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ViFEBibliography_.xml
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<author>Hartwig, Maja</author>
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<title>Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte</title>
<secondary-title>"Ei, dem alten Herrn zoll' ich Achtung gern'". Festschrift für Joachim Veit zum 60. Geburtstag
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<title>Anforderungen an ein musikeditorisches Codierungsformat/Requirements for a Music-editorial Data Format
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<record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author>Richts, Kristina</author><author>Capelle, Irmlind</author></authors></contributors><titles><title>Kontextuelle Tiefenerschließung von Musikalienbeständen mit MEI und TEI. Einblicke in das Detmolder Hoftheater Projekt</title><secondary-title>Forum Musikbibliothek</secondary-title></titles><periodical><full-title>Forum Musikbibliothek</full-title></periodical><pages>20–26</pages><issue>2</issue><dates><year>2015</year><pub-dates><date>2015</date></pub-dates></dates><isbn>0173-5187</isbn></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author>Veit, Joachim</author></authors><secondary-authors><author>Braungart, Georg</author><author>Eibl, Karl</author><author>Jannidis, Fotis</author></secondary-authors></contributors><titles><title>Musikwissenschaft und Computerphilologie – eine schwierige Liaison?</title><secondary-title>Jahrbuch für Computerphilologie</secondary-title></titles><periodical><full-title>Jahrbuch für Computerphilologie</full-title></periodical><pages>67–92</pages><issue>7</issue><dates><year>2005</year><pub-dates><date>2005</date></pub-dates></dates><isbn>1617-3465</isbn><abstract>From the perspective of an editor who intends to make use of the new digital technologies some of the digital libraries and numerous musical databases founded within the last years (or, in a few cases, even in the last third of the last century) prove to be very helpful for daily work. But nevertheless, digital editions in a narrow sense are very rare in the field of music. Looking for the real reason for the delay of musicology in this field of research one has to admit that music proves to be very resistant to all endeavours of encoding. The mixture of graphical and letter symbols or ›normal‹ words in musical notation and the ambiguity of many musical signs lead to a lot of problems when trying to find a good, comprehensive and lasting representing system – which is the precondition for all sorts of analytical operations and for long-term editions too. Today all editions are done with proprietary software often totally out-dated a few years after publication. So one of the most urgent tasks is to find a standard representing system for music (notation). MusicXML and the XML-Code of the Music Encoding Initiative (MEI) are important steps on the way to a form of encoding which will allow the integration of versions and variants and their future re-visualization on the screen. A further problem is the electronic ›mapping‹ of music facsimiles. (Such facsimiles are of the utmost importance for editorial arguing.) But musicologists share these problems with all scholars dealing with ›written‹ documents, and this should be a cause to take joint action.</abstract><language>de</language><urls><web-urls><url>http://computerphilologie.tu-darmstadt.de/jg05/veit.html</url></web-urls><text-urls><url>/Users/kristin/Library/Application Support/Firefox/Profiles/pszdy57b.default/zotero/storage/B4XN3IA8/veit.html</url></text-urls></urls><access-date>2014-03-07 10:04:23</access-date></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Book Section">5</ref-type><contributors><authors><author>Komprecht, Anna Maria</author><author>Röwenstrunk, Daniel</author></authors></contributors><titles><title>Projektmanagement in digitalen Forschungsprojekten. Ein Leitfaden für interdisziplinäre und kooperative Drittmittelprojekte im Umfeld Digitaler Editionen</title><secondary-title>"Ei, dem alten Herrn