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The element spGrp is primarily useful for the encoding of musical numbers especially when more than one speaker/singer participates. In a sense, it is divLike but it does not tesselate the text. It permits interruption of the act-scene-speech hierarchy, like a nested text or quote. However, unlike div, ispGrp cannot self-nest.
I propose two changes : first, the content model of spGrp should be expanded to permit spGrp as an explicit alternate along with sp and the members of model.stageLike and model.global. Second the attribute @org should be added, with values "sequential" and "parallel", indicating whether the components of the spGrp are to be performed in sequence or in parallel. This seems a more natural and simpler approach to the problem of representing simultaneous singing of different words by different performers than the appropriation of the @sync attribute (which is intended for speech transcription, rather than performance).
Here's an example from a 19c light opera (Rophino Lacy's version of Cinderella) , but there are plenty of others
The text was updated successfully, but these errors were encountered:
The element spGrp is primarily useful for the encoding of musical numbers especially when more than one speaker/singer participates. In a sense, it is divLike but it does not tesselate the text. It permits interruption of the act-scene-speech hierarchy, like a nested text or quote. However, unlike div, ispGrp cannot self-nest.
I propose two changes : first, the content model of spGrp should be expanded to permit spGrp as an explicit alternate along with sp and the members of model.stageLike and model.global. Second the attribute @org should be added, with values "sequential" and "parallel", indicating whether the components of the spGrp are to be performed in sequence or in parallel. This seems a more natural and simpler approach to the problem of representing simultaneous singing of different words by different performers than the appropriation of the @sync attribute (which is intended for speech transcription, rather than performance).
Here's an example from a 19c light opera (Rophino Lacy's version of Cinderella) , but there are plenty of others
The text was updated successfully, but these errors were encountered: