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\ No newline at end of file diff --git a/@fontsource/Marcellus/Marcellus-Regular.ttf b/@fontsource/Marcellus/Marcellus-Regular.ttf new file mode 100644 index 0000000..7b585a4 Binary files /dev/null and b/@fontsource/Marcellus/Marcellus-Regular.ttf differ diff --git a/@fontsource/Marcellus/OFL.txt b/@fontsource/Marcellus/OFL.txt new file mode 100644 index 0000000..7cf05ee --- /dev/null +++ b/@fontsource/Marcellus/OFL.txt @@ -0,0 +1,93 @@ +Copyright (c) 2012, Brian J. Bonislawsky DBA Astigmatic (AOETI) (astigma@astigmatic.com), with Reserved Font Names "Marcellus" + +This Font Software is licensed under the SIL Open Font License, Version 1.1. +This license is copied below, and is also available with a FAQ at: +http://scripts.sil.org/OFL + + +----------------------------------------------------------- +SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007 +----------------------------------------------------------- + +PREAMBLE +The goals of the Open Font License (OFL) are to stimulate worldwide +development of collaborative font projects, to support the font creation +efforts of academic and linguistic communities, and to provide a free and +open framework in which fonts may be shared and improved in partnership +with others. + +The OFL allows the licensed fonts to be used, studied, modified and +redistributed freely as long as they are not sold by themselves. The +fonts, including any derivative works, can be bundled, embedded, +redistributed and/or sold with any software provided that any reserved +names are not used by derivative works. The fonts and derivatives, +however, cannot be released under any other type of license. The +requirement for fonts to remain under this license does not apply +to any document created using the fonts or their derivatives. + +DEFINITIONS +"Font Software" refers to the set of files released by the Copyright +Holder(s) under this license and clearly marked as such. This may +include source files, build scripts and documentation. + +"Reserved Font Name" refers to any names specified as such after the +copyright statement(s). + +"Original Version" refers to the collection of Font Software components as +distributed by the Copyright Holder(s). + +"Modified Version" refers to any derivative made by adding to, deleting, +or substituting -- in part or in whole -- any of the components of the +Original Version, by changing formats or by porting the Font Software to a +new environment. + +"Author" refers to any designer, engineer, programmer, technical +writer or other person who contributed to the Font Software. + +PERMISSION & CONDITIONS +Permission is hereby granted, free of charge, to any person obtaining +a copy of the Font Software, to use, study, copy, merge, embed, modify, +redistribute, and sell modified and unmodified copies of the Font +Software, subject to the following conditions: + +1) Neither the Font Software nor any of its individual components, +in Original or Modified Versions, may be sold by itself. + +2) Original or Modified Versions of the Font Software may be bundled, +redistributed and/or sold with any software, provided that each copy +contains the above copyright notice and this license. These can be +included either as stand-alone text files, human-readable headers or +in the appropriate machine-readable metadata fields within text or +binary files as long as those fields can be easily viewed by the user. + +3) No Modified Version of the Font Software may use the Reserved Font +Name(s) unless explicit written permission is granted by the corresponding +Copyright Holder. This restriction only applies to the primary font name as +presented to the users. + +4) The name(s) of the Copyright Holder(s) or the Author(s) of the Font +Software shall not be used to promote, endorse or advertise any +Modified Version, except to acknowledge the contribution(s) of the +Copyright Holder(s) and the Author(s) or with their explicit written +permission. + +5) The Font Software, modified or unmodified, in part or in whole, +must be distributed entirely under this license, and must not be +distributed under any other license. The requirement for fonts to +remain under this license does not apply to any document created +using the Font Software. + +TERMINATION +This license becomes null and void if any of the above conditions are +not met. + +DISCLAIMER +THE FONT SOFTWARE IS PROVIDED "AS IS", WITHOUT WARRANTY OF ANY KIND, +EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OF +MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENT +OF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THE +COPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY, +INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL +DAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISING +FROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROM +OTHER DEALINGS IN THE FONT SOFTWARE. diff --git a/@fontsource/Suisse Works/Suisse Works Bold Italic.otf b/@fontsource/Suisse Works/Suisse Works Bold Italic.otf new file mode 100644 index 0000000..6f72702 Binary files /dev/null and b/@fontsource/Suisse Works/Suisse Works Bold Italic.otf differ diff --git a/@fontsource/Suisse Works/Suisse Works Bold.otf b/@fontsource/Suisse Works/Suisse Works Bold.otf new file mode 100644 index 0000000..b22f9e1 Binary files /dev/null and b/@fontsource/Suisse Works/Suisse Works Bold.otf differ diff --git a/@fontsource/Suisse Works/Suisse Works Book Italic.otf b/@fontsource/Suisse Works/Suisse Works Book Italic.otf new file mode 100644 index 0000000..19955e0 Binary files /dev/null and b/@fontsource/Suisse Works/Suisse Works Book Italic.otf differ diff --git a/@fontsource/Suisse Works/Suisse Works Book.otf b/@fontsource/Suisse Works/Suisse Works Book.otf new file mode 100644 index 0000000..cfaba14 Binary files /dev/null and b/@fontsource/Suisse Works/Suisse Works Book.otf differ diff --git a/@fontsource/Suisse Works/Suisse Works Medium Italic.otf b/@fontsource/Suisse Works/Suisse Works Medium Italic.otf new file mode 100644 index 0000000..5ad0f7a Binary files /dev/null and b/@fontsource/Suisse Works/Suisse Works Medium Italic.otf differ diff --git a/@fontsource/Suisse Works/Suisse Works Medium.otf b/@fontsource/Suisse Works/Suisse Works Medium.otf new file mode 100644 index 0000000..f243203 Binary files /dev/null and b/@fontsource/Suisse Works/Suisse Works Medium.otf differ diff --git a/@fontsource/Suisse Works/Suisse Works Regular Italic.otf b/@fontsource/Suisse Works/Suisse Works Regular Italic.otf new file mode 100644 index 0000000..7d076eb Binary files /dev/null and b/@fontsource/Suisse Works/Suisse Works Regular Italic.otf differ diff --git a/@fontsource/Suisse Works/Suisse Works Regular.otf b/@fontsource/Suisse Works/Suisse Works Regular.otf new file mode 100644 index 0000000..8f8e35f Binary files /dev/null and b/@fontsource/Suisse Works/Suisse Works Regular.otf differ diff --git a/@fontsource/inter/100.css b/@fontsource/inter/100.css new file mode 100644 index 0000000..4bfbb07 --- /dev/null +++ b/@fontsource/inter/100.css @@ -0,0 +1,63 @@ +/* inter-cyrillic-ext-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-cyrillic-ext-100-normal.woff2') format('woff2'), url('./files/inter-all-100-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* inter-cyrillic-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-cyrillic-100-normal.woff2') format('woff2'), url('./files/inter-all-100-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* inter-greek-ext-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-greek-ext-100-normal.woff2') format('woff2'), url('./files/inter-all-100-normal.woff') format('woff'); + unicode-range: U+1F00-1FFF; +} +/* inter-greek-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-greek-100-normal.woff2') format('woff2'), url('./files/inter-all-100-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* inter-vietnamese-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-vietnamese-100-normal.woff2') format('woff2'), url('./files/inter-all-100-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* inter-latin-ext-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-latin-ext-100-normal.woff2') format('woff2'), url('./files/inter-all-100-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* inter-latin-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-latin-100-normal.woff2') format('woff2'), url('./files/inter-all-100-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/inter/200.css b/@fontsource/inter/200.css new file mode 100644 index 0000000..e0f0012 --- /dev/null +++ b/@fontsource/inter/200.css @@ -0,0 +1,63 @@ +/* inter-cyrillic-ext-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-cyrillic-ext-200-normal.woff2') format('woff2'), url('./files/inter-all-200-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* inter-cyrillic-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-cyrillic-200-normal.woff2') format('woff2'), url('./files/inter-all-200-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* inter-greek-ext-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-greek-ext-200-normal.woff2') format('woff2'), url('./files/inter-all-200-normal.woff') format('woff'); + unicode-range: U+1F00-1FFF; +} +/* inter-greek-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-greek-200-normal.woff2') format('woff2'), url('./files/inter-all-200-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* inter-vietnamese-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-vietnamese-200-normal.woff2') format('woff2'), url('./files/inter-all-200-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* inter-latin-ext-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-latin-ext-200-normal.woff2') format('woff2'), url('./files/inter-all-200-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* inter-latin-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-latin-200-normal.woff2') format('woff2'), url('./files/inter-all-200-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/inter/300.css b/@fontsource/inter/300.css new file mode 100644 index 0000000..cbfb106 --- /dev/null +++ b/@fontsource/inter/300.css @@ -0,0 +1,63 @@ +/* inter-cyrillic-ext-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-cyrillic-ext-300-normal.woff2') format('woff2'), url('./files/inter-all-300-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* inter-cyrillic-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-cyrillic-300-normal.woff2') format('woff2'), url('./files/inter-all-300-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* inter-greek-ext-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-greek-ext-300-normal.woff2') format('woff2'), url('./files/inter-all-300-normal.woff') format('woff'); + unicode-range: U+1F00-1FFF; +} +/* inter-greek-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-greek-300-normal.woff2') format('woff2'), url('./files/inter-all-300-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* inter-vietnamese-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-vietnamese-300-normal.woff2') format('woff2'), url('./files/inter-all-300-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* inter-latin-ext-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-latin-ext-300-normal.woff2') format('woff2'), url('./files/inter-all-300-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* inter-latin-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-latin-300-normal.woff2') format('woff2'), url('./files/inter-all-300-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/inter/400.css b/@fontsource/inter/400.css new file mode 100644 index 0000000..326ae98 --- /dev/null +++ b/@fontsource/inter/400.css @@ -0,0 +1,63 @@ +/* inter-cyrillic-ext-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-cyrillic-ext-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* inter-cyrillic-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-cyrillic-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* inter-greek-ext-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-greek-ext-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+1F00-1FFF; +} +/* inter-greek-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-greek-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* inter-vietnamese-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-vietnamese-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* inter-latin-ext-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-latin-ext-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* inter-latin-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-latin-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/inter/500.css b/@fontsource/inter/500.css new file mode 100644 index 0000000..56ad1de --- /dev/null +++ b/@fontsource/inter/500.css @@ -0,0 +1,63 @@ +/* inter-cyrillic-ext-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-cyrillic-ext-500-normal.woff2') format('woff2'), url('./files/inter-all-500-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* inter-cyrillic-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-cyrillic-500-normal.woff2') format('woff2'), url('./files/inter-all-500-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* inter-greek-ext-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-greek-ext-500-normal.woff2') format('woff2'), url('./files/inter-all-500-normal.woff') format('woff'); + unicode-range: U+1F00-1FFF; +} +/* inter-greek-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-greek-500-normal.woff2') format('woff2'), url('./files/inter-all-500-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* inter-vietnamese-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-vietnamese-500-normal.woff2') format('woff2'), url('./files/inter-all-500-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* inter-latin-ext-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-latin-ext-500-normal.woff2') format('woff2'), url('./files/inter-all-500-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* inter-latin-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-latin-500-normal.woff2') format('woff2'), url('./files/inter-all-500-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/inter/600.css b/@fontsource/inter/600.css new file mode 100644 index 0000000..a811de4 --- /dev/null +++ b/@fontsource/inter/600.css @@ -0,0 +1,63 @@ +/* inter-cyrillic-ext-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-cyrillic-ext-600-normal.woff2') format('woff2'), url('./files/inter-all-600-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* inter-cyrillic-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-cyrillic-600-normal.woff2') format('woff2'), url('./files/inter-all-600-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* inter-greek-ext-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-greek-ext-600-normal.woff2') format('woff2'), url('./files/inter-all-600-normal.woff') format('woff'); + unicode-range: U+1F00-1FFF; +} +/* inter-greek-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-greek-600-normal.woff2') format('woff2'), url('./files/inter-all-600-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* inter-vietnamese-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-vietnamese-600-normal.woff2') format('woff2'), url('./files/inter-all-600-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* inter-latin-ext-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-latin-ext-600-normal.woff2') format('woff2'), url('./files/inter-all-600-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* inter-latin-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-latin-600-normal.woff2') format('woff2'), url('./files/inter-all-600-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/inter/700.css b/@fontsource/inter/700.css new file mode 100644 index 0000000..af8f7f7 --- /dev/null +++ b/@fontsource/inter/700.css @@ -0,0 +1,63 @@ +/* inter-cyrillic-ext-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-cyrillic-ext-700-normal.woff2') format('woff2'), url('./files/inter-all-700-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* inter-cyrillic-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-cyrillic-700-normal.woff2') format('woff2'), url('./files/inter-all-700-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* inter-greek-ext-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-greek-ext-700-normal.woff2') format('woff2'), url('./files/inter-all-700-normal.woff') format('woff'); + unicode-range: U+1F00-1FFF; +} +/* inter-greek-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-greek-700-normal.woff2') format('woff2'), url('./files/inter-all-700-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* inter-vietnamese-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-vietnamese-700-normal.woff2') format('woff2'), url('./files/inter-all-700-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* inter-latin-ext-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-latin-ext-700-normal.woff2') format('woff2'), url('./files/inter-all-700-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* inter-latin-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-latin-700-normal.woff2') format('woff2'), url('./files/inter-all-700-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/inter/800.css b/@fontsource/inter/800.css new file mode 100644 index 0000000..7c97c5b --- /dev/null +++ b/@fontsource/inter/800.css @@ -0,0 +1,63 @@ +/* inter-cyrillic-ext-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-cyrillic-ext-800-normal.woff2') format('woff2'), url('./files/inter-all-800-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* inter-cyrillic-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-cyrillic-800-normal.woff2') format('woff2'), url('./files/inter-all-800-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* inter-greek-ext-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-greek-ext-800-normal.woff2') format('woff2'), url('./files/inter-all-800-normal.woff') format('woff'); + unicode-range: U+1F00-1FFF; +} +/* inter-greek-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-greek-800-normal.woff2') format('woff2'), url('./files/inter-all-800-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* inter-vietnamese-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-vietnamese-800-normal.woff2') format('woff2'), url('./files/inter-all-800-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* inter-latin-ext-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-latin-ext-800-normal.woff2') format('woff2'), url('./files/inter-all-800-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* inter-latin-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-latin-800-normal.woff2') format('woff2'), url('./files/inter-all-800-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/inter/900.css b/@fontsource/inter/900.css new file mode 100644 index 0000000..d999c3b --- /dev/null +++ b/@fontsource/inter/900.css @@ -0,0 +1,63 @@ +/* inter-cyrillic-ext-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-cyrillic-ext-900-normal.woff2') format('woff2'), url('./files/inter-all-900-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* inter-cyrillic-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-cyrillic-900-normal.woff2') format('woff2'), url('./files/inter-all-900-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* inter-greek-ext-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-greek-ext-900-normal.woff2') format('woff2'), url('./files/inter-all-900-normal.woff') format('woff'); + unicode-range: U+1F00-1FFF; +} +/* inter-greek-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-greek-900-normal.woff2') format('woff2'), url('./files/inter-all-900-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* inter-vietnamese-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-vietnamese-900-normal.woff2') format('woff2'), url('./files/inter-all-900-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* inter-latin-ext-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-latin-ext-900-normal.woff2') format('woff2'), url('./files/inter-all-900-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* inter-latin-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-latin-900-normal.woff2') format('woff2'), url('./files/inter-all-900-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/inter/CHANGELOG.md b/@fontsource/inter/CHANGELOG.md new file mode 100644 index 0000000..ee1cb09 --- /dev/null +++ b/@fontsource/inter/CHANGELOG.md @@ -0,0 +1,3 @@ +# Changelog + +See the [Fontsource CHANGELOG.md](https://github.com/fontsource/fontsource/blob/main/CHANGELOG.md). diff --git a/@fontsource/inter/README.md b/@fontsource/inter/README.md new file mode 100644 index 0000000..5f0ed3c --- /dev/null +++ b/@fontsource/inter/README.md @@ -0,0 +1,52 @@ +# Fontsource Inter + +[![npm (scoped)](https://img.shields.io/npm/v/@fontsource/inter?color=brightgreen)](https://www.npmjs.com/package/@fontsource/inter) [![Generic badge](https://img.shields.io/badge/fontsource-passing-brightgreen)](https://github.com/fontsource/fontsource) [![Monthly downloads](https://badgen.net/npm/dm/@fontsource/inter)](https://github.com/fontsource/fontsource) [![Total downloads](https://badgen.net/npm/dt/@fontsource/inter)](https://github.com/fontsource/fontsource) [![GitHub stars](https://img.shields.io/github/stars/fontsource/fontsource.svg?style=social&label=Star)](https://github.com/fontsource/fontsource/stargazers) + +The CSS and web font files to easily self-host the “Inter” font. Please visit the main [Fontsource website](https://fontsource.org/fonts/inter) to view more details on this package. + +## Quick Installation + +Fontsource has a variety of methods to import CSS, such as using a bundler like Webpack. Alternatively, it supports SASS. Full documentation can be found [here](https://fontsource.org/docs/introduction). + +```javascript +yarn add @fontsource/inter // npm install @fontsource/inter +``` + +Within your app entry file or site component, import it in. + +```javascript +import "@fontsource/inter"; // Defaults to weight 400. +``` + +Supported variables: + +- Weights: `[100,200,300,400,500,600,700,800,900]` +- Styles: `[normal]` +- Supported subsets: `[cyrillic,cyrillic-ext,greek,greek-ext,latin,latin-ext,vietnamese]` + +Finally, you can reference the font name in a CSS stylesheet, CSS Module, or CSS-in-JS. + +```css +body { + font-family: "Inter"; +} +``` + +## Variable Fonts + +This particular typeface supports [variable fonts](https://developer.mozilla.org/en-US/docs/Web/CSS/CSS_Fonts/Variable_Fonts_Guide). + +Variable documentation can be found [here](https://fontsource.org/docs/variable-fonts). + +## Licensing + +It is important to always read the license for every font that you use. +Most of the fonts in the collection use the SIL Open Font License, v1.1. Some fonts use the Apache 2 license. The Ubuntu fonts use the Ubuntu Font License v1.0. + +[Google Fonts License Attributions](https://fonts.google.com/attribution) + +## Other Notes + +Font version (provided by source): `v11`. + +Feel free to star and contribute new ideas to this repository that aim to improve the performance of font loading, as well as expanding the existing library we already have. Any suggestions or ideas can be voiced via an [issue](https://github.com/fontsource/fontsource/issues). diff --git a/@fontsource/inter/cyrillic-100.css b/@fontsource/inter/cyrillic-100.css new file mode 100644 index 0000000..58fcbb7 --- /dev/null +++ b/@fontsource/inter/cyrillic-100.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-cyrillic-100-normal.woff2') format('woff2'), url('./files/inter-cyrillic-100-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-200.css b/@fontsource/inter/cyrillic-200.css new file mode 100644 index 0000000..28751f4 --- /dev/null +++ b/@fontsource/inter/cyrillic-200.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-cyrillic-200-normal.woff2') format('woff2'), url('./files/inter-cyrillic-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-300.css b/@fontsource/inter/cyrillic-300.css new file mode 100644 index 0000000..a0fc0cc --- /dev/null +++ b/@fontsource/inter/cyrillic-300.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-cyrillic-300-normal.woff2') format('woff2'), url('./files/inter-cyrillic-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-400.css b/@fontsource/inter/cyrillic-400.css new file mode 100644 index 0000000..ac27bd9 --- /dev/null +++ b/@fontsource/inter/cyrillic-400.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-cyrillic-400-normal.woff2') format('woff2'), url('./files/inter-cyrillic-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-500.css b/@fontsource/inter/cyrillic-500.css new file mode 100644 index 0000000..ee9d274 --- /dev/null +++ b/@fontsource/inter/cyrillic-500.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-cyrillic-500-normal.woff2') format('woff2'), url('./files/inter-cyrillic-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-600.css b/@fontsource/inter/cyrillic-600.css new file mode 100644 index 0000000..bf9c1d6 --- /dev/null +++ b/@fontsource/inter/cyrillic-600.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-cyrillic-600-normal.woff2') format('woff2'), url('./files/inter-cyrillic-600-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-700.css b/@fontsource/inter/cyrillic-700.css new file mode 100644 index 0000000..b3dc87e --- /dev/null +++ b/@fontsource/inter/cyrillic-700.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-cyrillic-700-normal.woff2') format('woff2'), url('./files/inter-cyrillic-700-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-800.css b/@fontsource/inter/cyrillic-800.css new file mode 100644 index 0000000..6c9221e --- /dev/null +++ b/@fontsource/inter/cyrillic-800.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-cyrillic-800-normal.woff2') format('woff2'), url('./files/inter-cyrillic-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-900.css b/@fontsource/inter/cyrillic-900.css new file mode 100644 index 0000000..9f79db6 --- /dev/null +++ b/@fontsource/inter/cyrillic-900.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-cyrillic-900-normal.woff2') format('woff2'), url('./files/inter-cyrillic-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-ext-100.css b/@fontsource/inter/cyrillic-ext-100.css new file mode 100644 index 0000000..a5566a9 --- /dev/null +++ b/@fontsource/inter/cyrillic-ext-100.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-ext-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-cyrillic-ext-100-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-100-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-ext-200.css b/@fontsource/inter/cyrillic-ext-200.css new file mode 100644 index 0000000..e0b9804 --- /dev/null +++ b/@fontsource/inter/cyrillic-ext-200.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-ext-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-cyrillic-ext-200-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-ext-300.css b/@fontsource/inter/cyrillic-ext-300.css new file mode 100644 index 0000000..b06e5a5 --- /dev/null +++ b/@fontsource/inter/cyrillic-ext-300.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-ext-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-cyrillic-ext-300-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-ext-400.css b/@fontsource/inter/cyrillic-ext-400.css new file mode 100644 index 0000000..98e32a1 --- /dev/null +++ b/@fontsource/inter/cyrillic-ext-400.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-ext-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-cyrillic-ext-400-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-ext-500.css b/@fontsource/inter/cyrillic-ext-500.css new file mode 100644 index 0000000..21d8e82 --- /dev/null +++ b/@fontsource/inter/cyrillic-ext-500.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-ext-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-cyrillic-ext-500-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-ext-600.css b/@fontsource/inter/cyrillic-ext-600.css new file mode 100644 index 0000000..e80a12d --- /dev/null +++ b/@fontsource/inter/cyrillic-ext-600.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-ext-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-cyrillic-ext-600-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-600-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-ext-700.css b/@fontsource/inter/cyrillic-ext-700.css new file mode 100644 index 0000000..8e98248 --- /dev/null +++ b/@fontsource/inter/cyrillic-ext-700.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-ext-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-cyrillic-ext-700-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-700-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-ext-800.css b/@fontsource/inter/cyrillic-ext-800.css new file mode 100644 index 0000000..971ea2c --- /dev/null +++ b/@fontsource/inter/cyrillic-ext-800.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-ext-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-cyrillic-ext-800-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-ext-900.css b/@fontsource/inter/cyrillic-ext-900.css new file mode 100644 index 0000000..eb9eebe --- /dev/null +++ b/@fontsource/inter/cyrillic-ext-900.css @@ -0,0 +1,9 @@ +/* inter-cyrillic-ext-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-cyrillic-ext-900-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic-ext.css b/@fontsource/inter/cyrillic-ext.css new file mode 100644 index 0000000..814b061 --- /dev/null +++ b/@fontsource/inter/cyrillic-ext.css @@ -0,0 +1,81 @@ +/* inter-cyrillic-ext-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-cyrillic-ext-100-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-100-normal.woff') format('woff'); + +} +/* inter-cyrillic-ext-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-cyrillic-ext-200-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-200-normal.woff') format('woff'); + +} +/* inter-cyrillic-ext-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-cyrillic-ext-300-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-300-normal.woff') format('woff'); + +} +/* inter-cyrillic-ext-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-cyrillic-ext-400-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-400-normal.woff') format('woff'); + +} +/* inter-cyrillic-ext-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-cyrillic-ext-500-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-500-normal.woff') format('woff'); + +} +/* inter-cyrillic-ext-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-cyrillic-ext-600-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-600-normal.woff') format('woff'); + +} +/* inter-cyrillic-ext-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-cyrillic-ext-700-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-700-normal.woff') format('woff'); + +} +/* inter-cyrillic-ext-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-cyrillic-ext-800-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-800-normal.woff') format('woff'); + +} +/* inter-cyrillic-ext-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-cyrillic-ext-900-normal.woff2') format('woff2'), url('./files/inter-cyrillic-ext-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/cyrillic.css b/@fontsource/inter/cyrillic.css new file mode 100644 index 0000000..7a2f66a --- /dev/null +++ b/@fontsource/inter/cyrillic.css @@ -0,0 +1,81 @@ +/* inter-cyrillic-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + 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200; + src: url('./files/inter-greek-200-normal.woff2') format('woff2'), url('./files/inter-greek-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-300.css b/@fontsource/inter/greek-300.css new file mode 100644 index 0000000..b5cf963 --- /dev/null +++ b/@fontsource/inter/greek-300.css @@ -0,0 +1,9 @@ +/* inter-greek-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-greek-300-normal.woff2') format('woff2'), url('./files/inter-greek-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-400.css b/@fontsource/inter/greek-400.css new file mode 100644 index 0000000..fb551d2 --- /dev/null +++ b/@fontsource/inter/greek-400.css @@ -0,0 +1,9 @@ +/* inter-greek-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-greek-400-normal.woff2') format('woff2'), url('./files/inter-greek-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-500.css b/@fontsource/inter/greek-500.css new file mode 100644 index 0000000..024417d --- /dev/null +++ b/@fontsource/inter/greek-500.css @@ -0,0 +1,9 @@ +/* inter-greek-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-greek-500-normal.woff2') format('woff2'), url('./files/inter-greek-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-600.css b/@fontsource/inter/greek-600.css new file mode 100644 index 0000000..8ad07e8 --- /dev/null +++ b/@fontsource/inter/greek-600.css @@ -0,0 +1,9 @@ +/* inter-greek-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-greek-600-normal.woff2') format('woff2'), url('./files/inter-greek-600-normal.woff') format('woff'); + +} diff --git 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index 0000000..f087a8d --- /dev/null +++ b/@fontsource/inter/greek-900.css @@ -0,0 +1,9 @@ +/* inter-greek-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-greek-900-normal.woff2') format('woff2'), url('./files/inter-greek-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-ext-100.css b/@fontsource/inter/greek-ext-100.css new file mode 100644 index 0000000..b59f97b --- /dev/null +++ b/@fontsource/inter/greek-ext-100.css @@ -0,0 +1,9 @@ +/* inter-greek-ext-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-greek-ext-100-normal.woff2') format('woff2'), url('./files/inter-greek-ext-100-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-ext-200.css b/@fontsource/inter/greek-ext-200.css new file mode 100644 index 0000000..dbc359f --- /dev/null +++ b/@fontsource/inter/greek-ext-200.css @@ -0,0 +1,9 @@ +/* inter-greek-ext-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-greek-ext-200-normal.woff2') format('woff2'), url('./files/inter-greek-ext-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-ext-300.css b/@fontsource/inter/greek-ext-300.css new file mode 100644 index 0000000..8126d43 --- /dev/null +++ b/@fontsource/inter/greek-ext-300.css @@ -0,0 +1,9 @@ +/* inter-greek-ext-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-greek-ext-300-normal.woff2') format('woff2'), url('./files/inter-greek-ext-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-ext-400.css b/@fontsource/inter/greek-ext-400.css new file mode 100644 index 0000000..e17e13e --- /dev/null +++ b/@fontsource/inter/greek-ext-400.css @@ -0,0 +1,9 @@ +/* inter-greek-ext-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-greek-ext-400-normal.woff2') format('woff2'), url('./files/inter-greek-ext-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-ext-500.css b/@fontsource/inter/greek-ext-500.css new file mode 100644 index 0000000..050358c --- /dev/null +++ b/@fontsource/inter/greek-ext-500.css @@ -0,0 +1,9 @@ +/* inter-greek-ext-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-greek-ext-500-normal.woff2') format('woff2'), url('./files/inter-greek-ext-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-ext-600.css b/@fontsource/inter/greek-ext-600.css new file mode 100644 index 0000000..e12ce2e --- /dev/null +++ b/@fontsource/inter/greek-ext-600.css @@ -0,0 +1,9 @@ +/* inter-greek-ext-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-greek-ext-600-normal.woff2') format('woff2'), url('./files/inter-greek-ext-600-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-ext-700.css b/@fontsource/inter/greek-ext-700.css new file mode 100644 index 0000000..693f010 --- /dev/null +++ b/@fontsource/inter/greek-ext-700.css @@ -0,0 +1,9 @@ +/* inter-greek-ext-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-greek-ext-700-normal.woff2') format('woff2'), url('./files/inter-greek-ext-700-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-ext-800.css b/@fontsource/inter/greek-ext-800.css new file mode 100644 index 0000000..774a628 --- /dev/null +++ b/@fontsource/inter/greek-ext-800.css @@ -0,0 +1,9 @@ +/* inter-greek-ext-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-greek-ext-800-normal.woff2') format('woff2'), url('./files/inter-greek-ext-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-ext-900.css b/@fontsource/inter/greek-ext-900.css new file mode 100644 index 0000000..708541e --- /dev/null +++ b/@fontsource/inter/greek-ext-900.css @@ -0,0 +1,9 @@ +/* inter-greek-ext-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-greek-ext-900-normal.woff2') format('woff2'), url('./files/inter-greek-ext-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek-ext.css b/@fontsource/inter/greek-ext.css new file mode 100644 index 0000000..0d18705 --- /dev/null +++ b/@fontsource/inter/greek-ext.css @@ -0,0 +1,81 @@ +/* inter-greek-ext-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-greek-ext-100-normal.woff2') format('woff2'), url('./files/inter-greek-ext-100-normal.woff') format('woff'); + +} +/* inter-greek-ext-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-greek-ext-200-normal.woff2') format('woff2'), url('./files/inter-greek-ext-200-normal.woff') format('woff'); + +} +/* inter-greek-ext-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-greek-ext-300-normal.woff2') format('woff2'), url('./files/inter-greek-ext-300-normal.woff') format('woff'); + +} +/* inter-greek-ext-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-greek-ext-400-normal.woff2') format('woff2'), url('./files/inter-greek-ext-400-normal.woff') format('woff'); + +} +/* inter-greek-ext-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-greek-ext-500-normal.woff2') format('woff2'), url('./files/inter-greek-ext-500-normal.woff') format('woff'); + +} +/* inter-greek-ext-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-greek-ext-600-normal.woff2') format('woff2'), url('./files/inter-greek-ext-600-normal.woff') format('woff'); + +} +/* inter-greek-ext-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-greek-ext-700-normal.woff2') format('woff2'), url('./files/inter-greek-ext-700-normal.woff') format('woff'); + +} +/* inter-greek-ext-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-greek-ext-800-normal.woff2') format('woff2'), url('./files/inter-greek-ext-800-normal.woff') format('woff'); + +} +/* inter-greek-ext-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-greek-ext-900-normal.woff2') format('woff2'), url('./files/inter-greek-ext-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/greek.css