zoll' ich Achtung gern'". Festschrift für Joachim Veit zum 60. Geburtstag</secondary-title></titles><periodical><full-title>"Ei, dem alten Herrn zoll' ich Achtung gern'". Festschrift für Joachim Veit zum 60. Geburtstag</full-title></periodical><pages>509–522</pages><dates><year>2016</year><pub-dates><date>2016</date></pub-dates></dates><pub-location>München</pub-location><publisher>Allitera</publisher><language>German</language></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Book Section">5</ref-type><contributors><authors><author>Veit, Joachim</author></authors></contributors><titles><title>Die Codierung digitaler Briefeditionen mit TEI P5. Konzepte und Probleme am Beispiel der Carl-Maria-von-Weber-Briefausgabe</title><secondary-title>Digitale Edition zwischen Experiment und Standardisierung</secondary-title><tertiary-title>Beihefte zu editio</tertiary-title></titles><periodical><full-title>Digitale Edition zwischen Experiment und Standardisierung</full-title></periodical><pages>217–232</pages><volume>31</volume><dates><year>2009</year><pub-dates><date>2009</date></pub-dates></dates><pub-location>Tübingen</pub-location><publisher>Niemeyer</publisher><isbn>978-3-11-023113-7</isbn><language>German</language></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Conference Proceedings">10</ref-type><contributors><authors><author>Viglianti, Raffaele</author><author>Schreiter, Solveig</author><author>Bohl, Benjamin</author></authors></contributors><titles><title>A stand-off critical apparatus for the libretto of Der Freischütz</title></titles><keywords><keyword>FreiDi</keyword><keyword>TEI</keyword></keywords><dates><year>2013</year><pub-dates><date>2013-10-05</date></pub-dates></dates><language>en</language></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Conference Paper">47</ref-type><contributors><secondary-authors><author>Kepper, Johannes</author></secondary-authors></contributors><titles><title>Codierungsformen von Musik</title><secondary-title>Digitale Medien und Musikedition</secondary-title></titles><dates><year>2006</year><pub-dates><date>2006-11-16</date></pub-dates></dates><pub-location>Mainz</pub-location><language>de_DE</language><urls><web-urls><url>http://www.edirom.de/fileadmin/Literatur/kepper.pdf</url></web-urls></urls><access-date>2016-01-04</access-date></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Book">6</ref-type><contributors><authors><author>Beer, Nikolaos</author><author>Herold, Kristin</author><author>Kolbmann, Wibke</author><author>Kollatz, Thomas</author><author>Romanello, Matteo</author><author>Rose, Sebastian</author><author>Walkowski, Nils-Oliver</author></authors></contributors><titles><title>Interdisciplinary Interoperability</title><secondary-title>DARIAH-DE Working Papers</secondary-title></titles><volume>3</volume><keywords><keyword>Interoperabilität</keyword></keywords><dates><year>2014</year><pub-dates><date>2014</date></pub-dates></dates><pub-location>Göttingen</pub-location><urls><web-urls><url>http://d-nb.info/1048629198/34</url></web-urls></urls></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Conference Proceedings">10</ref-type><contributors><authors><author>Bohl, Benjamin W.</author></authors></contributors><titles><title>Transform-Proof-Transform. A generic set of tools for a special toolchain in the Freischütz Digital project.</title><secondary-title>Music Encoding Conference</secondary-title></titles><keywords><keyword>FreiDi</keyword></keywords><dates><year>2014</year><pub-dates><date>2014-05-22</date></pub-dates></dates><language>en</language><custom1>Charlottesville, VA</custom1></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Book Section">5</ref-type><contributors><authors><author>Bohl, Benjamin Wolff</author><author>Berndt, Axel</author><author>Waloschek, Simon</author><author>Hadjakos, Aristotelis</author></authors></contributors><titles><title>Dem Igel Sitte lehren ... Musikedition: von der digitalen Verfügbarkeit zur aktiven Nutzung</title><secondary-title>"Ei, dem alten Herrn zoll' ich Achtung gern'". Festschrift für Joachim Veit zum 60. Geburtstag</secondary-title></titles><periodical><full-title>"Ei, dem alten Herrn zoll' ich Achtung gern'". Festschrift für Joachim Veit zum 60. Geburtstag</full-title></periodical><pages>141–163</pages><dates><year>2016</year><pub-dates><date>2016</date></pub-dates></dates><pub-location>München</pub-location><publisher>Allitera</publisher><language>German</language></record>
