOoh-ooh-ooh-ooh-ooh\nThis time, I'm telling you, I'm telling you\n[Chorus]\nWe are never, ever, ever getting back together\nWe are never, ever, ever getting back together\nYou go talk to your friends, talk to my friends, talk to me\nBut we are never, ever, ever, ever getting back together\nLike, ever\n[Verse 2]\nI'm really gonna miss you picking fights\nAnd me falling for it, screaming that I'm right\nAnd you would hide away and find your peace of mind\nWith some indie record that's much cooler than mine [Pre-Chorus]\nOoh-ooh-ooh-ooh-ooh\nYou called me up again tonight, but\nOoh-ooh-ooh-ooh-ooh\nThis time, I'm telling you, I'm telling you\n[Chorus]\nWe (We) are never, ever, ever getting back together\nWe are never, ever, ever getting back together\nYou go talk to your friends, talk to my friends, talk to me (Talk to me)\nBut we are never, ever, ever, ever getting back together\n[Post-Chorus]\nOoh-ooh-ooh-ooh-ooh (Yeah)\nOoh-ooh-ooh-ooh-ooh-ooh (Yeah)\nOoh-ooh-ooh-ooh-ooh (Yeah)\nOh-oh-oh\n[Bridge]\nI used to think that we were forever, ever\nAnd I used to say, \"Never say never\"\nUgh, so he calls me up and he's like, \"I still love you\"\nAnd I'm like, \"I just, I mean, this is exhausting, you know?\nLike, we are never getting back together, like, ever\"\n[Chorus]\n(No) We are never, ever, ever getting back together\nWe are never, ever, ever (Ooh) getting back together\nYou go talk to your friends, talk to my friends, talk to me\nBut we are never, ever, ever, ever getting back together [Outro]\nWe (Ooh-ooh-ooh-ooh-ooh, ooh-ooh-ooh, no)\nGetting back together\nWe (Ooh-ooh-ooh-ooh-ooh, oh, oh)\nGetting back together (Yeah)\nYou go talk to your friends, talk to my friends, talk to me (Talk to me)\nBut we are never, ever, ever, ever getting back together","prompt":"Write me a song in the style of Taylor Swift that captures the emotional roller coaster of an on-again, off-again relationship, emphasizing the definitive end to the cycle of breakups and makeups. The song should incorporate catchy pop hooks and relatable, conversational lyrics that resonate with a young adult audience, reflecting a blend of empowerment and frustration. Include a memorable chorus that firmly states the narrator's resolution not to reunite, using direct language and a sing-along quality that mirrors the anthem-like vibe of \"We Are Never Ever Getting Back Together.\""} +{"id":5793977,"song":"\u200baugust","artist":"Taylor Swift","lyrics":"[Verse 1]\nSalt air, and the rust on your door\nI never needed anything more\nWhispers of \"Are you\u2005sure?\"\n\"Never\u2005have I ever\u2005before\"\n[Chorus]\nBut I can see us lost\u2005in the memory\nAugust slipped away into a moment in time\n'Cause it was never mine\nAnd I can see us twisted in bedsheets\nAugust sipped away like a bottle of wine\n'Cause you were never mine\n[Verse 2]\nYour back beneath the sun\nWishin' I could write my name on it\nWill you call when you're back at school?\nI remember thinkin' I had you\n[Chorus]\nBut I can see us lost in the memory\nAugust slipped away into a moment in time\n'Cause it was never mine\nAnd I can see us twisted in bedsheets\nAugust sipped away like a bottle of wine\n'Cause you were never mine [Bridge]\nBack when we were still changin' for the better\nWanting was enough\nFor me, it was enough\nTo live for the hope of it all\nCancel plans just in case you'd call\nAnd say, \"Meet me behind the mall\"\nSo much for summer love and saying \"us\"\n'Cause you weren't mine to lose\nYou weren't mine to lose, no\n[Chorus]\nBut I can see us lost in the memory\nAugust slipped away into a moment in time\n'Cause it was never mine\nAnd I can see us twisted in bedsheets\nAugust sipped away like a bottle of wine\n'Cause you were never mine\n[Outro]\n'Cause you were never mine\nNever mine\nBut do you remember?\nRemember when I pulled up and said \"Get in the car\"\nAnd then canceled my plans just in case you'd call?\nBack when I was livin' for the hope of it all, for the hope of it all\n\"Meet me behind the mall\"\n(Remember when I pulled up and said \"Get in the car\")\n(And then canceled my plans just in case you'd call?)\n(Back when I was livin' for the hope of it all, for the hope of it all)\n(\"Meet me behind the mall\")\nRemember when I pulled up and said \"Get in the car\"\nAnd then canceled my plans just in case you'd call?\nBack when I was livin' for the hope of it all (For the hope of it all)\nFor the hope of it all, for the hope of it all\n(For the hope of it all, for the hope of it all)","prompt":"Write me a song in the style of Taylor Swift that captures a nostalgic summer romance, tinged with the bittersweet realization that the love was fleeting and unattainable. The lyrics should evoke imagery of seaside towns, ephemeral moments, and the yearning associated with wanting something that was never truly yours. The song should have a reflective and melancholic tone, with a chorus that emphasizes the transient nature of the relationship, akin to the fleeting days of August. Include vivid details such as shared secrets, spontaneous adventures, and the poignant hope of young love. The musical arrangement should complement the wistful narrative, reminiscent of Swift's tender storytelling and melodic sensibilities."} +{"id":4712978,"song":"Cruel Summer","artist":"Taylor Swift","lyrics":"[Intro]\n(\nYeah, yeah, yeah, yeah\n)\n[Verse 1]\nFever dream high in the quiet of the night\nYou know that I caught it (\nOh yeah, you're right, I want it\n)\nBad, bad boy, shiny toy with a price\nYou know that I bought it (\nOh yeah, you're right, I want it\n)\n[Pre-Chorus]\nKilling me slow, out the window\nI'm always waiting for you to be waiting below\nDevils roll the dice, angels roll their eyes\nWhat doesn't kill me makes me want you more\n[Chorus]\nAnd it's new, the shape of your body\nIt's blue, the feeling I've got\nAnd it's ooh, woah-oh\nIt's a cruel summer\nIt's cool, that's what I tell 'em\nNo rules in breakable heaven\nBut ooh, woah-oh\nIt's a cruel summer with you\n[Verse 2]\nHang your head low in the glow of the vending machine\nI'm not dying (\nOh yeah, you're right, I want it\n)\nWe say that we'll just screw it up in these trying times\nWe're not trying (\nOh yeah, you're right, I want it\n) [Pre-Chorus]\nSo cut the headlights, summer's a knife\nI'm always waiting for you just to cut to the bone\nDevils roll the dice, angels roll their eyes\nAnd if I bleed, you'll be the last to know, oh\n[Chorus]\nIt's new, the shape of your body\nIt's blue, the feeling I've got\nAnd it's ooh, woah-oh\nIt's a cruel summer\nIt's cool, that's what I tell 'em\nNo rules in breakable heaven\nBut ooh, woah-oh\nIt's a cruel summer with you\n[Bridge]\nI'm drunk in the back of the car\nAnd I cried like a baby comin' home from the bar (Oh)\nSaid, \"I'm fine,\" but it wasn't true\nI don't wanna keep secrets just to keep you\nAnd I snuck in through the garden gate\nEvery night that summer just to seal my fate (Oh)\nAnd I scream, \"For whatever it's worth\nI love you, ain't that the worst thing you ever heard?\"\nHe looks up, grinnin' like a devil [Chorus]\nIt's new, the shape of your body\nIt's blue, the feeling I've got\nAnd it's ooh, woah-oh\nIt's a cruel summer\nIt's cool, that's what I tell 'em\nNo rules in breakable heaven\nBut ooh, woah-oh\nIt's a cruel summer with you\n[Outro]\nI'm drunk in the back of the car\nAnd I cried like a baby comin' home from the bar (Oh)\nSaid, \"I'm fine,\" but it wasn't true\nI don't wanna keep secrets just to keep you\nAnd I snuck in through the garden gate\nEvery night that summer just to seal my fate (Oh)\nAnd I scream, \"For whatever it's worth\nI love you, ain't that the worst thing you ever heard?\"\n(\nYeah, yeah, yeah, yeah\n)","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a bittersweet, sultry summer romance, filled with the thrill and heartaches of a secret love. The lyrics should convey the tension between desire and the pain of potential loss, using vivid imagery like \"fever dream\" and \"cruel summer.\" The music should blend pop sensibilities with an edge of melancholy, mirroring the ebbs and flows of an intense relationship, and should include catchy, repetitive hooks that embody the emotional rollercoaster of trying to hold onto a fleeting love."