From 457d3aa0232afc2308eaa48130f0d161a0fd8384 Mon Sep 17 00:00:00 2001 From: JasonLandbridge Date: Thu, 6 Feb 2025 22:48:23 +0100 Subject: [PATCH 1/2] added test and fixes for get-library-all corrected get-media-meta-data response --- src/models/Media-data.yaml | 89 +- src/models/MediaContainer.yaml | 2 +- src/models/Meta.yaml | 9 +- src/models/collection/tag.yaml | 8 + src/models/common/PlexMediaTypeString.yaml | 4 + src/models/country/tag.yaml | 8 + src/models/director/tag.yaml | 8 + src/models/genre/tag.yaml | 9 + src/models/media-container/content.yaml | 8 + src/models/media-container/offset.yaml | 8 + src/models/media-container/size.yaml | 4 +- src/models/media-container/total-size.yaml | 9 + src/models/meta-data/added-at.yaml | 8 + src/models/meta-data/art.yaml | 8 + .../meta-data/audience-rating-image.yaml | 6 + src/models/meta-data/audience-rating.yaml | 8 + src/models/meta-data/banner.yaml | 8 + src/models/meta-data/chapter-source.yaml | 6 + src/models/meta-data/child-count.yaml | 9 + src/models/meta-data/content-rating.yaml | 6 + src/models/meta-data/created-at-accuracy.yaml | 6 + .../meta-data/created-at-tz-offset.yaml | 6 + src/models/meta-data/duration.yaml | 9 + .../enable-credits-marker-generation.yaml | 16 + src/models/meta-data/episode-sort.yaml | 18 + src/models/meta-data/flatten-seasons.yaml | 18 + src/models/meta-data/grandparent-art.yaml | 6 + src/models/meta-data/grandparent-guid.yaml | 6 + src/models/meta-data/grandparent-key.yaml | 6 + .../meta-data/grandparent-rating-key.yaml | 6 + src/models/meta-data/grandparent-slug.yaml | 6 + src/models/meta-data/grandparent-theme.yaml | 6 + src/models/meta-data/grandparent-thumb.yaml | 6 + src/models/meta-data/grandparent-title.yaml | 6 + src/models/meta-data/guid.yaml | 8 + src/models/meta-data/has-premium-extras.yaml | 8 + .../meta-data/has-premium-primary-extra.yaml | 8 + src/models/meta-data/index.yaml | 9 + src/models/meta-data/key.yaml | 8 + src/models/meta-data/last-rated-at.yaml | 7 + src/models/meta-data/last-viewed-at.yaml | 7 + src/models/meta-data/leaf-count.yaml | 7 + src/models/meta-data/library-section-id.yaml | 8 + src/models/meta-data/library-section-key.yaml | 8 + .../meta-data/library-section-title.yaml | 8 + src/models/meta-data/objects/image.yaml | 27 + .../meta-data/objects/ultra-blur-colors.yaml | 24 + src/models/meta-data/original-title.yaml | 6 + .../meta-data/originally-available-at.yaml | 9 + src/models/meta-data/parent-guid.yaml | 6 + src/models/meta-data/parent-index.yaml | 7 + src/models/meta-data/parent-key.yaml | 6 + src/models/meta-data/parent-rating-key.yaml | 6 + src/models/meta-data/parent-slug.yaml | 8 + src/models/meta-data/parent-studio.yaml | 8 + src/models/meta-data/parent-theme.yaml | 8 + src/models/meta-data/parent-thumb.yaml | 6 + src/models/meta-data/parent-title.yaml | 6 + src/models/meta-data/parent-year.yaml | 9 + src/models/meta-data/primary-extra-key.yaml | 6 + src/models/meta-data/rating-image.yaml | 6 + src/models/meta-data/rating-key.yaml | 8 + src/models/meta-data/rating.yaml | 9 + src/models/meta-data/season-count.yaml | 9 + src/models/meta-data/show-ordering.yaml | 27 + src/models/meta-data/skip-children.yaml | 8 + src/models/meta-data/skip-count.yaml | 7 + src/models/meta-data/slug.yaml | 8 + src/models/meta-data/studio.yaml | 6 + src/models/meta-data/subtype.yaml | 6 + src/models/meta-data/summary.yaml | 11 + src/models/meta-data/tagline.yaml | 8 + src/models/meta-data/theme.yaml | 8 + src/models/meta-data/thumb.yaml | 8 + src/models/meta-data/title-sort.yaml | 8 + src/models/meta-data/title.yaml | 8 + src/models/meta-data/type.yaml | 7 + src/models/meta-data/updated-at.yaml | 4 + src/models/meta-data/user-rating.yaml | 7 + src/models/meta-data/view-count.yaml | 7 + src/models/meta-data/view-offset.yaml | 7 + src/models/meta-data/viewed-leaf-count.yaml | 7 + src/models/meta-data/year.yaml | 9 + src/models/role/tag.yaml | 8 + src/models/writer/tag.yaml | 8 + src/parameters/include-advanced.yaml | 4 + src/parameters/include-collections.yaml | 4 + src/parameters/include-external-media.yaml | 4 + src/parameters/include-guids.yaml | 6 + src/parameters/unwatched-leaves.yaml | 6 + .../library/[sectionKey]/get-library-all.yaml | 164 + .../[sectionKey]/get-library-countries.yaml | 53 +- .../[sectionKey]/get-library-genres.yaml | 53 +- .../[sectionKey]/get-library-items.yaml | 4 - .../[ratingKey]/get-media-meta-data.yaml | 32 +- src/pms-spec.yaml | 2 + .../[sectionKey]/get-library-all.spec.ts | 78247 ++++++++++++++++ .../[ratingKey]/get-media-meta-data.spec.ts | 896 + 98 files changed, 80138 insertions(+), 120 deletions(-) create mode 100644 src/models/collection/tag.yaml create mode 100644 src/models/country/tag.yaml create mode 100644 src/models/director/tag.yaml create mode 100644 src/models/genre/tag.yaml create mode 100644 src/models/media-container/content.yaml create mode 100644 src/models/media-container/offset.yaml create mode 100644 src/models/media-container/total-size.yaml create mode 100644 src/models/meta-data/added-at.yaml create mode 100644 src/models/meta-data/art.yaml create mode 100644 src/models/meta-data/audience-rating-image.yaml create mode 100644 src/models/meta-data/audience-rating.yaml create mode 100644 src/models/meta-data/banner.yaml create mode 100644 src/models/meta-data/chapter-source.yaml create mode 100644 src/models/meta-data/child-count.yaml create mode 100644 src/models/meta-data/content-rating.yaml create mode 100644 src/models/meta-data/created-at-accuracy.yaml create mode 100644 src/models/meta-data/created-at-tz-offset.yaml create mode 100644 src/models/meta-data/duration.yaml create mode 100644 src/models/meta-data/enable-credits-marker-generation.yaml create mode 100644 src/models/meta-data/episode-sort.yaml create mode 100644 src/models/meta-data/flatten-seasons.yaml create mode 100644 src/models/meta-data/grandparent-art.yaml create mode 100644 src/models/meta-data/grandparent-guid.yaml create mode 100644 src/models/meta-data/grandparent-key.yaml create mode 100644 src/models/meta-data/grandparent-rating-key.yaml create mode 100644 src/models/meta-data/grandparent-slug.yaml create mode 100644 src/models/meta-data/grandparent-theme.yaml create mode 100644 src/models/meta-data/grandparent-thumb.yaml create mode 100644 src/models/meta-data/grandparent-title.yaml create mode 100644 src/models/meta-data/guid.yaml create mode 100644 src/models/meta-data/has-premium-extras.yaml create mode 100644 src/models/meta-data/has-premium-primary-extra.yaml create mode 100644 src/models/meta-data/index.yaml create mode 100644 src/models/meta-data/key.yaml create mode 100644 src/models/meta-data/last-rated-at.yaml create mode 100644 src/models/meta-data/last-viewed-at.yaml create mode 100644 src/models/meta-data/leaf-count.yaml create mode 100644 src/models/meta-data/library-section-id.yaml create mode 100644 src/models/meta-data/library-section-key.yaml create mode 100644 src/models/meta-data/library-section-title.yaml create mode 100644 src/models/meta-data/objects/image.yaml create mode 100644 src/models/meta-data/objects/ultra-blur-colors.yaml create mode 100644 src/models/meta-data/original-title.yaml create mode 100644 src/models/meta-data/originally-available-at.yaml create mode 100644 src/models/meta-data/parent-guid.yaml create mode 100644 src/models/meta-data/parent-index.yaml create mode 100644 src/models/meta-data/parent-key.yaml create mode 100644 src/models/meta-data/parent-rating-key.yaml create mode 100644 src/models/meta-data/parent-slug.yaml create mode 100644 src/models/meta-data/parent-studio.yaml create mode 100644 src/models/meta-data/parent-theme.yaml create mode 100644 src/models/meta-data/parent-thumb.yaml create mode 100644 src/models/meta-data/parent-title.yaml create mode 100644 src/models/meta-data/parent-year.yaml create mode 100644 src/models/meta-data/primary-extra-key.yaml create mode 100644 src/models/meta-data/rating-image.yaml create mode 100644 src/models/meta-data/rating-key.yaml create mode 100644 src/models/meta-data/rating.yaml create mode 100644 src/models/meta-data/season-count.yaml create mode 100644 src/models/meta-data/show-ordering.yaml create mode 100644 src/models/meta-data/skip-children.yaml create mode 100644 src/models/meta-data/skip-count.yaml create mode 100644 src/models/meta-data/slug.yaml create mode 100644 src/models/meta-data/studio.yaml create mode 100644 src/models/meta-data/subtype.yaml create mode 100644 src/models/meta-data/summary.yaml create mode 100644 src/models/meta-data/tagline.yaml create mode 100644 src/models/meta-data/theme.yaml create mode 100644 src/models/meta-data/thumb.yaml create mode 100644 src/models/meta-data/title-sort.yaml create mode 100644 src/models/meta-data/title.yaml create mode 100644 src/models/meta-data/type.yaml create mode 100644 src/models/meta-data/updated-at.yaml create mode 100644 src/models/meta-data/user-rating.yaml create mode 100644 src/models/meta-data/view-count.yaml create mode 100644 src/models/meta-data/view-offset.yaml create mode 100644 src/models/meta-data/viewed-leaf-count.yaml create mode 100644 src/models/meta-data/year.yaml create mode 100644 src/models/role/tag.yaml create mode 100644 src/models/writer/tag.yaml create mode 100644 src/parameters/include-advanced.yaml create mode 100644 src/parameters/include-collections.yaml create mode 100644 src/parameters/include-external-media.yaml create mode 100644 src/parameters/include-guids.yaml create mode 100644 src/parameters/unwatched-leaves.yaml create mode 100644 src/paths/library/[sectionKey]/get-library-all.yaml create mode 100644 tests/paths/library/[sectionKey]/get-library-all.spec.ts diff --git a/src/models/Media-data.yaml b/src/models/Media-data.yaml index c0c06164..3b34da63 100644 --- a/src/models/Media-data.yaml +++ b/src/models/Media-data.yaml @@ -4,18 +4,6 @@ items: type: object required: - id - - duration - - bitrate - - width - - height - - aspectRatio - - audioChannels - - audioCodec - - videoCodec - - videoResolution - - container - - videoFrameRate - - videoProfile - hasVoiceActivity - Part properties: @@ -25,20 +13,24 @@ items: example: 387322 duration: type: integer + format: int32 description: "Duration of the media in milliseconds." example: 9610350 bitrate: type: integer + format: int32 description: "Bitrate in bits per second." example: 25512 width: type: integer description: "Video width in pixels." example: 3840 + format: int32 height: type: integer description: "Video height in pixels." example: 1602 + format: int32 aspectRatio: type: number format: float @@ -48,6 +40,11 @@ items: type: integer description: "Number of audio channels." example: 6 + format: int32 + displayOffset: + type: integer + format: int32 + example: 50 audioCodec: type: string description: "Audio codec used." @@ -66,7 +63,8 @@ items: example: "mkv" videoFrameRate: type: string - description: "Frame rate of the video (e.g., 24p)." + description: | + Frame rate of the video. Values found include NTSC, PAL, 24p example: "24p" videoProfile: type: string @@ -76,6 +74,21 @@ items: type: boolean description: "Indicates whether voice activity is detected." example: false + audioProfile: + type: string + description: "The audio profile used for the media (e.g., DTS, Dolby Digital, etc.)." + example: "dts" + optimizedForStreaming: + description: "Has this media been optimized for streaming. NOTE: This can be 0, 1, false or true" + oneOf: + - type: integer + format: int32 + enum: [0, 1] + - type: boolean + enum: [true, false] + has64bitOffsets: + type: boolean + example: false Part: type: array description: "An array of parts for this media item." @@ -84,12 +97,8 @@ items: required: - id - key - - duration - file - size - - container - - videoProfile - - Stream properties: accessible: type: boolean @@ -112,6 +121,7 @@ items: example: "sd" duration: type: integer + format: int32 description: "Duration of the part in milliseconds." example: 9610350 file: @@ -119,9 +129,13 @@ items: description: "File path for the part." example: "/mnt/Movies_1/W/Wicked (2024).mkv" size: - type: integer description: "File size in bytes." + type: integer example: 30649952104 + packetLength: + type: integer + format: int32 + example: 188 container: type: string description: "Container format of the part." @@ -130,6 +144,25 @@ items: type: string description: "Video profile for the part." example: "main 10" + audioProfile: + type: string + description: "The audio profile used for the media (e.g., DTS, Dolby Digital, etc.)." + example: "dts" + has64bitOffsets: + type: boolean + example: false + optimizedForStreaming: + description: "Has this media been optimized for streaming. NOTE: This can be 0, 1, false or true" + oneOf: + - type: integer + format: int32 + enum: [0, 1] + - type: boolean + enum: [true, false] + hasThumbnail: + allOf: + - description: "Indicates if the part has a thumbnail." + - $ref: "../models/common/PlexBooleanString.yaml" Stream: type: array description: "An array of streams for this part." @@ -140,7 +173,6 @@ items: - streamType - codec - index - - bitrate - language - languageTag - languageCode @@ -153,6 +185,7 @@ items: example: 1002625 streamType: type: integer + format: int32 description: "Stream type (1=video, 2=audio, 3=subtitle)." example: 1 default: @@ -165,10 +198,12 @@ items: example: "hevc" index: type: integer + format: int32 description: "Index of the stream." example: 0 bitrate: type: integer + format: int32 description: "Bitrate of the stream." example: 24743 language: @@ -183,8 +218,13 @@ items: type: string description: "ISO language code." example: "eng" + headerCompression: + type: boolean + description: "Indicates whether header compression is enabled." + example: true DOVIBLCompatID: type: integer + format: int32 description: "Dolby Vision BL compatibility ID." example: 1 DOVIBLPresent: @@ -197,6 +237,7 @@ items: example: false DOVILevel: type: integer + format: int32 description: "Dolby Vision level." example: 6 DOVIPresent: @@ -205,6 +246,7 @@ items: example: true DOVIProfile: type: integer + format: int32 description: "Dolby Vision profile." example: 8 DOVIRPUPresent: @@ -217,6 +259,7 @@ items: example: "1.0" bitDepth: type: integer + format: int32 description: "Bit depth of the video stream." example: 10 chromaLocation: @@ -229,10 +272,12 @@ items: example: "4:2:0" codedHeight: type: integer + format: int32 description: "Coded video height." example: 1608 codedWidth: type: integer + format: int32 description: "Coded video width." example: 3840 colorPrimaries: @@ -258,10 +303,12 @@ items: example: 23.976 height: type: integer + format: int32 description: "Height of the video stream." example: 1602 level: type: integer + format: int32 description: "Video level." example: 150 original: @@ -280,10 +327,12 @@ items: example: "progressive" refFrames: type: integer + format: int32 description: "Number of reference frames." example: 1 width: type: integer + format: int32 description: "Width of the video stream." example: 3840 displayTitle: @@ -303,6 +352,7 @@ items: example: true channels: type: integer + format: int32 description: "Number of audio channels (for audio streams)." example: 6 audioChannelLayout: @@ -311,6 +361,7 @@ items: example: "5.1(side)" samplingRate: type: integer + format: int32 description: "Sampling rate for the audio stream." example: 48000 canAutoSync: diff --git a/src/models/MediaContainer.yaml b/src/models/MediaContainer.yaml index ac8cab8e..7247b510 100644 --- a/src/models/MediaContainer.yaml +++ b/src/models/MediaContainer.yaml @@ -3,7 +3,7 @@ required: - size properties: size: - type: number + type: integer example: 50 offset: type: integer diff --git a/src/models/Meta.yaml b/src/models/Meta.yaml index 8698e213..4aacbf78 100644 --- a/src/models/Meta.yaml +++ b/src/models/Meta.yaml @@ -17,7 +17,10 @@ properties: example: "/library/sections/2/all?type=2" type: type: string - example: "show" + example: filter + subtype: + type: string + example: "clip" title: type: string example: "TV Shows" @@ -50,6 +53,10 @@ properties: type: type: string example: "filter" + advanced: + type: boolean + example: true + Sort: type: array items: diff --git a/src/models/collection/tag.yaml b/src/models/collection/tag.yaml new file mode 100644 index 00000000..27d41176 --- /dev/null +++ b/src/models/collection/tag.yaml @@ -0,0 +1,8 @@ +type: object +required: + - tag +properties: + tag: + type: string + description: The user made collection this media item belongs too + example: My Awesome Collection diff --git a/src/models/common/PlexMediaTypeString.yaml b/src/models/common/PlexMediaTypeString.yaml index 20145733..0bb5acb2 100644 --- a/src/models/common/PlexMediaTypeString.yaml +++ b/src/models/common/PlexMediaTypeString.yaml @@ -4,6 +4,8 @@ enum: - show - season - episode + - artist + - album example: "movie" description: | The type of media content @@ -12,3 +14,5 @@ x-speakeasy-enums: - TV_SHOW - SEASON - EPISODE + - ARTIST + - ALBUM diff --git a/src/models/country/tag.yaml b/src/models/country/tag.yaml new file mode 100644 index 00000000..90d77a64 --- /dev/null +++ b/src/models/country/tag.yaml @@ -0,0 +1,8 @@ +type: object +required: + - tag +properties: + tag: + type: string + description: The country of origin of this media item + example: United States of America diff --git a/src/models/director/tag.yaml b/src/models/director/tag.yaml new file mode 100644 index 00000000..8944d0e2 --- /dev/null +++ b/src/models/director/tag.yaml @@ -0,0 +1,8 @@ +type: object +required: + - tag +properties: + tag: + type: string + description: The role of Director + example: Danny Boyle diff --git a/src/models/genre/tag.yaml b/src/models/genre/tag.yaml new file mode 100644 index 00000000..67883150 --- /dev/null +++ b/src/models/genre/tag.yaml @@ -0,0 +1,9 @@ +type: object +required: + - tag +properties: + tag: + type: string + description: | + The genre name of this media-item + example: "Crime" diff --git a/src/models/media-container/content.yaml b/src/models/media-container/content.yaml new file mode 100644 index 00000000..c3b59dfd --- /dev/null +++ b/src/models/media-container/content.yaml @@ -0,0 +1,8 @@ +type: object +required: + - content +properties: + content: + type: string + description: "The content type or mode." + example: "secondary" diff --git a/src/models/media-container/offset.yaml b/src/models/media-container/offset.yaml new file mode 100644 index 00000000..c3174ec6 --- /dev/null +++ b/src/models/media-container/offset.yaml @@ -0,0 +1,8 @@ +type: object +required: + - offset +properties: + offset: + type: integer + description: "Offset value for pagination." + example: 0 diff --git a/src/models/media-container/size.yaml b/src/models/media-container/size.yaml index 4ef93027..aaa7e550 100644 --- a/src/models/media-container/size.yaml +++ b/src/models/media-container/size.yaml @@ -3,5 +3,7 @@ required: - size properties: size: - type: number + description: "Number of media items returned in this response." + type: integer + format: int32 example: 50 diff --git a/src/models/media-container/total-size.yaml b/src/models/media-container/total-size.yaml new file mode 100644 index 00000000..d7ca2928 --- /dev/null +++ b/src/models/media-container/total-size.yaml @@ -0,0 +1,9 @@ +type: object +required: + - totalSize +properties: + totalSize: + description: "Total number of media items in the library." + type: integer + format: int32 + example: 50 diff --git a/src/models/meta-data/added-at.yaml b/src/models/meta-data/added-at.yaml new file mode 100644 index 00000000..5b9dfe71 --- /dev/null +++ b/src/models/meta-data/added-at.yaml @@ -0,0 +1,8 @@ +type: object +required: + - addedAt +properties: + addedAt: + allOf: + - description: "Unix timestamp when the item was added." + - $ref: "../../models/common/PlexDateTime.yaml" diff --git a/src/models/meta-data/art.yaml b/src/models/meta-data/art.yaml new file mode 100644 index 00000000..7d122915 --- /dev/null +++ b/src/models/meta-data/art.yaml @@ -0,0 +1,8 @@ +type: object +required: + - art +properties: + art: + type: string + description: "The art image URL for the media item." + example: "/library/metadata/58683/art/1703239236" diff --git a/src/models/meta-data/audience-rating-image.yaml b/src/models/meta-data/audience-rating-image.yaml new file mode 100644 index 00000000..d2625ec3 --- /dev/null +++ b/src/models/meta-data/audience-rating-image.yaml @@ -0,0 +1,6 @@ +type: object +properties: + audienceRatingImage: + type: string + description: "The URL for the audience rating image." + example: "rottentomatoes://image.rating.upright" diff --git a/src/models/meta-data/audience-rating.yaml b/src/models/meta-data/audience-rating.yaml new file mode 100644 index 00000000..c004f966 --- /dev/null +++ b/src/models/meta-data/audience-rating.yaml @@ -0,0 +1,8 @@ +type: object +required: + - audienceRating +properties: + audienceRating: + type: number + description: "The audience rating for the media item." + example: 9.2 diff --git a/src/models/meta-data/banner.yaml b/src/models/meta-data/banner.yaml new file mode 100644 index 00000000..c77255f3 --- /dev/null +++ b/src/models/meta-data/banner.yaml @@ -0,0 +1,8 @@ +type: object +required: + - banner +properties: + banner: + type: string + description: "The banner image URL for the media item." + example: "/library/metadata/58683/banner/1703239236" diff --git a/src/models/meta-data/chapter-source.yaml b/src/models/meta-data/chapter-source.yaml new file mode 100644 index 00000000..be1935de --- /dev/null +++ b/src/models/meta-data/chapter-source.yaml @@ -0,0 +1,6 @@ +type: object +properties: + chapterSource: + type: string + description: "The source from which chapter data is derived." + example: "media" diff --git a/src/models/meta-data/child-count.yaml b/src/models/meta-data/child-count.yaml new file mode 100644 index 00000000..ac7d7f67 --- /dev/null +++ b/src/models/meta-data/child-count.yaml @@ -0,0 +1,9 @@ +type: object +required: + - childCount +properties: + childCount: + type: integer + format: int32 + description: "The number of child items associated with this media item." + example: 1 diff --git a/src/models/meta-data/content-rating.yaml b/src/models/meta-data/content-rating.yaml new file mode 100644 index 00000000..81e2dc1b --- /dev/null +++ b/src/models/meta-data/content-rating.yaml @@ -0,0 +1,6 @@ +type: object +properties: + contentRating: + type: string + description: "The content rating for the media item." + example: "PG-13" diff --git a/src/models/meta-data/created-at-accuracy.yaml b/src/models/meta-data/created-at-accuracy.yaml new file mode 100644 index 00000000..dd3e50f5 --- /dev/null +++ b/src/models/meta-data/created-at-accuracy.yaml @@ -0,0 +1,6 @@ +type: object +properties: + createdAtAccuracy: + type: string + description: "The accuracy of the creation timestamp. This value indicates the format(s) provided (for example, 'epoch,local' means both epoch and local time formats are available)." + example: "epoch,local" diff --git a/src/models/meta-data/created-at-tz-offset.yaml b/src/models/meta-data/created-at-tz-offset.yaml new file mode 100644 index 00000000..21696057 --- /dev/null +++ b/src/models/meta-data/created-at-tz-offset.yaml @@ -0,0 +1,6 @@ +type: object +properties: + createdAtTZOffset: + type: string + description: "The time zone offset for the creation timestamp, represented as a string. This offset indicates the difference from UTC." + example: "0" diff --git a/src/models/meta-data/duration.yaml b/src/models/meta-data/duration.yaml new file mode 100644 index 00000000..40cbef6a --- /dev/null +++ b/src/models/meta-data/duration.yaml @@ -0,0 +1,9 @@ +type: object +required: + - duration +properties: + duration: + type: integer + format: int32 + description: "The duration of the media item in milliseconds." + example: 11558112 diff --git a/src/models/meta-data/enable-credits-marker-generation.yaml b/src/models/meta-data/enable-credits-marker-generation.yaml new file mode 100644 index 00000000..e8cc61a0 --- /dev/null +++ b/src/models/meta-data/enable-credits-marker-generation.yaml @@ -0,0 +1,16 @@ +type: object +required: + - enableCreditsMarkerGeneration +properties: + enableCreditsMarkerGeneration: + type: string + description: > + Setting that indicates if credits marker detection is enabled. + (-1 = Library default, 0 = Disabled). + enum: + - "-1" + - "0" + x-speakeasy-enums: + - LIBRARY_DEFAULT + - DISABLED + example: "-1" diff --git a/src/models/meta-data/episode-sort.yaml b/src/models/meta-data/episode-sort.yaml new file mode 100644 index 00000000..eef747d8 --- /dev/null +++ b/src/models/meta-data/episode-sort.yaml @@ -0,0 +1,18 @@ +type: object +required: + - episodeSort +properties: + episodeSort: + type: string + description: > + Setting that indicates how episodes are sorted for the show. + (-1 = Library default, 0 = Oldest first, 1 = Newest first). + enum: + - "-1" + - "0" + - "1" + x-speakeasy-enums: + - LIBRARY_DEFAULT + - OLDEST_FIRST + - NEWEST_FIRST + example: "0" diff --git a/src/models/meta-data/flatten-seasons.yaml b/src/models/meta-data/flatten-seasons.yaml new file mode 100644 index 00000000..374b37ee --- /dev/null +++ b/src/models/meta-data/flatten-seasons.yaml @@ -0,0 +1,18 @@ +type: object +required: + - flattenSeasons +properties: + flattenSeasons: + type: string + description: > + Setting that indicates if seasons are set to hidden for the show. + (-1 = Library default, 0 = Hide, 1 = Show). + enum: + - "-1" + - "0" + - "1" + x-speakeasy-enums: + - LIBRARY_DEFAULT + - HIDE + - SHOW + example: "1" diff --git a/src/models/meta-data/grandparent-art.yaml b/src/models/meta-data/grandparent-art.yaml new file mode 100644 index 00000000..3c0ddb05 --- /dev/null +++ b/src/models/meta-data/grandparent-art.yaml @@ -0,0 +1,6 @@ +type: object +properties: + grandparentArt: + type: string + description: "The art URL for the grandparent media item." + example: "/library/metadata/66/art/1705716261" diff --git a/src/models/meta-data/grandparent-guid.yaml b/src/models/meta-data/grandparent-guid.yaml new file mode 100644 index 00000000..c96404c0 --- /dev/null +++ b/src/models/meta-data/grandparent-guid.yaml @@ -0,0 +1,6 @@ +type: object +properties: + grandparentGuid: + type: string + description: "The GUID of the grandparent media item." + example: "plex://show/5d9c081b170e24001f2a7be4" diff --git a/src/models/meta-data/grandparent-key.yaml b/src/models/meta-data/grandparent-key.yaml new file mode 100644 index 00000000..0da70a0d --- /dev/null +++ b/src/models/meta-data/grandparent-key.yaml @@ -0,0 +1,6 @@ +type: object +properties: + grandparentKey: + type: string + description: "The key of the grandparent media item." + example: "/library/metadata/66" diff --git a/src/models/meta-data/grandparent-rating-key.yaml b/src/models/meta-data/grandparent-rating-key.yaml new file mode 100644 index 00000000..9e8d69bd --- /dev/null +++ b/src/models/meta-data/grandparent-rating-key.yaml @@ -0,0 +1,6 @@ +type: object +properties: + grandparentRatingKey: + type: string + description: "The rating key of the grandparent media item." + example: "66" diff --git a/src/models/meta-data/grandparent-slug.yaml b/src/models/meta-data/grandparent-slug.yaml new file mode 100644 index 00000000..662cd3d5 --- /dev/null +++ b/src/models/meta-data/grandparent-slug.yaml @@ -0,0 +1,6 @@ +type: object +properties: + grandparentSlug: + type: string + description: "The slug for the grandparent media item." + example: "alice-in-borderland-2020" diff --git a/src/models/meta-data/grandparent-theme.yaml b/src/models/meta-data/grandparent-theme.yaml new file mode 100644 index 00000000..0dddb671 --- /dev/null +++ b/src/models/meta-data/grandparent-theme.yaml @@ -0,0 +1,6 @@ +type: object +properties: + grandparentTheme: + type: string + description: "The theme URL for the grandparent media item." + example: "/library/metadata/66/theme/1705716261" diff --git a/src/models/meta-data/grandparent-thumb.yaml b/src/models/meta-data/grandparent-thumb.yaml new file mode 100644 index 00000000..e5174b80 --- /dev/null +++ b/src/models/meta-data/grandparent-thumb.yaml @@ -0,0 +1,6 @@ +type: object +properties: + grandparentThumb: + type: string + description: "The thumbnail URL for the grandparent media item." + example: "/library/metadata/66/thumb/1705716261" diff --git a/src/models/meta-data/grandparent-title.yaml b/src/models/meta-data/grandparent-title.yaml new file mode 100644 index 00000000..fe2bffa3 --- /dev/null +++ b/src/models/meta-data/grandparent-title.yaml @@ -0,0 +1,6 @@ +type: object +properties: + grandparentTitle: + type: string + description: "The title of the grandparent media item." + example: "Caprica" diff --git a/src/models/meta-data/guid.yaml b/src/models/meta-data/guid.yaml new file mode 100644 index 00000000..f60cae04 --- /dev/null +++ b/src/models/meta-data/guid.yaml @@ -0,0 +1,8 @@ +type: object +required: + - guid +properties: + guid: + type: string + description: "The globally unique identifier for the media item." + example: "plex://movie/5d7768ba96b655001fdc0408" diff --git a/src/models/meta-data/has-premium-extras.yaml b/src/models/meta-data/has-premium-extras.yaml new file mode 100644 index 00000000..87754706 --- /dev/null +++ b/src/models/meta-data/has-premium-extras.yaml @@ -0,0 +1,8 @@ +type: object +required: + - hasPremiumExtras +properties: + hasPremiumExtras: + type: string + description: "Indicates if premium extras are available (as a string value)." + example: "1" diff --git a/src/models/meta-data/has-premium-primary-extra.yaml b/src/models/meta-data/has-premium-primary-extra.yaml new file mode 100644 index 00000000..a812b619 --- /dev/null +++ b/src/models/meta-data/has-premium-primary-extra.yaml @@ -0,0 +1,8 @@ +type: object +required: + - hasPremiumPrimaryExtra +properties: + hasPremiumPrimaryExtra: + type: string + description: "Indicates if a premium primary extra is available (as a string value)." + example: "1" diff --git a/src/models/meta-data/index.yaml b/src/models/meta-data/index.yaml new file mode 100644 index 00000000..fbf4766a --- /dev/null +++ b/src/models/meta-data/index.yaml @@ -0,0 +1,9 @@ +type: object +required: + - index +properties: + index: + type: integer + format: int32 + description: "The index position of the media item." + example: 1 diff --git a/src/models/meta-data/key.yaml b/src/models/meta-data/key.yaml new file mode 100644 index 00000000..d24d06d7 --- /dev/null +++ b/src/models/meta-data/key.yaml @@ -0,0 +1,8 @@ +type: object +required: + - key +properties: + key: + type: string + description: "The unique key for the media item." + example: "/library/metadata/58683" diff --git a/src/models/meta-data/last-rated-at.yaml b/src/models/meta-data/last-rated-at.yaml new file mode 100644 index 00000000..023ac897 --- /dev/null +++ b/src/models/meta-data/last-rated-at.yaml @@ -0,0 +1,7 @@ +type: object +properties: + lastRatedAt: + type: integer + format: int64 + description: "The Unix timestamp representing the last time the item was rated." + example: 1721813113 diff --git a/src/models/meta-data/last-viewed-at.yaml b/src/models/meta-data/last-viewed-at.yaml new file mode 100644 index 00000000..2e7f1fab --- /dev/null +++ b/src/models/meta-data/last-viewed-at.yaml @@ -0,0 +1,7 @@ +type: object +properties: + lastViewedAt: + type: integer + format: int32 + description: "Unix timestamp for when the media item was last viewed." + example: 1682752242 diff --git a/src/models/meta-data/leaf-count.yaml b/src/models/meta-data/leaf-count.yaml new file mode 100644 index 00000000..edf880fb --- /dev/null +++ b/src/models/meta-data/leaf-count.yaml @@ -0,0 +1,7 @@ +type: object +properties: + leafCount: + type: integer + format: int32 + description: "The number of leaf items (end nodes) under this media item." + example: 14 diff --git a/src/models/meta-data/library-section-id.yaml b/src/models/meta-data/library-section-id.yaml new file mode 100644 index 00000000..be529dc1 --- /dev/null +++ b/src/models/meta-data/library-section-id.yaml @@ -0,0 +1,8 @@ +type: object +required: + - librarySectionID +properties: + librarySectionID: + type: integer + description: "The identifier for the library section." + example: 1 diff --git a/src/models/meta-data/library-section-key.yaml b/src/models/meta-data/library-section-key.yaml new file mode 100644 index 00000000..996164aa --- /dev/null +++ b/src/models/meta-data/library-section-key.yaml @@ -0,0 +1,8 @@ +type: object +required: + - librarySectionKey +properties: + librarySectionKey: + type: string + description: "The key corresponding to the library section." + example: "/library/sections/1" diff --git a/src/models/meta-data/library-section-title.yaml b/src/models/meta-data/library-section-title.yaml new file mode 100644 index 00000000..cbcdc8ad --- /dev/null +++ b/src/models/meta-data/library-section-title.yaml @@ -0,0 +1,8 @@ +type: object +required: + - librarySectionTitle +properties: + librarySectionTitle: + type: string + description: "The title of the library section." + example: "Movies" diff --git a/src/models/meta-data/objects/image.yaml b/src/models/meta-data/objects/image.yaml new file mode 100644 index 00000000..b0555a6e --- /dev/null +++ b/src/models/meta-data/objects/image.yaml @@ -0,0 +1,27 @@ +type: object +description: | + The available images for this media item +properties: + Image: + type: array + items: + type: object + required: + - alt + - type + - url + properties: + alt: + type: string + example: "Episode 1" + type: + type: string + enum: + - coverPoster + - background + - snapshot + - clearLogo + example: "background" + url: + type: string + example: "/library/metadata/45521/thumb/1644710589" diff --git a/src/models/meta-data/objects/ultra-blur-colors.yaml b/src/models/meta-data/objects/ultra-blur-colors.yaml new file mode 100644 index 00000000..4295e748 --- /dev/null +++ b/src/models/meta-data/objects/ultra-blur-colors.yaml @@ -0,0 +1,24 @@ +type: object +description: | + Unknown +properties: + UltraBlurColors: + type: object + required: + - topLeft + - topRight + - bottomRight + - bottomLeft + properties: + topLeft: + type: string + example: "11333b" + topRight: + type: string + example: "0a232d" + bottomRight: + type: string + example: "073958" + bottomLeft: + type: string + example: "1f5066" diff --git a/src/models/meta-data/original-title.yaml b/src/models/meta-data/original-title.yaml new file mode 100644 index 00000000..2a5cd32a --- /dev/null +++ b/src/models/meta-data/original-title.yaml @@ -0,0 +1,6 @@ +type: object +properties: + originalTitle: + type: string + description: "The original title of the media item (if different)." + example: "映画 ブラッククローバー 魔法帝の剣" diff --git a/src/models/meta-data/originally-available-at.yaml b/src/models/meta-data/originally-available-at.yaml new file mode 100644 index 00000000..78fcfe5e --- /dev/null +++ b/src/models/meta-data/originally-available-at.yaml @@ -0,0 +1,9 @@ +type: object +required: + - originallyAvailableAt +properties: + originallyAvailableAt: + type: string + format: date + description: "The original release date of the media item." + example: "2022-12-14" diff --git a/src/models/meta-data/parent-guid.yaml b/src/models/meta-data/parent-guid.yaml new file mode 100644 index 00000000..f0a29b92 --- /dev/null +++ b/src/models/meta-data/parent-guid.yaml @@ -0,0 +1,6 @@ +type: object +properties: + parentGuid: + type: string + description: "The GUID of the parent media item." + example: "plex://show/5d9c081b170e24001f2a7be4" diff --git a/src/models/meta-data/parent-index.yaml b/src/models/meta-data/parent-index.yaml new file mode 100644 index 00000000..3f036359 --- /dev/null +++ b/src/models/meta-data/parent-index.yaml @@ -0,0 +1,7 @@ +type: object +properties: + parentIndex: + type: integer + format: int32 + description: "The index position of the parent media item." + example: 1 diff --git a/src/models/meta-data/parent-key.yaml b/src/models/meta-data/parent-key.yaml new file mode 100644 index 00000000..da48b9ba --- /dev/null +++ b/src/models/meta-data/parent-key.yaml @@ -0,0 +1,6 @@ +type: object +properties: + parentKey: + type: string + description: "The key of the parent media item." + example: "/library/metadata/66" diff --git a/src/models/meta-data/parent-rating-key.yaml b/src/models/meta-data/parent-rating-key.yaml new file mode 100644 index 00000000..b60602ea --- /dev/null +++ b/src/models/meta-data/parent-rating-key.yaml @@ -0,0 +1,6 @@ +type: object +properties: + parentRatingKey: + type: string + description: "The rating key of the parent media item." + example: "66" diff --git a/src/models/meta-data/parent-slug.yaml b/src/models/meta-data/parent-slug.yaml new file mode 100644 index 00000000..fd561b06 --- /dev/null +++ b/src/models/meta-data/parent-slug.yaml @@ -0,0 +1,8 @@ +type: object +required: + - parentSlug +properties: + parentSlug: + type: string + description: "The slug for the parent media item." + example: "alice-in-borderland-2020" diff --git a/src/models/meta-data/parent-studio.yaml b/src/models/meta-data/parent-studio.yaml new file mode 100644 index 00000000..446241f1 --- /dev/null +++ b/src/models/meta-data/parent-studio.yaml @@ -0,0 +1,8 @@ +type: object +required: + - parentStudio +properties: + parentStudio: + type: string + description: "The studio of the parent media item." + example: "UCP" diff --git a/src/models/meta-data/parent-theme.yaml b/src/models/meta-data/parent-theme.yaml new file mode 100644 index 00000000..633e5176 --- /dev/null +++ b/src/models/meta-data/parent-theme.yaml @@ -0,0 +1,8 @@ +type: object +required: + - parentTheme +properties: + parentTheme: + type: string + description: "The theme URL for the parent media item." + example: "/library/metadata/66/theme/1705716261" diff --git a/src/models/meta-data/parent-thumb.yaml b/src/models/meta-data/parent-thumb.yaml new file mode 100644 index 00000000..2e53c9a8 --- /dev/null +++ b/src/models/meta-data/parent-thumb.yaml @@ -0,0 +1,6 @@ +type: object +properties: + parentThumb: + type: string + description: "The thumbnail URL for the parent media item." + example: "/library/metadata/66/thumb/1705716261" diff --git a/src/models/meta-data/parent-title.yaml b/src/models/meta-data/parent-title.yaml new file mode 100644 index 00000000..4dcc1052 --- /dev/null +++ b/src/models/meta-data/parent-title.yaml @@ -0,0 +1,6 @@ +type: object +properties: + parentTitle: + type: string + description: "The title of the parent media item." + example: "Caprica" diff --git a/src/models/meta-data/parent-year.yaml b/src/models/meta-data/parent-year.yaml new file mode 100644 index 00000000..5f3446c0 --- /dev/null +++ b/src/models/meta-data/parent-year.yaml @@ -0,0 +1,9 @@ +type: object +required: + - parentYear +properties: + parentYear: + type: integer + format: int32 + description: "The release year of the parent media item." + example: 2010 diff --git a/src/models/meta-data/primary-extra-key.yaml b/src/models/meta-data/primary-extra-key.yaml new file mode 100644 index 00000000..12eea4d0 --- /dev/null +++ b/src/models/meta-data/primary-extra-key.yaml @@ -0,0 +1,6 @@ +type: object +properties: + primaryExtraKey: + type: string + description: "The primary extra key associated with this media item." + example: "/library/metadata/58684" diff --git a/src/models/meta-data/rating-image.yaml b/src/models/meta-data/rating-image.yaml new file mode 100644 index 00000000..71aeedec --- /dev/null +++ b/src/models/meta-data/rating-image.yaml @@ -0,0 +1,6 @@ +type: object +properties: + ratingImage: + type: string + description: "The URL for the rating image." + example: "rottentomatoes://image.rating.ripe" diff --git a/src/models/meta-data/rating-key.yaml b/src/models/meta-data/rating-key.yaml new file mode 100644 index 00000000..a0825217 --- /dev/null +++ b/src/models/meta-data/rating-key.yaml @@ -0,0 +1,8 @@ +type: object +required: + - ratingKey +properties: + ratingKey: + type: string + description: "The rating key (Media ID) of this media item. Note: Although this is always an integer, it is represented as a string in the API." + example: "58683" diff --git a/src/models/meta-data/rating.yaml b/src/models/meta-data/rating.yaml new file mode 100644 index 00000000..d88e9b73 --- /dev/null +++ b/src/models/meta-data/rating.yaml @@ -0,0 +1,9 @@ +type: object +required: + - rating +properties: + rating: + type: number + format: float + description: "The critic rating for the media item." + example: 7.6 diff --git a/src/models/meta-data/season-count.yaml b/src/models/meta-data/season-count.yaml new file mode 100644 index 00000000..66bd318b --- /dev/null +++ b/src/models/meta-data/season-count.yaml @@ -0,0 +1,9 @@ +type: object +required: + - seasonCount +properties: + seasonCount: + type: integer + format: int32 + description: "The total number of seasons (for TV shows)." + example: 2022 diff --git a/src/models/meta-data/show-ordering.yaml b/src/models/meta-data/show-ordering.yaml new file mode 100644 index 00000000..c3e27bac --- /dev/null +++ b/src/models/meta-data/show-ordering.yaml @@ -0,0 +1,27 @@ +type: object +required: + - showOrdering +properties: + showOrdering: + type: string + description: | + Setting that indicates the episode ordering for the show. + Options: + - None = Library default + - tmdbAiring = The Movie Database (Aired) + - aired = TheTVDB (Aired) + - dvd = TheTVDB (DVD) + - absolute = TheTVDB (Absolute) + enum: + - None + - tmdbAiring + - aired + - dvd + - absolute + x-speakeasy-enums: + - NONE + - TMDB_AIRING + - TVDB_AIRED + - TVDB_DVD + - TVDB_ABSOLUTE + example: "absolute" diff --git a/src/models/meta-data/skip-children.yaml b/src/models/meta-data/skip-children.yaml new file mode 100644 index 00000000..04b49e33 --- /dev/null +++ b/src/models/meta-data/skip-children.yaml @@ -0,0 +1,8 @@ +type: object +required: + - skipChildren +properties: + skipChildren: + type: boolean + description: "Indicates whether child items should be skipped." + example: false diff --git a/src/models/meta-data/skip-count.yaml b/src/models/meta-data/skip-count.yaml new file mode 100644 index 00000000..a7c5de39 --- /dev/null +++ b/src/models/meta-data/skip-count.yaml @@ -0,0 +1,7 @@ +type: object +properties: + skipCount: + type: integer + format: int32 + description: "The number of times this media item has been skipped." + example: 1 diff --git a/src/models/meta-data/slug.yaml b/src/models/meta-data/slug.yaml new file mode 100644 index 00000000..e906b860 --- /dev/null +++ b/src/models/meta-data/slug.yaml @@ -0,0 +1,8 @@ +type: object +required: + - slug +properties: + slug: + type: string + description: "A URL‐friendly version of the media title." + example: "4-for-texas" diff --git a/src/models/meta-data/studio.yaml b/src/models/meta-data/studio.yaml new file mode 100644 index 00000000..767a75ce --- /dev/null +++ b/src/models/meta-data/studio.yaml @@ -0,0 +1,6 @@ +type: object +properties: + studio: + type: string + description: "The studio that produced the media item." + example: "20th Century Studios" diff --git a/src/models/meta-data/subtype.yaml b/src/models/meta-data/subtype.yaml new file mode 100644 index 00000000..6b620548 --- /dev/null +++ b/src/models/meta-data/subtype.yaml @@ -0,0 +1,6 @@ +type: object +properties: + subtype: + type: string + description: "A classification that further describes the type of media item. For example, 'clip' indicates that the item is a short video clip." + example: "clip" diff --git a/src/models/meta-data/summary.yaml b/src/models/meta-data/summary.yaml new file mode 100644 index 00000000..cd33afa7 --- /dev/null +++ b/src/models/meta-data/summary.yaml @@ -0,0 +1,11 @@ +type: object +required: + - summary +properties: + summary: + type: string + description: "A synopsis of the media item." + example: | + Jake Sully lives with his newfound family formed on the extrasolar moon Pandora. + Once a familiar threat returns to finish what was previously started, Jake must + work with Neytiri and the army of the Na'vi race to protect their home. diff --git a/src/models/meta-data/tagline.yaml b/src/models/meta-data/tagline.yaml new file mode 100644 index 00000000..9c4dbd57 --- /dev/null +++ b/src/models/meta-data/tagline.yaml @@ -0,0 +1,8 @@ +type: object +required: + - tagline +properties: + tagline: + type: string + description: "A brief tagline for the media item." + example: "Return to Pandora." diff --git a/src/models/meta-data/theme.yaml b/src/models/meta-data/theme.yaml new file mode 100644 index 00000000..6c387f88 --- /dev/null +++ b/src/models/meta-data/theme.yaml @@ -0,0 +1,8 @@ +type: object +required: + - theme +properties: + theme: + type: string + description: "The theme URL for the media item." + example: "/library/metadata/1/theme/1705636920" diff --git a/src/models/meta-data/thumb.yaml b/src/models/meta-data/thumb.yaml new file mode 100644 index 00000000..1103ca9e --- /dev/null +++ b/src/models/meta-data/thumb.yaml @@ -0,0 +1,8 @@ +type: object +required: + - thumb +properties: + thumb: + type: string + description: "The thumbnail image URL for the media item." + example: "/library/metadata/58683/thumb/1703239236" diff --git a/src/models/meta-data/title-sort.yaml b/src/models/meta-data/title-sort.yaml new file mode 100644 index 00000000..b21616b2 --- /dev/null +++ b/src/models/meta-data/title-sort.yaml @@ -0,0 +1,8 @@ +type: object +required: + - titleSort +properties: + titleSort: + type: string + description: "The sort title used for ordering media items." + example: "Whale" diff --git a/src/models/meta-data/title.yaml b/src/models/meta-data/title.yaml new file mode 100644 index 00000000..cfbcb7a9 --- /dev/null +++ b/src/models/meta-data/title.yaml @@ -0,0 +1,8 @@ +type: object +required: + - title +properties: + title: + type: string + description: "The title of the media item." + example: "Avatar: The Way of Water" diff --git a/src/models/meta-data/type.yaml b/src/models/meta-data/type.yaml new file mode 100644 index 00000000..80d704b2 --- /dev/null +++ b/src/models/meta-data/type.yaml @@ -0,0 +1,7 @@ +type: object +required: + - type +properties: + type: + allOf: + - $ref: "../common/PlexMediaTypeString.yaml" diff --git a/src/models/meta-data/updated-at.yaml b/src/models/meta-data/updated-at.yaml new file mode 100644 index 00000000..5f93888b --- /dev/null +++ b/src/models/meta-data/updated-at.yaml @@ -0,0 +1,4 @@ +type: object +properties: + updatedAt: + $ref: "../../models/common/PlexDateTime.yaml" diff --git a/src/models/meta-data/user-rating.yaml b/src/models/meta-data/user-rating.yaml new file mode 100644 index 00000000..1787174e --- /dev/null +++ b/src/models/meta-data/user-rating.yaml @@ -0,0 +1,7 @@ +type: object +properties: + userRating: + type: number + format: float + description: "The rating provided by a user for the item. This value is expressed as a decimal number." + example: 10.0 diff --git a/src/models/meta-data/view-count.yaml b/src/models/meta-data/view-count.yaml new file mode 100644 index 00000000..c493f73c --- /dev/null +++ b/src/models/meta-data/view-count.yaml @@ -0,0 +1,7 @@ +type: object +properties: + viewCount: + type: integer + format: int32 + description: "The number of times this media item has been viewed." + example: 1 diff --git a/src/models/meta-data/view-offset.yaml b/src/models/meta-data/view-offset.yaml new file mode 100644 index 00000000..2c469f84 --- /dev/null +++ b/src/models/meta-data/view-offset.yaml @@ -0,0 +1,7 @@ +type: object +properties: + viewOffset: + type: integer + format: int32 + description: "The current playback offset (in milliseconds)." + example: 5222500 diff --git a/src/models/meta-data/viewed-leaf-count.yaml b/src/models/meta-data/viewed-leaf-count.yaml new file mode 100644 index 00000000..dc772231 --- /dev/null +++ b/src/models/meta-data/viewed-leaf-count.yaml @@ -0,0 +1,7 @@ +type: object +properties: + viewedLeafCount: + type: integer + format: int32 + description: "The number of leaf items that have been viewed." + example: 0 diff --git a/src/models/meta-data/year.yaml b/src/models/meta-data/year.yaml new file mode 100644 index 00000000..01ef1c70 --- /dev/null +++ b/src/models/meta-data/year.yaml @@ -0,0 +1,9 @@ +type: object +required: + - year +properties: + year: + type: integer + format: int32 + description: "The release year of the media item." + example: 2022 diff --git a/src/models/role/tag.yaml b/src/models/role/tag.yaml new file mode 100644 index 00000000..7c8555be --- /dev/null +++ b/src/models/role/tag.yaml @@ -0,0 +1,8 @@ +type: object +required: + - tag +properties: + tag: + type: string + description: The name of the actor for this role + example: Danny Boyle diff --git a/src/models/writer/tag.yaml b/src/models/writer/tag.yaml new file mode 100644 index 00000000..fb870464 --- /dev/null +++ b/src/models/writer/tag.yaml @@ -0,0 +1,8 @@ +type: object +required: + - tag +properties: + tag: + type: string + description: The role of Writer + example: Danny Boyle diff --git a/src/parameters/include-advanced.yaml b/src/parameters/include-advanced.yaml new file mode 100644 index 00000000..31a78f1e --- /dev/null +++ b/src/parameters/include-advanced.yaml @@ -0,0 +1,4 @@ +name: includeAdvanced +in: query +schema: + $ref: "../models/common/PlexBoolean.yaml" diff --git a/src/parameters/include-collections.yaml b/src/parameters/include-collections.yaml new file mode 100644 index 00000000..6a51ea79 --- /dev/null +++ b/src/parameters/include-collections.yaml @@ -0,0 +1,4 @@ +name: includeCollections +in: query +schema: + $ref: "../models/common/PlexBoolean.yaml" diff --git a/src/parameters/include-external-media.yaml b/src/parameters/include-external-media.yaml new file mode 100644 index 00000000..84e44923 --- /dev/null +++ b/src/parameters/include-external-media.yaml @@ -0,0 +1,4 @@ +name: includeExternalMedia +in: query +schema: + $ref: "../models/common/PlexBoolean.yaml" diff --git a/src/parameters/include-guids.yaml b/src/parameters/include-guids.yaml new file mode 100644 index 00000000..efa29319 --- /dev/null +++ b/src/parameters/include-guids.yaml @@ -0,0 +1,6 @@ +name: includeGuids +in: query +description: | + Adds the Guid object to the response +schema: + $ref: "../models/common/PlexBoolean.yaml" diff --git a/src/parameters/unwatched-leaves.yaml b/src/parameters/unwatched-leaves.yaml new file mode 100644 index 00000000..35cffe48 --- /dev/null +++ b/src/parameters/unwatched-leaves.yaml @@ -0,0 +1,6 @@ +name: unwatchedLeaves +in: query +description: | + Adds the Meta object to the response +schema: + $ref: "../models/common/PlexBoolean.yaml" diff --git a/src/paths/library/[sectionKey]/get-library-all.yaml b/src/paths/library/[sectionKey]/get-library-all.yaml new file mode 100644 index 00000000..1cbfeb8a --- /dev/null +++ b/src/paths/library/[sectionKey]/get-library-all.yaml @@ -0,0 +1,164 @@ +get: + tags: + - Library + summary: Get all media of library + operationId: get-all-media-library + description: | + Retrieves a list of all general media data for this library. + parameters: + - $ref: "../../../parameters/library/section-key.yaml" + - $ref: "../../../parameters/type.yaml" + - $ref: "../../../parameters/include-meta.yaml" + - $ref: "../../../parameters/include-guids.yaml" + - $ref: "../../../parameters/include-advanced.yaml" + - $ref: "../../../parameters/include-collections.yaml" + - $ref: "../../../parameters/include-external-media.yaml" + - $ref: "../../../parameters/container-start.yaml" + - $ref: "../../../parameters/container-size.yaml" + - $ref: "../../../parameters/accept-application-json.yaml" + responses: + "200": + description: Successful response containing media container data. + content: + application/json: + schema: + type: object + properties: + MediaContainer: + allOf: + - $ref: "../../../models/media-container/size.yaml" + - $ref: "../../../models/media-container/total-size.yaml" + - $ref: "../../../models/media-container/offset.yaml" + - $ref: "../../../models/media-container/allow-sync.yaml" + - $ref: "../../../models/media-container/art.yaml" + - $ref: "../../../models/media-container/content.yaml" + - $ref: "../../../models/media-container/identifier.yaml" + - $ref: "../../../models/media-container/library-section-id.yaml" + - $ref: "../../../models/media-container/library-section-title.yaml" + - $ref: "../../../models/media-container/library-section-uuid.yaml" + - $ref: "../../../models/media-container/media-tag-prefix.yaml" + - $ref: "../../../models/media-container/media-tag-version.yaml" + - $ref: "../../../models/media-container/thumb.yaml" + - $ref: "../../../models/media-container/nocache.yaml" + - $ref: "../../../models/media-container/title1.yaml" + - $ref: "../../../models/media-container/title2.yaml" + - $ref: "../../../models/media-container/view-group.yaml" + - type: object + properties: + Meta: + $ref: "../../../models/Meta.yaml" + Metadata: + type: array + description: "An array of metadata items." + items: + required: + - type + allOf: + - $ref: "../../../models/meta-data/rating-key.yaml" + - $ref: "../../../models/meta-data/key.yaml" + - $ref: "../../../models/meta-data/guid.yaml" + - $ref: "../../../models/meta-data/slug.yaml" + - $ref: "../../../models/meta-data/studio.yaml" + - $ref: "../../../models/meta-data/type.yaml" + - $ref: "../../../models/meta-data/title.yaml" + - $ref: "../../../models/meta-data/title-sort.yaml" + - $ref: "../../../models/meta-data/content-rating.yaml" + - $ref: "../../../models/meta-data/summary.yaml" + - $ref: "../../../models/meta-data/rating.yaml" + - $ref: "../../../models/meta-data/audience-rating.yaml" + - $ref: "../../../models/meta-data/year.yaml" + - $ref: "../../../models/meta-data/tagline.yaml" + - $ref: "../../../models/meta-data/thumb.yaml" + - $ref: "../../../models/meta-data/art.yaml" + - $ref: "../../../models/meta-data/theme.yaml" + - $ref: "../../../models/meta-data/index.yaml" + - $ref: "../../../models/meta-data/leaf-count.yaml" + - $ref: "../../../models/meta-data/viewed-leaf-count.yaml" + - $ref: "../../../models/meta-data/child-count.yaml" + - $ref: "../../../models/meta-data/season-count.yaml" + - $ref: "../../../models/meta-data/duration.yaml" + - $ref: "../../../models/meta-data/originally-available-at.yaml" + - $ref: "../../../models/meta-data/added-at.yaml" + - $ref: "../../../models/meta-data/updated-at.yaml" + - $ref: "../../../models/meta-data/audience-rating-image.yaml" + - $ref: "../../../models/meta-data/chapter-source.yaml" + - $ref: "../../../models/meta-data/primary-extra-key.yaml" + - $ref: "../../../models/meta-data/original-title.yaml" + - $ref: "../../../models/meta-data/parent-rating-key.yaml" + - $ref: "../../../models/meta-data/grandparent-rating-key.yaml" + - $ref: "../../../models/meta-data/parent-guid.yaml" + - $ref: "../../../models/meta-data/grandparent-guid.yaml" + - $ref: "../../../models/meta-data/grandparent-slug.yaml" + - $ref: "../../../models/meta-data/grandparent-key.yaml" + - $ref: "../../../models/meta-data/parent-key.yaml" + - $ref: "../../../models/meta-data/grandparent-title.yaml" + - $ref: "../../../models/meta-data/grandparent-thumb.yaml" + - $ref: "../../../models/meta-data/grandparent-theme.yaml" + - $ref: "../../../models/meta-data/grandparent-art.yaml" + - $ref: "../../../models/meta-data/parent-title.yaml" + - $ref: "../../../models/meta-data/parent-index.yaml" + - $ref: "../../../models/meta-data/parent-thumb.yaml" + - $ref: "../../../models/meta-data/rating-image.yaml" + - $ref: "../../../models/meta-data/view-count.yaml" + - $ref: "../../../models/meta-data/view-offset.yaml" + - $ref: "../../../models/meta-data/skip-count.yaml" + - $ref: "../../../models/meta-data/subtype.yaml" + - $ref: "../../../models/meta-data/last-rated-at.yaml" + - $ref: "../../../models/meta-data/created-at-accuracy.yaml" + - $ref: "../../../models/meta-data/created-at-tz-offset.yaml" + - $ref: "../../../models/meta-data/last-viewed-at.yaml" + - $ref: "../../../models/meta-data/user-rating.yaml" + - $ref: "../../../models/meta-data/objects/image.yaml" + - $ref: "../../../models/meta-data/objects/ultra-blur-colors.yaml" + - type: object + properties: + Media: + allOf: + - $ref: "../../../models/Media-data.yaml" + Genre: + type: array + items: + allOf: + - $ref: "../../../models/country/tag.yaml" + Country: + type: array + items: + allOf: + - $ref: "../../../models/country/tag.yaml" + Director: + type: array + items: + allOf: + - $ref: "../../../models/director/tag.yaml" + Writer: + type: array + items: + allOf: + - $ref: "../../../models/writer/tag.yaml" + Role: + type: array + items: + allOf: + - $ref: "../../../models/role/tag.yaml" + Guid: + x-speakeasy-name-override: guids + type: array + items: + type: object + properties: + id: + type: string + description: | + The unique identifier for the Guid. Can be imdb://tt0286347, tmdb://1763, tvdb://2337 + example: tvdb://2337 + Collection: + type: array + items: + allOf: + - $ref: "../../../models/collection/tag.yaml" + "400": + $ref: "../../../responses/400.yaml" + "401": + $ref: "../../../responses/401.yaml" + "404": + $ref: "../../../responses/404-html.yaml" diff --git a/src/paths/library/[sectionKey]/get-library-countries.yaml b/src/paths/library/[sectionKey]/get-library-countries.yaml index 81cf4fa6..debc6915 100644 --- a/src/paths/library/[sectionKey]/get-library-countries.yaml +++ b/src/paths/library/[sectionKey]/get-library-countries.yaml @@ -19,49 +19,20 @@ get: properties: MediaContainer: allOf: - - $ref: "../../../models/MediaContainer.yaml" + - $ref: "../../../models/media-container/size.yaml" + - $ref: "../../../models/media-container/allow-sync.yaml" + - $ref: "../../../models/media-container/art.yaml" + - $ref: "../../../models/media-container/content.yaml" + - $ref: "../../../models/media-container/identifier.yaml" + - $ref: "../../../models/media-container/media-tag-prefix.yaml" + - $ref: "../../../models/media-container/media-tag-version.yaml" + - $ref: "../../../models/media-container/nocache.yaml" + - $ref: "../../../models/media-container/thumb.yaml" + - $ref: "../../../models/media-container/title1.yaml" + - $ref: "../../../models/media-container/title2.yaml" + - $ref: "../../../models/media-container/view-group.yaml" - type: object - required: - - size - - allowSync - - art - - content - - identifier - - mediaTagPrefix - - mediaTagVersion - - nocache - - thumb - - title1 - - title2 - - viewGroup properties: - art: - type: string - example: "/:/resources/show-fanart.jpg" - content: - type: string - example: "secondary" - mediaTagPrefix: - type: string - example: "/system/bundle/media/flags/" - mediaTagVersion: - type: integer - example: 1734362201 - nocache: - type: boolean - example: true - thumb: - type: string - example: "/:/resources/show.png" - title1: - type: string - example: "TV Series" - title2: - type: string - example: "By Country" - viewGroup: - type: string - example: "secondary" Directory: type: array items: diff --git a/src/paths/library/[sectionKey]/get-library-genres.yaml b/src/paths/library/[sectionKey]/get-library-genres.yaml index f9d2c69e..0ef25483 100644 --- a/src/paths/library/[sectionKey]/get-library-genres.yaml +++ b/src/paths/library/[sectionKey]/get-library-genres.yaml @@ -19,49 +19,20 @@ get: properties: MediaContainer: allOf: - - $ref: "../../../models/MediaContainer.yaml" + - $ref: "../../../models/media-container/size.yaml" + - $ref: "../../../models/media-container/allow-sync.yaml" + - $ref: "../../../models/media-container/art.yaml" + - $ref: "../../../models/media-container/content.yaml" + - $ref: "../../../models/media-container/identifier.yaml" + - $ref: "../../../models/media-container/media-tag-prefix.yaml" + - $ref: "../../../models/media-container/media-tag-version.yaml" + - $ref: "../../../models/media-container/nocache.yaml" + - $ref: "../../../models/media-container/thumb.yaml" + - $ref: "../../../models/media-container/title1.yaml" + - $ref: "../../../models/media-container/title2.yaml" + - $ref: "../../../models/media-container/view-group.yaml" - type: object - required: - - size - - allowSync - - art - - content - - identifier - - mediaTagPrefix - - mediaTagVersion - - nocache - - thumb - - title1 - - title2 - - viewGroup properties: - art: - type: string - example: "/:/resources/show-fanart.jpg" - content: - type: string - example: "secondary" - mediaTagPrefix: - type: string - example: "/system/bundle/media/flags/" - mediaTagVersion: - type: integer - example: 1734362201 - nocache: - type: boolean - example: true - thumb: - type: string - example: "/:/resources/show.png" - title1: - type: string - example: "TV Shows (Reality)" - title2: - type: string - example: "By Genre" - viewGroup: - type: string - example: "secondary" Directory: type: array items: diff --git a/src/paths/library/[sectionKey]/get-library-items.yaml b/src/paths/library/[sectionKey]/get-library-items.yaml index e5d6e7de..1037978b 100644 --- a/src/paths/library/[sectionKey]/get-library-items.yaml +++ b/src/paths/library/[sectionKey]/get-library-items.yaml @@ -33,7 +33,6 @@ get: schema: type: string enum: - - all - unwatched - newest - recentlyAdded @@ -41,12 +40,9 @@ get: - onDeck - collection - edition - - genre - year - decade - director - - actor - - country - contentRating - rating - resolution diff --git a/src/paths/library/metadata/[ratingKey]/get-media-meta-data.yaml b/src/paths/library/metadata/[ratingKey]/get-media-meta-data.yaml index 6c08f5e0..a22a04e5 100644 --- a/src/paths/library/metadata/[ratingKey]/get-media-meta-data.yaml +++ b/src/paths/library/metadata/[ratingKey]/get-media-meta-data.yaml @@ -140,21 +140,15 @@ get: - librarySectionTitle - librarySectionID - librarySectionKey - - contentRating - summary - - audienceRating - year - thumb - art - duration - - originallyAvailableAt - addedAt - updatedAt - - audienceRatingImage - Image - UltraBlurColors - - Guid - - Rating properties: ratingKey: type: string @@ -268,7 +262,17 @@ get: year: type: integer description: "The release year." + format: int32 example: 2015 + rating: + type: number + format: float + description: "The general rating" + example: 6.0 + ratingImage: + type: string + description: "The URL or identifier for the rating image (e.g., Rotten Tomatoes rating image)." + example: "rottentomatoes://image.rating.ripe" tagline: type: string description: "The tagline of the content." @@ -295,6 +299,7 @@ get: type: integer description: "Duration of the content in milliseconds." example: 2700000 + format: int32 originallyAvailableAt: type: string format: date @@ -311,15 +316,16 @@ get: childCount: type: integer description: "The number of child items." + format: int32 example: 6 addedAt: - type: integer - description: "Unix timestamp when the item was added." - example: 1625505101 + allOf: + - description: "Unix timestamp when the item was added." + - $ref: "../../../../models/common/PlexDateTime.yaml" updatedAt: - type: integer - description: "Unix timestamp when the item was last updated." - example: 1736487993 + allOf: + - description: "Unix timestamp when the item was last updated." + - $ref: "../../../../models/common/PlexDateTime.yaml" audienceRatingImage: type: string description: "The URL for the audience rating image." @@ -424,6 +430,7 @@ get: id: type: integer description: "The unique country identifier." + format: int32 example: 58591 filter: type: string @@ -447,6 +454,7 @@ get: description: "The GUID value." example: "imdb://tt3032476" Rating: + x-speakeasy-name-override: Ratings type: array description: "An array of rating objects." items: diff --git a/src/pms-spec.yaml b/src/pms-spec.yaml index c6b142a7..d1a83bf8 100644 --- a/src/pms-spec.yaml +++ b/src/pms-spec.yaml @@ -165,6 +165,8 @@ paths: /library/sections/{sectionKey}/{tag}: $ref: "./paths/library/[sectionKey]/get-library-items.yaml" + /library/sections/{sectionKey}/all: + $ref: "./paths/library/[sectionKey]/get-library-all.yaml" /library/sections/{sectionKey}/refresh: $ref: "./paths/library/[sectionKey]/refresh/get-refresh-library-metadata.yaml" /library/sections/{sectionKey}/search: diff --git a/tests/paths/library/[sectionKey]/get-library-all.spec.ts b/tests/paths/library/[sectionKey]/get-library-all.spec.ts new file mode 100644 index 00000000..3eb78b8d --- /dev/null +++ b/tests/paths/library/[sectionKey]/get-library-all.spec.ts @@ -0,0 +1,78247 @@ +import { validateResponseSpec } from "@utils" +import { describe, it } from "vitest" + +describe("GET /library/sections/[sectionKey]/all", () => { + it("should validate the 200 response with type=1, includeMeta=1, includeCollections=1, includeExternalMedia=1 and includeAdvanced=1 when the API spec is valid", () => { + const response = { + MediaContainer: { + size: 50, + totalSize: 2295, + offset: 0, + allowSync: true, + art: "/:/resources/movie-fanart.jpg", + content: "secondary", + identifier: "com.plexapp.plugins.library", + librarySectionID: 1, + librarySectionTitle: "Movies", + librarySectionUUID: "bc77c182-7a1d-b5c9-4493-1ef01140e3b1", + mediaTagPrefix: "/system/bundle/media/flags/", + mediaTagVersion: 1734362201, + thumb: "/:/resources/movie.png", + title1: "Movies", + title2: "All Movies", + viewGroup: "movie", + Meta: { + Type: [ + { + key: "/library/sections/1/all?type=1", + type: "movie", + title: "Movies", + active: true, + Filter: [ + { + filter: "genre", + filterType: "string", + key: "/library/sections/1/genre", + title: "Genre", + type: "filter" + }, + { + filter: "year", + filterType: "integer", + key: "/library/sections/1/year", + title: "Year", + type: "filter" + }, + { + filter: "decade", + filterType: "integer", + key: "/library/sections/1/decade", + title: "Decade", + type: "filter" + }, + { + filter: "contentRating", + filterType: "string", + key: "/library/sections/1/contentRating", + title: "Content Rating", + type: "filter" + }, + { + filter: "collection", + filterType: "string", + key: "/library/sections/1/collection", + title: "Collection", + type: "filter" + }, + { + filter: "director", + filterType: "string", + key: "/library/sections/1/director", + title: "Director", + type: "filter" + }, + { + filter: "actor", + filterType: "string", + key: "/library/sections/1/actor", + title: "Actor", + type: "filter" + }, + { + filter: "writer", + filterType: "string", + key: "/library/sections/1/writer", + title: "Writer", + type: "filter" + }, + { + filter: "producer", + filterType: "string", + key: "/library/sections/1/producer", + title: "Producer", + type: "filter" + }, + { + filter: "country", + filterType: "string", + key: "/library/sections/1/country", + title: "Country", + type: "filter" + }, + { + filter: "studio", + filterType: "string", + key: "/library/sections/1/studio", + title: "Studio", + type: "filter" + }, + { + filter: "resolution", + filterType: "string", + key: "/library/sections/1/resolution", + title: "Resolution", + type: "filter" + }, + { + filter: "hdr", + filterType: "boolean", + key: "/library/sections/1/hdr", + title: "HDR", + type: "filter" + }, + { + filter: "unwatched", + filterType: "boolean", + key: "/library/sections/1/unwatched", + title: "Unwatched", + type: "filter" + }, + { + filter: "inProgress", + filterType: "boolean", + key: "/library/sections/1/inProgress", + title: "In Progress", + type: "filter" + }, + { + filter: "unmatched", + filterType: "boolean", + key: "/library/sections/1/unmatched", + title: "Unmatched", + type: "filter" + }, + { + filter: "audioLanguage", + filterType: "string", + key: "/library/sections/1/audioLanguage", + title: "Audio Language", + type: "filter" + }, + { + filter: "subtitleLanguage", + filterType: "string", + key: "/library/sections/1/subtitleLanguage", + title: "Subtitle Language", + type: "filter" + }, + { + filter: "editionTitle", + 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Dorsey" + }, + { + tag: "Jorge Garcia" + } + ] + }, + { + ratingKey: "126050", + key: "/library/metadata/126050/children", + guid: "plex://show/6407906e8e4fc40b5c8384b9", + slug: "echo-5", + studio: "Tentime", + type: "show", + title: "Echo", + contentRating: "TV-PG", + summary: "", + index: 1, + audienceRating: 7.0, + year: 2023, + thumb: "/library/metadata/126050/thumb/1721803771", + art: "/library/metadata/126050/art/1721803771", + duration: 2700000, + originallyAvailableAt: "2023-03-23", + leafCount: 5, + viewedLeafCount: 0, + childCount: 1, + addedAt: 1705868919, + updatedAt: 1721803771, + audienceRatingImage: "themoviedb://image.rating", + Image: [ + { + alt: "Echo", + type: "coverPoster", + url: "/library/metadata/126050/thumb/1721803771" + }, + { + alt: "Echo", + type: "background", + url: "/library/metadata/126050/art/1721803771" + } + ], + UltraBlurColors: { + topLeft: "4f1612", + topRight: "3b110d", + bottomRight: "0f0203", + bottomLeft: "030310" + }, + Genre: [ + { + tag: "Drama" + } + ], + Country: [ + { + tag: "Syrian Arab Republic" + } + ], + Role: [ + { + tag: "Moatasem al-Nahar" + }, + { + tag: "Qamar Khalaf" + }, + { + tag: "Ali Soukkar" + } + ] + }, + { + ratingKey: "128072", + key: "/library/metadata/128072/children", + guid: "plex://show/62ee718497213c21e541c48a", + slug: "found-2023", + studio: "Berlanti Productions", + type: "show", + title: "Found", + contentRating: "TV-14", + summary: + "This twisty and timely drama follows PR specialist Gabi Mosely (Shanola Hampton) and her crisis management team as they search for missing people from marginalized groups who do not typically receive widespread media attention, as she was once one of the forgotten ones. But unbeknownst to anyone, this everyday hero is hiding a chilling secret of her own.", + index: 1, + audienceRating: 7.0, + year: 2023, + tagline: "Every Missing Person Deserves To Be...", + thumb: "/library/metadata/128072/thumb/1738489094", + art: "/library/metadata/128072/art/1738489094", + duration: 2580000, + originallyAvailableAt: "2023-10-03", + leafCount: 24, + viewedLeafCount: 0, + childCount: 2, + addedAt: 1718710353, + updatedAt: 1738489094, + audienceRatingImage: "themoviedb://image.rating", + primaryExtraKey: "/library/metadata/128079", + Image: [ + { + alt: "Found", + type: "coverPoster", + url: "/library/metadata/128072/thumb/1738489094" + }, + { + alt: "Found", + type: "background", + url: "/library/metadata/128072/art/1738489094" + }, + { + alt: "Found", + type: "clearLogo", + url: "/library/metadata/128072/clearLogo/1738489094" + } + ], + UltraBlurColors: { + topLeft: "0b2537", + topRight: "1d677b", + bottomRight: "0c2436", + bottomLeft: "1e6678" + }, + Genre: [ + { + tag: "Drama" + }, + { + tag: "Crime" + } + ], + Country: [ + { + tag: "United States of America" + } + ], + Role: [ + { + tag: "Shanola Hampton" + }, + { + tag: "Kelli Williams" + }, + { + tag: "Brett Dalton" + } + ] + }, + { + ratingKey: "120167", + key: "/library/metadata/120167/children", + guid: "plex://show/627fcfc18ae9ef60aa15dca7", + slug: "not-dead-yet", + studio: "Wonderland Sound and Vision", + type: "show", + title: "Not Dead Yet", + contentRating: "TV-14", + summary: + "Nell Serrano, a broke and newly-single self-described disaster, works to restart the life and career she abandoned some 10 years ago. When the only job she can find is writing obituaries, she starts to get life advice from an unlikely--and dead--source.", + index: 1, + audienceRating: 7.0, + year: 2023, + tagline: "She's taking ghost writing to a whole new level.", + thumb: "/library/metadata/120167/thumb/1735638775", + art: "/library/metadata/120167/art/1735638775", + duration: 1320000, + originallyAvailableAt: "2023-02-07", + leafCount: 23, + viewedLeafCount: 0, + childCount: 2, + addedAt: 1676005318, + updatedAt: 1735638775, + audienceRatingImage: "themoviedb://image.rating", + Image: [ + { + alt: "Not Dead Yet", + type: "coverPoster", + url: "/library/metadata/120167/thumb/1735638775" + }, + { + alt: "Not Dead Yet", + type: "background", + url: "/library/metadata/120167/art/1735638775" + }, + { + alt: "Not Dead Yet", + type: "clearLogo", + url: "/library/metadata/120167/clearLogo/1735638775" + } + ], + UltraBlurColors: { + topLeft: "043728", + topRight: "354485", + bottomRight: "7b2a28", + bottomLeft: "821919" + }, + Genre: [ + { + tag: "Comedy" + }, + { + tag: "Fantasy" + } + ], + Country: [ + { + tag: "United States of America" + } + ], + Role: [ + { + tag: "Gina Rodriguez" + }, + { + tag: "Hannah Simone" + }, + { + tag: "Lauren Ash" + } + ] + }, + { + ratingKey: "103555", + key: "/library/metadata/103555/children", + guid: "plex://show/61a7879259cddb9babca5939", + slug: "the-responder", + studio: "Dancing Ledge Productions", + type: "show", + title: "The Responder", + titleSort: "Responder", + contentRating: "TV-MA", + summary: + "A crisis-stricken, morally-compromised first-responder tackles a series of night shifts on the beat in Liverpool.", + index: 1, + audienceRating: 7.0, + year: 2022, + thumb: "/library/metadata/103555/thumb/1738912304", + art: "/library/metadata/103555/art/1738912304", + duration: 3480000, + originallyAvailableAt: "2022-01-24", + leafCount: 10, + viewedLeafCount: 0, + childCount: 2, + addedAt: 1646272386, + updatedAt: 1738912304, + audienceRatingImage: "themoviedb://image.rating", + primaryExtraKey: "/library/metadata/103570", + Image: [ + { + alt: "The Responder", + type: "coverPoster", + url: "/library/metadata/103555/thumb/1738912304" + }, + { + alt: "The Responder", + type: "background", + url: "/library/metadata/103555/art/1738912304" + }, + { + alt: "The Responder", + type: "clearLogo", + url: "/library/metadata/103555/clearLogo/1738912304" + } + ], + UltraBlurColors: { + topLeft: "442506", + topRight: "80511e", + bottomRight: "8d4901", + bottomLeft: "8c491d" + }, + Genre: [ + { + tag: "Crime" + }, + { + tag: "Drama" + } + ], + Country: [ + { + tag: "United Kingdom" + } + ], + Role: [ + { + tag: "Martin Freeman" + }, + { + tag: "Adelayo Adedayo" + }, + { + tag: "Emily Fairn" + } + ] + }, + { + ratingKey: "107772", + key: "/library/metadata/107772/children", + guid: "plex://show/5d9c0923e264b7001fc4f79f", + slug: "savage-builds", + studio: "Whalerock Industries", + type: "show", + title: "Savage Builds", + contentRating: "TV-PG", + summary: + "Adam Savage combines his insatiable curiosity and nearly unparalleled inventiveness as he attempts to build working, innovative items. Each episode will focus on one project as Adam collaborates with notable experts in their fields, friends, colleagues and others.", + index: 1, + audienceRating: 7.0, + year: 2019, + thumb: "/library/metadata/107772/thumb/1735032407", + art: "/library/metadata/107772/art/1735032407", + duration: 2580000, + originallyAvailableAt: "2019-06-14", + leafCount: 8, + viewedLeafCount: 0, + childCount: 1, + addedAt: 1646272723, + updatedAt: 1735032407, + audienceRatingImage: "themoviedb://image.rating", + Image: [ + { + alt: "Savage Builds", + type: "coverPoster", + url: "/library/metadata/107772/thumb/1735032407" + }, + { + alt: "Savage Builds", + type: "background", + url: "/library/metadata/107772/art/1735032407" + } + ], + UltraBlurColors: { + topLeft: "102c59", + topRight: "873b1c", + bottomRight: "2b6773", + bottomLeft: "725928" + }, + Genre: [ + { + tag: "Documentary" + } + ], + Country: [ + { + tag: "United States of America" + } + ], + Role: [ + { + tag: "Adam Savage" + }, + { + tag: "Gary Oldman" + }, + { + tag: "Adam Steltzner" + } + ] + }, + { + ratingKey: "103734", + key: "/library/metadata/103734/children", + guid: "plex://show/60cb80af2a273a002df5a8c3", + slug: "the-shrink-next-door", + studio: "Gloria Sanchez Productions", + type: "show", + title: "The Shrink Next Door", + titleSort: "Shrink Next Door", + contentRating: "TV-MA", + summary: + "The story of Marty and the therapist who turned his life around - then took it over. When he meets Dr. Ike, Marty just wants to get better at boundaries. Over 30 years, he'll learn all about them - and what happens when they get crossed.", + index: 1, + audienceRating: 7.0, + year: 2021, + thumb: "/library/metadata/103734/thumb/1737706235", + art: "/library/metadata/103734/art/1737706235", + theme: "/library/metadata/103734/theme/1737706235", + duration: 2580000, + originallyAvailableAt: "2021-11-12", + leafCount: 8, + viewedLeafCount: 0, + childCount: 1, + addedAt: 1646272413, + updatedAt: 1737706235, + audienceRatingImage: "themoviedb://image.rating", + primaryExtraKey: "/library/metadata/103754", + Image: [ + { + alt: "The Shrink Next Door", + type: "coverPoster", + url: "/library/metadata/103734/thumb/1737706235" + }, + { + alt: "The Shrink Next Door", + type: "background", + url: "/library/metadata/103734/art/1737706235" + }, + { + alt: "The Shrink Next Door", + type: "clearLogo", + url: "/library/metadata/103734/clearLogo/1737706235" + } + ], + UltraBlurColors: { + topLeft: "242b26", + topRight: "04130e", + bottomRight: "1d4958", + bottomLeft: "061c1a" + }, + Genre: [ + { + tag: "Comedy" + }, + { + tag: "Drama" + } + ], + Country: [ + { + tag: "United States of America" + } + ], + Role: [ + { + tag: "Paul Rudd" + }, + { + tag: "Will Ferrell" + }, + { + tag: "Kathryn Hahn" + } + ] + }, + { + ratingKey: "132817", + key: "/library/metadata/132817/children", + guid: "plex://show/62554fcfa16a17656b8f786f", + slug: "unstable", + studio: "Garfield Grove", + type: "show", + title: "Unstable", + contentRating: "TV-14", + summary: + "In a biological research company, a son with social problems is forced to work for the company of his father, an extremely eccentric and exotic man to save him from disaster.", + index: 1, + audienceRating: 7.0, + year: 2023, + tagline: "A different kind of succession story.", + thumb: "/library/metadata/132817/thumb/1738912310", + art: "/library/metadata/132817/art/1738912310", + duration: 1500000, + originallyAvailableAt: "2023-03-30", + leafCount: 16, + viewedLeafCount: 0, + childCount: 2, + addedAt: 1721946905, + updatedAt: 1738912310, + audienceRatingImage: "themoviedb://image.rating", + primaryExtraKey: "/library/metadata/132820", + Image: [ + { + alt: "Unstable", + type: "coverPoster", + url: "/library/metadata/132817/thumb/1738912310" + }, + { + alt: "Unstable", + type: "background", + url: "/library/metadata/132817/art/1738912310" + }, + { + alt: "Unstable", + type: "clearLogo", + url: "/library/metadata/132817/clearLogo/1738912310" + } + ], + UltraBlurColors: { + topLeft: "452312", + topRight: "934031", + bottomRight: "9a383a", + bottomLeft: "2f628b" + }, + Genre: [ + { + tag: "Comedy" + }, + { + tag: "Drama" + } + ], + Country: [ + { + tag: "United States of America" + } + ], + Role: [ + { + tag: "Rob Lowe" + }, + { + tag: "John Owen Lowe" + }, + { + tag: "Sian Clifford" + } + ] + }, + { + ratingKey: "133430", + key: "/library/metadata/133430/children", + guid: "plex://show/651f2ed00a8a18a8c6025842", + slug: "the-unxplained-special-presentation", + type: "show", + title: "The UnXplained Special Presentation", + titleSort: "UnXplained Special Presentation", + contentRating: "TV-PG", + summary: + 'These special compilation episodes of "The UnXplained" explore the world\'s most fascinating, strange and inexplicable mysteries.', + index: 1, + audienceRating: 7.0, + year: 2023, + tagline: + 'These special compilation episodes of "The UnXplained" explore the world\'s most fascinating, strange and inexplicable mysteries.', + thumb: "/library/metadata/133430/thumb/1730358053", + art: "/library/metadata/133430/art/1730358053", + duration: 2700000, + originallyAvailableAt: "2023-10-03", + leafCount: 15, + viewedLeafCount: 0, + childCount: 1, + addedAt: 1727756344, + updatedAt: 1730358053, + audienceRatingImage: "themoviedb://image.rating", + Image: [ + { + alt: "The UnXplained Special Presentation", + type: "coverPoster", + url: "/library/metadata/133430/thumb/1730358053" + }, + { + alt: "The UnXplained Special Presentation", + type: "background", + url: "/library/metadata/133430/art/1730358053" + }, + { + alt: "The UnXplained Special Presentation", + type: "clearLogo", + url: "/library/metadata/133430/clearLogo/1730358053" + } + ], + UltraBlurColors: { + topLeft: "02343b", + topRight: "0b5059", + bottomRight: "030f1a", + bottomLeft: "032427" + }, + Genre: [ + { + tag: "Documentary" + } + ], + Country: [ + { + tag: "United States of America" + } + ], + Role: [ + { + tag: "William Shatner" + }, + { + tag: "Tok Thompson" + }, + { + tag: "Travis Taylor" + } + ] + } + ] + } + } + + validateResponseSpec( + "/library/sections/{sectionKey}/all", + "get", + 200, + response + ) + }) + + it("should validate the 200 response with type=4, includeExternalMedia=1 and includeAdvanced=1 when the API spec is valid", () => { + const response = { + MediaContainer: { + size: 24, + totalSize: 479, + offset: 12, + allowSync: true, + art: "/:/resources/show-fanart.jpg", + content: "secondary", + identifier: "com.plexapp.plugins.library", + librarySectionID: 1, + librarySectionTitle: "TV Shows", + librarySectionUUID: "eda46542-34db-43ed-9ed2-7e816108542d", + mediaTagPrefix: "/system/bundle/media/flags/", + mediaTagVersion: 1737563967, + nocache: true, + thumb: "/:/resources/show.png", + title1: "TV Shows", + title2: "All Shows", + viewGroup: "show", + Meta: { + Type: [ + { + key: "/library/sections/1/all?type=2", + type: "show", + title: "TV Shows", + active: false, + Filter: [ + { + filter: "genre", + filterType: "string", + key: "/library/sections/1/genre?type=2", + title: "Genre", + type: "filter" + }, + { + filter: "year", + filterType: "integer", + key: "/library/sections/1/year?type=2", + title: "Year", + type: "filter" + }, + { + filter: "contentRating", + filterType: "string", + key: "/library/sections/1/contentRating?type=2", + title: "Content Rating", + type: "filter" + }, + { + filter: "studio", + filterType: "string", + key: "/library/sections/1/studio?type=2", + title: "Studio", + type: "filter" + }, + { + filter: "network", + filterType: "string", + key: "/library/sections/1/network?type=2", + title: "Network", + type: "filter" + }, + { + filter: "country", + filterType: "string", + key: "/library/sections/1/country", + title: "Country", + type: "filter" + }, + { + filter: "collection", + filterType: "string", + key: "/library/sections/1/collection?type=2", + title: "Collection", + type: "filter" + }, + { + filter: "director", + filterType: "string", + key: "/library/sections/1/director?type=2", + title: "Director", + type: "filter" + }, + { + filter: "actor", + filterType: "string", + key: "/library/sections/1/actor?type=2", + title: "Actor", + type: "filter" + }, + { + filter: "writer", + filterType: "string", + key: "/library/sections/1/writer?type=2", + title: "Writer", + type: "filter" + }, + { + filter: "producer", + filterType: "string", + key: "/library/sections/1/producer?type=2", + title: "Producer", + type: "filter" + }, + { + filter: "unwatchedLeaves", + filterType: "boolean", + key: "/library/sections/1/unwatchedLeaves?type=2", + title: "Unwatched", + type: "filter" + }, + { + filter: "unmatched", + filterType: "boolean", + key: "/library/sections/1/unmatched", + title: "Unmatched", + type: "filter" + } + ], + Sort: [ + { + default: "asc", + defaultDirection: "asc", + descKey: "titleSort:desc", + firstCharacterKey: "/library/sections/1/firstCharacter", + key: "titleSort", + title: "Title" + }, + { + defaultDirection: "desc", + descKey: "originallyAvailableAt:desc", + key: "originallyAvailableAt", + title: "Release Date" + }, + { + defaultDirection: "desc", + descKey: "rating:desc", + key: "rating", + title: "Critic Rating" + }, + { + defaultDirection: "desc", + descKey: "audienceRating:desc", + key: "audienceRating", + title: "Audience Rating" + }, + { + defaultDirection: "desc", + descKey: "unviewedLeafCount:desc", + key: "unviewedLeafCount", + title: "Unwatched" + }, + { + defaultDirection: "desc", + descKey: "episode.addedAt:desc", + key: "episode.addedAt", + title: "Last Episode Date Added" + }, + { + defaultDirection: "desc", + descKey: "lastViewedAt:desc", + key: "lastViewedAt", + title: "Date Viewed" + }, + { + defaultDirection: "desc", + descKey: "random:desc", + key: "random", + title: "Randomly" + } + ], + Field: [ + { + key: "show.title", + title: "Show Title", + type: "string" + }, + { + key: "show.studio", + title: "Studio", + type: "string" + }, + { + key: "show.network", + title: "Network", + type: "tag" + }, + { + key: "show.country", + title: "Country", + type: "tag" + }, + { + key: "show.userRating", + subType: "rating", + title: "Show Rating", + type: "integer" + }, + { + key: "show.contentRating", + title: "Content Rating", + type: "tag" + }, + { + key: "show.year", + subType: "year", + title: "Show Year", + type: "integer" + }, + { + key: "show.viewCount", + title: "Show Plays", + type: "integer" + }, + { + key: "show.lastViewedAt", + title: "Show Last Watched", + type: "date" + }, + { + key: "show.genre", + title: "Genre", + type: "tag" + }, + { + key: "show.collection", + title: "Show Collection", + type: "tag" + }, + { + key: "show.director", + title: "Show Director", + type: "tag" + }, + { + key: "show.writer", + title: "Show Writer", + type: "tag" + }, + { + key: "show.producer", + title: "Show Producer", + type: "tag" + }, + { + key: "show.actor", + title: "Show Actor", + type: "tag" + }, + { + key: "show.addedAt", + title: "Date Show Added", + type: "date" + }, + { + key: "show.unmatched", + title: "Show Unmatched", + type: "boolean" + }, + { + key: "show.unwatchedLeaves", + title: "Unwatched Episodes", + type: "boolean" + } + ] + }, + { + key: "/library/sections/1/all?type=3", + type: "season", + title: "Seasons", + active: false, + Sort: [ + { + default: "asc", + defaultDirection: "asc", + descKey: "show.titleSort:desc,index", + key: "show.titleSort,index", + title: "Show" + }, + { + defaultDirection: "desc", + descKey: "random:desc", + key: "random", + title: 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In the flash sideways, Hurley meets Libby, while Desmond continues his mission to let the Oceanic 815 passengers know of their lives on the island.", + index: 12, + parentIndex: 6, + audienceRating: 8.6, + viewCount: 3, + lastViewedAt: 1737309595, + year: 2010, + thumb: "/library/metadata/130337/thumb/1720395481", + art: "/library/metadata/102816/art/1738912304", + parentThumb: "/library/metadata/130325/thumb/1720395481", + grandparentThumb: "/library/metadata/102816/thumb/1738912304", + grandparentArt: "/library/metadata/102816/art/1738912304", + grandparentTheme: "/library/metadata/102816/theme/1738912304", + duration: 2556576, + originallyAvailableAt: "2010-04-13", + addedAt: 1720395479, + updatedAt: 1720395481, + audienceRatingImage: "themoviedb://image.rating", + chapterSource: "media", + Media: [ + { + id: 378341, + duration: 2556576, + bitrate: 3787, + width: 1280, + height: 720, + aspectRatio: 1.78, + audioChannels: 6, + audioCodec: "ac3", + videoCodec: "h264", + videoResolution: "720", + container: "mkv", + videoFrameRate: "24p", + videoProfile: "high", + hasVoiceActivity: false, + Part: [ + { + id: 408640, + key: "/library/parts/408640/1557748071/file.mkv", + duration: 2556576, + file: "/mnt/TV_2/Lost (2004)/Season 06/Lost - S06E12.mkv", + size: 1211204131, + container: "mkv", + videoProfile: "high" + } + ] + } + ], + Image: [ + { + alt: "Everybody Loves Hugo", + type: "coverPoster", + url: "/library/metadata/130325/thumb/1720395481" + }, + { + alt: "Everybody Loves Hugo", + type: "snapshot", + url: "/library/metadata/130337/thumb/1720395481" + }, + { + alt: "Everybody Loves Hugo", + type: "background", + url: "/library/metadata/102816/art/1738912304" + }, + { + alt: "Everybody Loves Hugo", + type: "clearLogo", + url: "/library/metadata/102816/clearLogo/1738912304" + } + ], + UltraBlurColors: { + topLeft: "1f350f", + topRight: "2e4e2b", + bottomRight: "274724", + bottomLeft: "1f4319" + }, + Director: [ + { + tag: "Daniel Attias" + } + ], + Writer: [ + { + tag: "Adam Horowitz" + }, + { + tag: "Edward Kitsis" + } + ], + Role: [ + { + tag: "Matthew Fox" + }, + { + tag: "Evangeline Lilly" + }, + { + tag: "Terry O'Quinn" + } + ] + } + ] + } + } + + validateResponseSpec( + "/library/sections/{sectionKey}/all", + "get", + 200, + response + ) + }) + + it("should validate the 200 response with type=9 (Music) when the API spec is valid", () => { + const response = { + MediaContainer: { + size: 99, + allowSync: true, + art: "/:/resources/artist-fanart.jpg", + content: "secondary", + identifier: "com.plexapp.plugins.library", + librarySectionID: 15, + librarySectionTitle: "Lossless", + librarySectionUUID: "88ff2501-0c54-49d5-903d-d76a54bf3442", + mediaTagPrefix: "/system/bundle/media/flags/", + mediaTagVersion: 1734358180, + nocache: true, + thumb: "/:/resources/artist.png", + title1: "Lossless", + title2: "All Artists", + viewGroup: "artist", + Metadata: [ + { + ratingKey: "28146", + key: "/library/metadata/28146/children", + parentRatingKey: "28115", + guid: "plex://album/5d07ca42403c640290d10d9f", + parentGuid: "plex://artist/5d07bf1b403c64029071467a", + studio: "Sumerian Records", + type: "album", + title: "Bad Omens", + parentKey: "/library/metadata/28115", + parentTitle: "Bad Omens", + summary: + "Bad Omens is the debut self-titled studio album by American metal band Bad Omens. It was released on August 19, 2016, through Sumerian Records. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.", + index: 1, + year: 2016, + thumb: "/library/metadata/28146/thumb/1738341990", + art: "/library/metadata/28115/art/1738341987", + parentThumb: "/library/metadata/28115/thumb/1738341987", + originallyAvailableAt: "2016-08-19", + addedAt: 1738341988, + updatedAt: 1738341990, + Image: [ + { + alt: "Bad Omens", + type: "coverPoster", + url: "/library/metadata/28146/thumb/1738341990" + }, + { + alt: "Bad Omens", + type: "background", + url: "/library/metadata/28115/art/1738341987" + } + ], + UltraBlurColors: { + topLeft: "3b250e", + topRight: "480903", + bottomRight: "56261c", + bottomLeft: "4e1311" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28116", + key: "/library/metadata/28116/children", + parentRatingKey: "28115", + guid: "plex://album/618d41de4c451f5a44bc7aac", + parentGuid: "plex://artist/5d07bf1b403c64029071467a", + studio: "Sumerian Records", + type: 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"28228", + guid: "plex://album/615fe23f4c451f5a44d57241", + parentGuid: "plex://artist/5d07bfaa403c640290782ba1", + studio: "Better Noise Music", + type: "album", + title: "Dear Monsters (deluxe)", + parentKey: "/library/metadata/28228", + parentTitle: "Bad Wolves", + summary: "", + index: 1, + year: 2021, + thumb: "/library/metadata/28362/thumb/1738347350", + art: "/library/metadata/28228/art/1738347347", + parentThumb: "/library/metadata/28228/thumb/1738347347", + originallyAvailableAt: "2021-10-29", + addedAt: 1738347345, + updatedAt: 1738347350, + Image: [ + { + alt: "Dear Monsters (deluxe)", + type: "coverPoster", + url: "/library/metadata/28362/thumb/1738347350" + }, + { + alt: "Dear Monsters (deluxe)", + type: "background", + url: "/library/metadata/28228/art/1738347347" + } + ], + UltraBlurColors: { + topLeft: "5b0303", + topRight: "b10a09", + bottomRight: "83090b", + bottomLeft: "2f0303" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28229", + key: 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ratingKey: "28204", + key: "/library/metadata/28204/children", + parentRatingKey: "28203", + guid: "plex://album/5d07c3a0403c640290989b4e", + parentGuid: "plex://artist/5d07bc25403c6402904c55d9", + studio: "Warner Music Canada", + type: "album", + title: "Billy Talent III", + parentKey: "/library/metadata/28203", + parentTitle: "Billy Talent", + summary: + 'Adding swampy blues-rock and down-home muscle riffs to their punk-pop template, Billy Talent\'s third album, aptly titled Billy Talent III, owes as much to Zeppelin rock stomps as it does to latter-day Green Day. In the start of "Rusted from the Rain," vocalist Ben Kowalewicz sounds like a dead ringer for Billie Joe Armstrong in "Boulevard of Broken Dreams," but by the grungy, drop-D chorus of "Crush me like a flower, rusted in the rain/Strip me of my power, beat me with a chain" bombast kicks in and it\'s more like Jeff Buckley fronting Soundgarden. If it sounds like the Ontario quartet has replaced their Buzzcocks-influenced art-punk roots, it\'s because they have. It\'s a questionable move, but songs like "Tears into Wine" show that Billy Talent\'s venture into biting arena rock shows promise. While the songs are slicker and less snide, they\'re surely not obvious or easily calculated. The group\'s still too beefy and weird to fit the emo-pop label. It\'s common for punk groups to turn face and go this softer route, and while Billy Talent might be on this path, especially with Warped Tour gigs, for now it seems like they\'re intent on carving their own niche. The problem is that the music often becomes pulled in too many directions. When they try their hand at reggae-rock in the "Can\'t Stand Losing You"-reminiscent "Diamond in a Landmine" it sounds forced, and "The Dead Can\'t Testify" includes a confusing juxtaposition of minstrel hammerchord and metal grooves. Strangely though, when they stretch farthest away from their origins, as they do on the plodding power ballad "Sudden Movements," their sound takes a turn for the best. ~ Jason Lymangrover', + index: 1, + rating: 6.0, + year: 2009, + thumb: "/library/metadata/28204/thumb/1738344934", + art: "/library/metadata/28203/art/1738344933", + parentThumb: "/library/metadata/28203/thumb/1738344933", + originallyAvailableAt: "2009-06-30", + addedAt: 1738344931, + updatedAt: 1738344934, + Image: [ + { + alt: "Billy Talent III", + type: "coverPoster", + url: "/library/metadata/28204/thumb/1738344934" + }, + { + alt: "Billy Talent III", + type: "background", + url: "/library/metadata/28203/art/1738344933" + } + ], + UltraBlurColors: { + topLeft: "472303", + topRight: "152604", + bottomRight: "141f03", + bottomLeft: "030c03" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28243", + key: "/library/metadata/28243/children", + parentRatingKey: "28203", + guid: "plex://album/61656e864c451f5a44302d7b", + parentGuid: "plex://artist/5d07bc25403c6402904c55d9", + studio: "Spinefarm Records", + type: "album", + title: "Crisis of Faith", + parentKey: "/library/metadata/28203", + parentTitle: "Billy Talent", + summary: + 'On 2016\'s Afraid of Heights, Canadian hard rock mainstays Billy Talent stared fear and anxiety in the face and struck an ideal balance between energy and message, delivering one of the best albums in their catalog. Six years later, they confront negativity and darkness once again on Crisis of Faith, ten tracks of cathartic release and hardened hope from a band still digesting the chaotic years between releases. Executive produced by guitarist and main songwriter Ian D\'Sa, Faith sticks close to their winning formula, offering a few artistic surprises to push the group forward. Opening salvo "Forgiveness I + II" is an instant standout, a two-part prog exercise that unfolds from a crunchy riff-packed assault into an unexpected midtempo, horn-backed epic. It\'s one of the most daring and satisfying creative moves in their decades-long career. Aside from the somber, string-washed ballad "The Wolf," the rest of the set is fairly standard Billy Talent fare, with snaking riffs and pounding drums sending highlights like the urgent call-to-arms "Reckless Paradise" and the motivating "I Beg to Differ (This Will Get Better)" careening across imagined arenas. A trio of melodic earworms -- the cautionary "Hanging Out with All the Wrong People," "One Less Problem," and "End of Me" with Weezer\'s Rivers Cuomo -- tackles bad influences, frustrating friends, and the pressures of the world with deceptively catchy songwriting, while the raucous punk blast "Judged" dispenses with pleasantries as frontman Ben Kowalewicz, D\'Sa, and bassist Jon Gallant rail against bigotry and discrimination on the LP\'s most thrilling assault. As the uplifting positivity of "For You" closes the album on an optimistic note, Billy Talent takes the storm of emotions churning through the preceding cuts and salvages the light that remains, avoiding the titular inner conflict by focusing on that which gives us hope and peace. ~ Neil Z. Yeung', + index: 1, + rating: 8.0, + year: 2022, + thumb: "/library/metadata/28243/thumb/1738345161", + art: "/library/metadata/28203/art/1738344933", + parentThumb: "/library/metadata/28203/thumb/1738344933", + originallyAvailableAt: "2022-01-21", + addedAt: 1738345158, + updatedAt: 1738345161, + Image: [ + { + alt: "Crisis of Faith", + type: "coverPoster", + url: "/library/metadata/28243/thumb/1738345161" + }, + { + alt: "Crisis of Faith", + type: "background", + url: "/library/metadata/28203/art/1738344933" + } + ], + UltraBlurColors: { + topLeft: "1c351a", + topRight: "356a4d", + bottomRight: "406a3e", + bottomLeft: "326a54" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ], + Collection: [ + { + tag: "Super hi res" + } + ] + }, + { + ratingKey: "27027", + key: "/library/metadata/27027/children", + parentRatingKey: "27026", + guid: "plex://album/5d07cc8e403c640290e8f051", + parentGuid: "plex://artist/5d07bc6f403c640290504401", + studio: "RCA", + type: "album", + title: "amo", + parentKey: "/library/metadata/27026", + parentTitle: "Bring Me the Horizon", + summary: + 'Fully committing to the mainstream-leaning direction of 2015\'s That\'s the Spirit, English quintet Bring Me the Horizon takes that ethos ten steps further with their daring sixth album, Amo. While its predecessor was already considered divisive for fans of the formerly deathcore/metalcore outfit, this is the one that could really split the fan base. Amo is the sound of a completely rebooted band. The results are refreshing and exciting, but shouldn\'t be entirely unexpected given Spirit\'s poppiest moments and frontman Oli Sykes\' ever-changing vocal delivery. Here, Bring Me the Horizon have perfected a post-hardcore/pop blend (popcore?) that is daring and experimental, absorbing elements from the realms of electronic, synth pop, and trap while weaving them effortlessly with their existing base of pummeling drums, crushing riffs, the occasional throat-shredding screaming, and even orchestral embellishments inspired by their 2016 stint at the Royal Albert Hall. The second effort to be produced by Sykes and bandmate Jordan Fish, Amo centers on its titular theme of love, covering the spectrum from pure romance to toxic passion and the shades between that were mainly inspired by Sykes\' 2016 infidelity-inspired divorce and his 2017 second marriage. Surprisingly, much of the pain is reserved for the more subdued moments like the atmospheric "I Apologise If You Feel Something"; the patient "In the Dark," which sounds like an angsty Ed Sheeran number; the electro-washed "Ouch"; and the dreamy future house "Fresh Bruises." The pure pop single "Medicine" shocks simply with its accessibility and mainstream-ready hook, while "Mother Tongue" is soaring and sugary, showcasing Sykes\' tender and earnest vocal delivery. While this may seem worrisome for listeners expecting a taste of something heavy, Bring Me the Horizon are sure not to completely alienate their loyal fans, reserving the vitriol for Amo\'s heaviest moments. Lead single "Mantra" is the big singalong anthem, heavy enough to stand alongside the highlights on That\'s the Spirit, while the apocalyptic "Wonderful Life" with Cradle of Filth\'s Dani Filth and the cheekily titled "Sugar Honey Ice & Tea" crash and boom with aplomb. One of the album\'s biggest risks -- and its exhilarating standout -- is "Nihilist Blues," a collaboration with art-popster Grimes that resurrects the throbbing Eurodance of the \'90s in a dark rave that recalls the AFI industrial-techno side project Blaqk Audio. While a little old-fashioned bloodletting might be welcome for familiarity\'s sake, Bring Me the Horizon\'s early albums are available for those purging needs. Amo is a genre-bending thrill ride that marks a brave new era for the band. Placing a significant amount of trust in their fan base, Bring Me the Horizon deliver an utterly refreshing and forward-thinking statement that finds them in complete control of their vision. ~ Neil Z. Yeung', + index: 1, + rating: 7.0, + year: 2019, + thumb: "/library/metadata/27027/thumb/1738339877", + art: "/library/metadata/27026/art/1738339876", + parentThumb: "/library/metadata/27026/thumb/1738339876", + originallyAvailableAt: "2019-01-25", + addedAt: 1738339874, + updatedAt: 1738339877, + Image: [ + { + alt: "amo", + type: "coverPoster", + url: "/library/metadata/27027/thumb/1738339877" + }, + { + alt: "amo", + type: "background", + url: "/library/metadata/27026/art/1738339876" + } + ], + UltraBlurColors: { + topLeft: "570f0a", + topRight: "662a29", + bottomRight: "9f3429", + bottomLeft: "a23022" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27041", + key: "/library/metadata/27041/children", + parentRatingKey: "27026", + guid: "plex://album/5d07c716403c640290b5e422", + parentGuid: "plex://artist/5d07bc6f403c640290504401", + studio: "RCA", + type: "album", + title: "Sempiternal", + parentKey: "/library/metadata/27026", + parentTitle: "Bring Me the Horizon", + summary: + "While many have tried, few bands have merged metalcore with electronic influences quite like Bring Me the Horizon, who complete their transition from faceless deathcore band to something altogether more interesting with their fourth album, Sempiternal. Produced by Terry Date, the same producer who worked on the Deftones' 2000 art metal masterpiece, White Pony, the album finds the band almost reinventing its style, diving headfirst into the kinds of atmospheric flourishes that were only hinted at on There Is a Hell, Believe Me I've Seen It, There Is a Heaven, Let's Keep It a Secret. What makes Bring Me the Horizon's evolution so interesting isn't so much the change in their sound, but how they got there. Rather than adding and subtracting elements wholesale, it feels as though the band has been tinkering little by little, adjusting the ratios to achieve just the right balance of ambience and aggression. Where other bands might have synths slapped on top of their sound, here they feel like they're part of the foundation of the songs, creating a soundscape for the rest of the elements to drift through instead of around. Though fans of the band's earlier works might see this kind of change as an unwelcome invader, they certainly can't say it's one they didn't see coming. Bring Me the Horizon have been working slowly but surely to refine their sound for years now, and with Sempiternal, it feels like their patience and hard work are finally beginning to pay dividends. ~ Gregory Heaney", + index: 1, + rating: 8.0, + year: 2013, + thumb: "/library/metadata/27041/thumb/1738339878", + art: "/library/metadata/27026/art/1738339876", + parentThumb: "/library/metadata/27026/thumb/1738339876", + originallyAvailableAt: "2013-03-29", + addedAt: 1738339875, + updatedAt: 1738339878, + Image: [ + { + alt: "Sempiternal", + type: "coverPoster", + url: "/library/metadata/27041/thumb/1738339878" + }, + { + alt: "Sempiternal", + type: "background", + url: "/library/metadata/27026/art/1738339876" + } + ], + UltraBlurColors: { + topLeft: "482208", + topRight: "884c16", + bottomRight: "93431b", + bottomLeft: "0f020c" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27889", + key: "/library/metadata/27889/children", + parentRatingKey: "27026", + guid: "plex://album/5d07c974403c640290c8f095", + parentGuid: "plex://artist/5d07bc6f403c640290504401", + studio: "RCA", + type: "album", + title: "That’s the Spirit", + parentKey: "/library/metadata/27026", + parentTitle: "Bring Me the Horizon", + summary: + 'The 2013 release Sempiternal saw the English decibel pushers more or less obliterating their deathcore past with a soaring set of aggro-alt-rock anthems that were as darkly lush as they were emotionally punishing. That\'s the Spirit, Bring Me the Horizon\'s fifth studio long-player, completes that sea change by incorporating more electronic elements into the mix and moving even closer to the mainstream via a bevy of meaty, melodic hooks and fist-pumping, stadium-ready choruses that invoke names like Linkin Park, Avenged Sevenfold, 30 Seconds to Mars, and even late-\'90s Metallica. What they haven\'t left behind is the generalist angst, as evidenced by second-hand embarrassment-inducing gems like "True friends stab you in the front" and "My heart\'s a hieroglyph, it talks in tongues," but Bring Me the Horizon\'s penchant for wallowing in social dystopia is tempered by their newfound proclivity for dabbling in big, unabashed pop pageantry. That they manage to keep the edges of those populist tendencies razor-sharp is what keeps That\'s the Spirit from dissolving into a puddle of alt-rock/nu metal bandwagon treacle. Standout cuts like "Throne," "Drown," "Doomed," and, most auspiciously, the fevered, pom-pom-led "Happy Song" are as snarky as they are apoplectic, with frontman Oliver Sykes, who relies almost solely on his clean voice this time around, delivering the bad news with measured conviction. What\'s most surprising is how natural it all feels, but that\'s due in large part to the long-form recalibration of the band\'s sound. By entering the mainstream one limb (album) at a time, Bring Me the Horizon are merely reaping what they\'ve sown, and longtime fans should already feel acclimated to the water. ~ James Christopher Monger', + index: 1, + rating: 9.0, + year: 2015, + thumb: "/library/metadata/27889/thumb/1738341841", + art: "/library/metadata/27026/art/1738339876", + parentThumb: "/library/metadata/27026/thumb/1738339876", + originallyAvailableAt: "2015-09-04", + addedAt: 1738341839, + updatedAt: 1738341841, + Image: [ + { + alt: "That’s the Spirit", + type: "coverPoster", + url: "/library/metadata/27889/thumb/1738341841" + }, + { + alt: "That’s the Spirit", + type: "background", + url: "/library/metadata/27026/art/1738339876" + } + ], + UltraBlurColors: { + topLeft: "360a72", + topRight: "500f13", + bottomRight: "440f8c", + bottomLeft: "500f13" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26355", + key: "/library/metadata/26355/children", + parentRatingKey: "26339", + guid: 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"/library/metadata/26658", + parentTitle: "Dalal", + summary: "", + index: 1, + year: 2023, + thumb: "/library/metadata/26659/thumb/1738337658", + parentThumb: "/library/metadata/26658/thumb/1738337658", + originallyAvailableAt: "2023-01-06", + addedAt: 1738337656, + updatedAt: 1738337658, + Image: [ + { + alt: "The Einaudi Experience", + type: "coverPoster", + url: "/library/metadata/26659/thumb/1738337658" + } + ], + UltraBlurColors: { + topLeft: "2b2e2e", + topRight: "373a39", + bottomRight: "282d2f", + bottomLeft: "37200b" + } + }, + { + ratingKey: "27922", + key: "/library/metadata/27922/children", + parentRatingKey: "27921", + guid: "plex://album/63c86fbcff0a97e9393f05cd", + parentGuid: "mbid://516cef4d-0718-4007-9939-f9b38af3f784", + studio: "Fueled by Ramen", + type: "album", + title: "So Much (for) Stardust", + parentKey: "/library/metadata/27921", + parentTitle: "Fall Out Boy", + summary: "", + index: 1, + year: 2023, + thumb: "/library/metadata/27922/thumb/1738341861", + 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It's difficult to separate the album's short shelf-life from the culture's sudden lockdown but in any case, Father didn't open up a new horizon for Green Day, so they went back to what they know works: heavy, hooky power pop given crunch and weight by Rob Cavallo, the producer who helped beef up their sound 30 years prior on their major-label debut Dookie. Saviors follows the same rough blueprint as its forefather -- garagey rockers are countered by exuberant melodies and wistful ballads -- but the trio is smart enough to not attempt to mimic either the snottiness or their frenetic rhythms here. Green Day sound exactly like what they are: rock & roll lifers settling into middle age, irritated by some shifts in culture but still finding sustenance in the music they've loved for decades. They may rhapsodize about a \"Corvette Summer\" in a salute to the glory days of pre-MTV AOR but age hasn't made them crankily conservative or excessively nostalgic. Green Day send certain catchy rock styles from the past through a loud, muscular filter, an execution that tempers their lingering punk influences without seeming lumbering or slow. The ballast makes Saviors seem streamlined and steady, a shift in emphasis that is impossible to ignore on first listen; they seem as if they're retracting. After that initial impression fades, Saviors sounds cleaner, stronger, and purposeful, all due to the still-sharp pop instincts of Bille Joe Armstrong. Age may dampen Green Day's roar, but it has also heightened their songcraft, and that's reason enough to give Saviors time to let its hooks sink in. ~ Stephen Thomas Erlewine", + index: 1, + rating: 7.0, + year: 2024, + thumb: "/library/metadata/27686/thumb/1738341781", + art: "/library/metadata/27685/art/1738341781", + parentThumb: "/library/metadata/27685/thumb/1738341781", + originallyAvailableAt: "2024-01-19", + addedAt: 1738341778, + updatedAt: 1738341781, + Image: [ + { + alt: "Saviors", + type: "coverPoster", + url: "/library/metadata/27686/thumb/1738341781" + }, + { + alt: "Saviors", + type: "background", + url: "/library/metadata/27685/art/1738341781" + } + ], + UltraBlurColors: { + topLeft: "58002e", + topRight: "030f04", + bottomRight: "aa005e", + bottomLeft: "1a1b1b" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27468", + key: "/library/metadata/27468/children", + parentRatingKey: "27467", + guid: "plex://album/62728ab6ad4aee8d8b10b37a", + parentGuid: "mbid://eaed2193-e026-493b-ac57-113360407b06", + studio: "Atlantic", + type: "album", + title: "Back From the Dead", + parentKey: "/library/metadata/27467", + parentTitle: "Halestorm", + summary: + 'The follow-up to 2018\'s Grammy-nominated Vicious, Back from the Dead, sees the Lzzy Hale-fronted rockers deliver a potent set of songs inspired by Hale\'s self-described "journey of navigating mental health, debauchery, survival, redemption, and rediscovery" during the Covid-19 pandemic. Halestorm\'s fifth full-length effort, the album was produced by Nick Raskulinecz and includes the singles "The Steeple" and "Back from the Dead," the latter of which became the group\'s sixth single to reach number one on the Active Rock charts.', + index: 1, + year: 2022, + thumb: "/library/metadata/27468/thumb/1738341350", + originallyAvailableAt: "2022-05-06", + addedAt: 1738341347, + updatedAt: 1738341350, + Image: [ + { + alt: "Back From the Dead", + type: "coverPoster", + url: "/library/metadata/27468/thumb/1738341350" + } + ], + UltraBlurColors: { + topLeft: "590b06", + topRight: "ac1c13", + bottomRight: "6b100b", + bottomLeft: "ac1b13" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ], + Collection: [ + { + tag: "Super hi res" + } + ] + }, + { + ratingKey: "27938", + key: "/library/metadata/27938/children", + parentRatingKey: "27937", + guid: "plex://album/62d32aa4700e44e58662b70c", + parentGuid: "mbid://1921c28c-ec61-4725-8e35-38dd656f7923", + studio: "Fearless Records", + type: "album", + title: "TRUE POWER", + parentKey: "/library/metadata/27937", + parentTitle: "I Prevail", + summary: + 'Following their Grammy-nominated 2019 effort Trauma, Michigan post-hardcore act I Prevail returned with the genre-blurring True Power. Infusing their typical aggressive attack with electronic production heft and some cross-genre wizardry, the band expands their approach to cinematic levels, akin to similar evolutions by fellow metalcore contemporaries like Bring Me the Horizon. Still retaining their core sound, they stretch their limits in melodic and attention-grabbing ways. Their clean/dirty vocal assault is merged with rapping on the churning "Bad Things" and "FWYTYK," while the yearning "Deep End" and "Closure" are borderline pop. "Choke" respectfully channels the rock-rap-electronic formula of predecessors Linkin Park, just as the album\'s most unhinged material explodes from the tape like Slipknot, bashing listeners on tracks like the pummeling "Body Bag" and "Visceral." There\'s something here for every variant of scene kid, whipping from brutality to melodic beauty within seconds, resulting in their most accessible and addictive album to date. ~ Neil Z. Yeung', + index: 1, + rating: 8.0, + year: 2022, + thumb: "/library/metadata/27938/thumb/1738341873", + originallyAvailableAt: "2022-08-19", + addedAt: 1738341868, + updatedAt: 1738341873, + Image: [ + { + alt: "TRUE POWER", + type: "coverPoster", + url: "/library/metadata/27938/thumb/1738341873" + } + ], + UltraBlurColors: { + topLeft: "041f27", + topRight: "265575", + bottomRight: "0a619e", + bottomLeft: "1f6171" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27520", + key: "/library/metadata/27520/children", + parentRatingKey: "27519", + guid: "plex://album/60f0c1c16b1e1d130251e26c", + parentGuid: "plex://artist/5d07bcae403c640290538fd3", + studio: "Fearless Records", + type: "album", + title: "Welcome to Horrorwood: The Silver Scream 2", + parentKey: "/library/metadata/27519", + parentTitle: "Ice Nine Kills", + summary: + "The Silver Scream 2: Welcome to Horrorwood is the long awaited sixth studio album by the American heavy metal band Ice Nine Kills, released on October 15, 2021. It is a follow-up and sequel to the band’s 2018 album, The Silver Scream, which was also inspired by horror films. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.", + index: 1, + year: 2021, + thumb: "/library/metadata/27520/thumb/1738341583", + art: "/library/metadata/27519/art/1738341583", + parentThumb: "/library/metadata/27519/thumb/1738341583", + originallyAvailableAt: "2021-10-15", + addedAt: 1738341580, + updatedAt: 1738341583, + Image: [ + { + alt: "Welcome to Horrorwood: The Silver Scream 2", + type: "coverPoster", + url: "/library/metadata/27520/thumb/1738341583" + }, + { + alt: "Welcome to Horrorwood: The Silver Scream 2", + type: "background", + url: "/library/metadata/27519/art/1738341583" + } + ], + UltraBlurColors: { + topLeft: "142f4a", + topRight: "203964", + bottomRight: "933e47", + bottomLeft: "2c4e83" + } + }, + { + ratingKey: "26511", + key: "/library/metadata/26511/children", + parentRatingKey: "26437", + guid: "plex://album/5d07cb05403c640290d9845f", + parentGuid: "plex://artist/5d07bdc5403c64029061d628", + studio: "KIDinaKORNER", + type: "album", + title: "Evolve", + parentKey: "/library/metadata/26437", + parentTitle: "Imagine Dragons", + summary: + 'Imagine Dragons give away the plot with the very title of Evolve, the 2017 sequel to 2015\'s sophomore set, Smoke + Mirrors. Not content to stay in one emotional or musical spot, Imagine Dragons consciously move forward on Evolve, pushing themselves into a positive place, a transition that mirrors lead singer Dan Reynolds working through a heavy depression. Some of that darkness seeped into Smoke + Mirrors, but it\'s not heard here. Opening with "I Don\'t Know Why," a glitzy dance-rock song that nods at a disco past but exists in an EDM present, the record often rides along to a neon pulse. It\'s not that Imagine Dragons have abandoned the heavy-footed stomp they patented on "Radioactive," but they\'ve threaded in busy, percolating electronic beats and give plenty of space to gilded keyboards. When the tempo is quick, the results are festival-friendly electro-rockers. When the tempo is slow, the results feel like a hybrid of Coldplay and Mr. Mister -- power rock ballads spiked with laser drums. As throwback as that sensibility may be, the band strives to be thoroughly modern, emphasizing rhythms and gargantuan hooks to tightly constructed compositions. Whenever the group tries a new sound -- pumping up "Mouth of the River" with fuzz guitars or attempting a bit of rap-rock on "Start Over" -- it feels not like experimentation but like a quick scan through a new music playlist. And that means Evolve feels very much like the digital Zeitgeist of 2017: good intentions aside, its bold, colorful textures elbow aside any notions of introspection or reflection. ~ Stephen Thomas Erlewine', + index: 1, + rating: 8.0, + year: 2017, + thumb: "/library/metadata/26511/thumb/1738337662", + art: "/library/metadata/26437/art/1682179504", + parentThumb: "/library/metadata/26437/thumb/1682179504", + originallyAvailableAt: "2017-06-23", + addedAt: 1738337567, + updatedAt: 1738337662, + Image: [ + { + alt: "Evolve", + type: "coverPoster", + url: "/library/metadata/26511/thumb/1738337662" + }, + { + alt: "Evolve", + type: "background", + url: "/library/metadata/26437/art/1682179504" + } + ], + UltraBlurColors: { + topLeft: "212957", + topRight: "81511b", + bottomRight: "376c29", + bottomLeft: "165ea6" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ], + Collection: [ + { + tag: "Super hi res" + } + ] + }, + { + ratingKey: "26488", + key: "/library/metadata/26488/children", + parentRatingKey: "26437", + guid: "plex://album/5d810d32e019a48cf5eb1a0f", + parentGuid: "plex://artist/5d07bdc5403c64029061d628", + studio: "Interscope Records / KIDinaKORNER", + type: "album", + title: "Hitlist: The Greatest of Imagine Dragons", + parentKey: "/library/metadata/26437", + parentTitle: "Imagine Dragons", + summary: "", + index: 1, + year: 2018, + thumb: "/library/metadata/26488/thumb/1738337575", + art: "/library/metadata/26437/art/1682179504", + parentThumb: "/library/metadata/26437/thumb/1682179504", + originallyAvailableAt: "2018-01-01", + addedAt: 1738337495, + updatedAt: 1738337575, + Image: [ + { + alt: "Hitlist: The Greatest of Imagine Dragons", + type: "coverPoster", + url: "/library/metadata/26488/thumb/1738337575" + }, + { + alt: "Hitlist: The Greatest of Imagine Dragons", + type: "background", + url: "/library/metadata/26437/art/1682179504" + } + ], + UltraBlurColors: { + topLeft: "471743", + topRight: "832654", + bottomRight: "751e47", + bottomLeft: "351334" + } + }, + { + ratingKey: "26438", + key: "/library/metadata/26438/children", + parentRatingKey: "26437", + guid: "plex://album/62b629a55e5872e9502439ad", + parentGuid: "plex://artist/5d07bdc5403c64029061d628", + studio: "Interscope Records", + type: "album", + title: "Mercury – Acts 1 & 2", + parentKey: "/library/metadata/26437", + parentTitle: "Imagine Dragons", + summary: + 'Compiling two previously released installments in the form of Mercury: Acts 1 & 2, Imagine Dragons present the full experience that combines the track listings from 2021\'s Act 1 and 2022\'s 2. While all versions add the hit single "Enemy" with [JID from the Arcane League of Legends soundtrack, the standard double-CD omits the digital-only bonus "I Wish" from Act 2]. ~ Neil Z. Yeung', + index: 1, + rating: 7.0, + year: 2022, + thumb: "/library/metadata/26438/thumb/1682180208", + art: "/library/metadata/26437/art/1682179504", + parentThumb: "/library/metadata/26437/thumb/1682179504", + originallyAvailableAt: "2022-07-01", + addedAt: 1738337336, + updatedAt: 1682180208, + Image: [ + { + alt: "Mercury – Acts 1 & 2", + type: "coverPoster", + url: "/library/metadata/26438/thumb/1682180208" + }, + { + alt: "Mercury – Acts 1 & 2", + type: "background", + url: "/library/metadata/26437/art/1682179504" + } + ], + UltraBlurColors: { + topLeft: "570e10", + topRight: "6d1819", + bottomRight: "9c2329", + bottomLeft: "711919" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26548", + key: "/library/metadata/26548/children", + parentRatingKey: "26437", + guid: "plex://album/5d07c694403c640290b22dde", + parentGuid: "plex://artist/5d07bdc5403c64029061d628", + studio: "Interscope Records", + type: "album", + title: "Night Visions", + parentKey: "/library/metadata/26437", + parentTitle: "Imagine Dragons", + summary: + "Historically, there's a progression that bands usually follow before their sound goes full-on arena rock. Things will start small and gritty, and then as the fame and crowds build, the sound changes to match the massiveness of the venues. However, on their debut album, Imagine Dragons buck tradition and swing straight for the cheap seats, doing away with generations of sonic evolution in favor of the huge, arena-made sound of Night Visions. Dramatic and sweeping, the Las Vegas band works in the same vein as pop giants Coldplay, offering up track after track of hooky and emotional midtempo jams. While a move like this might seem overly ambitious for a freshman band, Imagine Dragons are able to pull the sound off, with songs like the already ubiquitous, seemingly soundtrack-ready \"It's Time\" having no trouble worming their way into whatever part of the brain it is that likes to trap songs against listeners' will. The problem is, while the band's electronically reinforced sound is definitely big, it sometimes feels as though it lacks depth. Despite this, \"Every Night\" will certainly have some listeners unconsciously reaching for a lighter to wave in the air before they realize what they're doing, and it's exactly these kinds of surface pleasures that we turn to pop music for in the first place. What this means is that even though Imagine Dragons might have skipped a few steps along the way to their arena sound, Night Visions is still an album that, at least for a few minutes at a time, will make everyday life seem just a little bit bigger. ~ Gregory Heaney", + index: 1, + rating: 8.0, + year: 2012, + thumb: "/library/metadata/26548/thumb/1738337651", + art: "/library/metadata/26437/art/1682179504", + parentThumb: "/library/metadata/26437/thumb/1682179504", + originallyAvailableAt: "2012-09-04", + addedAt: 1738337648, + updatedAt: 1738337651, + Image: [ + { + alt: "Night Visions", + type: "coverPoster", + url: "/library/metadata/26548/thumb/1738337651" + }, + { + alt: "Night Visions", + type: "background", + url: "/library/metadata/26437/art/1682179504" + } + ], + UltraBlurColors: { + topLeft: "451b40", + topRight: "131332", + bottomRight: "53585b", + bottomLeft: "272c32" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26471", + key: "/library/metadata/26471/children", + parentRatingKey: "26437", + guid: "plex://album/5d07cc90403c640290e90319", + parentGuid: "plex://artist/5d07bdc5403c64029061d628", + studio: "KIDinaKORNER", + type: "album", + title: "Origins", + parentKey: "/library/metadata/26437", + parentTitle: "Imagine Dragons", + summary: + 'Delivered swiftly after Evolve -- it follows that 2017 set by a mere 17 months, practically a blip in the context of modern pop -- Origins adheres to its predecessor\'s kaleidoscopic digital aesthetic. Nominally a rock band -- and they\'re more than comfortable pulsing to a big, banging beat -- Imagine Dragons are deliberately amorphous, a blob rolling along sucking up anything in its path. Often, they\'re content patrolling their own backyard, relying on an EDM-inflected arena rock that consciously recalls Coldplay at both their sweetest and most urgent. The difference with Origins is, this blob sucks up a bunch of different sounds. "Only" shimmers with retro-synths that stir up the ghosts of new wave, "West Coast" stomps like early Mumford & Sons, "Machine" bounces to a malicious industrial throb, "Cool Out" glides along to a neon-lit groove. Every one of these slight variations in sound do fit within the wheelhouse of Imagine Dragons, but that\'s only because the group takes pains to be able to fit onto every kind of playlist imaginable: rock, pop, electronic, soul -- any popular sound that can be sculpted and shaped by a streaming service. As such, listening to Origins uncannily re-creates what it\'s like to experience -- or maybe more accurately, consume -- popular rock-oriented music in 2018: everything sounds vaguely familiar, vaguely connected, all designed to function as a soundtrack to whatever task you\'d like. ~ Stephen Thomas Erlewine', + index: 1, + rating: 6.0, + year: 2018, + thumb: "/library/metadata/26471/thumb/1682179509", + art: "/library/metadata/26437/art/1682179504", + parentThumb: "/library/metadata/26437/thumb/1682179504", + originallyAvailableAt: "2018-11-09", + addedAt: 1738337442, + updatedAt: 1682179509, + Image: [ + { + alt: "Origins", + type: "coverPoster", + url: "/library/metadata/26471/thumb/1682179509" + }, + { + alt: "Origins", + type: "background", + url: "/library/metadata/26437/art/1682179504" + } + ], + UltraBlurColors: { + topLeft: "1a351f", + topRight: "336a52", + bottomRight: "3d6a41", + bottomLeft: "3a6a45" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26526", + key: "/library/metadata/26526/children", + parentRatingKey: "26437", + guid: "plex://album/5d07c8f8403c640290c4885e", + parentGuid: "plex://artist/5d07bdc5403c64029061d628", + studio: "KIDinaKORNER", + type: "album", + title: "Smoke + Mirrors", + parentKey: "/library/metadata/26437", + parentTitle: "Imagine Dragons", + summary: + "Conspicuously absent from the laundry list of influences the Imagine Dragons so often cite is the Killers, the only other Las Vegas rock band of note. Imagine Dragons downplay the glamour the Killers found so alluring but they share a taste for the overblown, something that comes to full fruition on their second album, Smoke + Mirrors. Bigger and bolder than 2012's Night Visions, Smoke + Mirrors captures a band so intoxicated with their sudden surprise success that they've decided to indulge in every excess. They ratchet up their signature stomp -- it's there on \"I Bet My Life,\" the first single and a song that's meant to reassure fans that they're not going to get something different the second time around -- but they've also wisely decided to broaden their horizons, seizing the possibilities offered by fellow arena rockers Coldplay and Black Keys. Despite the bloozy bluster of \"I'm So Sorry\" -- a Black Keys number stripped of any sense of R&B groove -- the group usually favors the sky-scraping sentiment of Coldplay, but where Chris Martin's crew often seems pious, there's a genial bros-next-door quality to Imagine Dragons that deflates their grandiosity. Certainly, Smoke + Mirrors is rock so large it's cavernous -- the reverb nearly functions as a fifth instrument in the band -- but the group's straight-faced commitment to the patently ridiculous has its charm, particularly because they possess no sense of pretension. This separates ID from the Killers, who never met a big idea they didn't like. Imagine Dragons like big sounds and big emotions -- and, if they can muster it, big hooks -- and the commitment to style over substance gives them ingratiating charm, particularly when they decide to thread in slight elements of EDM on \"Shots\" (something that surfaces on the title track as well), or Vampire Weekend's worldbeat flirtations on \"Summer.\" Imagine Dragons purposefully cobble their sound together from these heavy-hitters of alt-rock, straightening them into something easily digestible for the masses but, like so many commercially minded combos, how they assemble these familiar pieces often results in pleasingly odd combinations. These guys are shameless and that's what makes them more fun than your average arena rockers. ~ Stephen Thomas Erlewine", + index: 1, + rating: 7.0, + year: 2015, + thumb: "/library/metadata/26526/thumb/1738337651", + art: "/library/metadata/26437/art/1682179504", + parentThumb: "/library/metadata/26437/thumb/1682179504", + originallyAvailableAt: "2015-02-13", + addedAt: 1738337641, + updatedAt: 1738337651, + Image: [ + { + alt: "Smoke + Mirrors", + type: "coverPoster", + url: "/library/metadata/26526/thumb/1738337651" + }, + { + alt: "Smoke + Mirrors", + type: "background", + url: "/library/metadata/26437/art/1682179504" + } + ], + UltraBlurColors: { + topLeft: "3f1d49", + topRight: "2c657e", + bottomRight: "5a4ea3", + bottomLeft: "80376f" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28661", + key: "/library/metadata/28661/children", + parentRatingKey: "28660", + guid: "plex://album/64b97a0490136b0646085561", + parentGuid: "plex://artist/5d07bcbf403c6402905474f4", + studio: "BMG", + type: "album", + title: "GODMODE", + parentKey: "/library/metadata/28660", + parentTitle: "In This Moment", + summary: "", + index: 1, + year: 2023, + thumb: "/library/metadata/28661/thumb/1738848722", + art: "/library/metadata/28660/art/1738848728", + parentThumb: "/library/metadata/28660/thumb/1738848728", + originallyAvailableAt: "2023-10-27", + addedAt: 1738848719, + updatedAt: 1738848722, + Image: [ + { + alt: "GODMODE", + type: "coverPoster", + url: "/library/metadata/28661/thumb/1738848722" + }, + { + alt: "GODMODE", + type: "background", + url: "/library/metadata/28660/art/1738848728" + } + ], + UltraBlurColors: { + topLeft: "0d2f4e", + topRight: "0f365b", + bottomRight: "08162a", + bottomLeft: "183556" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27652", + key: "/library/metadata/27652/children", + parentRatingKey: "27440", + guid: "plex://album/5d07caed403c640290d871a6", + parentGuid: "plex://artist/5d07bd73403c6402905e90df", + studio: "Top Dawg Entertainment", + type: "album", + title: "DAMN.", + parentKey: "/library/metadata/27440", + parentTitle: "Kendrick Lamar", + summary: + "To Pimp a Butterfly's proper and oft-biblical follow-up arrived on Good Friday, 13 months after untitled unmastered., an intermediary release that eclipsed the best work of most contemporary artists. If Kendrick Lamar felt pressure to continue living up to his previous output, there's no evidence on DAMN. He's too occupied tracing the spectrum of his mental states, from \"boxin' demons\" to \"flex on swole,\" questioning and reveling in his affluence, castigating and celebrating his bloodline, humble enough to relate his vulnerabilities, assured enough to proclaim \"Ain't none of y'all fuckin' with the flow.\" Throughout, he intensely examines most of the seven deadly sins, aware all along that his existence is threatened by anyone who objects to the color of his skin or clothes -- or, in the case of the blind stranger who shoots him during the album's opener, nothing that is apparent. Compared to the maximum-capacity, genre-twisting vastness and winding narratives of Good Kid, M.A.A.D. City and To Pimp a Butterfly, DAMN. on the surface seems like a comparatively simple rap album that demands less from the listener. There's relative concision in the track titles and material, and a greater emphasis on commercial sounds -- such as Mike WiLL's lean and piano-laced trap beat for the strong-arming \"HUMBLE.,\" Lamar's first Top Ten pop hit, and a couple productions that are merely functional backdrops lacking distinction. In a way, however, DAMN. is just as lavish and singular as the preceding albums, its quantity and weight of thoughts and connected concepts condensed into a considerably tighter space. It contains some of Lamar's best writing and performances, revealing his evolving complexity and versatility as a soul-baring lyricist and dynamic rapper. Although it's occasionally distorted, stretched, smeared, and reversed to compelling and imagination-fueling effect, his voice is at its most affecting in its many untreated forms. Take \"FEAR.,\" in which he switches between echoing hot-blooded parental threats to enumerating, with a 40-acre stare, various death scenarios. His storytelling hits an astonishing new high on \"Duckworth,\" the album's finale. Over ethereal funk sewn by 9th Wonder, Lamar details a potentially tragic encounter between his father and future Top Dawg CEO Anthony Tiffith -- and the conditions leading to it -- that occurred long before Kung Fu Kenny was known as K. Dot. ~ Andy Kellman", + index: 1, + rating: 9.0, + year: 2017, + thumb: "/library/metadata/27652/thumb/1738341775", + art: "/library/metadata/27440/art/1738341121", + parentThumb: "/library/metadata/27440/thumb/1738341121", + originallyAvailableAt: "2017-04-14", + addedAt: 1738341773, + updatedAt: 1738341775, + Image: [ + { + alt: "DAMN.", + type: "coverPoster", + url: "/library/metadata/27652/thumb/1738341775" + }, + { + alt: "DAMN.", + type: "background", + url: "/library/metadata/27440/art/1738341121" + } + ], + UltraBlurColors: { + topLeft: "5c0102", + topRight: "933d4f", + bottomRight: "4c1a31", + bottomLeft: "8b3852" + }, + Genre: [ + { + tag: "Rap" + } + ] + }, + { + ratingKey: "27441", + key: "/library/metadata/27441/children", + parentRatingKey: "27440", + guid: "plex://album/6740e67643b96c0232119c01", + parentGuid: "plex://artist/5d07bd73403c6402905e90df", + studio: "Interscope Records", + type: "album", + title: "GNX", + parentKey: "/library/metadata/27440", + parentTitle: "Kendrick Lamar", + summary: + 'In 2024, we got to see Kendrick Lamar in real time. The Compton native wasn\'t descending from the mountain to deliver shrouded statement pieces and orchestrated opuses -- he was battering Drake in lived hours, "putting] one hundred hoods on one stage," headlining America\'s most celebrated sporting event. Capping the year off with a focused set of West Coast scorchers, his surprise sixth set, GNX, sees the rapper embrace being the moment; this is lightning-in-a-bottle [Kendrick.\nGNX\'s first order is to yank rap back to its regional roots: the album\'s sound is as L.A. as "California Love" or a Toddy Tee cassette. The driving heart of the record is the regional bounce retooled for "Not Like Us," which forms the anthemic trinity of "squabble up," "hey now," and "tv off." With the stamp of authenticity -- "teleport to Bullets Road and dig up all my relatives" -- he digs sparse, fresh tracks through the sound alongside the unlikely Jack Antonoff; "hey now" captures the ghost of a stadium roar, "gnx" upturns its off-kilter pianos and basses, and "wacced out murals" plays like the child of Yeezus with metallic sirens and ravenous silences. Kendrick, running in tandem with a pack of L.A. up-and-comers, speaks with the chest-fire abandon of his city, firing off at will while still leaving room for the reflective "heart pt. 6" and "gloria." If Mr. Morale postured Kendrick in absolution -- "I am not your saviour" -- then GNX is a staggering rekindling of the "King Kunta" flame: "Who put the West back in front of shit? Tell \'em Kendrick did it" he spits on "gnx," before inviting Peysoh and Hitta J3 up to bat. He\'s "prophetic" and "the greatest of all time" -- a visioned torchbearer for the culture.\r\nAnd he\'s not the only one to feature here. On "reincarnated," Kendrick continues his storied engagement with the figurehead of Tupac Shakur, wearing the rapper\'s vocal style like a spiritual shawl over a flip of "Made N*****" as he slots his soul into the lives of Billie Holiday and John Lee Hooker. Deyra Barrera\'s searching vocal snippet -- the project\'s conceptual through-line -- seats Kendrick next to Anita Baker; there are eyebrows raised at Lil Wayne and Snoop, harmonic connections with SZA, and memories of wanting to flow like Soulo. And for every face named there\'s another unspoken -- new flows from Drakeo and Keek, the blueprints of Nipsey and Mac Dre, the spirit of Nas on the "One Mic"-like "man at the garden." It seems little coincidence that the concept of the album revolves around a black Buick GNX -- itself a literally "black" icon.\r\nEven when he\'s basking in triumph, Kendrick proves as complex as the present moment. Building a DAMN.-like skeleton from the kindlings of "The Heart Pt. 5," GNX is a pillar of reflective realness, a flag planted in the lineage of Black musical visionaries, a silhouette of the West Coast in the high beams of fame -- and Kendrick\'s most speaker-knocking set to date. ~ David Crone', + index: 1, + rating: 9.0, + year: 2024, + thumb: "/library/metadata/27441/thumb/1738341121", + art: "/library/metadata/27440/art/1738341121", + parentThumb: "/library/metadata/27440/thumb/1738341121", + originallyAvailableAt: "2024-11-22", + addedAt: 1738341119, + updatedAt: 1738341121, + Image: [ + { + alt: "GNX", + type: "coverPoster", + url: "/library/metadata/27441/thumb/1738341121" + }, + { + alt: "GNX", + type: "background", + url: "/library/metadata/27440/art/1738341121" + } + ], + UltraBlurColors: { + topLeft: "2c2e31", + topRight: "030310", + bottomRight: "1c1f23", + bottomLeft: "15161c" + }, + Genre: [ + { + tag: "Rap" + } + ] + }, + { + ratingKey: "27667", + key: "/library/metadata/27667/children", + parentRatingKey: "27440", + guid: "plex://album/5d07c6a5403c640290b2c87b", + parentGuid: "plex://artist/5d07bd73403c6402905e90df", + studio: "Aftermath Entertainment", + type: "album", + title: "good kid, m.A.A.d city (deluxe)", + parentKey: "/library/metadata/27440", + parentTitle: "Kendrick Lamar", + summary: + 'Hip-hop debuts don\'t come much more "highly anticipated" than Kendrick Lamar\'s. A series of killer mixtapes displayed his talent for thought-provoking street lyrics delivered with an attention-grabbing flow, and then there was his membership in the Black Hippy crew with his brethren Ab-Soul, Schoolboy Q, and Jay Rock all issuing solo releases that pleased the "true hip-hop" set, setting the stage for a massive fourth and final. Top it off with a pre-release XXL Magazine cover that he shared with his label boss and all-around legend Dr. Dre, and the "biggest debut since Illmatic" stuff starts to flow, but Good Kid, M.A.A.D. City would be a milestone even without the back-story, offering cool and compelling lyrics, great guests (Drake, Dr. Dre, and MC Eiht) and attractive production (from Pharrell, Just Blaze, Tabu, and others). Here, Kendrick is living his life like status and cash were extra credit. It is what makes this kid so "good" as he navigates his "mad" city (Compton) with experience and wisdom beyond his years (25). He\'s shamelessly bold about the allure of the trap, contrasting the sickness of his city with the universal feeling of getting homesick, and carrying a Springsteen-sized love for the home team. Course, in his gang-ruled city, N.W.A. was the home team, but as the truly beautiful, steeped-in-soul, biographic key track "The Art of Peer Pressure" finds a reluctant young Kendrick and his friends feeding off the life-force of Young Jeezy\'s debut album, it\'s something Clash, Public Enemy, and all other rebel music fans can relate to. Still, when he realizes that hero Jeezy must have risen above the game -- because the real playas are damned and never show their faces -- it spawns a kind of elevated gangsta rap that\'s as pimp-connectable as the most vicious Eazy-E, and yet poignant enough to blow the dust off any cracked soul. Equally heavy is the cautionary tale of drank dubbed "Swimming Pools," yet that highlight is as hooky and hallucinatory as most Houston drank anthems, and breaks off into one of the chilling, cassette-quality interludes that connect the album, adding to the documentary or eavesdropping quality of it all. Soul children will experience déjà vu when "Poetic Justice" slides by with its Janet Jackson sample -- sounding like it came off his Aunt\'s VHS copy of the movie it\'s named after -- while the closing "Compton" is an anthem sure to make the Game jealous, featuring Dre in beast mode, acting pre-Chronic and pre-Death Row. This journey through the concrete jungle of Compton is worth taking because of the artistic richness within, plus the attraction of a whip-smart rapper flying high during his rookie season. Any hesitation about the horror of it all is quickly wiped away by Kendrick\'s mix of true talk, open heart, open mind, and extended hand. Add it all up and even without the hype, this one is still potent and smart enough to rise to the top of the pile. ~ David Jeffries', + index: 1, + rating: 10.0, + year: 2012, + thumb: "/library/metadata/27667/thumb/1738341777", + art: "/library/metadata/27440/art/1738341121", + parentThumb: "/library/metadata/27440/thumb/1738341121", + originallyAvailableAt: "2012-10-21", + addedAt: 1738341774, + updatedAt: 1738341777, + Image: [ + { + alt: "good kid, m.A.A.d city (deluxe)", + type: "coverPoster", + url: "/library/metadata/27667/thumb/1738341777" + }, + { + alt: "good kid, m.A.A.d city (deluxe)", + type: "background", + url: "/library/metadata/27440/art/1738341121" + } + ], + UltraBlurColors: { + topLeft: "213417", + topRight: "565725", + bottomRight: "695f14", + bottomLeft: "524d20" + }, + Genre: [ + { + tag: "Rap" + } + ] + }, + { + ratingKey: "27599", + key: "/library/metadata/27599/children", + parentRatingKey: "27440", + guid: "plex://album/627e05d6ad4aee8d8baad183", + parentGuid: "plex://artist/5d07bd73403c6402905e90df", + studio: "Top Dawg Entertainment", + type: "album", + title: "Mr. Morale & the Big Steppers", + parentKey: "/library/metadata/27440", + parentTitle: "Kendrick Lamar", + summary: + "As early as his first official studio release, 2011’s Section.80, Kendrick Lamar’s albums have been intricate and conceptual, constructed more like ambitious theatrical narratives than mere collections of songs. Fifth album Mr. Morale & the Big Steppers follows this trajectory as a double-album’s worth of interconnecting statements that are relentlessly complex, emotionally dense, and sometimes uncomfortably raw. Unlike the lush, spacious sonics of DAMN. or the life-affirming funk of To Pimp a Butterfly, Mr. Morale is scattered both in terms of musical approaches and lyrical perspectives. The album’s first half is particularly messy, with themes of trauma, grief, society, and Kendrick’s own uneasy relationship with fame all overlapping. His technical abilities are stunning and versatile as ever, but the frantic flows and jarring beat switches of “United in Grief” begin an angsty catharsis that runs throughout many of the tracks. “N95” is a seething cultural critique where Lamar spits bile in multiple directions over a bleakly catchy, bass-driven instrumental. Issues with lust addiction and infidelity are put under a microscope on the tense and minimal “Worldwide Steppers,” and Lamar depicts his troubled relationship with his father in painful detail on “Father Time,” which features a gorgeous vocal performance by Sampha on the hook. There’s further exploration of deeply personal family history on “Auntie Diaries,” which chronicles Lamar coming to understand the experiences two of his relatives had with transitioning gender identities. Throughout the album he funnels all of these experiences inward, seeking to grow through his own changes and the changes he sees around him. This shows up as a dismissal of celebrity on “Rich Spirit” or as striving for self-acceptance on “Count Me Out.” The album’s quick musical and thematic shifts can make for an uneven flow. The floating R&B instrumental and tender introspection of “Die Hard” come just a few tracks before cacophonous swirls of piano on “Rich - Interlude” and the jagged cosmic hip-hop of Ghostface Killah and Summer Walker collaboration “Purple Hearts.” The album’s intensity reaches a full boil on “We Cry Together,” a song that sounds like live audio footage of the most vicious couple’s argument imaginable, and reaches the same levels of ugliness as Eminem’s “Kim,” a clear reference point. As always, the production is immaculate and Lamar is joined by a host of industry giants, with contributions coming from Baby Keem, Thundercat, and even a vocal cameo from Portishead’s Beth Gibbons on the stunning sadness of “Mother I Sober.” While not as immediately accessible as some of the work that came before it, there’s value in both the harrowing and enlightening moments here. Lamar puts everything on the table with Mr. Morale & the Big Steppers, trying to get closer to his unfiltered personal truth, and creating some of his most challenging, expectation-defying work in the process. While not always an easy listen, the album shows more of its intention as it goes, and ultimately makes sense as the next logical step forward in Lamar’s increasingly multi-dimensional artistic evolution. ~ Fred Thomas", + index: 1, + rating: 8.0, + year: 2022, + thumb: "/library/metadata/27599/thumb/1738341773", + art: "/library/metadata/27440/art/1738341121", + parentThumb: "/library/metadata/27440/thumb/1738341121", + originallyAvailableAt: "2022-05-13", + addedAt: 1738341769, + updatedAt: 1738341773, + Image: [ + { + alt: "Mr. Morale & the Big Steppers", + type: "coverPoster", + url: "/library/metadata/27599/thumb/1738341773" + }, + { + alt: "Mr. Morale & the Big Steppers", + type: "background", + url: "/library/metadata/27440/art/1738341121" + } + ], + UltraBlurColors: { + topLeft: "432510", + topRight: "7c4013", + bottomRight: "341e0b", + bottomLeft: "181b17" + }, + Genre: [ + { + tag: "Rap" + } + ] + }, + { + ratingKey: "27618", + key: "/library/metadata/27618/children", + parentRatingKey: "27440", + guid: "plex://album/5d07c5db403c640290ac2da9", + parentGuid: "plex://artist/5d07bd73403c6402905e90df", + studio: "Top Dawg Entertainment", + type: "album", + title: "Section.80", + parentKey: "/library/metadata/27440", + parentTitle: "Kendrick Lamar", + summary: + 'Kendrick Lamar Duckworth\'s proper debut album followed mixtapes dating back to 2003, when the Compton rapper was a teenager known as K-Dot. A portion of Section.80 is linked by recurring narrative threads, including a tragic story about a young woman sexually abused as a child and later slain as a sex worker. Introduced early in the album with "No Make-Up" ("Don\'t you know your imperfections is a wonderful blessing"), the empathically spun storyline clashes with demeaning terms the rapper frequently uses elsewhere, though he preemptively counteracts criticism by recognizing the existence of the bad and good, the "evil and spiritual" in him. Kendrick\'s conceptual aptitude is part of what makes him stand out, but he thrives most at relating defiance in dealing with his circumstances -- the effects of coming up in an environment with drugs and gangs as present as oxygen -- and bucking life expectancy. Another strength is the ruthless nature in which he goes after the competition, heard most potently in "Rigamortus." The "dope-ass instrumentation" of which Kendrick later boasts over Terrace Martin\'s tense and fiery post-bop is provided by a crew of roughly a dozen, most prominently Sounwave (on five tracks), who specializes in layering entrancing atmospheric touches with beats that alternately bump and crunch. ~ Andy Kellman', + index: 1, + rating: 7.0, + year: 2011, + thumb: "/library/metadata/27618/thumb/1738341773", + art: "/library/metadata/27440/art/1738341121", + parentThumb: "/library/metadata/27440/thumb/1738341121", + originallyAvailableAt: "2011-07-02", + addedAt: 1738341771, + updatedAt: 1738341773, + Image: [ + { + alt: "Section.80", + type: "coverPoster", + url: "/library/metadata/27618/thumb/1738341773" + }, + { + alt: "Section.80", + type: "background", + url: "/library/metadata/27440/art/1738341121" + } + ], + UltraBlurColors: { + topLeft: "162d19", + topRight: "8f4529", + bottomRight: "353d7d", + bottomLeft: "333a2e" + }, + Genre: [ + { + tag: "Rap" + } + ] + }, + { + ratingKey: "27635", + key: "/library/metadata/27635/children", + parentRatingKey: "27440", + guid: "plex://album/5d07c932403c640290c67a09", + parentGuid: "plex://artist/5d07bd73403c6402905e90df", + studio: "Top Dawg Entertainment", + type: "album", + title: "To Pimp a Butterfly", + parentKey: "/library/metadata/27440", + parentTitle: "Kendrick Lamar", + summary: + 'Becoming an adult ultimately means accepting one\'s imperfections, unimportance, and mortality, but that doesn\'t mean we stop striving for the ideal, a search that\'s so at the center of our very being that our greatest works of art celebrate it, and often amplify it. Anguish and despair rightfully earn more Grammys, Emmys, Tonys, and Pulitzer Prizes than sweetness and light ever do, but West Coast rapper Kendrick Lamar is already on elevated masterwork number two, so expect his version of the sobering truth to sound like a party at points. He\'s aware, as Bilal sings here, that "Shit don\'t change \'til you get up and wash your ass," and don\'t it feel good? The sentiment is universal, but the viewpoint on his second LP is inner-city and African-American, as radio regulars like the Isley Brothers (sampled to perfection during the key track "I"), George Clinton (who helps make "Wesley\'s Theory" a cross between "Atomic Dog" and Dante\'s Inferno), and Dr. Dre (who literally phones his appearance in) put the listener in Lamar\'s era of Compton, just as well as Lou Reed took us to New York and Brecht took us to Weimar Republic Berlin. These G-funky moments are incredibly seductive, which helps usher the listener through the album\'s 80-minute runtime, plus its constant mutating (Pharrell productions, spoken word, soul power anthems, and sound collages all fly by, with few tracks ending as they began), much of it influenced, and sometimes assisted by, producer Flying Lotus and his frequent collaborator Thundercat. "u" sounds like an MP3 collection deteriorating, while the broken beat of the brilliant "Momma" will challenge the listener\'s balance, and yet, Lamar is such a prodigiously talented and seductive artist, his wit, wisdom, and wordplay knock all these stray molecules into place. Survivor\'s guilt, realizing one\'s destiny, and a Snoop Dogg performance of Doggystyle caliber are woven among it all; plus, highlights offer that Parliament-Funkadelic-styled subversion, as "The Blacker the Berry" ("The sweeter the juice") offers revolutionary slogans and dips for the hip. Free your mind, and your ass will follow, and at the end of this beautiful black berry, there\'s a miraculous "talk" between Kendrick and the legendary 2Pac, as the brutalist trailblazer mentors this profound populist. To Pimp a Butterfly is as dark, intense, complicated, and violent as Picasso\'s Guernica, and should hold the same importance for its genre and the same beauty for its intended audience. ~ David Jeffries', + index: 1, + rating: 10.0, + year: 2015, + thumb: "/library/metadata/27635/thumb/1738341774", + art: "/library/metadata/27440/art/1738341121", + parentThumb: "/library/metadata/27440/thumb/1738341121", + originallyAvailableAt: "2015-03-15", + addedAt: 1738341772, + updatedAt: 1738341774, + Image: [ + { + alt: "To Pimp a Butterfly", + type: "coverPoster", + url: "/library/metadata/27635/thumb/1738341774" + }, + { + alt: "To Pimp a Butterfly", + type: "background", + url: "/library/metadata/27440/art/1738341121" + } + ], + UltraBlurColors: { + topLeft: "2e2e2e", + topRight: "030403", + bottomRight: "525151", + bottomLeft: "2a2a29" + }, + Genre: [ + { + tag: "Rap" + } + ] + }, + { + ratingKey: "28039", + key: "/library/metadata/28039/children", + parentRatingKey: "28038", + guid: "plex://album/665a05df35493928626c396b", + parentGuid: "plex://artist/5d07bd28403c6402905a5bfc", + studio: "Inside Out Music", + type: "album", + title: "Melodies of Atonement", + parentKey: "/library/metadata/28038", + parentTitle: "Leprous", + summary: "", + index: 1, + year: 2024, + thumb: "/library/metadata/28039/thumb/1738341893", + art: "/library/metadata/28038/art/1738341893", + parentThumb: "/library/metadata/28038/thumb/1738341893", + originallyAvailableAt: "2024-08-29", + addedAt: 1738341890, + updatedAt: 1738341893, + Image: [ + { + alt: "Melodies of Atonement", + type: "coverPoster", + url: "/library/metadata/28039/thumb/1738341893" + }, + { + alt: "Melodies of Atonement", + type: "background", + url: "/library/metadata/28038/art/1738341893" + } + ], + UltraBlurColors: { + topLeft: "2b0c06", + topRight: "983311", + bottomRight: "43030b", + bottomLeft: "290403" + }, + Collection: [ + { + tag: "Super hi res" + } + ] + }, + { + ratingKey: "26619", + key: "/library/metadata/26619/children", + parentRatingKey: "26560", + guid: "plex://album/5d07c1fe403c640290893fee", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "Ponderosa Music & Art", + type: "album", + title: "Diario Mali", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: "", + index: 1, + year: 2003, + thumb: "/library/metadata/26619/thumb/1738337655", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "2003-01-01", + addedAt: 1738337653, + updatedAt: 1738337655, + Image: [ + { + alt: "Diario Mali", + type: "coverPoster", + url: "/library/metadata/26619/thumb/1738337655" + }, + { + alt: "Diario Mali", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "511908", + topRight: "711d0b", + bottomRight: "7b2e17", + bottomLeft: "a2310a" + }, + Genre: [ + { + tag: "New Age" + } + ] + }, + { + ratingKey: "26749", + key: "/library/metadata/26749/children", + parentRatingKey: "26560", + guid: "plex://album/5d07c258403c6402908c90fc", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "Ponderosa Music & Art", + type: "album", + title: "Eden Roc", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: "", + index: 1, + year: 1999, + thumb: "/library/metadata/26749/thumb/1738337665", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "1999-01-01", + addedAt: 1738337663, + updatedAt: 1738337665, + Image: [ + { + alt: "Eden Roc", + type: "coverPoster", + url: "/library/metadata/26749/thumb/1738337665" + }, + { + alt: "Eden Roc", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "2b220b", + topRight: "6b5d2a", + bottomRight: "645225", + bottomLeft: "3e3012" + }, + Genre: [ + { + tag: "New Age" + }, + { + tag: "Classical" + } + ] + }, + { + ratingKey: "26561", + key: "/library/metadata/26561/children", + parentRatingKey: "26560", + guid: "plex://album/5d07c99c403c640290ca6428", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "Ponderosa Music & Art", + type: "album", + title: "Elements", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: + "El pianista y compositor italiano es ya un nombre célebre dentro de la música ambient contemporánea, y uno de los pocos en alcanzar al mismo tiempo un notable suceso comercial. Elements es el título de su última producción como solista, una colección compuesta por doce nuevas composiciones (la versión deluxe variaciones sobre tres de estas piezas) que juntas forman una suite, como es usual en las obras de Einaudi. La instrumentación comprende piano, cuerdas, percusión, guitarras y efectos electrónicos, en general a cargo de los músicos de la banda del compositor turinés, entre ellos el chelista albanés Redi Hasa. En calidad de invitados especiales aparecen el percusionista brasilero Mauro Refosco, el violinista sudafricano Daniel Hope y la Amsterdam Sinfonietta.", + index: 1, + year: 2015, + thumb: "/library/metadata/26561/thumb/1738337653", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "2015-10-09", + addedAt: 1738337649, + updatedAt: 1738337653, + Image: [ + { + alt: "Elements", + type: "coverPoster", + url: "/library/metadata/26561/thumb/1738337653" + }, + { + alt: "Elements", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "030403", + topRight: "030403", + bottomRight: "645b5b", + bottomLeft: "635b5b" + }, + Genre: [ + { + tag: "Classical" + }, + { + tag: "New Age" + } + ] + }, + { + ratingKey: "26676", + key: "/library/metadata/26676/children", + parentRatingKey: "26560", + guid: "plex://album/5d07c258403c6402908c90ff", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "Ricordi", + type: "album", + title: "I Giorni", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: "", + index: 1, + year: 2001, + thumb: "/library/metadata/26676/thumb/1738337659", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "2001-01-01", + addedAt: 1738337657, + updatedAt: 1738337659, + Image: [ + { + alt: "I Giorni", + type: "coverPoster", + url: "/library/metadata/26676/thumb/1738337659" + }, + { + alt: "I Giorni", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "300f10", + topRight: "210809", + bottomRight: "491b1b", + bottomLeft: "5c2721" + }, + Genre: [ + { + tag: "New Age" + }, + { + tag: "Classical" + } + ] + }, + { + ratingKey: "26591", + key: "/library/metadata/26591/children", + parentRatingKey: "26560", + guid: "plex://album/5d07c6fb403c640290b4ea84", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "Decca Classics", + type: "album", + title: "In a Time Lapse: Special Edition", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: + "Italian pianist Ludovico Einaudi, grandson of an early president of postwar Italy and student of Luciano Berio, has at times used either his first or his last name solo. His music is a bit difficult to pin down, for it treads up to the lines of minimalism, new age, and pop piano without quite going over any of them. It depends on repeated, slowly shifting piano figures but is too grand to be really minimalist. Stress reduction and contemplativeness are the chief virtues ascribed to it by its admirers, but it doesn't have the improvisatory jazz basis of American new age music. And though individual junctures might sound like passages from Elton John, the music tends to stop short of pop emotional payoffs and go off in a new direction. This generic slipperiness is the key to Einaudi's appeal, which seems set to expand to the U.S.: as in the days of old, where recorded music was conceived of primarily as an aid to selling live concert tickets, In a Time Lapse comes stickered with an American tour schedule. Should you try it out? Einaudi has the odd combination of being original without being especially challenging; his music sort of lies there. But this release may well be a good place to start. Its most noticeable new feature is a light overlay of pop electronics not present on Einaudi's solo piano and piano-and-orchestra music. It actually works well, lending rhythmic and textural variety to the beginnings of each piece. The music soon enough progresses into chord arpeggios on Einaudi's piano, but he has the opportunity to apply his simple musical logic to a variety of moods. This, too, sets the music apart from new age models. In short, who knows? Even if crossover is not your bag, you may find yourself drawn by this. Or maybe you just want something that will relax you in freeway traffic. Einaudi could work either way.", + index: 1, + rating: 7.0, + year: 2013, + thumb: "/library/metadata/26591/thumb/1738337654", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "2013-01-21", + addedAt: 1738337652, + updatedAt: 1738337654, + Image: [ + { + alt: "In a Time Lapse: Special Edition", + type: "coverPoster", + url: "/library/metadata/26591/thumb/1738337654" + }, + { + alt: "In a Time Lapse: Special Edition", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "501a08", + topRight: "9a3b13", + bottomRight: "9c390b", + bottomLeft: "4a6824" + }, + Genre: [ + { + tag: "New Age" + }, + { + tag: "Classical" + } + ], + Collection: [ + { + tag: "Super hi res" + } + ] + }, + { + ratingKey: "26577", + key: "/library/metadata/26577/children", + parentRatingKey: "26560", + guid: "plex://album/5d07c866403c640290bf4f97", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "Decca Classics", + type: "album", + title: "Le onde", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: "", + index: 1, + year: 1996, + thumb: "/library/metadata/26577/thumb/1738337653", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "1996-01-01", + addedAt: 1738337650, + updatedAt: 1738337653, + Image: [ + { + alt: "Le onde", + type: "coverPoster", + url: "/library/metadata/26577/thumb/1738337653" + }, + { + alt: "Le