b/@fontsource/inter/greek.css new file mode 100644 index 0000000..3b0ea4c --- /dev/null +++ b/@fontsource/inter/greek.css @@ -0,0 +1,81 @@ +/* inter-greek-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-greek-100-normal.woff2') format('woff2'), url('./files/inter-greek-100-normal.woff') format('woff'); + +} +/* inter-greek-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-greek-200-normal.woff2') format('woff2'), url('./files/inter-greek-200-normal.woff') format('woff'); + +} +/* inter-greek-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-greek-300-normal.woff2') format('woff2'), url('./files/inter-greek-300-normal.woff') format('woff'); + +} +/* inter-greek-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-greek-400-normal.woff2') format('woff2'), url('./files/inter-greek-400-normal.woff') format('woff'); + +} +/* inter-greek-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-greek-500-normal.woff2') format('woff2'), url('./files/inter-greek-500-normal.woff') format('woff'); + +} +/* inter-greek-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-greek-600-normal.woff2') format('woff2'), url('./files/inter-greek-600-normal.woff') format('woff'); + +} +/* inter-greek-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-greek-700-normal.woff2') format('woff2'), url('./files/inter-greek-700-normal.woff') format('woff'); + +} +/* inter-greek-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-greek-800-normal.woff2') format('woff2'), url('./files/inter-greek-800-normal.woff') format('woff'); + +} +/* inter-greek-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-greek-900-normal.woff2') format('woff2'), url('./files/inter-greek-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/index.css b/@fontsource/inter/index.css new file mode 100644 index 0000000..326ae98 --- /dev/null +++ b/@fontsource/inter/index.css @@ -0,0 +1,63 @@ +/* inter-cyrillic-ext-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-cyrillic-ext-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* inter-cyrillic-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-cyrillic-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* inter-greek-ext-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-greek-ext-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+1F00-1FFF; +} +/* inter-greek-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-greek-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* inter-vietnamese-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-vietnamese-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* inter-latin-ext-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-latin-ext-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* inter-latin-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-latin-400-normal.woff2') format('woff2'), url('./files/inter-all-400-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/inter/latin-100.css b/@fontsource/inter/latin-100.css new file mode 100644 index 0000000..ed533ee --- /dev/null +++ b/@fontsource/inter/latin-100.css @@ -0,0 +1,9 @@ +/* inter-latin-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-latin-100-normal.woff2') format('woff2'), url('./files/inter-latin-100-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-200.css b/@fontsource/inter/latin-200.css new file mode 100644 index 0000000..d20af56 --- /dev/null +++ b/@fontsource/inter/latin-200.css @@ -0,0 +1,9 @@ +/* inter-latin-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-latin-200-normal.woff2') format('woff2'), url('./files/inter-latin-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-300.css b/@fontsource/inter/latin-300.css new file mode 100644 index 0000000..d51b83b --- /dev/null +++ b/@fontsource/inter/latin-300.css @@ -0,0 +1,9 @@ +/* inter-latin-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-latin-300-normal.woff2') format('woff2'), url('./files/inter-latin-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-400.css b/@fontsource/inter/latin-400.css new file mode 100644 index 0000000..d76ae6e --- /dev/null +++ b/@fontsource/inter/latin-400.css @@ -0,0 +1,9 @@ +/* inter-latin-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-latin-400-normal.woff2') format('woff2'), url('./files/inter-latin-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-500.css b/@fontsource/inter/latin-500.css new file mode 100644 index 0000000..f27ac54 --- /dev/null +++ b/@fontsource/inter/latin-500.css @@ -0,0 +1,9 @@ +/* inter-latin-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-latin-500-normal.woff2') format('woff2'), url('./files/inter-latin-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-600.css b/@fontsource/inter/latin-600.css new file mode 100644 index 0000000..ce29100 --- /dev/null +++ b/@fontsource/inter/latin-600.css @@ -0,0 +1,9 @@ +/* inter-latin-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-latin-600-normal.woff2') format('woff2'), url('./files/inter-latin-600-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-700.css b/@fontsource/inter/latin-700.css new file mode 100644 index 0000000..5f66f46 --- /dev/null +++ b/@fontsource/inter/latin-700.css @@ -0,0 +1,9 @@ +/* inter-latin-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-latin-700-normal.woff2') format('woff2'), url('./files/inter-latin-700-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-800.css b/@fontsource/inter/latin-800.css new file mode 100644 index 0000000..52bf9c6 --- /dev/null +++ b/@fontsource/inter/latin-800.css @@ -0,0 +1,9 @@ +/* inter-latin-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-latin-800-normal.woff2') format('woff2'), url('./files/inter-latin-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-900.css b/@fontsource/inter/latin-900.css new file mode 100644 index 0000000..8270217 --- /dev/null +++ b/@fontsource/inter/latin-900.css @@ -0,0 +1,9 @@ +/* inter-latin-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-latin-900-normal.woff2') format('woff2'), url('./files/inter-latin-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-ext-100.css b/@fontsource/inter/latin-ext-100.css new file mode 100644 index 0000000..95a1839 --- /dev/null +++ b/@fontsource/inter/latin-ext-100.css @@ -0,0 +1,9 @@ +/* inter-latin-ext-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-latin-ext-100-normal.woff2') format('woff2'), url('./files/inter-latin-ext-100-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-ext-200.css b/@fontsource/inter/latin-ext-200.css new file mode 100644 index 0000000..9e857a0 --- /dev/null +++ b/@fontsource/inter/latin-ext-200.css @@ -0,0 +1,9 @@ +/* inter-latin-ext-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-latin-ext-200-normal.woff2') format('woff2'), url('./files/inter-latin-ext-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-ext-300.css b/@fontsource/inter/latin-ext-300.css new file mode 100644 index 0000000..b99a619 --- /dev/null +++ b/@fontsource/inter/latin-ext-300.css @@ -0,0 +1,9 @@ +/* inter-latin-ext-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-latin-ext-300-normal.woff2') format('woff2'), url('./files/inter-latin-ext-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-ext-400.css b/@fontsource/inter/latin-ext-400.css new file mode 100644 index 0000000..2a9247f --- /dev/null +++ b/@fontsource/inter/latin-ext-400.css @@ -0,0 +1,9 @@ +/* inter-latin-ext-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-latin-ext-400-normal.woff2') format('woff2'), url('./files/inter-latin-ext-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-ext-500.css b/@fontsource/inter/latin-ext-500.css new file mode 100644 index 0000000..ae190d6 --- /dev/null +++ b/@fontsource/inter/latin-ext-500.css @@ -0,0 +1,9 @@ +/* inter-latin-ext-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-latin-ext-500-normal.woff2') format('woff2'), url('./files/inter-latin-ext-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-ext-600.css b/@fontsource/inter/latin-ext-600.css new file mode 100644 index 0000000..de39757 --- /dev/null +++ b/@fontsource/inter/latin-ext-600.css @@ -0,0 +1,9 @@ +/* inter-latin-ext-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-latin-ext-600-normal.woff2') format('woff2'), url('./files/inter-latin-ext-600-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-ext-700.css b/@fontsource/inter/latin-ext-700.css new file mode 100644 index 0000000..19d4e46 --- /dev/null +++ b/@fontsource/inter/latin-ext-700.css @@ -0,0 +1,9 @@ +/* inter-latin-ext-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-latin-ext-700-normal.woff2') format('woff2'), url('./files/inter-latin-ext-700-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-ext-800.css b/@fontsource/inter/latin-ext-800.css new file mode 100644 index 0000000..07519f9 --- /dev/null +++ b/@fontsource/inter/latin-ext-800.css @@ -0,0 +1,9 @@ +/* inter-latin-ext-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-latin-ext-800-normal.woff2') format('woff2'), url('./files/inter-latin-ext-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-ext-900.css b/@fontsource/inter/latin-ext-900.css new file mode 100644 index 0000000..27fb874 --- /dev/null +++ b/@fontsource/inter/latin-ext-900.css @@ -0,0 +1,9 @@ +/* inter-latin-ext-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-latin-ext-900-normal.woff2') format('woff2'), url('./files/inter-latin-ext-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin-ext.css b/@fontsource/inter/latin-ext.css new file mode 100644 index 0000000..43e619d --- /dev/null +++ b/@fontsource/inter/latin-ext.css @@ -0,0 +1,81 @@ +/* inter-latin-ext-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-latin-ext-100-normal.woff2') format('woff2'), url('./files/inter-latin-ext-100-normal.woff') format('woff'); + +} +/* inter-latin-ext-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-latin-ext-200-normal.woff2') format('woff2'), url('./files/inter-latin-ext-200-normal.woff') format('woff'); + +} +/* inter-latin-ext-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-latin-ext-300-normal.woff2') format('woff2'), url('./files/inter-latin-ext-300-normal.woff') format('woff'); + +} +/* inter-latin-ext-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-latin-ext-400-normal.woff2') format('woff2'), url('./files/inter-latin-ext-400-normal.woff') format('woff'); + +} +/* inter-latin-ext-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-latin-ext-500-normal.woff2') format('woff2'), url('./files/inter-latin-ext-500-normal.woff') format('woff'); + +} +/* inter-latin-ext-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-latin-ext-600-normal.woff2') format('woff2'), url('./files/inter-latin-ext-600-normal.woff') format('woff'); + +} +/* inter-latin-ext-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-latin-ext-700-normal.woff2') format('woff2'), url('./files/inter-latin-ext-700-normal.woff') format('woff'); + +} +/* inter-latin-ext-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-latin-ext-800-normal.woff2') format('woff2'), url('./files/inter-latin-ext-800-normal.woff') format('woff'); + +} +/* inter-latin-ext-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-latin-ext-900-normal.woff2') format('woff2'), url('./files/inter-latin-ext-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/latin.css b/@fontsource/inter/latin.css new file mode 100644 index 0000000..aa24380 --- /dev/null +++ b/@fontsource/inter/latin.css @@ -0,0 +1,81 @@ +/* inter-latin-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-latin-100-normal.woff2') format('woff2'), url('./files/inter-latin-100-normal.woff') format('woff'); + +} +/* inter-latin-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-latin-200-normal.woff2') format('woff2'), url('./files/inter-latin-200-normal.woff') format('woff'); + +} +/* inter-latin-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-latin-300-normal.woff2') format('woff2'), url('./files/inter-latin-300-normal.woff') format('woff'); + +} +/* inter-latin-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-latin-400-normal.woff2') format('woff2'), url('./files/inter-latin-400-normal.woff') format('woff'); + +} +/* inter-latin-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-latin-500-normal.woff2') format('woff2'), url('./files/inter-latin-500-normal.woff') format('woff'); + +} +/* inter-latin-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-latin-600-normal.woff2') format('woff2'), url('./files/inter-latin-600-normal.woff') format('woff'); + +} +/* inter-latin-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-latin-700-normal.woff2') format('woff2'), url('./files/inter-latin-700-normal.woff') format('woff'); + +} +/* inter-latin-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-latin-800-normal.woff2') format('woff2'), url('./files/inter-latin-800-normal.woff') format('woff'); + +} +/* inter-latin-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-latin-900-normal.woff2') format('woff2'), url('./files/inter-latin-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/metadata.json b/@fontsource/inter/metadata.json new file mode 100644 index 0000000..a4b82a2 --- /dev/null +++ b/@fontsource/inter/metadata.json @@ -0,0 +1 @@ +{"fontId":"inter","fontName":"Inter","subsets":["cyrillic","cyrillic-ext","greek","greek-ext","latin","latin-ext","vietnamese"],"weights":[100,200,300,400,500,600,700,800,900],"styles":["normal"],"defSubset":"latin","variable":{"slnt":{"default":"0","min":"-10","max":"0","step":"1"},"wght":{"default":"400","min":"100","max":"900","step":"1"}},"lastModified":"2022-04-26","version":"v11","category":"sans-serif","source":"https://fonts.google.com/","license":"https://fonts.google.com/attribution","type":"google"} diff --git a/@fontsource/inter/package.json b/@fontsource/inter/package.json new file mode 100644 index 0000000..01a2383 --- /dev/null +++ b/@fontsource/inter/package.json @@ -0,0 +1 @@ +{"name":"@fontsource/inter","version":"4.5.10","description":"Self-host the Inter font in a neatly bundled NPM package.","main":"index.css","publishConfig":{"access":"public"},"keywords":["fontsource","font","font family","google fonts","Inter","inter"],"author":"Lotus ","license":"MIT","homepage":"https://github.com/fontsource/fontsource/tree/main/fonts/google/inter#readme","repository":{"type":"git","url":"https://github.com/fontsource/fontsource.git","directory":"fonts/google/inter"}} diff --git a/@fontsource/inter/scss/mixins.scss b/@fontsource/inter/scss/mixins.scss new file mode 100644 index 0000000..14461ea --- /dev/null +++ b/@fontsource/inter/scss/mixins.scss @@ -0,0 +1,123 @@ +$fontName: "Inter"; +$fontId: "inter"; +$style: normal; +$display: swap; +$weight: 400; +$fontDir: "~@fontsource/#{$fontId}/files"; +$unicodeMap: (cyrillic-ext: (U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F), cyrillic: (U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116), greek-ext: (U+1F00-1FFF), greek: (U+0370-03FF), vietnamese: (U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB), latin-ext: (U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF), latin: (U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD)); + +@mixin fontFace( + $fontName: $fontName, + $fontId: $fontId, + $style: $style, + $display: $display, + $weight: $weight, + $fontDir: $fontDir, + $unicodeMap: $unicodeMap +) { + @each $subset, $unicodeRangeValues in $unicodeMap { + @font-face { + font-family: "#{$fontName}"; + font-style: $style; + font-display: $display; + font-weight: $weight; + src: url("#{$fontDir}/#{$fontId}-#{$subset}-#{$weight}-#{$style}.woff2") format("woff2"), + url("#{$fontDir}/#{$fontId}-all-#{$weight}-#{$style}.woff") format("woff"); + unicode-range: $unicodeRangeValues; + } + } +} + +$defSubset: "latin"; +$unicodeRange: false; +$unicodeRangeValues: (U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD); + +@mixin fontFaceCustom( + $fontName: $fontName, + $fontId: $fontId, + $style: $style, + $display: $display, + $weight: $weight, + $woff2Path: null, + $woffPath: null, + $unicodeRange: $unicodeRange, + $unicodeRangeValues: $unicodeRangeValues +) { + @if $woffPath == null { + $woffPath: "#{$fontDir}/#{$fontId}-#{$defSubset}-#{$weight}-#{$style}.woff"; + } + @if $woff2Path == null { + $woff2Path: "#{$fontDir}/#{$fontId}-#{$defSubset}-#{$weight}-#{$style}.woff2"; + } + + @font-face { + font-family: "#{$fontName}"; + font-style: $style; + font-display: $display; + font-weight: $weight; + src: url("#{$woff2Path}") format("woff2"), url("#{$woffPath}") format("woff"); + @if $unicodeRange { + unicode-range: $unicodeRangeValues; + } + } +} + +$fontNameVariable: "InterVariable"; +$weightVariable: 100 900; +$type: "wghtOnly"; +$stretch: null; + +@mixin fontFaceVariable( + $fontName: $fontNameVariable, + $fontId: $fontId, + $style: $style, + $display: $display, + $weight: $weightVariable, + $fontDir: $fontDir, + $type: $type, + $stretch: $stretch, + $unicodeMap: $unicodeMap +) { + @each $subset, $unicodeRangeValues in $unicodeMap { + @font-face { + font-family: "#{$fontName}"; + font-style: $style; + font-display: $display; + font-weight: $weight; + @if $type == "full" { + font-stretch: $stretch; + } + src: url("#{$fontDir}/#{$fontId}-#{$subset}-variable-#{$type}-#{$style}.woff2") format("woff2"); + unicode-range: $unicodeRangeValues; + } + } +} + +@mixin fontFaceVariableCustom( + $fontName: $fontNameVariable, + $fontId: $fontId, + $style: $style, + $display: $display, + $weight: $weightVariable, + $woff2Path: null, + $unicodeRange: $unicodeRange, + $unicodeRangeValues: $unicodeRangeValues +) { + @if $woff2Path == null { + $woff2Path: "#{$fontDir}/#{$fontId}-#{$defSubset}-variable-#{$type}-#{$style}.woff2"; + } + + @font-face { + font-family: "#{$fontName}"; + font-style: $style; + font-display: $display; + font-weight: $weight; + @if $type == "full" { + font-stretch: $stretch; + } + src: url("#{$woff2Path}") format("woff2"); + @if $unicodeRange { + unicode-range: $unicodeRangeValues; + } + } +} diff --git a/@fontsource/inter/unicode.json b/@fontsource/inter/unicode.json new file mode 100644 index 0000000..0041f1c --- /dev/null +++ b/@fontsource/inter/unicode.json @@ -0,0 +1 @@ +{"cyrillic-ext":"U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F","cyrillic":"U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116","greek-ext":"U+1F00-1FFF","greek":"U+0370-03FF","vietnamese":"U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB","latin-ext":"U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF","latin":"U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD"} diff --git a/@fontsource/inter/variable-full.css b/@fontsource/inter/variable-full.css new file mode 100644 index 0000000..7b5e479 --- /dev/null +++ b/@fontsource/inter/variable-full.css @@ -0,0 +1,63 @@ +/* inter-cyrillic-variable-full-oblique 0deg 10deg */ +@font-face { + font-family: 'InterVariable'; + font-style: oblique 0deg 