} +{"id":2466700,"song":"Gracie","artist":"Taylor Swift","lyrics":"[Verse 1]\nMy name's Gracie\nI'll be five in May\nKind of scared cause\nI've never been on a plane\nMy mama says that it'll be alright\nCause I'm going to see my daddy tonight\nAnd she says that\n[Chorus]\nThere's a whole a lot of good people in heaven\nAnd I don't wanna get there too soon\nAnd I know there's a God because I met him\nAnd I see it when I'm looking at you\nThere ain't no accidents in what we do\n[Verse 2]\nMy name's Heather\nGuess we're on the same flight\nDon't mind Gracie\nShe could talk to you all night\nShe's finally well enough to travel\nDoctor says she's in the clear\nShe's been in and out of hospital\nSince the beginning of the year [Chorus]\nThere's a whole a lot of good people in heaven\nAnd I don't wanna get there too soon\nAnd I know there's a God because I met him\nAnd I see it when I'm looking at you\nThere ain't no accidents in what we do\n[Verse 3]\nJames T. Johnson\nThat's her daddy's name\nHe's been overseas\nIt'll be a year today\nHe never talked about being scared over the phone\nHe just said me and Gracie will come and take him on\n[Chorus]\nThere's a whole a lot of good people in heaven\nAnd I don't wanna get there too soon\nAnd I know there's a God because I met him\nAnd I see it when I'm looking at you\nThere ain't no accidents in what we do\n[Verse 4]\nAnd the people that we meet\nAs we go through the rain\nThere are no accidents in what we do","prompt":"Write me a song in the style of Taylor Swift that tells a heartfelt story through the eyes of a young child named Gracie, who is about to turn five and is taking her first airplane ride to see her father. The song should capture the innocence of a child and touch upon themes of hope, family, and divine presence, as seen through Gracie's perspective and her interactions with another passenger named Heather. The narrative should unfold with emotive verses and a chorus that conveys the idea of there being \"a whole lot of good people in heaven\" and that nothing in life is an accident. Include a sense of optimism and resilience, signature to Taylor Swift's storytelling approach, and allow the lyrics to reflect a country-pop musical style that Swift is renowned for."} +{"id":132098,"song":"I\u2019m Only Me When I\u2019m With You","artist":"Taylor Swift","lyrics":"[Verse 1]\nFriday night beneath the stars\nIn a field behind your yard\nYou and I are painting pictures in the sky\nAnd sometimes, we don't say a thing\nJust listen to the crickets sing\nEverything I need is right here by my side\n[Pre-Chorus]\nAnd I know everything about you\nI don't wanna live without you\n[Chorus]\nI'm only up when you're not down\nDon't wanna fly if you're still on the ground\nIt's like no matter what I do\nWell, you drive me crazy half the time\nThe other half, I'm only tryin' to\nLet you know that what I feel is true\nAnd I'm only me when I'm with you\n[Verse 2]\nJust a small-town boy and girl\nLivin' in a crazy world\nTryna figure out what is and isn't true\nAnd I don't try to hide my tears\nMy secrets or my deepest fears\nThrough it all, nobody gets me like you do [Pre-Chorus]\nAnd you know everything about me\nYou say that you can't live without me\n[Chorus]\nI'm only up when you're not down\nDon't wanna fly if you're still on the ground\nIt's like no matter what I do\nWell, you drive me crazy half the time\nThe other half, I'm only tryin' to\nLet you know that what I feel is true\nAnd I'm only me when I'm with you\n[Bridge]\nWhen I'm with anybody else\nIt's so hard to be myself\nAnd only you can tell\n[Chorus]\nThat I'm only up when you're not down\nDon't wanna fly if you're still on the ground\nIt's like no matter what I do\nWell, you drive me crazy half the time\nThe other half, I'm only tryin' to\nLet you know that what I feel is true\nAnd I'm only me\nWho I wanna be\nWell, I'm only me when I'm with you [Outro]\nWith you\nUh-huh-huh, yeah","prompt":"Write me a song in the style of Taylor Swift that captures the essence of young love and the feeling of being one's true self only in the presence of a significant other. Incorporate vivid imagery of starry nights and quiet moments that encapsulate the intimacy of understanding each other without words. The song should have a country-pop blend, reminiscent of Swift's early work, with heartfelt lyrics that reflect the ups and downs of a relationship, the insecurities shared, and the profound truth that the protagonist is most authentic and uplifted when with their partner."} +{"id":711148,"song":"Need You Now","artist":"Taylor Swift","lyrics":"[Verse 1]\n\"I need you now\"\nRead letters that I wrote on the wall\nAnd the message that I left when I called\nI need you now\nWords I said drowned out by the rain\nWaiting there for you, but you never came\nMy world's a little colder now\nBut I'm keeping warm somehow\n[Chorus]\nSo here you are at my window\nGuess nobody told you\nI don't need you, don't need you\nAnd I waited, so frustrated\nWho's gonna hold you?\nI don't need you, don't need you now\n[Verse 2]\n\"I need you now\"\nWords I heard you whisper to me\nWhen we were walking down a one-way street\nAnd you need me now\nThat's what you've been telling my friends\nBut I've come too far to go back there again\nMy heart, my mind, and numbers have changed\nYou might as well forget my name [Chorus]\nSo here you are at my window\nGuess nobody told you\nI don't need you, don't need you\nAnd I waited, so frustrated\nWho's gonna hold you?\nI don't need you, don't need you now\n[Bridge]\n\"I need you now\"\nRead letters that I wrote on the wall\nAnd the message that I left when I called\n[Chorus]\nSo here you are at my window\nGuess nobody told you\nI don't need you, don't need you\nAnd I waited, so frustrated\nSo who's gonna hold you?\nI don't need you now\n[Breakdown]\nAnd I don't look for your car\nI don't wonder where you are\nI don't dream about you\n'Cause I don't need you now\nI don't dream about the way\nThat I never heard you say\n\"I need you, I need you\"\nI don't need you now [Outro]\nDon't need you\nI don't need you now","prompt":"Write me a song in the style of Taylor Swift that captures the emotional journey of longing and eventual empowerment after a breakup. The lyrics should start with a vulnerable admission of needing someone, evolve through a realization of self-sufficiency, and end with a strong declaration of independence. Incorporate vivid imagery such as rain-drenched letters and one-way streets to symbolize past struggles, and use a contrasting chorus that emphasizes the newfound strength and resolve. The song should have a melodic pop-country blend, characteristic of Taylor Swift's earlier work, with a bridge that poignantly echoes the opening lines, reinforcing the transformation from dependence to freedom."} +{"id":132093,"song":"Stay Beautiful","artist":"Taylor Swift","lyrics":"[Verse 1]\nCory's eyes are like a jungle\nHe smiles, it's like the radio\nHe whispers songs into my window\nIn words that nobody knows\nThere's pretty girls on every corner\nThey watch him as he's walking home\nSaying, \"Does he know?\"\nWill you ever know?\n[Chorus]\nYou're beautiful, every little piece, love\nDon't you know you're really gonna be someone?\nAsk anyone\nAnd when you find everything you looked for\nI hope your life leads you back to my door\nOh, but if it don't\nStay beautiful\n[Verse 2]\nCory finds another way to be\nThe highlight of my day\nI'm taking pictures in my mind\nSo I can save 'em for a rainy day\nIt's hard to make a conversation\nWhen he's taking my breath away\nI should say, \"Hey, by the way\" [Chorus]\nYou're beautiful, every little piece, love\nDon't you know you're really gonna be someone?\nAsk anyone\nAnd when you find everything you looked for\nI hope your life leads you back to my door\nOh, but if it don't\nStay beautiful\n[Bridge]\nIf you and I are a story\nThat never gets told\nIf what you are is a daydream\nI'll never get to hold, at least you'll know\n[Chorus]\nYou're beautiful, every little piece, love\nDon't you know you're really gonna be someone?\nAsk anyone\nAnd when you find everything you looked for\nI hope your life leads you back to my front door\nOh, but if it don't\nWill you stay beautiful, beautiful, beautiful?\nBeautiful, beautiful, beautiful\n[Outro]\nLa-la-la\nOh-oh-oh\nOh-oh-oh-oh\nOh, but if it don't\nStay beautiful, stay beautiful\nNa-na-na, na-na","prompt":"Write me a song in the style of Taylor Swift that captures the tender and wistful feeling of unspoken affection, with lyrics that paint a vivid picture of the object of affection much like the detailed imagery in \"Cory's eyes are like a jungle.\" The song should include a chorus that emphasizes the message of inner beauty and potential, akin to \"You're beautiful, every little piece, love,\" and encourages the subject to remain true to themselves, regardless of where life takes them. Incorporate a bridge that touches on the bittersweet realization of a love that might remain unrequited, similar to \"If you and I are a story that never gets told.\" The musical arrangement should be in line with Taylor Swift's earlier country-pop style, featuring acoustic instruments and a melody that supports the song's reflective and hopeful tone."