sight.tex

\documentclass{sight}
\makeindex
\usepackage{graphics}
\begin{document}
\thispagestyle{empty}
\raisebox{0mm}[0mm][0mm]{%
\parbox{8.5in}{
\vspace*{236mm}\hspace{-32mm}\includegraphics{cover}\\
}
}%
\\

%========================= frontmatter =========================
\frontmatter
\yesiwantarabic
%\include{title}
\include{copyright}
\yesiwantarabic

\newcommand{\briefch}[2]{\noindent\mynormaltype\Large\sffamily{}\ref{ch:#1} & #2 \quad \pageref{ch:#1}\\}
\newcommand{\briefsec}[2]{\noindent\mynormaltype\large \ref{sec:#1} & \large #2 \quad \pageref{sec:#1}\\}
\include{brieftoc}% constructed by build.pl
\vfill
\mynormaltype

\onecolumn\pagebreak[4]

\vspace{0mm}
\begin{center}
\noindent\huge\bfseries\sffamily{}Contents\mynormaltype
\end{center}
\vspace{0mm}
\begin{multicols}{2}
  \tableofcontents
  \setcounter{unbalance}{0}
\end{multicols}
\normallayout\onecolumn

%========================= main matter =========================

\mainmatter
%-- I want the whole book numbered sequentially, arabic:
  \pagenumbering{arabic}
  \addtocounter{page}{12}
\pagebreak[4]\vspace{12mm}\noindent{\mychapter{Rhythm}{0}\label{ch:1}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The rhythms in this chapter all come from well-known tunes. After reading them, you may want to look at the titles, which are given in the table of contents. If you're working with a teacher, you may wish to clap the rhythm twice, with the teacher counting beats the first time, and singing the tune the second time.\\
\end{samepage}
\pagebreak[3]\vspace{12mm}\noindent{\section{Whole, Half, and Quarter Notes}\label{sec:1:1}}
%=========================================================================
%    1
%    x_rh_twinkle
%    composer=, last=, first=
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{1}}\hspace{0mm}}\footnotetext[1]{, \emph{rhythm of Twinkle Twinkle, Little Star}}
\index{Twinkle Twinkle, Little Star (rhythm only)}%
\label{tune:1}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{2b/lily-f81223d8-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{1} \emph{rhythm of Twinkle Twinkle, Little Star}, 4/4}
\end{samepage}
%=========================================================================
%    2
%    x_rh_jug
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{2}}\hspace{0mm}}\footnotetext[2]{, \emph{rhythm of Little Brown Jug}}
\index{Little Brown Jug (rhythm only)}%
\label{tune:2}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f8/lily-134a7e0a-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{2} \emph{rhythm of Little Brown Jug}, 4/4}
\end{samepage}
%=========================================================================
%    3
%    x_rh_bingo
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{3}}\hspace{0mm}}\footnotetext[3]{, \emph{rhythm of Bingo}}
\index{Bingo (rhythm only)}%
\label{tune:3}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{8d/lily-a4760875-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{3} \emph{rhythm of Bingo}, 4/4}
\end{samepage}
%=========================================================================
%    4
%    x_rh_rain
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{4}}\hspace{0mm}}\footnotetext[4]{, \emph{rhythm of Rain, Rain, Go Away}}
\index{Rain, Rain, Go Away (rhythm only)}%
\label{tune:4}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fa/lily-4e16f393-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{4} \emph{rhythm of Rain, Rain, Go Away}, 4/4}
\end{samepage}
%=========================================================================
%    5
%    x_rh_faithful
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{5}}\hspace{0mm}}\footnotetext[5]{, \emph{rhythm of O Come, All Ye Faithful}}
\index{O Come, All Ye Faithful (rhythm only)}%
\label{tune:5}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{af/lily-5b758276-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{5} \emph{rhythm of O Come, All Ye Faithful}, 4/4}
\end{samepage}
\pagebreak[3]\vspace{12mm}\noindent{\section{3/4 Time, and Dotted Half-Notes}\label{sec:1:2}}
%=========================================================================
%    6
%    x_rh_kings
%    composer=, last=, first=
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{6}}\hspace{0mm}}\footnotetext[6]{, \emph{rhythm of We Three Kings}}
\index{We Three Kings (rhythm only)}%
\label{tune:6}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ed/lily-ecad3a33-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{6} \emph{rhythm of We Three Kings}, 3/4}
\end{samepage}
%=========================================================================
%    7
%    x_rh_ballgame
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{7}}\hspace{0mm}}\footnotetext[7]{, \emph{rhythm of Take Me Out to the Ball Game}}
\index{Take Me Out to the Ball Game (rhythm only)}%
\label{tune:7}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c7/lily-fe07f8f8-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{7} \emph{rhythm of Take Me Out to the Ball Game}, 3/4}
\end{samepage}
\pagebreak[3]\vspace{12mm}\noindent{\section{Eighth Notes}\label{sec:1:3}}
%=========================================================================
%    8
%    x_rh_bethlehem
%    composer=, last=, first=
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{8}}\hspace{0mm}}\footnotetext[8]{, \emph{rhythm of O Little Town of Bethlehem}}
\index{O Little Town of Bethlehem (rhythm only)}%
\label{tune:8}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fe/lily-0479a5ab-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{8} \emph{rhythm of O Little Town of Bethlehem}, 4/4}
\end{samepage}
%=========================================================================
%    9
%    x_rh_wish
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{9}}\hspace{0mm}}\footnotetext[9]{, \emph{rhythm of We Wish You a Merry Christmas}}
\index{We Wish You a Merry Christmas (rhythm only)}%
\label{tune:9}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e4/lily-2ba5ca82-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{9} \emph{rhythm of We Wish You a Merry Christmas}, 3/4}
\end{samepage}
%=========================================================================
%    10
%    x_rh_old_man
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{10}}\hspace{0mm}}\footnotetext[10]{, \emph{rhythm of This Old Man}}
\index{This Old Man (rhythm only)}%
\label{tune:10}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{80/lily-0cfe6511-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{10} \emph{rhythm of This Old Man}, 4/4}
\end{samepage}
%=========================================================================
%    11
%    x_rh_hush
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{11}}\hspace{0mm}}\footnotetext[11]{, \emph{rhythm of Hush Little Baby}}
\index{Hush Little Baby (rhythm only)}%
\label{tune:11}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{20/lily-b3a39804-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{11} \emph{rhythm of Hush Little Baby}, 4/4}
\end{samepage}
\pagebreak[3]\vspace{12mm}\noindent{\section{Dotted Quarter Notes}\label{sec:1:4}}
%=========================================================================
%    12
%    x_rh_jingle
%    composer=, last=, first=
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{12}}\hspace{0mm}}\footnotetext[12]{, \emph{rhythm of Jingle Bells}}
\index{Jingle Bells (rhythm only)}%
\label{tune:12}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ba/lily-a08485c6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{12} \emph{rhythm of Jingle Bells}, 4/4}
\end{samepage}
%=========================================================================
%    13
%    x_rh_crack_corn
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{13}}\hspace{0mm}}\footnotetext[13]{, \emph{rhythm of Jimmy Crack Corn}}
\index{Jimmy Crack Corn (rhythm only)}%
\label{tune:13}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{48/lily-7ec02970-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{13} \emph{rhythm of Jimmy Crack Corn}, 4/4}
\end{samepage}
%=========================================================================
%    14
%    x_rh_manger
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{14}}\hspace{0mm}}\footnotetext[14]{, \emph{rhythm of Away in a Manger}}
\index{Away in a Manger (rhythm only)}%
\label{tune:14}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c4/lily-44b51e19-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{14} \emph{rhythm of Away in a Manger}, 3/4}
\end{samepage}
%=========================================================================
%    15
%    x_rh_rockabye
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{15}}\hspace{0mm}}\footnotetext[15]{, \emph{rhythm of Rockabye Baby}}
\index{Rockabye Baby (rhythm only)}%
\label{tune:15}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{72/lily-aa667075-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{15} \emph{rhythm of Rockabye Baby}, 3/4}
\end{samepage}
%=========================================================================
%    16
%    x_rh_range
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{16}}\hspace{0mm}}\footnotetext[16]{, \emph{rhythm of Home On the Range}}
\index{Home On the Range (rhythm only)}%
\label{tune:16}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{0e/lily-5c17d967-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{16} \emph{rhythm of Home On the Range}, 3/4}
\end{samepage}
\pagebreak[3]\vspace{12mm}\noindent{\section{Sixteenth Notes}\label{sec:1:5}}
%=========================================================================
%    17
%    x_rh_tchaikovsky_trepak
%    composer=P.I. Tchaikovsky, last=Tchaikovsky, first=P.I.
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{17}}\hspace{0mm}}\footnotetext[17]{P.I. Tchaikovsky, \emph{rhythm of trepak from The Nutcracker}}
\index{Tchaikovsky, P.I.!trepak from The Nutcracker (rhythm only)}%
\index{trepak from The Nutcracker (rhythm only), P.I. Tchaikovsky}%
\label{tune:17}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{10/lily-205a426f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{17} Tchaikovsky, \emph{rhythm of trepak from The Nutcracker}, 2/4}
\end{samepage}
\pagebreak[3]\vspace{12mm}\noindent{\section{Dotted Eighth Notes}\label{sec:1:6}}
%=========================================================================
%    18
%    x_rh_alouette
%    composer=, last=, first=
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{18}}\hspace{0mm}}\footnotetext[18]{, \emph{rhythm of Alouette}}
\index{Alouette (rhythm only)}%
\label{tune:18}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c6/lily-f8f31319-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{18} \emph{rhythm of Alouette}, 4/4}
\end{samepage}
%=========================================================================
%    19
%    x_rh_tchaikovsky_flowers
%    composer=P.I. Tchaikovsky, last=Tchaikovsky, first=P.I.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{19}}\hspace{0mm}}\footnotetext[19]{P.I. Tchaikovsky, \emph{rhythm of waltz of the flowers from The Nutcracker}}
\index{Tchaikovsky, P.I.!waltz of the flowers from The Nutcracker (rhythm only)}%
\index{waltz of the flowers from The Nutcracker (rhythm only), P.I. Tchaikovsky}%
\label{tune:19}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{91/lily-dfd90c99-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{19} Tchaikovsky, \emph{rhythm of waltz of the flowers from The Nutcracker}, 3/4}
\end{samepage}
%=========================================================================
%    20
%    x_rh_railroad
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{20}}\hspace{0mm}}\footnotetext[20]{, \emph{rhythm of I've Been Working on the Railroad}}
\index{I've Been Working on the Railroad (rhythm only)}%
\label{tune:20}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b2/lily-94996a0f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{20} \emph{rhythm of I've Been Working on the Railroad}, 4/4}
\end{samepage}
\pagebreak[3]\vspace{12mm}\noindent{\section{Compound Time}\label{sec:1:7}}
%=========================================================================
%    21
%    x_rh_mulberry
%    composer=, last=, first=
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{21}}\hspace{0mm}}\footnotetext[21]{, \emph{rhythm of Here We Go Round the Mulberry Bush}}
\index{Here We Go Round the Mulberry Bush (rhythm only)}%
\label{tune:21}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{59/lily-5458c63a-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{21} \emph{rhythm of Here We Go Round the Mulberry Bush}, 6/8}
\end{samepage}
%=========================================================================
%    22
%    x_rh_spider
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{22}}\hspace{0mm}}\footnotetext[22]{, \emph{rhythm of The Itsy-Bitsy Spider}}
\index{The Itsy-Bitsy Spider (rhythm only)}%
\label{tune:22}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{94/lily-5c65fee3-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{22} \emph{rhythm of The Itsy-Bitsy Spider}, 6/8}
\end{samepage}
%=========================================================================
%    23
%    x_rh_weasel
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{23}}\hspace{0mm}}\footnotetext[23]{, \emph{rhythm of Pop Goes the Weasel}}
\index{Pop Goes the Weasel (rhythm only)}%
\label{tune:23}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{52/lily-3a2fa244-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{23} \emph{rhythm of Pop Goes the Weasel}, 6/8}
\end{samepage}
%=========================================================================
%    24
%    x_rh_row
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{24}}\hspace{0mm}}\footnotetext[24]{, \emph{rhythm of Row, Row, Row Your Boat}}
\index{Row, Row, Row Your Boat (rhythm only)}%
\label{tune:24}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{31/lily-6ca12b84-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{24} \emph{rhythm of Row, Row, Row Your Boat}, 12/8}
\end{samepage}
\pagebreak[3]\vspace{12mm}\noindent{\section{Syncopation}\label{sec:1:8}}
%=========================================================================
%    25
%    x_rh_entertainer
%    composer=Scott Joplin, last=Joplin, first=Scott
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{25}}\hspace{0mm}}\footnotetext[25]{Scott Joplin, \emph{rhythm of The Entertainer}}
\index{Joplin, Scott!The Entertainer (rhythm only)}%
\index{The Entertainer (rhythm only), Scott Joplin}%
\label{tune:25}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{8a/lily-6233f965-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{25} Joplin, \emph{rhythm of The Entertainer}, 2/4}
\end{samepage}
\pagebreak[3]\vspace{12mm}\noindent{\section{Triplets}\label{sec:1:9}}
%=========================================================================
%    26
%    x_rh_tchaikovsky_march
%    composer=P.I. Tchaikovsky, last=Tchaikovsky, first=P.I.
\vspace{5mm}\begin{samepage}


\vspace{5mm}

\makebox[0mm][r]{\huge{\ingray{26}}\hspace{0mm}}\footnotetext[26]{P.I. Tchaikovsky, \emph{rhythm of march from The Nutcracker}}
\index{Tchaikovsky, P.I.!march from The Nutcracker (rhythm only)}%
\index{march from The Nutcracker (rhythm only), P.I. Tchaikovsky}%
\label{tune:26}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b5/lily-931e3ce0-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{26} Tchaikovsky, \emph{rhythm of march from The Nutcracker}, 4/4}
\end{samepage}
\pagebreak[4]\vspace{12mm}\noindent{\mychapter{Major Keys}{27}\label{ch:2}}
\pagebreak[3]\vspace{12mm}\noindent{\section{Introduction to Solfeggio}\label{sec:2:1}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The following syllables are traditionally used for the seven notes of the major scale.\\
%=========================================================================
%    x_syllables1
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\par
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{42/lily-ab7f7a3e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}They originate from the Latin hymn \italic {Ut Queant Laxis}, in which the first word of each successive musical phrase began on the next note of the scale.\\
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}This book uses the movable do system. In this system, `do' is always the tonic, and the other syllables are assigned to the other notes according to their role in the key. In the key of D, for example:\\
%=========================================================================
%    x_syllables2
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\par
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{41/lily-fdf82ab5-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}This may seem confusing at first, but it's the only system that makes sense to the ear. For instance, `ti' is always a note with a tendency to move up a half-step to `do,' the tonic. (There is also a fixed do system, in which `do' is always C, `re' is always D, and so on. The fixed do system is often taught to European schoolchildren, who don't know enough music theory to recognize the roles of the different notes in relation to the tonic in a key that has sharps or flats.)\\
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Sight singing is first and foremost a method of training your brain to understand relationships between musical notes, and is therefore an important component of musicianship even if you consider yourself primarily a composer or instrumentalist rather than a singer. For example, a jazz musician improvising a solo on the saxophone needs to be able to imagine a melody, and understand the relationship between the imagined pitches so as to be able to translate them into fingerings. The solfeggio syllables are a device for making the recognition of the relationships automatic.\\
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Broadly speaking, there are two main approaches to learning solfeggio singing. One can learn to sing intervals, or to sing each note according to its role in the key. That is, we can hear each note in relation to the preceding note, or in relation to the tonic. Suppose, for example, that we're singing a piece of music in the key of C major, and having just sung B, which is `ti,' we see that the next note in the melody is C, which is `do.' In the first approach, we recognize this as the interval of a half-step (minor second), so we move to the note a half-step above the one we've just sung. In the second technique, we know how to sing `do' because of its special sound in relation to the key: it's the tonic, the note that sounds like it would be a good one to end the song on. In reality, one doesn't use either technique exclusively. We might as well ask Shakespeare what he does when he reads words: `Mr. Shakespeare, do you use phonics, or do you recognize whole words?' A fluent reader is actually decoding patterns at a subconscious level, and the process is extremely rapid because most of the patterns are familiar.\\
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Because the goal is rapid recognition of patterns at a subconscious level, one should not expect to become a fluent sight singer by artificial devices. For instance, many people learn to recognize the interval of a major sixth using a tune such as `My Bonnie Lies Over the Ocean' or the NBC jingle. This is a good thing to learn, just as it's good to learn that an E at the end of a word makes the preceding vowel long. But a fluent reader doesn't look at the word `sure' and think `silent E makes the U long.' Learning the phonics rules is necessary, but having learned them, we actually become fluent readers through the act of reading large amounts of English.\\
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}There is also a pitfall to this technique of learning to hear intervals via a personalized list of familiar melodies. The leap of a major sixth in `My Bonnie' is a leap from `so' up to 'mi,' but your brain will probably refuse to recognize the leap from `re' to `ti' as being the same thing, because `re' and `ti' play different roles in the key than `so' and `mi.' Some people learn two melodies, one for `so-mi' and one for `re-ti.' Some might even do another two for the downward leaps `mi-so' and `ti-re!' This just shows that the technique is artificial and not usually very useful.\\
\end{samepage}
\pagebreak[4]\noindent{\section{Melodies Containing Only Steps}\label{sec:2:2}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}In each example, start by identifying which line or space on the staff represents `do,' the tonic. If you have an instrument at hand, play the tonic, and then sing enough notes from the tonic chord to bracket the range of the melody, e.g., `do mi so do' for the octave spanned by the first example. If an instrument is not available, pick a note for `do' that will put the melody in the most comfortable part of your vocal range. Locate the notes of the tonic chord on the staff to use as reference points.\\
%=========================================================================
%    27
%    x_crowell4
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\makebox[0mm][r]{\huge{\ingray{27}}\hspace{0mm}}\index{Crowell, B.!C, 4/4}%
\label{tune:27}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ee/lily-51a43be1-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{27} C, 4/4}
\end{samepage}
%=========================================================================
%    28
%    crowell2
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{28}}\hspace{0mm}}\index{Crowell, B.!C, 4/4}%
\label{tune:28}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{10/lily-5eb25d1e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{28} C, 4/4}
\end{samepage}
%=========================================================================
%    29
%    x_crowell7
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{29}}\hspace{0mm}}\index{Crowell, B.!C, 3/4}%
\label{tune:29}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a2/lily-448ddede-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{29} C, 3/4}
\end{samepage}
%=========================================================================
%    30
%    x_beethoven_joy
%    composer=Beethoven, last=Beethoven, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\hfill \raisebox{0mm}[0mm][0mm]{\raisebox{-2mm}{famous tune (identified in the table of contents)}}\\\makebox[0mm][r]{\huge{\ingray{30}}\hspace{0mm}}\index{Beethoven!Ode to Joy}%
\index{Ode to Joy,  Beethoven}%
\label{tune:30}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{38/lily-ce4f7c5d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{30} Beethoven, \emph{Ode to Joy}, C, 4/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The following example is in a new key: its `do' is the former `so.' If you have trouble convincing your brain to switch keys, try singing `do re mi fa so' in the old key, then repeating the last note as `do,' and finally singing `do ti do' --- with authority!\\
%=========================================================================
%    31
%    crowell3
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\makebox[0mm][r]{\huge{\ingray{31}}\hspace{0mm}}\index{Crowell, B.!G, 3/4}%
\label{tune:31}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fd/lily-0170be42-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{31} G, 3/4}
\end{samepage}
%=========================================================================
%    32
%    x_crowell21
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{32}}\hspace{0mm}}\index{Crowell, B.!G, 3/4}%
\label{tune:32}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{de/lily-7ab1febd-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{32} G, 3/4}
\end{samepage}
%=========================================================================
%    33
%    anonymous_wedge4
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{33}}\hspace{0mm}}\footnotetext[33]{anonymous, \emph{carol (Bohemia)}}
\index{carol}%
\label{tune:33}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{82/lily-f8d53583-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{33} \emph{carol (Bohemia)}, D, 4/4}
\end{samepage}
%=========================================================================
%    34
%    x_bach_chorale86a
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{34}}\hspace{0mm}}\footnotetext[34]{J.S. Bach, \emph{Chorale, `Herr, wie du willst, so schick's mit mir'}}
\index{Bach, J.S.!Chorale, `Herr, wie du willst, so schick's mit mir'}%
\label{tune:34}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ff/lily-d6662751-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{34} Bach, \emph{Chorale, `Herr, wie du willst, so schick's mit mir'}, A, 4/4}
\end{samepage}
%=========================================================================
%    35
%    latour_angel
%    composer=Pierre Latour, last=Latour, first=Pierre


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{35}}\hspace{0mm}}\footnotetext[35]{Pierre Latour, \emph{The Beautiful Angel}}
\index{Latour, Pierre!Beautiful Angel, The}%
\index{Beautiful Angel, The, Pierre Latour}%
\label{tune:35}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{38/lily-e6e77573-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{35} Latour, \emph{The Beautiful Angel}, E, 6/8}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Note that the following two examples both have the tonic on the line at the center of the staff, so the one with five sharps actually isn't any more difficult to read.\\
%=========================================================================
%    36
%    x_lewis2
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{36}}\hspace{0mm}}\footnotetext[36]{L.R. Lewis}
\index{Lewis, L.R.!B, 3/4}%
\label{tune:36}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{71/lily-72f2bb4e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{36} Lewis, B, 3/4}
\end{samepage}
%=========================================================================
%    37
%    x_crowell5
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{37}}\hspace{0mm}}\index{Crowell, B.!B-flat, 4/4}%
\label{tune:37}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{4e/lily-a2bb3370-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{37} B-flat, 4/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The following five melodies all begin on `so.'\\
%=========================================================================
%    38
%    x_lewis1
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{38}}\hspace{0mm}}\footnotetext[38]{L.R. Lewis}
\index{Lewis, L.R.!B-flat, 4/4}%
\label{tune:38}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{50/lily-46c0ddf9-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{38} Lewis, B-flat, 4/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}We now begin moving around the circle of fifths in the opposite direction. `Ti' in the previous key is flattened, and becomes `fa' of the new key. If you're singing the new, flattened version of the note correctly, you should be able to hear its strong tendency to resolve down to `mi.'\\
%=========================================================================
%    39
%    x_crowell6
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\makebox[0mm][r]{\huge{\ingray{39}}\hspace{0mm}}\index{Crowell, B.!E-flat, 3/4}%
\label{tune:39}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{70/lily-ad5efad6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{39} E-flat, 3/4}
\end{samepage}
%=========================================================================
%    40
%    x_crowell8
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{40}}\hspace{0mm}}\index{Crowell, B.!A-flat, 4/4}%
\label{tune:40}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{05/lily-76070b61-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{40} A-flat, 4/4}
\end{samepage}
%=========================================================================
%    41
%    x_crowell9
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{41}}\hspace{0mm}}\index{Crowell, B.!D-flat, 4/4}%
\label{tune:41}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{1d/lily-d988c32e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{41} D-flat, 4/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The following two melodies both have the tonic at the same place on the staff.\\
%=========================================================================
%    42
%    x_crowell10
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\makebox[0mm][r]{\huge{\ingray{42}}\hspace{0mm}}\index{Crowell, B.!G-flat, 4/4}%
\label{tune:42}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{bc/lily-0d794ccf-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{42} G-flat, 4/4}
\end{samepage}
%=========================================================================
%    43
%    x_crowell18
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{43}}\hspace{0mm}}\index{Crowell, B.!G, 6/8}%
\label{tune:43}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{30/lily-43f079f3-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{43} G, 6/8}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Canon for two voices:\\
%=========================================================================
%    44
%    x_crowell11
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\makebox[0mm][r]{\huge{\ingray{44}}\hspace{0mm}}\index{Crowell, B.!C, 4/4, 1}%
\label{tune:44}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f6/lily-3b652e96-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{44} C, 4/4, 1}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Canon for two voices:\\
%=========================================================================
%    45
%    x_emerson_whither
%    composer=L.O. Emerson, last=Emerson, first=L.O.