<record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author>Komprecht, Anna Maria</author></authors></contributors><titles><title>6. Edirom-Summer-School mit Teilnehmerrekord. Workshop-Woche zum digitalen Arbeiten in der Musikwissenschaft</title><secondary-title>Paderborner Universitätszeitschrift</secondary-title></titles><periodical><full-title>Paderborner Universitätszeitschrift</full-title></periodical><pages>34–35</pages><issue>2</issue><dates><year>2015</year><pub-dates><date>2015</date></pub-dates></dates><abstract>IN der vorlesungsfreien Zeit veranstaltet der "Virtuelle Forschungsverbund Edirom" (ViFE) des Musikwissenschaftlichen Seminars Detmold/Paderborn in Zusammenarbeit mit DARIAH-DE zum sechsten Mal die Edirom-Summer-School (ESS) in den Räumen des Heinz Nixdorf Instituts der Universität Paderborn. Nachdem bereits in den vergangenen Jahren eine stetig steigende Teilnehmerzahl zu verbuchen war, wurde in diesem Jahr ein neuer Rekord mit insgesamt 100 Beteiligten aufgestellt.</abstract></record>
<record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Conference Proceedings">10</ref-type><contributors><authors><author>Viglianti, Raffaele</author><author>Bohl, Benjamin W.</author></authors></contributors><titles><title>Modelling complex editions in MEI – the Freischütz Digital project.</title><secondary-title>The Music encoding Conference 2013</secondary-title></titles><keywords><keyword>FreiDi</keyword><keyword>MEI</keyword></keywords><dates><year>2013</year><pub-dates><date>2013-05-22</date></pub-dates></dates><language>en</language><custom1>Mainz</custom1></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Conference Proceedings">10</ref-type><contributors><authors><author>Bohl, Benjamin W.</author></authors></contributors><titles><title>Fingerprinting the Rule – towards interconnecting music treatises by means of an encoding scheme for compositional rules.</title></titles><dates><year>2013</year><pub-dates><date>2013-05</date></pub-dates></dates><language>en</language></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Book Section">5</ref-type><contributors><authors><author>Capelle, Irmlind</author></authors></contributors><titles><title>'Für gedrehte Eicheln an die Kostüme zu Oberon'. Zur Kostüm-Ausstattung von Webers Oberon am Hoftheater Detmold</title><secondary-title>"Ei, dem alten Herrn zoll' ich Achtung gern'". Festschrift für Joachim Veit zum 60. Geburtstag</secondary-title></titles><periodical><full-title>"Ei, dem alten Herrn zoll' ich Achtung gern'". Festschrift für Joachim Veit zum 60. Geburtstag</full-title></periodical><pages>179–199</pages><dates><year>2016</year><pub-dates><date>2016</date></pub-dates></dates><pub-location>München</pub-location><publisher>Allitera</publisher><language>German</language></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author>Kepper, Johannes</author></authors></contributors><titles><title>Zum möglichen Einsatz digitaler Editionsformen bei Musiker-Gesamtausgaben am Beispiel des Edirom-Projekts.</title><secondary-title>Jahrbuch für Computerphilologie 7</secondary-title></titles><periodical><full-title>Jahrbuch für Computerphilologie 7</full-title></periodical><pages>7-26</pages><issue>7</issue><dates><year>2005</year><pub-dates><date>2005</date></pub-dates></dates><isbn>1617-3465</isbn><abstract>Während Computer in literaturwissenschaftlichen Editionen mittlerweile allgemein akzeptierte Hilfsmittel sind, wurden im Bereich der Musikwissenschaft bislang nur wenige Versuche unternommen, die entsprechenden Möglichkeiten und Schwierigkeiten computerbasierter Editionen zu erkunden. Einen solchen Versuch stellt das Edirom-Projekt dar, welches sich zunächst auf die effiziente Visualisierung mehrerer Quellen innerhalb historisch-kritischer Ausgaben konzentriert. Im Folgenden werden die bisherigen Ergebnisse der Edirom vorgestellt und Perspektiven digitaler Arbeitsweisen im Rahmen musikwissenschaftlicher Editionen aufgezeigt.