} +{"id":642957,"song":"Two Is Better Than One","artist":"Taylor Swift","lyrics":"[Verse 1: Martin Johnson]\nI remember what you wore on the first day\nYou came into my life and I thought\n\"Hey, you know, this could be something\"\n'Cause everything you do and words you say\nYou know that it all takes my breath away\nAnd now I'm left with nothing\n[Chorus: Martin Johnson & Taylor Swift]\nSo maybe it's true that I can't live without you\nAnd maybe two is better than one\nBut there's so much time to figure out the rest of my life\nAnd you've already got me coming undone\nAnd I'm thinking two is better than one\n[Verse 2: Martin Johnson & \nTaylor Swift\n]\nI remember every look upon your face\nThe way you roll your eyes, the way you taste\nYou make it hard for breathing\n'Cause when I close my eyes and drift away\nI think of you and everything's okay\nI'm finally now believing\n[Chorus: Martin Johnson & Taylor Swift]\nThen maybe it's true that I can't live without you\nAnd maybe two is better than one\nBut there's so much time to figure out the rest of my life\nAnd you've already got me coming undone\nAnd I'm thinking two is better than one [Bridge: Martin Johnson]\nI remember what you wore on the first day\nYou came into my life and I thought, hey (Hey, hey)\n[Chorus: Martin Johnson & Taylor Swift]\nMaybe it's true that I can't live without you\nAnd maybe two is better than one\nBut there's so much time to figure out the rest of my life\nAnd you've already got me coming undone\n[Outro: Martin Johnson & Taylor Swift]\nAnd I'm thinking, ooh, I can't live without you\n'Cause, baby, two is better than one\nThere's so much time to figure out the rest of my life\nBut I'll figure out with all that's said and done\nTwo is better than one\nTwo is better than one","prompt":"Write me a song in the style of Taylor Swift that captures the heartfelt realization of being better together with someone special, incorporating a blend of reflective verses and an uplifting chorus. The song should express the magic of a fresh romantic connection and the hopeful contemplation of a shared future, with an emphasis on vivid, personal imagery and the emotional journey of falling in love. Include a bridge that harkens back to the beginning of the relationship, emphasizing the theme that \"two is better than one,\" and ensure the melody carries the signature Taylor Swift blend of country-pop charm with a touch of indie influence."} +{"id":2364298,"song":"All Night Diner","artist":"Taylor Swift","lyrics":"[Verse 1]\nI wake up\nI stretch out\nI wonder what you're doin' right now\nYeah I slept, in my makeup again\nTell myself 'I must be crazy'\nThinkin' 'bout him\nI find myself something decent to wear\nTake the towel out of my hair\nAbout that time, you call me\nAnd I'm reminded, without you\n[Chorus]\nI'd be a stranger in an all night diner\nWaiting for a love to find her\nLonely like a harbor light\nThat's never seen a boat\nLike a line in an old love letter\nNo one ever wrote\n[Verse 2]\nI go to work\nWork all day\nI'm a walking tape recorder\nOf everything you say\nWalk to the car, dig out my keys\nStart thinkin' if you were with anyone but me [Chorus]\nI'm a stranger in an all night diner\nWaiting for a love to find her\nLonely like a harbor light\nThat's never seen a boat\nLike a line in an old love letter\nNo one ever wrote\n[Bridge]\nThere you are\nOn the street\nJust standing there, waiting on me\nI show you, my new shoes\nYou say you love them\n'Nd baby without you -\n[Chorus]\nI'm a stranger in an all night diner\nWaiting for a love to find her\nLonely like a harbor light\nThat's never seen a boat\nLike a line in an old love letter\nNo one ever wrote\n[Outro]\nI wake up\nI stretch out\nI wonder what you're doin' right now","prompt":"Write me a song in the style of Taylor Swift that encapsulates the introspective and romantic narrative of a person reflecting on their love life, feeling incomplete without their significant other. The song should include vivid imagery, such as being \"a stranger in an all night diner\" or \"a harbor light that's never seen a boat,\" to express the loneliness and yearning for a love that seems just out of reach. The melody should be heartfelt and the structure should follow a verse-chorus-verse pattern, with a bridge that brings a moment of hopeful encounter. Emphasize the contrast between everyday life and the poignant inner world of the protagonist, much like Taylor Swift's storytelling approach in her songs."} +{"id":6260167,"song":"\u200bdorothea","artist":"Taylor Swift","lyrics":"[Verse 1]\nHey, Dorothea, do you ever stop and think about me?\nWhen we were younger, down in the park\nHoney, makin' a lark of the misery\nYou got shiny friends since you left town\nA tiny screen's the only place I see you now\nAnd I got nothin' but well wishes for ya\n[Pre-Chorus]\nOoh\nThis place is the same as it ever was\nOoh\nBut you won't like it that way\n[Chorus]\nIt's never too late to come back to my side\nThe stars in your eyes shined brighter in Tupelo\nAnd if you're ever tired of b\u0435in' known for who you know\nYou know that you'll always know me\nDorothea, uh-uh\nDorothea, ah-ah\n[Post-Chorus]\nOoh\nYou'r\u0435 a queen sellin' dreams, sellin' makeup and magazines\nOoh\nFrom you, I'd buy anything [Verse 2]\nHey, Dorothea, do you ever stop and think about me?\nWhen it was calmer, skippin' the prom\nJust to piss off your mom and her pageant schemes\nAnd damn, Dorothea, they all wanna be ya\nBut are you still the same soul I met under the bleachers? Well\n[Pre-Chorus]\nOoh\nI guess I'll never know\nOoh\nAnd you'll go on with the show\n[Chorus]\nBut it's never too late to come back to my side\nThe stars in your eyes shined brighter in Tupelo\nAnd if you're ever tired of bein' known for who you know\nYou know, you'll always know me\nDorothea, uh-uh\nDorothea, ah-ah\n[Outro]\nOoh, ooh\nOoh-woo-ooh-ooh-ooh, ooh-ooh-ooh-ooh\nOoh, ooh\nOoh-woo-ooh-ooh-ooh, ooh-ooh-ooh\nDorothea (Ah-ah-ah)\nAh-ah\nOoh","prompt":"Write me a song in the style of Taylor Swift that captures the nostalgic reflection on a past relationship, complete with vivid memories of youth and a longing for a simpler time. The song should have a storytelling approach, much like Swift's songwriting, with specific references to personal history and places that add depth to the narrative. The musical arrangement should be evocative of Taylor's indie-folk era, with an acoustic and intimate feel that complements the wistful tone of the lyrics, embodying the emotional complexity and maturity of her later works."} +{"id":92224,"song":"I Knew You Were Trouble","artist":"Taylor Swift","lyrics":"[Intro]\n[Verse 1]\nOnce upon a time, a few mistakes ago\nI was in your sights, you got me alone\nYou found me, you found me\nYou found me-e-e-e-e\nI guess you didn't care and I guess I liked that\nAnd when I fell hard, you took a step back\nWithout me, without me\nWithout me-e-e-e-e\n[Pre-Chorus]\nAnd he's long gone when he's next to me\nAnd I realize the blame is on me\n[Chorus]\n'Cause I knew you were trouble when you walked in\nSo shame on me now\nFlew me to places I'd never been\n'Til you put me down, oh\nI knew you were trouble when you walked in\nSo shame on me now\nFlew me to places I'd never been\nNow, I'm lying on the cold, hard ground [Post-Chorus]\nOh, oh-oh\nTrouble, trouble, trouble\nOh, oh-oh\nTrouble, trouble, trouble\n[Verse 2]\nNo apologies, he'll never see you cry\nPretends he doesn't know that he's the reason why\nYou're drowning, you're drowning\nYou're drowning-ing-ing-ing-ing\nAnd I heard you moved on from whispers on the street\nA new notch in your belt is all I'll ever be\nAnd now, I see, now, I see\nNow, I see-e-e-e-e\n[Pre-Chorus]\nHe was long gone when he met me\nAnd I realize the joke is on me, yeah\n[Chorus]\nI knew you were trouble when you walked in (Oh)\nSo shame on me now\nFlew me to places I'd never been\n'Til you put me down, oh\nI knew you were trouble when you walked in\nSo shame on me now\nFlew me to places I'd never been (Yeah)\nNow, I'm lying on the cold, hard ground [Post-Chorus]\nOh, oh-oh\nTrouble, trouble, trouble (Yeah, trouble)\nOh, oh-oh\nTrouble, trouble, trouble\n[Bridge]\nAnd the saddest fear\nComes creeping in\nThat you never loved me\nOr her, or anyone, or anything, yeah\n[Chorus]\nI knew you were trouble when you walked in\nSo shame on me now\nFlew me to places I'd never been (Never been)\n'Til you put me down, oh\nI knew you were trouble when you walked in (Knew it right there)\nSo shame on me now (Knew it right there)\nFlew me to places I'd never been (Ooh)\nNow, I'm lying on the cold, hard ground\n[Post-Chorus]\nOh, oh-oh\nTrouble, trouble, trouble (Oh)\nOh, oh-oh\nTrouble, trouble, trouble\nI knew you were trouble when you walked in\nTrouble, trouble, trouble\nI knew you were trouble when you walked in\nTrouble, trouble, trouble [Outro]","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a tumultuous and regretful love affair, much like her hit \"I Knew You Were Trouble.\" The lyrics should convey the narrative of reflecting on past mistakes and the realization of being wronged in the relationship, with an underlying tone of self-blame and awakening. The song should include a catchy, anthemic chorus that emphasizes the theme of betrayal and disappointment, and it should embody the pop and slight rock influences, with an emotional bridge that highlights the ultimate fear of never being truly loved."