onde", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "2d2e2a", + topRight: "5c5e5a", + bottomRight: "3c3837", + bottomLeft: "4a5449" + }, + Collection: [ + { + tag: "Super hi res" + } + ] + }, + { + ratingKey: "26691", + key: "/library/metadata/26691/children", + parentRatingKey: "26560", + guid: "plex://album/646bdb96a2fc3fadb4456f2a", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "FP", + type: "album", + title: "Moments of Peace", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: "", + index: 1, + year: 2023, + thumb: "/library/metadata/26691/thumb/1738337674", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "2023-01-10", + addedAt: 1738337658, + updatedAt: 1738337674, + Image: [ + { + alt: "Moments of Peace", + type: "coverPoster", + url: "/library/metadata/26691/thumb/1738337674" + }, + { + alt: "Moments of Peace", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "402810", + topRight: "404440", + bottomRight: "262324", + bottomLeft: "4a5344" + } + }, + { + ratingKey: "26630", + key: "/library/metadata/26630/children", + parentRatingKey: "26560", + guid: "plex://album/63ec245b8074b49bb607eb85", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "UMe", + type: "album", + title: "Music of Care", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: "", + index: 1, + year: 2023, + thumb: "/library/metadata/26630/thumb/1738337656", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "2023-02-13", + addedAt: 1738337654, + updatedAt: 1738337656, + Image: [ + { + alt: "Music of Care", + type: "coverPoster", + url: "/library/metadata/26630/thumb/1738337656" + }, + { + alt: "Music of Care", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "21340e", + topRight: "702732", + bottomRight: "a91a44", + bottomLeft: "37633f" + } + }, + { + ratingKey: "26765", + key: "/library/metadata/26765/children", + parentRatingKey: "26560", + guid: "plex://album/5d07c3d6403c6402909a5c83", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "Ponderosa Music & Art", + type: "album", + title: "Nightbook", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: + 'Italian pianist and composer Ludovico Einaudi describes his album Nightbook in this way: "A night-time landscape. A garden faintly visible under the dull glow of the night sky. A few stars dotting the darkness above, shadows of the trees all around. Light shining from a window behind me. What I can see is familiar, but it seems alien at the same time. It\'s like a dream -- anything may happen." Although such language may sound like it has little if anything to do with music, it communicates the mood of this album as well as can be done with words. Consisting of chamber works for various combinations of classical and modern instruments (violin, viola, cello, live electronics, vibraphone, frame drums, electric bass, acoustic guitar, etc.), Nightbook succeeds most fully when it embraces that mood of shadowy mystery: pieces like "The Snow Prelude N. 2" and the almost pointillistic "The Planets" use spacious arrangements and relatively minimal melodic foundations to create deceptively simple-sounding soundscapes of ravishing beauty. When Einaudi tries to rock out, the results are a bit shakier: "Lady Labyrinth" suffers from blocky rhythms and a simplistic, rather than simple, chord progression -- it ends up sounding like your uncle the piano professor trying to identify with the younger generation\'s music. The vast majority of these pieces are spectacularly lovely, though, even as they gently deceive the listener with surface simplicity. ~ Rick Anderson', + index: 1, + year: 2009, + thumb: "/library/metadata/26765/thumb/1738337665", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "2009-09-20", + addedAt: 1738337664, + updatedAt: 1738337665, + Image: [ + { + alt: "Nightbook", + type: "coverPoster", + url: "/library/metadata/26765/thumb/1738337665" + }, + { + alt: "Nightbook", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "070d23", + topRight: "111e3d", + bottomRight: "16274b", + bottomLeft: "0e1c38" + }, + Genre: [ + { + tag: "Classical" + }, + { + tag: "New Age" + } + ] + }, + { + ratingKey: "26641", + key: "/library/metadata/26641/children", + parentRatingKey: "26560", + guid: "plex://album/5d07c258403c6402908c9101", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "Decca Records", + type: "album", + title: "Stanze", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: "", + index: 1, + year: 1992, + thumb: "/library/metadata/26641/thumb/1738337657", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "1992-01-01", + addedAt: 1738337655, + updatedAt: 1738337657, + Image: [ + { + alt: "Stanze", + type: "coverPoster", + url: "/library/metadata/26641/thumb/1738337657" + }, + { + alt: "Stanze", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "3a2b10", + topRight: "705a29", + bottomRight: "6c5c24", + bottomLeft: "6a5e1e" + } + }, + { + ratingKey: "26736", + key: "/library/metadata/26736/children", + parentRatingKey: "26560", + guid: "plex://album/5d07c94d403c640290c7743d", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "Ponderosa Music & Art", + type: "album", + title: "Taranta Project", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: "", + index: 1, + year: 2015, + thumb: "/library/metadata/26736/thumb/1738337663", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "2015-04-21", + addedAt: 1738337662, + updatedAt: 1738337663, + Image: [ + { + alt: "Taranta Project", + type: "coverPoster", + url: "/library/metadata/26736/thumb/1738337663" + }, + { + alt: "Taranta Project", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "252b25", + topRight: "2d6483", + bottomRight: "a92321", + bottomLeft: "a23014" + } + }, + { + ratingKey: "26722", + key: "/library/metadata/26722/children", + parentRatingKey: "26560", + guid: "plex://album/5d07c258403c6402908c90fa", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "Decca Classics", + type: "album", + title: "Una mattina", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: + 'While his previous album, I Giorni, was based on a 12th century Malian folk song about a hippopotamus, Italian composer Ludovico Einaudi\'s 2004 follow-up, Una Mattina, is inspired by a much more simple premise, his daily routine and the Piedmont vineyard where he resides with his family. The 12 autobiographical, contemporary, and minimalist classical pieces are all piano-based with the exception of two tracks featuring cellist Marco Decimo ("Resta con Me," "DNA"). ~ Jon O\'Brien', + index: 1, + rating: 7.0, + year: 2004, + thumb: "/library/metadata/26722/thumb/1738337662", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "2004-09-06", + addedAt: 1738337661, + updatedAt: 1738337662, + Image: [ + { + alt: "Una mattina", + type: "coverPoster", + url: "/library/metadata/26722/thumb/1738337662" + }, + { + alt: "Una mattina", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "082143", + topRight: "22486f", + bottomRight: "052248", + bottomLeft: "0d2c52" + }, + Genre: [ + { + tag: "New Age" + }, + { + tag: "Classical" + } + ] + }, + { + ratingKey: "26702", + key: "/library/metadata/26702/children", + parentRatingKey: "26560", + guid: "plex://album/61b8c3579640ca9b7068bae7", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + studio: "Decca Classics", + type: "album", + title: "Underwater", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: + 'Underwater ist das erste Solo-Piano-Album von Ludovico Einaudi seit 20 Jahren - schon lange wollte er einmal wieder eine Soloklavierplatte schreiben, aber erst der Corona-Lockdown gab ihm die Gelegenheit dazu. Der Komponist, der vor allem für seine Soundtracks zu Filmen wie Ziemlich beste Freunde oder Nomadland bekannt ist, bleibt auf den zwölf Stücken ganz introspektiv und konzentriert sich auf ein von äußeren Einflüssen unberührtes Songwriting. Herausgekommen sind sanfte, ruhige Miniaturen, die in einem meditativen Fluss für Entschleunigung sorgen - mal ganz zurückhaltend (der Titeltrack), mal etwas aufblühender ("Flora").', + index: 1, + year: 2022, + thumb: "/library/metadata/26702/thumb/1738337661", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "2022-01-21", + addedAt: 1738337659, + updatedAt: 1738337661, + Image: [ + { + alt: "Underwater", + type: "coverPoster", + url: "/library/metadata/26702/thumb/1738337661" + }, + { + alt: "Underwater", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "2e2e27", + topRight: "4d514a", + bottomRight: "733827", + bottomLeft: "1c1c1c" + }, + Genre: [ + { + tag: "New Age" + } + ] + }, + { + ratingKey: "26715", + key: "/library/metadata/26715/children", + parentRatingKey: "26560", + guid: "plex://album/61af88b40eacc61b0c707a51", + parentGuid: "plex://artist/5d07bc06403c6402904acb18", + type: "album", + title: "Winds of Change", + parentKey: "/library/metadata/26560", + parentTitle: "Ludovico Einaudi", + summary: "", + index: 1, + year: 2021, + thumb: "/library/metadata/26715/thumb/1738337662", + art: "/library/metadata/26560/art/1738334945", + parentThumb: "/library/metadata/26560/thumb/1738334945", + originallyAvailableAt: "2021-01-15", + addedAt: 1738337660, + updatedAt: 1738337662, + Image: [ + { + alt: "Winds of Change", + type: "coverPoster", + url: "/library/metadata/26715/thumb/1738337662" + }, + { + alt: "Winds of Change", + type: "background", + url: "/library/metadata/26560/art/1738334945" + } + ], + UltraBlurColors: { + topLeft: "282e35", + topRight: "30618e", + bottomRight: "39230e", + bottomLeft: "232c26" + } + }, + { + ratingKey: "27386", + key: "/library/metadata/27386/children", + parentRatingKey: "27385", + guid: "plex://album/638a6b3d1548fc59f1c1c9d7", + parentGuid: "mbid://3862342a-43c4-4cdb-8250-bfdbfb5e1419", + studio: "Epic", + type: "album", + title: "RUSH!", + parentKey: "/library/metadata/27385", + parentTitle: "Måneskin", + summary: + 'Italy\'s Måneskin make their bid for global pop domination with their third album, 2023\'s pulse-pounding Rush! While they sound like a sleazy garage rock band from New York circa the early aughts, they are best known for winning the Eurovision Song Contest 2021 for Italy with the song "Zitti e buoni." Prior to that, they teed up their breakthrough Eurovision run with a second-place finish on Italy\'s X Factor in 2017. All of which is to say that, while they can really and truly rock (devil horns and all), Måneskin aren\'t afraid to play in the tasteless, campy machinery of the modern pop landscape. In fact, on Rush! they explicitly frame themselves within a sleazy, globe-trotting world of decadent partying, sexy models, and raw overindulgence -- all delivered with a kohl-eyed wink and a firm tongue in cheek. The band purportedly recorded over 50 songs for Rush!, working with a bevy of studio songwriting and production collaborators like Max Martin, Rami Yacoub, Justin Tranter, and others. At 17 tracks, the album can feel a bit long, like they didn\'t want to leave anything out. That said, it\'s also fun and full of enough wild-eyed rock club energy to keep things from ever getting too predictable. Cuts like "Bla Bla Bla," "Gasoline," and "Don\'t Wanna Sleep" have a giddy, dance-punk quality, as if the Buzzcocks ripped through Maroon 5\'s "Moves Like Jagger." There\'s also their ribald collaboration with guitarist Tom Morello that sounds, somewhat improbably and perhaps most fittingly, like Rage Against the Machine in deep punk tango with Ricky Martin. Some of the best moments come late in the album, where Måneskin and longtime producer Fabrizio Ferraguzzo let loose on a handful tracks (several sung in Italian) like the sinewy "La Fine," "Kool Kids," and the deliciously trashy "Mammamia," anthems where singer Damiano David\'s throaty sneer and the band\'s buzz-heavy grooves vibrate with an electric sensuality. With Rush!, Måneskin make good on their Eurovision rock promise, delivering an album that\'s campy, inspired, and thrilling all at the same time. As they sing on "Kool Kids," "I am scum, real scum, but I\'m good at this/We\'re not punk, we\'re not pop, we\'re just music freaks." ~ Matt Collar', + index: 1, + rating: 8.0, + year: 2023, + thumb: "/library/metadata/27386/thumb/1738340854", + originallyAvailableAt: "2023-01-20", + addedAt: 1738340851, + updatedAt: 1738340854, + Image: [ + { + alt: "RUSH!", + type: "coverPoster", + url: "/library/metadata/27386/thumb/1738340854" + } + ], + UltraBlurColors: { + topLeft: "050413", + topRight: "08214c", + bottomRight: "881722", + bottomLeft: "210819" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28623", + key: "/library/metadata/28623/children", + parentRatingKey: "28622", + guid: "plex://album/6295b2bbad4aee8d8b06d7b6", + parentGuid: "plex://artist/5d07bd23403c6402905a04bb", + studio: "Roadrunner Records", + type: "album", + title: "Scoring the End of the World", + parentKey: "/library/metadata/28622", + parentTitle: "Motionless in White", + summary: + "Scoring the End of the World is the sixth album from American metal outfit Motionless in White and follows their 2019 release Disguise. Produced by Drew Fulk and Justin DeBlieck, the album sees the group dealing with corruption, climate change, and political upheaval through a blast of expansive metal. ~ Rich Wilson", + index: 1, + rating: 5.0, + year: 2022, + thumb: "/library/metadata/28623/thumb/1738844378", + art: "/library/metadata/28622/art/1738844380", + parentThumb: "/library/metadata/28622/thumb/1738844380", + originallyAvailableAt: "2022-06-10", + addedAt: 1738844373, + updatedAt: 1738844378, + Image: [ + { + alt: "Scoring the End of the World", + type: "coverPoster", + url: "/library/metadata/28623/thumb/1738844378" + }, + { + alt: "Scoring the End of the World", + type: "background", + url: "/library/metadata/28622/art/1738844380" + } + ], + UltraBlurColors: { + topLeft: "272123", + topRight: "230b06", + bottomRight: "914415", + bottomLeft: "954023" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26779", + key: "/library/metadata/26779/children", + parentRatingKey: "26778", + guid: "plex://album/5d07cc77403c640290e81887", + parentGuid: "plex://artist/5d07bbfc403c6402904a6183", + studio: "Warner Bros. Records", + type: "album", + title: "Simulation Theory", + parentKey: "/library/metadata/26778", + parentTitle: "Muse", + summary: + 'Whether they\'re fighting alien invaders, shadowy government conspiracies, or the Apocalypse, Muse always do it for love. On their eighth effort, Simulation Theory, they attempt to break through the virtual matrix in search of that human connection and freedom from the machine. The least complicated or overly conceptual offering (for Muse) in over a decade, the 11-song set is focused and cohesive, blaring down a neon-washed highway of pulsing synths and driving beats while swerving to avoid the orchestral and dubstep meandering of their preceding 2010s output. Unlike these same predecessors, there\'s also no filler or wasted time, making it the most compulsively listenable and immediate Muse album since 2006\'s Black Holes & Revelations. Fully embracing their sci-fi tendencies, the trio dip into the nostalgic \'80s, tapping the aesthetics of Tron, Blade Runner, and composer John Carpenter. After the dramatic opener, "Algorithm," introduces this new Muse era, they launch into "The Dark Side," one of their strongest singles to date, which blends the urgency of "Bliss" with the groove of "Map of the Problematique." Meanwhile, "Pressure" is a rollicking, horn-backed blast that wouldn\'t sound out of place blaring from the stadium speakers at a football game. From here, the simulation gets weirder as some of frontman Matt Bellamy\'s big influences rear their heads. His Prince love returns on the slinky, Timbaland-assisted "Propaganda" -- the type of camp that Muse have been perfecting for years -- while an homage to Tom Morello\'s guitar stylings -- wonky, down-tuned riffs and hip-hop scratching -- collide with Bellamy\'s pseudo-rapping on "Break It to Me." On the second half of the album, the mood is lifted as the simulation begins to crack. The uplifting "Something Human" is the "Invincible"/"Guiding Light" of Simulation Theory, leading into singalong anthems such as "Thought Contagion" and the politically charged "Madness" redux "Dig Down." Swedish singer Tove Lo even makes an appearance on the unexpectedly gorgeous "Get Up and Fight," a huge rallying cry produced by Shellback. On an album packed with such catalog standouts, the highlight here is "Blockades," which propels along a pounding gallop that recalls "City of Delusion" and "Knights of Cydonia." While Simulation Theory might appear to be overly polished mainstream trickery -- all part of the simulation! -- it\'s purely Muse at heart, successfully merging electronic-pop songcraft with their typically urgent, stadium rock foundation. ~ Neil Z. Yeung', + index: 1, + rating: 7.0, + year: 2018, + thumb: "/library/metadata/26779/thumb/1738337668", + art: "/library/metadata/26778/art/1738337667", + parentThumb: "/library/metadata/26778/thumb/1738337667", + originallyAvailableAt: "2018-11-09", + addedAt: 1738337665, + updatedAt: 1738337668, + Image: [ + { + alt: "Simulation Theory", + type: "coverPoster", + url: "/library/metadata/26779/thumb/1738337668" + }, + { + alt: "Simulation Theory", + type: "background", + url: "/library/metadata/26778/art/1738337667" + } + ], + UltraBlurColors: { + topLeft: "280613", + topRight: "85051e", + bottomRight: "284dc2", + bottomLeft: "152f79" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26801", + key: "/library/metadata/26801/children", + parentRatingKey: "26778", + guid: "plex://album/6234780fc1c630dddb2237ab", + parentGuid: "plex://artist/5d07bbfc403c6402904a6183", + studio: "Helium-3", + type: "album", + title: "Will of the People", + parentKey: "/library/metadata/26778", + parentTitle: "Muse", + summary: + 'Revolution, geopolitical strife, and existential crises have been Muse\'s bread and butter for decades. Yet, after all these years singing about Armageddon from above, the real threat was coming from within all along. Will of the People, the band\'s ninth full-length effort, landed at a time of real crisis, when a pandemic, social division, and a climate disaster pushed thoughts of alien invasions and intergalactic threats to the side. For frontman Matt Bellamy, the album\'s title could go either way: will the masses protect democracy and save the earth, or devolve into the shadows of populism? Against that conceptual backdrop, Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard crafted a set eerily similar to past works. And for good reason: originally, their label requested a greatest-hits collection, but instead, the band made an album of new songs that sounded like old ones. That convenient solution hits the mark on the group\'s tightest effort to date.\r\nAt a slim ten tracks, the record is by-the-numbers Muse, with a formulaic approach sure to delight fans with its bevy of callbacks. In the market for the heaviness of Drones or Absolution? The glam rock title track -- a satirical view of the dark side of society that was inspired by the attack on the U.S. Capitol in 2021 -- merges "Psycho" with Marilyn Manson\'s "The Beautiful People," while the churning "Won\'t Stand Down" serves meaty riffs and stabbing synths on a buzzsaw blade, as if "Stockholm Syndrome" or "Hysteria" were rewritten by a metalcore outfit. Meanwhile, "Kill or Be Killed" is a storm of riffs, death growls, and double-bass drums that bests "Reapers" and "Assassin" in terms of ferocity. Fans of Simulation Theory and The 2nd Law will delight in the urgent synth anthem "Compliance"; the sparkling U2-sized "Verona," an ode to star-crossed love that matches "Madness" and "Starlight" in its lovelorn earnestness; and neon-washed highlight "You Make Me Feel Like It\'s Halloween," whose campy title and haunted house organ mask the song\'s real-life inspiration, the horrors of domestic violence cases that surged during pandemic lockdown. On the softer end of the spectrum, the swelling, Queen-esque "Liberation" revisits "United States of Eurasia" with its rousing piano, operatic harmony, and soaring guitar solo, as the heartbreaking "Ghosts (How Can I Move On)" pays tribute to loved ones lost on this effort\'s contemplative "Soldier\'s Poem"/"Drones" moment. To close, Muse slyly revisit two fan favorites -- "Time Is Running Out" and "Knights of Cydonia" -- with the propulsive "Euphoria" and the blunt "We Are Fucking Fucked," whirlwinds of catharsis that beg for respite in the endless doom before sealing our fate with a heavy dose of nihilism and a monster guitar breakdown. While Will of the People is not as essential as their 2000s classics, it\'s a quick, satisfying burst of Muse essentials that cleverly forgoes the hits-compilation graveyard in favor of fresh material that honors both their evolution and dedicated fan base. ~ Neil Z. Yeung', + index: 1, + rating: 7.0, + year: 2022, + thumb: "/library/metadata/26801/thumb/1738337668", + art: "/library/metadata/26778/art/1738337667", + parentThumb: "/library/metadata/26778/thumb/1738337667", + originallyAvailableAt: "2022-08-26", + addedAt: 1738337666, + updatedAt: 1738337668, + Image: [ + { + alt: "Will of the People", + type: "coverPoster", + url: "/library/metadata/26801/thumb/1738337668" + }, + { + alt: "Will of the People", + type: "background", + url: "/library/metadata/26778/art/1738337667" + } + ], + UltraBlurColors: { + topLeft: "461c16", + topRight: "491403", + bottomRight: "973e1f", + bottomLeft: "872813" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27303", + key: "/library/metadata/27303/children", + parentRatingKey: "27302", + guid: "plex://album/6414caf3be2e2b63bbb2a697", + parentGuid: "mbid://7e2e4e3a-4e85-4d5a-b78e-5e4afd467a3e", + studio: "RCA", + type: "album", + title: "Dead Club City", + parentKey: "/library/metadata/27302", + parentTitle: "Nothing But Thieves", + summary: + 'Dead Club City is the fourth studio album from British outfit Nothing But Thieves and follows 2020\'s Moral Panic. Produced by the band\'s own Dominic Craik along with Jonathan Gilmore (the 1975, Rina Sawayama), the album sees the group adding a new dimension to their rock sound, adding elements of pop and electronica. The tracks "Welcome to the DCC" and "Overcome" are included. ~ Rich Wilson', + index: 1, + year: 2023, + thumb: "/library/metadata/27303/thumb/1738340524", + originallyAvailableAt: "2023-06-30", + addedAt: 1738340520, + updatedAt: 1738340524, + Image: [ + { + alt: "Dead Club City", + type: "coverPoster", + url: "/library/metadata/27303/thumb/1738340524" + } + ], + UltraBlurColors: { + topLeft: "54140d", + topRight: "91423c", + bottomRight: "932c22", + bottomLeft: "8f4528" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27902", + key: "/library/metadata/27902/children", + parentRatingKey: "27901", + guid: "plex://album/5d07cb2a403c640290db2012", + parentGuid: "mbid://6def3fa9-836f-4b50-8815-b96cc92e63b8", + studio: "Better Noise Records", + type: "album", + title: "The Stories We Tell Ourselves", + titleSort: "Stories We Tell Ourselves", + parentKey: "/library/metadata/27901", + parentTitle: "NOTHING MORE", + summary: + 'The fifth studio album from Nothing More, 2017\'s The Stories We Tell Ourselves showcases more of the San Antonio-based band\'s deeply emotive, metal-tinged rock. The album follows up the group\'s thought-provoking 2013 eponymous effort, which peaked in the Top 30 of the Billboard 200. Buoyed by that success, The Stories We Tell Ourselves fared even better, debuting at number 15 on the 200 chart. Produced by lead singer Jonny Hawkins and the band, the album finds them digging even deeper into a set of songs rife with anthemic choruses and visceral grooves. Included on the album are the singles "Go to War," "Don\'t Stop," and "Let \'Em Burn." ~ Matt Collar', + index: 1, + year: 2017, + thumb: "/library/metadata/27902/thumb/1738341851", + originallyAvailableAt: "2017-09-15", + addedAt: 1738341844, + updatedAt: 1738341851, + Image: [ + { + alt: "The Stories We Tell Ourselves", + type: "coverPoster", + url: "/library/metadata/27902/thumb/1738341851" + } + ], + UltraBlurColors: { + topLeft: "5c0303", + topRight: "a10608", + bottomRight: "6a0403", + bottomLeft: "9e0404" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27481", + key: "/library/metadata/27481/children", + parentRatingKey: "27480", + guid: "plex://album/62979edfad4aee8d8b2330c5", + parentGuid: "plex://artist/5d07bc5d403c6402904f539c", + studio: "DCD2", + type: "album", + title: "Viva las Vengeance", + parentKey: "/library/metadata/27480", + parentTitle: "Panic! at the Disco", + summary: + 'To say that Panic! At the Disco\'s seventh album, 2022\'s Viva Las Vengeance, is a love letter to rock & roll is to state the obvious about what is also one of their most thrilling and enjoyable records. Essentially a solo vehicle for singer Brendon Urie since at least 2016\'s Death of a Bachelor, Panic! remains a conduit for his varied passions, touching upon post-emo dance-rock and Broadway-esque balladry. While Viva Las Vengeance certainly retains those hallmarks, it\'s primarily focused on fist-pumping rock anthems, the kind that bands like Queen, T. Rex, and Cheap Trick spilled across AM dials in the 1970s and \'80s. These are hooky cuts, where Urie frames his still angelically amped-up vocals in crunchy electric guitar riffs, wrestle-mania drumbeats, candy-coated synths, and even the occasional brassy flourish of a horn line. It\'s worth noting that Urie recorded much of the album live to tape. While there were surely overdubs done later (not to mention swathes of operatically multi-tracked vocals), it has the crackling immediacy and organic texture of a classic vinyl album. The crate-digging vibe is unabashed, and you can almost call out the specific artists and songs that inspired each track. "Middle of a Breakup" has an Elvis Costello-meets-Raspberries energy, while "Sugar Soaker" is pure AC/DC. Similarly evocative, the bombastic "Star Spangled Banger" has a jazzy verse that borrows knowingly from Thin Lizzy\'s "Boys Are Back in Town."\r\nUrie has always been a bigger-than-life persona, a romantic who self-mythologized from the start by draping himself in his idols, as with his early Beatles fixation, or painting himself as the doomed Sinatra-esque crooner on Death of a Bachelor. Viva Las Vengeance feels like an apotheosis of that process as Urie looks back at his career and ruminates on who he was before his success and who he has become. It\'s a sentiment he underlines on "Local God," contrasting Panic!\'s rise to fame with someone who balked at the chance, singing "It\'s 2021 and I\'m Almost Famous/You never really cared about that." A cheeky reference to director Cameron Crowe\'s film that was itself described as a love letter to rock & roll, the song plays as a wry ode to rock failure. Ironically, Urie was anointed by the golden rock gods, but what did that cost? And what did it feel like when emo\'s asymmetrical-haired moment faded and he was left to evolve with his core fans perhaps in limbo? He plays with these themes throughout the album, flirting with superstar burnout on the title track and declaring halfway through the record that "God Killed Rock and Roll," screaming "No blood on the stage/No Plant, no Page/Kiss them all goodbye." Viva Las Vengeance is Urie\'s amorous declaration to everything sumptuously mythic, exultant, tragic, and yes, even silly, about loving and aspiring to be a part of the rock & roll world. That Urie is completely self-aware about his place in that world makes the album all the more delicious. ~ Matt Collar', + index: 1, + rating: 9.0, + year: 2022, + thumb: "/library/metadata/27481/thumb/1738341398", + art: "/library/metadata/27480/art/1738341397", + parentThumb: "/library/metadata/27480/thumb/1738341397", + originallyAvailableAt: "2022-08-19", + addedAt: 1738341395, + updatedAt: 1738341398, + Image: [ + { + alt: "Viva las Vengeance", + type: "coverPoster", + url: "/library/metadata/27481/thumb/1738341398" + }, + { + alt: "Viva las Vengeance", + type: "background", + url: "/library/metadata/27480/art/1738341397" + } + ], + UltraBlurColors: { + topLeft: "4b1e1a", + topRight: "993a2e", + bottomRight: "5a212d", + bottomLeft: "a22e34" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26950", + key: "/library/metadata/26950/children", + parentRatingKey: "26881", + guid: "plex://album/5d07cae5403c640290d81276", + parentGuid: "plex://artist/5d07bbfc403c6402904a60cb", + studio: "Eleven Seven Music", + type: "album", + title: "Crooked Teeth", + parentKey: "/library/metadata/26881", + parentTitle: "Papa Roach", + summary: + 'Having dug their creative feet into the hard rock pavement over the past ten years, onetime nü metal and rap-rock favorites Papa Roach loosen up ever so slightly on their ninth studio album, 2017\'s Crooked Teeth. Of course, to say Papa Roach loosen up isn\'t to imply they\'ve gone soft or lost their gritty, kohl-eyed rage. On the contrary, Crooked Teeth is rife with soul-savaged lyrics and anthems about going through hell and making it out alive. The loosening comes in terms of the band\'s overall sound. Under the influence of producers Nicholas "Ras" Furlong and Colin Brittain (both familiar names to fans of Aussie pop-punk boy band and One Direction cohorts 5 Seconds of Summer), Papa Roach strike a better balance on Crooked Teeth between their \'90s rap-rock roots and early-2000s embrace of spiky-haired Los Angeles hard rock. There\'s also a renewed interest in melody and a pleasing inclination to offset their grim-faced riffs with moments of bright -- dare one say pop-oriented -- buoyancy. Although lead singer Jacoby Shaddix once seemed slightly embarrassed by his early-career rap stylings, since at least 2012\'s The Connection he\'s appeared more amenable to including hip-hop influences in Papa Roach\'s material. Here, he launches into a swaggeringly defiant rap on the explosive leadoff "Break the Fall," and keeps the wordplay flowing throughout much of the album, trading off between searing vocal melodies and snarling rap sections on cuts like the title track and the catchy "American Dreams." Papa Roach even showcase full-time rapper Machine Gun Kelly on the angst-ridden "Sunrise Trailer Park." Elsewhere, tracks like the explosive "My Medication" and effusive "Born for Greatness" mix in-your-face guitar riffage with slick, neon-toned choruses that bring to mind the similarly adept emo-rock of bands like Fall Out Boy and My Chemical Romance. Shaddix also smartly tones down his trademark throaty yawp for a sonorous duet with Skylar Grey on the moody, \'80s adult contemporary rock-inflected "Periscope." Even when Papa Roach dive headlong into more predictable hard rock territory, as on the soaring "None of the Above," they\'ve come up with a more fluid, less screamo-heavy take on their angst-ridden rock sound. Having spent the past decade attempting to transcend their nü metal/rap-rock infancy and earn their stripes as hard rock lifers, Papa Roach have finally come back around to owning their early sound. On Crooked Teeth, they\'ve made an adeptly commercial album that recaptures much of their creative, cross-genre spark. ~ Matt Collar', + index: 1, + rating: 7.0, + year: 2017, + thumb: "/library/metadata/26950/thumb/1738337919", + art: "/library/metadata/26881/art/1738337877", + parentThumb: "/library/metadata/26881/thumb/1738337877", + originallyAvailableAt: "2017-05-19", + addedAt: 1738337899, + updatedAt: 1738337919, + Image: [ + { + alt: "Crooked Teeth", + type: "coverPoster", + url: "/library/metadata/26950/thumb/1738337919" + }, + { + alt: "Crooked Teeth", + type: "background", + url: "/library/metadata/26881/art/1738337877" + } + ], + UltraBlurColors: { + topLeft: "2c2828", + topRight: "060303", + bottomRight: "3a2c2c", + bottomLeft: "1f1c1f" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26929", + key: "/library/metadata/26929/children", + parentRatingKey: "26881", + guid: "plex://album/621f986a7d2af4d0d13de6d9", + parentGuid: "plex://artist/5d07bbfc403c6402904a60cb", + studio: "New Noize Records, Inc.", + type: "album", + title: "Ego Trip", + parentKey: "/library/metadata/26881", + parentTitle: "Papa Roach", + summary: + 'Featuring the singles "Cut the Line," "Swerve," "Kill the Noise," "Dying to Believe," and "Stand Up," Ego Trip is the 11th full-length effort from the multi-platinum-selling California hard rockers. The LP sees Papa Roach unleash their most wide-ranging effort to date, delivering a dizzying 14-song set of anthemic, mainstream rock peppered with flourishes of hip-hop, heavy metal, and glitchy electronics.', + index: 1, + year: 2022, + thumb: "/library/metadata/26929/thumb/1738337917", + art: "/library/metadata/26881/art/1738337877", + parentThumb: "/library/metadata/26881/thumb/1738337877", + originallyAvailableAt: "2022-04-08", + addedAt: 1738337825, + updatedAt: 1738337917, + Image: [ + { + alt: "Ego Trip", + type: "coverPoster", + url: "/library/metadata/26929/thumb/1738337917" + }, + { + alt: "Ego Trip", + type: "background", + url: "/library/metadata/26881/art/1738337877" + } + ], + UltraBlurColors: { + topLeft: "2f2105", + topRight: "4b3811", + bottomRight: "39270e", + bottomLeft: "512f04" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26916", + key: "/library/metadata/26916/children", + parentRatingKey: "26881", + guid: "plex://album/5d07c8e4403c640290c3ce2c", + parentGuid: "plex://artist/5d07bbfc403c6402904a60cb", + studio: "Eleven Seven Music", + type: "album", + title: "F.E.A.R.", + parentKey: "/library/metadata/26881", + parentTitle: "Papa Roach", + summary: + "The eighth studio album from California's Papa Roach, 2015's F.E.A.R. finds the journeyman hard rock outfit delivering more of its bombastic, high-energy sound. F.E.A.R. was produced by Kevin Churko (Ozzy Osbourne, Five Finger Death Punch) with assistance from his son Kane Churko, and the album's title is an acronym that stands for \"Face Everything And Rise.\" The dark, aggressive irony behind this sentiment remains consistent with the angry, angst-ridden tone that the band has been narrowly hitting for almost two decades, telegraphing from the first moment of the title track that this is not a record intended to win new listeners, but it should please longtime fans of the group. Since breaking out in the late '90s along with a bevy of other nu-metal and rap-rock bands, Papa Roach have displayed a surprising amount of staying power. In the mid-2000s, the group abandoned the rap end of its sound to explore a more traditional hard rock style. It's an approach they've largely stuck with, saving their hip-hop inclinations for the occasional album track. But here, Jacoby Shaddix delves headlong into rap on \"Gravity,\" a mid-album standout that also features a strikingly effective guest vocal from In This Moment frontwoman Maria Brink. Elsewhere, Papa Roach stick to their densely tattooed, heavily compressed guns on such hard-hitting numbers as \"Broken as Me,\" \"Warriors,\" and \"Hope for the Hopeless,\" in which Shaddix sings \"I'm counting all my bruises/I'm not counting on myself.\" Ultimately, it's just this kind of self-flagellating, dark-hued rock aesthetic that's worked for Papa Roach for well over a decade, and despite whatever passing styles or trends in pop music they've ignored in the process, it's a sound that seems to be working for them. ~ Matt Collar", + index: 1, + rating: 6.0, + year: 2015, + thumb: "/library/metadata/26916/thumb/1738337888", + art: "/library/metadata/26881/art/1738337877", + parentThumb: "/library/metadata/26881/thumb/1738337877", + originallyAvailableAt: "2015-01-23", + addedAt: 1738337796, + updatedAt: 1738337888, + Image: [ + { + alt: "F.E.A.R.", + type: "coverPoster", + url: "/library/metadata/26916/thumb/1738337888" + }, + { + alt: "F.E.A.R.", + type: "background", + url: "/library/metadata/26881/art/1738337877" + } + ], + UltraBlurColors: { + topLeft: "0d1d37", + topRight: "192d53", + bottomRight: "0d020e", + bottomLeft: "18274d" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26882", + key: "/library/metadata/26882/children", + parentRatingKey: "26881", + guid: "mbid://a2be5121-fd4b-46ea-960f-c0e4d5dc7839", + parentGuid: "plex://artist/5d07bbfc403c6402904a60cb", + studio: "Better Noise Music", + type: "album", + title: "Greatest Hits Vol.2: The Better Noise Years", + parentKey: "/library/metadata/26881", + parentTitle: "Papa Roach", + summary: "", + index: 1, + year: 2021, + thumb: "/library/metadata/26881/thumb/1738337877", + art: "/library/metadata/26881/art/1738337877", + parentThumb: "/library/metadata/26881/thumb/1738337877", + originallyAvailableAt: "2021-01-01", + addedAt: 1738337739, + Image: [ + { + alt: "Greatest Hits Vol.2: The Better Noise Years", + type: "coverPoster", + url: "/library/metadata/26881/thumb/1738337877" + }, + { + alt: "Greatest Hits Vol.2: The Better Noise Years", + type: "background", + url: "/library/metadata/26881/art/1738337877" + } + ], + Collection: [ + { + tag: "Super hi res" + } + ] + }, + { + ratingKey: "26904", + key: "/library/metadata/26904/children", + parentRatingKey: "26881", + guid: "mbid://03bb5a9e-0fe8-410d-b235-a99fc02be102", + parentGuid: "plex://artist/5d07bbfc403c6402904a60cb", + studio: "DreamWorks Records", + type: "album", + title: "Infest", + parentKey: "/library/metadata/26881", + parentTitle: "Papa Roach", + summary: "", + index: 1, + year: 2000, + thumb: "/library/metadata/26881/thumb/1738337877", + art: "/library/metadata/26881/art/1738337877", + parentThumb: "/library/metadata/26881/thumb/1738337877", + originallyAvailableAt: "2000-01-01", + addedAt: 1738337766, + Image: [ + { + alt: "Infest", + type: "coverPoster", + url: "/library/metadata/26881/thumb/1738337877" + }, + { + alt: "Infest", + type: "background", + url: "/library/metadata/26881/art/1738337877" + } + ] + }, + { + ratingKey: "26980", + key: "/library/metadata/26980/children", + parentRatingKey: "26881", + guid: "plex://album/5d07c23f403c6402908b9a1c", + parentGuid: "plex://artist/5d07bbfc403c6402904a60cb", + studio: "Geffen Records", + type: "album", + title: "The Paramour Sessions", + titleSort: "Paramour Sessions", + parentKey: "/library/metadata/26881", + parentTitle: "Papa Roach", + summary: + "Having long ago dumped the tired rap-rock format of their early work, Papa Roach continues attempting to reinvent the hard rock wheel on 2006's The Paramour Sessions. Unfortunately, while the band seems to be aiming for Mötley Crüe's Theatre of Pain, the results sound something more akin to a nu-metal version of Loverboy's Keep It Up. These are boisterous, brash, and in-yo-face tracks that really want to convince you they have the goods. And sure, the band does evince a kind of Technicolor, Sunset Strip club, cocaine-line-on-a-Marshall-stack vibe, but mostly the songs just ain't there. Admittedly, \"The World Around You\" has a catchy chorus and \"Time Is Running Out\" is a suitably anthemic pop tune. However, while Papa Roach makes a lot of gestures toward rock & roll suicide on The Paramour Sessions, the album ends up being a lot like lead singer Jacoby Shaddix's confession of \"I've got a jet black heart, it's all f*cked up and it's falling apart\" on \"...To Be Loved.