</abstract><language>de</language><urls><web-urls><url>http://computerphilologie.uni-muenchen.de/jg05/kepper.html</url></web-urls><text-urls><url>/Users/kristin/Library/Application Support/Firefox/Profiles/pszdy57b.default/zotero/storage/377RK572/kepper.html</url></text-urls></urls><access-date>2014-03-07 09:47:41</access-date></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author>Richts, Kristina</author></authors></contributors><titles><title>Bericht über die Edirom Summer School 2013</title><secondary-title>Forum Musikbibliothek</secondary-title></titles><periodical><full-title>Forum Musikbibliothek</full-title></periodical><pages>53–54</pages><issue>1</issue><dates><year>2014</year><pub-dates><date>2014</date></pub-dates></dates></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Conference Proceedings">10</ref-type><contributors><authors><author>Bohl, Benjamin W.</author><author>Röwenstrunk, Daniel</author><author>Viglianti, Raffaele</author></authors></contributors><titles><title>Supporting the emerging community of MEI: the current landscape of tools for note entry and digital editing</title><secondary-title>Digital Humanities 2012</secondary-title></titles><periodical><full-title>digital humanities 2012. Conference Abstracts. University of Hamburg, July 16-22.</full-title></periodical><keywords><keyword>MEI</keyword></keywords><dates><year>2012</year><pub-dates><date>2012-07-16</date></pub-dates></dates><urls><web-urls><url>http://www.dh2012.uni-hamburg.de/conference/programme/abstracts/supporting-the-emerging-community-of-mei-the-current-landscape-of-tools-for-note-entry-and-digital-editing/</url></web-urls></urls><custom3>digital humanities 2012. Conference Abstracts. University of Hamburg, July 16-22.</custom3></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Book Section">5</ref-type><contributors><authors><author>Veit, Joachim</author></authors></contributors><titles><title>Musikedition 2.0: Das 'Aus' für den edierten Notentext?</title><secondary-title>Edition. Internationales Jahrbuch für Editionswissenschaft</secondary-title></titles><periodical><full-title>Edition. Internationales Jahrbuch für Editionswissenschaft</full-title></periodical><pages>70–84</pages><volume>29</volume><dates><year>2015</year><pub-dates><date>2015</date></pub-dates></dates><publisher>De Gruyter</publisher><abstract>The most severe criticism of the concepts of our monumental complete editions in music comes from the side of the editors themselves: laments about unpleasant compromises, ideas of ‘open’ or ‘loose leaf editions’, the wish to easily reprint editions with corrections and addenda, or the complaint about the lack of transparency in editorial decisions - all these details contribute to the impression that the function of critical editions will change fundamentally when we enter the digital world. The example of the several editions of Beethoven’s 1st Symphony, which are all based on the same authentic source (printed parts) shows that aspects of the production and transmission process which help to understand editorial problems in general are more interesting than the edited texts. Similar problems appear in manuscripts and the broad availability of scanned sources brings out the question if, on the one hand, we will have to differentiate between graphemes which until now have been summed up under the same notion, and whereas on the other hand we perhaps often tend to be more sophisticated in terms of exactness than coevals. Thus the move to digital editions will promote questions about writing processes in general and will strengthen the role of contextual knowledge. At the same time this contributes to a clear shift of interest - the former ‘edited text’ is no longer the main goal of a critical edition.