} +{"id":186824,"song":"Last Christmas","artist":"Taylor Swift","lyrics":"[Chorus]\nLast Christmas I gave you my heart\nBut the very next day, you gave it away\nThis year, to save me from tears\nI will give it to someone special\n[Verse 1]\nOnce bitten and twice shied\nI keep my distance but you still catch my eye\nTell me baby\nDo you recognize me\nWell, it has been a year, it does not surprise me\nMerry Christmas, I wrapped it up and sent it\nWith a note saying 'I love you', I meant it\nNow I know what a fool I've been\nBut if you kiss me now, I know you would fool me again\n[Chorus]\nLast Christmas I gave you my heart\nBut the very next day, you gave it away\nThis year, to save me from tears\nI will give it to someone special\nLast Christmas I gave you my heart\nBut the very next day, you gave it away\nThis year, to save me from tears\nI will give it to someone special [Verse 2]\nA crowded room and friends with tired eyes\nI am hiding from you and your soul of ice\nMy God, I thought you were someone to rely on\nMe, I guess I was a shoulder to cry on\nA face on a lover with a fire in his heart\nA girl on a cover but you tore her apart\nMaybe this year\nMaybe this year I will give it to someone special\n[Chorus]\nBecause last Christmas I gave you my heart\nBut the very next day, you gave it away\nThis year, to save me from tears\nI will give it to someone special\nLast Christmas I gave you my heart\nBut the very next day, you gave it away\nThis year, to save me from tears\nI will give it to someone special\nAnd last Christmas\nAnd this year\nIt won't be anything like, anything like\nLast Christmas I gave you my heart\nBut the very next day, you gave it away\nThis year, to save me from tears\nI will give it to someone special","prompt":"Write me a song in the style of Taylor Swift that captures the bittersweet emotions of reflecting on a past holiday romance gone wrong, with a mix of vulnerability and newfound resolve. The song should have a catchy, memorable chorus that emphasizes the contrast between last Christmas and the singer's determination to find a more deserving love this year. The verses should tell a story of heartache and personal growth, set against a backdrop of festive imagery, and the overall tone should blend Taylor Swift's signature confessional lyricism with an upbeat holiday pop sound."} +{"id":186846,"song":"Santa Baby","artist":"Taylor Swift","lyrics":"[Chorus]\nSanta baby, slip a sable under the tree, for me\nI have been an awful good girl, Santa baby\nSo hurry down the chimney tonight\nSanta baby, a '54 convertible, too, light blue\nWell I will wait up for you, dear, Santa baby\nSo hurry down the chimney tonight, yeah\n[Verse 1]\nThink of all the fun I have missed\nThink of all the boys I have not kissed\nNext year I could be just as good\nIf you check off my Christmas list\n[Chorus]\nSanta baby, I want a yacht and really that is not a lot\nI have been an angel all year, Santa baby\nSo hurry down the chimney tonight\nSanta, honey, there is one more thing I really do need, the deed\nTo a platinum mine, Santa honey\nSo hurry down the chimney tonight\n[Verse 2]\nCome and trim my Christmas tree\nWith some decorations bought at Tiffany's\nI really do believe in you\nLet us see if you believe in me [Chorus]\nSanta baby, forgot to mention one little thing\nA ring\nAnd I do not mean on the phone\n, Santa baby\nSo hurry down the chimney tonight","prompt":"Write me a song in the style of Taylor Swift that embodies the playful and whimsical tone of a holiday classic, \"Santa Baby.\" The song should reflect a cheeky wish list addressed to Santa, dripping with the charm of a good girl's confession, while also incorporating modern, romantic storytelling akin to Taylor Swift's songwriting. The lyrics should playfully request extravagant gifts and grand romantic gestures, all wrapped in the cozy, sparkling aesthetic of the holiday season."} +{"id":5794073,"song":"\u200bthe 1","artist":"Taylor Swift","lyrics":"[Verse 1]\nI'm doing good, I'm on some new shit\nBeen saying \"yes\" instead of \"no\"\nI thought I\u2005saw\u2005you at the\u2005bus stop, I didn't though\nI hit\u2005the ground running each night\nI hit the Sunday matin\u00e9e\nYou know the greatest films of all time were never made\n[Pre-Chorus]\nI guess you never know, never know\nAnd if you wanted me, you really should've showed\nAnd if you never bleed, you're never gonna grow\nAnd it's alright now\n[Chorus]\nBut we were something, don't you think so?\nRoaring twenties, tossing pennies in the pool\nAnd if my wishes came true\nIt would've been you\nIn my defense, I have none\nFor never leaving well enough alone\nBut it would've been fun\nIf you would've been the one\n(Ooh)\n[Verse 2]\nI have this dream you're doing cool shit\nHaving adventures on your own\nYou meet some woman on the internet and take her home\nWe never painted by the numbers, baby\nBut we were making it count\nYou know the greatest loves of all time are over now [Pre-Chorus]\nI guess you never know, never know\nAnd it's another day waking up alone\n[Chorus]\nBut we were something, don't you think so?\nRoaring twenties, tossing pennies in the pool\nAnd if my wishes came true\nIt would've been you\nIn my defense, I have none\nFor never leaving well enough alone\nBut it would've been fun\nIf you would've been the one\n[Bridge]\nI, I, I persist and resist the temptation to ask you\nIf one thing had been different\nWould everything be different today?\n[Chorus]\nWe were something, don't you think so?\nRos\u00e9 flowing with your chosen family\nAnd it would've been sweet\nIf it could've been me\nIn my defense, I have none\nFor digging up the grave another time\nBut it would've been fun\nIf you would've been the one\n(Ooh)","prompt":"Write me a song in the style of Taylor Swift that captures the essence of nostalgic reminiscence and the wistful wonderings of what could have been with a past love. Emulate Swift's introspective lyricism and storytelling, incorporating themes of personal growth, missed opportunities, and the idea of \"the one that got away.\" The song should have a reflective tone, with vivid imagery akin to \"tossing pennies in the pool\" and \"roaring twenties,\" and it should evoke a sense of maturity and acceptance that comes with looking back on a past relationship. Include a catchy, emotive chorus that encapsulates the bittersweet nature of the narrative, similar to the poignant yet catchy feel of Swift's music."} +{"id":551103,"song":"You Are In Love","artist":"Taylor Swift","lyrics":"[Verse 1]\nOne look, dark room, meant just for you\nTime moved too fast, you play it back\nButtons on a coat, lighthearted joke\nNo proof, not much, but you saw enough\nSmall talk, he drives, coffee at midnight\nThe light reflects the chain on your neck\nHe says, \"Look up\" and your shoulders brush\nNo proof, one touch, but you felt enough\n[Chorus]\nYou can hear it in the silence (Silence), silence (Silence), you\nYou can feel it on the way home (Way home), way home (Way home), you\nYou can see it with the lights out (Lights out), lights out (Lights out)\nYou are in love, true love\nYou are in love\n[Verse 2]\nMorning, his place, burnt toast, Sunday\nYou keep his shirt, he keeps his word\nAnd for once, you let go of your fears and your ghosts\nOne step, not much, but it said enough\nYou kiss on sidewalks, you fight and you talk\nOne night, he wakes, strange look on his face\nPauses, then says \"You're my best friend\"\nAnd you knew what it was, he is in love [Chorus]\nYou can hear it in the silence (Silence), silence (Silence), you\nYou can feel it on the way home (Way home), way home (Way home), you\nYou can see it with the lights out (Lights out), lights out (Lights out)\nYou are in love, true love\n[Bridge]\nAnd so it goes\nYou two are dancing in a snow globe, 'round and 'round\nAnd he keeps a picture of you in his office downtown\nAnd you understand now\nWhy they lost their minds and fought the wars\nAnd why I've spent my whole life trying to put it into words\n[Breakdown]\n'Cause you can hear it in the silence\nYou can feel it on the way home\nYou can see it with the lights out\nYou are in love, true love\nYou are in love\n[Chorus]\nYou can hear it in the silence (Silence), silence (Silence), you\nYou can feel it on the way home (Way home), way home (Way home), you\nYou can see it with the lights out (Lights out), lights out (Lights out)\nYou are in love, true love\nYou are in love (Ah)\nYou can hear it in the silence (Silence), silence (Silence), you (Ah)\nYou can feel it on the way home (Way home), way home (Way home), you (Ah)\nYou can see it with the lights out (Lights out), lights out (Lights out)\nYou are in love, true love\nYou are in love","prompt":"Write me a song in the style of Taylor Swift that captures the intimate and nuanced moments of a budding romance, with vivid imagery such as \"buttons on a coat\" and \"coffee at midnight\". The song should have a narrative quality, detailing both small interactions and significant realizations between the lovers, like the moment one acknowledges the other as their \"best friend\". Incorporate a repetitive and poignant chorus that emphasizes the silent, yet profound, signs of true love, evoking a sense of serenity and certainty within the chaos of emotions. The musical composition should be gentle and melodic, reflecting the tender and introspective nature of Swift's storytelling songwriting."