10deg; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-cyrillic-variable-full-normal.woff2') format('woff2'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* inter-cyrillic-ext-variable-full-oblique 0deg 10deg */ +@font-face { + font-family: 'InterVariable'; + font-style: oblique 0deg 10deg; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-cyrillic-ext-variable-full-normal.woff2') format('woff2'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* inter-greek-variable-full-oblique 0deg 10deg */ +@font-face { + font-family: 'InterVariable'; + font-style: oblique 0deg 10deg; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-greek-variable-full-normal.woff2') format('woff2'); + unicode-range: U+0370-03FF; +} +/* inter-greek-ext-variable-full-oblique 0deg 10deg */ +@font-face { + font-family: 'InterVariable'; + font-style: oblique 0deg 10deg; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-greek-ext-variable-full-normal.woff2') format('woff2'); + unicode-range: U+1F00-1FFF; +} +/* inter-latin-variable-full-oblique 0deg 10deg */ +@font-face { + font-family: 'InterVariable'; + font-style: oblique 0deg 10deg; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-latin-variable-full-normal.woff2') format('woff2'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} +/* inter-latin-ext-variable-full-oblique 0deg 10deg */ +@font-face { + font-family: 'InterVariable'; + font-style: oblique 0deg 10deg; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-latin-ext-variable-full-normal.woff2') format('woff2'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* inter-vietnamese-variable-full-oblique 0deg 10deg */ +@font-face { + font-family: 'InterVariable'; + font-style: oblique 0deg 10deg; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-vietnamese-variable-full-normal.woff2') format('woff2'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} diff --git a/@fontsource/inter/variable.css b/@fontsource/inter/variable.css new file mode 100644 index 0000000..4adfb6a --- /dev/null +++ b/@fontsource/inter/variable.css @@ -0,0 +1,63 @@ +/* inter-cyrillic-variable-wghtOnly-normal */ +@font-face { + font-family: 'InterVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-cyrillic-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* inter-cyrillic-ext-variable-wghtOnly-normal */ +@font-face { + font-family: 'InterVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-cyrillic-ext-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* inter-greek-variable-wghtOnly-normal */ +@font-face { + font-family: 'InterVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-greek-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+0370-03FF; +} +/* inter-greek-ext-variable-wghtOnly-normal */ +@font-face { + font-family: 'InterVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-greek-ext-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+1F00-1FFF; +} +/* inter-latin-variable-wghtOnly-normal */ +@font-face { + font-family: 'InterVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-latin-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} +/* inter-latin-ext-variable-wghtOnly-normal */ +@font-face { + font-family: 'InterVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-latin-ext-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* inter-vietnamese-variable-wghtOnly-normal */ +@font-face { + font-family: 'InterVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 900; + src: url('./files/inter-vietnamese-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} diff --git a/@fontsource/inter/vietnamese-100.css b/@fontsource/inter/vietnamese-100.css new file mode 100644 index 0000000..ed0ac3d --- /dev/null +++ b/@fontsource/inter/vietnamese-100.css @@ -0,0 +1,9 @@ +/* inter-vietnamese-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-vietnamese-100-normal.woff2') format('woff2'), url('./files/inter-vietnamese-100-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/vietnamese-200.css b/@fontsource/inter/vietnamese-200.css new file mode 100644 index 0000000..ae25804 --- /dev/null +++ b/@fontsource/inter/vietnamese-200.css @@ -0,0 +1,9 @@ +/* inter-vietnamese-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-vietnamese-200-normal.woff2') format('woff2'), url('./files/inter-vietnamese-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/vietnamese-300.css b/@fontsource/inter/vietnamese-300.css new file mode 100644 index 0000000..5adc915 --- /dev/null +++ b/@fontsource/inter/vietnamese-300.css @@ -0,0 +1,9 @@ +/* inter-vietnamese-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-vietnamese-300-normal.woff2') format('woff2'), url('./files/inter-vietnamese-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/vietnamese-400.css b/@fontsource/inter/vietnamese-400.css new file mode 100644 index 0000000..79e0988 --- /dev/null +++ b/@fontsource/inter/vietnamese-400.css @@ -0,0 +1,9 @@ +/* inter-vietnamese-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-vietnamese-400-normal.woff2') format('woff2'), url('./files/inter-vietnamese-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/vietnamese-500.css b/@fontsource/inter/vietnamese-500.css new file mode 100644 index 0000000..d816d34 --- /dev/null +++ b/@fontsource/inter/vietnamese-500.css @@ -0,0 +1,9 @@ +/* inter-vietnamese-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-vietnamese-500-normal.woff2') format('woff2'), url('./files/inter-vietnamese-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/vietnamese-600.css b/@fontsource/inter/vietnamese-600.css new file mode 100644 index 0000000..3747dcd --- /dev/null +++ b/@fontsource/inter/vietnamese-600.css @@ -0,0 +1,9 @@ +/* inter-vietnamese-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-vietnamese-600-normal.woff2') format('woff2'), url('./files/inter-vietnamese-600-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/vietnamese-700.css b/@fontsource/inter/vietnamese-700.css new file mode 100644 index 0000000..7487f80 --- /dev/null +++ b/@fontsource/inter/vietnamese-700.css @@ -0,0 +1,9 @@ +/* inter-vietnamese-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-vietnamese-700-normal.woff2') format('woff2'), url('./files/inter-vietnamese-700-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/vietnamese-800.css b/@fontsource/inter/vietnamese-800.css new file mode 100644 index 0000000..c9f2524 --- /dev/null +++ b/@fontsource/inter/vietnamese-800.css @@ -0,0 +1,9 @@ +/* inter-vietnamese-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-vietnamese-800-normal.woff2') format('woff2'), url('./files/inter-vietnamese-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/vietnamese-900.css b/@fontsource/inter/vietnamese-900.css new file mode 100644 index 0000000..4ddbbb4 --- /dev/null +++ b/@fontsource/inter/vietnamese-900.css @@ -0,0 +1,9 @@ +/* inter-vietnamese-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-vietnamese-900-normal.woff2') format('woff2'), url('./files/inter-vietnamese-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/inter/vietnamese.css b/@fontsource/inter/vietnamese.css new file mode 100644 index 0000000..98578b5 --- /dev/null +++ b/@fontsource/inter/vietnamese.css @@ -0,0 +1,81 @@ +/* inter-vietnamese-100-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/inter-vietnamese-100-normal.woff2') format('woff2'), url('./files/inter-vietnamese-100-normal.woff') format('woff'); + +} +/* inter-vietnamese-200-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/inter-vietnamese-200-normal.woff2') format('woff2'), url('./files/inter-vietnamese-200-normal.woff') format('woff'); + +} +/* inter-vietnamese-300-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/inter-vietnamese-300-normal.woff2') format('woff2'), url('./files/inter-vietnamese-300-normal.woff') format('woff'); + +} +/* inter-vietnamese-400-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/inter-vietnamese-400-normal.woff2') format('woff2'), url('./files/inter-vietnamese-400-normal.woff') format('woff'); + +} +/* inter-vietnamese-500-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/inter-vietnamese-500-normal.woff2') format('woff2'), url('./files/inter-vietnamese-500-normal.woff') format('woff'); + +} +/* inter-vietnamese-600-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/inter-vietnamese-600-normal.woff2') format('woff2'), url('./files/inter-vietnamese-600-normal.woff') format('woff'); + +} +/* inter-vietnamese-700-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/inter-vietnamese-700-normal.woff2') format('woff2'), url('./files/inter-vietnamese-700-normal.woff') format('woff'); + +} +/* inter-vietnamese-800-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/inter-vietnamese-800-normal.woff2') format('woff2'), url('./files/inter-vietnamese-800-normal.woff') format('woff'); + +} +/* inter-vietnamese-900-normal*/ +@font-face { + font-family: 'Inter'; + font-style: normal; + font-display: swap; + font-weight: 900; + src: url('./files/inter-vietnamese-900-normal.woff2') format('woff2'), url('./files/inter-vietnamese-900-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/100-italic.css b/@fontsource/jetbrains-mono/100-italic.css new file mode 100644 index 0000000..d1cdb28 --- /dev/null +++ b/@fontsource/jetbrains-mono/100-italic.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-100-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-cyrillic-ext-100-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-100-italic.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-100-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-cyrillic-100-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-100-italic.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-100-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-greek-100-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-100-italic.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-100-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-vietnamese-100-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-100-italic.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-100-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-latin-ext-100-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-100-italic.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-100-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-latin-100-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-100-italic.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/100.css b/@fontsource/jetbrains-mono/100.css new file mode 100644 index 0000000..35f12bd --- /dev/null +++ b/@fontsource/jetbrains-mono/100.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-cyrillic-ext-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-100-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-cyrillic-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-100-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-greek-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-100-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-vietnamese-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-100-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-latin-ext-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-100-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-latin-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-100-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/200-italic.css b/@fontsource/jetbrains-mono/200-italic.css new file mode 100644 index 0000000..4ba1268 --- /dev/null +++ b/@fontsource/jetbrains-mono/200-italic.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-200-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-cyrillic-ext-200-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-200-italic.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-200-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-cyrillic-200-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-200-italic.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-200-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-greek-200-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-200-italic.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-200-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-vietnamese-200-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-200-italic.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-200-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-latin-ext-200-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-200-italic.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-200-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-latin-200-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-200-italic.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/200.css b/@fontsource/jetbrains-mono/200.css new file mode 100644 index 0000000..9f88698 --- /dev/null +++ b/@fontsource/jetbrains-mono/200.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-cyrillic-ext-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-200-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-cyrillic-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-200-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-greek-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-200-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-vietnamese-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-200-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-latin-ext-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-200-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-latin-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-200-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/300-italic.css b/@fontsource/jetbrains-mono/300-italic.css new file mode 100644 index 0000000..7a53505 --- /dev/null +++ b/@fontsource/jetbrains-mono/300-italic.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-300-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-cyrillic-ext-300-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-300-italic.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-300-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-cyrillic-300-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-300-italic.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-300-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-greek-300-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-300-italic.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-300-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-vietnamese-300-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-300-italic.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-300-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-latin-ext-300-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-300-italic.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-300-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-latin-300-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-300-italic.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/300.css b/@fontsource/jetbrains-mono/300.css new file mode 100644 index 0000000..5c4cd38 --- /dev/null +++ b/@fontsource/jetbrains-mono/300.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-cyrillic-ext-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-300-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-cyrillic-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-300-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-greek-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-300-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-vietnamese-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-300-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-latin-ext-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-300-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-latin-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-300-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/400-italic.css b/@fontsource/jetbrains-mono/400-italic.css new file mode 100644 index 0000000..40be430 --- /dev/null +++ b/@fontsource/jetbrains-mono/400-italic.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-400-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-cyrillic-ext-400-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-italic.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-400-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-cyrillic-400-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-italic.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-400-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-greek-400-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-italic.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-400-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-vietnamese-400-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-italic.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-400-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-latin-ext-400-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-italic.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-400-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-latin-400-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-italic.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/400.css b/@fontsource/jetbrains-mono/400.css new file mode 100644 index 0000000..a7b4b20 --- /dev/null +++ b/@fontsource/jetbrains-mono/400.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-cyrillic-ext-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-cyrillic-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-greek-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-vietnamese-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-latin-ext-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-latin-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/500-italic.css b/@fontsource/jetbrains-mono/500-italic.css new file mode 100644 index 0000000..3ee7d48 --- /dev/null +++ b/@fontsource/jetbrains-mono/500-italic.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-500-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-cyrillic-ext-500-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-500-italic.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-500-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-cyrillic-500-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-500-italic.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-500-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-greek-500-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-500-italic.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-500-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-vietnamese-500-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-500-italic.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-500-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-latin-ext-500-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-500-italic.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-500-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-latin-500-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-500-italic.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/500.css b/@fontsource/jetbrains-mono/500.css new file mode 100644 index 0000000..ea65242 --- /dev/null +++ b/@fontsource/jetbrains-mono/500.