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{45}}\hspace{0mm}}\footnotetext[45]{L.O. Emerson, \emph{Whither Through the Meadow?}}
\index{Emerson, L.O.!Whither Through the Meadow?}%
\index{Whither Through the Meadow?, L.O. Emerson}%
\label{tune:45}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{71/lily-ee722b4e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{45} Emerson, \emph{Whither Through the Meadow?}, C, 2/4, 1}
\end{samepage}
%=========================================================================
%    46
%    x_crowell19
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{46}}\hspace{0mm}}\index{Crowell, B.!C, 3/4}%
\label{tune:46}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c6/lily-141b37ae-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{46} C, 3/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Canon for two voices:\\
%=========================================================================
%    47
%    x_crowell12
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\makebox[0mm][r]{\huge{\ingray{47}}\hspace{0mm}}\index{Crowell, B.!G, 4/4}%
\label{tune:47}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{2e/lily-f6d2e948-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{47} G, 4/4}
\end{samepage}
%=========================================================================
%    48
%    x_lewis4
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{48}}\hspace{0mm}}\footnotetext[48]{L.R. Lewis}
\index{Lewis, L.R.!C, 4/4}%
\label{tune:48}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{98/lily-63c60254-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{48} Lewis, C, 4/4}
\end{samepage}
%=========================================================================
%    49
%    x_lewis5
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{49}}\hspace{0mm}}\footnotetext[49]{L.R. Lewis}
\index{Lewis, L.R.!C, 4/4}%
\label{tune:49}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{36/lily-c0eff8ac-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{49} Lewis, C, 4/4}
\end{samepage}
%=========================================================================
%    50
%    x_lewis6
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{50}}\hspace{0mm}}\footnotetext[50]{L.R. Lewis}
\index{Lewis, L.R.!C, 6/8}%
\label{tune:50}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e8/lily-d7cc3114-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{50} Lewis, C, 6/8}
\end{samepage}
%=========================================================================
%    51
%    x_lewis3
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{51}}\hspace{0mm}}\footnotetext[51]{L.R. Lewis}
\index{Lewis, L.R.!B-flat, 4/4}%
\label{tune:51}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{91/lily-cdde4959-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{51} Lewis, B-flat, 4/4}
\end{samepage}
\pagebreak[4]\noindent{\section{Leaps to `Do'}\label{sec:2:3}}
%=========================================================================
%    52
%    x_crowell1
%    composer=B. Crowell, last=Crowell, first=B.
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{52}}\hspace{0mm}}\index{Crowell, B.!G, 3/4}%
\label{tune:52}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{8c/lily-955876d8-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{52} G, 3/4}
\end{samepage}
%=========================================================================
%    53
%    x_crowell22
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{53}}\hspace{0mm}}\index{Crowell, B.!F, 3/4}%
\label{tune:53}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d4/lily-fd78022f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{53} F, 3/4}
\end{samepage}
\pagebreak[3]\vspace{12mm}\noindent{\section{Leaps Back to Remembered Notes}\label{sec:2:4}}
%=========================================================================
%    54
%    x_crowell13
%    composer=B. Crowell, last=Crowell, first=B.
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{54}}\hspace{0mm}}\index{Crowell, B.!C, 4/4}%
\label{tune:54}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b3/lily-ac6a68f9-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{54} C, 4/4}
\end{samepage}
%=========================================================================
%    55
%    bach_chorale156
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{55}}\hspace{0mm}}\footnotetext[55]{J.S. Bach, \emph{Chorale, `Seelenbr\"{a}utigam, Jesu, Gottes Lamm'}}
\index{Bach, J.S.!Chorale, `Seelenbräutigam, Jesu, Gottes Lamm'}%
\label{tune:55}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{00/lily-2e473a40-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{55} Bach, \emph{Chorale, `Seelenbr\"{a}utigam, Jesu, Gottes Lamm'}, A, 4/4}
\end{samepage}
%=========================================================================
%    56
%    bach_chorale106
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{56}}\hspace{0mm}}\footnotetext[56]{J.S. Bach, \emph{Chorale, `Jesu, meiner Seelen Wonne'}}
\index{Bach, J.S.!Chorale, `Jesu, meiner Seelen Wonne'}%
\label{tune:56}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{12/lily-616b4498-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{56} Bach, \emph{Chorale, `Jesu, meiner Seelen Wonne'}, A, 4/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The following example uses both leaps back to remembered notes and leaps to the tonic.\\
%=========================================================================
%    57
%    x_crowell23
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\makebox[0mm][r]{\huge{\ingray{57}}\hspace{0mm}}\index{Crowell, B.!G, 4/4}%
\label{tune:57}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{5d/lily-7b4ffd30-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{57} G, 4/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The next tune is easier than it appears, because you only need to return to the same note after each low G.\\
%=========================================================================
%    58
%    anonymous_wedge5
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{58}}\hspace{0mm}}\footnotetext[58]{folk song}
\label{tune:58}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{25/lily-41e6a4ca-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{58} folk song, C, 3/4}
\end{samepage}
\pagebreak[4]\noindent{\section{Easy Leaps Within the Tonic Triad}\label{sec:2:5}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}This section introduces leaps of a third, a fourth, and an octave within the tonic triad.\\
%=========================================================================
%    59
%    x_beethoven_eroica_intro
%    composer=Beethoven, last=Beethoven, first=


\pagebreak[3]\par
\par
\hfill \raisebox{0mm}[0mm][0mm]{\raisebox{-2mm}{famous tune (identified in the table of contents)}}\\\makebox[0mm][r]{\huge{\ingray{59}}\hspace{0mm}}\index{Beethoven!opening theme of Symphony \#3}%
\index{opening theme of Symphony \#3,  Beethoven}%
\label{tune:59}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e6/lily-35b44cb3-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{59} Beethoven, \emph{opening theme of Symphony \#3 (`Eroica')}, E-flat, 3/4}
\end{samepage}
%=========================================================================
%    60
%    x_crowell39
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{60}}\hspace{0mm}}\index{Crowell, B.!G, 4/4}%
\label{tune:60}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{cc/lily-ae217010-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{60} G, 4/4}
\end{samepage}
%=========================================================================
%    61
%    x_crowell40
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{61}}\hspace{0mm}}\index{Crowell, B.!G, 6/8}%
\label{tune:61}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{af/lily-7fe3a59c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{61} G, 6/8}
\end{samepage}
%=========================================================================
%    62
%    x_crowell41
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{62}}\hspace{0mm}}\index{Crowell, B.!G, 4/4}%
\label{tune:62}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{22/lily-9f997f9a-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{62} G, 4/4}
\end{samepage}
%=========================================================================
%    63
%    latham_broadway
%    composer=W.H. Latham, last=Latham, first=W.H.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{63}}\hspace{0mm}}\footnotetext[63]{W.H. Latham, \emph{Broadway Sights}}
\index{Latham, W.H.!Broadway Sights}%
\index{Broadway Sights, W.H. Latham}%
\label{tune:63}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{6f/lily-6bf1ad2d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{63} Latham, \emph{Broadway Sights}, A, 6/8}
\end{samepage}
%=========================================================================
%    64
%    anonymous_fontaine
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{64}}\hspace{0mm}}\footnotetext[64]{anonymous, \emph{A la Claire Fontaine (France)}}
\index{la Claire Fontaine, A}%
\label{tune:64}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{dd/lily-24217c8b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{64} \emph{A la Claire Fontaine (France)}, F, 2/4}
\end{samepage}
%=========================================================================
%    65
%    pergolesi_sancta_mater
%    composer=Giovanni Battista Pergolesi, last=Pergolesi, first=Giovanni Battista


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{65}}\hspace{0mm}}\footnotetext[65]{Giovanni Battista Pergolesi, \emph{aria `Sancta Mater' from Stabat Mater}}
\index{Pergolesi, Giovanni Battista!Sancta Mater from Stabat Mater}%
\index{Sancta Mater from Stabat Mater, Giovanni Battista Pergolesi}%
\label{tune:65}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{6c/lily-de85e5a1-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{65} Pergolesi, \emph{aria `Sancta Mater' from Stabat Mater}, G, 4/4}
\end{samepage}
%=========================================================================
%    66
%    sullivan1
%    composer=A.S. Sullivan, last=Sullivan, first=A.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{66}}\hspace{0mm}}\footnotetext[66]{A.S. Sullivan}
\index{Sullivan, A.S.!E-flat, 6/8}%
\label{tune:66}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c9/lily-ba06ff61-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{66} Sullivan, E-flat, 6/8}
\end{samepage}
%=========================================================================
%    67
%    anonymous_recouvrance
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{67}}\hspace{0mm}}\footnotetext[67]{anonymous, \emph{A Recouvrance (France)}}
\index{Recouvrance, A}%
\label{tune:67}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{13/lily-68c4e3be-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{67} \emph{A Recouvrance (France)}, F, 4/4}
\end{samepage}
%=========================================================================
%    68
%    froebel_patacake
%    composer=Froebel, last=Froebel, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{68}}\hspace{0mm}}\footnotetext[68]{Froebel, \emph{Pat-a-Cake}}
\index{Froebel!Pat-a-Cake}%
\index{Pat-a-Cake,  Froebel}%
\label{tune:68}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{cd/lily-84805300-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{68} Froebel, \emph{Pat-a-Cake}, C, 12/8}
\end{samepage}
%=========================================================================
%    69
%    x_anonymous_carmela_a
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{69}}\hspace{0mm}}\footnotetext[69]{anonymous, \emph{Carmela (Mexico)}}
\index{Carmela}%
\label{tune:69}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ea/lily-2db34933-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{69} \emph{Carmela (Mexico)}, E-flat, 4/8}
\end{samepage}
%=========================================================================
%    70
%    anonymous_father
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{70}}\hspace{0mm}}\footnotetext[70]{anonymous, \emph{My Father, How Long? (Florida)}}
\index{My Father, How Long?}%
\label{tune:70}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{6c/lily-2430fb22-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{70} \emph{My Father, How Long? (Florida)}, F, 4/4}
\end{samepage}
%=========================================================================
%    71
%    bach_chorale54
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{71}}\hspace{0mm}}\footnotetext[71]{J.S. Bach, \emph{Chorale, `Es ist gewisslich an der Zeit'}}
\index{Bach, J.S.!Chorale, `Es ist gewisslich an der Zeit'}%
\label{tune:71}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fa/lily-705acfa2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{71} Bach, \emph{Chorale, `Es ist gewisslich an der Zeit'}, B-flat, 4/4}
\end{samepage}
%=========================================================================
%    72
%    anonymous_laurie
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{72}}\hspace{0mm}}\footnotetext[72]{anonymous, \emph{Annie Laurie}}
\index{Annie Laurie}%
\label{tune:72}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ed/lily-427b3693-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{72} \emph{Annie Laurie}, C, 4/4}
\end{samepage}
%=========================================================================
%    73
%    cutler_son
%    composer=H.S. Cutler, last=Cutler, first=H.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{73}}\hspace{0mm}}\footnotetext[73]{H.S. Cutler, \emph{The Son of God Goes Forth to War}}
\index{Cutler, H.S.!Son of God Goes Forth to War, The}%
\index{Son of God Goes Forth to War, The, H.S. Cutler}%
\label{tune:73}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f8/lily-8f64f0df-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{73} Cutler, \emph{The Son of God Goes Forth to War}, B-flat, 4/4}
\end{samepage}
%=========================================================================
%    74
%    luther2
%    composer=Martin Luther, last=Luther, first=Martin


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{74}}\hspace{0mm}}\footnotetext[74]{Martin Luther, \emph{We Come Unto Our Father's God}}
\index{Luther, Martin!We Come Unto Our Father's God}%
\index{We Come Unto Our Father's God, Martin Luther}%
\label{tune:74}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{89/lily-b70a64fe-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{74} Luther, \emph{We Come Unto Our Father's God}, G, 4/4}
\end{samepage}
%=========================================================================
%    75
%    anonymous_jenny
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{75}}\hspace{0mm}}\footnotetext[75]{anonymous, \emph{Lawlan' Jenny (Scotland)}}
\index{Lawlan' Jenny}%
\label{tune:75}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b3/lily-07759798-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{75} \emph{Lawlan' Jenny (Scotland)}, D, 3/4}
\end{samepage}
%=========================================================================
%    76
%    foster_hard
%    composer=Stephen Foster, last=Foster, first=Stephen


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{76}}\hspace{0mm}}\footnotetext[76]{Stephen Foster, \emph{Hard Times Come Again No More}}
\index{Foster, Stephen!Hard Times Come Again No More}%
\index{Hard Times Come Again No More, Stephen Foster}%
\label{tune:76}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d9/lily-0fd26676-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{76} Foster, \emph{Hard Times Come Again No More}, E-flat, 4/4}
\end{samepage}
%=========================================================================
%    77
%    weston_row
%    composer=H. Burgess Weston, last=Weston, first=H. Burgess


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{77}}\hspace{0mm}}\footnotetext[77]{H. Burgess Weston, \emph{Row, Burnie, Row}}
\index{Weston, H. Burgess!Row, Burnie, Row}%
\index{Row, Burnie, Row, H. Burgess Weston}%
\label{tune:77}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{00/lily-b30ffdcf-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{77} Weston, \emph{Row, Burnie, Row}, E-flat, 2/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The following example includes a leap of a sixth, but it's an easy leap back to `do.'\\
%=========================================================================
%    78
%    anonymous_auvergne
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{78}}\hspace{0mm}}\footnotetext[78]{anonymous, \emph{En Revenant d'Auvergne (France)}}
\index{En Revenant d'Auvergne}%
\label{tune:78}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f4/lily-03b89b3b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{78} \emph{En Revenant d'Auvergne (France)}, B-flat, 2/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}This four-part canon includes a leap of a sixth to `do.'\\
%=========================================================================
%    79
%    anonymous_ormeau
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{79}}\hspace{0mm}}\footnotetext[79]{anonymous, \emph{Entendez-Vous Sur l'Ormeau (France)}}
\index{Entendez-Vous Sur l'Ormeau}%
\label{tune:79}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f8/lily-e9f0b463-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{79} \emph{Entendez-Vous Sur l'Ormeau (France)}, F, 4/4, 1}
\end{samepage}
\pagebreak[4]\noindent{\section{The Leap of a Fifth Within the Tonic Triad}\label{sec:2:6}}
%=========================================================================
%    80
%    x_crowell44
%    composer=B. Crowell, last=Crowell, first=B.
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{80}}\hspace{0mm}}\index{Crowell, B.!G, 4/4}%
\label{tune:80}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{01/lily-dfd72f79-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{80} G, 4/4}
\end{samepage}
%=========================================================================
%    81
%    x_crowell45
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{81}}\hspace{0mm}}\index{Crowell, B.!G, 3/4}%
\label{tune:81}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{73/lily-1316e308-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{81} G, 3/4}
\end{samepage}
%=========================================================================
%    82
%    scarlatti_consiglio
%    composer=Alessandro Scarlatti, last=Scarlatti, first=Alessandro


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{82}}\hspace{0mm}}\footnotetext[82]{Alessandro Scarlatti, \emph{Su, Venite a Consiglio}}
\index{Scarlatti, Alessandro!Su, Venite a Consiglio}%
\index{Su, Venite a Consiglio, Alessandro Scarlatti}%
\label{tune:82}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{6b/lily-f675bf5f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{82} Scarlatti, \emph{Su, Venite a Consiglio}, G, 3/4}
\end{samepage}
%=========================================================================
%    83
%    rousseau_hush
%    composer=J.J. Rousseau, last=Rousseau, first=J.J.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{83}}\hspace{0mm}}\footnotetext[83]{J.J. Rousseau, \emph{Hush, My Babe}}
\index{Rousseau, J.J.!Hush, My Babe}%
\index{Hush, My Babe, J.J. Rousseau}%
\label{tune:83}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{98/lily-6bd26f12-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{83} Rousseau, \emph{Hush, My Babe}, F, 2/4}
\end{samepage}
%=========================================================================
%    84
%    anonymous_foret
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{84}}\hspace{0mm}}\footnotetext[84]{anonymous, \emph{Dans la For\^{e}t Lointaine (France)}}
\index{Dans la Forêt Lointaine}%
\label{tune:84}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{62/lily-e01ffcbd-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{84} \emph{Dans la For\^{e}t Lointaine (France)}, F, 2/4}
\end{samepage}
%=========================================================================
%    85
%    anonymous_beggar
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{85}}\hspace{0mm}}\footnotetext[85]{anonymous, \emph{The Beggar Girl (England)}}
\index{Beggar Girl, The}%
\label{tune:85}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{73/lily-ebe8ac40-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{85} \emph{The Beggar Girl (England)}, F, 6/8}
\end{samepage}
%=========================================================================
%    86
%    hawthorne_home
%    composer=Alice Hawthorne, last=Hawthorne, first=Alice


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{86}}\hspace{0mm}}\footnotetext[86]{Alice Hawthorne, \emph{Home, By and By}}
\index{Hawthorne, Alice!Home, By and By}%
\index{Home, By and By, Alice Hawthorne}%
\label{tune:86}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{55/lily-b46c1928-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{86} Hawthorne, \emph{Home, By and By}, F, 4/4}
\end{samepage}
%=========================================================================
%    87
%    froebel_pigeons
%    composer=Froebel, last=Froebel, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{87}}\hspace{0mm}}\footnotetext[87]{Froebel, \emph{Beckoning the Pigeons}}
\index{Froebel!Beckoning the Pigeons}%
\index{Beckoning the Pigeons,  Froebel}%
\label{tune:87}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a6/lily-dbd3604c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{87} Froebel, \emph{Beckoning the Pigeons}, G, 3/8}
\end{samepage}
%=========================================================================
%    88
%    x_crowell36
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{88}}\hspace{0mm}}\index{Crowell, B.!F, 2/4}%
\label{tune:88}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{3c/lily-d72d9eff-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{88} F, 2/4}
\end{samepage}
\pagebreak[4]\noindent{\section{Leaps of a Sixth Within the Tonic Triad}\label{sec:2:7}}
%=========================================================================
%    89
%    x_crowell43
%    composer=B. Crowell, last=Crowell, first=B.
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{89}}\hspace{0mm}}\index{Crowell, B.!G, 4/4}%
\label{tune:89}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a6/lily-d727bea8-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{89} G, 4/4}
\end{samepage}
%=========================================================================
%    90
%    x_crowell42
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{90}}\hspace{0mm}}\index{Crowell, B.!G, 9/8}%
\label{tune:90}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ab/lily-50d5caba-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{90} G, 9/8}
\end{samepage}
%=========================================================================
%    91
%    wohlfahrt_etude1
%    composer=Franz Wohlfahrt, last=Wohlfahrt, first=Franz


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{91}}\hspace{0mm}}\footnotetext[91]{Franz Wohlfahrt}
\index{Wohlfahrt, Franz!F, 4/4}%
\label{tune:91}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{6e/lily-23cd1718-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{91} Wohlfahrt, F, 4/4}
\end{samepage}
%=========================================================================
%    92
%    anonymous_casquette
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{92}}\hspace{0mm}}\footnotetext[92]{anonymous, \emph{As-Tu Vu la Casquette? (France)}}
\index{As-Tu Vu la Casquette?}%
\label{tune:92}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{df/lily-ef3fb597-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{92} \emph{As-Tu Vu la Casquette? (France)}, G, 2/4}
\end{samepage}
%=========================================================================
%    93
%    anonymous_member_a
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{93}}\hspace{0mm}}\footnotetext[93]{anonymous, \emph{Praise, Member (South Carolina)}}
\index{Praise, Member}%
\label{tune:93}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d4/lily-c144ee61-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{93} \emph{Praise, Member (South Carolina)}, G, 2/4}
\end{samepage}
%=========================================================================
%    94
%    froebel_chickens
%    composer=Froebel, last=Froebel, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{94}}\hspace{0mm}}\footnotetext[94]{Froebel, \emph{Beckoning the Chickens}}
\index{Froebel!Beckoning the Chickens}%
\index{Beckoning the Chickens,  Froebel}%
\label{tune:94}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{34/lily-965fdc26-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{94} Froebel, \emph{Beckoning the Chickens}, F, 2/4}
\end{samepage}
%=========================================================================
%    95
%    anonymous_wedge2
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{95}}\hspace{0mm}}\footnotetext[95]{folk song}
\label{tune:95}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b7/lily-04df3456-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{95} folk song, G, 2/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The next example includes both leaps within the tonic triad and leaps to `do.' Because of its wide range, it is given in two keys; make sure to choose a key in which you can actually reach all the notes!\\
%=========================================================================
%    96
%    anonymous_rosy_a
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{96}}\hspace{0mm}}\footnotetext[96]{anonymous, \emph{Poor Rosy (South Carolina)}}
\index{Poor Rosy}%
\label{tune:96}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{19/lily-a4f88339-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{96} \emph{Poor Rosy (South Carolina)}, G, 2/4}
\end{samepage}
%=========================================================================
%    97
%    x_anonymous_rosy_b
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{97}}\hspace{0mm}}\footnotetext[97]{anonymous, \emph{Poor Rosy (South Carolina)}}
\index{Poor Rosy}%
\label{tune:97}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ba/lily-d2d96bf9-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{97} \emph{Poor Rosy (South Carolina)}, C, 2/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Another example that includes leaps to `do.'\\
%=========================================================================
%    98
%    wrighton_dearest
%    composer=W.T. Wrighton, last=Wrighton, first=W.T.