} +{"id":8486443,"song":"Bigger Than The Whole Sky","artist":"Taylor Swift","lyrics":"[Verse 1]\nNo words appear before me in the aftermath\nSalt streams out my eyes and into my ears\nEvery single thing I touch becomes sick with sadness\n'Cause it's all over now, all out to sea\n[Chorus]\nGoodbye, goodbye, goodbye\nYou were bigger than the whole sky\nYou were more than just a short time\nAnd I've got a lot to pine about\nI've got a lot to live without\nI'm never gonna meet\nWhat could've been, would've been\nWhat should've been you\nWhat could've been, would've been you\n[Verse 2]\nDid some bird flap its wings ov\u0435r in Asia?\nDid some force take you b\u0435cause I didn't pray?\nEvery single thing to come has turned into ashes\n'Cause it's all over, it's not meant to be\nSo I'll say words I don't believe\n[Chorus]\nGoodbye, goodbye, goodbye\nYou were bigger than the whole sky\nYou were more than just a short time\nAnd I've got a lot to pine about\nI've got a lot to live without\nI'm never gonna meet\nWhat could've been, would've been\nWhat should've been you [Bridge]\nWhat could've been, would've been you\nWhat could've been, would've been\nWhat should've been you\nWhat could've been, would've been you\n(What could've been, would've been you)\n[Chorus]\nGoodbye, goodbye, goodbye\nYou were bigger than the whole sky\nYou were more than just a short time\nAnd I've got a lot to pine about\nI've got a lot to live without\nI'm never gonna meet\nWhat could've been, would've been\nWhat should've been you","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a poignant farewell, filled with emotive lyrics that convey a deep sense of loss and longing. The song should reflect on what could have been with someone who was once larger than life and integral to the singer's world, but is now a memory. The musical arrangement should be evocative, with a melancholic melody that mirrors the bittersweet goodbye, while staying true to the narrative storytelling and heartfelt vocal delivery characteristic of Taylor Swift's ballads."} +{"id":187143,"song":"Crazier","artist":"Taylor Swift","lyrics":"[Verse 1]\nI'd never gone with the wind, just let it flow\nLet it take me where it wants to go\n'Til you open the door, there's so much more\nI'd never seen it before\nI was tryin' to fly but I couldn't find wings\nBut you came along and you changed everything\n[Chorus]\nYou lift my feet off the ground\nYou spin me around\nYou make me crazier, crazier\nFeels like I'm fallin' and I am lost in your eyes\nYou make me crazier, crazier, crazier\n[Verse 2]\nI've watched from a distance as you made life your own\nEvery sky was your own kind of blue\nAnd I wanted to know how that would feel\nAnd you made it so real\nYou showed me somethin' that I couldn't see\nYou opened my eyes\nAnd you made me believe\n[Chorus]\nYou lift my feet off the ground\nYou spin me around\nYou make me crazier, crazier\nFeels like I'm fallin' and I am lost in your eyes\nYou make me crazier, crazier, crazier, oh [Bridge]\nBaby, you showed me what livin' is for\nI don't wanna hide anymore\nOh-oh\n[Chorus]\nYou lift my feet off the ground\nYou spin me around\nYou make me crazier, crazier\nFeels like I'm fallin' and I am lost in your eyes\nYou make me crazier, crazier, crazier\nCrazier, crazier","prompt":"Write a song in the style of Taylor Swift that captures the exhilarating feeling of falling in love, where the object of affection acts as a catalyst for change and self-discovery. Incorporate themes of newfound freedom and transformation, using vivid imagery to describe the emotional journey. The melody should be uplifting and catchy, with a blend of acoustic and pop elements typical of Taylor Swift's sound, and the lyrics should convey a sense of wonder and the joy of being uplifted by someone special."} +{"id":6260166,"song":"\u200bhappiness","artist":"Taylor Swift","lyrics":"[Verse 1]\nHoney, when I'm above the trees\nI see this for what it is\nBut now I'm right\u2005down\u2005in it, all\u2005the years I've given\nIs just shit\u2005we're dividin' up\nShowed you all of my hiding spots\nI was dancing when the music stopped\nAnd in the disbelief, I can't face reinvention\nI haven't met the new me yet\n[Chorus]\nThere'll be happiness after you\nBut there was happiness because of you\nBoth of these things can be true\nThere is happiness\n[Post-Chorus]\nPast the blood and bruise\nPast the curses and cries\nBeyond the terror in the nightfall\nHaunted by the look in my eyes\nThat would've loved you for a lifetime\nLeave it all behind\nAnd there is happiness\n[Verse 2]\nTell me, when did your winning smile\nBegin to look like a smirk?\nWhen did all our lessons start to look like weapons\nPointed at my deepest hurt?\nI hope she'll be a beautiful fool\nWho takes my spot next to you\nNo, I didn't mean that\nSorry, I can't see facts through all of my fury\nYou haven't met the new me yet [Chorus]\nThere'll be happiness after me\nBut there was happiness because of me\nBoth of these things, I believe\nThere is happiness\n[Post-Chorus]\nIn our history, across our great divide\nThere is a glorious sunrise\nDappled with the flickers of light\nFrom the dress I wore at midnight, leave it all behind\nAnd there is happiness\n[Bridge]\nI can't make it go away by making you a villain\nI guess it's the price I paid for seven years in Heaven\nAnd I pulled your body into mine\nEvery goddamn night, now I get fake niceties\nNo one teaches you what to do\nWhen a good man hurts you\nAnd you know you hurt him too\n[Verse 3]\nHoney, when I'm above the trees\nI see it for what it is\nBut now my eyes leak acid rain on the pillow where you used to lay your head\nAfter giving you the best I had\nTell me what to give after that\nAll you want from me now is the green light of forgiveness\nYou haven't met the new me yet\nAnd I think she'll give you that [Chorus]\nThere'll be happiness after you\nBut there was happiness because of you too\nBoth of these things can be true\nThere is happiness\n[Post-Chorus]\nIn our history, across our great divide\nThere is a glorious sunrise\nDappled with the flickers of light\nFrom the dress I wore at midnight, leave it all behind\nOh, leave it all behind\nLeave it all behind\nAnd there is happiness","prompt":"Write me a song in the style of Taylor Swift that explores the complex terrain of post-breakup emotions and personal growth. The lyrics should reflect on the bittersweet realization that happiness can exist both with and after a significant other, and weave in the nuanced journey from heartache to healing. Incorporate vivid imagery and metaphors that echo Swift's narrative songwriting, such as referencing nature and poignant memories. The song should have a balance of melancholy and hope, mirroring Swift's ability to capture the duality of pain and empowerment in the face of change, with an underlying theme of finding inner happiness."} +{"id":9538404,"song":"Is It Over Now? (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Intro]\n(\nIs it? Is it? Is it? Is it? Is it?\n)\n[Verse 1]\nOnce the flight had flown (Uh-huh)\nWith the wilt of the rose (Uh-huh)\nI slept all alone (Uh-huh)\nYou still wouldn't go\n[Pre-Chorus]\nLet's fast forward to three hundred takeout coffees later\nI see your profile and your smile on unsuspecting waiters\nYou dream of my mouth before it called you a lying traitor\nYou search in every maiden's bed for somethin' greater, baby\n[Chorus]\nWas it over when she laid down on your couch?\nWas it over when he unbuttoned my blouse?\n\"Come here,\" I whispered in your ear\nIn your dream as you pass\u0435d out, baby\nWas it over then? And is it over now?\n[Post-Chorus]\n(\nIs it? Is it? Is it?\n)\n[Verse 2]\nWh\u0435n you lost control (Uh-huh)\nRed blood, white snow (Uh-huh)\nBlue dress on a boat (Uh-huh)\nYour new girl is my clone [Bridge]\nAnd did you think I didn't see you?\nThere were flashin' lights\nAt least I had the decency\nTo keep my nights out of sight\nOnly rumors 'bout my hips and thighs\nAnd my whispered sighs\nOh, Lord, I think about jumpin'\nOff of very tall somethings\nJust to see you come runnin'\nAnd say the one thing I've been wanting, but no\n[Pre-Chorus]\nLet's fast forward to three hundred awkward blind dates later (Oh)\nIf she's got blue eyes, I will surmise that you'll probably date her (Oh, no)\nYou dream of my mouth before it called you a lying traitor (Oh)\nYou search in every model's bed for somethin' greater, baby\n[Chorus]\nWas it over when she laid down on your couch?\nWas it over when he unbuttoned my blouse?\n\"Come here,\" I whispered in your ear\nIn your dream as you passed out, baby\nWas it over then? And is it over now?\n[Post-Chorus]\nUh-huh\n(\nIs it? Is it? Is it?\n)\nUh-huh\n(\nIs it? Is it?\n) [Bridge]\nThink I didn't see you?