\" It sounds a lot cooler than it actually is. ~ Matt Collar", + index: 1, + rating: 5.0, + year: 2006, + thumb: "/library/metadata/26980/thumb/1738337978", + art: "/library/metadata/26881/art/1738337877", + parentThumb: "/library/metadata/26881/thumb/1738337877", + originallyAvailableAt: "2006-09-08", + addedAt: 1738337908, + updatedAt: 1738337978, + Image: [ + { + alt: "The Paramour Sessions", + type: "coverPoster", + url: "/library/metadata/26980/thumb/1738337978" + }, + { + alt: "The Paramour Sessions", + type: "background", + url: "/library/metadata/26881/art/1738337877" + } + ], + UltraBlurColors: { + topLeft: "030c03", + topRight: "030403", + bottomRight: "0f0202", + bottomLeft: "030310" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28332", + key: "/library/metadata/28332/children", + parentRatingKey: "26994", + guid: "plex://album/5d07c1a7403c640290862a64", + parentGuid: "plex://artist/5d07bc77403c64029050a968", + studio: "Breakbeat Kaos", + type: "album", + title: "Hold Your Colour", + parentKey: "/library/metadata/26994", + parentTitle: "Pendulum", + summary: + 'Hold Your Colour is the 2005 debut album by Pendulum. The album drew very positive critical attention in both the United Kingdom and Australia, becoming one of the best selling drum and bass albums of all time. It was reissued July 16, 2007 with the new single, "Blood Sugar / Axle Grinder", taking the place of "Another Planet" and "Still Grey". On May 25, 2008 it entered the top 40 of the UK Albums Chart for the first time, peaking at number 35. The album features collaborations with The Freestylers, Fats & TC, Jasmine Yee and Fresh, $pyda & Tenor Fly. The album\'s title track features guitar and bass by Drew Goddard and Jon Stockman of Perth band Karnivool. "Slam" was featured in the soundtrack for the video game MotorStorm on the Playstation 3 console, Dance Dance Revolution Universe on the Xbox 360 console and on the premier episode of Sky One\'s Gladiators. It has also been picked up by the relaunched "Nine\'s Wide World of Sports" as an outro to the show and as a precursor to advertising breaks. Recently, the track "Tarantula" was featured in the Australian television drama series Underbelly and the target render trailer for MotorStorm: Pacific Rift. The same song also features in an episode of the UK series Skins. Most tracks came from singles. "Slam" and "Out Here" from Slam/Out Here - Single, "Tarantula" and "Fasten Your Seatbelt" from Tarantula/Fasten Your Seatbelt - Single, "Still Grey" from Back 2 You/Still Grey - Single, "Another Planet" from Another Planet/Voyager - Single and "Streamline" as a B-Side to the Hold Your Colour (Remix) - Single. Correct Song Order: 1. "Prelude" 0:52 2. "Slam" 5:44 3. "Plasticworld" (featuring Singing Fats & TC) 6:21 4. "Fasten Your Seatbelt" (featuring The Freestylers) 6:38 5. "Through the Loop" 6:13 6. "Sounds of Life" (featuring Jasmine Yee) 5:21 7. "Girl in the Fire" 4:53 8. "Tarantula" (featuring Fresh, $pyda & Tenor Fly) 5:31 9. "Out Here" 6:07 10. "Hold Your Colour" 5:28 11. "The Terminal" 5:42 12. "Streamline" 5:23 13. "Another Planet" 7:38 14. "Still Grey" Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.', + index: 1, + year: 2005, + thumb: "/library/metadata/28332/thumb/1738345371", + art: "/library/metadata/26994/art/1738345370", + parentThumb: "/library/metadata/26994/thumb/1738345370", + originallyAvailableAt: "2005-07-25", + addedAt: 1738345367, + updatedAt: 1738345371, + Image: [ + { + alt: "Hold Your Colour", + type: "coverPoster", + url: "/library/metadata/28332/thumb/1738345371" + }, + { + alt: "Hold Your Colour", + type: "background", + url: "/library/metadata/26994/art/1738345370" + } + ], + UltraBlurColors: { + topLeft: "163526", + topRight: "5f612b", + bottomRight: "4a6734", + bottomLeft: "284f34" + }, + Genre: [ + { + tag: "Electronic" + } + ] + }, + { + ratingKey: "26995", + key: "/library/metadata/26995/children", + parentRatingKey: "26994", + guid: "plex://album/5d07c43c403c6402909dd180", + parentGuid: "plex://artist/5d07bc77403c64029050a968", + studio: "Earstorm", + type: "album", + title: "Immersion", + parentKey: "/library/metadata/26994", + parentTitle: "Pendulum", + summary: + "Pendulum's third album, Immersion, is something of a hybrid of the group's first two albums, reverting back to the debut's foundation in drum 'n' bass while also referencing the widened stylistic scope of 2008's In Silico. While it provides a fair amount of material for those who prefer either release, Immersion also stretch out here, leaning heavily toward industrial-style rock on a handful of tracks while veering toward metal on \"Self vs. Self.\" \"The Island,\" meanwhile, is surprisingly pop-oriented. The Prodigy's Liam Howlett guests on \"Immunize,\" one of the bold album's more raucous moments. ~ Andy Kellman", + index: 1, + rating: 6.0, + year: 2010, + thumb: "/library/metadata/26995/thumb/1738339866", + art: "/library/metadata/26994/art/1738345370", + parentThumb: "/library/metadata/26994/thumb/1738345370", + originallyAvailableAt: "2010-05-21", + addedAt: 1738339861, + updatedAt: 1738339866, + Image: [ + { + alt: "Immersion", + type: "coverPoster", + url: "/library/metadata/26995/thumb/1738339866" + }, + { + alt: "Immersion", + type: "background", + url: "/library/metadata/26994/art/1738345370" + } + ], + UltraBlurColors: { + topLeft: "123143", + topRight: "296487", + bottomRight: "336b4c", + bottomLeft: "2c657d" + }, + Genre: [ + { + tag: "Electronic" + } + ] + }, + { + ratingKey: "27369", + key: "/library/metadata/27369/children", + parentRatingKey: "27368", + guid: "plex://album/66f30fe00340f39f5ec3e3ef", + parentGuid: "mbid://4ad8190b-d2fd-46f8-a3d9-c0f55c034976", + studio: "Sumerian Records", + type: "album", + title: "Negative Spaces", + parentKey: "/library/metadata/27368", + parentTitle: "Poppy", + summary: + 'Negative Spaces is the sixth studio album by American singer Poppy, released on November 15, 2024 through Sumerian Records. On October 27, 2023, Poppy released her fifth studio album, Zig. In several interviews, she hinted at a possible "part two" of Zig, referring to it as Zag. Throughout 2024, she was featured on the Bad Omens and Knocked Loose singles V.A.N and Suffocate which were both met with positive reactions and reviews. In June, she released a new single titled new way out. In an interview with NME, she confirmed that her new album is "around the corner" and that it would be produced by Jordan Fish. On September 17, she released the second single titled they\'re all around us. The album and its release date, set for November 15, were announced on September 23. On October 15, 2024, two songs, the cost of giving up and crystallized, were released. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.', + index: 1, + year: 2024, + thumb: "/library/metadata/27369/thumb/1738340846", + originallyAvailableAt: "2024-11-15", + addedAt: 1738340842, + updatedAt: 1738340846, + Image: [ + { + alt: "Negative Spaces", + type: "coverPoster", + url: "/library/metadata/27369/thumb/1738340846" + } + ], + UltraBlurColors: { + topLeft: "1d2124", + topRight: "181619", + bottomRight: "6b3822", + bottomLeft: "2e3333" + } + }, + { + ratingKey: "27860", + key: "/library/metadata/27860/children", + parentRatingKey: "27563", + guid: "plex://album/5d07c17d403c64029084b767", + parentGuid: "plex://artist/5d07bbfd403c6402904a646d", + studio: "Slash", + type: "album", + title: "Herzeleid", + parentKey: "/library/metadata/27563", + parentTitle: "Rammstein", + summary: + 'Rammstein\'s first album was about what was to be expected from a bunch of Germans who happily grew up on everything from Skinny Puppy to Depeche Mode to Laibach and back again, not to mention plenty of skull-crushing metal straight up. Precisely brutal and often brilliantly arranged -- the band aren\'t per se inventive, but they bring everything together to make something astonishingly radio-friendly out of something that isn\'t necessarily -- HERZELEID in particular is the logical conclusion of KMFDM\'s self-referential electro-metal. The band freely invokes its own name throughout the way that group did in its songs -- the final tune is called "Rammstein," to top it all off -- and the riffs readily connect the dots between the older band\'s clipped guitar bursts and their even more compressed nu-metal equivalents. The swaggering sass and stomp of "Wollt Ihr das Bett in Flammen Sehen" makes for a near-perfect start, and from there the band merrily -- without a smile on its collective face -- has a great, loud-as-hell time. The downside is that the formula is in some ways so perfected they don\'t vary it much -- verses with roiling basses and stomping drums, cascading feedback apocalypse and sometimes squelchy samples adding textures and beats as needed. But there\'s more there than might be guessed -- the sternly beautiful choruses on "Der Meister," soothing keyboards suggesting a "we all march forward!" anthem for the modern day, the nods toward jungle/drum\'n\'bass on songs like "Asche zu Asche," the full-on goth/Depeche-into-metal love of "Heirate Mich" and "Laichzeit." Then there\'s "Seemann," a power ballad actually worthy of the name, the type of song sung looking out over the Baltic Sea as the sun sets and you contemplate angst to the nth degree. If you\'re going to go, go big. ~ Ned Raggett', + index: 1, + rating: 6.0, + year: 1995, + thumb: "/library/metadata/27860/thumb/1738341837", + art: "/library/metadata/27563/art/1738341637", + parentThumb: "/library/metadata/27563/thumb/1738341637", + originallyAvailableAt: "1995-09-24", + addedAt: 1738341835, + updatedAt: 1738341837, + Image: [ + { + alt: "Herzeleid", + type: "coverPoster", + url: "/library/metadata/27860/thumb/1738341837" + }, + { + alt: "Herzeleid", + type: "background", + url: "/library/metadata/27563/art/1738341637" + } + ], + UltraBlurColors: { + topLeft: "123242", + topRight: "25677a", + bottomRight: "2a5a7f", + bottomLeft: "933e46" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27800", + key: "/library/metadata/27800/children", + parentRatingKey: "27563", + guid: "plex://album/5d07c3d1403c6402909a2fa2", + parentGuid: "plex://artist/5d07bbfd403c6402904a646d", + studio: "Mercury Records", + type: "album", + title: "Liebe ist für alle da", + titleSort: "Liebe ist fur alle da", + parentKey: "/library/metadata/27563", + parentTitle: "Rammstein", + summary: + 'Anyone familiar with the industrial metal band\'s dark sense of irony should take one look at the title of Rammstein\'s 2009 album LIEBE IST FÜR ALLE DA ("Love Is There for Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album, Sehnsucht, with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********," or the opening theme song "Rammlied" and nostalgic cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. The best of the latter is the naked and haunting closer "Roter Sand," but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch," or the soundtrack strings of "Wiener Blut," which are eventually overcome by a guitar-crunching juggernaut. This strange mix of styles is more effective here than it has been for about a decade, and there\'s no threat of the album becoming ponderous, either, as an economical track list and purposeful songs wipe away the sins of their previous album, 2005\'s Rosenrot. The group\'s loyal fans have remained loyal throughout the past decade and have braved all the difficult but ultimately rewarding efforts that came with it. To them, LIEBE IST FÜR ALLE DA is the big payoff and an instant classic. For the rest of the world, this is that once-a-decade, perfectly balanced Rammstein album that\'s immediately accessible but wide and deep enough to explore for years to come. ~ David Jeffries', + index: 1, + rating: 7.0, + year: 2009, + thumb: "/library/metadata/27800/thumb/1738341830", + art: "/library/metadata/27563/art/1738341637", + parentThumb: "/library/metadata/27563/thumb/1738341637", + originallyAvailableAt: "2009-10-16", + addedAt: 1738341828, + updatedAt: 1738341830, + Image: [ + { + alt: "Liebe ist für alle da", + type: "coverPoster", + url: "/library/metadata/27800/thumb/1738341830" + }, + { + alt: "Liebe ist für alle da", + type: "background", + url: "/library/metadata/27563/art/1738341637" + } + ], + UltraBlurColors: { + topLeft: "0f0203", + topRight: "030403", + bottomRight: "0f0202", + bottomLeft: "030403" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27836", + key: "/library/metadata/27836/children", + parentRatingKey: "27563", + guid: "plex://album/5d07c179403c6402908491e0", + parentGuid: "plex://artist/5d07bbfd403c6402904a646d", + studio: "Motor", + type: "album", + title: "Mutter", + parentKey: "/library/metadata/27563", + parentTitle: "Rammstein", + summary: + "With the first Rammstein album you hear, it's hard not to be slightly amazed by the sheer chutzpah of it all. The German lyrics, the prog rock tendencies, the classic metal guitars, and the ridiculous basso profundo vocals -- you either fall for it, spurn it, or are utterly bemused by the extremeness of it all. Unless you're a fanatic, it wears a little thin the second time around. And for most listeners, MUTTER, the group's third album and sequel to their inexplicable commercial breakthrough Sehnsucht, will be the second time around since it's their first release since becoming a high profile act. Thing is, if you've heard that record, you've pretty much heard MUTTER, since all the trademarks are in place, without much noticeable variation. Yes, there are slight differences, chief of which is the cleaner production, which streamlines everything so the guitars don't seem as heavy, the songs not as epic, and the whole enterprise not as ridiculous. That's not the same thing as stripping the group to the basics, however; it's more like wrapping up the music in nice, shiny paper and putting a ribbon on it. That's not really good for a group like Rammstein, but it doesn't dilute their impact, either, because they are what they are and no amount of polish will make them mainstream (nor will it make it possible to take them seriously). So, that does mean that MUTTER isn't as good as Sehnsucht, but it isn't a stumble either -- and if you liked the first, you'll like this (not the same thing as being amused by the first -- in that case, this will try your patience). That still doesn't answer the question whether anybody outside of diehards needs more than one Rammstein album, but that's just a question of personal taste. ~ Stephen Thomas Erlewine", + index: 1, + rating: 9.0, + year: 2001, + thumb: "/library/metadata/27836/thumb/1738341835", + art: "/library/metadata/27563/art/1738341637", + parentThumb: "/library/metadata/27563/thumb/1738341637", + originallyAvailableAt: "2001-03-27", + addedAt: 1738341832, + updatedAt: 1738341835, + Image: [ + { + alt: "Mutter", + type: "coverPoster", + url: "/library/metadata/27836/thumb/1738341835" + }, + { + alt: "Mutter", + type: "background", + url: "/library/metadata/27563/art/1738341637" + } + ], + UltraBlurColors: { + topLeft: "222724", + topRight: "17161a", + bottomRight: "36282a", + bottomLeft: "151213" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27848", + key: "/library/metadata/27848/children", + parentRatingKey: "27563", + guid: "plex://album/5d07c180403c64029084d72d", + parentGuid: "plex://artist/5d07bbfd403c6402904a646d", + studio: "Universal Records", + type: "album", + title: "Reise, Reise", + parentKey: "/library/metadata/27563", + parentTitle: "Rammstein", + summary: + 'Taking three years to release their follow-up to MUTTER is a good idea since REISE, REISE is more of the same -- the same grit, the same growl, and the same dramatic, orchestra choruses. There\'s a bit more ingenuity in the production and a little more focus in the songs but not enough for the nonfaithful to pick up on. Unfortunately the lead single, "Mein Teil," is no "Du Hast," but the damning "Amerika" almost equals their breakthrough track. Whether or not Rammstein\'s label has the guts to release the band\'s acerbic "Coca-Cola/Sometimes War" view of the States as a single is another question, but it\'s the key track to the album, an album that has a couple more, minor surprises. The loose, bluesy guitar on "Los" adds some quirk to the band\'s stern, Teutonic palette, while the sinister "Stein Um Stein" creeps more than stomps in parts. That\'s it for twists and turns, but few bands can industrially grind as convincingly as Rammstein. Same as it ever was, REISE, REISE won\'t do much to increase the band\'s fan base, but being a tight, free-of-filler album, it\'ll satisfy the faithful. ~ David Jeffries', + index: 1, + rating: 8.0, + year: 2004, + thumb: "/library/metadata/27848/thumb/1738341836", + art: "/library/metadata/27563/art/1738341637", + parentThumb: "/library/metadata/27563/thumb/1738341637", + originallyAvailableAt: "2004-09-27", + addedAt: 1738341834, + updatedAt: 1738341836, + Image: [ + { + alt: "Reise, Reise", + type: "coverPoster", + url: "/library/metadata/27848/thumb/1738341836" + }, + { + alt: "Reise, Reise", + type: "background", + url: "/library/metadata/27563/art/1738341637" + } + ], + UltraBlurColors: { + topLeft: "541404", + topRight: "75241e", + bottomRight: "2b0908", + bottomLeft: "802315" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27788", + key: "/library/metadata/27788/children", + parentRatingKey: "27563", + guid: "plex://album/5d07c1ba403c64029086d44e", + parentGuid: "plex://artist/5d07bbfd403c6402904a646d", + studio: "Universal Music", + type: "album", + title: "Rosenrot", + parentKey: "/library/metadata/27563", + parentTitle: "Rammstein", + summary: + "To date, Rammstein haven't been able to equal the excitement and power of their breakthrough 1998 album, SEHNSUCHT, and while ROSENROT suffers that fate, there's an EP's worth of brilliance and one track that towers above them all. Just as exciting as their massive hit \"Du Hast,\" \"Te Quiero Puta!\" is a glorious blend of the group's usual Teutonic crunch and mariachi music that earns the exclamation point in its title. It's loco to hear Rammstein with bright horns and Latin vocalists and just about as odd to hear them with Sharleen Spiteri -- lead singer for the classy pop act Texas -- whose sweet and somber vocals make \"Stirb Nicht Vor Mir (Don't Die Before I Do)\" sound very dreamy, very Nightwish. The out of control \"Zerstören\" and \"Benzin,\" with its biting social commentary on the world's addiction to oil, are the final two tracks for the hypothetical four-star EP, since the rest of ROSENROT sounds a bit too formulaic. Most everything is tense during the verses, then blows up during the choruses, but if there's one area the band has made giant steps, it's with the lyrics. Greed, irresponsible hedonism, and modern-day interpretations of Goethe are touched upon through wordplay and metaphor, all of it lost on the non-Deutsch speaking set. It still doesn't make up for the stale turns the music takes on a good portion of the album, but there are signs that SEHNSUCHT's worthy follow-up is more possible than ever. ~ David Jeffries", + index: 1, + rating: 6.0, + year: 2005, + thumb: "/library/metadata/27788/thumb/1738341829", + art: "/library/metadata/27563/art/1738341637", + parentThumb: "/library/metadata/27563/thumb/1738341637", + originallyAvailableAt: "2005-10-14", + addedAt: 1738341826, + updatedAt: 1738341829, + Image: [ + { + alt: "Rosenrot", + type: "coverPoster", + url: "/library/metadata/27788/thumb/1738341829" + }, + { + alt: "Rosenrot", + type: "background", + url: "/library/metadata/27563/art/1738341637" + } + ], + UltraBlurColors: { + topLeft: "123144", + topRight: "06223d", + bottomRight: "123044", + bottomLeft: "214e67" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27824", + key: "/library/metadata/27824/children", + parentRatingKey: "27563", + guid: "plex://album/5d07c17b403c64029084a8df", + parentGuid: "plex://artist/5d07bbfd403c6402904a646d", + studio: "Motor Music", + type: "album", + title: "Sehnsucht", + parentKey: "/library/metadata/27563", + parentTitle: "Rammstein", + summary: + "Rammstein's second album, SEHNSUCHT, finds the German prog metal band making a great leap forward. While the group still sounds a little unfocused in places, their blend of industrial noise, grinding metal guitars, and operatic vocals is staggeringly powerful. No other European metal band sounds like Rammstein, nor does any American metal group -- this is powerful, gothic metal that is unlike anything else in late-'90s metal. SEHNSUCHT may be an acquired taste, but it's one worth acquiring. ~ Stephen Thomas Erlewine", + index: 1, + rating: 8.0, + year: 1997, + thumb: "/library/metadata/27824/thumb/1738341835", + art: "/library/metadata/27563/art/1738341637", + parentThumb: "/library/metadata/27563/thumb/1738341637", + originallyAvailableAt: "1997-08-22", + addedAt: 1738341831, + updatedAt: 1738341835, + Image: [ + { + alt: "Sehnsucht", + type: "coverPoster", + url: "/library/metadata/27824/thumb/1738341835" + }, + { + alt: "Sehnsucht", + type: "background", + url: "/library/metadata/27563/art/1738341637" + } + ], + UltraBlurColors: { + topLeft: "300f25", + topRight: "0d0311", + bottomRight: "320f27", + bottomLeft: "120412" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27812", + key: "/library/metadata/27812/children", + parentRatingKey: "27563", + guid: "plex://album/5d07cd31403c640290ee8c5f", + parentGuid: "plex://artist/5d07bbfd403c6402904a646d", + studio: "Universal Music Group", + type: "album", + title: "Untitled", + parentKey: "/library/metadata/27563", + parentTitle: "Rammstein", + summary: + 'After an interminable decade-long absence from the studio, German metal titans Rammstein rekindled their flame, igniting a new era with their seventh effort, RAMMSTEIN. Celebrating the band\'s 25th anniversary, this precision attack is both a satisfying return to classic sounds and a fresh vision of the band that remains triumphant and, most shockingly, even elegant and graceful. RAMMSTEIN stands tall alongside the expansive scope and experimental textures of early-2000s releases Mutter and Reise, Reise, stepping aside from the blitz of their preceding effort, 2009\'s Liebe Ist für Alle Da. As Christoph "Doom" Schneider\'s drums pummel, the corrosive twin-guitar attack of Richard Z. Kruspe and Paul Landers provides a fresh batch of addictive, headbanging riffs. Beneath the frontal assault, Rammstein remains groove-heavy and melodic, owing to both bassist Oliver Riedel and the band\'s ever-patient whipping boy, keyboardist Flake. Here, Flake in particular has more moments to shine brighter than he has in years. While the Herzeleid synths on the Kraftwerk-indebted "Radio" inspire appropriate nostalgia, the cheesy Euro-techno stabs on "Auslander" complement the equally unsavory subjects of the song itself. His finest work on RAMMSTEIN is the synth-washed centerpiece "Weit Weg," a soaring epic that conveys longing and loneliness through the lens of a voyeur, while elevating the lecherous subject matter with frontman Till Lindemann\'s poetic celestial imagery. It\'s not just an album standout, but a catalog highlight. In addition to the band\'s tightened execution, Lindemann has also advanced in terms of vocal delivery and lyricism. While Rammstein has always been more insightful and socio-politically minded than they\'re given credit for, mainstream controversy frequently distracts from their oft-misunderstood messages, which tend to condemn societal ills, not glorify them. This set is no different, as Lindemann delves deeper into the darkness by exploring topics such as fraught nationalism ("Deutschland"), religion ("Zeig Dich"), and the sex trade ("Auslander," "Puppe"). Whereas "Weit Weg" and "Deutschland" are the heights of RAMMSTEIN in terms of band performance, "Puppe" is a showcase for Lindemann. From the perspective of a young child, the father of two daughters examines the human toll of sex trafficking, the pain and rage of the lyrics exploding through his bloodied vocals on one of his most intense performances to date. By illuminating such perversions and the sordid side of ourselves and society, Rammstein\'s maturity and wisdom continue to evolve, even when they reliably dip back into the playful and satirical, like on odes to the less complicated delights of life ("Radio," "Sex," and "Tattoo"), and love and loss ("Was Ich Liebe," "Diamant"). Injecting their trademark sound with fresh flair, RAMMSTEIN is one of the band\'s best efforts, a potent distillation of all the elements that have endeared them to fans for two-and-a-half decades. After all these years together, it\'s a wonder that Rammstein continue to improve while still retaining the hunger and passion that has helped them amass a devoted following across the globe. ~ Neil Z. Yeung', + index: 1, + rating: 8.0, + year: 2019, + thumb: "/library/metadata/27812/thumb/1738341831", + art: "/library/metadata/27563/art/1738341637", + parentThumb: "/library/metadata/27563/thumb/1738341637", + originallyAvailableAt: "2019-05-17", + addedAt: 1738341829, + updatedAt: 1738341831, + Image: [ + { + alt: "Untitled", + type: "coverPoster", + url: "/library/metadata/27812/thumb/1738341831" + }, + { + alt: "Untitled", + type: "background", + url: "/library/metadata/27563/art/1738341637" + } + ], + UltraBlurColors: { + topLeft: "330e0c", + topRight: "a22e2c", + bottomRight: "785629", + bottomLeft: "3b1612" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27564", + key: "/library/metadata/27564/children", + parentRatingKey: "27563", + guid: "plex://album/6247419dc1c630dddb6e87f2", + parentGuid: "plex://artist/5d07bbfd403c6402904a646d", + studio: "[no label]", + type: "album", + title: "Zeit", + parentKey: "/library/metadata/27563", + parentTitle: "Rammstein", + summary: + 'After a relatively quick turnaround, German metal masters Rammstein added another highlight to their discography with eighth album Zeit. Like many other artists around the world, a postponed tour during the COVID-19 pandemic forced the band back to the studio to funnel their creative juices into a new album, erasing any fears that it\'d be another decade before hearing a follow-up to 2019\'s Untitled. Much like that catalog triumph, Zeit is yet another step forward in artistic growth and maturity; it might even be Rammstein\'s most thoughtful and poignant record to date. Yes, even with a song titled "Dicke Titten" ("Big Tits"). The title track is a towering accomplishment of power and restraint, an unexpected meditation on time and aging that finds hulking frontman Till Lindemann contemplating mortality against a swelling backdrop of angst and drama provided by guitarists Paul Landers and Richard Z. Kruspe, bassist Oliver Riedel, drummer Christoph Schneider, and keyboardist Flake Lorenz. Similarly sprawling epics unfold throughout the set, from "Schwarz" ("Black") -- an ode to the night that is woven with gorgeous piano -- to "Meine Tränen" ("My Tears") -- an unsettling snapshot of abuse that matches the heavy subject matter with appropriately dramatic string backing. The poignant theatrics are balanced by head-bangers so raucous that longtime fans will immediately envision Lindemann on stage smashing the hell out of his knees as towers of flames threaten to burn down the venue. The "Zwitter"-esque "Giftig" ("Poisonous") takes Rammstein\'s classic chugging riffs, frenzied synth stabs, and horror-choir dread and updates that delivery with a surprising Auto-Tune break (those effects later appear on the frenzied "Lügen" "Lies"]). "Zick Zack" ("Zig Zag") settles into a deep groove as scuzzy guitar lends a "Keine Lust" energy to this biting social commentary that\'s both slyly smart and as icky as the accompanying music video. Flake works overtime on the keyboards as [Landers and Kruspe summon a riff storm on the arena-metal "OK," while Lindemann roars his way through the mighty "Angst" ("Fear"). Along with "Zeit," "Giftig," and "Zick Zack," the album\'s grand opener, "Armee der Tristen" ("Army of the Dreary"), is a standout, a synth-heavy epic that recalls the best of Sehnsucht or Mutter. Stately and almost elegant, Zeit is a haunted, pensive work that faces life\'s inevitabilities with an appropriate rage, heart, and sense of humor that only Rammstein can deliver. ~ Neil Z. Yeung', + index: 1, + rating: 8.0, + year: 2022, + thumb: "/library/metadata/27564/thumb/1738341637", + art: "/library/metadata/27563/art/1738341637", + parentThumb: "/library/metadata/27563/thumb/1738341637", + originallyAvailableAt: "2022-04-29", + addedAt: 1738341635, + updatedAt: 1738341637, + Image: [ + { + alt: "Zeit", + type: "coverPoster", + url: "/library/metadata/27564/thumb/1738341637" + }, + { + alt: "Zeit", + type: "background", + url: "/library/metadata/27563/art/1738341637" + } + ], + UltraBlurColors: { + topLeft: "212857", + topRight: "030617", + bottomRight: "49367b", + bottomLeft: "1d2651" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28307", + key: "/library/metadata/28307/children", + parentRatingKey: "28306", + guid: "plex://album/63fd47e88c673f6d15d88f94", + parentGuid: "mbid://bfb7e36e-b8f6-4c5d-9c43-3fe9ddd7ee12", + type: "album", + title: "You Are Only As Sick As Your Secrets", + parentKey: "/library/metadata/28306", + parentTitle: "Self Deception", + summary: "", + index: 1, + year: 2023, + thumb: "/library/metadata/28307/thumb/1738345273", + originallyAvailableAt: "2023-02-24", + addedAt: 1738345268, + updatedAt: 1738345273, + Image: [ + { + alt: "You Are Only As Sick As Your Secrets", + type: "coverPoster", + url: "/library/metadata/28307/thumb/1738345273" + } + ], + UltraBlurColors: { + topLeft: "1c0704", + topRight: "19151c", + bottomRight: "0b0a0c", + bottomLeft: "0d0202" + } + }, + { + ratingKey: "27536", + key: "/library/metadata/27536/children", + parentRatingKey: "27535", + guid: "plex://album/66f8fe9e0340f39f5ed16a93", + parentGuid: "mbid://16a43d5e-c52d-4eaa-9c3b-00b2c1d8e816", + studio: "Hear It Loud", + type: "album", + title: "Revolution", + parentKey: "/library/metadata/27535", + parentTitle: "Skillet", + summary: + 'The follow-up to 2022\'s CCM chart-topping Dominion, Revolution sees Skillet delivering a powerful plea for love and understanding amidst a world divided. The veteran band\'s 12th long-player and first release on their own Hear It Loud imprint, the concise yet potent ten-song set features the singles "Unpopular," "All That Matters," and "Ash in the Wind." ~ James Christopher Monger', + index: 1, + rating: 6.0, + year: 2024, + thumb: "/library/metadata/27536/thumb/1738341614", + originallyAvailableAt: "2024-11-01", + addedAt: 1738341611, + updatedAt: 1738341614, + Image: [ + { + alt: "Revolution", + type: "coverPoster", + url: "/library/metadata/27536/thumb/1738341614" + } + ], + UltraBlurColors: { + topLeft: "4c192f", + topRight: "ab171d", + bottomRight: "6b1d21", + bottomLeft: "47172b" + }, + Genre: [ + { + tag: "Religious" + }, + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27054", + key: "/library/metadata/27054/children", + parentRatingKey: "27053", + guid: "plex://album/63da905ed78f76fd55587674", + parentGuid: "plex://artist/5d07bf6d403c640290753190", + studio: "Spinefarm Records", + type: "album", + title: "Take Me Back to Eden", + parentKey: "/library/metadata/27053", + parentTitle: "Sleep Token", + summary: "", + index: 1, + year: 2023, + thumb: "/library/metadata/27054/thumb/1738339894", + art: "/library/metadata/27053/art/1738339886", + parentThumb: "/library/metadata/27053/thumb/1738339886", + originallyAvailableAt: "2023-05-19", + addedAt: 1738339884, + updatedAt: 1738339894, + Image: [ + { + alt: "Take Me Back to Eden", + type: "coverPoster", + url: "/library/metadata/27054/thumb/1738339894" + }, + { + alt: "Take Me Back to Eden", + type: "background", + url: "/library/metadata/27053/art/1738339886" + } + ], + UltraBlurColors: { + topLeft: "302d2a", + topRight: "0d0202", + bottomRight: "3a3733", + bottomLeft: "635c55" + } + }, + { + ratingKey: "27130", + key: "/library/metadata/27130/children", + parentRatingKey: "27067", + guid: "plex://album/5d07c8af403c640290c1cc1a", + parentGuid: "plex://artist/5d07bbfc403c6402904a613f", + studio: "Roadrunner Records", + type: "album", + title: ".5: The Gray Chapter", + titleSort: "5: The Gray Chapter", + parentKey: "/library/metadata/27067", + parentTitle: "Slipknot", + summary: + "While even a cursory listen to Slipknot's back catalog makes it clear the band are no strangers to working out their inner turmoil and pain through their music, never has that idea been so abundantly clear as it is on their fifth outing, .5: The Gray Chapter. Their first studio album since 2008's All Hope Is Gone, the album finds the band still recovering from the loss of founding bassist Paul Gray, whose death in 2010 hit them pretty hard. Rather than allowing their pain and anger destroy them, they were able to harness that energy and focus it, allowing them to create one of their most visceral and dynamic albums to date. Combining the punishing, pummeling metal of the band's early work with the more melodic focus of their later years, The Gray Chapter shows off just how unexpectedly wide the band's range is, going from a plaintive, atmospheric ballad like album-opener \"XIX\" to a thrash-inspired pummeling like \"Sarcastrophe\" without missing a beat. Along with being Slipknot's first album without Gray, it's also notable for being their first album not to feature longtime drummer Joey Jordison, who parted ways with the band in 2013. While Jordison will certainly be missed, the band's mysterious new drummer, whose identity the band have done their damndest not to reveal, slots in marvelously, seamlessly acclimating to the band's suddenly shifting tempos and styles. Listening to the album, it's clear that even though Slipknot aren't over the loss of a dear friend and colleague, they're able to channel their grief into a productive album, allowing them to continue moving forward while paying tribute to a fallen comrade with one of the strongest albums of their career. ~ Gregory Heaney", + index: 1, + rating: 8.0, + year: 2014, + thumb: "/library/metadata/27130/thumb/1738339903", + art: "/library/metadata/27067/art/1738339898", + parentThumb: "/library/metadata/27067/thumb/1738339898", + originallyAvailableAt: "2014-10-15", + addedAt: 1738339900, + updatedAt: 1738339903, + Image: [ + { + alt: ".5: The Gray Chapter", + type: "coverPoster", + url: "/library/metadata/27130/thumb/1738339903" + }, + { + alt: ".5: The Gray Chapter", + type: "background", + url: "/library/metadata/27067/art/1738339898" + } + ], + UltraBlurColors: { + topLeft: "531413", + topRight: "4f0403", + bottomRight: "030c03", + bottomLeft: "100203" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27198", + key: "/library/metadata/27198/children", + parentRatingKey: "27067", + guid: "plex://album/5d07c1b8403c64029086c3b7", + parentGuid: "plex://artist/5d07bbfc403c6402904a613f", + studio: "Roadrunner Records", + type: "album", + title: "9.0: Live", + parentKey: "/library/metadata/27067", + parentTitle: "Slipknot", + summary: + 'In ten years Slipknot have never compromised. They\'ve never written a power ballad; they\'ve rarely even removed their masks. Slipknot have become alt metal stars the real way, through relentless touring, embracing fan support, and penning some truly brutal songs. They\'re not in it for the money, even if they\'re making the money. So is the message in 9.0: Live\'s liner notes arrogance or searing, unblinking confidence? "Nine men on stage...pushing chaos so far past the limit all the onlookers can do is scream and hold on for dear fucking life." It\'s almost certainly confidence -- Slipknot have lived it. But let the Maggots decide, because that\'s who 9.0 is for. Their faithful roar -- and in particular their relationship with Slipknot vocalist Corey Taylor -- is what unifies the performances on 9.0, recorded in 2004 and 2005 during the group\'s touring for Vol. 3: The Subliminal Verses. The crowd\'s collective yell is another instrument in the gristly, swirling mix of "Pulse of the Maggots," a disc one highlight along with "The Blister Exists," "Before I Forget," and the churning "(Sic)." Disc two begins with "Three Nil," a layered and lurching thrill that\'s as chaotically groovy as classic Mr. Bungle. Taylor demands to see the outstretched devil horns for "Heretic Anthem," and that leads into a coldly creeping version of Iowa\'s title track. With its whining guitars and faraway screams, the song\'s like the horrible radio transmission of a shortwave numbers station perched on a precipice in hell. "Spit it Out" is one of the only enduring classics of rap and metal\'s fusion, and its seamless transition into "People = S#!t" is one of the set\'s most engulfing moments. If there was even a question after a decade of destruction, 9.0 proves the rewarding brutality of Slipknot live. So when they\'re beating on the back of your skull with an aluminum bat, looking for a mind to change, are you going to call them arrogant, or believe in the confidence? ~ Johnny Loftus', + index: 1, + rating: 8.0, + year: 2005, + thumb: "/library/metadata/27198/thumb/1738339908", + art: "/library/metadata/27067/art/1738339898", + parentThumb: "/library/metadata/27067/thumb/1738339898", + originallyAvailableAt: "2005-10-31", + addedAt: 1738339906, + updatedAt: 1738339908, + Image: [ + { + alt: "9.0: Live", + type: "coverPoster", + url: "/library/metadata/27198/thumb/1738339908" + }, + { + alt: "9.0: Live", + type: "background", + url: "/library/metadata/27067/art/1738339898" + } + ], + UltraBlurColors: { + topLeft: "332254", + topRight: "412d6a", + bottomRight: "3e2152", + bottomLeft: "3d2e6b" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27182", + key: "/library/metadata/27182/children", + parentRatingKey: "27067", + guid: "plex://album/5d07c32c403c640290946926", + parentGuid: "plex://artist/5d07bbfc403c6402904a613f", + studio: "Roadrunner Records", + type: "album", + title: "All Hope Is Gone", + parentKey: "/library/metadata/27067", + parentTitle: "Slipknot", + summary: + "There comes a time in every band's life where they take off the masks and grow up -- then again, maybe not, as Slipknot have managed to dig deeper without ever shedding their grotesque veils. They're still wearing disguises but they have shed producer Rick Rubin, the metal legend who produced 2004's Vol. 3: The Subliminal Verses, giving the nonet just the slightest hint of broader horizons beyond their relentless aggression -- not enough for the band to crossover, but perhaps enough to earn grudging respect from listeners outside of metalheads. Of course, such respect is hardly granted to bands that wear monster maggot masks, so Slipknot's retreat to ugliness on their fourth album -- a move telegraphed heavily by the cheery title All Hope Is Gone -- isn't entirely surprising, nor is it unwelcome as this isn't a regression, it's more or less a consolidation of strengths. Certainly, the album gets off to a throttling start with \"Gematria,\" a cluster of cacophony and for the longest time on All Hope it seems as if Slipknot will never let up on this pressure, as this is an onslaught of densely dark intricate riffs. So effective is this onslaught that when things do get a little softer a little later on, the album threatens to collapse like a soufflé, but that's only because the slower moments emphasize the group's odd tendency to sound like anonymous active rock when they untwist their rhythms and lay off on the double bass drums. Nowhere is this latent tendency for macho schmaltz more evident than on \"Snuff,\" a stab at a power ballad that sounds disarmingly close to Nickelback, a bewildering incongruity that feels even stranger given the album's otherwise merciless attack. One more power ballad like this would be enough to derail the album, turning it into the crossover Vol. 3 never was despite Rubin's flourishes, but All Hope Is Gone as a whole winds up being as bleak and unforgiving as its title. ~ Stephen Thomas Erlewine", + index: 1, + rating: 8.0, + year: 2008, + thumb: "/library/metadata/27182/thumb/1738339906", + art: "/library/metadata/27067/art/1738339898", + parentThumb: "/library/metadata/27067/thumb/1738339898", + originallyAvailableAt: "2008-08-20", + addedAt: 1738339904, + updatedAt: 1738339906, + Image: [ + { + alt: "All Hope Is Gone", + type: "coverPoster", + url: "/library/metadata/27182/thumb/1738339906" + }, + { + alt: "All Hope Is Gone", + type: "background", + url: "/library/metadata/27067/art/1738339898" + } + ], + UltraBlurColors: { + topLeft: "273028", + topRight: "943e3e", + bottomRight: "9a383c", + bottomLeft: "a52931" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27145", + key: "/library/metadata/27145/children", + parentRatingKey: "27067", + guid: "plex://album/5d07c676403c640290b143b1", + parentGuid: "plex://artist/5d07bbfc403c6402904a613f", + studio: "Roadrunner Records", + type: "album", + title: "Antennas to Hell", + parentKey: "/library/metadata/27067", + parentTitle: "Slipknot", + summary: + "One part savage metal and one part macabre sideshow nightmare (but in a good way), Slipknot have made a career out of their larger-than-life, kitchen-sink approach to, well, everything. Offering an overview of the Iowa band's wild ride, best-of compilation Antennas to Hell provides listeners with the opportunity to dive headfirst into the weird, dark world Slipknot have created for themselves. Spanning four studio albums, as well as a track from the Resident Evil soundtrack and a pair of live cuts from their Disasterpieces album, the compilation covers a lot of ground, giving an all-inclusive look at the 13 years since the band came storming out of the Midwest with its double-platinum, self-titled debut in 1999. As a bonus, the compilation also includes a second disc featuring Slipknot's live performance from the 2009 Download Festival, which was originally released as a part of the video album (sic)nesses. Being able to hear the band both in the studio and on the stage makes Antennas to Hell a great jumping-off point for new fans looking to get the full sonic experience in one package, but the lack of real rarities might make longtime fans pause before diving in. ~ Gregory Heaney", + index: 1, + rating: 8.0, + year: 2012, + thumb: "/library/metadata/27145/thumb/1738339908", + art: "/library/metadata/27067/art/1738339898", + parentThumb: "/library/metadata/27067/thumb/1738339898", + originallyAvailableAt: "2012-07-23", + addedAt: 1738339902, + updatedAt: 1738339908, + Image: [ + { + alt: "Antennas to Hell", + type: "coverPoster", + url: "/library/metadata/27145/thumb/1738339908" + }, + { + alt: "Antennas to Hell", + type: "background", + url: "/library/metadata/27067/art/1738339898" + } + ], + UltraBlurColors: { + topLeft: "551211", + topRight: "170303", + bottomRight: "350708", + bottomLeft: "a1080e" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27112", + key: "/library/metadata/27112/children", + parentRatingKey: "27067", + guid: "plex://album/5d07cb77403c640290de5892", + parentGuid: "plex://artist/5d07bbfc403c6402904a613f", + studio: "Mercury Studios", + type: "album", + title: "Day of the Gusano: Live in Mexico", + parentKey: "/library/metadata/27067", + parentTitle: "Slipknot", + summary: "", + index: 1, + year: 2017, + thumb: "/library/metadata/27112/thumb/1738339903", + art: "/library/metadata/27067/art/1738339898", + parentThumb: "/library/metadata/27067/thumb/1738339898", + originallyAvailableAt: "2017-10-06", + addedAt: 1738339898, + updatedAt: 1738339903, + Image: [ + { + alt: "Day of the Gusano: Live in Mexico", + type: "coverPoster", + url: "/library/metadata/27112/thumb/1738339903" + }, + { + alt: "Day of the Gusano: Live in Mexico", + type: "background", + url: "/library/metadata/27067/art/1738339898" + } + ], + UltraBlurColors: { + topLeft: "4c1c1e", + topRight: "a7271b", + bottomRight: "ac1a17", + bottomLeft: "661a14" + } + }, + { + ratingKey: "27068", + key: "/library/metadata/27068/children", + parentRatingKey: "27067", + guid: "plex://album/62d7b9d4700e44e5863a4bb5", + parentGuid: "plex://artist/5d07bbfc403c6402904a613f", + studio: "Roadrunner Records", + type: "album", + title: "The End, So Far", + titleSort: "End, So Far", + parentKey: "/library/metadata/27067", + parentTitle: "Slipknot", + summary: + 'The follow-up to 2019\'s commanding We Are Not Your Kind (the veteran band\'s third consecutive number one album), The End, So Far lacks some of its predecessor\'s potency. However, it makes up for it with sheer grit and a handful of surprising deviations, most notably on the idiosyncratic opening cut. "Adderall" may sound like an algorithm-generated Slipknot title, but the song itself contains multitudes, pairing cascading piano and clean vocals with a melody that has more in common with The Bends-era Radiohead than it does the crushing discord of Iowa or All Hope Is Gone. Elsewhere, the beefy "De Sade" adds might to that melodicism, proving that both predilections can coexist in the crucible of contemporary metal, while the epic "Finale" (again, with the on-the-nose titles) tempers its brawn with billowing strings and a full choir. Fans put off by these forays into melodic alt-rock will be far better served by "The Dying Song (Time to Sing)," "The Chapeltown Rag," and "Yen." All three cuts hew closer to the frenetic pace and mosh-pit-inducing beatdowns that have long served as Slipknot\'s sonic foundation. Still, it\'s refreshing to hear a group tinker with their formula and even more encouraging when it seems to be out of curiosity rather than desperation. Slipknot have sat atop the commercial metal food chain for over two decades and have more than enough equity to swing for the fences artistically. The End, So Far may not be a home run, but it proves that the band are still in it to win it, even if they\'re playing the long game. ~ James Christopher Monger', + index: 1, + rating: 7.0, + year: 2022, + thumb: "/library/metadata/27068/thumb/1738339902", + art: "/library/metadata/27067/art/1738339898", + parentThumb: "/library/metadata/27067/thumb/1738339898", + originallyAvailableAt: "2022-09-30", + addedAt: 1738339887, + updatedAt: 1738339902, + Image: [ + { + alt: "The End, So Far", + type: "coverPoster", + url: "/library/metadata/27068/thumb/1738339902" + }, + { + alt: "The End, So Far", + type: "background", + url: "/library/metadata/27067/art/1738339898" + } + ], + UltraBlurColors: { + topLeft: "350d04", + topRight: "6a231a", + bottomRight: "791107", + bottomLeft: "ab1e17" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ], + Collection: [ + { + tag: "Super hi res" + } + ] + }, + { + ratingKey: "27238", + key: "/library/metadata/27238/children", + parentRatingKey: "27067", + guid: "plex://album/5d07c178403c640290848e24", + parentGuid: "plex://artist/5d07bbfc403c6402904a613f", + studio: "Roadrunner Records", + type: "album", + title: "Iowa", + parentKey: "/library/metadata/27067", + parentTitle: "Slipknot", + summary: + "After a couple years of relentless touring in support of their self-titled breakthrough album, Slipknot regrouped to record Iowa, an ode to their home state that consolidates and punctuates everything that had garnered the band its cultish following. The monstrous guitar crunch, the concrete-dense rhythmic foundation, the frenzied singing, and the overall madcap fashion of it all -- Slipknot's trademark sound is very much at the forefront of this dark, dark album and is presented in epic form on the extended, album-closing title track, which brings to mind Children of the Corn-type terrors. Though not quite as commercially viable as the more straightforward Slipknot album, Iowa is a more interesting listen, one that envelopes you in its American Gothic shadow and leaves you feeling unsettled afterward. It's really all you could ask for in a Slipknot album, and then some -- perhaps some more than you'd like, in fact, if you're not part of the cult. ~ Jason Birchmeier", + index: 1, + rating: 6.0, + year: 2001, + thumb: "/library/metadata/27238/thumb/1738339913", + art: "/library/metadata/27067/art/1738339898", + parentThumb: "/library/metadata/27067/thumb/1738339898", + originallyAvailableAt: "2001-08-21", + addedAt: 1738339910, + updatedAt: 1738339913, + Image: [ + { + alt: "Iowa", + type: "coverPoster", + url: "/library/metadata/27238/thumb/1738339913" + }, + { + alt: "Iowa", + type: "background", + url: "/library/metadata/27067/art/1738339898" + } + ], + UltraBlurColors: { + topLeft: "10333a", + topRight: "282b5e", + bottomRight: "216681", + bottomLeft: "90413c" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27253", + key: "/library/metadata/27253/children", + parentRatingKey: "27067", + guid: "plex://album/5d07c348403c640290956b1d", + parentGuid: "plex://artist/5d07bbfc403c6402904a613f", + type: "album", + title: "Mate. Feed. Kill. Repeat.", + parentKey: "/library/metadata/27067", + parentTitle: "Slipknot", + summary: + "Before Slipknot signed with Roadrunner and became one of the industry's surprise successes during the late-'90s/early-2000s heavy metal renaissance, they recorded this somewhat forgotten eight-song, 50-minute LP. Originally released on Halloween 1996, the Lincoln, NE-based indie outpost -ismist Recordings picked up the album for distribution in summer 1997, eventually leading to Roadrunner's discovery of the eclectic metal group and their slow rise to infamy. Though not nearly as accomplished or realized as the group's self-titled 1999 album, Mate. Feed. Kill. Repeat remains an impressive listen, even if the formative group is still struggling to find a patented aesthetic. The eight songs all share some consistent qualities -- most noticeably the heavily detuned, near death metal guitar tone, along with a knack for progressive song structures -- but the group manages to integrate a healthy sense of variety across the album. As they would go on to do more successfully on their self-titled album, Slipknot hosts a myriad of vocal styles here, from sketchy rapping to grindcore-esque growling, and even some labored singing. Even more impressive, though, is the group's emphasis on non-traditional songwriting -- they stray far away from a verse-chorus-verse approach, instead instilling a meandering quality that often makes the songs feel like medleys. This is perhaps best exemplified on the 20-minute \"Killers Are Quiet,\" a song that moves through ambient-industrial segments to lugging, riff-laden instrumental segments to traditional vocal-driven moments. Anyone new to Slipknot should surely look to their Roadrunner debut first, but if you like what you heard there and want some more, or if you're curious about the band's inventive beginnings, search out this early release -- you won't be disappointed. ~ Jason Birchmeier", + index: 1, + rating: 5.0, + year: 1996, + thumb: "/library/metadata/27253/thumb/1738339914", + art: "/library/metadata/27067/art/1738339898", + parentThumb: "/library/metadata/27067/thumb/1738339898", + originallyAvailableAt: "1996-10-31", + addedAt: 1738339912, + updatedAt: 1738339914, + Image: [ + { + alt: "Mate. Feed. Kill. Repeat.", + type: "coverPoster", + url: "/library/metadata/27253/thumb/1738339914" + }, + { + alt: "Mate. Feed. Kill. Repeat.", + type: "background", + url: "/library/metadata/27067/art/1738339898" + } + ], + UltraBlurColors: { + topLeft: "0d020e", + topRight: "040c03", + bottomRight: "030c03", + bottomLeft: "2a4c2e" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27081", + key: "/library/metadata/27081/children", + parentRatingKey: "27067", + guid: "plex://album/5d07c178403c640290848e21", + parentGuid: "plex://artist/5d07bbfc403c6402904a613f", + studio: "Roadrunner Records", + type: "album", + title: "Slipknot", + parentKey: "/library/metadata/27067", + parentTitle: "Slipknot", + summary: + "These nine Midwestern boys (all from Des Moines, IA) perform wearing orange industrial coveralls with UPC symbols on the front; each bandmember is identified by a number, which is painted on the sleeve of his coveralls. Each also wears a really nasty-looking mask. Judging from their appearance and from the sound of their debut album, it's easy to assume that they're upset about something. What it is exactly is kind of hard to tell, since the stuttering roar of Number 8's vocals is barely discernible through the jackhammer death metal drums, massed guitars, horror-show samples, and jittery turntable scratches that pummel the listener through almost every song. You thought Limp Bizkit was hard? They're the Osmonds. These guys are something else entirely. And it's pretty impressive. Although those lyrics that are discernible are not generally quotable on a family website, suffice it to say that the members of Slipknot are not impressed with their fathers, their hometown, or most anything else. \"Surfacing\" starts out by cursing pretty much everything generally, and then it starts getting aggressive, as shrieking guitar feedback alternates with DJ scratching. \"Spit It Out\" is speed rap-metal with an actual melody in the chorus; \"Scissors\" ends the program with a sound that quite simply couldn't get any more aggro without falling apart entirely, and by the end, the singer actually sounds like he's about to burst into tears. An auspicious debut. [Slipknot reissued their eponymous debut in 2009 to mark the record's 10th anniversary. The special edition CD/DVD featured the original album in its' entirety, as well as numerous bonus cuts, demos, remixes and a full length concert DVD from 2000 bolstered by a 50-minute documentary.] ~ Rick Anderson", + index: 1, + rating: 8.0, + year: 1999, + thumb: "/library/metadata/27081/thumb/1738339900", + art: "/library/metadata/27067/art/1738339898", + parentThumb: "/library/metadata/27067/thumb/1738339898", + originallyAvailableAt: "1999-06-29", + addedAt: 1738339891, + updatedAt: 1738339900, + Image: [ + { + alt: "Slipknot", + type: "coverPoster", + url: "/library/metadata/27081/thumb/1738339900" + }, + { + alt: "Slipknot", + type: "background", + url: "/library/metadata/27067/art/1738339898" + } + ], + UltraBlurColors: { + topLeft: "55120f", + topRight: "a03222", + bottomRight: "a62923", + bottomLeft: "7a3434" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27223", + key: "/library/metadata/27223/children", + parentRatingKey: "27067", + guid: "plex://album/5d07c17a403c64029084a267", + parentGuid: "plex://artist/5d07bbfc403c6402904a613f", + studio: "Roadrunner Records", + type: "album", + title: "Vol. 3 (The Subliminal Verses)", + parentKey: "/library/metadata/27067", + parentTitle: "Slipknot", + summary: + 'Slipknot set out to construct the ultimate metal music flamethrower, ever since their genesis in a Des Moines, IA, basement. But they also deployed an agitprop campaign of masks, smocks, and bar codes that helped scare parents (like good metal should) and transform Slipknot fans into faithful "maggots." The Midwestern origin of all this craziness is genius, as the band\'s marrow-draining metal and twisted, fibrous mythology is antithetical to the region\'s milquetoast rep. Still, after the gothic nausea of 2001\'s Iowa, Slipknot\'s vitality dissipated in clouds of gaseous hype and individual indulgence. Had they grown fat on their thrones? Probably. But the layoff only makes Vol. 3: The Subliminal Verses scream louder. Working with famously bearded helmer Rick Rubin -- aka He Who Smites Bullsh*t -- Slipknot pour the shrill accessibility of their self-titled debut down Iowa\'s dark sieve, and the result is flinty, angry, and rewardingly restless. Vol. 3 shares its lyrical themes of anger, disaffection, and psychosis with most of Slipknot\'s nu-metal peers. Lines like "I\'ve screamed until my veins collapsed" and "Push my fingers into my eyes/It\'s the only thing that slowly stops the ache" (from the otherwise strong "Duality") aren\'t unique to this cult. But unlike so many, the band\'s sound rarely disassembles into genre building blocks: riff + glowering vocal + throaty chorus = Ozfest acceptance. What makes Vol. 3 tick is the dedication to making it a Slipknot album, and not just another flashy alt-metal billboard. The seething anger and preoccupation with pain is valid because it\'s componential to the group\'s uniquely branded havoc. "Blister Exists," "Three Nil," and "Opium of the People" are all standouts, strafing soft underbellies with rhythmic (occasionally melodic) vocals, stuttering, quadruple-helix percussion, and muted grindcore guitar. Rubin is integral to the album\'s power -- his cataclysmic vocal filters and arrays of unidentifiable squiggle and squelch unite Vol. 3\'s various portions in wildly different ways. Just when the meditative "Circles" threatens to keel over from melodrama, in sputters strings of damaged electronics and percussion to lead it into "Welcome," which sounds like Helmet covering Relapse Records\' entire catalog at once. Later, another counterpoint is offered, when the swift boot kicks of "Pulse of the Maggots" and "Before I Forget" separate "Vermilion"\'s gothic and acoustic parts. Vol. 3: The Subliminal Verses doesn\'t feel like Slipknot\'s final statement. It\'s a satisfying, carefully crafted representation of their career to date. But there\'s a sense that whatever Slipknot do next might be their ultimate broadcast to the faithful. ~ Johnny Loftus', + index: 1, + rating: 8.0, + year: 2004, + thumb: "/library/metadata/27223/thumb/1738339911", + art: "/library/metadata/27067/art/1738339898", + parentThumb: "/library/metadata/27067/thumb/1738339898", + originallyAvailableAt: "2004-05-21", + addedAt: 1738339909, + updatedAt: 1738339911, + Image: [ + { + alt: "Vol. 3 (The Subliminal Verses)", + type: "coverPoster", + url: "/library/metadata/27223/thumb/1738339911" + }, + { + alt: "Vol. 3 (The Subliminal Verses)", + type: "background", + url: "/library/metadata/27067/art/1738339898" + } + ], + UltraBlurColors: { + topLeft: "50190b", + topRight: "723226", + bottomRight: "22534c", + bottomLeft: "904430" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27097", + key: "/library/metadata/27097/children", + parentRatingKey: "27067", + guid: "plex://album/5d07cd66403c640290f03748", + parentGuid: "plex://artist/5d07bbfc403c6402904a613f", + studio: "Roadrunner Records", + type: "album", + title: "We Are Not Your Kind", + parentKey: "/library/metadata/27067", + parentTitle: "Slipknot", + summary: + 'The masked Iowans sixth full-length effort, We Are Not Your Kind, sees a confidant and apoplectic Slipknot in full command of their craft, delivering a searing 14-track set that\'s as versatile as it is observant of nu-metal\'s architectural truisms. Far removed from the desultory aggro-metal being dished out by veteran contemporaries like Saliva and Limp Bizkit, We Are Not Your Kind bristles with both intent and imagination. Corey Taylor and company have weathered their fair share of personal and professional woes over the years -- overdose, divorce, lineup changes, and lawsuits, not to mention an increasingly mercurial musical landscape -- but they have consistently managed to turn misfortune into grist for the sonic mill. After a short cinematic opening, the band gets down to business with fiery lead single "Unsainted," an infectious marriage of melody and might and a juggernaut of stadium-ready rage. The transient "Death Because of Death," with its carnival-like electro-industrial pulses and eerie refrain of "Death because of death because of you," sets the table for the unrelenting groove-laden rap-metal of "Nero Forte." The group goes full-on electro-rock -- think Imagine Dragons-meets-Korn -- on the sleek and sinewy "Spiders," and add twisty, melancholic progressive rock to their arsenal on the surprisingly heartfelt "My Pain" and the turbo-charged High on Fire-esque stoner metal on the uncompromising closer "Solway Firth." More than anything else, We Are Not Your Kind feels locked-in on a personal level -- that aforementioned sense of melancholy resides uncomfortably close to the surface throughout -- and that human touch resonates, even as the band unleashes volley after volley of tribal rhythms, scorching riffage, and fathomless decibels. ~ James Christopher Monger', + index: 1, + rating: 8.0, + year: 2019, + thumb: "/library/metadata/27097/thumb/1738339901", + art: "/library/metadata/27067/art/1738339898", + parentThumb: "/library/metadata/27067/thumb/1738339898", + originallyAvailableAt: "2019-08-09", + addedAt: 1738339897, + updatedAt: 1738339901, + Image: [ + { + alt: "We Are Not Your Kind", + type: "coverPoster", + url: "/library/metadata/27097/thumb/1738339901" + }, + { + alt: "We Are Not Your Kind", + type: "background", + url: "/library/metadata/27067/art/1738339898" + } + ], + UltraBlurColors: { + topLeft: "50181c", + topRight: "584fa4", + bottomRight: "634ba0", + bottomLeft: "44245b" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28469", + key: "/library/metadata/28469/children", + parentRatingKey: "28468", + guid: "plex://album/5d07c690403c640290b20c26", + parentGuid: "plex://artist/5d07bc10403c6402904b40fc", + studio: "Roadrunner Records", + type: "album", + title: "House of Gold & Bones, Part 1", + parentKey: "/library/metadata/28468", + parentTitle: "Stone Sour", + summary: + 'The first in a two-part concept album, House of Gold & Bones finds Stone Sour returning from the relatively subdued sound of their last outing with fire in their belly, bringing some of the aggression back into their sound while still keeping the more nuanced songwriting of Audio Secrecy intact. Following the story of a man who finds himself at a mystical crossroads in his life while on a journey through a kind of self-made perdition, the album follows an arc both thematically and sonically, with the intensity of the songs rising and falling in a way that feels more like a musical than an album of chest-thumping hard rock. This creates a nice dynamic between songs like the driving "My Name Is Allen" and its follow-up, the more contemplative and reflective "Taciturn," creating a palpable shift that comes through both lyrically and musically. A concept album is always a risky proposition, especially in the world of post-grunge, but it feels as if Stone Sour have been invigorated by the possibilities open to them after expanding their sound so much on their previous effort, giving them the confidence to make what is easily their most ambitious record to date. That said, this is an album that can easily be enjoyed for the songs alone, so while you don\'t necessarily need to sit down with the liner notes (which include an accompanying story written Corey Taylor) to enjoy the album, it does add an extra layer of narrative action that reveals House of Gold & Bones to be an album of surprising depth. ~ Gregory Heaney', + index: 1, + rating: 8.0, + year: 2012, + thumb: "/library/metadata/28469/thumb/1738521146", + art: "/library/metadata/28468/art/1738521333", + parentThumb: "/library/metadata/28468/thumb/1738521333", + originallyAvailableAt: "2012-10-22", + addedAt: 1738521143, + updatedAt: 1738521146, + Image: [ + { + alt: "House of Gold & Bones, Part 1", + type: "coverPoster", + url: "/library/metadata/28469/thumb/1738521146" + }, + { + alt: "House of Gold & Bones, Part 1", + type: "background", + url: "/library/metadata/28468/art/1738521333" + } + ], + UltraBlurColors: { + topLeft: "272827", + topRight: "030403", + bottomRight: "262625", + bottomLeft: "21201e" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28494", + key: "/library/metadata/28494/children", + parentRatingKey: "28468", + guid: "plex://album/5d07cafa403c640290d90807", + parentGuid: "plex://artist/5d07bc10403c6402904b40fc", + studio: "Roadrunner Records", + type: "album", + title: "Hydrograd", + parentKey: "/library/metadata/28468", + parentTitle: "Stone Sour", + summary: + 'The veteran hard rockers\' sixth studio long-player, Hydrograd takes its name from an airport sign that frontman Corey Taylor misread while racing to make a connecting flight in Eastern Europe. It\'s a fitting metaphor for the group, which, since its inception in 1992, has refused to be pigeonholed; carving out its own stylistically neutral brand of accessible modern heavy metal that\'s flirted with nearly every iteration of the genre. Notably, Hydrograd is the first Stone Sour outing not to feature guitarist and co-founder Jim Root, who left rather acrimoniously in 2013. The band has stated that Christian Martucci, who joined up in 2015, played a huge role in shaping the sound of the album, which is far more textural and cinematic, though no less heavy, than prior outings. Recorded live in the studio with Jay Ruston (Steel Panther, Anthrax, the Donnas), the sprawling 15-track set, which clocks in at just over an hour, can feel a little unruly, but there\'s more than enough meat here to make a proper sandwich. The melody-rich "Song #3," the vaguely Queensrÿche-ian closer "When the Fever Broke," and "Rose Red Violent Blue (This Song Is Dumb & So Am I)," the latter of which flirts with a Beatlesque verse melody before launching into a vintage arena rock chorus, are all radio-friendly enough to make it to primetime, but Stone Sour have always been at their best when they inject their more commercial side with a little venom. They do just that on the knotty opener "Taipei Person/Allah Tea" and the galvanic single "Fabuless" -- the singularly titled "Whiplash Pants" also hits that sweet spot -- and it\'s in those grey areas where Hydrograd begins to make sense. ~ James Christopher Monger', + index: 1, + rating: 7.0, + year: 2017, + thumb: "/library/metadata/28494/thumb/1738521334", + art: "/library/metadata/28468/art/1738521333", + parentThumb: "/library/metadata/28468/thumb/1738521333", + originallyAvailableAt: "2017-06-30", + addedAt: 1738521331, + updatedAt: 1738521334, + Image: [ + { + alt: "Hydrograd", + type: "coverPoster", + url: "/library/metadata/28494/thumb/1738521334" + }, + { + alt: "Hydrograd", + type: "background", + url: "/library/metadata/28468/art/1738521333" + } + ], + UltraBlurColors: { + topLeft: "5c0302", + topRight: "5c0604", + bottomRight: "6f0b0b", + bottomLeft: "2f0404" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28291", + key: "/library/metadata/28291/children", + parentRatingKey: "27264", + guid: "plex://album/5d07ca2b403c640290cffd66", + parentGuid: "plex://artist/5d07bc03403c6402904aa5ea", + studio: "Hopeless Records", + type: "album", + title: "13 Voices", + parentKey: "/library/metadata/27264", + parentTitle: "Sum 41", + summary: + 'Death looms large on Sum 41\'s sixth album, 13 Voices. Five years after Screaming Bloody Murder, the comeback arrived two years after frontman Deryck Whibley nearly died from alcohol-related liver and kidney failure. Emerging from an induced coma, he not only had to relearn how to walk, but he also had to train his hands to play guitar again. He described the process as a fall and a rise, which is documented on the bleak and intense 13 Voices. The levity found on their early releases had mostly been scrubbed away after their third record, Chuck, but here it\'s truly a thing of the past. 13 Voices is packed with full-blast urgency and powerful execution. The quintet -- rounded out by returning prodigal guitarist Dave "Brownsound" Baksh, his replacement Tom Thacker, bassist Jason "Cone" McCaslin, and new drummer Frank Zummo -- is hungry, anxiously so. Clocking in at less than 40 minutes of classic Sum 41 metal-meets-hardcore punk, it\'s a breathless ride that offers only a few moments of contemplation before going balls to the wall once more. Following the trajectory of "fall and rise," the front half of the album is grim. Whibley descends into the pits of desperation and anger, the frustration seething on tracks like "Goddamn I\'m Dead Again" and "Fake My Own Death," a pair of blazing tracks that will give fans nostalgia goosebumps. The latter half of the album is the slow rise to what could be called hope, especially on the rousing trio that closes out the album. With the matured world-view, Sum 41 add some new embellishments, like strings on the determined "Breaking the Chain" and atmospheric textures on "God Save Us All (Death to POP)," "The Fall and the Rise," and "Twisted by Design," which sound a lot like Linkin Park\'s hardcore punk outing The Hunting Party. Above all, the yearning "War" is the emotional pinnacle of the album, a testament to Whibley\'s battle for sobriety and survival as well as an anthem for fans living with similar struggles. It might sound like 13 Voices is glum and no fun, but fortunately the band still has the ability to inspire joyful chaos with its five-pronged assault. Taking into account Whibley\'s dramatic and life-altering experiences, the hits land harder than ever, resulting in Sum 41\'s most honest and sincere album yet. ~ Neil Z. Yeung', + index: 1, + rating: 8.0, + year: 2016, + thumb: "/library/metadata/28291/thumb/1738345261", + art: "/library/metadata/27264/art/1738339916", + parentThumb: "/library/metadata/27264/thumb/1738339916", + originallyAvailableAt: "2016-10-07", + addedAt: 1738345258, + updatedAt: 1738345261, + Image: [ + { + alt: "13 Voices", + type: "coverPoster", + url: "/library/metadata/28291/thumb/1738345261" + }, + { + alt: "13 Voices", + type: "background", + url: "/library/metadata/27264/art/1738339916" + } + ], + UltraBlurColors: { + topLeft: "580c0f", + topRight: "933f40", + bottomRight: "2f0303", + bottomLeft: "460903" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28347", + key: "/library/metadata/28347/children", + parentRatingKey: "27264", + guid: "plex://album/5d07c1a3403c64029086090f", + parentGuid: "plex://artist/5d07bc03403c6402904aa5ea", + studio: "Mercury Records", + type: "album", + title: "Does This Look Infected?", + parentKey: "/library/metadata/27264", + parentTitle: "Sum 41", + summary: + "Sum 41 album three, Does This Look Infected?, is much like Sum 41 album two, which was much like their lesser-known indie debut, Half Hour of Power. Which means, Does This Look Infected? sounds much like the work of Blink-182's snottier kid brothers, who are just in it for good times. Frankly, it's kind of a relief to be spared both the smutty double entendres and the self-pity, and while they still rely too much on processed guitar distortion and have sparkling productions, Sum 41 makes up for that cleanliness with vigorous performances and simple, catchy hooks. It's pretty fun, particularly since the whole affair is blissfully short at a few minutes over a half-hour, giving it a nice, punchy effect. There's nothing here that's unexpected, but it's delivered well, so it's a fun little record...but it's not much more than that, either. ~ Stephen Thomas Erlewine", + index: 1, + rating: 6.0, + year: 2002, + thumb: "/library/metadata/28347/thumb/1738345378", + art: "/library/metadata/27264/art/1738339916", + parentThumb: "/library/metadata/27264/thumb/1738339916", + originallyAvailableAt: "2002-11-25", + addedAt: 1738345375, + updatedAt: 1738345378, + Image: [ + { + alt: "Does This Look Infected?", + type: "coverPoster", + url: "/library/metadata/28347/thumb/1738345378" + }, + { + alt: "Does This Look Infected?", + type: "background", + url: "/library/metadata/27264/art/1738339916" + } + ], + UltraBlurColors: { + topLeft: "4c1d10", + topRight: "79391f", + bottomRight: "411204", + bottomLeft: "722f12" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "27265", + key: "/library/metadata/27265/children", + parentRatingKey: "27264", + guid: "plex://album/657905e9c585e0b6a64bd2ac", + parentGuid: "plex://artist/5d07bc03403c6402904aa5ea", + studio: "Rise Records", + type: "album", + title: "Heaven :x: Hell", + parentKey: "/library/metadata/27264", + parentTitle: "Sum 41", + summary: + 'Capping nearly three decades on the scene, Sum 41 bid farewell the only way they really could: merging their punk and metal extremes on the sprawling double album Heaven :x: Hell. All those years of stylistic evolution collide on this 20-song collection, which is split evenly into the pop-punk Heaven side and the metal-leaning Hell side (naturally). Finding the sweet spot among Billy Talent, Green Day, and blink-182, this is standard, anthemic pop-punk goodness, designed for pogo-bops, fist-pumping, and light moshing, all centered on Deryck Whibley\'s acrobatic vocals. The big singalong choruses of catchy standouts like "Dopamine" and "Bad Mistake" ride Frank Zummo\'s freewheeling drumming, as the twin guitar attack of Dave Baksh and Tom Thacker propel this track headlong into the sunset. Heaven, according to Sum 41, sounds fun, urgent, and energetic (even when the lyrics say otherwise). Descending into Hell, fans of 2016\'s 13 Voices and 2019\'s Order in Decline will have plenty to enjoy as the relatively lighthearted punk fest gives way to a hardened, emotionally charged whirlpool of rage and frustration. The pummeling "Rise Up" crushes with a head-caving breakdown and death scream, while the hardcore "Stranger in These Times" shreds and tears its way through "imbecilic morons" and Whibley\'s insecurities. Hell highlight "I Don\'t Need Anyone" lurches its way atop Jason McCaslin\'s bass groove before a killer guitar solo slashes its way through this metal assault, just as emotions are pushed to the limit on the Linkin Park-leaning "How the End Begins." There\'s even a martial cover of the Rolling Stones\' "Paint It Black" that showcases their technical skill and adaptability (especially on the breakdown). Regardless of which Sum 41 you prefer, there are two expertly executed albums here, each highlighting just how this group has grown from being rascally jokesters to hardened, concerned members of society. As far as swan songs go, Heaven :x: Hell is a heartfelt goodbye to fans, an overly generous gift that aims to please the full spectrum of diehards and thank them for all their years of dedication. ~ Neil Z. Yeung', + index: 1, + rating: 9.0, + year: 2024, + thumb: "/library/metadata/27265/thumb/1738339917", + art: "/library/metadata/27264/art/1738339916", + parentThumb: "/library/metadata/27264/thumb/1738339916", + originallyAvailableAt: "2024-03-29", + addedAt: 1738339914, + updatedAt: 1738339917, + Image: [ + { + alt: "Heaven :x: Hell", + type: "coverPoster", + url: "/library/metadata/27265/thumb/1738339917" + }, + { + alt: "Heaven :x: Hell", + type: "background", + url: "/library/metadata/27264/art/1738339916" + } + ], + UltraBlurColors: { + topLeft: "0d3242", + topRight: "8e3d41", + bottomRight: "5e221f", + bottomLeft: "9b382d" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28280", + key: "/library/metadata/28280/children", + parentRatingKey: "27264", + guid: "plex://album/5d07cd4b403c640290ef7993", + parentGuid: "plex://artist/5d07bc03403c6402904aa5ea", + studio: "Hopeless Records", + type: "album", + title: "Order in Decline", + parentKey: "/library/metadata/27264", + parentTitle: "Sum 41", + summary: + 'Building upon the evolved sound and lyrical maturity of 2016\'s 13 Voices, Canadian punks Sum 41 unleash a topical rage brought upon by world affairs on 2019\'s fiery Order in Decline. Produced, mixed, engineered, and written by frontman Deryck Whibley, this seventh full-length is laser-focused and angry as hell, taking multiple shots at a certain United States president without ever explicitly wasting any breath on his name. Decrying division and a society seemingly on the verge of moral collapse, this is one of Sum 41\'s most earnest and thoughtful statements to date, a compact burst that recalls a wide swath of influences ranging from Linkin Park to Bad Religion to Muse. Tension and frustration course through these ten tracks, peaking on thrash-influenced assaults such as "Turning Away" and the riotous "Out for Blood" and abating on sweeping surprises such as "Never There" and "Catching Fire," which take a pause from the political to focus on broken relationships and lost friends. Otherwise, Decline sticks to talk of resistance, (not) building walls, and the perpetuation of lies on standouts "A Death in the Family" and "45 (A Matter of Time)." On these rallying cries, Whibley wonders, "Is it human nature or am I insane?" while contemplating the state of the world at the close of the decade. Later, on the punk blast "The People Vs…" he declares, "I know a bad man when I see his face.... He\'s got to go!" There\'s little ambiguity here and, compared to their earlier work, it\'s a refreshing evolution and maturation. That a group of Canadian punks would be the voices of reason in 2019 is a wonder in itself; that they\'ve delivered one of the most accomplished albums in their catalog this late in their careers is another. ~ Neil Z. Yeung', + index: 1, + rating: 8.0, + year: 2019, + thumb: "/library/metadata/28280/thumb/1738345247", + art: "/library/metadata/27264/art/1738339916", + parentThumb: "/library/metadata/27264/thumb/1738339916", + originallyAvailableAt: "2019-07-19", + addedAt: 1738345244, + updatedAt: 1738345247, + Image: [ + { + alt: "Order in Decline", + type: "coverPoster", + url: "/library/metadata/28280/thumb/1738345247" + }, + { + alt: "Order in Decline", + type: "background", + url: "/library/metadata/27264/art/1738339916" + } + ], + UltraBlurColors: { + topLeft: "550c26", + topRight: "590411", + bottomRight: "2c0404", + bottomLeft: "5b0a20" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26826", + key: "/library/metadata/26826/children", + parentRatingKey: "26825", + guid: "local://26826", + parentGuid: "plex://artist/5d07bc02403c6402904aa0f9", + type: "album", + title: "Steal This Album!", + parentKey: "/library/metadata/26825", + parentTitle: "System of a Down", + summary: "", + index: 1, + year: 2002, + thumb: "/library/metadata/26825/thumb/1738337676", + art: "/library/metadata/26825/art/1738337676", + parentThumb: "/library/metadata/26825/thumb/1738337676", + originallyAvailableAt: "2002-01-01", + addedAt: 1738337672, + Image: [ + { + alt: "Steal This Album!", + type: "coverPoster", + url: "/library/metadata/26825/thumb/1738337676" + }, + { + alt: "Steal This Album!", + type: "background", + url: "/library/metadata/26825/art/1738337676" + } + ], + Genre: [ + { + tag: "Metal" + } + ], + Collection: [ + { + tag: "Super hi res" + } + ] + }, + { + ratingKey: "27012", + key: "/library/metadata/27012/children", + parentRatingKey: "27011", + guid: "plex://album/5d07c18d403c6402908544e7", + parentGuid: "mbid://fabb37f8-eb2a-4cc1-a72a-b56935bbb72d", + studio: "Jive", + type: "album", + title: "Three Days Grace", + parentKey: "/library/metadata/27011", + parentTitle: "Three Days Grace", + summary: + 'Three Days Grace\'s self-titled debut showcases the simplicity of their music, which is both the band\'s biggest strength and biggest weakness. The album\'s taut arrangements and grinding but melodic sound are quintessential alt-metal, suggesting a much poppier, less cerebral Helmet (or among Three Days Grace\'s contemporaries, Chevelle), and while the production is mostly simple and crunchy, it occasionally delves into Linkin Park-like atmospheres. At its best, the band\'s focus and adherence to alt-metal\'s formulas -- coupled with tight songwriting and some unexpectedly pretty choruses -- results in a strong tracks that are more memorable than the work of many of their peers. "I Hate Everything About You" was Three Days Grace\'s big single and remains the band\'s best song, gaining most of its power from its directness and bluntness in examining a dysfunctional relationship. Though there\'s nothing else quite as strong on the rest of the album, "Born Like This," "Just Like You," and "Scared" are also good examples of the band\'s surprisingly hooky songwriting. However, when the songwriting isn\'t quite up to par, Three Days Grace\'s simplicity becomes more generic than focused. The cookie-cutter angst of song titles like "Burn," "Drown," and "Now or Never" and lyrics like "Home"\'s "By the time you come home/I\'m already stoned/I can hardly wait to leave this place" may tap into the feelings of the band\'s audience, but they\'re not especially distinctive. The album\'s second half falters a bit when compared to the punch of Three Days Grace\'s first few songs, although the power ballads "Take Me Under" and "Wake Up" show that the band is equally good at (somewhat) quieter songs as well as loud ones. Although this debut is a little uneven, it\'s also promising. Three Days Grace are definitely one of the most accessible alt-metal bands of the 2000s; they just need to add some more distinctiveness to their sound. ~ Heather Phares', + index: 1, + rating: 7.0, + year: 2003, + thumb: "/library/metadata/27012/thumb/1738339870", + originallyAvailableAt: "2003-07-22", + addedAt: 1738339867, + updatedAt: 1738339870, + Image: [ + { + alt: "Three Days Grace", + type: "coverPoster", + url: "/library/metadata/27012/thumb/1738339870" + } + ], + UltraBlurColors: { + topLeft: "2f2d2d", + topRight: "030403", + bottomRight: "393630", + bottomLeft: "26211b" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26402", + key: "/library/metadata/26402/children", + parentRatingKey: "26390", + guid: "plex://album/6116468e9280929a7161c6cb", + parentGuid: "plex://artist/5d07bc35403c6402904d3319", + studio: "Roadrunner Records", + type: "album", + title: "In the Court of the Dragon", + parentKey: "/library/metadata/26390", + parentTitle: "Trivium", + summary: + 'In the Court of the Dragon is Trivium\'s tenth album, a milestone for any band. It\'s also a homecoming for the quartet of Matt Heafy (guitar/vocals), Corey Beaulieu (guitar), Paolo Gregoletto (bass), and Alex Bent (drums). Heafy returned to Florida after living in California for several years, as did Gregoletto after a period in Chicago. Produced by Josh Wilbur, this extremely musical, ten-song set aesthetically reaches forward and back simultaneously. For starters, it\'s simply brutal. Metalcore, thrash, and technical death metal converge throughout, with some prog metal nods, too. Wilbur\'s production is streamlined yet massive as it juxtaposes extreme aggression with some arena rock tendencies.