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atone.xml
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atone.xml
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<refentry id="atone">
<indexterm id="IndexAtone"><primary>atone</primary></indexterm>
<refentryinfo><title>Signal Modifiers:Standard Filters</title></refentryinfo>
<refmeta>
<refentrytitle>atone</refentrytitle>
</refmeta>
<refnamediv>
<refname>atone</refname>
<refpurpose>
A hi-pass filter whose transfer functions are the complements of the <link linkend="tone"><citetitle>tone</citetitle></link> opcode.
</refpurpose>
</refnamediv>
<refsect1>
<title>Description</title>
<para>
A hi-pass filter whose transfer functions are the complements of the <link linkend="tone"><citetitle>tone</citetitle></link> opcode.
</para>
</refsect1>
<refsect1>
<title>Syntax</title>
<synopsis>ares <command>atone</command> asig, khp [, iskip]</synopsis>
</refsect1>
<refsect1>
<title>Initialization</title>
<para>
<emphasis>iskip</emphasis> (optional, default=0) -- initial disposition of internal data space. Since filtering incorporates a feedback loop of previous output, the initial status of the storage space used is significant. A zero value will clear the space; a non-zero value will allow previous information to remain. The default value is 0.
</para>
</refsect1>
<refsect1>
<title>Performance</title>
<para>
<emphasis>ares</emphasis> -- the output signal at audio rate.
</para>
<para>
<emphasis>asig</emphasis> -- the input signal at audio rate.
</para>
<para>
<emphasis>khp</emphasis> -- the response curve's half-power point, in Hertz. Half power is defined as peak power / root 2.
</para>
<para>
<emphasis>atone</emphasis> is a filter whose transfer functions is the complement of <link linkend="tone"><citetitle>tone</citetitle></link>. <emphasis>atone</emphasis> is thus a form of high-pass filter whose transfer functions represent the <quote>filtered out</quote> aspects of their complements. However, power scaling is not normalized in <emphasis>atone</emphasis> but remains the true complement of the corresponding unit. Thus an audio signal, filtered by parallel matching <emphasis>tone</emphasis> and <emphasis>atone</emphasis> units, would under addition simply reconstruct the original spectrum.
</para>
<para>
This property is particularly useful for controlled mixing of different sources (see <link linkend="lpreson"><citetitle>lpreson</citetitle></link>). Complex response curves such as those with multiple peaks can be obtained by using a bank of suitable filters in series. (The resultant response is the product of the component responses.) In such cases, the combined attenuation may result in a serious loss of signal power, but this can be regained by the use of <link linkend="balance"><citetitle>balance</citetitle></link>.
</para>
</refsect1>
<refsect1>
<title>Examples</title>
<para>
Here is an example of the atone opcode. It uses the file <ulink url="examples/atone.csd"><citetitle>atone.csd</citetitle></ulink>.
<example>
<title>Example of the atone opcode.</title>
<para>See the sections <link linkend="UsingRealTime"><citetitle>Real-time Audio</citetitle></link> and <link linkend="CommandFlags"><citetitle>Command Line Flags</citetitle></link> for more information on using command line flags.</para>
<xi:include href="examples-xml/atone.csd.xml" xmlns:xi="http://www.w3.org/2001/XInclude"/>
</example>
</para>
</refsect1>
<refsect1>
<title>See Also</title>
<para>
<link linkend="areson"><citetitle>areson</citetitle></link>,
<link linkend="aresonk"><citetitle>aresonk</citetitle></link>,
<link linkend="atonek"><citetitle>atonek</citetitle></link>,
<link linkend="port"><citetitle>port</citetitle></link>,
<link linkend="portk"><citetitle>portk</citetitle></link>,
<link linkend="reson"><citetitle>reson</citetitle></link>,
<link linkend="resonk"><citetitle>resonk</citetitle></link>,
<link linkend="tone"><citetitle>tone</citetitle></link>,
<link linkend="tonek"><citetitle>tonek</citetitle></link>
</para>
</refsect1>
</refentry>