\nThere were flashin' lights\nAt least I had the decency\nTo keep my nights out of sight\nOnly rumors 'bout my hips and thighs\nAnd my whispered sighs\nOh, Lord, I think about jumpin'\nOff of very tall somethings\nJust to see you come runnin' (Runnin')\nAnd say the one thing I've been wanting, but no\n[Outro]\n(Flashin' lights; Oh, Lord; Oh)\nLet's fast forward to three hundred takeout coffees later (Oh)\n(Flashin' lights) I was hoping you'd be there\nAnd say the one thing (Oh, Lord)\nI've been wanting (Oh, Lord)\nBut no\n(\nWas it? Was it? Was it? Was it? Was it? Was it?\n)","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a reflective and introspective narrative, exploring the complexities of a past relationship through vivid imagery and metaphorical language. The lyrics should invoke the melancholic undertones of heartbreak and the passage of time, with references to specific moments like \"three hundred takeout coffees later\" to illustrate the lingering thoughts and unresolved feelings. Incorporate a catchy chorus that questions the finality of the relationship's end, and utilize a bridge that reveals deep emotional vulnerability, possibly hinting at the protagonist's consideration of extreme actions for closure. Ensure the song's melody and structure are reminiscent of Taylor Swift's storytelling prowess, with an acoustic-pop sound that's both haunting and melodic."} +{"id":6260165,"song":"\u200bno body, no crime","artist":"Taylor Swift","lyrics":"[Intro: HAIM]\nHe did it\nHe did it\n[Verse 1: Taylor Swift]\nEste's a friend of mine\nWe meet up every Tuesday night for dinner and a glass of wine\nEste's been losin' sleep\nHer husband's actin' different and it smells like infidelity\nShe says, \"That ain't my Merlot on his mouth\nThat ain't my jewelry on our joint account\"\nNo, there ain't no doubt\nI think I'm gonna call him out\n[Chorus: Taylor Swift & HAIM]\nShe says, \"I think he did it, but I just can't prove it\"\nI think he did it, but I just can't prove it\nI think he did it, but I just can't prove it\nNo, no body, no crime\nBut I ain't lettin' up until the day I die\n[Post-Chorus: HAIM]\nNo, no\nI think he did it\nNo, no\nHe did it [Verse 2: Taylor Swift]\nEste wasn't there Tuesday night at Olive Gard\u0435n\nAt her job or anywhere\nH\u0435 reports his missing wife\nAnd I noticed when I passed his house\nHis truck has got some brand new tires\nAnd his mistress moved in\nSleeps in Este's bed and everything\nNo, there ain't no doubt\nSomebody's gotta catch him out 'cause\n[Chorus: Taylor Swift & \nHAIM\n]\nI think he did it, but I just can't prove it \n(He did it)\nI think he did it, but I just can't prove it \n(He did it)\nI think he did it, but I just can't prove it\nNo, no body, no crime\nBut I ain't lettin' up until the day I die\n[Post-Chorus: HAIM & \nTaylor Swift\n]\nNo, no\nI think he did it\nNo, no\nHe did it\n[Bridge: Taylor Swift & \nDanielle Haim\n]\nGood thing my daddy made me get a boating license when I was fifteen\nAnd I've cleaned enough houses to know how to cover up a scene\nGood thing Este's sister's gonna swear she was with me (\nShe was with me, dude\n)\nGood thing his mistress took out a big life insurance policy [Chorus: Taylor Swift]\nThey think she did it, but they just can't prove it\nThey think she did it, but they just can't prove it\nShe thinks I did it, but she just can't prove it\n[Outro: Taylor Swift & HAIM]\nNo, no body, no crime\nI wasn't lettin' up until the day he\nNo, no body, no crime\nI wasn't lettin' up until the day he\nNo, no body, no crime\nI wasn't lettin' up until the day he died","prompt":"Write me a song in the style of Taylor Swift that tells a suspenseful story of betrayal and subtle revenge, incorporating the narrative perspective of a close friend who suspects foul play in a troubled relationship. The song should have a country-pop sound, include harmonies reminiscent of HAIM, and contain vivid imagery that paints a picture of the unfolding mystery, while capturing the determination to seek justice. It should have a catchy chorus that emphasizes the theme \"I think they did it, but I just can't prove it,\" and integrate clever details that suggest how the protagonist plans to outsmart the culprit."} +{"id":102205,"song":"State of Grace","artist":"Taylor Swift","lyrics":"[Verse 1]\nI'm walking fast through the traffic lights\nBusy streets and busy lives\nAnd all we know is touch and go\nWe are alone with our changing minds\nWe fall in love 'til it hurts or bleeds\nOr fades in time\n[Chorus]\nAnd I never (Never)\nSaw you coming\nAnd I\u2019ll never (Never)\nBe the same\n[Verse 2]\nYou come around and the armor falls\nPierce the room like a cannonball\nNow, all we know is don\u2019t let go\nWe are alone, just you and me\nUp in your room and our slates are clean\nJust twin fire signs, four blue eyes\n[Pre-Chorus]\nSo you were never a saint\nAnd I've loved in shades of wrong\nWe learn to live with the pain\nMosaic broken hearts\nBut this love is brave and wild [Chorus]\nAnd I never (Never)\nSaw you coming\nAnd I\u2019ll never (Never)\nBe the same\n[Bridge]\nThis is a state of grace\nThis is the worthwhile fight\nLove is a ruthless game\nUnless you play it good and right\nThese are the hands of fate\nYou\u2019re my Achilles heel\nThis is the golden age\nOf something good and right and real\n[Chorus]\nAnd I never (Never)\nSaw you coming\nAnd I\u2019ll never\nBe the same\n[Chorus]\nAnd I never (Never)\nSaw you coming\nAnd I\u2019ll never\n (So you were never a saint)\n(And I've loved in shades of wrong)\nBe the same\n (We learn to live with the pain)\n(Mosaic broken hearts)\n(But this love is brave and wild) [Outro]\nThis is a state of grace\nThis is the worthwhile fight\nLove is a ruthless game\nUnless you play it good and right","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a tumultuous yet passionate love story. The lyrics should depict a journey from the unexpected beginnings of love to the realization of its complexity, incorporating a mix of innocence and experience. The song should have a narrative quality, with verses that describe the dynamics of a relationship evolving amidst life's chaos and a chorus that emphasizes the transformative power of love. Embody the emotional depth and maturity found in Taylor Swift's storytelling, with a touch of poetic imagery like \"mosaic broken hearts\" and \"golden age.\" The music should blend pop elements with an acoustic, intimate feel, reflecting the highs and lows of a brave and wild love."} +{"id":540670,"song":"Welcome to New York","artist":"Taylor Swift","lyrics":"[Verse 1]\nWalkin' through a crowd, the village is aglow\nKaleidoscope of loud heartbeats under coats\nEverybody here wanted somethin' more\nSearchin' for a sound we hadn't heard before\nAnd it said\n[Chorus]\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\nIt's a new soundtrack, I could dance to this beat, beat forevermore\nThe lights are so bright, but they never blind me, me\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\n[Verse 2]\nWhen we first dropped our bags on apartment floors\nTook our broken hearts, put them in a drawer\nEverybody here was someone else before\nAnd you can want who you want\nBoys and boys and girls and girls\n[Chorus]\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\nIt's a new soundtrack, I could dance to this beat, beat forevermore\nThe lights are so bright, but they never blind me, me\nWelcome to New York (New York), it's been waitin' for you\nWelcome to New York, welcome to New York [Bridge]\nLike any great love, it keeps you guessing\nLike any real love, it's ever-changing\nLike any true love, it drives you crazy\nBut you know you wouldn't change anything, anything, anything\n[Chorus]\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\nWelcome to New York, it's been waitin' for you\nWelcome to New York, welcome to New York\nIt's a new soundtrack, I could dance to this beat\nThe lights are so bright, but they never blind me\nWelcome to New York (New soundtrack), it's been waitin' for you\nWelcome to New York, the lights are so bright, but they never blind me\nWelcome to New York, so bright, they never blind me, yeah\nWelcome to New York, welcome to New York","prompt":"Write a song in the style of Taylor Swift that captures the excitement and allure of a city, filled with vivid imagery of bustling streets and the promise of new beginnings. Emphasize the theme of empowerment and the freedom to be oneself, just like in \"Welcome to New York,\" and incorporate an upbeat, pop-influenced sound that makes listeners want to dance along. The lyrics should convey a sense of wonder and the bright, never-blinding lights of opportunity that the city offers to newcomers and dreamers alike."} +{"id":7076620,"song":"Babe (Taylor\u2019s Version) [From The Vault]","artist":"Taylor Swift","lyrics":"[Intro]\nWhat about your promises, promises?\nWhat about your promises, promises, promises? No\n[Verse 1]\nWhat a shame\nDidn't wanna be the one that got away, yeah\nBig mistake, you broke the sweetest promise\nThat you never should have made\n[Pre-Chorus]\nI'm here on the kitchen floor\nYou call, but I won't hear it\nYou said, \"No one else\"\nHow could you do this, babe?