</abstract></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Book Section">5</ref-type><contributors><authors><author>Röwenstrunk, Daniel</author></authors></contributors><titles><title>Die digitale Edition von Webers Klarinettenquintett. Ein Vergleich der Edirom-Versionen 2004 und 2008</title><secondary-title>Digitale Edition zwischen Experiment und Standardisierung</secondary-title><tertiary-title>Beihefte zu editio</tertiary-title></titles><periodical><full-title>Digitale Edition zwischen Experiment und Standardisierung</full-title></periodical><pages>61–78</pages><volume>31</volume><dates><year>2009</year><pub-dates><date>2009</date></pub-dates></dates><pub-location>Tübingen</pub-location><publisher>Niemeyer</publisher><isbn>978-3-11-023113-7</isbn><language>German</language></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author>Capelle, Irmlind</author><author>Richts, Kristina</author></authors></contributors><titles><title>Die Welt des Detmolder Hoftheaters – erschlossen mit MEI und TEI</title><secondary-title>Bibliotheksdienst</secondary-title></titles><periodical><full-title>Bibliotheksdienst</full-title></periodical><issue>2</issue><dates><year>2016</year><pub-dates><date>2016</date></pub-dates></dates></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author>Veit, Joachim</author></authors></contributors><titles><title>Digitale Musikeditionen in Forschung und Praxis</title><secondary-title>Musikforum. Musikleben im Diskurs</secondary-title></titles><periodical><full-title>Musikforum. Musikleben im Diskurs</full-title></periodical><pages>50–53</pages><issue>4</issue><dates><year>2015</year><pub-dates><date>Oktober-Dezember 2015</date></pub-dates></dates><isbn>0935-2562</isbn><abstract>E-Paper, App und Online-Ticket – die Zeiten von Papier scheinen vorbei. Aber gilt das auch für den Bereich der Musik? Welche Möglichkeiten bieten digitale Notentexte? Welche Formen gibt es und welche Vorteile bringen sie jeweils für Musikwissenschaft und -praxis? Joachim Veit informiert über Perspektiven und aktuelle Forschungen im Bereich der digitalen Musikedition.</abstract></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Journal Article">17</ref-type><contributors><authors><author>Hartwig, Maja</author><author>Kepper, Johannes</author><author>Richts, Kristina</author></authors></contributors><titles><title>Neue Wege der Musikerschließung. Über den möglichen Einsatz von MEI in deutschen Bibliotheken</title><secondary-title>Forum Musikbibliothek</secondary-title></titles><periodical><full-title>Forum Musikbibliothek</full-title></periodical><pages>16–23</pages><issue>1</issue><dates><year>2012</year><pub-dates><date>2012</date></pub-dates></dates><isbn>0173-5187</isbn></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Book">6</ref-type><contributors><tertiary-authors><author>Veit, Joachim</author><author>Stadler, Peter</author></tertiary-authors></contributors><titles><title>Digitale Edition zwischen Experiment und Standardisierung. Musik – Text – Codierung</title><secondary-title>Beihefte zu editio</secondary-title></titles><volume>31</volume><dates><year>2009</year><pub-dates><date>2009</date></pub-dates></dates><pub-location>Tübingen</pub-location><publisher>Niemeyer</publisher><isbn>978-3-11-023113-7</isbn></record><record><database name="MyLibrary">MyLibrary</database><source-app name="Zotero">Zotero</source-app><ref-type name="Conference Proceedings">10</ref-type><contributors><authors><author>Müller, Meinard</author><author>Prätzlich, Thomas</author><author>Bohl, Benjamin W.</author><author>Veit, Joachim</author></authors></contributors><titles><title>Freischütz Digital: a multimodal scenario for informed music processing</title></titles><periodical><full-title>Proceedings of the 14th International Workshop on Image and Audio Analysis for Multimedia Interactive Services (WIAMIS)</full-title></periodical><keywords><keyword>FreiDi</keyword></keywords><dates><year>2013</year><pub-dates><date>2013</date></pub-dates></dates><custom1>Paris, France</custom1><custom3>Proceedings of the 14th International Workshop on Image and Audio Analysis for Multimedia Interactive Services (WIAMIS)</custom3></record></records></xml>