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{98}}\hspace{0mm}}\footnotetext[98]{W.T. Wrighton, \emph{The Dearest Spot on Earth}}
\index{Wrighton, W.T.!Dearest Spot on Earth, The}%
\index{Dearest Spot on Earth, The, W.T. Wrighton}%
\label{tune:98}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e4/lily-57fd31b3-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{98} Wrighton, \emph{The Dearest Spot on Earth}, B-flat, 4/4}
\end{samepage}
%=========================================================================
%    99
%    anonymous_absent
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{99}}\hspace{0mm}}\footnotetext[99]{anonymous, \emph{Absent Davie (Scotland)}}
\index{Absent Davie}%
\label{tune:99}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d4/lily-1ee74b5e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{99} \emph{Absent Davie (Scotland)}, D, 4/4}
\end{samepage}
%=========================================================================
%    100
%    x_crowell33
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{100}}\hspace{0mm}}\index{Crowell, B.!A, 4/4}%
\label{tune:100}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ee/lily-c5dc00c1-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{100} A, 4/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Canon for two voices:\\
%=========================================================================
%    101
%    x_crowell16
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\makebox[0mm][r]{\huge{\ingray{101}}\hspace{0mm}}\index{Crowell, B.!B-flat, 3/4, 1}%
\label{tune:101}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b1/lily-0c791681-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{101} B-flat, 3/4, 1}
\end{samepage}
\pagebreak[4]\noindent{\section{Leaps Within the Dominant}\label{sec:2:8}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}This section introduces leaps of a third within the dominant. Fourths, fifths, and sixths are included in section 2-9, and leaps of a seventh within the dominant chord are deferred until section 4-5.\\
%=========================================================================
%    102
%    mozart_kleine_nachtmusik
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\par
\hfill \raisebox{0mm}[0mm][0mm]{\raisebox{-2mm}{famous tune (identified in the table of contents)}}\\\makebox[0mm][r]{\huge{\ingray{102}}\hspace{0mm}}\index{Mozart, W.A.!allegro from Eine kleine Nachtmusik}%
\index{allegro from Eine kleine Nachtmusik, W.A. Mozart}%
\label{tune:102}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{6a/lily-08ad0018-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{102} Mozart, \emph{allegro from `Eine kleine Nachtmusik'}, F, 4/4}
\end{samepage}
%=========================================================================
%    103
%    mozart_horn_duet2
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{103}}\hspace{0mm}}\footnotetext[103]{W.A. Mozart, \emph{Duet No. 2, Menuet, from 12 Duets, K.V. 487}}
\index{Mozart, W.A.!Duet No. 2, Menuet, from 12 Duets, K.V. 487}%
\index{Duet No. 2, Menuet, from 12 Duets, K.V. 487, W.A. Mozart}%
\label{tune:103}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a3/lily-db65bbc4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{103} Mozart, \emph{Duet No. 2, Menuet, from 12 Duets, K.V. 487}, G, 3/4}
\end{samepage}
%=========================================================================
%    104
%    anonymous_wedge9
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{104}}\hspace{0mm}}\footnotetext[104]{folk song}
\label{tune:104}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{66/lily-9ac4f742-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{104} folk song, G, 3/4}
\end{samepage}
%=========================================================================
%    105
%    anonymous_fleurs
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{105}}\hspace{0mm}}\footnotetext[105]{anonymous, \emph{Derri\`{e}r' Chez Nous il y a Trois Fleurs (France)}}
\index{Derrièr Chez Nous il y a Trois Fleurs}%
\label{tune:105}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{35/lily-a46f5e32-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{105} \emph{Derri\`{e}r' Chez Nous il y a Trois Fleurs (France)}, G, 2/4}
\end{samepage}
%=========================================================================
%    106
%    parry_villikins
%    composer=John Parry, last=Parry, first=John


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{106}}\hspace{0mm}}\footnotetext[106]{John Parry, \emph{Villikins and His Dinah}}
\index{Parry, John!Villikins and His Dinah}%
\index{Villikins and His Dinah, John Parry}%
\label{tune:106}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ee/lily-8d8ebf33-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{106} Parry, \emph{Villikins and His Dinah}, E-flat, 3/4}
\end{samepage}
%=========================================================================
%    107
%    anonymous_annchen
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{107}}\hspace{0mm}}\footnotetext[107]{anonymous, \emph{\"{A}nnchen von Tharau (Germany)}}
\index{Annchen von Tharau}%
\label{tune:107}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a9/lily-c70a8ef7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{107} \emph{\"{A}nnchen von Tharau (Germany)}, G, 3/4}
\end{samepage}
%=========================================================================
%    108
%    anonymous_chateau
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{108}}\hspace{0mm}}\footnotetext[108]{anonymous, \emph{Ah! Mon Beau Ch\^{a}teau! (France)}}
\index{!Ah! Mon Beau Château!}%
\label{tune:108}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{55/lily-0feaeb91-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{108} \emph{Ah! Mon Beau Ch\^{a}teau! (France)}, A, 2/4}
\end{samepage}
%=========================================================================
%    109
%    anonymous_font
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{109}}\hspace{0mm}}\footnotetext[109]{anonymous, \emph{Ainsi Font, Font, Font (France)}}
\index{Ainsi Font, Font, Font}%
\label{tune:109}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{53/lily-7e109c74-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{109} \emph{Ainsi Font, Font, Font (France)}, G, 2/4}
\end{samepage}
%=========================================================================
%    110
%    husband_revive
%    composer=John Husband, last=Husband, first=John


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{110}}\hspace{0mm}}\footnotetext[110]{John Husband, \emph{Revive Us Again}}
\index{Husband, John!Revive Us Again}%
\index{Revive Us Again, John Husband}%
\label{tune:110}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{81/lily-6e2c6914-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{110} Husband, \emph{Revive Us Again}, C, 3/4}
\end{samepage}
%=========================================================================
%    111
%    anonymous_row
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{111}}\hspace{0mm}}\footnotetext[111]{anonymous, \emph{Lightly Row (Spain)}}
\index{Lightly Row}%
\label{tune:111}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d2/lily-f1ddf0e4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{111} \emph{Lightly Row (Spain)}, F, 2/4}
\end{samepage}
%=========================================================================
%    112
%    anonymous_god_speed
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{112}}\hspace{0mm}}\footnotetext[112]{anonymous, \emph{God Speed the Right (Germany)}}
\index{God Speed the Right}%
\label{tune:112}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ce/lily-93272027-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{112} \emph{God Speed the Right (Germany)}, C, 4/4}
\end{samepage}
%=========================================================================
%    113
%    mozart_papageno
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{113}}\hspace{0mm}}\footnotetext[113]{W.A. Mozart, \emph{aria (Papageno) from `The Magic Flute'}}
\index{Mozart, W.A.!aria (Papageno) from `The Magic Flute'}%
\label{tune:113}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{35/lily-659905e6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{113} Mozart, \emph{aria (Papageno) from `The Magic Flute'}, G, 2/4}
\end{samepage}
%=========================================================================
%    114
%    anonymous_engel
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{114}}\hspace{0mm}}\footnotetext[114]{anonymous, \emph{Sch\"{o}nster Schatz, Mein Engel}}
\index{Schönster Schatz, Mein Engel}%
\label{tune:114}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{db/lily-0b2f2fcf-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{114} \emph{Sch\"{o}nster Schatz, Mein Engel}, D, 3/4}
\end{samepage}
%=========================================================================
%    115
%    anonymous_valley
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{115}}\hspace{0mm}}\footnotetext[115]{anonymous, \emph{Down in the Valley}}
\index{Down in the Valley}%
\label{tune:115}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{cc/lily-c102c804-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{115} \emph{Down in the Valley}, C, 9/8}
\end{samepage}
%=========================================================================
%    116
%    anonymous_bainjo
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{116}}\hspace{0mm}}\footnotetext[116]{anonymous, \emph{Musieu Bainjo (Louisiana)}}
\index{Musieu Bainjo}%
\label{tune:116}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f7/lily-205ca3d7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{116} \emph{Musieu Bainjo (Louisiana)}, G, 2/4}
\end{samepage}
%=========================================================================
%    117
%    anonymous_guide
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{117}}\hspace{0mm}}\footnotetext[117]{anonymous, \emph{Brother, Guide Me Home (Tennessee)}}
\index{Brother, Guide Me Home}%
\label{tune:117}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c2/lily-9ff4608e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{117} \emph{Brother, Guide Me Home (Tennessee)}, A, 4/4}
\end{samepage}
%=========================================================================
%    118
%    anonymous_serenata
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{118}}\hspace{0mm}}\footnotetext[118]{anonymous, \emph{Serenata (California)}}
\index{Serenata}%
\label{tune:118}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{21/lily-3c9e4e64-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{118} \emph{Serenata (California)}, B-flat, 2/2}
\end{samepage}
%=========================================================================
%    119
%    mozart_quartet1_adagio
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{119}}\hspace{0mm}}\footnotetext[119]{W.A. Mozart, \emph{adagio from string quartet \# 1}}
\index{Mozart, W.A.!string quartet \# 1, adagio}%
\index{string quartet \# 1, adagio, W.A. Mozart}%
\label{tune:119}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{4b/lily-597cd08e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{119} Mozart, \emph{adagio from string quartet \# 1}, G, 3/4}
\end{samepage}
%=========================================================================
%    120
%    bach_chorale55
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{120}}\hspace{0mm}}\footnotetext[120]{J.S. Bach, \emph{Chorale, `Es spricht der Unweisen Mund wohl'}}
\index{Bach, J.S.!Chorale, `Es spricht der Unweisen Mund wohl'}%
\label{tune:120}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{47/lily-425ce019-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{120} Bach, \emph{Chorale, `Es spricht der Unweisen Mund wohl'}, B-flat, 4/4}
\end{samepage}
%=========================================================================
%    121
%    beuttner_bote
%    composer=Nikolaus Beuttner, last=Beuttner, first=Nikolaus


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{121}}\hspace{0mm}}\footnotetext[121]{Nikolaus Beuttner, \emph{Es kam ein treuer Bote}}
\index{Beuttner, Nikolaus!Es kam ein treuer Bote}%
\index{Es kam ein treuer Bote, Nikolaus Beuttner}%
\label{tune:121}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ff/lily-2e5c7e4e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{121} Beuttner, \emph{Es kam ein treuer Bote}, F, 4/4}
\end{samepage}
%=========================================================================
%    122
%    bach_chorale162
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{122}}\hspace{0mm}}\footnotetext[122]{J.S. Bach, \emph{Chorale, `Valet will ich dir geben'}}
\index{Bach, J.S.!Chorale, `Valet will ich dir geben'}%
\label{tune:122}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{4f/lily-ce4e4802-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{122} Bach, \emph{Chorale, `Valet will ich dir geben'}, D, 4/4}
\end{samepage}
%=========================================================================
%    123
%    bach_chorale182
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{123}}\hspace{0mm}}\footnotetext[123]{J.S. Bach, \emph{Chorale, `Wie bist du Seele in mir so gar betr\"{u}bt'}}
\index{Bach, J.S.!Chorale, `Wie bist du Seele in mir so gar betrübt'}%
\label{tune:123}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{9e/lily-1add6458-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{123} Bach, \emph{Chorale, `Wie bist du Seele in mir so gar betr\"{u}bt'}, G, 4/4}
\end{samepage}
%=========================================================================
%    124
%    anonymous_milatte
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{124}}\hspace{0mm}}\footnotetext[124]{anonymous, \emph{Gardez Piti Milatte-l\`{a} (Louisiana)}}
\index{Gardez Piti Milatte-là}%
\label{tune:124}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ec/lily-fc883271-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{124} \emph{Gardez Piti Milatte-l\`{a} (Louisiana)}, B-flat, 4/4}
\end{samepage}
%=========================================================================
%    125
%    anonymous_shout
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{125}}\hspace{0mm}}\footnotetext[125]{anonymous, \emph{Shout On, Children (Georgia)}}
\index{Shout On, Children}%
\label{tune:125}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fc/lily-1bf7ac15-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{125} \emph{Shout On, Children (Georgia)}, A, 2/4}
\end{samepage}
%=========================================================================
%    126
%    schubert_wohin
%    composer=Franz Schubert, last=Schubert, first=Franz


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{126}}\hspace{0mm}}\footnotetext[126]{Franz Schubert, \emph{Wohin?}}
\index{Schubert, Franz!Wohin?}%
\index{Wohin?, Franz Schubert}%
\label{tune:126}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c0/lily-79a64e96-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{126} Schubert, \emph{Wohin?}, G, 4/8}
\end{samepage}
%=========================================================================
%    127
%    bach_chorale120
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{127}}\hspace{0mm}}\footnotetext[127]{J.S. Bach, \emph{Chorale, `Liebster Jesu, wir sind hier'}}
\index{Bach, J.S.!Chorale, `Liebster Jesu, wir sind hier'}%
\label{tune:127}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a5/lily-21d34565-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{127} Bach, \emph{Chorale, `Liebster Jesu, wir sind hier'}, G, 4/4}
\end{samepage}
%=========================================================================
%    128
%    haydn_oxford_menuet
%    composer=Franz Joseph Haydn, last=Haydn, first=Franz Joseph


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{128}}\hspace{0mm}}\footnotetext[128]{Franz Joseph Haydn, \emph{menuet Oxford symphony}}
\index{Haydn, Franz Joseph!menuet Oxford symphony}%
\index{menuet Oxford symphony, Franz Joseph Haydn}%
\label{tune:128}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{33/lily-3f3e746b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{128} Haydn, \emph{menuet Oxford symphony}, G, 3/4}
\end{samepage}
%=========================================================================
%    129
%    bach_chorale124
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{129}}\hspace{0mm}}\footnotetext[129]{J.S. Bach, \emph{Chorale, `Mach's mit mir, Gott, nach deiner Gut'}}
\index{Bach, J.S.!Chorale, `Mach's mit mir, Gott, nach deiner Gut'}%
\label{tune:129}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ef/lily-6a52b46d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{129} Bach, \emph{Chorale, `Mach's mit mir, Gott, nach deiner Gut'}, D, 4/4}
\end{samepage}
%=========================================================================
%    130
%    schubert_halt
%    composer=Franz Schubert, last=Schubert, first=Franz


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{130}}\hspace{0mm}}\footnotetext[130]{Franz Schubert, \emph{Halt!}}
\index{Schubert, Franz!Halt!}%
\index{!Halt!, Franz Schubert}%
\label{tune:130}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{8e/lily-a0600f47-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{130} Schubert, \emph{Halt!}, C, 6/8}
\end{samepage}
%=========================================================================
%    131
%    x_holst_venus
%    composer=Gustav Holst, last=Holst, first=Gustav


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{131}}\hspace{0mm}}\footnotetext[131]{Gustav Holst, \emph{Venus theme from The Planets}}
\index{Holst, Gustav!Venus theme from The Planets}%
\index{Venus theme from The Planets, Gustav Holst}%
\label{tune:131}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ea/lily-ed036ad2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{131} Holst, \emph{Venus theme from The Planets}, D, 3/4}
\end{samepage}
%=========================================================================
%    132
%    x_anonymous_serenata_two_part
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{132}}\hspace{0mm}}\footnotetext[132]{anonymous, \emph{Serenata (California)}}
\index{Serenata}%
\label{tune:132}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{2e/lily-214ac322-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{132} \emph{Serenata (California)}, B-flat, 2/2}
\end{samepage}
%=========================================================================
%    133
%    anonymous_foot
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{133}}\hspace{0mm}}\footnotetext[133]{anonymous, \emph{If Your Foot Is Pretty, Show It (United States)}}
\index{If Your Foot Is Pretty, Show It}%
\label{tune:133}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{71/lily-4a962de2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{133} \emph{If Your Foot Is Pretty, Show It (United States)}, D, 3/8}
\end{samepage}
%=========================================================================
%    134
%    crowell4
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{134}}\hspace{0mm}}\index{Crowell, B.!G, 3/4}%
\label{tune:134}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{0f/lily-8e04e0e6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{134} G, 3/4}
\end{samepage}
\pagebreak[4]\noindent{\section{Wider Leaps Within the Dominant}\label{sec:2:9}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}This section introduces leaps within the dominant as broad as a sixth. Leaps of a seventh are deferred until section 4-5.\\
%=========================================================================
%    135
%    x_bates_america_the_beautiful
%    composer=Katharine Lee Bates, last=Bates, first=Katharine Lee


\pagebreak[3]\par
\par
\hfill \raisebox{0mm}[0mm][0mm]{\raisebox{-2mm}{famous tune (identified in the table of contents)}}\\\makebox[0mm][r]{\huge{\ingray{135}}\hspace{0mm}}\index{Bates, Katharine Lee!America the Beautiful}%
\index{America the Beautiful, Katharine Lee Bates}%
\label{tune:135}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7d/lily-8ca55716-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{135} Bates, \emph{America the Beautiful}, C, 4/4}
\end{samepage}
%=========================================================================
%    136
%    anonymous_eli
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{136}}\hspace{0mm}}\footnotetext[136]{anonymous, \emph{Eli Yale}}
\index{Eli Yale}%
\label{tune:136}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f0/lily-2a9b29e4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{136} \emph{Eli Yale}, B-flat, 2/4}
\end{samepage}
%=========================================================================
%    137
%    anonymous_krambambuli
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{137}}\hspace{0mm}}\footnotetext[137]{anonymous, \emph{Krambambuli}}
\index{Krambambuli}%
\label{tune:137}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f2/lily-84584443-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{137} \emph{Krambambuli}, D-flat, 2/4}
\end{samepage}
%=========================================================================
%    138
%    anonymous_go_way
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{138}}\hspace{0mm}}\footnotetext[138]{anonymous, \emph{Go 'Way, Old Man (Louisiana)}}
\index{Go 'Way, Old Man}%
\label{tune:138}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{6d/lily-d24945c2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{138} \emph{Go 'Way, Old Man (Louisiana)}, E-flat, 3/4}
\end{samepage}
%=========================================================================
%    139
%    anonymous_baby
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{139}}\hspace{0mm}}\footnotetext[139]{anonymous, \emph{Our Baby (France)}}
\index{Our Baby}%
\label{tune:139}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{dc/lily-65c05289-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{139} \emph{Our Baby (France)}, A, 2/4}
\end{samepage}
%=========================================================================
%    140
%    anonymous_palais
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{140}}\hspace{0mm}}\footnotetext[140]{anonymous, \emph{Aux Marches du Palais (France)}}
\index{Aux Marches du Palais}%
\label{tune:140}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{87/lily-0f4c091d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{140} \emph{Aux Marches du Palais (France)}, F, 6/8}
\end{samepage}
%=========================================================================
%    141
%    bach_chorale86b
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{141}}\hspace{0mm}}\footnotetext[141]{J.S. Bach, \emph{Chorale, `Herr, wie du willst, so schick's mit mir'}}
\index{Bach, J.S.!Chorale, `Herr, wie du willst, so schick's mit mir'}%
\label{tune:141}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e8/lily-b8786ba9-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{141} Bach, \emph{Chorale, `Herr, wie du willst, so schick's mit mir'}, A, 4/4}
\end{samepage}
%=========================================================================
%    142
%    bach_minuet
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{142}}\hspace{0mm}}\footnotetext[142]{J.S. Bach, \emph{minuet}}
\index{Bach, J.S.!minuet}%
\index{minuet, J.S. Bach}%
\label{tune:142}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{05/lily-9b0747a4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{142} Bach, \emph{minuet}, D-flat, 3/4}
\end{samepage}
%=========================================================================
%    143
%    anonymous_arlequin2
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{143}}\hspace{0mm}}\footnotetext[143]{anonymous, \emph{Arlequin Tient Sa Boutique (France)}}
\index{Arlequin Tient Sa Boutique}%
\label{tune:143}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{32/lily-f7c3aaf2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{143} \emph{Arlequin Tient Sa Boutique (France)}, A, 2/4}
\end{samepage}
%=========================================================================
%    144
%    anonymous_roland
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{144}}\hspace{0mm}}\footnotetext[144]{anonymous, \emph{Ballade de Roland (France)}}
\index{Ballade de Roland}%
\label{tune:144}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{53/lily-6b335bc6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{144} \emph{Ballade de Roland (France)}, G, 6/8}
\end{samepage}
%=========================================================================
%    145
%    anonymous_wedge3
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{145}}\hspace{0mm}}\footnotetext[145]{folk song}
\label{tune:145}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fe/lily-d407165d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{145} folk song, G, 6/8}
\end{samepage}
%=========================================================================
%    146
%    anonymous_bella
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{146}}\hspace{0mm}}\footnotetext[146]{anonymous, \emph{Tu Eres Mas Bella (Costa Rica)}}
\index{Tu Eres Mas Bella}%
\label{tune:146}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f8/lily-c4379832-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{146} \emph{Tu Eres Mas Bella (Costa Rica)}, F, 2/4}
\end{samepage}
%=========================================================================
%    147
%    anonymous_member_b
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{147}}\hspace{0mm}}\footnotetext[147]{anonymous, \emph{Praise, Member (South Carolina)}}
\index{Praise, Member}%
\label{tune:147}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{35/lily-ff920f8f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{147} \emph{Praise, Member (South Carolina)}, G, 2/4}
\end{samepage}
%=========================================================================
%    148
%    anonymous_hort
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{148}}\hspace{0mm}}\footnotetext[148]{anonymous, \emph{Wach' Auf, Mein Hort}}
\index{Wach' Auf, Mein Hort}%
\label{tune:148}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d9/lily-1d41db82-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{148} \emph{Wach' Auf, Mein Hort}, F, 6/8}
\end{samepage}
%=========================================================================
%    149
%    anonymous_barbara_allan
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{149}}\hspace{0mm}}\footnotetext[149]{anonymous, \emph{Barbara Allan (Scotland)}}
\index{Barbara Allan}%
\label{tune:149}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f0/lily-64407bd6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{149} \emph{Barbara Allan (Scotland)}, B, 4/4}
\end{samepage}
%=========================================================================
%    150
%    anonymous_pilgrim
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{150}}\hspace{0mm}}\footnotetext[150]{anonymous, \emph{I'm a Pilgrim (Italy)}}
\index{I'm a Pilgrim}%
\label{tune:150}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ed/lily-1ae6eba0-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{150} \emph{I'm a Pilgrim (Italy)}, G, 4/4}
\end{samepage}
%=========================================================================
%    151
%    haydn_london_finale
%    composer=Franz Joseph Haydn, last=Haydn, first=Franz Joseph


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{151}}\hspace{0mm}}\footnotetext[151]{Franz Joseph Haydn, \emph{finale, London symphony}}
\index{Haydn, Franz Joseph!finale, London symphony}%
\index{finale, London symphony, Franz Joseph Haydn}%
\label{tune:151}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b3/lily-5ccbc0fa-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{151} Haydn, \emph{finale, London symphony}, D, 4/4}
\end{samepage}
%=========================================================================
%    152
%    anonymous_jardin2
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{152}}\hspace{0mm}}\footnotetext[152]{anonymous, \emph{Dans Notre Jardin (France)}}
\index{Dans Notre Jardin}%
\label{tune:152}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{93/lily-e3b5ff39-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{152} \emph{Dans Notre Jardin (France)}, F, 2/4}
\end{samepage}
%=========================================================================
%    153
%    anonymous_gypsy
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{153}}\hspace{0mm}}\footnotetext[153]{anonymous, \emph{The Gypsy Warning (Missouri)}}
\index{Gypsy Warning, The}%
\label{tune:153}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{5e/lily-232dbb1c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{153} \emph{The Gypsy Warning (Missouri)}, E-flat, 3/4}
\end{samepage}
%=========================================================================
%    154
%    anonymous_jungfraeulein
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{154}}\hspace{0mm}}\footnotetext[154]{anonymous, \emph{Jungfr\"{a}ulein, Soll Ich Mit Euch Gehn}}
\index{Jungfräulein, Soll Ich Mit Euch Gehn}%
\label{tune:154}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{8e/lily-3e57063d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{154} \emph{Jungfr\"{a}ulein, Soll Ich Mit Euch Gehn}, F, 4/4}
\end{samepage}
%=========================================================================
%    155
%    x_crowell38
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{155}}\hspace{0mm}}\index{Crowell, B.!G, 4/4}%
\label{tune:155}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{9f/lily-268acef2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{155} G, 4/4}
\end{samepage}
%=========================================================================
%    156
%    strauss_geduld
%    composer=Richard Strauss, last=Strauss, first=Richard


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{156}}\hspace{0mm}}\footnotetext[156]{Richard Strauss, \emph{Not Yet}}
\index{Strauss, Richard!Not Yet}%
\index{Not Yet, Richard Strauss}%
\label{tune:156}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c1/lily-21d0a6fb-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{156} Strauss, \emph{Not Yet}, A-flat, 6/8}
\end{samepage}
%=========================================================================
%    157
%    anonymous_suzette
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{157}}\hspace{0mm}}\footnotetext[157]{anonymous, \emph{Ah, Suzette, Ch\`{e}re (Louisiana)}}
\index{Ah, Suzette, Chère}%
\label{tune:157}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{2e/lily-af572acc-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{157} \emph{Ah, Suzette, Ch\`{e}re (Louisiana)}, E-flat, 3/4}
\end{samepage}
%=========================================================================
%    158
%    anonymous_paloma
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{158}}\hspace{0mm}}\footnotetext[158]{anonymous, \emph{La Paloma Blanca (Arizona)}}
\index{Paloma Blanca, La}%
\label{tune:158}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{6f/lily-34218018-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{158} \emph{La Paloma Blanca (Arizona)}, F, 6/8}
\end{samepage}
%=========================================================================
%    159
%    schubert_wandern
%    composer=Franz Schubert, last=Schubert, first=Franz