\n[Chorus]\n(What about your promises, promises?)\nYou really blew this, babe\nWe ain't getting through this one, babe\nThis is the last time I'll ever call you, babe\n(This is the last time, this is the last time)\nThis is the last time I'll ever call you, babe\n(What about your promises, promises, promises? No)\n[Verse 2]\nWhat a waste\nTakin' down the pictures and the plans we made, yeah\nAnd it's strange how your face doesn't look so innocent\nYour secret has its consequence and that's on you, babe [Pre-Chorus]\nI break down every time you call\nWe're a wreck, you're the wrecking ball\nWe said, \"No one else\"\nHow could you do this, babe?\n[Chorus]\n(Oh, what about your promises, promises?)\nYou really blew this, babe\nWe ain't getting through this one, babe\nThis is the last time I'll ever call you, babe\n(This is the last time, this is the last time)\nThis is the last time I'll ever call you\n[Bridge]\nSince you admitted it (Oh-oh), I keep picturin' (Oh-oh)\nHer lips on your neck (Oh-oh), I can't unsee it\nI hate that because of you, I can't love you, babe\nWhat a shame, didn't want to be the one that got away\nHow could you do this, babe? (Babe)\n[Chorus]\nYou really blew this, babe (Babe)\nWe ain't getting through this one, babe (Babe)\nThis is the last time I'll ever call you, babe (Babe)\n(This is the last time, this is the last time)\nThis is the last time I'll ever call you [Outro]\nI'm here on the kitchen floor\nYou call, but I won't hear it\nYou said, \"No one else\"\nWe ain't getting through this one, babe\nI break down every time you call\nWe're a wreck, you're the wrecking ball\nWe said, \"No one else\"\nThis is the last time I'll ever call you, babe (Babe)\n(What about your promises, promises?)","prompt":"Write me a song in the style of Taylor Swift that captures the essence of a bittersweet farewell to a once-cherished relationship. Incorporate themes of broken promises, the painful process of moving on, and a resolute ending where the protagonist decides to never look back. The song should have emotional verses that reflect on the good times and the betrayal, a catchy, defiant chorus repeating the phrase \"this is the last time I'll ever call you, babe,\" and a bridge that vividly describes the haunting memories that make it impossible to continue loving the person. The overall tone should blend Swift's storytelling with her pop sensibilities, creating an anthem for those who've decided they've had enough and are ready to close that chapter of their life."} +{"id":4765964,"song":"Daylight","artist":"Taylor Swift","lyrics":"[Verse 1]\nMy love was as cruel as the cities I lived in\nEveryone looked worse in the light\nThere are so many lines that I've crossed unforgiven\nI'll tell you the truth but never goodbye\n[Chorus]\nI don't wanna look at anything else now that I saw you\nI don't wanna think of anything else now that I thought of you\nI've been sleepin' so long in a twenty-year dark night\nAnd now I see daylight, I only see daylight\n[Verse 2]\nLuck of the draw only draws the unlucky\nAnd so I became the butt of the joke\nI wounded the good and I trusted the wicked\nClearin' the air, I breathed in the smoke\n[Pre-Chorus]\nMaybe you ran with the wolves and refused to settle down\nMaybe I've stormed out of every single room in this town\nThrew out our cloaks and our daggers because it's morning now\nIt's brighter now, now\n[Chorus]\nI don't wanna look at anything else now that I saw you\n(I can never look away)\nI don't wanna think of anything else now that I thought of you\n(Things will never be the same)\nI've been sleepin' so long in a twenty-year dark night\n(Now I'm wide awake)\nAnd now I see daylight (Daylight), I only see daylight (Daylight) [Post-Chorus]\nI only see daylight, daylight, daylight, daylight\nI only see daylight, daylight, daylight, daylight\n[Bridge]\nAnd I can still see it all (In my mind)\nAll of you, all of me (Intertwined)\nI once believed love would be (Black and white)\nBut it's golden (Golden)\nAnd I can still see it all (In my head)\nBack and forth from New York (Sneakin' in your bed)\nI once believed love would be (Burnin' red)\nBut it's golden\nLike daylight, like daylight\nLike daylight, daylight\n[Chorus]\nI don't wanna look at anything else now that I saw you\n(I can never look away)\nAnd I don't wanna think of anything else now that I thought of you\n(Things will never be the same)\nI've been sleepin' so long in a twenty-year dark night\n(Now I'm wide awake)\nAnd now I see daylight (I see daylight), I only see daylight (Ah)\n[Post-Chorus]\nI only see daylight, daylight, daylight, daylight\nI only see daylight, daylight, daylight, daylight (Ah)\n(And I can still see it all)\nI only see daylight, daylight, daylight, daylight\n(And I can still see it all, back and forth from New York)\nI only see daylight, daylight, daylight, daylight\n(I once believed love would be burning red) [Outro]\nLike daylight\nIt's golden like daylight\nYou gotta step into the daylight and let it go\nJust let it go, let it go\n[Spoken Outro]\nI wanna be defined by the things that I love\nNot the things I hate\nNot the things I'm afraid of, I'm afraid of\nOr the things that haunt me in the middle of the night\nI, I just think that\nYou are what you love","prompt":"Write me a song in the style of Taylor Swift that explores the transformation from a tumultuous past to a hopeful future, using vivid imagery to contrast darkness with the golden glow of daylight. The song should capture a narrative of personal growth and redemption, with a chorus that emphasizes a newfound clarity and optimism, akin to waking from a long sleep to a world bathed in sunlight. The lyrics should weave in the complexities of love and life's struggles, while ultimately delivering a message of letting go of the past and embracing what one loves. Include specific references to cities and metaphorical use of light and color to convey emotional change, mirroring the introspective and storytelling nature of Swift's songwriting."} +{"id":102706,"song":"I Almost Do","artist":"Taylor Swift","lyrics":"[Verse 1]\nI bet this time of night, you\u2019re still up\nI bet you\u2019re tired from a long, hard week\nI bet you\u2019re sittin' in your chair by the window\nLooking out at the city, and I bet\nSometimes, you wonder 'bout me\n[Chorus]\nAnd I just wanna tell you\nIt takes everything in me not to call you\nAnd I wish I could run to you\nAnd I hope you know that\nEvery time I don\u2019t, I almost do, I almost do\n[Verse 2]\nI bet you think I either moved on or hate you\n\u2018Cause each time you reach out, there\u2019s no reply\nI bet it never, ever occurred to you\nThat I can\u2019t say hello to you and risk another goodbye\n[Chorus]\nAnd I just wanna tell you\nIt takes everything in me not to call you\nAnd I wish I could run to you\nAnd I hope you know that\nEvery time I don\u2019t, I almost do, I almost do [Bridge]\nOh, we made quite a mess, babe\nIt\u2019s probably better off this way\nAnd I confess, babe\nIn my dreams, you\u2019re touching my face\nAnd asking me if I want to try again with you\nAnd I almost do\n[Chorus]\nAnd I just wanna tell you\nIt takes everything in me not to call you\nAnd I wish I could run to you\nAnd I hope you know that\nEvery time I don\u2019t, I almost do, I almost do\n[Outro]\nI bet this time of night, you\u2019re still up\nI bet you\u2019re tired from a long, hard week\nI bet you\u2019re sittin' in your chair by the window\nLooking out at the city, and I hope\nSometimes, you wonder 'bout me","prompt":"Write me a song in the style of Taylor Swift that captures the essence of longing and unresolved feelings after a breakup. The lyrics should convey a struggle with the desire to reach out to an ex-partner, reflecting on shared memories and the pain of separation. Include vivid nighttime imagery and internal conflict, with a chorus that emphasizes the refrain \"I almost do\" to underscore the tension between wanting to reconnect and the fear of getting hurt again. The song should have a confessional tone, befitting Taylor Swift's narrative songwriting approach, and it should touch on themes of love, loss, and the complexity of emotions that come with letting go."} +{"id":5793982,"song":"\u200bmy tears ricochet","artist":"Taylor Swift","lyrics":"[Verse 1]\nWe gather here, we line up, weepin' in a sunlit room\nAnd if I'm on fire,\u2005you'll\u2005be made of\u2005ashes, too\nEven on my worst day,\u2005did I deserve, babe\nAll the hell you gave me?\n'Cause I\u205floved\u205fyou,\u205fI swear I\u205floved you\n'Til my\u205fdying day\n[Chorus]\nI didn't have it in myself to go with grace\nAnd you're the hero flying around, saving face\nAnd if I'm dead to you, why are you at the wake?\nCursing my name, wishing I stayed\nLook at how my tears ricochet\n[Verse 2]\nWe gather stones, never knowing what they'll mean\nSome to throw, some to make a diamond ring\nYou know I didn't want to have to haunt you\nBut what a ghostly scene\nYou wear the same jewels that I gave you\nAs you bury me\n[Chorus]\nI didn't have it in myself to go with grace\n'Cause when I'd fight, you used to tell me I was brave\nAnd if I'm dead to you, why are you at the wake?