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-cyrillic-ext-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-500-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-cyrillic-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-500-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-greek-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-500-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-vietnamese-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-500-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-latin-ext-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-500-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-latin-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-500-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/600-italic.css b/@fontsource/jetbrains-mono/600-italic.css new file mode 100644 index 0000000..07f2c0e --- /dev/null +++ b/@fontsource/jetbrains-mono/600-italic.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-600-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-cyrillic-ext-600-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-600-italic.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-600-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-cyrillic-600-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-600-italic.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-600-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-greek-600-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-600-italic.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-600-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-vietnamese-600-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-600-italic.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-600-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-latin-ext-600-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-600-italic.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-600-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-latin-600-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-600-italic.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/600.css b/@fontsource/jetbrains-mono/600.css new file mode 100644 index 0000000..0b39343 --- /dev/null +++ b/@fontsource/jetbrains-mono/600.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-cyrillic-ext-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-600-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-cyrillic-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-600-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-greek-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-600-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-vietnamese-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-600-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-latin-ext-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-600-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-latin-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-600-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/700-italic.css b/@fontsource/jetbrains-mono/700-italic.css new file mode 100644 index 0000000..5b7d195 --- /dev/null +++ b/@fontsource/jetbrains-mono/700-italic.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-700-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-cyrillic-ext-700-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-700-italic.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-700-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-cyrillic-700-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-700-italic.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-700-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-greek-700-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-700-italic.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-700-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-vietnamese-700-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-700-italic.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-700-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-latin-ext-700-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-700-italic.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-700-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-latin-700-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-700-italic.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/700.css b/@fontsource/jetbrains-mono/700.css new file mode 100644 index 0000000..e169325 --- /dev/null +++ b/@fontsource/jetbrains-mono/700.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-cyrillic-ext-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-700-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-cyrillic-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-700-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-greek-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-700-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-vietnamese-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-700-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-latin-ext-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-700-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-latin-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-700-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/800-italic.css b/@fontsource/jetbrains-mono/800-italic.css new file mode 100644 index 0000000..c6d0d33 --- /dev/null +++ b/@fontsource/jetbrains-mono/800-italic.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-800-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-cyrillic-ext-800-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-800-italic.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-800-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-cyrillic-800-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-800-italic.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-800-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-greek-800-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-800-italic.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-800-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-vietnamese-800-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-800-italic.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-800-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-latin-ext-800-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-800-italic.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-800-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-latin-800-italic.woff2') format('woff2'), url('./files/jetbrains-mono-all-800-italic.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/800.css b/@fontsource/jetbrains-mono/800.css new file mode 100644 index 0000000..2c1808c --- /dev/null +++ b/@fontsource/jetbrains-mono/800.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-cyrillic-ext-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-800-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-cyrillic-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-800-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-greek-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-800-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-vietnamese-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-800-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-latin-ext-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-800-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-latin-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-800-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/CHANGELOG.md b/@fontsource/jetbrains-mono/CHANGELOG.md new file mode 100644 index 0000000..ee1cb09 --- /dev/null +++ b/@fontsource/jetbrains-mono/CHANGELOG.md @@ -0,0 +1,3 @@ +# Changelog + +See the [Fontsource CHANGELOG.md](https://github.com/fontsource/fontsource/blob/main/CHANGELOG.md). diff --git a/@fontsource/jetbrains-mono/README.md b/@fontsource/jetbrains-mono/README.md new file mode 100644 index 0000000..66d5fb5 --- /dev/null +++ b/@fontsource/jetbrains-mono/README.md @@ -0,0 +1,52 @@ +# Fontsource JetBrains Mono + +[![npm (scoped)](https://img.shields.io/npm/v/@fontsource/jetbrains-mono?color=brightgreen)](https://www.npmjs.com/package/@fontsource/jetbrains-mono) [![Generic badge](https://img.shields.io/badge/fontsource-passing-brightgreen)](https://github.com/fontsource/fontsource) [![Monthly downloads](https://badgen.net/npm/dm/@fontsource/jetbrains-mono)](https://github.com/fontsource/fontsource) [![Total downloads](https://badgen.net/npm/dt/@fontsource/jetbrains-mono)](https://github.com/fontsource/fontsource) [![GitHub stars](https://img.shields.io/github/stars/fontsource/fontsource.svg?style=social&label=Star)](https://github.com/fontsource/fontsource/stargazers) + +The CSS and web font files to easily self-host the “JetBrains Mono” font. Please visit the main [Fontsource website](https://fontsource.org/fonts/jetbrains-mono) to view more details on this package. + +## Quick Installation + +Fontsource has a variety of methods to import CSS, such as using a bundler like Webpack. Alternatively, it supports SASS. Full documentation can be found [here](https://fontsource.org/docs/introduction). + +```javascript +yarn add @fontsource/jetbrains-mono // npm install @fontsource/jetbrains-mono +``` + +Within your app entry file or site component, import it in. + +```javascript +import "@fontsource/jetbrains-mono"; // Defaults to weight 400. +``` + +Supported variables: + +- Weights: `[100,200,300,400,500,600,700,800]` +- Styles: `[italic,normal]` +- Supported subsets: `[cyrillic,cyrillic-ext,greek,latin,latin-ext,vietnamese]` + +Finally, you can reference the font name in a CSS stylesheet, CSS Module, or CSS-in-JS. + +```css +body { + font-family: "JetBrains Mono"; +} +``` + +## Variable Fonts + +This particular typeface supports [variable fonts](https://developer.mozilla.org/en-US/docs/Web/CSS/CSS_Fonts/Variable_Fonts_Guide). + +Variable documentation can be found [here](https://fontsource.org/docs/variable-fonts). + +## Licensing + +It is important to always read the license for every font that you use. +Most of the fonts in the collection use the SIL Open Font License, v1.1. Some fonts use the Apache 2 license. The Ubuntu fonts use the Ubuntu Font License v1.0. + +[Google Fonts License Attributions](https://fonts.google.com/attribution) + +## Other Notes + +Font version (provided by source): `v12`. + +Feel free to star and contribute new ideas to this repository that aim to improve the performance of font loading, as well as expanding the existing library we already have. Any suggestions or ideas can be voiced via an [issue](https://github.com/fontsource/fontsource/issues). diff --git a/@fontsource/jetbrains-mono/cyrillic-100-italic.css b/@fontsource/jetbrains-mono/cyrillic-100-italic.css new file mode 100644 index 0000000..d28f4f1 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-100-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-100-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-cyrillic-100-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-100-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-100.css b/@fontsource/jetbrains-mono/cyrillic-100.css new file mode 100644 index 0000000..fc59173 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-100.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-cyrillic-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-100-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-200-italic.css b/@fontsource/jetbrains-mono/cyrillic-200-italic.css new file mode 100644 index 0000000..9f7d585 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-200-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-200-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-cyrillic-200-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-200-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-200.css b/@fontsource/jetbrains-mono/cyrillic-200.css new file mode 100644 index 0000000..24eec26 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-200.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-cyrillic-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-300-italic.css b/@fontsource/jetbrains-mono/cyrillic-300-italic.css new file mode 100644 index 0000000..ad490d5 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-300-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-300-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-cyrillic-300-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-300-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-300.css b/@fontsource/jetbrains-mono/cyrillic-300.css new file mode 100644 index 0000000..96604a8 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-300.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-cyrillic-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-400-italic.css b/@fontsource/jetbrains-mono/cyrillic-400-italic.css new file mode 100644 index 0000000..8a2eff9 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-400-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-400-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-cyrillic-400-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-400-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-400.css b/@fontsource/jetbrains-mono/cyrillic-400.css new file mode 100644 index 0000000..c3dfd18 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-400.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-cyrillic-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-500-italic.css b/@fontsource/jetbrains-mono/cyrillic-500-italic.css new file mode 100644 index 0000000..a46a960 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-500-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-500-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-cyrillic-500-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-500-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-500.css b/@fontsource/jetbrains-mono/cyrillic-500.css new file mode 100644 index 0000000..5b86d08 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-500.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-cyrillic-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-600-italic.css b/@fontsource/jetbrains-mono/cyrillic-600-italic.css new file mode 100644 index 0000000..52b1f67 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-600-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-600-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-cyrillic-600-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-600-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-600.css b/@fontsource/jetbrains-mono/cyrillic-600.css new file mode 100644 index 0000000..97558a9 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-600.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-cyrillic-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-600-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-700-italic.css b/@fontsource/jetbrains-mono/cyrillic-700-italic.css new file mode 100644 index 0000000..3a9119a --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-700-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-700-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-cyrillic-700-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-700-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-700.css b/@fontsource/jetbrains-mono/cyrillic-700.css new file mode 100644 index 0000000..988ff1a --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-700.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-cyrillic-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-700-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-800-italic.css b/@fontsource/jetbrains-mono/cyrillic-800-italic.css new file mode 100644 index 0000000..7a1b8eb --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-800-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-800-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-cyrillic-800-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-800-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-800.css b/@fontsource/jetbrains-mono/cyrillic-800.css new file mode 100644 index 0000000..1527b6a --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-800.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-cyrillic-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-100-italic.css b/@fontsource/jetbrains-mono/cyrillic-ext-100-italic.css new file mode 100644 index 0000000..a5be5c4 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-100-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-100-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-cyrillic-ext-100-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-100-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-100.css b/@fontsource/jetbrains-mono/cyrillic-ext-100.css new file mode 100644 index 0000000..8b57e57 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-100.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-cyrillic-ext-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-100-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-200-italic.css b/@fontsource/jetbrains-mono/cyrillic-ext-200-italic.css new file mode 100644 index 0000000..e35e8ba --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-200-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-200-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-cyrillic-ext-200-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-200-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-200.css b/@fontsource/jetbrains-mono/cyrillic-ext-200.css new file mode 100644 index 0000000..73715be --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-200.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-cyrillic-ext-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-300-italic.css b/@fontsource/jetbrains-mono/cyrillic-ext-300-italic.css new file mode 100644 index 0000000..e0f18a9 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-300-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-300-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-cyrillic-ext-300-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-300-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-300.css b/@fontsource/jetbrains-mono/cyrillic-ext-300.css new file mode 100644 index 0000000..68661fc --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-300.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-cyrillic-ext-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-400-italic.css b/@fontsource/jetbrains-mono/cyrillic-ext-400-italic.css new file mode 100644 index 0000000..f6d86bc --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-400-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-400-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-cyrillic-ext-400-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-400-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-400.css b/@fontsource/jetbrains-mono/cyrillic-ext-400.css new file mode 100644 index 0000000..96ded50 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-400.