diff --git a/app/views/exhibits/black-power/notes.md b/app/views/exhibits/black-power/notes.md
index 64958b23f8..85623c97d9 100644
--- a/app/views/exhibits/black-power/notes.md
+++ b/app/views/exhibits/black-power/notes.md
@@ -26,7 +26,7 @@
- Wald, Gayle. *It’s Been Beautiful: Soul! and Black Power Television*. Durham: Duke University Press, 2015.
-- WNET. “List of Black-Produced TV Shows Nationwide, from 1968- On,” February 27, 2009; https://www.thirteen.org/broadcastingwhileBlack/uncategorized/list-of-Black-produced-tv-shows-nationwide-from-1968-on/
+- WNET. “List of Black-Produced TV Shows Nationwide, from 1968- On,” February 27, 2009; https://www.thirteen.org/blog-post/list-of-black-produced-tv-shows-nationwide-from-1968-on/
### Notes to Televising Black Politics in the Black Power Era
diff --git a/app/views/exhibits/eotp.md b/app/views/exhibits/eotp.md
index 06f068e0a5..33b8008fac 100644
--- a/app/views/exhibits/eotp.md
+++ b/app/views/exhibits/eotp.md
@@ -4,7 +4,7 @@
## Summary
-This curated collection features the unedited interviews conducted during the making of the landmark PBS documentary series *Eyes on the Prize: America's Civil Rights Years, 1954–1965* (1987).[1](/exhibits/eotp/notes#1) The exhibit was curated by [Michelle Kelley](https://michellerkelley.com), a writer living in St. Louis, Missouri. Her work has appeared in *The Washington Post*, *Film Quarterly*, *Cineaste*, and other publications. She earned her Ph.D. in Cinema Studies from New York University and was a Postdoctoral Teaching Fellow in the Film and Media Studies Program at Washington University in St. Louis.
+This curated collection features the unedited interviews conducted during the making of the landmark PBS documentary series *Eyes on the Prize: America's Civil Rights Years, 1954–1965* (1987).[1](/exhibits/eotp/notes#1) The exhibit was curated by Michelle Kelley, a writer living in St. Louis, Missouri. Her work has appeared in *The Washington Post*, *Film Quarterly*, *Cineaste*, and other publications. She earned her Ph.D. in Cinema Studies from New York University and was a Postdoctoral Teaching Fellow in the Film and Media Studies Program at Washington University in St. Louis.
The author would like to thank Alan Gevinson, Casey Davis Kaufman, Kenneth Campbell, Ryn Marchese, Miranda Villesvik, Henry Neels, Alexis Templeton, Stephanie Briggs, Paula Albers, Tuma Usirri, Doug Knox, Joe Lowenstein, Brian Woodman, and Irene Taylor. Thanks also to the anonymous reviewers whose feedback helped improve the exhibit. This project was made possible by the Humanities Digital Workshop at Washington University in St. Louis, the Film and Media Archive at Washington University in St. Louis, and the American Archive of Public Broadcasting.
diff --git a/app/views/exhibits/le-show/4-1-presidential-satire.md b/app/views/exhibits/le-show/4-1-presidential-satire.md
index 5858fefd94..ae9c959606 100644
--- a/app/views/exhibits/le-show/4-1-presidential-satire.md
+++ b/app/views/exhibits/le-show/4-1-presidential-satire.md
@@ -15,7 +15,7 @@ Shearer's Nixon runs across the history of *Le Show*, from cameo calls to "The L
"Are you obsessed with Nixon?" Marc Maron asked Shearer in a 2015 interview, soon after the U.S. debut of Shearer's six-episode television series, *Nixon’s the One*.[78](/exhibits/le-show/notes#78) "Fascinated," Shearer replied. "I wouldn't say obsessed. You know, I don't dream about him."[79](/exhibits/le-show/notes#79) Shearer might well be obsessed with telephony, however, given how regularly it and devices for recording it are featured in *Le Show* sketches.
-Shearer in *Nixon’s the One*, https://harryshearer.com/projects/nixons-the-one/.
+Shearer in Nixon’s the One, https://harryshearer.com/projects/nixons-the-one/.
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