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{159}}\hspace{0mm}}\footnotetext[159]{Franz Schubert, \emph{Das Wandern}}
\index{Schubert, Franz!Das Wandern}%
\index{Das Wandern, Franz Schubert}%
\label{tune:159}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{2e/lily-b8a864d0-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{159} Schubert, \emph{Das Wandern}, B-flat, 4/8}
\end{samepage}
%=========================================================================
%    160
%    x_crowell37
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{160}}\hspace{0mm}}\index{Crowell, B.!C, 3/4}%
\label{tune:160}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{16/lily-d7a2d7d4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{160} C, 3/4}
\end{samepage}
%=========================================================================
%    161
%    anonymous_ether
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{161}}\hspace{0mm}}\footnotetext[161]{anonymous, \emph{Chill Ether (Scotland)}}
\index{Chill Ether}%
\label{tune:161}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{79/lily-c4007f5e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{161} \emph{Chill Ether (Scotland)}, E-flat, 3/4}
\end{samepage}
%=========================================================================
%    162
%    x_anonymous_wedge10
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{162}}\hspace{0mm}}\footnotetext[162]{folk song}
\label{tune:162}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{be/lily-976e4260-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{162} folk song, A-flat, 3/4}
\end{samepage}
%=========================================================================
%    163
%    anonymous_wedge1
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{163}}\hspace{0mm}}\footnotetext[163]{folk song}
\label{tune:163}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a4/lily-d177ef00-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{163} folk song, A, 6/8}
\end{samepage}
%=========================================================================
%    164
%    bach_chorale139
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{164}}\hspace{0mm}}\footnotetext[164]{J.S. Bach, \emph{Chorale, `Nun ruhen alle Walder'}}
\index{Bach, J.S.!Chorale, `Nun ruhen alle Walder'}%
\label{tune:164}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{76/lily-01ce91ac-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{164} Bach, \emph{Chorale, `Nun ruhen alle Walder'}, B-flat, 4/4}
\end{samepage}
%=========================================================================
%    165
%    bach_chorale179
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{165}}\hspace{0mm}}\footnotetext[165]{J.S. Bach, \emph{Chorale, `Wenn wir in h\"{o}chsten N\"{o}ten sein'}}
\index{Bach, J.S.!Chorale, `Wenn wir in höchsten Nöten sein'}%
\label{tune:165}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{62/lily-ade1c6bc-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{165} Bach, \emph{Chorale, `Wenn wir in h\"{o}chsten N\"{o}ten sein'}, G, 4/4}
\end{samepage}
%=========================================================================
%    166
%    anonymous_argyle
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{166}}\hspace{0mm}}\footnotetext[166]{anonymous, \emph{The Duke of Argyle's Courtship (Scotland)}}
\index{Duke of Argyle's Courtship, The}%
\label{tune:166}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ca/lily-b79434ad-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{166} \emph{The Duke of Argyle's Courtship (Scotland)}, D, 3/4}
\end{samepage}
%=========================================================================
%    167
%    samuel_fairy
%    composer=Harold Samuel, last=Samuel, first=Harold


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{167}}\hspace{0mm}}\footnotetext[167]{Harold Samuel, \emph{The Fairy Boat}}
\index{Samuel, Harold!Fairy Boat, The}%
\index{Fairy Boat, The, Harold Samuel}%
\label{tune:167}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f9/lily-424f4446-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{167} Samuel, \emph{The Fairy Boat}, G, 2/4}
\end{samepage}
%=========================================================================
%    168
%    anonymous_lieblich
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{168}}\hspace{0mm}}\footnotetext[168]{anonymous, \emph{Gar Lieblich Hat Sich Gesellet}}
\index{Gar Lieblich Hat Sich Gesellet}%
\label{tune:168}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{4d/lily-91a7a16b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{168} \emph{Gar Lieblich Hat Sich Gesellet}, F, 2/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Canon for two voices:\\
%=========================================================================
%    169
%    x_crowell17
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\makebox[0mm][r]{\huge{\ingray{169}}\hspace{0mm}}\index{Crowell, B.!B-flat, 4/4, 1}%
\label{tune:169}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e2/lily-671922b2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{169} B-flat, 4/4, 1}
\end{samepage}
\pagebreak[4]\vspace{12mm}\noindent{\mychapter{Minor Keys}{170}\label{ch:3}}
\pagebreak[3]\vspace{12mm}\noindent{\section{Solfeggio in the Minor Mode}\label{sec:3:1}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Some people sing in the minor mode using these solfeggio syllables:\\
%=========================================================================
%    x_syllables3
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\par
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c2/lily-1fdda60b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}This system has the advantage that most of the notes have the same functions as in the major mode. `Do' is still the tonic, `so' the dominant, `ti' the leading tone, and so on. In this system, the names of the notes stay the same when switching between the parallel major and minor.\\
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Others prefer this:\\
%=========================================================================
%    x_syllables4
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\par
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{80/lily-00502d5b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}This system highlights the relationship between the minor and its relative major.\\
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}If you don't have a teacher who wants you to use one system or another, I suggest you use the first one, because it lets you recycle many of the patterns you've learned in minor. For instance, `so-ti-do' is still a formula for a cadence.\\
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}In both systems, the vowel `i' is used for a sharpened note, and `e' for a flattened one. The chromatic scale looks like this:\\
%=========================================================================
%    x_syllables5
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\par
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{0f/lily-d08e28e2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The important thing is to pick a system and learn it thoroughly. (I use my own enharmonic system in which the chromatic scale is `do gu ri bu mi fa ka so ja la pa ti do.')\\
\end{samepage}
\pagebreak[4]\noindent{\section{Steps}\label{sec:3:2}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The purpose of the first exercise is to get used to the solfeggio syllables used in minor.\\
%=========================================================================
%    170
%    x_crowell26
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\makebox[0mm][r]{\huge{\ingray{170}}\hspace{0mm}}\index{Crowell, B.!a, 4/4}%
\label{tune:170}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{24/lily-31cf5793-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{170} a, 4/4}
\end{samepage}
%=========================================================================
%    171
%    x_crowell25
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{171}}\hspace{0mm}}\index{Crowell, B.!a, 6/8}%
\label{tune:171}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{73/lily-2b84132e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{171} a, 6/8}
\end{samepage}
%=========================================================================
%    172
%    x_crowell34
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{172}}\hspace{0mm}}\index{Crowell, B.!a, 3/4}%
\label{tune:172}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fb/lily-15023753-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{172} a, 3/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}This melody introduces the use of the ascending and descending forms of the melodic minor scale. The rhythmic figure is the same as in the preceding tune.\\
%=========================================================================
%    173
%    x_crowell27
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\makebox[0mm][r]{\huge{\ingray{173}}\hspace{0mm}}\index{Crowell, B.!a, 3/4}%
\label{tune:173}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{19/lily-8f8db600-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{173} a, 3/4}
\end{samepage}
%=========================================================================
%    174
%    x_lewis8
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{174}}\hspace{0mm}}\footnotetext[174]{L.R. Lewis}
\index{Lewis, L.R.!a, 3/4}%
\label{tune:174}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{5e/lily-1c8a3fb6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{174} Lewis, a, 3/4}
\end{samepage}
%=========================================================================
%    175
%    x_lewis9
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{175}}\hspace{0mm}}\footnotetext[175]{L.R. Lewis}
\index{Lewis, L.R.!a, 3/4}%
\label{tune:175}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{73/lily-1f682183-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{175} Lewis, a, 3/4}
\end{samepage}
%=========================================================================
%    176
%    x_lewis10
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{176}}\hspace{0mm}}\footnotetext[176]{L.R. Lewis}
\index{Lewis, L.R.!d, 4/4}%
\label{tune:176}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{3f/lily-7ab830d4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{176} Lewis, d, 4/4}
\end{samepage}
%=========================================================================
%    177
%    x_lewis11
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{177}}\hspace{0mm}}\footnotetext[177]{L.R. Lewis}
\index{Lewis, L.R.!d, 4/4}%
\label{tune:177}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{59/lily-d76076d6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{177} Lewis, d, 4/4}
\end{samepage}
%=========================================================================
%    178
%    x_lewis14
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{178}}\hspace{0mm}}\footnotetext[178]{L.R. Lewis}
\index{Lewis, L.R.!d, 3/4}%
\label{tune:178}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f4/lily-bd455aa7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{178} Lewis, d, 3/4}
\end{samepage}
%=========================================================================
%    179
%    x_lewis12
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{179}}\hspace{0mm}}\footnotetext[179]{L.R. Lewis}
\index{Lewis, L.R.!d, 3/2}%
\label{tune:179}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{46/lily-393cc707-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{179} Lewis, d, 3/2}
\end{samepage}
%=========================================================================
%    180
%    bach_gavotte
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{180}}\hspace{0mm}}\footnotetext[180]{J.S. Bach, \emph{gavotte in G minor}}
\index{Bach, J.S.!gavotte in G minor}%
\index{gavotte in G minor, J.S. Bach}%
\label{tune:180}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{5f/lily-83b630e9-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{180} Bach, \emph{gavotte in G minor}, g, g/minor}
\end{samepage}
%=========================================================================
%    181
%    x_lewis13
%    composer=L.R. Lewis, last=Lewis, first=L.R.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{181}}\hspace{0mm}}\footnotetext[181]{L.R. Lewis}
\index{Lewis, L.R.!a, 4/4}%
\label{tune:181}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{16/lily-43b53ba6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{181} Lewis, a, 4/4}
\end{samepage}
\pagebreak[4]\noindent{\section{Leaps Within the Tonic Triad}\label{sec:3:3}}
%=========================================================================
%    182
%    x_crowell30
%    composer=B. Crowell, last=Crowell, first=B.
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{182}}\hspace{0mm}}\index{Crowell, B.!c, 4/4}%
\label{tune:182}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e6/lily-742d54d4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{182} c, 4/4}
\end{samepage}
%=========================================================================
%    183
%    x_crowell31
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{183}}\hspace{0mm}}\index{Crowell, B.!c, 4/4}%
\label{tune:183}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{13/lily-c4bd0c0f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{183} c, 4/4}
\end{samepage}
%=========================================================================
%    184
%    wedge13
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{184}}\hspace{0mm}}\footnotetext[184]{G.A. Wedge}
\index{Wedge, G.A.!c, 3/4}%
\label{tune:184}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{86/lily-5dd9a21f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{184} Wedge, c, 3/4}
\end{samepage}
%=========================================================================
%    185
%    x_crowell15
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{185}}\hspace{0mm}}\footnotetext[185]{Who Got Dirt on the Carpet Again?}
\index{Crowell, B.!Who Got Dirt on the Carpet Again?}%
\index{Who Got Dirt on the Carpet Again?, B. Crowell}%
\label{tune:185}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{6e/lily-6d2056f6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{185} Who Got Dirt on the Carpet Again?, c, 4/4}
\end{samepage}
%=========================================================================
%    186
%    x_crowell32
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{186}}\hspace{0mm}}\index{Crowell, B.!c, 3/4}%
\label{tune:186}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{0e/lily-556feddf-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{186} c, 3/4}
\end{samepage}
%=========================================================================
%    187
%    x_crowell24
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{187}}\hspace{0mm}}\index{Crowell, B.!c, 4/4}%
\label{tune:187}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{bf/lily-8f4c2bdd-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{187} c, 4/4}
\end{samepage}
%=========================================================================
%    188
%    wedge5
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{188}}\hspace{0mm}}\footnotetext[188]{G.A. Wedge}
\index{Wedge, G.A.!f, 2/4}%
\label{tune:188}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{cf/lily-20d3d021-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{188} Wedge, f, 2/4}
\end{samepage}
%=========================================================================
%    189
%    wedge8
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{189}}\hspace{0mm}}\footnotetext[189]{G.A. Wedge}
\index{Wedge, G.A.!f, 2/4}%
\label{tune:189}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b6/lily-07b6d729-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{189} Wedge, f, 2/4}
\end{samepage}
%=========================================================================
%    190
%    wedge10
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{190}}\hspace{0mm}}\footnotetext[190]{G.A. Wedge}
\index{Wedge, G.A.!f, 2/4}%
\label{tune:190}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{23/lily-626edf67-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{190} Wedge, f, 2/4}
\end{samepage}
%=========================================================================
%    191
%    x_crowell20
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{191}}\hspace{0mm}}\index{Crowell, B.!f, 4/4}%
\label{tune:191}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{40/lily-f68ed821-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{191} f, 4/4}
\end{samepage}
%=========================================================================
%    192
%    bach_chorale84
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{192}}\hspace{0mm}}\footnotetext[192]{J.S. Bach, \emph{Chorale, `Herr, nun lass in Friede'}}
\index{Bach, J.S.!Chorale, `Herr, nun lass in Friede'}%
\label{tune:192}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b8/lily-c0e02ed5-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{192} Bach, \emph{Chorale, `Herr, nun lass in Friede'}, a, 4/4}
\end{samepage}
%=========================================================================
%    193
%    anonymous_hour
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{193}}\hspace{0mm}}\footnotetext[193]{anonymous, \emph{Every Hour in the Day (Georgia)}}
\index{Every Hour in the Day}%
\label{tune:193}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{5f/lily-83b10b18-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{193} \emph{Every Hour in the Day (Georgia)}, e, 2/4}
\end{samepage}
%=========================================================================
%    194
%    anonymous_forget
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{194}}\hspace{0mm}}\footnotetext[194]{anonymous, \emph{Forget na', dear Lassie (Scotland)}}
\index{Forget na', dear Lassie}%
\label{tune:194}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{8e/lily-8fd9e76e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{194} \emph{Forget na', dear Lassie (Scotland)}, a, 3/4}
\end{samepage}
%=========================================================================
%    195
%    bach_chorale56
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{195}}\hspace{0mm}}\footnotetext[195]{J.S. Bach, \emph{Chorale, `Es steh'n vor Gottes Throne'}}
\index{Bach, J.S.!Chorale, `Es steh'n vor Gottes Throne'}%
\label{tune:195}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{1c/lily-ad9ac9f5-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{195} Bach, \emph{Chorale, `Es steh'n vor Gottes Throne'}, g, 4/4}
\end{samepage}
%=========================================================================
%    196
%    x_mozart_g_minor
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\hfill \raisebox{0mm}[0mm][0mm]{\raisebox{-2mm}{famous tune (identified in the table of contents)}}\\\makebox[0mm][r]{\huge{\ingray{196}}\hspace{0mm}}\index{Mozart, W.A.!theme from symphony in G minor}%
\index{theme from symphony in G minor, W.A. Mozart}%
\label{tune:196}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ba/lily-18b5afbc-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{196} Mozart, \emph{theme from symphony in G minor}, g, 4/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Round:\\
%=========================================================================
%    197
%    anonymous_bird
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{197}}\hspace{0mm}}\footnotetext[197]{anonymous, \emph{Thou Poor Bird}}
\index{Thou Poor Bird}%
\label{tune:197}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{99/lily-ab073898-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{197} \emph{Thou Poor Bird}, c, 4/4, 1}
\end{samepage}
\pagebreak[4]\noindent{\section{Leaps Within the Dominant}\label{sec:3:4}}
%=========================================================================
%    198
%    wedge6
%    composer=G.A. Wedge, last=Wedge, first=G.A.
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{198}}\hspace{0mm}}\footnotetext[198]{G.A. Wedge}
\index{Wedge, G.A.!g, 3/4}%
\label{tune:198}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7a/lily-eb3991af-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{198} Wedge, g, 3/4}
\end{samepage}
%=========================================================================
%    199
%    wedge15
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{199}}\hspace{0mm}}\footnotetext[199]{G.A. Wedge}
\index{Wedge, G.A.!g, 2/4}%
\label{tune:199}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{13/lily-9899cd94-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{199} Wedge, g, 2/4}
\end{samepage}
%=========================================================================
%    200
%    anonymous_russian5
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\hfill \raisebox{0mm}[0mm][0mm]{\raisebox{-2mm}{famous tune (identified in the table of contents)}}\\\makebox[0mm][r]{\huge{\ingray{200}}\hspace{0mm}}\index{My Field}%
\label{tune:200}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{5c/lily-32f9f9a7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{200} \emph{My Field (Russia)}, g, 4/4}
\end{samepage}
%=========================================================================
%    201
%    x_crowell29
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{201}}\hspace{0mm}}\index{Crowell, B.!g, 9/8}%
\label{tune:201}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d5/lily-8d0cd63d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{201} g, 9/8}
\end{samepage}
%=========================================================================
%    202
%    wedge2
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{202}}\hspace{0mm}}\footnotetext[202]{G.A. Wedge}
\index{Wedge, G.A.!g, 3/4}%
\label{tune:202}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{2b/lily-bd8433d1-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{202} Wedge, g, 3/4}
\end{samepage}
%=========================================================================
%    203
%    wedge11
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{203}}\hspace{0mm}}\footnotetext[203]{G.A. Wedge}
\index{Wedge, G.A.!g, 3/4}%
\label{tune:203}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{52/lily-5114620f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{203} Wedge, g, 3/4}
\end{samepage}
%=========================================================================
%    204
%    wedge12
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{204}}\hspace{0mm}}\footnotetext[204]{G.A. Wedge}
\index{Wedge, G.A.!c, 3/4}%
\label{tune:204}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{9d/lily-6b5a32ad-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{204} Wedge, c, 3/4}
\end{samepage}
%=========================================================================
%    205
%    bach_anna
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{205}}\hspace{0mm}}\footnotetext[205]{J.S. Bach, \emph{melody from the notebook for Anna Magdalena}}
\index{Bach, J.S.!melody from the notebook for Anna Magdalena}%
\index{melody from the notebook for Anna Magdalena, J.S. Bach}%
\label{tune:205}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{91/lily-752f44c6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{205} Bach, \emph{melody from the notebook for Anna Magdalena}, g, 3/4}
\end{samepage}
%=========================================================================
%    206
%    anonymous_russian6
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{206}}\hspace{0mm}}\footnotetext[206]{anonymous, \emph{lullabye (Russia)}}
\index{lullabye}%
\label{tune:206}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{17/lily-b6c6439f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{206} \emph{lullabye (Russia)}, e-flat, 4/4}
\end{samepage}
%=========================================================================
%    207
%    anonymous_horas
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{207}}\hspace{0mm}}\footnotetext[207]{anonymous, \emph{Las Tristes Horas}}
\index{Tristes Horas, Las}%
\label{tune:207}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fa/lily-9711e2d6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{207} \emph{Las Tristes Horas}, e, 2/4}
\end{samepage}
%=========================================================================
%    208
%    wedge1
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{208}}\hspace{0mm}}\footnotetext[208]{G.A. Wedge}
\index{Wedge, G.A.!g, 3/4}%
\label{tune:208}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f6/lily-b02ec8d0-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{208} Wedge, g, 3/4}
\end{samepage}
%=========================================================================
%    209
%    froebel_wolf
%    composer=Froebel, last=Froebel, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{209}}\hspace{0mm}}\footnotetext[209]{Froebel, \emph{The Wolf}}
\index{Froebel!Wolf, The}%
\index{Wolf, The,  Froebel}%
\label{tune:209}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{df/lily-16258f95-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{209} Froebel, \emph{The Wolf}, c, 4/8}
\end{samepage}
%=========================================================================
%    210
%    anonymous_guten_abend
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{210}}\hspace{0mm}}\footnotetext[210]{anonymous, \emph{Guten Abend}}
\index{Guten Abend}%
\label{tune:210}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b3/lily-a85a9f3d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{210} \emph{Guten Abend}, g, 3/8}
\end{samepage}
%=========================================================================
%    211
%    bach_cello_c_minor_gavotte2
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{211}}\hspace{0mm}}\footnotetext[211]{J.S. Bach, \emph{Gavotte II from cello suite \# 5}}
\index{Bach, J.S.!Gavotte II from cello suite \# 5}%
\index{Gavotte II from cello suite \# 5, J.S. Bach}%
\label{tune:211}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7b/lily-64856eba-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{211} Bach, \emph{Gavotte II from cello suite \# 5}, c, 12/8}
\end{samepage}
%=========================================================================
%    212
%    anonymous_lolotte
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{212}}\hspace{0mm}}\footnotetext[212]{anonymous, \emph{Lolotte (Louisiana)}}
\index{Lolotte}%
\label{tune:212}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d2/lily-41f942c5-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{212} \emph{Lolotte (Louisiana)}, c, 4/4}
\end{samepage}
%=========================================================================
%    213
%    mozart_quartet15_menuet
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{213}}\hspace{0mm}}\footnotetext[213]{W.A. Mozart, \emph{menuet from string quartet \# 15}}
\index{Mozart, W.A.!string quartet \# 15, menuet}%
\index{string quartet \# 15, menuet, W.A. Mozart}%
\label{tune:213}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{97/lily-1a19948e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{213} Mozart, \emph{menuet from string quartet \# 15}, d, 3/4}
\end{samepage}
%=========================================================================
%    214
%    anonymous_ojos
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{214}}\hspace{0mm}}\footnotetext[214]{anonymous, \emph{Los Ojos Mexicanos (Mexico)}}
\index{Ojos Mexicanos, Los}%
\label{tune:214}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{5d/lily-e1bc1210-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{214} \emph{Los Ojos Mexicanos (Mexico)}, g, 2/4}
\end{samepage}
%=========================================================================
%    215
%    white_ophelia
%    composer=Maude Valerie White, last=White, first=Maude Valerie


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{215}}\hspace{0mm}}\footnotetext[215]{Maude Valerie White, \emph{Ophelia's Song}}
\index{White, Maude Valerie!Ophelia's Song}%
\index{Ophelia's Song, Maude Valerie White}%
\label{tune:215}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ce/lily-2f3bc456-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{215} White, \emph{Ophelia's Song}, e, 4/4}
\end{samepage}
%=========================================================================
%    216
%    bach_chorale143
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{216}}\hspace{0mm}}\footnotetext[216]{J.S. Bach, \emph{Chorale, `Nun sich der Tag geendet hat'}}
\index{Bach, J.S.!Chorale, `Nun sich der Tag geendet hat'}%
\label{tune:216}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ed/lily-9a3dea88-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{216} Bach, \emph{Chorale, `Nun sich der Tag geendet hat'}, a, 4/4}
\end{samepage}
%=========================================================================
%    217
%    anonymous_reir2
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{217}}\hspace{0mm}}\footnotetext[217]{anonymous, \emph{Reir Es Necesario (Mexico)}}
\index{Reir Es Necesario}%
\label{tune:217}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e8/lily-e8516703-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{217} \emph{Reir Es Necesario (Mexico)}, d, 2/4}
\end{samepage}
%=========================================================================
%    218
%    anonymous_grenadiers
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{218}}\hspace{0mm}}\footnotetext[218]{anonymous, \emph{En Avant, Gr\'{e}nadiers! (Louisiana)}}
\index{!En Avant, Grénadiers!}%
\label{tune:218}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7d/lily-8fed08e5-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{218} \emph{En Avant, Gr\'{e}nadiers! (Louisiana)}, e-flat, 4/4}
\end{samepage}
%=========================================================================
%    219
%    anonymous_angel
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{219}}\hspace{0mm}}\footnotetext[219]{anonymous, \emph{Angel de Mis Amores (Mexico)}}
\index{Angel de Mis Amores}%
\label{tune:219}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{34/lily-4a15ac13-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{219} \emph{Angel de Mis Amores (Mexico)}, d, 2/4}
\end{samepage}
%=========================================================================
%    220
%    schubert_feierabend
%    composer=Franz Schubert, last=Schubert, first=Franz


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{220}}\hspace{0mm}}\footnotetext[220]{Franz Schubert, \emph{Am Feierabend}}
\index{Schubert, Franz!Am Feierabend}%
\index{Am Feierabend, Franz Schubert}%
\label{tune:220}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d9/lily-a5c5734d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{220} Schubert, \emph{Am Feierabend}, a, 6/8}
\end{samepage}
%=========================================================================
%    221
%    bach_chorale151
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{221}}\hspace{0mm}}\footnotetext[221]{J.S. Bach, \emph{Chorale, `O Traurigkeit, o Herzeleid'}}
\index{Bach, J.S.!Chorale, `O Traurigkeit, o Herzeleid'}%
\label{tune:221}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c0/lily-a2d9b3f7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{221} Bach, \emph{Chorale, `O Traurigkeit, o Herzeleid'}, a, 4/4}
\end{samepage}
%=========================================================================
%    222
%    brahms_nachtwache1
%    composer=Johannes Brahms, last=Brahms, first=Johannes