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-cyrillic-ext-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-500-italic.css b/@fontsource/jetbrains-mono/cyrillic-ext-500-italic.css new file mode 100644 index 0000000..b5e5241 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-500-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-500-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-cyrillic-ext-500-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-500-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-500.css b/@fontsource/jetbrains-mono/cyrillic-ext-500.css new file mode 100644 index 0000000..2abca46 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-500.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-cyrillic-ext-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-600-italic.css b/@fontsource/jetbrains-mono/cyrillic-ext-600-italic.css new file mode 100644 index 0000000..9924e3b --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-600-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-600-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-cyrillic-ext-600-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-600-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-600.css b/@fontsource/jetbrains-mono/cyrillic-ext-600.css new file mode 100644 index 0000000..2755865 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-600.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-cyrillic-ext-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-600-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-700-italic.css b/@fontsource/jetbrains-mono/cyrillic-ext-700-italic.css new file mode 100644 index 0000000..8eb0732 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-700-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-700-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-cyrillic-ext-700-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-700-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-700.css b/@fontsource/jetbrains-mono/cyrillic-ext-700.css new file mode 100644 index 0000000..90893d3 --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-700.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-cyrillic-ext-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-700-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-800-italic.css b/@fontsource/jetbrains-mono/cyrillic-ext-800-italic.css new file mode 100644 index 0000000..756a15f --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-800-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-800-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-cyrillic-ext-800-italic.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-800-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext-800.css b/@fontsource/jetbrains-mono/cyrillic-ext-800.css new file mode 100644 index 0000000..f2510bd --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext-800.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-cyrillic-ext-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-cyrillic-ext-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic-ext.css b/@fontsource/jetbrains-mono/cyrillic-ext.css new file mode 100644 index 0000000..f29616d --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic-ext.css @@ -0,0 +1,72 @@ +/* jetbrains-mono-cyrillic-ext-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-cyrillic-ext-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-100-normal.woff') format('woff'); + +} +/* jetbrains-mono-cyrillic-ext-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-cyrillic-ext-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-200-normal.woff') format('woff'); + +} +/* jetbrains-mono-cyrillic-ext-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-cyrillic-ext-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-300-normal.woff') format('woff'); + +} +/* jetbrains-mono-cyrillic-ext-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-cyrillic-ext-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-400-normal.woff') format('woff'); + +} +/* jetbrains-mono-cyrillic-ext-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-cyrillic-ext-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-500-normal.woff') format('woff'); + +} +/* jetbrains-mono-cyrillic-ext-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-cyrillic-ext-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-600-normal.woff') format('woff'); + +} +/* jetbrains-mono-cyrillic-ext-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-cyrillic-ext-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-700-normal.woff') format('woff'); + +} +/* jetbrains-mono-cyrillic-ext-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-cyrillic-ext-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-ext-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/cyrillic.css b/@fontsource/jetbrains-mono/cyrillic.css new file mode 100644 index 0000000..13c903e --- /dev/null +++ b/@fontsource/jetbrains-mono/cyrillic.css @@ -0,0 +1,72 @@ +/* jetbrains-mono-cyrillic-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-cyrillic-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-100-normal.woff') format('woff'); + +} +/* jetbrains-mono-cyrillic-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-cyrillic-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-cyrillic-200-normal.woff') format('woff'); + +} +/* jetbrains-mono-cyrillic-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; 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b/@fontsource/jetbrains-mono/greek-100-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-100-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-greek-100-italic.woff2') format('woff2'), url('./files/jetbrains-mono-greek-100-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-100.css b/@fontsource/jetbrains-mono/greek-100.css new file mode 100644 index 0000000..8a007a9 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-100.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-greek-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-100-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-200-italic.css b/@fontsource/jetbrains-mono/greek-200-italic.css new file mode 100644 index 0000000..4ebad58 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-200-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-200-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-greek-200-italic.woff2') format('woff2'), url('./files/jetbrains-mono-greek-200-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-200.css b/@fontsource/jetbrains-mono/greek-200.css new file mode 100644 index 0000000..9715a97 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-200.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-greek-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-300-italic.css b/@fontsource/jetbrains-mono/greek-300-italic.css new file mode 100644 index 0000000..71d0847 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-300-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-300-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-greek-300-italic.woff2') format('woff2'), url('./files/jetbrains-mono-greek-300-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-300.css b/@fontsource/jetbrains-mono/greek-300.css new file mode 100644 index 0000000..66c1ebb --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-300.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-greek-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-400-italic.css b/@fontsource/jetbrains-mono/greek-400-italic.css new file mode 100644 index 0000000..1aa2dd7 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-400-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-400-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-greek-400-italic.woff2') format('woff2'), url('./files/jetbrains-mono-greek-400-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-400.css b/@fontsource/jetbrains-mono/greek-400.css new file mode 100644 index 0000000..f62d420 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-400.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-greek-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-500-italic.css b/@fontsource/jetbrains-mono/greek-500-italic.css new file mode 100644 index 0000000..f1ec78e --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-500-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-500-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-greek-500-italic.woff2') format('woff2'), url('./files/jetbrains-mono-greek-500-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-500.css b/@fontsource/jetbrains-mono/greek-500.css new file mode 100644 index 0000000..d786290 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-500.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-greek-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-600-italic.css b/@fontsource/jetbrains-mono/greek-600-italic.css new file mode 100644 index 0000000..6a239d3 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-600-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-600-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-greek-600-italic.woff2') format('woff2'), url('./files/jetbrains-mono-greek-600-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-600.css b/@fontsource/jetbrains-mono/greek-600.css new file mode 100644 index 0000000..258d24c --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-600.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-greek-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-600-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-700-italic.css b/@fontsource/jetbrains-mono/greek-700-italic.css new file mode 100644 index 0000000..d966c39 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-700-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-700-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-greek-700-italic.woff2') format('woff2'), url('./files/jetbrains-mono-greek-700-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-700.css b/@fontsource/jetbrains-mono/greek-700.css new file mode 100644 index 0000000..ad78830 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-700.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-greek-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-700-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-800-italic.css b/@fontsource/jetbrains-mono/greek-800-italic.css new file mode 100644 index 0000000..2e25d99 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-800-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-800-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-greek-800-italic.woff2') format('woff2'), url('./files/jetbrains-mono-greek-800-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek-800.css b/@fontsource/jetbrains-mono/greek-800.css new file mode 100644 index 0000000..2730f23 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek-800.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-greek-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-greek-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/greek.css b/@fontsource/jetbrains-mono/greek.css new file mode 100644 index 0000000..4ec1aa8 --- /dev/null +++ b/@fontsource/jetbrains-mono/greek.css @@ -0,0 +1,72 @@ +/* jetbrains-mono-greek-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-greek-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-100-normal.woff') format('woff'); + +} +/* jetbrains-mono-greek-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-greek-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-200-normal.woff') format('woff'); + +} +/* jetbrains-mono-greek-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-greek-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-300-normal.woff') format('woff'); + +} +/* jetbrains-mono-greek-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-greek-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-400-normal.woff') format('woff'); + +} +/* jetbrains-mono-greek-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-greek-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-500-normal.woff') format('woff'); + +} +/* jetbrains-mono-greek-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-greek-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-600-normal.woff') format('woff'); + +} +/* jetbrains-mono-greek-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-greek-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-700-normal.woff') format('woff'); + +} +/* jetbrains-mono-greek-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-greek-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-greek-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/index.css b/@fontsource/jetbrains-mono/index.css new file mode 100644 index 0000000..a7b4b20 --- /dev/null +++ b/@fontsource/jetbrains-mono/index.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-ext-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-cyrillic-ext-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-normal.woff') format('woff'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-cyrillic-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-cyrillic-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-normal.woff') format('woff'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-greek-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-greek-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-normal.woff') format('woff'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-vietnamese-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-vietnamese-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-normal.woff') format('woff'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} +/* jetbrains-mono-latin-ext-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-latin-ext-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-normal.woff') format('woff'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-latin-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-latin-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-all-400-normal.woff') format('woff'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} diff --git a/@fontsource/jetbrains-mono/latin-100-italic.css b/@fontsource/jetbrains-mono/latin-100-italic.css new file mode 100644 index 0000000..31f8491 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-100-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-100-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-latin-100-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-100-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-100.css b/@fontsource/jetbrains-mono/latin-100.css new file mode 100644 index 0000000..533a201 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-100.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-latin-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-100-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-200-italic.css b/@fontsource/jetbrains-mono/latin-200-italic.css new file mode 100644 index 0000000..1d1462f --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-200-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-200-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-latin-200-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-200-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-200.css b/@fontsource/jetbrains-mono/latin-200.css new file mode 100644 index 0000000..2be579b --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-200.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-latin-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-300-italic.css b/@fontsource/jetbrains-mono/latin-300-italic.css new file mode 100644 index 0000000..9076d94 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-300-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-300-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-latin-300-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-300-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-300.css b/@fontsource/jetbrains-mono/latin-300.css new file mode 100644 index 0000000..c8e807f --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-300.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-latin-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-400-italic.css b/@fontsource/jetbrains-mono/latin-400-italic.css new file mode 100644 index 0000000..e404584 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-400-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-400-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-latin-400-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-400-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-400.css b/@fontsource/jetbrains-mono/latin-400.css new file mode 100644 index 0000000..a08e912 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-400.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-latin-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-500-italic.css b/@fontsource/jetbrains-mono/latin-500-italic.css new file mode 100644 index 0000000..f4868dd --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-500-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-500-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-latin-500-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-500-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-500.css b/@fontsource/jetbrains-mono/latin-500.css new file mode 100644 index 0000000..e87ea5f --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-500.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-latin-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-600-italic.css b/@fontsource/jetbrains-mono/latin-600-italic.css new file mode 100644 index 0000000..71ef8cd --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-600-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-600-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-latin-600-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-600-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-600.css b/@fontsource/jetbrains-mono/latin-600.css new file mode 100644 index 0000000..fc7909e --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-600.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-latin-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-600-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-700-italic.css b/@fontsource/jetbrains-mono/latin-700-italic.css new file mode 100644 index 0000000..90f23aa --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-700-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-700-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-latin-700-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-700-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-700.css b/@fontsource/jetbrains-mono/latin-700.css new file mode 100644 index 0000000..85fb33b --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-700.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-latin-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-700-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-800-italic.css b/@fontsource/jetbrains-mono/latin-800-italic.css new file mode 100644 index 0000000..b217407 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-800-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-800-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-latin-800-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-800-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-800.css b/@fontsource/jetbrains-mono/latin-800.css new file mode 100644 index 0000000..0ab60d4 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-800.