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Reading for Machine Learning

  • Chapter 1 (Neural network introduction) ✅
  • Chapter 2 (Backpropagation) ✅
  • ...

Reading for Statistical Models / MVSs

Coursera Machine Learning Course

  • Week 1 ✅
  • Week 2 ✅
  • Week 3
  • Week 4
  • Week 5
  • Week 6
  • Week 7
  • Week 8
  • Week 9
  • Week 10
  • Week 11

Conklin, Witten: Multiple viewpoint systems for music prediction (1995)

Pearce, Wiggins: Towards a Framework for the Evaluation of Machine Compositions (2001) ✅

  • Core idea: to make our work more scientific, we need to present and provide evidence for refutable claims.
  • E.g. "People cannot distinguish the machine composed music from human composed music"
  • "Framework" for evaluation:
    • notion of a machine-learned "critic", which ensures style adherance
    • evaluate by asking human subjects to distinguish compositions from data set vs generated ones
    • => machine compositions evaluated objectively within a closed system which does not consider aesthetic merit.
  • Many subtleties discussed in Section 6 onwards; subjects exhibited bias towards classifying as machine generated

Conklin: Music Generation from Statistical Models (2003) ✅

  • Overview of random walk versus Viterbi decoding vs sampling.
  • Random walk often fails to lead to overall high probabiltiy solutions.

## Whorley: Construction and Evaluation of Statistical Models of Melody and Harmony (PhD thesis, 2013)

  • Explores multiple viewpoint frameworks as statistical models of melody and harmony.
  • Multiple viewpoint framework was originated by Conklin and Cleary (1988)

Whorley: Music Generation from Statical Models of Harmony (2016)

Pearce: The construction and evaluation of statistical models of melodic structure in music perception and composition (PhD thesis, 2005)

  • Shows multiple viewpoint systems being used successfully