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{222}}\hspace{0mm}}\footnotetext[222]{Johannes Brahms, \emph{Nachtwache 1}}
\index{Brahms, Johannes!Nachtwache 1}%
\index{Nachtwache 1, Johannes Brahms}%
\label{tune:222}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{05/lily-6c0e7ab6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{222} Brahms, \emph{Nachtwache 1}, b, 4/4}
\end{samepage}
%=========================================================================
%    223
%    anonymous_sueno
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{223}}\hspace{0mm}}\footnotetext[223]{anonymous, \emph{Mi Sue\~{n}o (Mexico)}}
\index{Mi Sueño}%
\label{tune:223}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ca/lily-658a62b8-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{223} \emph{Mi Sue\~{n}o (Mexico)}, c\ensuremath{\sharp}, 3/4}
\end{samepage}
%=========================================================================
%    224
%    bach_haupt
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{224}}\hspace{0mm}}\footnotetext[224]{J.S. Bach, \emph{Chorale, `O Haupt voll Blut und Wunden,' from St. Matthew's Passion}}
\index{Bach, J.S.!Chorale, `O Haupt voll Blut und Wunden,' from St. Matthew's Passion}%
\label{tune:224}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{27/lily-e5a5615d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{224} Bach, \emph{Chorale, `O Haupt voll Blut und Wunden,' from St. Matthew's Passion}, d, 4/4}
\end{samepage}
%=========================================================================
%    225
%    bach_chorale164
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{225}}\hspace{0mm}}\footnotetext[225]{J.S. Bach, \emph{Chorale, `Von Gott will ich nicht lassen'}}
\index{Bach, J.S.!Chorale, `Von Gott will ich nicht lassen'}%
\label{tune:225}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{0f/lily-9180b6e7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{225} Bach, \emph{Chorale, `Von Gott will ich nicht lassen'}, b, 4/4}
\end{samepage}
%=========================================================================
%    226
%    wedge3
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{226}}\hspace{0mm}}\footnotetext[226]{G.A. Wedge}
\index{Wedge, G.A.!g, 4/8}%
\label{tune:226}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{21/lily-f28fd199-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{226} Wedge, g, 4/8}
\end{samepage}
%=========================================================================
%    227
%    wedge4
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{227}}\hspace{0mm}}\footnotetext[227]{G.A. Wedge}
\index{Wedge, G.A.!g, 3/4}%
\label{tune:227}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e4/lily-c764b22d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{227} Wedge, g, 3/4}
\end{samepage}
%=========================================================================
%    228
%    handel_esther_jordan
%    composer=G.F. Handel, last=Handel, first=G.F.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{228}}\hspace{0mm}}\footnotetext[228]{G.F. Handel, \emph{aria `O Jordan, Sacred Tide' from Esther}}
\index{Handel, G.F.!O Jordan, Sacred Tide from Esther}%
\index{O Jordan, Sacred Tide from Esther, G.F. Handel}%
\label{tune:228}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7a/lily-741c6599-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{228} Handel, \emph{aria `O Jordan, Sacred Tide' from Esther}, g, 3/4}
\end{samepage}
%=========================================================================
%    229
%    anonymous_moses
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\hfill \raisebox{0mm}[0mm][0mm]{\raisebox{-2mm}{famous tune (identified in the table of contents)}}\\\makebox[0mm][r]{\huge{\ingray{229}}\hspace{0mm}}\index{Go Down, Moses}%
\label{tune:229}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{0e/lily-d6ded8c8-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{229} \emph{Go Down, Moses (Unites States)}, g, 4/4}
\end{samepage}
\pagebreak[4]\vspace{12mm}\noindent{\mychapter{Other Diatonic Materials}{230}\label{ch:4}}
\pagebreak[3]\vspace{12mm}\noindent{\section{Leaps Between the Tonic and Dominant}\label{sec:4:1}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The following three songs contain the leap from `ti' to `mi.'\\
%=========================================================================
%    230
%    anonymous_alba
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{230}}\hspace{0mm}}\footnotetext[230]{anonymous, \emph{Ya Viene El Alba (California)}}
\index{Ya Viene El Alba}%
\label{tune:230}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ed/lily-623c7f19-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{230} \emph{Ya Viene El Alba (California)}, G, 2/4}
\end{samepage}
%=========================================================================
%    231
%    scarlatti_gange
%    composer=Alessandro Scarlatti, last=Scarlatti, first=Alessandro


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{231}}\hspace{0mm}}\footnotetext[231]{Alessandro Scarlatti, \emph{Gi\`{a} il Sole dal Gange}}
\index{Scarlatti, Alessandro!Già il Sole dal Gange}%
\index{Già il Sole dal Gange, Alessandro Scarlatti}%
\label{tune:231}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{4d/lily-68226717-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{231} Scarlatti, \emph{Gi\`{a} il Sole dal Gange}, A-flat, 3/4}
\end{samepage}
%=========================================================================
%    232
%    schubert_danksagung
%    composer=Franz Schubert, last=Schubert, first=Franz


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{232}}\hspace{0mm}}\footnotetext[232]{Franz Schubert, \emph{Danksagung an den Bach}}
\index{Schubert, Franz!Danksagung an den Bach}%
\index{Danksagung an den Bach, Franz Schubert}%
\label{tune:232}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{78/lily-233ee5b8-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{232} Schubert, \emph{Danksagung an den Bach}, G, 2/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The next three use leaps of a diminished fourth, an interval which sounds like a major third, and is typical of minor keys.\\
%=========================================================================
%    233
%    grieg1
%    composer=Grieg, last=Grieg, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{233}}\hspace{0mm}}\footnotetext[233]{Grieg}
\index{Grieg!e, 4/4}%
\label{tune:233}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{8e/lily-5e815d60-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{233} Grieg, e, 4/4}
\end{samepage}
%=========================================================================
%    234
%    anonymous_zandunga
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{234}}\hspace{0mm}}\footnotetext[234]{anonymous, \emph{zandunga folk song (Southern Mexico)}}
\label{tune:234}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{9e/lily-e7ccc2e4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{234} \emph{zandunga folk song (Southern Mexico)}, e, 3/4}
\end{samepage}
%=========================================================================
%    235
%    carcini_amarilli
%    composer=Giulio Carcini, last=Carcini, first=Giulio


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{235}}\hspace{0mm}}\footnotetext[235]{Giulio Carcini, \emph{Amarilli, Mia Bella}}
\index{Carcini, Giulio!Amarilli, Mia Bella}%
\index{Amarilli, Mia Bella, Giulio Carcini}%
\label{tune:235}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b6/lily-13f3f268-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{235} Carcini, \emph{Amarilli, Mia Bella}, g, 4/4}
\end{samepage}
\pagebreak[4]\noindent{\section{Leaps Within the Subdominant, Major Keys}\label{sec:4:2}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The first two tunes clearly imply the subdominant chord in the marked measures.\\
%=========================================================================
%    236
%    anonymous_jehovah
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{236}}\hspace{0mm}}\footnotetext[236]{anonymous, \emph{Jehovah, Hallelujah (South Carolina)}}
\index{Jehovah, Hallelujah}%
\label{tune:236}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{bd/lily-182b7e37-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{236} \emph{Jehovah, Hallelujah (South Carolina)}, F, 3/4}
\end{samepage}
%=========================================================================
%    237
%    anonymous_arlequin1
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{237}}\hspace{0mm}}\footnotetext[237]{anonymous, \emph{Arlequin Marie Sa Fille (France)}}
\index{Arlequin Marie Sa Fille}%
\label{tune:237}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{79/lily-3d4cf81f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{237} \emph{Arlequin Marie Sa Fille (France)}, C, 3/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}More commonly, the melody leaps into or out of `la' without spelling out the subdominant chord explicitly. Although dominant harmony can often be implied strongly with only one or two notes, this is not usually true of the subdominant, because of its weaker character. Since thirds are the most common leaps, the most important new leaps to learn to sing are the ones between `do' and `la' and between `fa' and `la.' This melody leaps from `do' to `la:'\\
%=========================================================================
%    238
%    anonymous_wedge7
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{238}}\hspace{0mm}}\footnotetext[238]{folk song}
\label{tune:238}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{4a/lily-77847b62-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{238} folk song, F, 2/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}This one jumps from `la' to `fa:'\\
%=========================================================================
%    239
%    anonymous_wedge8
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{239}}\hspace{0mm}}\footnotetext[239]{folk song}
\label{tune:239}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{74/lily-432ff4ed-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{239} folk song, F, 2/4}
\end{samepage}
%=========================================================================
%    240
%    foster_river
%    composer=Stephen Foster, last=Foster, first=Stephen


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\hfill \raisebox{0mm}[0mm][0mm]{\raisebox{-2mm}{famous tune (identified in the table of contents)}}\\\makebox[0mm][r]{\huge{\ingray{240}}\hspace{0mm}}\index{Foster, Stephen!Old Folks at Home}%
\index{Old Folks at Home, Stephen Foster}%
\label{tune:240}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{8e/lily-a18045a5-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{240} Foster, \emph{Old Folks at Home}, D, 4/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}A great deal of Scottish folk music uses a major scale that omits `ti.' `Fa' is sometimes left out as well, forming a five-note, or pentatonic, scale. Once one's ear adjusts to the sound of the scale, the characteristic leap between `do' and `la' no longer sounds like a leap at all. Of the following two examples, the first is pentatonic, while the second uses the full major scale. The first example has been notated with the style's typical elaborate ornamentation, which you may wish to ignore.\\
%=========================================================================
%    241
%    anonymous_lang
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{241}}\hspace{0mm}}\footnotetext[241]{anonymous, \emph{Lang Johnny More (Scotland)}}
\index{Lang Johnny More}%
\label{tune:241}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{15/lily-cf2109db-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{241} \emph{Lang Johnny More (Scotland)}, F, 2/4}
\end{samepage}
%=========================================================================
%    242
%    anonymous_bonniest
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{242}}\hspace{0mm}}\footnotetext[242]{anonymous, \emph{The Bonniest Lass in a' The Land (Scotland)}}
\index{Bonniest Lass in a' The Land, The}%
\label{tune:242}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{4e/lily-960aa763-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{242} \emph{The Bonniest Lass in a' The Land (Scotland)}, C, 2/4}
\end{samepage}
%=========================================================================
%    243
%    anonymous_old_hundred
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{243}}\hspace{0mm}}\footnotetext[243]{anonymous, \emph{Old Hundred}}
\index{Old Hundred}%
\label{tune:243}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{18/lily-fcef8d87-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{243} \emph{Old Hundred}, G, 4/4}
\end{samepage}
%=========================================================================
%    244
%    anonymous_tale
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{244}}\hspace{0mm}}\footnotetext[244]{anonymous, \emph{Da Unten Im Tale}}
\index{Da Unten Im Tale}%
\label{tune:244}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ab/lily-d563e189-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{244} \emph{Da Unten Im Tale}, E-flat, 3/4}
\end{samepage}
%=========================================================================
%    245
%    anonymous_ready
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{245}}\hspace{0mm}}\footnotetext[245]{anonymous, \emph{I Want To Be Ready (United States)}}
\index{I Want To Be Ready}%
\label{tune:245}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ae/lily-640a7a2f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{245} \emph{I Want To Be Ready (United States)}, E-flat, 2/4}
\end{samepage}
%=========================================================================
%    246
%    fasolo_cangia
%    composer=G.B. Fasolo, last=Fasolo, first=G.B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{246}}\hspace{0mm}}\footnotetext[246]{G.B. Fasolo, \emph{Cangia, Cangia Tue Voglie}}
\index{Fasolo, G.B.!Cangia, Cangia Tue Voglie}%
\index{Cangia, Cangia Tue Voglie, G.B. Fasolo}%
\label{tune:246}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ca/lily-94267367-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{246} Fasolo, \emph{Cangia, Cangia Tue Voglie}, C, 2/4}
\end{samepage}
%=========================================================================
%    247
%    anonymous_ash
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{247}}\hspace{0mm}}\footnotetext[247]{anonymous, \emph{The Ash Grove (Wales)}}
\index{Ash Grove, The}%
\label{tune:247}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{75/lily-2eaf97a7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{247} \emph{The Ash Grove (Wales)}, F, 3/4}
\end{samepage}
%=========================================================================
%    248
%    west_mania
%    composer=W.H.C. West, last=West, first=W.H.C.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{248}}\hspace{0mm}}\footnotetext[248]{W.H.C. West, \emph{The Jenny Lind Mania (United States)}}
\index{West, W.H.C.!Jenny Lind Mania, The}%
\index{Jenny Lind Mania, The, W.H.C. West}%
\label{tune:248}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a6/lily-61379016-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{248} West, \emph{The Jenny Lind Mania (United States)}, G, 2/4}
\end{samepage}
%=========================================================================
%    249
%    anonymous_jardin1
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{249}}\hspace{0mm}}\footnotetext[249]{anonymous, \emph{Au Jardin de Mon P\`{e}re (France)}}
\index{Au Jardin de Mon Père}%
\label{tune:249}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{3f/lily-3d837083-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{249} \emph{Au Jardin de Mon P\`{e}re (France)}, F, 6/8}
\end{samepage}
%=========================================================================
%    250
%    strauss_devotion
%    composer=Richard Strauss, last=Strauss, first=Richard


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{250}}\hspace{0mm}}\footnotetext[250]{Richard Strauss, \emph{Devotion}}
\index{Strauss, Richard!Devotion}%
\index{Devotion, Richard Strauss}%
\label{tune:250}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{33/lily-46650527-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{250} Strauss, \emph{Devotion}, C, 4/4}
\end{samepage}
%=========================================================================
%    251
%    anonymous_paint
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{251}}\hspace{0mm}}\footnotetext[251]{anonymous, \emph{I Ride an Old Paint (United States)}}
\index{I Ride an Old Paint}%
\label{tune:251}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{76/lily-abb81c00-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{251} \emph{I Ride an Old Paint (United States)}, D, 3/4}
\end{samepage}
%=========================================================================
%    252
%    whittier_free
%    composer=J.G. Whittier, last=Whittier, first=J.G.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{252}}\hspace{0mm}}\footnotetext[252]{J.G. Whittier, \emph{Song of the Free}}
\index{Whittier, J.G.!Song of the Free}%
\index{Song of the Free, J.G. Whittier}%
\label{tune:252}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{2b/lily-ed4533b3-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{252} Whittier, \emph{Song of the Free}, E-flat, 3/2}
\end{samepage}
%=========================================================================
%    253
%    handel_acis_hush
%    composer=G.F. Handel, last=Handel, first=G.F.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{253}}\hspace{0mm}}\footnotetext[253]{G.F. Handel, \emph{aria `Hush ye pretty warbling quire' from Acis and Galatea}}
\index{Handel, G.F.!Hush ye pretty warbling quire from Acis and Galatea}%
\index{Hush ye pretty warbling quire from Acis and Galatea, G.F. Handel}%
\label{tune:253}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{54/lily-a6d9a404-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{253} Handel, \emph{aria `Hush ye pretty warbling quire' from Acis and Galatea}, F, 3/8}
\end{samepage}
%=========================================================================
%    254
%    tallis_love
%    composer=Thomas Tallis, last=Tallis, first=Thomas


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{254}}\hspace{0mm}}\footnotetext[254]{Thomas Tallis, \emph{If Ye Love Me}}
\index{Tallis, Thomas!If Ye Love Me}%
\index{If Ye Love Me, Thomas Tallis}%
\label{tune:254}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fa/lily-b371b6e7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{254} Tallis, \emph{If Ye Love Me}, F, f/major}
\end{samepage}
%=========================================================================
%    255
%    anonymous_huntsman
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{255}}\hspace{0mm}}\footnotetext[255]{anonymous, \emph{The Huntsman}}
\index{Huntsman, The}%
\label{tune:255}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{38/lily-28d9c004-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{255} \emph{The Huntsman}, B-flat, 6/8}
\end{samepage}
%=========================================================================
%    256
%    moore_bells
%    composer=Thomas Moore, last=Moore, first=Thomas


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{256}}\hspace{0mm}}\footnotetext[256]{Thomas Moore, \emph{Evening Bells}}
\index{Moore, Thomas!Evening Bells}%
\index{Evening Bells, Thomas Moore}%
\label{tune:256}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e7/lily-a5497387-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{256} Moore, \emph{Evening Bells}, G-flat, 3/4}
\end{samepage}
%=========================================================================
%    257
%    anonymous_sinner
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{257}}\hspace{0mm}}\footnotetext[257]{anonymous, \emph{Sinner Won't Die No More (Tennessee)}}
\index{Sinner Won't Die No More}%
\label{tune:257}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{81/lily-3764854a-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{257} \emph{Sinner Won't Die No More (Tennessee)}, A, 4/4}
\end{samepage}
%=========================================================================
%    258
%    mozart_clarinet_quintet
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{258}}\hspace{0mm}}\footnotetext[258]{W.A. Mozart, \emph{opening from clarinet quintet}}
\index{Mozart, W.A.!opening from clarinet quintet}%
\index{opening from clarinet quintet, W.A. Mozart}%
\label{tune:258}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f2/lily-bcce3a4b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{258} Mozart, \emph{opening from clarinet quintet}, A, 4/4}
\end{samepage}
%=========================================================================
%    259
%    anonymous_gold
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{259}}\hspace{0mm}}\footnotetext[259]{anonymous, \emph{The Gold Band (Tennessee)}}
\index{Gold Band, The}%
\label{tune:259}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{77/lily-2d3a3570-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{259} \emph{The Gold Band (Tennessee)}, G, 3/4}
\end{samepage}
%=========================================================================
%    260
%    pergolesi_stabat3
%    composer=Giovanni Battista Pergolesi, last=Pergolesi, first=Giovanni Battista


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{260}}\hspace{0mm}}\footnotetext[260]{Giovanni Battista Pergolesi, \emph{tune from Stabat Mater}}
\index{Pergolesi, Giovanni Battista!tune from Stabat Mater}%
\label{tune:260}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{de/lily-16f0f56f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{260} Pergolesi, \emph{tune from Stabat Mater}, G, 4/4}
\end{samepage}
%=========================================================================
%    261
%    anonymous_window
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{261}}\hspace{0mm}}\footnotetext[261]{anonymous, \emph{Bonnie Wee Window (Arkansas)}}
\index{Bonnie Wee Window}%
\label{tune:261}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{cc/lily-84c553e5-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{261} \emph{Bonnie Wee Window (Arkansas)}, E, 6/8}
\end{samepage}
%=========================================================================
%    262
%    fearis_isle
%    composer=J.S. Fearis, last=Fearis, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{262}}\hspace{0mm}}\footnotetext[262]{J.S. Fearis, \emph{Beautiful Isle of Somewhere}}
\index{Fearis, J.S.!Beautiful Isle of Somewhere}%
\index{Beautiful Isle of Somewhere, J.S. Fearis}%
\label{tune:262}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{9b/lily-05b048d3-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{262} Fearis, \emph{Beautiful Isle of Somewhere}, A-flat, 6/8}
\end{samepage}
%=========================================================================
%    263
%    bradbury_leadeth
%    composer=W.B. Bradbury, last=Bradbury, first=W.B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{263}}\hspace{0mm}}\footnotetext[263]{W.B. Bradbury, \emph{He Leadeth Me}}
\index{Bradbury, W.B.!He Leadeth Me}%
\index{He Leadeth Me, W.B. Bradbury}%
\label{tune:263}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{20/lily-5dd78a4b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{263} Bradbury, \emph{He Leadeth Me}, B, 4/4}
\end{samepage}
%=========================================================================
%    264
%    sullivan_md_juniata
%    composer=M.D. Sullivan, last=Sullivan, first=M.D.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{264}}\hspace{0mm}}\footnotetext[264]{M.D. Sullivan, \emph{The Blue Juniata}}
\index{Sullivan, M.D.!Blue Juniata, The}%
\index{Blue Juniata, The, M.D. Sullivan}%
\label{tune:264}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fb/lily-6a405f1c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{264} Sullivan, \emph{The Blue Juniata}, F, 2/4}
\end{samepage}
%=========================================================================
%    265
%    anonymous_red_river
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{265}}\hspace{0mm}}\footnotetext[265]{anonymous, \emph{Red River Valley}}
\index{Red River Valley}%
\label{tune:265}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ea/lily-e433adba-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{265} \emph{Red River Valley}, E, 4/4}
\end{samepage}
%=========================================================================
%    266
%    anonymous_trouble
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{266}}\hspace{0mm}}\footnotetext[266]{anonymous, \emph{I'm In Trouble (Florida)}}
\index{I'm In Trouble}%
\label{tune:266}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b6/lily-d74d96b6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{266} \emph{I'm In Trouble (Florida)}, C, 4/4}
\end{samepage}
%=========================================================================
%    267
%    haydn_london_intro
%    composer=Franz Joseph Haydn, last=Haydn, first=Franz Joseph


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{267}}\hspace{0mm}}\footnotetext[267]{Franz Joseph Haydn, \emph{introduction, London symphony}}
\index{Haydn, Franz Joseph!introduction, London symphony}%
\index{introduction, London symphony, Franz Joseph Haydn}%
\label{tune:267}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{91/lily-cc562c74-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{267} Haydn, \emph{introduction, London symphony}, D, 4/4}
\end{samepage}
%=========================================================================
%    268
%    anonymous_rosa_lee
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{268}}\hspace{0mm}}\footnotetext[268]{anonymous, \emph{Rosa Lee}}
\index{Rosa Lee}%
\label{tune:268}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{68/lily-9bb05b65-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{268} \emph{Rosa Lee}, A-flat, 2/4}
\end{samepage}
%=========================================================================
%    269
%    anonymous_lodging
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{269}}\hspace{0mm}}\footnotetext[269]{anonymous, \emph{My Lodging Is On the Cold Ground}}
\index{My Lodging Is On the Cold Ground}%
\label{tune:269}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{33/lily-64998e2c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{269} \emph{My Lodging Is On the Cold Ground}, A, 6/8}
\end{samepage}
%=========================================================================
%    270
%    anonymous_cowboys
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{270}}\hspace{0mm}}\footnotetext[270]{anonymous, \emph{Cowboy's Home Sweet Home (Arkansas)}}
\index{Cowboy's Home Sweet Home}%
\label{tune:270}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d5/lily-f927dc6f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{270} \emph{Cowboy's Home Sweet Home (Arkansas)}, G, 12/8}
\end{samepage}
%=========================================================================
%    271
%    anonymous_calinda
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{271}}\hspace{0mm}}\footnotetext[271]{anonymous, \emph{Calinda (Louisiana)}}
\index{Calinda}%
\label{tune:271}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{8b/lily-aec66fa2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{271} \emph{Calinda (Louisiana)}, F, 6/8}
\end{samepage}
%=========================================================================
%    272
%    anonymous_yarrow
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{272}}\hspace{0mm}}\footnotetext[272]{anonymous, \emph{The Braes O Yarrow (Scotland)}}
\index{Braes O Yarrow, The}%
\label{tune:272}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{5c/lily-002f876f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{272} \emph{The Braes O Yarrow (Scotland)}, C, 3/4}
\end{samepage}
%=========================================================================
%    273
%    anonymous_gaudeamus
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{273}}\hspace{0mm}}\footnotetext[273]{anonymous, \emph{Gaudeamus Igitur}}
\index{Gaudeamus Igitur}%
\label{tune:273}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{3c/lily-c3bade56-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{273} \emph{Gaudeamus Igitur}, G, 3/4}
\end{samepage}
%=========================================================================
%    274
%    mozart_quartet2_andante
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{274}}\hspace{0mm}}\footnotetext[274]{W.A. Mozart, \emph{andante from string quartet \# 2}}
\index{Mozart, W.A.!string quartet \# 2, andante}%
\index{string quartet \# 2, andante, W.A. Mozart}%
\label{tune:274}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{0e/lily-df2d931d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{274} Mozart, \emph{andante from string quartet \# 2}, A, 3/4}
\end{samepage}
%=========================================================================
%    275
%    anonymous_moor
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{275}}\hspace{0mm}}\footnotetext[275]{anonymous, \emph{The Wild Moor (Missouri)}}
\index{Wild Moor, The}%
\label{tune:275}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{49/lily-6fa6a8cd-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{275} \emph{The Wild Moor (Missouri)}, B, 3/4}
\end{samepage}
%=========================================================================
%    276
%    x_brahms_symphony1_intro
%    composer=Johannes Brahms, last=Brahms, first=Johannes