\nCursing my name, wishing I stayed\nLook at how my tears ricochet [Bridge]\nAnd I can go anywhere I want\nAnywhere I want, just not home\nAnd you can aim for my heart, go for blood\nBut you would still miss me in your bones\nAnd I still talk to you (When I'm screaming at the sky)\nAnd when you can't sleep at night\n \n(You hear my stolen lullabies)\n[Chorus]\nI didn't have it in myself to go with grace\nAnd so the battleships will sink beneath the waves\nYou had to kill me, but it killed you just the same\nCursing my name, wishing I stayed\nYou turned into your worst fears\nAnd you're tossing out blame, drunk on this pain\nCrossing out the good years\nAnd you're cursing my name, wishing I stayed\nLook at how my tears ricochet","prompt":"Write me a song in the style of Taylor Swift that explores the emotional aftermath of a tumultuous relationship, where the narrator reflects on the pain and betrayal felt, questioning the sincerity of their former partner's actions post-breakup. The song should include vivid imagery of mourning and loss, akin to attending one's own wake, and use metaphors such as gathering stones and tears that ricochet to convey the lasting impact of the relationship. The tone should be haunting yet melodic, with a touch of melancholy, capturing the complexity of lingering love and the struggle to move on with dignity."} +{"id":5477841,"song":"Soon You\u2019ll Get Better (One World: Together At Home)","artist":"Taylor Swift","lyrics":"[Verse 1]\nThe buttons of my coat were tangled in my hair\nIn doctor's office lighting, I didn't\u2005tell\u2005you I was\u2005scared\nThat was the first time we\u2005were there\nHoly orange bottles, each night, I pray to you\nDesperate\u205fpeople\u205ffind\u205ffaith, so now\u205fI pray to\u205fJesus too\nAnd I say to you...\n[Chorus]\nOoh-ah\nSoon, you'll get better\nOoh-ah\nSoon, you'll get better\nOoh-ah\nYou'll get better soon\n'Cause you have to\n[Verse 2]\nI know delusion when I see it in the mirror\nYou like the nicer nurses, you make the best of a bad deal\nI just pretend it isn't real\nI'll paint the kitchen neon, I'll brighten up the sky\nI know I'll never get it, there's not a day that I won't try\nAnd I say to you...\n[Chorus]\nOoh-ah\nSoon, you'll get better\nOoh-ah\nSoon, you'll get better\nOoh-ah\nYou'll get better soon\n'Cause you have to [Bridge]\nAnd I hate to make this all about me\nBut who am I supposed to talk to?\nWhat am I supposed to do\nIf there's no you?\n[Pre-Chorus]\nThis won't go back to normal, if it ever was\nIt's been years of hoping, and I keep saying it because\n'Cause I have to\n[Chorus]\nOoh\nYou'll get better\nOoh\nYou'll get better\nOoh-ah\nYou'll get better soon\n'Cause you have to","prompt":"Write me a song in the style of Taylor Swift that delves into the emotional complexity of facing a loved one's illness, incorporating the intimate storytelling and gentle acoustic elements reminiscent of her work. The lyrics should reflect a mixture of hope and realism, paired with a heartfelt chorus that echoes the desire for recovery, using personal and evocative imagery to convey the struggle and the clinging to faith in times of desperation."} +{"id":132656,"song":"The Story Of Us","artist":"Taylor Swift","lyrics":"[Verse 1]\nI used to think, one day, we'd tell the story of us\nHow we met and the sparks flew instantly\nAnd people would say, \"They're the lucky ones\"\nI used to know my place was the spot next to you\nNow, I'm searching the room for an empty seat\n'Cause lately, I don't even know what page you're on\n[Pre-Chorus]\nOh, a simple complication\nMiscommunications lead to fallout\nSo many things that I wish you knew\nSo many walls up, I can't break through\n[Chorus]\nNow, I'm standin' alone in a crowded room\nAnd we're not speakin'\nAnd I'm dyin' to know\nIs it killin' you like it's killin' me? Yeah\nI don't know what to say since the twist of fate\nWhen it all broke down\nAnd the story of us looks a lot like a tragedy now\n[Post-Chorus]\nNext chapter [Verse 2]\nHow'd we end up this way?\nSee me nervously pulling at my clothes and trying to look busy\nAnd you're doin' your best to avoid me\nI'm starting to think, one day, I'll tell the story of us\nHow I was losing my mind when I saw you here\nBut you held your pride like you should've held me\n[Pre-Chorus]\nOh, I'm scared to see the ending\nWhy are we pretending this is nothin'?\nI'd tell you I miss you, but I don't know how\nI've never heard silence quite this loud\n[Chorus]\nNow, I'm standin' alone in a crowded room\nAnd we're not speakin'\nAnd I'm dyin' to know\nIs it killin' you like it's killin' me? Yeah\nI don't know what to say since the twist of fate\nWhen it all broke down\nAnd the story of us looks a lot like a tragedy now\n[Bridge]\nThis is lookin' like a contest\nOf who can act like they care less\nBut I liked it better when you were on my side\nThe battle's in your hands now\nBut I would lay my armor down\nIf you said you'd rather love than fight [Pre-Chorus]\nSo many things that you wish I knew\nBut the story of us might be ending soon\n[Chorus]\nNow, I'm standin' alone in a crowded room\nAnd we're not speakin'\nAnd I'm dyin' to know\nIs it killin' you like it's killin' me? Yeah\nAnd I don't know what to say since the twist of fate\nWhen it all broke down\nAnd the story of us looks a lot like a tragedy now, now, now\nAnd we're not speakin'\nAnd I'm dyin' to know\nIs it killin' you like it's killin' me? Yeah\nI don't know what to say since the twist of fate\n'Cause we're going down\nAnd the story of us looks a lot like a tragedy now\n[Outro]\nThe end","prompt":"Write me a song in the style of Taylor Swift that captures the emotional turbulence of a fading romance, incorporating vivid storytelling with a reflective tone. The song should describe the shift from a fairytale beginning to an unresolved, tragic ending, using metaphors like standing alone in a crowded room and walls that can't be broken through. It should also explore themes of miscommunication, unspoken feelings, and the poignant silence between two people who once shared everything. The overall mood should oscillate between nostalgia for the past and the heartache of the present, with a melody that supports the narrative's bittersweet evolution."} diff --git a/generate_prompts/test_prompts.ipynb b/generate_prompts/test_prompts.ipynb index 829dcd7..6da83eb 100644 --- a/generate_prompts/test_prompts.ipynb +++ b/generate_prompts/test_prompts.ipynb @@ -2,7 +2,7 @@ "cells": [ { "cell_type": "code", - "execution_count": 5, + "execution_count": 1, "metadata": {}, "outputs": [], "source": [ @@ -13,7 +13,7 @@ }, { "cell_type": "code", - "execution_count": 9, + "execution_count": 2, "metadata": {}, "outputs": [], "source": [ @@ -25,7 +25,7 @@ }, { "cell_type": "code", - "execution_count": 58, + "execution_count": 3, "metadata": {}, "outputs": [], "source": [ @@ -797,6 +797,71 @@ "songs.loc[431]['lyrics']" ] }, + { + "cell_type": "code", + "execution_count": null, + "metadata": {}, + "outputs": [], + "source": [ + "song = \"\"\"Yeah I know 所以我開始想到底怎麼做\n", + "那些謊 那些傷 不是我的錯\n", + "妳説得天馬行空\n", + "我倒在那片星空\n", + "看著妳要怎麼形容我們惹的禍\n", + "I hope that we were on the same page\n", + "單純的愛情 we were on the same thing\n", + "曾經那麼堅定\n", + "如果能夠回到過去I ain’t worry bout nothin\n", + "\n", + "But 妳說得我都懂\n", + "Yeah妳說得我都信\n", + "我說過我的痛\n", + "但是妳卻都不聽\n", + "I’m just sayin I’m insane\n", + "我掉進同個陷阱三個年又幾天了\n", + "\n", + "妳說妳相信我但你不是真的信我\n", + "你要我相信妳但卻都是妳在騙我\n", + "Goddamn 不是我沒有發現\n", + "我藏在心底 說不出的再見\n", + "\n", + "再說一次\n", + "The one last time\n", + "就說妳還是愛著我\n", + "我放在心裡and I close my eyes\n", + "最後一次\n", + "The one last time yeah\n", + "我會好好得記著你\n", + "我閉上眼睛and I close my heart\n", + "\n", + "\n", + "我受夠那些謊\n", + "我受夠那些lies\n", + "我受夠那些好\n", + "我受夠那些壞\n", + "我受夠這個夢\n", + "我受夠這個愛\n", + "我受夠結局會兩敗俱傷不論成敗\n", + "\n", + "\n", + "\n", + "我受夠每天重複在打一場完全不想贏的仗\n", + "如果 別在不懂愛的年紀愛最深\n", + "如果 能放下 能忘掉 能不怕\n", + "如果 能夠man up 但我沒有辦法 and I\n", + "我不想讓自己看起來像 pussy nah nah\n", + "不想再透過眼淚看這一切 nah nah\n", + "視線模糊不清 像被判無期徒刑\n", + "I’m too innocent give me freedom nah nah\n", + "\n", + "說到底不想承認是你佈的局\n", + "還是不承認我出得去\n", + "多想揮揮衣袖\n", + "不帶走一片雲彩\n", + "偏偏我依舊\n", + "忘不了妳的裙擺\"\"\"" + ] + }, { "cell_type": "code", "execution_count": 59, @@ -835,9 +900,11 @@ } ], "source": [ + "\n", + "\n", "resp = openai.ChatCompletion.create(\n", " model = \"gpt-4-1106-preview\",\n", - " messages = [{ \"role\": \"user\", \"content\": SYSTEM_PROMPT} , { \"role\": \"user\", \"content\": USER_PROMPT + f\"\\n\\n[ARTIST]: {songs.loc[431]['artist']}\\n\\n [SONG]:\\n\" + songs.loc[431]['lyrics'] + \"\\n\\n[PROMPT]:\\n\"}],\n", + " messages = [{ \"role\": \"user\", \"content\": SYSTEM_PROMPT} , { \"role\": \"user\", \"content\": USER_PROMPT + f\"\\n\\n[ARTIST]: 高爾宣 OSN\\n\\n [SONG]:\\n\" + song + \"\\n\\n[PROMPT]:\\n\"}],\n", " temperature = 0.7\n", ")\n", "resp"