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-latin-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-100-italic.css b/@fontsource/jetbrains-mono/latin-ext-100-italic.css new file mode 100644 index 0000000..e505e11 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-100-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-100-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-latin-ext-100-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-100-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-100.css b/@fontsource/jetbrains-mono/latin-ext-100.css new file mode 100644 index 0000000..69a18b9 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-100.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-latin-ext-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-100-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-200-italic.css b/@fontsource/jetbrains-mono/latin-ext-200-italic.css new file mode 100644 index 0000000..d22bdbf --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-200-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-200-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-latin-ext-200-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-200-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-200.css b/@fontsource/jetbrains-mono/latin-ext-200.css new file mode 100644 index 0000000..af47e1f --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-200.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-latin-ext-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-300-italic.css b/@fontsource/jetbrains-mono/latin-ext-300-italic.css new file mode 100644 index 0000000..1a1ace3 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-300-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-300-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-latin-ext-300-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-300-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-300.css b/@fontsource/jetbrains-mono/latin-ext-300.css new file mode 100644 index 0000000..d0326ec --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-300.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-latin-ext-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-400-italic.css b/@fontsource/jetbrains-mono/latin-ext-400-italic.css new file mode 100644 index 0000000..21f4fbc --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-400-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-400-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-latin-ext-400-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-400-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-400.css b/@fontsource/jetbrains-mono/latin-ext-400.css new file mode 100644 index 0000000..17745c4 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-400.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-latin-ext-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-500-italic.css b/@fontsource/jetbrains-mono/latin-ext-500-italic.css new file mode 100644 index 0000000..cf898da --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-500-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-500-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-latin-ext-500-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-500-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-500.css b/@fontsource/jetbrains-mono/latin-ext-500.css new file mode 100644 index 0000000..bccf2ce --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-500.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-latin-ext-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-600-italic.css b/@fontsource/jetbrains-mono/latin-ext-600-italic.css new file mode 100644 index 0000000..d89b7e9 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-600-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-600-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-latin-ext-600-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-600-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-600.css b/@fontsource/jetbrains-mono/latin-ext-600.css new file mode 100644 index 0000000..707f55e --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-600.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-latin-ext-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-600-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-700-italic.css b/@fontsource/jetbrains-mono/latin-ext-700-italic.css new file mode 100644 index 0000000..f0d2081 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-700-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-700-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-latin-ext-700-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-700-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-700.css b/@fontsource/jetbrains-mono/latin-ext-700.css new file mode 100644 index 0000000..ff843a6 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-700.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-latin-ext-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-700-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-800-italic.css b/@fontsource/jetbrains-mono/latin-ext-800-italic.css new file mode 100644 index 0000000..c5eddf9 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-800-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-800-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-latin-ext-800-italic.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-800-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext-800.css b/@fontsource/jetbrains-mono/latin-ext-800.css new file mode 100644 index 0000000..5266d58 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext-800.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-latin-ext-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-latin-ext-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin-ext.css b/@fontsource/jetbrains-mono/latin-ext.css new file mode 100644 index 0000000..b74777c --- /dev/null +++ b/@fontsource/jetbrains-mono/latin-ext.css @@ -0,0 +1,72 @@ +/* jetbrains-mono-latin-ext-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-latin-ext-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-100-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-ext-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-latin-ext-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-200-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-ext-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-latin-ext-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-300-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-ext-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-latin-ext-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-400-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-ext-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-latin-ext-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-500-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-ext-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-latin-ext-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-600-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-ext-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-latin-ext-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-700-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-ext-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-latin-ext-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-ext-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/latin.css b/@fontsource/jetbrains-mono/latin.css new file mode 100644 index 0000000..6d54991 --- /dev/null +++ b/@fontsource/jetbrains-mono/latin.css @@ -0,0 +1,72 @@ +/* jetbrains-mono-latin-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-latin-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-100-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-latin-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-200-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-latin-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-300-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-latin-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-400-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-latin-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-500-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-latin-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-600-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-latin-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-700-normal.woff') format('woff'); + +} +/* jetbrains-mono-latin-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-latin-800-normal.woff2') format('woff2'), url('./files/jetbrains-mono-latin-800-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/metadata.json b/@fontsource/jetbrains-mono/metadata.json new file mode 100644 index 0000000..48f5cb6 --- /dev/null +++ b/@fontsource/jetbrains-mono/metadata.json @@ -0,0 +1 @@ +{"fontId":"jetbrains-mono","fontName":"JetBrains Mono","subsets":["cyrillic","cyrillic-ext","greek","latin","latin-ext","vietnamese"],"weights":[100,200,300,400,500,600,700,800],"styles":["italic","normal"],"defSubset":"latin","variable":{"ital":{"default":"0","min":"0","max":"1","step":"1"},"wght":{"default":"400","min":"100","max":"800","step":"1"}},"lastModified":"2022-04-26","version":"v12","category":"monospace","source":"https://fonts.google.com/","license":"https://fonts.google.com/attribution","type":"google"} diff --git a/@fontsource/jetbrains-mono/package.json b/@fontsource/jetbrains-mono/package.json new file mode 100644 index 0000000..c3ec628 --- /dev/null +++ b/@fontsource/jetbrains-mono/package.json @@ -0,0 +1 @@ +{"name":"@fontsource/jetbrains-mono","version":"4.5.8","description":"Self-host the JetBrains Mono font in a neatly bundled NPM package.","main":"index.css","publishConfig":{"access":"public"},"keywords":["fontsource","font","font family","Jetbrains Mono","jetbrains-mono","css","front-end","web"],"author":"Lotus ","license":"MIT","homepage":"https://github.com/fontsource/fontsource/tree/main/fonts/google/jetbrains-mono#readme","repository":{"type":"git","url":"https://github.com/fontsource/fontsource.git","directory":"fonts/google/jetbrains-mono"}} diff --git a/@fontsource/jetbrains-mono/scss/mixins.scss b/@fontsource/jetbrains-mono/scss/mixins.scss new file mode 100644 index 0000000..734b65a --- /dev/null +++ b/@fontsource/jetbrains-mono/scss/mixins.scss @@ -0,0 +1,123 @@ +$fontName: "JetBrains Mono"; +$fontId: "jetbrains-mono"; +$style: normal; +$display: swap; +$weight: 400; +$fontDir: "~@fontsource/#{$fontId}/files"; +$unicodeMap: (cyrillic-ext: (U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F), cyrillic: (U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116), greek: (U+0370-03FF), vietnamese: (U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB), latin-ext: (U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF), latin: (U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD)); + +@mixin fontFace( + $fontName: $fontName, + $fontId: $fontId, + $style: $style, + $display: $display, + $weight: $weight, + $fontDir: $fontDir, + $unicodeMap: $unicodeMap +) { + @each $subset, $unicodeRangeValues in $unicodeMap { + @font-face { + font-family: "#{$fontName}"; + font-style: $style; + font-display: $display; + font-weight: $weight; + src: url("#{$fontDir}/#{$fontId}-#{$subset}-#{$weight}-#{$style}.woff2") format("woff2"), + url("#{$fontDir}/#{$fontId}-all-#{$weight}-#{$style}.woff") format("woff"); + unicode-range: $unicodeRangeValues; + } + } +} + +$defSubset: "latin"; +$unicodeRange: false; +$unicodeRangeValues: (U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD); + +@mixin fontFaceCustom( + $fontName: $fontName, + $fontId: $fontId, + $style: $style, + $display: $display, + $weight: $weight, + $woff2Path: null, + $woffPath: null, + $unicodeRange: $unicodeRange, + $unicodeRangeValues: $unicodeRangeValues +) { + @if $woffPath == null { + $woffPath: "#{$fontDir}/#{$fontId}-#{$defSubset}-#{$weight}-#{$style}.woff"; + } + @if $woff2Path == null { + $woff2Path: "#{$fontDir}/#{$fontId}-#{$defSubset}-#{$weight}-#{$style}.woff2"; + } + + @font-face { + font-family: "#{$fontName}"; + font-style: $style; + font-display: $display; + font-weight: $weight; + src: url("#{$woff2Path}") format("woff2"), url("#{$woffPath}") format("woff"); + @if $unicodeRange { + unicode-range: $unicodeRangeValues; + } + } +} + +$fontNameVariable: "JetBrains MonoVariable"; +$weightVariable: 100 800; +$type: "wghtOnly"; +$stretch: null; + +@mixin fontFaceVariable( + $fontName: $fontNameVariable, + $fontId: $fontId, + $style: $style, + $display: $display, + $weight: $weightVariable, + $fontDir: $fontDir, + $type: $type, + $stretch: $stretch, + $unicodeMap: $unicodeMap +) { + @each $subset, $unicodeRangeValues in $unicodeMap { + @font-face { + font-family: "#{$fontName}"; + font-style: $style; + font-display: $display; + font-weight: $weight; + @if $type == "full" { + font-stretch: $stretch; + } + src: url("#{$fontDir}/#{$fontId}-#{$subset}-variable-#{$type}-#{$style}.woff2") format("woff2"); + unicode-range: $unicodeRangeValues; + } + } +} + +@mixin fontFaceVariableCustom( + $fontName: $fontNameVariable, + $fontId: $fontId, + $style: $style, + $display: $display, + $weight: $weightVariable, + $woff2Path: null, + $unicodeRange: $unicodeRange, + $unicodeRangeValues: $unicodeRangeValues +) { + @if $woff2Path == null { + $woff2Path: "#{$fontDir}/#{$fontId}-#{$defSubset}-variable-#{$type}-#{$style}.woff2"; + } + + @font-face { + font-family: "#{$fontName}"; + font-style: $style; + font-display: $display; + font-weight: $weight; + @if $type == "full" { + font-stretch: $stretch; + } + src: url("#{$woff2Path}") format("woff2"); + @if $unicodeRange { + unicode-range: $unicodeRangeValues; + } + } +} diff --git a/@fontsource/jetbrains-mono/unicode.json b/@fontsource/jetbrains-mono/unicode.json new file mode 100644 index 0000000..57876c0 --- /dev/null +++ b/@fontsource/jetbrains-mono/unicode.json @@ -0,0 +1 @@ +{"cyrillic-ext":"U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F","cyrillic":"U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116","greek":"U+0370-03FF","vietnamese":"U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB","latin-ext":"U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF","latin":"U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD"} diff --git a/@fontsource/jetbrains-mono/variable-italic.css b/@fontsource/jetbrains-mono/variable-italic.css new file mode 100644 index 0000000..5a3ec7a --- /dev/null +++ b/@fontsource/jetbrains-mono/variable-italic.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-variable-wghtOnly-italic */ +@font-face { + font-family: 'JetBrains MonoVariable'; + font-style: italic; + font-display: swap; + font-weight: 100 800; + src: url('./files/jetbrains-mono-cyrillic-variable-wghtOnly-italic.woff2') format('woff2'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-cyrillic-ext-variable-wghtOnly-italic */ +@font-face { + font-family: 'JetBrains MonoVariable'; + font-style: italic; + font-display: swap; + font-weight: 100 800; + src: url('./files/jetbrains-mono-cyrillic-ext-variable-wghtOnly-italic.woff2') format('woff2'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-greek-variable-wghtOnly-italic */ +@font-face { + font-family: 'JetBrains MonoVariable'; + font-style: italic; + font-display: swap; + font-weight: 100 800; + src: url('./files/jetbrains-mono-greek-variable-wghtOnly-italic.woff2') format('woff2'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-latin-variable-wghtOnly-italic */ +@font-face { + font-family: 'JetBrains MonoVariable'; + font-style: italic; + font-display: swap; + font-weight: 100 800; + src: url('./files/jetbrains-mono-latin-variable-wghtOnly-italic.woff2') format('woff2'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} +/* jetbrains-mono-latin-ext-variable-wghtOnly-italic */ +@font-face { + font-family: 'JetBrains MonoVariable'; + font-style: italic; + font-display: swap; + font-weight: 100 800; + src: url('./files/jetbrains-mono-latin-ext-variable-wghtOnly-italic.woff2') format('woff2'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-vietnamese-variable-wghtOnly-italic */ +@font-face { + font-family: 'JetBrains MonoVariable'; + font-style: italic; + font-display: swap; + font-weight: 100 800; + src: url('./files/jetbrains-mono-vietnamese-variable-wghtOnly-italic.woff2') format('woff2'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} diff --git a/@fontsource/jetbrains-mono/variable.css b/@fontsource/jetbrains-mono/variable.css new file mode 100644 index 0000000..66d8769 --- /dev/null +++ b/@fontsource/jetbrains-mono/variable.css @@ -0,0 +1,54 @@ +/* jetbrains-mono-cyrillic-variable-wghtOnly-normal */ +@font-face { + font-family: 'JetBrains MonoVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 800; + src: url('./files/jetbrains-mono-cyrillic-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+0400-045F, U+0490-0491, U+04B0-04B1, U+2116; +} +/* jetbrains-mono-cyrillic-ext-variable-wghtOnly-normal */ +@font-face { + font-family: 'JetBrains MonoVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 800; + src: url('./files/jetbrains-mono-cyrillic-ext-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+0460-052F, U+1C80-1C88, U+20B4, U+2DE0-2DFF, U+A640-A69F, U+FE2E-FE2F; +} +/* jetbrains-mono-greek-variable-wghtOnly-normal */ +@font-face { + font-family: 'JetBrains MonoVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 800; + src: url('./files/jetbrains-mono-greek-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+0370-03FF; +} +/* jetbrains-mono-latin-variable-wghtOnly-normal */ +@font-face { + font-family: 'JetBrains MonoVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 800; + src: url('./files/jetbrains-mono-latin-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA, U+02DC, U+2000-206F, U+2074, U+20AC, U+2122, U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD; +} +/* jetbrains-mono-latin-ext-variable-wghtOnly-normal */ +@font-face { + font-family: 'JetBrains MonoVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 800; + src: url('./files/jetbrains-mono-latin-ext-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+0100-024F, U+0259, U+1E00-1EFF, U+2020, U+20A0-20AB, U+20AD-20CF, U+2113, U+2C60-2C7F, U+A720-A7FF; +} +/* jetbrains-mono-vietnamese-variable-wghtOnly-normal */ +@font-face { + font-family: 'JetBrains MonoVariable'; + font-style: normal; + font-display: swap; + font-weight: 100 800; + src: url('./files/jetbrains-mono-vietnamese-variable-wghtOnly-normal.woff2') format('woff2'); + unicode-range: U+0102-0103, U+0110-0111, U+0128-0129, U+0168-0169, U+01A0-01A1, U+01AF-01B0, U+1EA0-1EF9, U+20AB; +} diff --git a/@fontsource/jetbrains-mono/vietnamese-100-italic.css b/@fontsource/jetbrains-mono/vietnamese-100-italic.css new file mode 100644 index 0000000..e8db4ce --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-100-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-100-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-vietnamese-100-italic.