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{276}}\hspace{0mm}}\footnotetext[276]{Johannes Brahms, \emph{introduction, 1st symphony}}
\index{Brahms, Johannes!introduction, 1st symphony}%
\index{introduction, 1st symphony, Johannes Brahms}%
\label{tune:276}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{81/lily-5622a9b2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{276} Brahms, \emph{introduction, 1st symphony}, C, 4/4}
\end{samepage}
%=========================================================================
%    277
%    anonymous_caroline
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{277}}\hspace{0mm}}\footnotetext[277]{anonymous, \emph{Caroline (Louisiana)}}
\index{Caroline}%
\label{tune:277}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{0f/lily-1f596677-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{277} \emph{Caroline (Louisiana)}, G, 4/4}
\end{samepage}
%=========================================================================
%    278
%    anonymous_avril
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{278}}\hspace{0mm}}\footnotetext[278]{anonymous, \emph{Avril (France)}}
\index{Avril}%
\label{tune:278}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{bb/lily-d05d94af-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{278} \emph{Avril (France)}, E-flat, 6/8}
\end{samepage}
%=========================================================================
%    279
%    mozart_quartet10_menuet
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{279}}\hspace{0mm}}\footnotetext[279]{W.A. Mozart, \emph{menuet from string quartet \# 10}}
\index{Mozart, W.A.!string quartet \# 10, menuet}%
\index{string quartet \# 10, menuet, W.A. Mozart}%
\label{tune:279}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{0c/lily-fb1af3ee-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{279} Mozart, \emph{menuet from string quartet \# 10}, C, 3/4}
\end{samepage}
%=========================================================================
%    280
%    anonymous_hallowed
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{280}}\hspace{0mm}}\footnotetext[280]{anonymous, \emph{The Hallowed Spot (Missouri)}}
\index{Hallowed Spot, The}%
\label{tune:280}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{37/lily-6d2b65b4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{280} \emph{The Hallowed Spot (Missouri)}, A-flat, 3/4}
\end{samepage}
%=========================================================================
%    281
%    anonymous_russian3
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{281}}\hspace{0mm}}\footnotetext[281]{anonymous, \emph{folk song (Russia)}}
\label{tune:281}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{27/lily-b487c97f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{281} \emph{folk song (Russia)}, G, 2/4}
\end{samepage}
%=========================================================================
%    282
%    anonymous_ship
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{282}}\hspace{0mm}}\footnotetext[282]{anonymous, \emph{The Ship That Never Returned (Missouri)}}
\index{Ship That Never Returned, The}%
\label{tune:282}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7c/lily-fa73866c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{282} \emph{The Ship That Never Returned (Missouri)}, A, 2/4}
\end{samepage}
%=========================================================================
%    283
%    paradies_ragna
%    composer=Pier Domenico Paradies, last=Paradies, first=Pier Domenico


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{283}}\hspace{0mm}}\footnotetext[283]{Pier Domenico Paradies, \emph{M'ha Preso Alla Sua Ragna}}
\index{Paradies, Pier Domenico!M'ha Preso Alla Sua Ragna}%
\index{M'ha Preso Alla Sua Ragna, Pier Domenico Paradies}%
\label{tune:283}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{18/lily-a85199df-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{283} Paradies, \emph{M'ha Preso Alla Sua Ragna}, A-flat, 2/4}
\end{samepage}
%=========================================================================
%    284
%    x_anonymous_sonne
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{284}}\hspace{0mm}}\footnotetext[284]{anonymous, \emph{Die Sonne Scheint Nicht Mehr}}
\index{Die Sonne Scheint Nicht Mehr}%
\label{tune:284}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7f/lily-13c74cb5-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{284} \emph{Die Sonne Scheint Nicht Mehr}, E, 4/4}
\end{samepage}
%=========================================================================
%    285
%    anonymous_ubi_bene
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{285}}\hspace{0mm}}\footnotetext[285]{anonymous, \emph{Ubi Bene, Ibi Patria}}
\index{Ubi Bene, Ibi Patria}%
\label{tune:285}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{14/lily-3dd3869b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{285} \emph{Ubi Bene, Ibi Patria}, C, 6/8}
\end{samepage}
\pagebreak[4]\noindent{\section{Wide Leaps Within the Subdominant}\label{sec:4:3}}
%=========================================================================
%    286
%    mozart_quartet4_presto
%    composer=W.A. Mozart, last=Mozart, first=W.A.
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{286}}\hspace{0mm}}\footnotetext[286]{W.A. Mozart, \emph{presto from string quartet \# 4}}
\index{Mozart, W.A.!string quartet \# 4, presto}%
\index{string quartet \# 4, presto, W.A. Mozart}%
\label{tune:286}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{96/lily-9f02299b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{286} Mozart, \emph{presto from string quartet \# 4}, C, 2/4}
\end{samepage}
%=========================================================================
%    287
%    ellor_diadem
%    composer=J. Ellor, last=Ellor, first=J.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{287}}\hspace{0mm}}\footnotetext[287]{J. Ellor, \emph{Diadem}}
\index{Ellor, J.!Diadem}%
\index{Diadem, J. Ellor}%
\label{tune:287}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ec/lily-9f975e97-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{287} Ellor, \emph{Diadem}, B-flat, 3/4}
\end{samepage}
%=========================================================================
%    288
%    mozart_quartet6_rondo
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{288}}\hspace{0mm}}\footnotetext[288]{W.A. Mozart, \emph{rondo from string quartet \# 6}}
\index{Mozart, W.A.!string quartet \# 6, rondo}%
\index{string quartet \# 6, rondo, W.A. Mozart}%
\label{tune:288}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a3/lily-aa439cd7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{288} Mozart, \emph{rondo from string quartet \# 6}, B-flat, 2/4}
\end{samepage}
%=========================================================================
%    289
%    anonymous_hotesse
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{289}}\hspace{0mm}}\footnotetext[289]{anonymous, \emph{Adieu, Bonne H\^{o}tesse (France)}}
\index{Adieu, Bonne Hôtesse}%
\label{tune:289}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{46/lily-648c61b4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{289} \emph{Adieu, Bonne H\^{o}tesse (France)}, F, 4/4}
\end{samepage}
%=========================================================================
%    290
%    anonymous_chez
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{290}}\hspace{0mm}}\footnotetext[290]{anonymous, \emph{Derri\`{e}re Chez Moi (France)}}
\index{Derrière Chez Moi}%
\label{tune:290}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{1c/lily-dcc8317e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{290} \emph{Derri\`{e}re Chez Moi (France)}, F, 2/4}
\end{samepage}
%=========================================================================
%    291
%    foster_song
%    composer=Stephen Foster, last=Foster, first=Stephen


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{291}}\hspace{0mm}}\footnotetext[291]{Stephen Foster, \emph{The Song of All Songs}}
\index{Foster, Stephen!Song of All Songs, The}%
\index{Song of All Songs, The, Stephen Foster}%
\label{tune:291}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{79/lily-9a51ebdc-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{291} Foster, \emph{The Song of All Songs}, F, 4/4}
\end{samepage}
%=========================================================================
%    292
%    gladden_mountains
%    composer=S.W. Gladden, last=Gladden, first=S.W.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{292}}\hspace{0mm}}\footnotetext[292]{S.W. Gladden, \emph{The Mountains}}
\index{Gladden, S.W.!Mountains, The}%
\index{Mountains, The, S.W. Gladden}%
\label{tune:292}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c4/lily-69118f94-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{292} Gladden, \emph{The Mountains}, B-flat, 4/4}
\end{samepage}
\pagebreak[4]\noindent{\section{Leaps Within the Subdominant, Minor Keys}\label{sec:4:4}}
%=========================================================================
%    293
%    wedge7
%    composer=G.A. Wedge, last=Wedge, first=G.A.
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{293}}\hspace{0mm}}\footnotetext[293]{G.A. Wedge}
\index{Wedge, G.A.!f, 2/4}%
\label{tune:293}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ec/lily-d5a35df9-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{293} Wedge, f, 2/4}
\end{samepage}
%=========================================================================
%    294
%    wedge9
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{294}}\hspace{0mm}}\footnotetext[294]{G.A. Wedge}
\index{Wedge, G.A.!f, 3/4}%
\label{tune:294}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{01/lily-707d7776-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{294} Wedge, f, 3/4}
\end{samepage}
%=========================================================================
%    295
%    wedge14
%    composer=G.A. Wedge, last=Wedge, first=G.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{295}}\hspace{0mm}}\footnotetext[295]{G.A. Wedge}
\index{Wedge, G.A.!c, 2/4}%
\label{tune:295}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{4c/lily-f732e378-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{295} Wedge, c, 2/4}
\end{samepage}
%=========================================================================
%    296
%    x_crowell28
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{296}}\hspace{0mm}}\index{Crowell, B.!g, 4/4}%
\label{tune:296}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7a/lily-bba89891-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{296} g, 4/4}
\end{samepage}
%=========================================================================
%    297
%    anonymous_hanukah
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{297}}\hspace{0mm}}\footnotetext[297]{anonymous, \emph{Hanukah O Hanukah}}
\index{Hanukah O Hanukah}%
\label{tune:297}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{dd/lily-ff4c98a4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{297} \emph{Hanukah O Hanukah}, d, 4/8, Presto}
\end{samepage}
%=========================================================================
%    298
%    anonymous_llorando
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{298}}\hspace{0mm}}\footnotetext[298]{anonymous, \emph{Vivo Llorando la Suerte (Mexico)}}
\index{Vivo Llorando la Suerte}%
\label{tune:298}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c7/lily-bb72aab7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{298} \emph{Vivo Llorando la Suerte (Mexico)}, d, 2/4}
\end{samepage}
%=========================================================================
%    299
%    mozart_requiem_osanna
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{299}}\hspace{0mm}}\footnotetext[299]{W.A. Mozart, \emph{Osanna (bass solo, allegro) from Sanctus, Requiem}}
\index{Mozart, W.A.!Osanna (bass solo, allegro) from Sanctus, Requiem}%
\index{Osanna (bass solo, allegro) from Sanctus, Requiem, W.A. Mozart}%
\label{tune:299}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{75/lily-6d9a11da-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{299} Mozart, \emph{Osanna (bass solo, allegro) from Sanctus, Requiem}, D, 3/4}
\end{samepage}
%=========================================================================
%    300
%    bach_oboe
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{300}}\hspace{0mm}}\footnotetext[300]{J.S. Bach, \emph{trio from Brandenburg concerto \# 1}}
\index{Bach, J.S.!trio from Brandenburg concerto \# 1}%
\index{trio from Brandenburg concerto \# 1, J.S. Bach}%
\label{tune:300}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{92/lily-dfb0bfbc-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{300} Bach, \emph{trio from Brandenburg concerto \# 1}, d, 3/4}
\end{samepage}
%=========================================================================
%    301
%    anonymous_amo
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{301}}\hspace{0mm}}\footnotetext[301]{anonymous, \emph{Que No Te Amo (Mexico)}}
\index{Que No Te Amo}%
\label{tune:301}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{97/lily-37c774c0-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{301} \emph{Que No Te Amo (Mexico)}, g, 4/4}
\end{samepage}
%=========================================================================
%    302
%    anonymous_russian1
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{302}}\hspace{0mm}}\footnotetext[302]{anonymous, \emph{folk song (Russia)}}
\label{tune:302}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{86/lily-bcd34968-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{302} \emph{folk song (Russia)}, d, 4/4}
\end{samepage}
%=========================================================================
%    303
%    anonymous_russian4
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{303}}\hspace{0mm}}\footnotetext[303]{anonymous, \emph{folk song (Russia)}}
\label{tune:303}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c1/lily-8e879c85-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{303} \emph{folk song (Russia)}, f, 2/4}
\end{samepage}
%=========================================================================
%    304
%    anonymous_gens
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{304}}\hspace{0mm}}\footnotetext[304]{anonymous, \emph{Entre Vous Tous Gens de la Ville (France)}}
\index{Entre Vous Tous Gens de la Ville}%
\label{tune:304}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{6e/lily-78b7a773-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{304} \emph{Entre Vous Tous Gens de la Ville (France)}, f, 3/4}
\end{samepage}
\pagebreak[4]\noindent{\section{Leaps of a Seventh}\label{sec:4:5}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}With leaps of a seventh, as with any very broad leap, the most common problem is simply the inability to reach the note. Make sure to sing each example in an appropriate key. If the leap of a seventh is upward, find the lowest key in which you can comfortably sing the lowest note of the melody.\\
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}A factor in the sight-singer's favor is that the most difficult leaps to sing are usually the ones that are ugly as well, and therefore composers don't write them; in real music, most leaps of a seventh occur in certain special contexts that make them both easier to sing and more acceptable to the ear. Although it is possible to memorize the sounds of the minor and major seventh leaps and sing them on demand, that's a fundamentally unnatural way to think about melody; keep in mind that most of the examples in this section are folk songs created by people who were illiterate, and probably could not have performed such a trick themselves.\\
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Another technique for use when all else fails is to imagine the seventh as a downward step, with the second note moved up an octave. In all the following examples, however, we'll see that there are better solutions arising naturally from the logic of the melodic line.\\
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The first example is easy, because the leap begins a repetition.\\
%=========================================================================
%    305
%    mozart_quartet8_menuet
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{305}}\hspace{0mm}}\footnotetext[305]{W.A. Mozart, \emph{menuet from string quartet \# 8}}
\index{Mozart, W.A.!string quartet \# 8, menuet}%
\index{string quartet \# 8, menuet, W.A. Mozart}%
\label{tune:305}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ce/lily-fc5cd0a4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{305} Mozart, \emph{menuet from string quartet \# 8}, F, 3/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The next two examples are not much harder; there is repetition, but at a pitch one step higher.\\
%=========================================================================
%    306
%    hess_fishing
%    composer=C. Hess, last=Hess, first=C.


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{306}}\hspace{0mm}}\footnotetext[306]{C. Hess, \emph{Little Charley Went a Fishing}}
\index{Hess, C.!Little Charley Went a Fishing}%
\index{Little Charley Went a Fishing, C. Hess}%
\label{tune:306}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{23/lily-bf06ba50-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{306} Hess, \emph{Little Charley Went a Fishing}, F, 6/8}
\end{samepage}
%=========================================================================
%    307
%    anonymous_wedge6
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{307}}\hspace{0mm}}\footnotetext[307]{folk song}
\label{tune:307}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{8d/lily-1a99feb0-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{307} folk song, A, 4/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}In the next tune, the leap upward from `ti' to `la' is heard as the inversion of the earlier step down from `ti' to `la.'\\
%=========================================================================
%    308
%    anonymous_carmela_b
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{308}}\hspace{0mm}}\footnotetext[308]{anonymous, \emph{Carmela (Mexico)}}
\index{Carmela}%
\label{tune:308}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ff/lily-f8fee255-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{308} \emph{Carmela (Mexico)}, E-flat, 4/8}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The next example has a leap of a seventh as part of a dominant seventh chord. It resolves downward to `mi,' and this `fa-mi' relationship is one of the most prominent landmarks of the key, so you may find that the easiest way to hit the `fa' is simply by locating `fa-mi.'\\
%=========================================================================
%    309
%    x_mozart_quartet1_menuet_part
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{309}}\hspace{0mm}}\footnotetext[309]{W.A. Mozart, \emph{menuet from string quartet \# 1}}
\index{Mozart, W.A.!string quartet \# 1, menuet}%
\index{string quartet \# 1, menuet, W.A. Mozart}%
\label{tune:309}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{1a/lily-abbb6fe0-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{309} Mozart, \emph{menuet from string quartet \# 1}, C, 3/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}This tune, like the preceding one, uses the familiar `so-fa-mi' pattern. The leap is also made easier because we've just sung `fa' in the low register, and because, looking ahead, we anticipate the descending scale `fa-mi-re-do.'\\
%=========================================================================
%    310
%    anonymous_follow
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{310}}\hspace{0mm}}\footnotetext[310]{anonymous, \emph{Gwine Follow (South Carolina)}}
\index{Gwine Follow}%
\label{tune:310}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a7/lily-cb13bea2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{310} \emph{Gwine Follow (South Carolina)}, A, 2/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Another `so-fa-mi' example. The `fa' is heard as part of a logical progression of prominent high points in the line.\\
%=========================================================================
%    311
%    mendelssohn_elijah_hearts
%    composer=Felix Mendelssohn, last=Mendelssohn, first=Felix


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{311}}\hspace{0mm}}\footnotetext[311]{Felix Mendelssohn, \emph{aria `If with all your hearts ye truly seek me' from Elijah}}
\index{Mendelssohn, Felix!If with all your hearts ye truly seek me from Elijah}%
\index{If with all your hearts ye truly seek me from Elijah, Felix Mendelssohn}%
\label{tune:311}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{9c/lily-48a59d29-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{311} Mendelssohn, \emph{aria `If with all your hearts ye truly seek me' from Elijah}, E-flat, 3/4}
\end{samepage}
%=========================================================================
%    312
%    bayly_long_ago
%    composer=T.H. Bayly, last=Bayly, first=T.H.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{312}}\hspace{0mm}}\footnotetext[312]{T.H. Bayly, \emph{Long, Long Ago}}
\index{Bayly, T.H.!Long, Long Ago}%
\index{Long, Long Ago, T.H. Bayly}%
\label{tune:312}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{4a/lily-efbd188b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{312} Bayly, \emph{Long, Long Ago}, D-flat, 4/4}
\end{samepage}
%=========================================================================
%    313
%    anonymous_cradle2
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{313}}\hspace{0mm}}\footnotetext[313]{anonymous, \emph{Cradle Song}}
\index{Cradle Song}%
\label{tune:313}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ff/lily-c891673a-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{313} \emph{Cradle Song}, F, 4/4}
\end{samepage}
%=========================================================================
%    314
%    anonymous_widdecombe
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{314}}\hspace{0mm}}\footnotetext[314]{anonymous, \emph{Widdecombe Fair (England)}}
\index{Widdecombe Fair}%
\label{tune:314}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{93/lily-f1ddeb06-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{314} \emph{Widdecombe Fair (England)}, C, 3/4}
\end{samepage}
%=========================================================================
%    315
%    anonymous_shepherdess
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{315}}\hspace{0mm}}\footnotetext[315]{anonymous, \emph{Walk, Shepherdess, Walk (Arkansas)}}
\index{Walk, Shepherdess, Walk}%
\label{tune:315}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c8/lily-2367f8c8-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{315} \emph{Walk, Shepherdess, Walk (Arkansas)}, C, 4/4}
\end{samepage}
%=========================================================================
%    316
%    anonymous_reir1
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{316}}\hspace{0mm}}\footnotetext[316]{anonymous, \emph{Reir Es Necesario (Mexico)}}
\index{Reir Es Necesario}%
\label{tune:316}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fa/lily-0c7967e0-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{316} \emph{Reir Es Necesario (Mexico)}, F, 2/4}
\end{samepage}
%=========================================================================
%    317
%    anonymous_russian2
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{317}}\hspace{0mm}}\footnotetext[317]{anonymous, \emph{folk song (Russia)}}
\label{tune:317}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a7/lily-21268eb8-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{317} \emph{folk song (Russia)}, A, 3/4}
\end{samepage}
%=========================================================================
%    318
%    anonymous_quinze
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{318}}\hspace{0mm}}\footnotetext[318]{anonymous, \emph{A Quinze Ans (France)}}
\index{Quinze Ans, A}%
\label{tune:318}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b9/lily-a58f1da1-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{318} \emph{A Quinze Ans (France)}, g, 6/8}
\end{samepage}
%=========================================================================
%    319
%    mozart_quartet8_menuet
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{319}}\hspace{0mm}}\footnotetext[319]{W.A. Mozart, \emph{menuet from string quartet \# 8}}
\index{Mozart, W.A.!string quartet \# 8, menuet}%
\index{string quartet \# 8, menuet, W.A. Mozart}%
\label{tune:319}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ce/lily-fc5cd0a4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{319} Mozart, \emph{menuet from string quartet \# 8}, F, 3/4}
\end{samepage}
%=========================================================================
%    320
%    mozart_quartet7_presto
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{320}}\hspace{0mm}}\footnotetext[320]{W.A. Mozart, \emph{presto from string quartet \# 7}}
\index{Mozart, W.A.!string quartet \# 7, presto}%
\index{string quartet \# 7, presto, W.A. Mozart}%
\label{tune:320}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{5c/lily-ba661f16-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{320} Mozart, \emph{presto from string quartet \# 7}, E-flat, 2/4}
\end{samepage}
%=========================================================================
%    321
%    anonymous_upidee
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{321}}\hspace{0mm}}\footnotetext[321]{anonymous, \emph{Upidee}}
\index{Upidee}%
\label{tune:321}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{77/lily-6b304d17-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{321} \emph{Upidee}, G, 4/4}
\end{samepage}
\pagebreak[4]\noindent{\section{Other Perfect Fourths and Fifths}\label{sec:4:6}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}We've already sung leaps of a fourth and a fifth within the tonic, dominant, and subdominant chords, and those leaps strongly implied their chords. For instance, it's difficult to hear the `so-re' leap without perceiving a dominant chord. Although other leaps of a fourth or a fifth may imply other triads, in real music they are more commonly produced not by the harmony but by the logic of the melody itself. In the first example, the composer simply wants to repeat a molodic idea at a different pitch. The `la' is easily sung by thinking of it in relation to the `do' it leads up to.\\
%=========================================================================
%    322
%    mozart_quartet4_opening
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{322}}\hspace{0mm}}\footnotetext[322]{W.A. Mozart, \emph{opening from string quartet \# 4}}
\index{Mozart, W.A.!string quartet \# 4, opening}%
\index{string quartet \# 4, opening, W.A. Mozart}%
\label{tune:322}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{0e/lily-f9d51793-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{322} Mozart, \emph{opening from string quartet \# 4}, C, 4/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}In this example, the leap from `la' to `re' is heard as an imitation of the preceding `so-do' leap.\\
%=========================================================================
%    323
%    anonymous_wedge11
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{323}}\hspace{0mm}}\footnotetext[323]{folk song}
\label{tune:323}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{70/lily-796eb8a3-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{323} folk song, G, 2/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}Here, we really have the easy `so-mi' leap, but with `la' interposed.\\
%=========================================================================
%    324
%    x_anonymous_rana
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{324}}\hspace{0mm}}\footnotetext[324]{anonymous, \emph{La Rana (Mexico)}}
\index{Rana, La}%
\label{tune:324}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{2e/lily-19db8f3d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{324} \emph{La Rana (Mexico)}, D, 3/4}
\end{samepage}
%=========================================================================
%    325
%    poulton_aura_lee
%    composer=George Poulton, last=Poulton, first=George


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\hfill \raisebox{0mm}[0mm][0mm]{\raisebox{-2mm}{famous tune (identified in the table of contents)}}\\\makebox[0mm][r]{\huge{\ingray{325}}\hspace{0mm}}\index{Poulton, George!Aura Lee}%
\index{Aura Lee, George Poulton}%
\label{tune:325}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{9f/lily-c840c807-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{325} Poulton, \emph{Aura Lee}, F\ensuremath{\sharp}, 4/4}
\end{samepage}
%=========================================================================
%    326
%    weber_softly_now
%    composer=C.M. von Weber, last=Weber, first=C.M. von