\r\nOpener "X" is a brief yet sinister interlude with chanted, wordless vocal assistance and subtle electronics from guest and Emperor frontman Ihsahn. Reverbed kick drums and animalistic sounds introduce the title track. Heafy\'s fire-spitting lyric delivery over the truly gnarly lead riffs by Beaulieu and slamming blastbeats from Bent unleashes a an all-out-attack we haven\'t heard since 2005\'s Ascendancy. "Like a Sword of Damocles" commences with a detuned riff before Bent picks up the tempo with blastbeats, intense rolls, and accents as the guitarists join on the main riff. The chorus follows a different tack: Using stacked vocal harmonies, it asserts an earworm hook before a series of breakdowns, solo breaks, and detuned bass crescendos claim the fore. "Feast of Fire" is radio-friendly with assonant vocals and a catchy lyric sensibility; it\'s couched inside a massive vamp with guitar fills that swirl around the singer as the drummer and bassist swing them into a knotty, tech death jaunt. "The Shadow of the Abattoir" moves through so many musical interactions it could be a suite. Commencing as a low, gloomy ballad, Heafy sings in his clearest baritone amid fingerpicked electric guitars and rolling tom-toms. The hooky chorus soars, but the band quickly grafts modal overtones onto the melody before the entire proceeding explodes halfway through amid thrash breakdowns and overdriven riff aggression before returning to the now-galloping chorus. "No Way Back Just Through" offers rage and a festival-ready chorus, while "Fall Into Your Hands" delivers wonderful three-part vocal harmony on the majestically hooky chorus juxtaposed against a take-no-prisoners thrash riff and spiky, wrangling guitar solos. The origins of closer "The Phalanx" lie in the Shogun era, but it\'s hardly filler. A grand riff intro gives way to Heafy\'s screaming amid angular riffing, thunderous bass fills, and jarring breakdowns. The stop-and-start segments in the middle section are unhinged. At 5:37 or so, it morphs into sweeping, midtempo power metal with orchestral strings adding ballast to the attack. As a whole, In the Court of the Dragon stands with Trivium\'s best work. It offers a classic meld of melodic thrash/metalcore and tech death in a sound as enormous as it is ambitious and diverse, making for wonderfully produced, flawlessly composed songs. All killer, no filler. ~ Thom Jurek', + index: 1, + rating: 8.0, + year: 2021, + thumb: "/library/metadata/26402/thumb/1737984019", + art: "/library/metadata/26390/art/1737983391", + parentThumb: "/library/metadata/26390/thumb/1737983391", + originallyAvailableAt: "2021-10-08", + addedAt: 1738337206, + updatedAt: 1737984019, + Image: [ + { + alt: "In the Court of the Dragon", + type: "coverPoster", + url: "/library/metadata/26402/thumb/1737984019" + }, + { + alt: "In the Court of the Dragon", + type: "background", + url: "/library/metadata/26390/art/1737983391" + } + ], + UltraBlurColors: { + topLeft: "4b1e1a", + topRight: "49140b", + bottomRight: "481f13", + bottomLeft: "401113" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "26391", + key: "/library/metadata/26391/children", + parentRatingKey: "26390", + guid: "plex://album/5d07c7b0403c640290ba03e6", + parentGuid: "plex://artist/5d07bc35403c6402904d3319", + studio: "Roadrunner Records", + type: "album", + title: "Vengeance Falls", + parentKey: "/library/metadata/26390", + parentTitle: "Trivium", + summary: + "Possessing a feeling of intense focus, melodic thrash outfit Trivium delivers one of their tightest and most cohesive albums in years on their sixth studio outing, Vengeance Falls. With songwriting that emphasizes quality over quantity or complexity, the album feels more precise in its execution, with every moment expertly placed in order to serve the songs rather than show off the band's musicianship (which is, as always, considerable). A lot of this can be attributed to the work of producer David Draiman of Disturbed and, most recently, Device. Sharing the band's ear for melody, Draiman provides Trivium with a more mainstream perspective. Depending on your view of Draiman's work, that might sound like a bad thing, yet the reality is anything but. Rather than water down their sound, Trivium have refined it, doing away with anything that doesn't serve the song. Because of this, Vengeance Falls comes off as a rock-solid blast of melodic metalcore that manages to be technically impressive without needing to show off. While this might not be the album that will make believers out of their haters, Trivium have put out an album that, with its impressive blend of melody and scorching riffs, feels capable of luring more than a few post-grunge and hard rock fans over to the heavier side of the dial. ~ Gregory Heaney", + index: 1, + rating: 8.0, + year: 2013, + thumb: "/library/metadata/26391/thumb/1737983391", + art: "/library/metadata/26390/art/1737983391", + parentThumb: "/library/metadata/26390/thumb/1737983391", + originallyAvailableAt: "2013-10-09", + addedAt: 1738337165, + updatedAt: 1737983391, + Image: [ + { + alt: "Vengeance Falls", + type: "coverPoster", + url: "/library/metadata/26391/thumb/1737983391" + }, + { + alt: "Vengeance Falls", + type: "background", + url: "/library/metadata/26390/art/1737983391" + } + ], + UltraBlurColors: { + topLeft: "1f272f", + topRight: "234f70", + bottomRight: "0f293f", + bottomLeft: "132e47" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ] + }, + { + ratingKey: "28669", + key: "/library/metadata/28669/children", + parentRatingKey: "28668", + guid: "plex://album/65dfe8de0d83c0e15e4b8f2c", + parentGuid: "mbid://a6c6897a-7415-4f8d-b5a5-3a5e05f3be67", + studio: "Fueled by Ramen", + type: "album", + title: "Clancy", + parentKey: "/library/metadata/28668", + parentTitle: "Twenty One Pilots", + summary: + '"Welcome back to Trench." With those words, Twenty One Pilots scholars were sent into the stratosphere, thrilled by the fact that the dense, metaphorical mythology that the duo had been crafting for a decade was back on track after a sneaky "diversion" on 2021\'s Scaled and Icy. That pop-leaning album had some listeners and critics tricked, but it was later revealed that it was just protagonist Clancy being forced to make a coded call for help that would infiltrate the mainstream. The rabbit hole goes even deeper for those who want to dive in, but for the sake of simplicity and avoiding any misinterpretations about the story, let\'s focus on the music and leave the lore to the experts. Named after the fearless hero, Clancy returns listeners to the fictional setting explored on the 2018 album of the same name. Much like that effort, this collection is as sonically varied and exploratory, jumping from dramatic, beat-driven electro-hip-hop ("Overcompensate," "Snap Back") to thrilling, joyous pop-punk ("Next Semester," "Midwest Indigo") before landing on a lyrically swirling dub showcase ("Backslide") and acoustic tenderness ("The Craving"). Tyler Joseph and Josh Dun\'s kitchen-sink approach to genre will be no surprise to longtime listeners, and it remains as exciting as it was when they first emerged in 2009. However, despite their return to a familiar locale, this is not Trench 2.0. That permeating tension, high drama, and foreboding is toned down as the guys keep it relatively straightforward, even nostalgic, sounding more like they did on their early records than they have in a while. Additional highlights include the bouncy, dream-pop "Lavish," which is punctuated by hypnotic rap verses, and the energized synth-rock blast "Navigating," which serves as yet another example of why Dun is such an underrated drummer. A gift and a nod to their faithful following, Clancy is almost custom designed to please the diehards. As those fans pore over the material and decipher the clues buried in the lyrics (especially the doozy of a closer "Paladin Strait"), Twenty One Pilots tie a bow on a fascinating narrative that has captured the imagination of a legion of fans around the globe. Fortunately for listeners unaware of the backstory, the songs are reliably catchy and intriguing enough to grab their attention, too. ~ Neil Z. 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Düstere Passagen wechseln sich mit großen Melodien ab, die Songs galoppieren mit Tempo nach vorne, die Riffs krachen – manchmal auch mit Djent-Kante – und immer wieder kommt Symphonic-Metal-Flair auf. In den Songs zeigen sich die Niederländer um Sängerin Sharon den Adel deutlich politisch: Der stimmungsvolle Titeltrack beispielsweise dreht sich um die Unterdrückung von Frauen im Iran, im harten "Wireless" geht es um den Einmarsch Russlands in die Ukraine. Auf "Shed My Skin" sind die beiden Frontmänner der deutschen Alternative-Rockband Annisokay als Gäste zu hören.', + index: 1, + year: 2023, + thumb: "/library/metadata/27324/thumb/1738340548", + originallyAvailableAt: "2023-10-20", + addedAt: 1738340533, + updatedAt: 1738340548, + Image: [ + { + alt: "Bleed Out", + type: "coverPoster", + url: "/library/metadata/27324/thumb/1738340548" + } + ], + UltraBlurColors: { + topLeft: "4e1c07", + topRight: "692e27", + bottomRight: "944129", + bottomLeft: "91432e" + }, + Genre: [ + { + tag: "Pop/Rock" + } + ], + Collection: [ + { + tag: "Super hi res" + } + ] + } + ] + } + } + + validateResponseSpec( + "/library/sections/{sectionKey}/all", + "get", + 200, + response + ) + }) + + it("should validate the 200 response with when the API spec is valid", () => { + const response = { + MediaContainer: { + size: 7, + totalSize: 7, + offset: 0, + allowSync: true, + art: "/:/resources/movie-fanart.jpg", + content: "secondary", + identifier: 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Storm, Wolverine and Jean Grey must join their usual nemeses—Magneto and Mystique—to unhinge Stryker's scheme to exterminate all mutants.", + rating: 8.5, + audienceRating: 8.5, + year: 2003, + tagline: + "The time has come for those who are different to stand united.", + thumb: "/library/metadata/24637/thumb/1733633667", + art: "/library/metadata/24637/art/1733633667", + duration: 8027488, + originallyAvailableAt: "2003-04-25", + addedAt: 1576609985, + updatedAt: 1733633667, + audienceRatingImage: "rottentomatoes://image.rating.upright", + chapterSource: "media", + ratingImage: "rottentomatoes://image.rating.ripe", + Media: [ + { + id: 26517, + duration: 8027488, + bitrate: 22207, + width: 1920, + height: 800, + aspectRatio: 2.35, + audioChannels: 6, + audioCodec: "dca", + videoCodec: "hevc", + videoResolution: "1080", + container: "mkv", + videoFrameRate: "24p", + audioProfile: "dts", + videoProfile: "main 10", + hasVoiceActivity: false, + Part: [ + { + id: 41814, + key: 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} + ], + Writer: [ + { + tag: "David Hayter" + }, + { + tag: "Dan Harris" + } + ], + Role: [ + { + tag: "Patrick Stewart" + }, + { + tag: "Hugh Jackman" + }, + { + tag: "Ian McKellen" + } + ] + }, + { + ratingKey: "5516", + key: "/library/metadata/5516", + guid: "plex://movie/5d776c159ab5440021512afe", + slug: "zero-days", + studio: "Participant", + type: "movie", + title: "Zero Days", + contentRating: "nl/AL", + summary: + "A documentary focused on Stuxnet, a piece of self-replicating computer malware that the U.S. and Israel unleashed to destroy a key part of an Iranian nuclear facility, and which ultimately spread beyond its intended target.", + rating: 9.0, + audienceRating: 7.5, + year: 2016, + tagline: "World War 3.0", + thumb: "/library/metadata/5516/thumb/1732511408", + art: "/library/metadata/5516/art/1732511408", + duration: 6831125, + originallyAvailableAt: "2016-07-08", + addedAt: 1553386850, + updatedAt: 1732511408, + audienceRatingImage: "rottentomatoes://image.rating.upright", + ratingImage: "rottentomatoes://image.rating.ripe", + Media: [ + { + id: 7103, + duration: 6831125, + bitrate: 2178, + width: 1920, + height: 1072, + aspectRatio: 1.78, + audioChannels: 2, + audioCodec: "aac", + videoCodec: "h264", + videoResolution: "1080", + container: "mkv", + videoFrameRate: "24p", + audioProfile: "lc", + videoProfile: "high", + hasVoiceActivity: false, + Part: [ + { + id: 41811, + key: "/library/parts/41811/1553348406/file.mkv", + duration: 6831125, + file: "/Movies/Zero Days (2016)/11285.Zero.Days.2016.1080p.BluRay.UNSOLOCLIC.INFO.mkv", + size: 1862199485, + audioProfile: "lc", + container: "mkv", + indexes: "sd", + videoProfile: "high" + } + ] + } + ], + Image: [ + { + alt: "Zero Days", + type: "coverPoster", + url: "/library/metadata/5516/thumb/1732511408" + }, + { + alt: "Zero Days", + type: "background", + url: "/library/metadata/5516/art/1732511408" + }, + { + alt: "Zero Days", + type: "clearLogo", + url: "/library/metadata/5516/clearLogo/1732511408" + } + ], + UltraBlurColors: { + topLeft: "0f333a", + topRight: "144857", + bottomRight: "286273", + bottomLeft: "133740" + }, + Guid: [ + { + id: "imdb://tt5446858" + }, + { + id: "tmdb://380808" + }, + { + id: "tvdb://11839" + } + ], + Genre: [ + { + tag: "Documentary" + } + ], + Country: [ + { + tag: "United States of America" + } + ], + Director: [ + { + tag: "Alex Gibney" + } + ], + Writer: [ + { + tag: "Alex Gibney" + } + ], + Role: [ + { + tag: "Yossi Melman" + }, + { + tag: "Ralph Langner" + }, + { + tag: "Emad Kiyaei" + } + ] + }, + { + ratingKey: "54769", + key: "/library/metadata/54769", + guid: "plex://movie/5d776d41ad5437001f7d1384", + slug: "the-zone-of-interest", + studio: "A24", + type: "movie", + title: "The Zone of Interest", + titleSort: "Zone of Interest", + contentRating: "nl/12", + summary: + "Auschwitz commandant Rudolf Höss and his wife Hedwig strive to build a dream life for their family in a house and garden beside the camp.", + rating: 9.3, + audienceRating: 7.8, + year: 2023, + tagline: "Build a dream life for their family", + thumb: "/library/metadata/54769/thumb/1736656628", + art: "/library/metadata/54769/art/1736656628", + duration: 6285705, + originallyAvailableAt: "2023-12-14", + addedAt: 1716913774, + updatedAt: 1736656628, + audienceRatingImage: "rottentomatoes://image.rating.upright", + chapterSource: "media", + ratingImage: "rottentomatoes://image.rating.ripe", + Media: [ + { + id: 56495, + duration: 6285705, + bitrate: 70776, + width: 3840, + height: 2160, + aspectRatio: 1.78, + audioChannels: 6, + audioCodec: "dca-ma", + videoCodec: "hevc", + videoResolution: "4k", + container: "mkv", + videoFrameRate: "24p", + audioProfile: "ma", + videoProfile: "main 10", + hasVoiceActivity: false, + Part: [ + { + id: 86359, + key: "/library/parts/86359/1718147845/file.mkv", + duration: 6285705, + file: "/Movies/The Zone of Interest (2023)/The Zone of Interest (2023) Bluray-2160p.mkv", + size: 55598595731, + audioProfile: "ma", + container: "mkv", + indexes: "sd", + videoProfile: "main 10" + } + ] + } + ], + Image: [ + { + alt: "The Zone of Interest", + type: "coverPoster", + url: "/library/metadata/54769/thumb/1736656628" + }, + { + alt: "The Zone of Interest", + type: "background", + url: "/library/metadata/54769/art/1736656628" + }, + { + alt: "The Zone of Interest", + type: "clearLogo", + url: "/library/metadata/54769/clearLogo/1736656628" + } + ], + UltraBlurColors: { + topLeft: "232a30", + topRight: "23516d", + bottomRight: "2a6079", + bottomLeft: "193f55" + }, + Guid: [ + { + id: "imdb://tt7160372" + }, + { + id: "tmdb://467244" + }, + { + id: "tvdb://336494" + } + ], + Genre: [ + { + tag: "Drama" + }, + { + tag: "History" + } + ], + Country: [ + { + tag: "Poland" + }, + { + tag: "United Kingdom" + } + ], + Director: [ + { + tag: "Jonathan Glazer" + } + ], + Writer: [ + { + tag: "Jonathan Glazer" + } + ], + Role: [ + { + tag: "Christian Friedel" + }, + { + tag: "Sandra Hüller" + }, + { + tag: "Johann Karthaus" + } + ] + } + ] + } + } + + validateResponseSpec( + "/library/sections/{sectionKey}/all", + "get", + 200, + response + ) + }) +}) diff --git a/tests/paths/library/metadata/[ratingKey]/get-media-meta-data.spec.ts b/tests/paths/library/metadata/[ratingKey]/get-media-meta-data.spec.ts index 851caf37..a723917a 100644 --- a/tests/paths/library/metadata/[ratingKey]/get-media-meta-data.spec.ts +++ b/tests/paths/library/metadata/[ratingKey]/get-media-meta-data.spec.ts @@ -4488,4 +4488,900 @@ describe("GET /library/metadata/[RatingKey]/", () => { validateResponseSpec("/library/metadata/{ratingKey}", "get", 200, response) }) + + it("should validate the 200 response when the response is from Episode", () => { + const response = { + MediaContainer: { + size: 1, + allowSync: true, + identifier: "com.plexapp.plugins.library", + librarySectionID: 1, + librarySectionTitle: "Movies", + librarySectionUUID: "0e71027d-88bc-4413-9927-5aad992d3d19", + mediaTagPrefix: "/system/bundle/media/flags/", + mediaTagVersion: 1734362201, + Metadata: [ + { + ratingKey: "9881", + key: "/library/metadata/9881", + guid: "plex://movie/5d776834961905001eb939ac", + slug: "91-2-weeks", + studio: "Jonesfilm", + type: "movie", + title: "9½ Weeks", + librarySectionTitle: "Movies", + librarySectionID: 1, + librarySectionKey: "/library/sections/1", + originalTitle: "Nine 1/2 Weeks", + contentRating: "nl/12", + summary: + "An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated.", + rating: 6.0, + audienceRating: 5.5, + year: 1986, + tagline: "They Broke Every Rule.", + thumb: "/library/metadata/9881/thumb/1732511607", + art: "/library/metadata/9881/art/1732511607", + duration: 7011007, + originallyAvailableAt: "1986-02-09", + addedAt: 1560801795, + updatedAt: 1732511607, + audienceRatingImage: "rottentomatoes://image.rating.spilled", + chapterSource: "media", + ratingImage: "rottentomatoes://image.rating.ripe", + Media: [ + { + id: 12306, + duration: 7011007, + bitrate: 13003, + width: 1920, + height: 1080, + aspectRatio: 1.78, + audioChannels: 6, + audioCodec: "dca", + videoCodec: "h264", + videoResolution: "1080", + container: "mkv", + videoFrameRate: "24p", + audioProfile: "dts", + videoProfile: "high", + hasVoiceActivity: false, + Part: [ + { + id: 41930, + key: "/library/parts/41930/1501053187/file.mkv", + duration: 7011007, + file: "/Movies/Nine 1+2 Weeks (1986)/Nine.and.a.Half.Weeks.1986.1080p.BluRay.DTS.x264-HDMaNiAcS.mkv", + size: 11394952434, + audioProfile: "dts", + container: "mkv", + indexes: "sd", + videoProfile: "high", + Stream: [ + { + id: 100031, + streamType: 1, + default: true, + codec: "h264", + index: 0, + bitrate: 11494, + language: "English", + languageTag: "en", + languageCode: "eng", + bitDepth: 8, + chromaLocation: "left", + chromaSubsampling: "4:2:0", + codedHeight: 1088, + codedWidth: 1920, + frameRate: 23.976, + hasScalingMatrix: false, + headerCompression: true, + height: 1080, + level: 41, + profile: "high", + refFrames: 4, + scanType: "progressive", + title: + "Nine.Half.Weeks.1986.1080p.BluRay.DTS.x264-HDMaNiAcS", + width: 1920, + displayTitle: "1080p", + extendedDisplayTitle: + "Nine.Half.Weeks.1986.1080p.BluRay.DTS.x264-HDMaNiAcS (1080p H.264)" + }, + { + id: 100032, + streamType: 2, + selected: true, + default: true, + codec: "dca", + index: 1, + channels: 6, + bitrate: 1509, + language: "English", + languageTag: "en", + languageCode: "eng", + audioChannelLayout: "5.1(side)", + bitDepth: 24, + headerCompression: true, + profile: "dts", + samplingRate: 48000, + displayTitle: "English (DTS 5.1)", + extendedDisplayTitle: "English (DTS 5.1)" + }, + { + id: 100033, + streamType: 3, + canAutoSync: false, + default: true, + codec: "srt", + index: 2, + bitrate: 0, + language: "English", + languageTag: "en", + languageCode: "eng", + displayTitle: "English", + extendedDisplayTitle: "English (SRT)" + }, + { + id: 100034, + streamType: 3, + canAutoSync: false, + codec: "srt", + index: 3, + bitrate: 0, + language: "Greek", + languageTag: "el", + languageCode: "ell", + displayTitle: "Greek", + extendedDisplayTitle: "Greek (SRT)" + }, + { + id: 100035, + streamType: 3, + canAutoSync: false, + codec: "srt", + index: 4, + bitrate: 0, + language: "Dutch", + languageTag: "nl", + languageCode: "nld", + displayTitle: "Dutch", + extendedDisplayTitle: "Dutch (SRT)" + }, + { + id: 100036, + streamType: 3, + canAutoSync: false, + codec: "srt", + index: 5, + bitrate: 0, + language: "French", + languageTag: "fr", + languageCode: "fra", + displayTitle: "French", + extendedDisplayTitle: "French (SRT)" + }, + { + id: 100037, + streamType: 3, + canAutoSync: false, + codec: "srt", + index: 6, + bitrate: 0, + language: "Spanish", + languageTag: "es", + languageCode: "spa", + displayTitle: "Spanish", + extendedDisplayTitle: "Spanish (SRT)" + } + ] + } + ] + } + ], + Image: [ + { + alt: "9½ Weeks", + type: "coverPoster", + url: "/library/metadata/9881/thumb/1732511607" + }, + { + alt: "9½ Weeks", + type: "background", + url: "/library/metadata/9881/art/1732511607" + }, + { + alt: "9½ Weeks", + type: "clearLogo", + url: "/library/metadata/9881/clearLogo/1732511607" + } + ], + UltraBlurColors: { + topLeft: "452410", + topRight: "0d0202", + bottomRight: "0d0202", + bottomLeft: "272223" + }, + Genre: [ + { id: 91, filter: "genre=91", tag: "Drama" }, + { id: 2313, filter: "genre=2313", tag: "Romance" } + ], + Country: [ + { + id: 58591, + filter: "country=58591", + tag: "United States of America" + } + ], + Guid: [ + { id: "imdb://tt0091635" }, + { id: "tmdb://10068" }, + { id: "tvdb://1165" } + ], + Rating: [ + { image: "imdb://image.rating", value: 5.9, type: "audience" }, + { + image: "rottentomatoes://image.rating.ripe", + value: 6.0, + type: "critic" + }, + { + image: "rottentomatoes://image.rating.spilled", + value: 5.5, + type: "audience" + }, + { + image: "themoviedb://image.rating", + value: 6.1, + type: "audience" + } + ], + Director: [ + { + id: 115243, + filter: "director=115243", + tag: "Adrian Lyne", + tagKey: "5d776827151a60001f24aac6", + thumb: + "https://metadata-static.plex.tv/6/people/6f6d8e5aefcae45e3ccb7843de68c905.jpg" + } + ], + Writer: [ + { + id: 119473, + filter: "writer=119473", + tag: "Sarah Kernochan", + tagKey: "5d776829eb5d26001f1ddfcd", + thumb: + "https://metadata-static.plex.tv/9/people/96dfb2020c32ddae0345c4a0aee59414.jpg" + }, + { + id: 119474, + filter: "writer=119474", + tag: "Zalman King", + tagKey: "5d77682ff54112001f5bcc2e", + thumb: + "https://metadata-static.plex.tv/5/people/57a351f9a4343dca762ee432544bf34e.jpg" + }, + { + id: 119475, + filter: "writer=119475", + tag: "Patricia Louisianna Knop", + tagKey: "5d77682ff54112001f5bcc3f", + thumb: + "https://metadata-static.plex.tv/4/people/46956d0e94d2446fb7c1e46d247d645a.jpg" + }, + { + id: 119476, + filter: "writer=119476", + tag: "Elizabeth McNeill", + tagKey: "5dcd37dc27f42b001fe2a264" + } + ], + Role: [ + { + id: 112471, + filter: "actor=112471", + tag: "Mickey Rourke", + tagKey: "5d7768254de0ee001fcc8142", + role: "John", + thumb: + "https://metadata-static.plex.tv/9/people/957b644e5f8a141ae9715d7208ed11c7.jpg" + }, + { + id: 114907, + filter: "actor=114907", + tag: "Kim Basinger", + tagKey: "5d776826e6d55c002040af92", + role: "Elizabeth", + thumb: + "https://metadata-static.plex.tv/4/people/4b7cdc723474d2effa3e53e37db88f0b.jpg" + }, + { + id: 119477, + filter: "actor=119477", + tag: "Margaret Whitton", + tagKey: "5d77683454f42c001f8c42c9", + role: "Molly", + thumb: + "https://metadata-static.plex.tv/b/people/ba5f44eec74e0c12e4cb8924e88bb688.jpg" + }, + { + id: 119478, + filter: "actor=119478", + tag: "David Margulies", + tagKey: "5d7768273c3c2a001fbcb1ca", + role: "Harvey", + thumb: + "https://metadata-static.plex.tv/people/5d7768273c3c2a001fbcb1ca.jpg" + }, + { + id: 118305, + filter: "actor=118305", + tag: "Christine Baranski", + tagKey: "5d776828151a60001f24af12", + role: "Thea", + thumb: + "https://metadata-static.plex.tv/f/people/f9f3e932357029ab6ec4bf0c128c2cb4.jpg" + }, + { + id: 119479, + filter: "actor=119479", + tag: "Karen Young", + tagKey: "5d77682754f42c001f8c2a3c", + role: "Sue", + thumb: + "https://metadata-static.plex.tv/3/people/36d0e412b0d58d6939d1976d306c10c4.jpg" + }, + { + id: 119480, + filter: "actor=119480", + tag: "Dwight Weist", + tagKey: "5d776835961905001eb93cd7", + role: "Farnsworth", + thumb: + "https://metadata-static.plex.tv/4/people/4cf65442c74948fcd6758c6b77165019.jpg" + }, + { + id: 119481, + filter: "actor=119481", + tag: "Roderick Cook", + tagKey: "5d776825151a60001f24a6d2", + role: "Sinclair - the Critic", + thumb: + "https://metadata-static.plex.tv/people/5d776825151a60001f24a6d2.jpg" + }, + { + id: 119482, + filter: "actor=119482", + tag: "Victor Truro", + tagKey: "5d7768278718ba001e311e97", + role: "Gallery Client", + thumb: + "https://metadata-static.plex.tv/a/people/ac35e61b7f92d7e71f676c5742972a6f.jpg" + }, + { + id: 119483, + filter: "actor=119483", + tag: "Justine Johnston", + tagKey: "5d776835961905001eb93cd8", + role: "Bedding Saleswoman", + thumb: + "https://metadata-static.plex.tv/people/5d776835961905001eb93cd8.jpg" + }, + { + id: 119484, + filter: "actor=119484", + tag: "Julian Beck", + tagKey: "5d776835961905001eb93cd9", + role: "Dinner Guest", + thumb: + "https://metadata-static.plex.tv/people/5d776835961905001eb93cd9.jpg" + }, + { + id: 203253, + filter: "actor=203253", + tag: "Michael Margotta", + tagKey: "5d776835961905001eb93cda", + role: "Michael", + thumb: + "https://metadata-static.plex.tv/people/5d776835961905001eb93cda.jpg" + }, + { + id: 203254, + filter: "actor=203254", + tag: "Petina Cole", + tagKey: "5dd2c65235afd6001e030cf2", + role: "Woman on Stage at Porno House", + thumb: + "https://metadata-static.plex.tv/f/people/f9ab0a292d3d5d2a59a99bd80341a11d.jpg" + }, + { + id: 119487, + filter: "actor=119487", + tag: "Joey Silvera", + tagKey: "5d776835961905001eb93cdc", + role: "Man on Stage at Porno House", + thumb: + "https://metadata-static.plex.tv/8/people/8c4772b1fb3490c51e723d7aa8a1ed27.jpg" + }, + { + id: 119488, + filter: "actor=119488", + tag: "Sarah Kernochan", + tagKey: "5d776829eb5d26001f1ddfcd", + role: "Gallery Guest", + thumb: + "https://metadata-static.plex.tv/9/people/96dfb2020c32ddae0345c4a0aee59414.jpg" + }, + { + id: 113440, + filter: "actor=113440", + tag: "Helen Hanft", + tagKey: "5d7768278718ba001e311e99", + role: "Flea Market Shawl Seller", + thumb: + "https://metadata-static.plex.tv/5/people/5f0b6b7603e7201abc7ae7a178dd7a3b.jpg" + }, + { + id: 203255, + filter: "actor=203255", + tag: "William De Acutis", + tagKey: "5d77683185719b001f3a2bb3", + role: "Ted", + thumb: + "https://metadata-static.plex.tv/e/people/ebf48881699b18061c49cea38d8a8768.jpg" + }, + { + id: 203256, + filter: "actor=203256", + tag: "Cintia Cruz", + tagKey: "5d776835961905001eb93cdd", + role: "Whore" + }, + { + id: 119491, + filter: "actor=119491", + tag: "Kim Chan", + tagKey: "5d776824103a2d001f563ad5", + role: "Chinatown Butcher", + thumb: + "https://metadata-static.plex.tv/people/5d776824103a2d001f563ad5.jpg" + }, + { + id: 181883, + filter: "actor=181883", + tag: "Lee Lai Sing", + tagKey: "632092957b6301b7f349c8d4", + role: "Angry Chinese Customer" + }, + { + id: 119493, + filter: "actor=119493", + tag: "Rudolph Willrich", + tagKey: "5d776835961905001eb93cdf", + role: "Chinatown Shopper", + thumb: + "https://metadata-static.plex.tv/8/people/82fa468de3861338bfe4959523a8cb0a.jpg" + }, + { + id: 119494, + filter: "actor=119494", + tag: "Michael P. Moran", + tagKey: "5d7768262e80df001ebdce0b", + role: "Flea Market Chicken Seller", + thumb: + "https://metadata-static.plex.tv/f/people/fd5f72c277bcd9935d3e29241e220714.jpg" + }, + { + id: 118024, + filter: "actor=118024", + tag: "Raynor Scheine", + tagKey: "5d776827880197001ec90a05", + role: "Flower Delivery Boy", + thumb: + "https://metadata-static.plex.tv/5/people/58ba341047a2498f2eb90ffef11c29b4.jpg" + }, + { + id: 119495, + filter: "actor=119495", + tag: "Olek Krupa", + tagKey: "5d7768265af944001f1f6658", + role: "Bruce", + thumb: + "https://metadata-static.plex.tv/d/people/db7a5a43bba485d18322846dc2f37bf4.jpg" + }, + { + id: 119496, + filter: "actor=119496", + tag: "John P. Connolly", + tagKey: "5d776835961905001eb93ce0", + role: "Dinner Guest" + }, + { + id: 119497, + filter: "actor=119497", + tag: "Cassandra Danz", + tagKey: "5d776835961905001eb93ce1", + role: "Dinner Guest" + }, + { + id: 119498, + filter: "actor=119498", + tag: "Beata Jachulski", + tagKey: "5d776835961905001eb93ce2", + role: "Dinner Guest" + }, + { + id: 119499, + filter: "actor=119499", + tag: "Peter Pagan", + tagKey: "5d776835961905001eb93ce3", + role: "Riding Crop Salesman" + }, + { + id: 119500, + filter: "actor=119500", + tag: "Terri Perri", + tagKey: "5d776826a091de001f2e61f9", + role: "Italian Singer" + }, + { + id: 119501, + filter: "actor=119501", + tag: "Charles Malota", + tagKey: "5d776835961905001eb93ce4", + role: "Coney Island Boy" + }, + { + id: 119502, + filter: "actor=119502", + tag: "Daniel E. Amrich", + tagKey: "5d776835961905001eb93ce5", + role: "Coney Island Boy" + }, + { + id: 119503, + filter: "actor=119503", + tag: "Salvatore Sciangula", + tagKey: "5d776835961905001eb93ce6", + role: "Coney Island Boy" + }, + { + id: 119504, + filter: "actor=119504", + tag: "Kim Michel", + tagKey: "5d776835961905001eb93ce7", + role: "Soap Opera Woman" + }, + { + id: 119505, + filter: "actor=119505", + tag: "Jeff Severson", + tagKey: "5d776835961905001eb93ce8", + role: "Soap Opera Man" + }, + { + id: 119506, + filter: "actor=119506", + tag: "Dan Lauria", + tagKey: "5d77682cf59e580021897bee", + role: "Janitor", + thumb: + "https://metadata-static.plex.tv/d/people/d222064496a31fbcaa8992db0d2283dc.jpg" + }, + { + id: 119507, + filter: "actor=119507", + tag: "Corey Parker", + tagKey: "5d776835961905001eb93ce9", + role: "Janitor", + thumb: + "https://metadata-static.plex.tv/3/people/3f539205130ec7b6729a7b4af0de2db9.jpg" + }, + { + id: 119508, + filter: "actor=119508", + tag: "Joe Maruzzo", + tagKey: "5d776835961905001eb93cea", + role: "Garbageman", + thumb: + "https://metadata-static.plex.tv/people/5d776835961905001eb93cea.jpg" + }, + { + id: 119509, + filter: "actor=119509", + tag: "Tom Traino", + tagKey: "5d776835961905001eb93ceb", + role: "Garbageman" + }, + { + id: 119510, + filter: "actor=119510", + tag: "Corvova Choy Lee", + tagKey: "5d776835961905001eb93cec", + role: "Clothing Saleswoman" + }, + { + id: 119511, + filter: "actor=119511", + tag: "Ellen Barber", + tagKey: "5d776835961905001eb93ced", + role: "John's Secretary", + thumb: + "https://metadata-static.plex.tv/8/people/8c94f4c0c043cdcbfb1ebdfdd5c3b7cc.jpg" + }, + { + id: 119512, + filter: "actor=119512", + tag: "Ethel Ayler", + tagKey: "5d7768276f4521001ea99134", + role: "Jewelry Saleswoman", + thumb: + "https://metadata-static.plex.tv/6/people/6455789c1c3f3e7225a1274637a2d279.jpg" + }, + { + id: 119513, + filter: "actor=119513", + tag: "Elisabeth Senn", + tagKey: "5d776835961905001eb93cee", + role: "Perfume Lady" + }, + { + id: 119514, + filter: "actor=119514", + tag: "Gittan Goding", + tagKey: "5d776835961905001eb93cef", + role: "Dancer at Porno House" + }, + { + id: 119515, + filter: "actor=119515", + tag: "David M. Everard", + tagKey: "5d776835961905001eb93cf0", + role: "Bearded Man at Porno House" + }, + { + id: 119516, + filter: "actor=119516", + tag: "Luther Rucker", + tagKey: "5d776835961905001eb93cf1", + role: "Barker at Porno House" + }, + { + id: 119517, + filter: "actor=119517", + tag: "Merry Clayton", + tagKey: "5d77682b999c64001ec2d6c9", + role: "Background Vocal at Porno House", + thumb: + "https://metadata-static.plex.tv/1/people/1a4a170d5cf2ba3eecacb9e54002e5c0.jpg" + }, + { + id: 119518, + filter: "actor=119518", + tag: "Kim Isaacson", + tagKey: "5d776835961905001eb93cf2", + role: "Gallery Guest" + }, + { + id: 255665, + filter: "actor=255665", + tag: "David Tabor", + tagKey: "5d776835961905001eb93cf3", + role: "Leon Berger" + } + ], + Producer: [ + { + id: 203257, + filter: "producer=203257", + tag: "Alan M. Harris", + tagKey: "5d77682f151a60001f24c92f", + thumb: + "https://metadata-static.plex.tv/c/people/cb6864282bb169e153b82f642af74010.jpg" + }, + { + id: 119521, + filter: "producer=119521", + tag: "Sidney Kimmel", + tagKey: "5d776831103a2d001f566d79", + thumb: + "https://metadata-static.plex.tv/5/people/533a50f9436f9ba20ecd5b0d164c374c.jpg" + }, + { + id: 119522, + filter: "producer=119522", + tag: "Zalman King", + tagKey: "5d77682ff54112001f5bcc2e", + thumb: + "https://metadata-static.plex.tv/5/people/57a351f9a4343dca762ee432544bf34e.jpg" + }, + { + id: 119523, + filter: "producer=119523", + tag: "Antony Rufus-Isaacs", + tagKey: "5d776835961905001eb93cd6" + } + ], + Similar: [ + { id: 16619, filter: "similar=16619", tag: "Wild Orchid" }, + { id: 16521, filter: "similar=16521", tag: "Fatal Attraction" }, + { id: 16522, filter: "similar=16522", tag: "Indecent Proposal" }, + { id: 16485, filter: "similar=16485", tag: "Striptease" }, + { id: 5014, filter: "similar=5014", tag: "Disclosure" }, + { id: 16434, filter: "similar=16434", tag: "Tequila Sunrise" }, + { id: 16614, filter: "similar=16614", tag: "No Way Out" }, + { + id: 5641, + filter: "similar=5641", + tag: "The Jewel of the Nile" + }, + { + id: 16617, + filter: "similar=16617", + tag: "The Witches of Eastwick" + }, + { + id: 16616, + filter: "similar=16616", + tag: "The Bonfire of the Vanities" + }, + { id: 16436, filter: "similar=16436", tag: "The Getaway" }, + { id: 16610, filter: "similar=16610", tag: "Cocktail" }, + { id: 12196, filter: "similar=12196", tag: "Working Girl" }, + { id: 16609, filter: "similar=16609", tag: "Blind Date" }, + { + id: 46198, + filter: "similar=46198", + tag: "The War of the Roses" + }, + { id: 16484, filter: "similar=16484", tag: "Sliver" }, + { + id: 46199, + filter: "similar=46199", + tag: "The Postman Always Rings Twice" + }, + { id: 5639, filter: "similar=5639", tag: "Romancing the Stone" }, + { id: 16615, filter: "similar=16615", tag: "Sea of Love" }, + { id: 16611, filter: "similar=16611", tag: "Frankie and Johnny" } + ] + } + ] + } + } + + validateResponseSpec("/library/metadata/{ratingKey}", "get", 200, response) + }) + it("should validate the 200 response when the response is from Episode", () => { + const response = { + MediaContainer: { + size: 1, + allowSync: true, + identifier: "com.plexapp.plugins.library", + librarySectionID: 6, + librarySectionTitle: "Movies (Documentaries)", + librarySectionUUID: "d6a09f3a-3027-4a2f-bb0d-14d6d2b93533", + mediaTagPrefix: "/system/bundle/media/flags/", + mediaTagVersion: 1734362201, + Metadata: [ + { + ratingKey: "56939", + key: "/library/metadata/56939", + guid: "local://56939", + type: "movie", + title: "Boiling Point", + librarySectionTitle: "Movies (Documentaries)", + librarySectionID: 6, + librarySectionKey: "/library/sections/6", + summary: "", + year: 1999, + thumb: "/library/metadata/56939/thumb/1737312638", + art: "/library/metadata/56939/art/1737312638", + duration: 8109499, + addedAt: 1622054437, + updatedAt: 1737312638, + Media: [ + { + id: 60981, + duration: 8109499, + bitrate: 11710, + width: 2880, + height: 2160, + aspectRatio: 1.33, + audioChannels: 2, + audioCodec: "aac", + videoCodec: "vp9", + videoResolution: "4k", + container: "mkv", + videoFrameRate: "PAL", + audioProfile: "lc", + videoProfile: "profile 0", + hasVoiceActivity: false, + Part: [ + { + id: 92023, + key: "/library/parts/92023/1602116112/file.mkv", + duration: 8109499, + file: "/Movies (Documentaries)/Boiling Point (1999)/Boiling Point (1999) WEBDL-2160p.mkv", + size: 11874057616, + audioProfile: "lc", + container: "mkv", + indexes: "sd", + videoProfile: "profile 0", + Stream: [ + { + id: 304223, + streamType: 1, + default: true, + codec: "vp9", + index: 0, + bitrate: 11582, + language: "English", + languageTag: "en", + languageCode: "eng", + bitDepth: 8, + chromaSubsampling: "4:2:0", + codedHeight: 2160, + codedWidth: 2880, + colorPrimaries: "bt709", + colorRange: "tv", + colorSpace: "bt709", + colorTrc: "bt709", + frameRate: 25.0, + height: 2160, + profile: "profile 0", + refFrames: 1, + width: 2880, + displayTitle: "4K", + extendedDisplayTitle: "4K (VP9)" + }, + { + id: 304224, + streamType: 2, + selected: true, + default: true, + codec: "aac", + index: 1, + channels: 2, + bitrate: 128, + language: "English", + languageTag: "en", + languageCode: "eng", + audioChannelLayout: "stereo", + profile: "lc", + samplingRate: 44100, + displayTitle: "English (AAC Stereo)", + extendedDisplayTitle: "English (AAC Stereo)" + } + ] + } + ] + } + ], + Image: [ + { + alt: "Boiling Point", + type: "coverPoster", + url: "/library/metadata/56939/thumb/1737312638" + }, + { + alt: "Boiling Point", + type: "background", + url: "/library/metadata/56939/art/1737312638" + } + ], + UltraBlurColors: { + topLeft: "421b15", + topRight: "170405", + bottomRight: "2a174e", + bottomLeft: "6f5b24" + } + } + ] + } + } + + validateResponseSpec("/library/metadata/{ratingKey}", "get", 200, response) + }) }) From f12f6f72988e6c263a3fb36693efd2210a837c91 Mon Sep 17 00:00:00 2001 From: Jason Landbridge Date: Sun, 9 Feb 2025 10:13:44 +0100 Subject: [PATCH 2/2] Update src/models/collection/tag.yaml Co-authored-by: coderabbitai[bot] <136622811+coderabbitai[bot]@users.noreply.github.com> --- src/models/collection/tag.yaml | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/src/models/collection/tag.yaml b/src/models/collection/tag.yaml index 27d41176..907f2b9c 100644 --- a/src/models/collection/tag.yaml +++ b/src/models/collection/tag.yaml @@ -4,5 +4,5 @@ required: properties: tag: type: string - description: The user made collection this media item belongs too + description: The user-made collection this media item belongs to example: My Awesome Collection