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{326}}\hspace{0mm}}\footnotetext[326]{C.M. von Weber, \emph{Softly Now the Light of Day}}
\index{Weber, C.M. von!Softly Now the Light of Day}%
\index{Softly Now the Light of Day, C.M. von Weber}%
\label{tune:326}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d0/lily-ea4c0514-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{326} Weber, \emph{Softly Now the Light of Day}, A, 2/4}
\end{samepage}
%=========================================================================
%    327
%    harris_ball
%    composer=Charles K. Harris, last=Harris, first=Charles K.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{327}}\hspace{0mm}}\footnotetext[327]{Charles K. Harris, \emph{After the Ball}}
\index{Harris, Charles K.!After the Ball}%
\index{After the Ball, Charles K. Harris}%
\label{tune:327}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{3c/lily-faeada0f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{327} Harris, \emph{After the Ball}, B-flat, 3/4}
\end{samepage}
%=========================================================================
%    328
%    sullivan2
%    composer=A.S. Sullivan, last=Sullivan, first=A.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{328}}\hspace{0mm}}\footnotetext[328]{A.S. Sullivan, \emph{Take a Pair of Sparkling Eyes}}
\index{Sullivan, A.S.!Take a Pair of Sparkling Eyes}%
\index{Take a Pair of Sparkling Eyes, A.S. Sullivan}%
\label{tune:328}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a7/lily-e36fed2d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{328} Sullivan, \emph{Take a Pair of Sparkling Eyes}, F, 6/8}
\end{samepage}
%=========================================================================
%    329
%    sullivan3
%    composer=A.S. Sullivan, last=Sullivan, first=A.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{329}}\hspace{0mm}}\footnotetext[329]{A.S. Sullivan, \emph{Sing Hey to You, Good-Day to You!}}
\index{Sullivan, A.S.!Sing Hey to You, Good-Day to You!}%
\index{!Sing Hey to You, Good-Day to You!, A.S. Sullivan}%
\label{tune:329}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{89/lily-a0e605ac-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{329} Sullivan, \emph{Sing Hey to You, Good-Day to You!}, G, 2/4}
\end{samepage}
%=========================================================================
%    330
%    foster_slumber
%    composer=Stephen Foster, last=Foster, first=Stephen


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{330}}\hspace{0mm}}\footnotetext[330]{Stephen Foster, \emph{Slumber My Darling}}
\index{Foster, Stephen!Slumber My Darling}%
\index{Slumber My Darling, Stephen Foster}%
\label{tune:330}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ff/lily-6df1002c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{330} Foster, \emph{Slumber My Darling}, E-flat, 6/8}
\end{samepage}
%=========================================================================
%    331
%    foster_annie
%    composer=S.C. Foster, last=Foster, first=S.C.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{331}}\hspace{0mm}}\footnotetext[331]{S.C. Foster, \emph{Gentle Annie}}
\index{Foster, S.C.!Gentle Annie}%
\index{Gentle Annie, S.C. Foster}%
\label{tune:331}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b8/lily-8078429a-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{331} Foster, \emph{Gentle Annie}, E, 4/4}
\end{samepage}
%=========================================================================
%    332
%    anonymous_rio
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{332}}\hspace{0mm}}\footnotetext[332]{anonymous, \emph{Were You Ever in Rio Grand}}
\index{Were You Ever in Rio Grand}%
\label{tune:332}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{5f/lily-2ede6029-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{332} \emph{Were You Ever in Rio Grand}, B, 6/8}
\end{samepage}
%=========================================================================
%    333
%    rimsky_korsakov_scheherezade
%    composer=Nikolai Rimsky-Korsakov, last=Rimsky-Korsakov, first=Nikolai


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{333}}\hspace{0mm}}\footnotetext[333]{Nikolai Rimsky-Korsakov, \emph{Scheherezade (theme from third movement)}}
\index{Rimsky-Korsakov, Nikolai!Scheherezade}%
\index{Scheherezade, Nikolai Rimsky-Korsakov}%
\label{tune:333}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{12/lily-cd248d65-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{333} Rimsky-Korsakov, \emph{Scheherezade (theme from third movement)}, C, 6/8}
\end{samepage}
%=========================================================================
%    334
%    beethoven_quartet1_allegro
%    composer=Beethoven, last=Beethoven, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{334}}\hspace{0mm}}\footnotetext[334]{Beethoven, \emph{opening movement from string quartet \# 1}}
\index{Beethoven!opening movement from string quartet \# 1}%
\index{opening movement from string quartet \# 1,  Beethoven}%
\label{tune:334}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fa/lily-11b41544-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{334} Beethoven, \emph{opening movement from string quartet \# 1}, F, 3/4}
\end{samepage}
%=========================================================================
%    335
%    mozart_quartet1_trio
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{335}}\hspace{0mm}}\footnotetext[335]{W.A. Mozart, \emph{trio from string quartet \# 1}}
\index{Mozart, W.A.!string quartet \# 1, trio}%
\index{string quartet \# 1, trio, W.A. Mozart}%
\label{tune:335}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{dd/lily-2120ae4e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{335} Mozart, \emph{trio from string quartet \# 1}, C, 3/4}
\end{samepage}
%=========================================================================
%    336
%    abt_aroon
%    composer=Franz Abt, last=Abt, first=Franz


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{336}}\hspace{0mm}}\footnotetext[336]{Franz Abt, \emph{Kathleen Aroon}}
\index{Abt, Franz!Kathleen Aroon}%
\index{Kathleen Aroon, Franz Abt}%
\label{tune:336}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ac/lily-9a10d5fa-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{336} Abt, \emph{Kathleen Aroon}, G, 3/4}
\end{samepage}
%=========================================================================
%    337
%    anonymous_germany
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{337}}\hspace{0mm}}\footnotetext[337]{anonymous, \emph{folk song (Germany)}}
\label{tune:337}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e8/lily-49bc5834-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{337} \emph{folk song (Germany)}, D, 4/4}
\end{samepage}
%=========================================================================
%    338
%    moore_love
%    composer=Thomas Moore, last=Moore, first=Thomas


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{338}}\hspace{0mm}}\footnotetext[338]{Thomas Moore, \emph{Love's Young Dream}}
\index{Moore, Thomas!Love's Young Dream}%
\index{Love's Young Dream, Thomas Moore}%
\label{tune:338}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{11/lily-7c76e67c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{338} Moore, \emph{Love's Young Dream}, G, 6/8}
\end{samepage}
%=========================================================================
%    339
%    giordiano_caro
%    composer=Attributed to Guiseppe Giordiano,, last=Giordiano,, first=Attributed to Guiseppe


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{339}}\hspace{0mm}}\footnotetext[339]{Attributed to Guiseppe Giordiano,, \emph{Caro Mio Ben}}
\index{Giordiano,, Attributed to Guiseppe!Caro Mio Ben}%
\index{Caro Mio Ben, Attributed to Guiseppe Giordiano,}%
\label{tune:339}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e8/lily-0069d04f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{339} Giordiano,, \emph{Caro Mio Ben}, D, 4/4}
\end{samepage}
%=========================================================================
%    340
%    anonymous_remon
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{340}}\hspace{0mm}}\footnotetext[340]{anonymous, \emph{R\'{e}mon (Louisiana)}}
\index{Rémon}%
\label{tune:340}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{fc/lily-ec0167ce-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{340} \emph{R\'{e}mon (Louisiana)}, F, 2/4}
\end{samepage}
%=========================================================================
%    341
%    anonymous_juanita
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{341}}\hspace{0mm}}\footnotetext[341]{anonymous, \emph{Juanita}}
\index{Juanita}%
\label{tune:341}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e5/lily-cba355c1-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{341} \emph{Juanita}, D, 3/4}
\end{samepage}
%=========================================================================
%    342
%    thompson_lilly
%    composer=H.S. Thompson, last=Thompson, first=H.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{342}}\hspace{0mm}}\footnotetext[342]{H.S. Thompson, \emph{Lilly Dale}}
\index{Thompson, H.S.!Lilly Dale}%
\index{Lilly Dale, H.S. Thompson}%
\label{tune:342}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7c/lily-82c957bf-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{342} Thompson, \emph{Lilly Dale}, B-flat, 4/4}
\end{samepage}
%=========================================================================
%    343
%    anonymous_santa_anita
%    composer=, last=, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{343}}\hspace{0mm}}\label{tune:343}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b4/lily-13aebb9e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{343} /}
\end{samepage}
%=========================================================================
%    344
%    pergolesi_stabat2
%    composer=Giovanni Battista Pergolesi, last=Pergolesi, first=Giovanni Battista


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{344}}\hspace{0mm}}\footnotetext[344]{Giovanni Battista Pergolesi, \emph{aria from Stabat Mater}}
\index{Pergolesi, Giovanni Battista!aria from Stabat Mater}%
\label{tune:344}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{0d/lily-63face1d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{344} Pergolesi, \emph{aria from Stabat Mater}, G, 4/4}
\end{samepage}
%=========================================================================
%    345
%    bach_cello_menuet
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{345}}\hspace{0mm}}\footnotetext[345]{J.S. Bach, \emph{menuet II from cello suite \# 2}}
\index{Bach, J.S.!menuet II from cello suite \# 2}%
\index{menuet II from cello suite \# 2, J.S. Bach}%
\label{tune:345}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{37/lily-ae5ddab0-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{345} Bach, \emph{menuet II from cello suite \# 2}, D, 3/4}
\end{samepage}
%=========================================================================
%    346
%    brahms_symphony1_intro
%    composer=Johannes Brahms, last=Brahms, first=Johannes


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{346}}\hspace{0mm}}\footnotetext[346]{Johannes Brahms, \emph{introduction, 1st symphony}}
\index{Brahms, Johannes!introduction, 1st symphony}%
\index{introduction, 1st symphony, Johannes Brahms}%
\label{tune:346}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f7/lily-ef732a01-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{346} Brahms, \emph{introduction, 1st symphony}, C, 4/4}
\end{samepage}
%=========================================================================
%    347
%    anonymous_processional
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{347}}\hspace{0mm}}\footnotetext[347]{anonymous, \emph{processional march song (Germany)}}
\index{processional march song}%
\label{tune:347}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{51/lily-ba0bddfc-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{347} \emph{processional march song (Germany)}, D, 4/4}
\end{samepage}
%=========================================================================
%    348
%    milhaud_sion
%    composer=Darius Milhaud, last=Milhaud, first=Darius


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{348}}\hspace{0mm}}\footnotetext[348]{Darius Milhaud, \emph{Chant de Sion}}
\index{Milhaud, Darius!Chant de Sion}%
\index{Chant de Sion, Darius Milhaud}%
\label{tune:348}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{73/lily-7590d1d7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{348} Milhaud, \emph{Chant de Sion}, A-flat, 4/4}
\end{samepage}
%=========================================================================
%    349
%    anonymous_sagt
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{349}}\hspace{0mm}}\footnotetext[349]{anonymous, \emph{Sagt Mir, O Sch\"{o}nste Sch\"{a}f'rin Mein}}
\index{Sagt Mir, O Schönste Schäf'rin Mein}%
\label{tune:349}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ae/lily-86d77575-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{349} \emph{Sagt Mir, O Sch\"{o}nste Sch\"{a}f'rin Mein}, A, 6/8}
\end{samepage}
%=========================================================================
%    350
%    anonymous_gunhilde
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{350}}\hspace{0mm}}\footnotetext[350]{anonymous, \emph{Gunhilde}}
\index{Gunhilde}%
\label{tune:350}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ef/lily-82075274-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{350} \emph{Gunhilde}, F, 2/4}
\end{samepage}
%=========================================================================
%    351
%    anonymous_schaeferin
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{351}}\hspace{0mm}}\footnotetext[351]{anonymous, \emph{Ach, Englische Schaeferin}}
\index{Ach, Englische Schaeferin}%
\label{tune:351}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ab/lily-72626e3e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{351} \emph{Ach, Englische Schaeferin}, F, 3/4}
\end{samepage}
%=========================================================================
%    352
%    bach_chorale5
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{352}}\hspace{0mm}}\footnotetext[352]{J.S. Bach, \emph{Chorale, `W\"{a}r' Gott Nicht Mit Uns Diese Zeit'}}
\index{Bach, J.S.!Chorale, `Wär' Gott Nicht Mit Uns Diese Zeit'}%
\label{tune:352}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{05/lily-5054e685-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{352} Bach, \emph{Chorale, `W\"{a}r' Gott Nicht Mit Uns Diese Zeit'}, C, 4/4}
\end{samepage}
%=========================================================================
%    353
%    handel_angels
%    composer=G.F. Handel, last=Handel, first=G.F.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{353}}\hspace{0mm}}\footnotetext[353]{G.F. Handel, \emph{Angels Ever Bright and Fair}}
\index{Handel, G.F.!Angels Ever Bright and Fair}%
\index{Angels Ever Bright and Fair, G.F. Handel}%
\label{tune:353}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{5d/lily-103b4f99-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{353} Handel, \emph{Angels Ever Bright and Fair}, E-flat, 4/4}
\end{samepage}
%=========================================================================
%    354
%    beethoven_quartet6_allegro
%    composer=Beethoven, last=Beethoven, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{354}}\hspace{0mm}}\footnotetext[354]{Beethoven, \emph{allegro from string quartet \# 6}}
\index{Beethoven!string quartet \# 6, allegro}%
\index{string quartet \# 6, allegro,  Beethoven}%
\label{tune:354}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{57/lily-b3eb6e56-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{354} Beethoven, \emph{allegro from string quartet \# 6}, B-flat, 3/4}
\end{samepage}
\pagebreak[4]\noindent{\section{The Diminished Seventh Chord, and the Harmonic Minor Scale}\label{sec:4:7}}
%=========================================================================
%    355
%    x_crowell14
%    composer=B. Crowell, last=Crowell, first=B.
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{355}}\hspace{0mm}}\index{Crowell, B.!a, 4/4}%
\label{tune:355}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{18/lily-b6904824-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{355} a, 4/4}
\end{samepage}
%=========================================================================
%    356
%    anonymous_daniel
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{356}}\hspace{0mm}}\footnotetext[356]{anonymous, \emph{O Daniel (Florida)}}
\index{O Daniel}%
\label{tune:356}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{07/lily-9fb775bf-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{356} \emph{O Daniel (Florida)}, d, 4/4}
\end{samepage}
%=========================================================================
%    357
%    bach_invention2
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{357}}\hspace{0mm}}\footnotetext[357]{J.S. Bach, \emph{Invention 2}}
\index{Bach, J.S.!Invention 2}%
\index{Invention 2, J.S. Bach}%
\label{tune:357}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f1/lily-699c36c6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{357} Bach, \emph{Invention 2}, c, c/minor}
\end{samepage}
%=========================================================================
%    358
%    mozart_quartet5_andante
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{358}}\hspace{0mm}}\footnotetext[358]{W.A. Mozart, \emph{andante un poco allegretto from string quartet \# 5}}
\index{Mozart, W.A.!andante un poco allegretto from string quartet \# 5}%
\index{andante un poco allegretto from string quartet \# 5, W.A. Mozart}%
\label{tune:358}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{77/lily-c1774ed0-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{358} Mozart, \emph{andante un poco allegretto from string quartet \# 5}, a, 4/4}
\end{samepage}
%=========================================================================
%    359
%    goldfaden_raisins
%    composer=Abraham Goldfaden, last=Goldfaden, first=Abraham


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{359}}\hspace{0mm}}\footnotetext[359]{Abraham Goldfaden, \emph{Raisins with Almonds}}
\index{Goldfaden, Abraham!Raisins with Almonds}%
\index{Raisins with Almonds, Abraham Goldfaden}%
\label{tune:359}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{76/lily-5fe1d619-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{359} Goldfaden, \emph{Raisins with Almonds}, a, 3/4, Lullabye}
\end{samepage}
\pagebreak[4]\vspace{12mm}\noindent{\mychapter{Nondiatonic Materials}{360}\label{ch:5}}
\pagebreak[3]\vspace{12mm}\noindent{\section{Secondary Dominants and Chromatic Passing Tones}\label{sec:5:1}}
%=========================================================================
%    360
%    luther_fortress
%    composer=Martin Luther, last=Luther, first=Martin
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{360}}\hspace{0mm}}\footnotetext[360]{Martin Luther, \emph{A Mighty Fortress Is Our God}}
\index{Luther, Martin!Mighty Fortress Is Our God, A}%
\index{Mighty Fortress Is Our God, A, Martin Luther}%
\label{tune:360}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{0c/lily-071d532f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{360} Luther, \emph{A Mighty Fortress Is Our God}, D, 4/4}
\end{samepage}
%=========================================================================
%    361
%    anonymous_barry
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{361}}\hspace{0mm}}\footnotetext[361]{anonymous, \emph{Kevin Barry (Ireland)}}
\index{Kevin Barry}%
\label{tune:361}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d2/lily-82e4dc90-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{361} \emph{Kevin Barry (Ireland)}, C, 3/4}
\end{samepage}
%=========================================================================
%    362
%    x_crowell35
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{362}}\hspace{0mm}}\footnotetext[362]{Who Got Dirt on the Carpet Again?}
\index{Crowell, B.!Who Got Dirt on the Carpet Again?}%
\index{Who Got Dirt on the Carpet Again?, B. Crowell}%
\label{tune:362}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{77/lily-3d1886aa-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{362} Who Got Dirt on the Carpet Again?, c, 4/4}
\end{samepage}
%=========================================================================
%    363
%    conkey_mercy
%    composer=Ithamar Conkey, last=Conkey, first=Ithamar


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{363}}\hspace{0mm}}\footnotetext[363]{Ithamar Conkey, \emph{God is Love, His Mercy Brightens}}
\index{Conkey, Ithamar!God is Love, His Mercy Brightens}%
\index{God is Love, His Mercy Brightens, Ithamar Conkey}%
\label{tune:363}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{46/lily-4ea3f6c7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{363} Conkey, \emph{God is Love, His Mercy Brightens}, G, 3/4}
\end{samepage}
%=========================================================================
%    364
%    shoals_valedictory
%    composer=Shoals, last=Shoals, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{364}}\hspace{0mm}}\footnotetext[364]{Shoals, \emph{Valedictory}}
\index{Shoals!Valedictory}%
\index{Valedictory,  Shoals}%
\label{tune:364}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7b/lily-49e33621-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{364} Shoals, \emph{Valedictory}, G, 4/4}
\end{samepage}
%=========================================================================
%    365
%    anonymous_rat
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{365}}\hspace{0mm}}\footnotetext[365]{anonymous, \emph{Autrefois le Rat de Ville (France)}}
\index{Autrefois le Rat de Ville}%
\label{tune:365}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ba/lily-45a84f1c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{365} \emph{Autrefois le Rat de Ville (France)}, G, 2/4}
\end{samepage}
%=========================================================================
%    366
%    webbe_disconsolate
%    composer=Samuel Webbe, last=Webbe, first=Samuel


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{366}}\hspace{0mm}}\footnotetext[366]{Samuel Webbe, \emph{Come, Ye Disconsolate}}
\index{Webbe, Samuel!Come, Ye Disconsolate}%
\index{Come, Ye Disconsolate, Samuel Webbe}%
\label{tune:366}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7d/lily-9be6ba1a-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{366} Webbe, \emph{Come, Ye Disconsolate}, B-flat, 2/2}
\end{samepage}
%=========================================================================
%    367
%    keller_peace
%    composer=M. Keller, last=Keller, first=M.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{367}}\hspace{0mm}}\footnotetext[367]{M. Keller, \emph{Angel of Peace}}
\index{Keller, M.!Angel of Peace}%
\index{Angel of Peace, M. Keller}%
\label{tune:367}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{36/lily-113af08f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{367} Keller, \emph{Angel of Peace}, F, 4/4}
\end{samepage}
%=========================================================================
%    368
%    butterfield_young
%    composer=J.A. Butterfield, last=Butterfield, first=J.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{368}}\hspace{0mm}}\footnotetext[368]{J.A. Butterfield, \emph{When You and I Were Young}}
\index{Butterfield, J.A.!When You and I Were Young}%
\index{When You and I Were Young, J.A. Butterfield}%
\label{tune:368}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{4e/lily-a5ec2bb2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{368} Butterfield, \emph{When You and I Were Young}, C\ensuremath{\sharp}, 4/4}
\end{samepage}
%=========================================================================
%    369
%    woodbury_speed_away
%    composer=I.B. Woodbury, last=Woodbury, first=I.B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{369}}\hspace{0mm}}\footnotetext[369]{I.B. Woodbury, \emph{Speed Away! Speed Away!}}
\index{Woodbury, I.B.!Speed Away! Speed Away!}%
\index{!Speed Away! Speed Away!, I.B. Woodbury}%
\label{tune:369}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{05/lily-23ecc574-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{369} Woodbury, \emph{Speed Away! Speed Away!}, A, 3/8}
\end{samepage}
%=========================================================================
%    370
%    mozart_magic_flute_aria
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{370}}\hspace{0mm}}\footnotetext[370]{W.A. Mozart, \emph{aria from the Magic Flute}}
\index{Mozart, W.A.!aria from the Magic Flute}%
\label{tune:370}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{20/lily-8bb5050b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{370} Mozart, \emph{aria from the Magic Flute}, E-flat, 3/8}
\end{samepage}
%=========================================================================
%    371
%    anonymous_saints
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{371}}\hspace{0mm}}\footnotetext[371]{anonymous, \emph{Let God's Saints Come In (Virginia)}}
\index{Let God's Saints Come In}%
\label{tune:371}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{55/lily-834211b2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{371} \emph{Let God's Saints Come In (Virginia)}, G, 2/4}
\end{samepage}
%=========================================================================
%    372
%    anonymous_penando
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{372}}\hspace{0mm}}\footnotetext[372]{anonymous, \emph{Vivo Penando (California)}}
\index{Vivo Penando}%
\label{tune:372}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{da/lily-49bea952-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{372} \emph{Vivo Penando (California)}, F, 2/4}
\end{samepage}
%=========================================================================
%    373
%    anonymous_maclean
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{373}}\hspace{0mm}}\footnotetext[373]{anonymous, \emph{Allan Maclean (Scotland)}}
\index{Allan Maclean}%
\label{tune:373}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{dc/lily-43818e71-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{373} \emph{Allan Maclean (Scotland)}, G, 3/4}
\end{samepage}
%=========================================================================
%    374
%    stradella_ragion
%    composer=Alessandro Stradella, last=Stradella, first=Alessandro


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{374}}\hspace{0mm}}\footnotetext[374]{Alessandro Stradella, \emph{Ragion Sempre Addita}}
\index{Stradella, Alessandro!Ragion Sempre Addita}%
\index{Ragion Sempre Addita, Alessandro Stradella}%
\label{tune:374}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{b5/lily-fe799345-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{374} Stradella, \emph{Ragion Sempre Addita}, A, 3/8}
\end{samepage}
%=========================================================================
%    375
%    anonymous_port
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{375}}\hspace{0mm}}\footnotetext[375]{anonymous, \emph{Dans le Port, Il Est Arriv\'{e} (France)}}
\index{Dans le Port, Il Est Arrivé}%
\label{tune:375}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a5/lily-a86503e6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{375} \emph{Dans le Port, Il Est Arriv\'{e} (France)}, G, 2/4}
\end{samepage}
%=========================================================================
%    376
%    root_battle
%    composer=George F. Root, last=Root, first=George F.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{376}}\hspace{0mm}}\footnotetext[376]{George F. Root, \emph{Brother, Tell Me of the Battle}}
\index{Root, George F.!Brother, Tell Me of the Battle}%
\index{Brother, Tell Me of the Battle, George F. Root}%
\label{tune:376}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{d8/lily-aa86f984-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{376} Root, \emph{Brother, Tell Me of the Battle}, D, 3/4}
\end{samepage}
%=========================================================================
%    377
%    cooper_bells
%    composer=George Cooper, last=Cooper, first=George


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{377}}\hspace{0mm}}\footnotetext[377]{George Cooper, \emph{Beautiful Bells}}
\index{Cooper, George!Beautiful Bells}%
\index{Beautiful Bells, George Cooper}%
\label{tune:377}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ef/lily-b6a0ddb1-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{377} Cooper, \emph{Beautiful Bells}, A-flat, 3/4}
\end{samepage}
%=========================================================================
%    378
%    mcnaughton_coat
%    composer=J.H. McNaughton, last=McNaughton, first=J.H.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{378}}\hspace{0mm}}\footnotetext[378]{J.H. McNaughton, \emph{The Faded Coat of Blue}}
\index{McNaughton, J.H.!Faded Coat of Blue, The}%
\index{Faded Coat of Blue, The, J.H. McNaughton}%
\label{tune:378}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{81/lily-412198aa-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{378} McNaughton, \emph{The Faded Coat of Blue}, G, 4/4}
\end{samepage}
%=========================================================================
%    379
%    x_mozart_quartet1_menuet
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{379}}\hspace{0mm}}\footnotetext[379]{W.A. Mozart, \emph{menuet from string quartet \# 1}}
\index{Mozart, W.A.!string quartet \# 1, menuet}%
\index{string quartet \# 1, menuet, W.A. Mozart}%
\label{tune:379}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{15/lily-75a541ba-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{379} Mozart, \emph{menuet from string quartet \# 1}, C, 3/4}
\end{samepage}
%=========================================================================
%    380
%    haydn_quartet76n3_adagio
%    composer=Franz Joseph Haydn, last=Haydn, first=Franz Joseph


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{380}}\hspace{0mm}}\footnotetext[380]{Franz Joseph Haydn, \emph{adagio poco cantabile from string quartet, Op. 73, \#3 (`Emperor')}}
\index{Haydn, Franz Joseph!adagio poco cantabile from string quartet, Op. 73, \#3}%
\index{adagio poco cantabile from string quartet, Op. 73, \#3, Franz Joseph Haydn}%
\label{tune:380}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{2b/lily-214583b0-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{380} Haydn, \emph{adagio poco cantabile from string quartet, Op. 73, \#3 (`Emperor')}, G, 4/4}
\end{samepage}
%=========================================================================
%    381
%    anonymous_crepusculo
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{381}}\hspace{0mm}}\footnotetext[381]{anonymous, \emph{Crep\'{u}sculo (Mexico)}}
\index{Crepúsculo}%
\label{tune:381}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{3a/lily-497f583b-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{381} \emph{Crep\'{u}sculo (Mexico)}, D, 2/4}
\end{samepage}
%=========================================================================
%    382
%    anonymous_noche
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{382}}\hspace{0mm}}\footnotetext[382]{anonymous, \emph{Media Noche (California)}}
\index{Media Noche}%
\label{tune:382}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{47/lily-c55d7239-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{382} \emph{Media Noche (California)}, E-flat, 2/4}
\end{samepage}
%=========================================================================
%    383
%    pergolesi_stabat4
%    composer=Giovanni Battista Pergolesi, last=Pergolesi, first=Giovanni Battista


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{383}}\hspace{0mm}}\footnotetext[383]{Giovanni Battista Pergolesi, \emph{tune from Stabat Mater}}
\index{Pergolesi, Giovanni Battista!tune from Stabat Mater}%
\label{tune:383}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c8/lily-15573bab-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{383} Pergolesi, \emph{tune from Stabat Mater}, f, 4/4}
\end{samepage}
%=========================================================================
%    384
%    bach_orchestral_suite_2_bouree_2
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{384}}\hspace{0mm}}\footnotetext[384]{J.S. Bach, \emph{Bourr\'{e}e II from orchestral suite \#2}}
\index{Bach, J.S.!Bourrée II from orchestral suite \#2}%
\index{Bourrée II from orchestral suite \#2, J.S. Bach}%
\label{tune:384}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{bc/lily-32a628c9-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{384} Bach, \emph{Bourr\'{e}e II from orchestral suite \#2}, b, 4/4}
\end{samepage}
%=========================================================================
%    385
%    anonymous_cruel
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{385}}\hspace{0mm}}\footnotetext[385]{anonymous, \emph{The Cruel Mother (England)}}
\index{Cruel Mother, The}%
\label{tune:385}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{17/lily-5d022ec7-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{385} \emph{The Cruel Mother (England)}, E-flat, 3/4}
\end{samepage}
%=========================================================================
%    386
%    hawthorne_work
%    composer=Alice Hawthorne, last=Hawthorne, first=Alice


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{386}}\hspace{0mm}}\footnotetext[386]{Alice Hawthorne, \emph{Out of Work}}
\index{Hawthorne, Alice!Out of Work}%
\index{Out of Work, Alice Hawthorne}%
\label{tune:386}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{73/lily-330d4660-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{386} Hawthorne, \emph{Out of Work}, A-flat, 4/4}
\end{samepage}
%=========================================================================
%    387
%    joplin_winners
%    composer=Scott Joplin, last=Joplin, first=Scott


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{387}}\hspace{0mm}}\footnotetext[387]{Scott Joplin, \emph{The Easy Winners}}
\index{Joplin, Scott!Easy Winners, The}%
\index{Easy Winners, The, Scott Joplin}%
\label{tune:387}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{3f/lily-81e90a4c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{387} Joplin, \emph{The Easy Winners}, C, 2/4}
\end{samepage}
%=========================================================================
%    388
%    edwards_oldsmobile
%    composer=Gus Edwards, last=Edwards, first=Gus


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{388}}\hspace{0mm}}\footnotetext[388]{Gus Edwards, \emph{In My Merry Oldsmobile}}
\index{Edwards, Gus!In My Merry Oldsmobile}%
\index{In My Merry Oldsmobile, Gus Edwards}%
\label{tune:388}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{8d/lily-89db3bcc-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{388} Edwards, \emph{In My Merry Oldsmobile}, G, 3/4}
\end{samepage}
%=========================================================================
%    389
%    anonymous_erlaube
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{389}}\hspace{0mm}}\footnotetext[389]{anonymous, \emph{Erlaube Mir, Fein's M\"{a}dchen}}
\index{Erlaube Mir, Fein's Mädchen}%
\label{tune:389}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ad/lily-8c6a8025-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{389} \emph{Erlaube Mir, Fein's M\"{a}dchen}, F, 3/4}
\end{samepage}
%=========================================================================
%    390
%    x_bach_orchestral_suite_1_menuet_1
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{390}}\hspace{0mm}}\footnotetext[390]{J.S. Bach, \emph{Menuet I from orchestral suite \#1}}
\index{Bach, J.S.!Menuet I from orchestral suite \#1}%
\index{Menuet I from orchestral suite \#1, J.S. Bach}%
\label{tune:390}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{95/lily-065da869-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{390} Bach, \emph{Menuet I from orchestral suite \#1}, G, 3/4}
\end{samepage}
%=========================================================================
%    391
%    handel_judas
%    composer=G.F. Handel, last=Handel, first=G.F.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{391}}\hspace{0mm}}\footnotetext[391]{G.F. Handel, \emph{chorus from `Judas Maccabaeus'}}
\index{Handel, G.F.!chorus from Judas Maccabaeus}%
\index{chorus from Judas Maccabaeus, G.F. Handel}%
\label{tune:391}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7a/lily-3504af17-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{391} Handel, \emph{chorus from `Judas Maccabaeus'}, C, 4/4}
\end{samepage}
%=========================================================================
%    392
%    shackleton_orange
%    composer=Frances Shackleton, last=Shackleton, first=Frances


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{392}}\hspace{0mm}}\footnotetext[392]{Frances Shackleton, \emph{The Orange and the Black}}
\index{Shackleton, Frances!Orange and the Black, The}%
\index{Orange and the Black, The, Frances Shackleton}%
\label{tune:392}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{72/lily-5b5c6e0d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{392} Shackleton, \emph{The Orange and the Black}, B-flat, 4/4}
\end{samepage}
%=========================================================================
%    393
%    anonymous_adelphi
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{393}}\hspace{0mm}}\footnotetext[393]{anonymous, \emph{Adelphi School Song}}
\index{Adelphi School Song}%
\label{tune:393}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7e/lily-19742706-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{393} \emph{Adelphi School Song}, G, 4/4}
\end{samepage}
%=========================================================================
%    394
%    allen_athens
%    composer=H.R. Allen, last=Allen, first=H.R.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{394}}\hspace{0mm}}\footnotetext[394]{H.R. Allen, \emph{Maid of Athens}}
\index{Allen, H.R.!Maid of Athens}%
\index{Maid of Athens, H.R. Allen}%
\label{tune:394}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c9/lily-4efb3403-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{394} Allen, \emph{Maid of Athens}, G, 4/4}
\end{samepage}
%=========================================================================
%    395
%    ascher_alice
%    composer=Joseph Ascher, last=Ascher, first=Joseph


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{395}}\hspace{0mm}}\footnotetext[395]{Joseph Ascher, \emph{Alice, Where Art Thou?}}
\index{Ascher, Joseph!Alice, Where Art Thou?}%
\index{Alice, Where Art Thou?, Joseph Ascher}%
\label{tune:395}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c2/lily-1b6e46f2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{395} Ascher, \emph{Alice, Where Art Thou?}, B-flat, 3/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}In the following two melodies, the flattened third scale degree occurs in the \concat { vii \italic \super { o } 7 } of V chord.\\
%=========================================================================
%    396
%    mozart_horn_duet2_all
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{396}}\hspace{0mm}}\footnotetext[396]{W.A. Mozart, \emph{Duet No. 2, Menuet, from 12 Duets, K.V. 487}}
\index{Mozart, W.A.!Duet No. 2, Menuet, from 12 Duets, K.V. 487}%
\index{Duet No. 2, Menuet, from 12 Duets, K.V. 487, W.A. Mozart}%
\label{tune:396}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{00/lily-c1d2fc66-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{396} Mozart, \emph{Duet No. 2, Menuet, from 12 Duets, K.V. 487}, G, 3/4}
\end{samepage}
%=========================================================================
%    397
%    schubert_mountains
%    composer=Franz Schubert, last=Schubert, first=Franz


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{397}}\hspace{0mm}}\footnotetext[397]{Franz Schubert, \emph{Above the Mountains}}
\index{Schubert, Franz!Above the Mountains}%
\index{Above the Mountains, Franz Schubert}%
\label{tune:397}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{70/lily-de6bd8e5-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{397} Schubert, \emph{Above the Mountains}, A-flat, 4/4}
\end{samepage}
%=========================================================================
%    398
%    x_duet_magic_flute
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{398}}\hspace{0mm}}\footnotetext[398]{W.A. Mozart, \emph{Duet from The Magic Flute}}
\index{Mozart, W.A.!Duet from The Magic Flute}%
\index{Duet from The Magic Flute, W.A. Mozart}%
\label{tune:398}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{56/lily-2f6ad6cc-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{398} Mozart, \emph{Duet from The Magic Flute}, E-flat, 6/8}
\end{samepage}
\pagebreak[4]\noindent{\section{Blue Notes}\label{sec:5:2}}
%=========================================================================
%    399
%    anonymous_graveyard
%    composer=anonymous, last=anonymous, first=
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{399}}\hspace{0mm}}\footnotetext[399]{anonymous, \emph{The Graveyard (South Carolina)}}
\index{Graveyard, The}%
\label{tune:399}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{df/lily-a2c71406-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{399} \emph{The Graveyard (South Carolina)}, F, 2/4}
\end{samepage}
%=========================================================================
%    400
%    anonymous_jordan
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{400}}\hspace{0mm}}\footnotetext[400]{anonymous, \emph{Roll, Jordan, Roll (United States)}}
\index{Roll, Jordan, Roll}%
\label{tune:400}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{1b/lily-c919aefc-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{400} \emph{Roll, Jordan, Roll (United States)}, D, 2/4}
\end{samepage}
%=========================================================================
%    401
%    anonymous_cyclone
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{401}}\hspace{0mm}}\footnotetext[401]{anonymous, \emph{Cyclone at Ryecove (Missouri)}}
\index{Cyclone at Ryecove}%
\label{tune:401}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{90/lily-8fc74ca8-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{401} \emph{Cyclone at Ryecove (Missouri)}, A, 3/4}
\end{samepage}
%=========================================================================
%    402
%    europe_angeline
%    composer=James Reese Europe, last=Europe, first=James Reese


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{402}}\hspace{0mm}}\footnotetext[402]{James Reese Europe, \emph{Goodnight Angeline}}
\index{Europe, James Reese!Goodnight Angeline}%
\index{Goodnight Angeline, James Reese Europe}%
\label{tune:402}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a2/lily-6433cb77-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{402} Europe, \emph{Goodnight Angeline}, G, 4/4}
\end{samepage}
%=========================================================================
%    403
%    anonymous_tis_me
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{403}}\hspace{0mm}}\footnotetext[403]{anonymous, \emph{'Tis Me, O Lord (Unites States)}}
\index{Tis Me, O Lord}%
\label{tune:403}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{79/lily-0a71b137-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{403} \emph{'Tis Me, O Lord (Unites States)}, A-flat, 4/4}
\end{samepage}
\pagebreak[4]\noindent{\section{Relative Minor and Major}\label{sec:5:3}}
%=========================================================================
%    404
%    anonymous_schwesterlein
%    composer=anonymous, last=anonymous, first=
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{404}}\hspace{0mm}}\footnotetext[404]{anonymous, \emph{Schwesterlein}}
\index{Schwesterlein}%
\label{tune:404}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{89/lily-922f8e10-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{404} \emph{Schwesterlein}, g, 3/4}
\end{samepage}
%=========================================================================
%    405
%    anonymous_ritter
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{405}}\hspace{0mm}}\footnotetext[405]{anonymous, \emph{Es Ritt ein Ritter}}
\index{Es Ritt ein Ritter}%
\label{tune:405}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{8a/lily-82690aeb-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{405} \emph{Es Ritt ein Ritter}, b, 6/8}
\end{samepage}
%=========================================================================
%    406
%    anonymous_cradle
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{406}}\hspace{0mm}}\footnotetext[406]{anonymous, \emph{Cradle Song (Sweden)}}
\index{Cradle Song}%
\label{tune:406}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{cd/lily-908367a8-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{406} \emph{Cradle Song (Sweden)}, f, 2/4}
\end{samepage}
%=========================================================================
%    407
%    bach_chorale18
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{407}}\hspace{0mm}}\footnotetext[407]{J.S. Bach, \emph{Chorale, `Befiehl du deine Wege'}}
\index{Bach, J.S.!Chorale, `Befiehl du deine Wege'}%
\label{tune:407}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{75/lily-3386310f-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{407} Bach, \emph{Chorale, `Befiehl du deine Wege'}, b, 4/4}
\end{samepage}
%=========================================================================
%    408
%    bach_chorale38
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{408}}\hspace{0mm}}\footnotetext[408]{J.S. Bach, \emph{Chorale, `Das Walt' Mein Gott, Vater, Sohn'}}
\index{Bach, J.S.!Chorale, `Das Walt' Mein Gott, Vater, Sohn'}%
\label{tune:408}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{09/lily-ad0a24ad-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{408} Bach, \emph{Chorale, `Das Walt' Mein Gott, Vater, Sohn'}, d, 4/4}
\end{samepage}
%=========================================================================
%    409
%    anonymous_feinsliebchen
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{409}}\hspace{0mm}}\footnotetext[409]{anonymous, \emph{Feinsliebchen, Du Sollst}}
\index{Feinsliebchen, Du Sollst}%
\label{tune:409}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{7f/lily-3b24e9cd-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{409} \emph{Feinsliebchen, Du Sollst}, a, 2/4}
\end{samepage}
%=========================================================================
%    410
%    x_bach_chorale62
%    composer=J.S. Bach, last=Bach, first=J.S.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{410}}\hspace{0mm}}\footnotetext[410]{J.S. Bach, \emph{Chorale, `Gib Dich Zufrieden und Sei Stille'}}
\index{Bach, J.S.!Chorale, `Gib Dich Zufrieden und Sei Stille'}%
\label{tune:410}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{75/lily-ca35eaa6-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{410} Bach, \emph{Chorale, `Gib Dich Zufrieden und Sei Stille'}, e, 4/4}
\end{samepage}
%=========================================================================
%    411
%    crouch_kathleen
%    composer=F. Nicholls Crouch, last=Crouch, first=F. Nicholls


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{411}}\hspace{0mm}}\footnotetext[411]{F. Nicholls Crouch, \emph{Kathleen Mavourneen}}
\index{Crouch, F. Nicholls!Kathleen Mavourneen}%
\index{Kathleen Mavourneen, F. Nicholls Crouch}%
\label{tune:411}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{42/lily-2f9a18c5-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{411} Crouch, \emph{Kathleen Mavourneen}, C, 3/4}
\end{samepage}
\pagebreak[4]\vspace{12mm}\noindent{\mychapter{The C Clef}{412}\label{ch:6}}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}This chapter recapitulates some melodies from earlier chapters, using the C clef. In modern music, the C clef is used almost exclusively for the viola, but it will also be encountered in older scores, both vocal and instrumental, as an equally important companion to the treble and bass clefs. Sight-singing from the C clef is not difficult, because one merely follows the usual procedure of determining which line or space on the staff represents `do,' and reading all other notes relative to it.\\
%=========================================================================
%    412
%    x_cclef_crowell2
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\makebox[0mm][r]{\huge{\ingray{412}}\hspace{0mm}}\index{Crowell, B.!C, 4/4}%
\label{tune:412}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{ae/lily-62998a7a-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{412} C, 4/4}
\end{samepage}
%=========================================================================
%    413
%    x_cclef_crowell7
%    composer=B. Crowell, last=Crowell, first=B.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{413}}\hspace{0mm}}\index{Crowell, B.!C, 3/4}%
\label{tune:413}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{67/lily-9fb7a008-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{413} C, 3/4}
\end{samepage}
%=========================================================================
%    414
%    x_cclef_anonymous_ash
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{414}}\hspace{0mm}}\footnotetext[414]{anonymous, \emph{The Ash Grove (Wales)}}
\index{Ash Grove, The}%
\label{tune:414}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{a0/lily-6bf06bc4-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{414} \emph{The Ash Grove (Wales)}, C, 3/4}
\end{samepage}
%=========================================================================
%    415
%    x_cclef_haydn_oxford_menuet
%    composer=Franz Joseph Haydn, last=Haydn, first=Franz Joseph


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{415}}\hspace{0mm}}\footnotetext[415]{Franz Joseph Haydn, \emph{menuet Oxford symphony}}
\index{Haydn, Franz Joseph!menuet Oxford symphony}%
\index{menuet Oxford symphony, Franz Joseph Haydn}%
\label{tune:415}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c4/lily-d1081bb0-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{415} Haydn, \emph{menuet Oxford symphony}, C, 3/4}
\end{samepage}
%=========================================================================
%    416
%    x_cclef_anonymous_wedge1
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{416}}\hspace{0mm}}\footnotetext[416]{folk song}
\label{tune:416}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{50/lily-a60f6e6c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{416} folk song, C, 6/8}
\end{samepage}
%=========================================================================
%    417
%    x_cclef_anonymous_hort
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{417}}\hspace{0mm}}\footnotetext[417]{anonymous, \emph{Wach' Auf, Mein Hort}}
\index{Wach' Auf, Mein Hort}%
\label{tune:417}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{78/lily-acab963d-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{417} \emph{Wach' Auf, Mein Hort}, C, 6/8}
\end{samepage}
%=========================================================================
%    418
%    x_cclef_anonymous_paloma
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{418}}\hspace{0mm}}\footnotetext[418]{anonymous, \emph{La Paloma Blanca (Arizona)}}
\index{Paloma Blanca, La}%
\label{tune:418}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{21/lily-94cb5744-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{418} \emph{La Paloma Blanca (Arizona)}, C, 6/8}
\end{samepage}
%=========================================================================
%    419
%    x_cclef_holst_venus
%    composer=Gustav Holst, last=Holst, first=Gustav


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{419}}\hspace{0mm}}\footnotetext[419]{Gustav Holst, \emph{Venus theme from The Planets}}
\index{Holst, Gustav!Venus theme from The Planets}%
\index{Venus theme from The Planets, Gustav Holst}%
\label{tune:419}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{24/lily-ed1d4197-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{419} Holst, \emph{Venus theme from The Planets}, G, 3/4}
\end{samepage}
%=========================================================================
%    420
%    x_cclef_anonymous_wedge3
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{420}}\hspace{0mm}}\footnotetext[420]{folk song}
\label{tune:420}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{4d/lily-aa32ac12-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{420} folk song, G, 6/8}
\end{samepage}
%=========================================================================
%    421
%    x_cclef_pergolesi_sancta_mater
%    composer=Giovanni Battista Pergolesi, last=Pergolesi, first=Giovanni Battista


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{421}}\hspace{0mm}}\footnotetext[421]{Giovanni Battista Pergolesi, \emph{aria `Sancta Mater' from Stabat Mater}}
\index{Pergolesi, Giovanni Battista!Sancta Mater from Stabat Mater}%
\index{Sancta Mater from Stabat Mater, Giovanni Battista Pergolesi}%
\label{tune:421}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{84/lily-b2c22db9-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{421} Pergolesi, \emph{aria `Sancta Mater' from Stabat Mater}, F, 4/4}
\end{samepage}
%=========================================================================
%    422
%    x_cclef_mozart_papageno
%    composer=W.A. Mozart, last=Mozart, first=W.A.


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{422}}\hspace{0mm}}\footnotetext[422]{W.A. Mozart, \emph{aria (Papageno) from `The Magic Flute'}}
\index{Mozart, W.A.!aria (Papageno) from `The Magic Flute'}%
\label{tune:422}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{19/lily-64c9f2b2-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{422} Mozart, \emph{aria (Papageno) from `The Magic Flute'}, B-flat, 2/4}
\end{samepage}
%=========================================================================
%    423
%    x_cclef_haydn_london_finale
%    composer=Franz Joseph Haydn, last=Haydn, first=Franz Joseph


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{423}}\hspace{0mm}}\footnotetext[423]{Franz Joseph Haydn, \emph{finale, London symphony}}
\index{Haydn, Franz Joseph!finale, London symphony}%
\index{finale, London symphony, Franz Joseph Haydn}%
\label{tune:423}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{f9/lily-46dfdc44-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{423} Haydn, \emph{finale, London symphony}, D, 4/4}
\end{samepage}


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}The following three examples are in the minor mode.\\
%=========================================================================
%    424
%    x_cclef_anonymous_hour
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\par
\makebox[0mm][r]{\huge{\ingray{424}}\hspace{0mm}}\footnotetext[424]{anonymous, \emph{Every Hour in the Day (Georgia)}}
\index{Every Hour in the Day}%
\label{tune:424}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{c4/lily-bebdbbfe-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{424} \emph{Every Hour in the Day (Georgia)}, a, 2/4}
\end{samepage}
%=========================================================================
%    425
%    x_cclef_anonymous_russian6
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{425}}\hspace{0mm}}\footnotetext[425]{anonymous, \emph{lullabye (Russia)}}
\index{lullabye}%
\label{tune:425}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{5b/lily-9514de7c-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{425} \emph{lullabye (Russia)}, a, 4/4}
\end{samepage}
%=========================================================================
%    426
%    x_cclef_anonymous_feinsliebchen
%    composer=anonymous, last=anonymous, first=


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{426}}\hspace{0mm}}\footnotetext[426]{anonymous, \emph{Feinsliebchen, Du Sollst}}
\index{Feinsliebchen, Du Sollst}%
\label{tune:426}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{3c/lily-43e50d58-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{426} \emph{Feinsliebchen, Du Sollst}, a, 2/4}
\end{samepage}
%=========================================================================
%    427
%    x_cclef_crouch_kathleen
%    composer=F. Nicholls Crouch, last=Crouch, first=F. Nicholls


\pagebreak[3]\par
\vspace{5mm}\begin{samepage}
\makebox[0mm][r]{\huge{\ingray{427}}\hspace{0mm}}\footnotetext[427]{F. Nicholls Crouch, \emph{Kathleen Mavourneen}}
\index{Crouch, F. Nicholls!Kathleen Mavourneen}%
\index{Kathleen Mavourneen, F. Nicholls Crouch}%
\label{tune:427}%
{%
\parindent 0pt
\noindent
\ifx\preLilyPondExample \undefined
\else
  \expandafter\preLilyPondExample
\fi
\def\lilypondbook{}%
\input{e9/lily-5b6a3c1e-systems.tex}
\ifx\postLilyPondExample \undefined
\else
  \expandafter\postLilyPondExample
\fi
}
\addcontentsline{toc}{subsection}{\textbf{427} Crouch, \emph{Kathleen Mavourneen}, G, 3/4}
\end{samepage}
\par\pagebreak[4]{\Huge Thematic Index}\label{thematic-index}\\*

\backmatter

\printindex

\end{document}