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-100-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-100.css b/@fontsource/jetbrains-mono/vietnamese-100.css new file mode 100644 index 0000000..7fb9e2e --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-100.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-100-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 100; + src: url('./files/jetbrains-mono-vietnamese-100-normal.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-100-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-200-italic.css b/@fontsource/jetbrains-mono/vietnamese-200-italic.css new file mode 100644 index 0000000..956dc19 --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-200-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-200-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-vietnamese-200-italic.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-200-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-200.css b/@fontsource/jetbrains-mono/vietnamese-200.css new file mode 100644 index 0000000..d24638b --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-200.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-200-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 200; + src: url('./files/jetbrains-mono-vietnamese-200-normal.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-200-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-300-italic.css b/@fontsource/jetbrains-mono/vietnamese-300-italic.css new file mode 100644 index 0000000..f17972a --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-300-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-300-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-vietnamese-300-italic.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-300-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-300.css b/@fontsource/jetbrains-mono/vietnamese-300.css new file mode 100644 index 0000000..936cbea --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-300.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-300-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 300; + src: url('./files/jetbrains-mono-vietnamese-300-normal.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-300-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-400-italic.css b/@fontsource/jetbrains-mono/vietnamese-400-italic.css new file mode 100644 index 0000000..c2d5783 --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-400-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-400-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-vietnamese-400-italic.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-400-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-400.css b/@fontsource/jetbrains-mono/vietnamese-400.css new file mode 100644 index 0000000..8f5fdc8 --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-400.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-400-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 400; + src: url('./files/jetbrains-mono-vietnamese-400-normal.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-400-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-500-italic.css b/@fontsource/jetbrains-mono/vietnamese-500-italic.css new file mode 100644 index 0000000..c65c984 --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-500-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-500-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-vietnamese-500-italic.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-500-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-500.css b/@fontsource/jetbrains-mono/vietnamese-500.css new file mode 100644 index 0000000..bbfea45 --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-500.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-500-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 500; + src: url('./files/jetbrains-mono-vietnamese-500-normal.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-500-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-600-italic.css b/@fontsource/jetbrains-mono/vietnamese-600-italic.css new file mode 100644 index 0000000..6a269c0 --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-600-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-600-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-vietnamese-600-italic.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-600-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-600.css b/@fontsource/jetbrains-mono/vietnamese-600.css new file mode 100644 index 0000000..e448827 --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-600.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-600-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 600; + src: url('./files/jetbrains-mono-vietnamese-600-normal.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-600-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-700-italic.css b/@fontsource/jetbrains-mono/vietnamese-700-italic.css new file mode 100644 index 0000000..cf43803 --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-700-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-700-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-vietnamese-700-italic.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-700-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-700.css b/@fontsource/jetbrains-mono/vietnamese-700.css new file mode 100644 index 0000000..6af23dd --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-700.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-700-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 700; + src: url('./files/jetbrains-mono-vietnamese-700-normal.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-700-normal.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-800-italic.css b/@fontsource/jetbrains-mono/vietnamese-800-italic.css new file mode 100644 index 0000000..6f74f48 --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-800-italic.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-800-italic*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: italic; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-vietnamese-800-italic.woff2') format('woff2'), url('./files/jetbrains-mono-vietnamese-800-italic.woff') format('woff'); + +} diff --git a/@fontsource/jetbrains-mono/vietnamese-800.css b/@fontsource/jetbrains-mono/vietnamese-800.css new file mode 100644 index 0000000..06edbe4 --- /dev/null +++ b/@fontsource/jetbrains-mono/vietnamese-800.css @@ -0,0 +1,9 @@ +/* jetbrains-mono-vietnamese-800-normal*/ +@font-face { + font-family: 'JetBrains Mono'; + font-style: normal; + font-display: swap; + font-weight: 800; + src: url('./files/jetbrains-mono-vietnamese-800-normal.woff2') format('woff2'), 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Click here to be redirected. \ No newline at end of file diff --git a/assets/pika.gif b/assets/pika.gif new file mode 100644 index 0000000..9da8346 Binary files /dev/null and b/assets/pika.gif differ diff --git a/assets/process-love-level.png b/assets/process-love-level.png new file mode 100644 index 0000000..da66405 Binary files /dev/null and b/assets/process-love-level.png differ diff --git a/assets/test.png b/assets/test.png new file mode 100644 index 0000000..865e832 Binary files /dev/null and b/assets/test.png differ diff --git a/assets/tumblr_f0da7c50d726e64c6c0d8a985240b6f4_afe73dd5_250.gif b/assets/tumblr_f0da7c50d726e64c6c0d8a985240b6f4_afe73dd5_250.gif new file mode 100644 index 0000000..a757e9a Binary files /dev/null and b/assets/tumblr_f0da7c50d726e64c6c0d8a985240b6f4_afe73dd5_250.gif differ diff --git a/atom.xml b/atom.xml new file mode 100644 index 0000000..86d556f --- /dev/null +++ b/atom.xml @@ -0,0 +1,836 @@ + + + Asya Davydova Lewis + + + + Zola + 2024-02-08T00:00:00+00:00 + https://asyaplugged.in/atom.xml + + Fixing Equinox + 2024-02-08T00:00:00+00:00 + 2024-02-08T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/fixing-equinox/ + + <p>Blog Text</p> + + + + + How I would run a Nail Salon + 2024-02-08T00:00:00+00:00 + 2024-02-08T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/how-i-would-run-a-nail-salon/ + + <p>Blog Text</p> + + + + + Nutrition Pinterest Aesthetics + 2024-02-08T00:00:00+00:00 + 2024-02-08T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/nutrition-pinterest-aesthetics/ + + <p>Blog Text</p> +<p>testing deplpyment</p> + + + + + January Gains + 2024-01-31T00:00:00+00:00 + 2024-02-02T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/january-gains/ + + <p>While it may be a little on-the-nose to start a personal accountability blog series in a January, it just so happened that I got extraordinarily motivated this recent December 2023 by my little brother. </p> +<ul> +<li>3.3 lbs muscle </li> +</ul> +<ul> +<li> +<p>7.5 lbs fat </p> +</li> +<li> +<p>left smith machine in the past </p> +</li> +<li> +<p>went from DB bench press to short bar </p> +</li> +<li> +<p>ate 60-90g protein / day </p> +</li> +<li> +<p>settled on a gym uniform that feels cute</p> +</li> +</ul> +<h4 id="february-goals">February Goals</h4> +<ul> +<li>continue recomp progress</li> +<li>bench the 35 long bar</li> +<li>improve VO2 max via kettlebell swings after each training session</li> +<li>eat 80-135g protein / day</li> +<li>spend less money on vegan protein shakes from the grocery store and try some protein powders for homemade protein shakes</li> +</ul> + + + + + Feeling Like a Space + 2022-11-15T00:00:00+00:00 + 2022-11-15T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/feeling-like-a-space/ + + <h3 id="hf-and-what-feeling-like-a-space-is-like">hf and what feeling like a space is like</h3> +<p>The 2015 <a href="https://academic.oup.com/jcmc/article/20/3/241/4067543">Homuncular Flexibility</a> paper recently resurfaced from a <a href="https://twitter.com/DilettanteryPod/status/1590386231707406345">trending post</a> on Twitter. I'd like to think that tweeting out the words HOLY SHIT and a link to a paper about something like, I don't know, <a href="https://arena-attachments.s3.amazonaws.com/17066439/7ae33aaff0f3aef21bdcd9ff7b424d8a.pdf?1656706134">deep image reconsctruction from fMRI imaging of brain activity</a> would have a similarly mass-exciting result, but I digress. The discussion around the human ability to learn how to control and sense bodies very different from their own prompted me to think about the way in which we have learned to embody digital spaces, which are of course very different from physical spaces.</p> +<p>Websites and screen-based interfaces produce the sensation</p> +<p>the 3D metaverse is still in its relatively early stages, </p> +<h3 id="else">else</h3> +<p>tools are interpreted by the brain as an extension of the human body. +haptic feedback, color schemes, </p> +<h3 id="work-arounds-affordances">work-arounds, affordances</h3> +<p>Self regulation via peripheral attention management. </p> +<p>I'm sure you've seen this recent video trend you're shown footage of eye catching gaming footage with an unrelated story is</p> +<p>Once I heard a &quot;focus hack&quot; where you put a makeup pallette on your workdesk and allow yourself to rest your gaze on it instead of reaching for your phone and getting sucked into an endless-scrolling distraction trap.</p> +<h3 id="feeling-like-a-language-feeling-like-an-era">feeling like a language, feeling like an era</h3> + + + + + Lecture Notes: Robin Arnott on Meditation & Gaming + 2022-08-18T00:00:00+00:00 + 2022-09-25T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/everything-is-boring/ + + <div class="video-container"> +<iframe width="560" height="315" src="https://www.youtube-nocookie.com/embed/n94J-9YxZPc" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> +</div> +<p>I experienced a rather significant personal paradigm shift after Robin Arnott's presentation &quot;Everything is Boring&quot; at the BDYHAX conference on February 24th, 2019. I have several versions of hand-written notes on it, and have spent countless late nights gesticulating on and on about the premise, so I figured to publish my notes (something between an inaccurate summary and personal comments) and suavely drop a hyperlink any time the itch to transmute this paradigm strikes, instead of acting like <a href="https://knowyourmeme.com/memes/pepe-silvia">this</a>. </p> +<p>The talk focuses on the issue at the center of the wellness-meditation economy: everything is boring. Using a psychological framework from Ken Wilber, it analyzes the wellness economy's own relative &quot;health&quot;, and demonstrates that both wellness and successful consumer interfaces have a much stronger connection to passion-based areas like entertainment, music and gaming, rather than mass infrastructure like medicine or workforce training.</p> +<p>Robin: if you're reading this, please respond to my emails – I would love to have access to the slides from this talk. It's great that there's now a video recording available, but I am struggling to find the proper chart images the talk is based on.</p> +<h2 id="introduction">Introduction</h2> +<p>Arnott is the CEO and cofounder of Andromeda Entertainment, a gaming publishing company focused on titles that draw inspiration from wellness, i.e. games that enrich players lives in meaningful ways, rather than just baiting and distracting them.</p> +<p>He has spoken quite a bit about game design as a mechanism for transcendence, but this talk focuses on Ken Wilber's Integral Theory – a psychological theory that can be used not only for understanding oneself and the people around us, but also understanding trends in culture learning how to aid the psychological developments of culture at large.</p> +<h2 id="integral-psychology">Integral Psychology</h2> +<p>Arnott believes one of the main issues with health technologies and the way we treat our bodies is it that it can be pretty joyless, boring and uninspiring. Analyzing current paradigms of health technologies, health economies, and our relationship with our body as a whole through the frame of Integral psychology offers some not-so-boring steps forward.</p> +<figure> +<img src="https://images.squarespace-cdn.com/content/v1/51a0ef99e4b0673a4c034ab8/1373221911253-I9CKMOFPCM86G3TNULLF/Screen-Shot-2013-03-29-at-7.07.30-PM.png" alt="integral theory map"> +<figcaption>Figure 1. Ken Wilber's Integral Psychology theory map.</figcaption> +</figure> +<p>Figure 2. &quot;Stages of Consciousness&quot; map.</p> +<p>Arnott highlights three color-coded stages as separate paradigms from each of them:</p> +<ul> +<li>orange paradigm: bureaucratic, scientific, evidence based</li> +<li>green paradigm: decentralized, pluralistic, postmodern, egalitarian</li> +<li>teal paradigm: integrated, evolving the present moment</li> +</ul> +<h2 id="have-you-ever-lied">Have you ever lied?</h2> +<p>Let's say, you tell some huge lie, for example you have been cheating on your partner and you don't tell them the truth. What are the consequences of this lie? How does it make you feel? How much does it affect other decisions you make? Your entire life becomes predicated on this one lie. You lose confidence in your decision-making and your actions. You cannot build a life on top of a foundation comprised of a lie.</p> +<h2 id="medical-economy">Medical Economy</h2> +<p>The medical economy operates on the social lie that the medical system has the answer to overcoming death. The orange medical system maintains the lie that YOU SHOULD NOT DIE.</p> +<h3 id="medical-gaze">Medical Gaze</h3> +<p>This argument reminds me of the &quot;medical gaze&quot;, the practice of objectifying the body of the patient as separate from their personal identity, coined by Michel Foucault's in <a href="https://en.wikipedia.org/wiki/The_Birth_of_the_Clinic">&quot;Birth of the Clinic&quot;</a>, which interrogates the dehumanization foundational to modern medicine, as well as the reasons why the scientific advances in medicine and healthcare have not succeeded in abolishing sickness and resolving the problems of humanity.</p> +<h2 id="the-green-paradigm-in-the-wellness-economy">The green paradigm in the wellness economy</h2> +<p>The wellness paradigm of meditation apps with their condescending &quot;nudge&quot; notifications, &quot;should&quot;-ing you, is also predicated on a lie. It condescends and infantilizes users under the false pretense that +SOMETHING IS WRONG WITH YOU. +You need to &quot;get better&quot;. If you miss a day, you are a failure. Your habits are pathologized when they do not serve the app's interests of high user engagement and retention.</p> +<p>Now, how often do you pick up your phone to use a self-improvement app? How much time per day do you spend on this app category? There's mounds of UX research showing that this app category does not perform well in the screen time olympics. +But what apps do you gravitate towards when you want to feel better? Spotify. Candy Crush. Snapchat. Tiktok.</p> +<p>Have you ever gone to a concert &amp; felt spiritually transformed?</p> +<h3 id="ux-as-infantilization">UX as Infantilization</h3> +<p>Arnott's focus on &quot;condescending infantilism&quot; reminds me of Jesse Baron's essay <a href="https://reallifemag.com/the-babysitters-club/">&quot;The Babysitters Club&quot;</a>.</p> +<h2 id="the-teal-paradigm-in-the-next-economy-of-health">The teal paradigm in the next economy of health</h2> +<p>The next economy of health is based in joy and transformation. +Body - Mind is an expression of Truth. +Music, entertainment, and socializing are healing economy models. +They do not have a &quot;should quality and your soul is open to them.</p> +<table><thead><tr><th style="text-align: left"></th><th style="text-align: left">medicine</th><th style="text-align: left">wellness</th><th style="text-align: left">the new economy ??</th></tr></thead><tbody> +<tr><td style="text-align: left"><strong>identity</strong></td><td style="text-align: left">individual</td><td style="text-align: left">pluralistic global data point in a large database</td><td style="text-align: left">spirit</td></tr> +<tr><td style="text-align: left"><strong>achievement</strong></td><td style="text-align: left">systematization</td><td style="text-align: left">access</td><td style="text-align: left">integrated wisdom</td></tr> +<tr><td style="text-align: left"><strong>relationship to the body</strong></td><td style="text-align: left">mechanical</td><td style="text-align: left">purging trauma</td><td style="text-align: left">maladaptive body patterns begin to dissolve</td></tr> +</tbody></table> + + + + + Why and how you should apply to the Recurse Center + 2022-08-16T00:00:00+00:00 + 2022-08-16T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/rc-or-bootcamp/ + + <p>My friend Priya made a blog post called &quot;Should I go to a coding bootcamp or self-study&quot;, which inspired me to share my own experiences and thoughts on the matter.</p> +<h2 id="my-experience-to-expose-what-i-am-biased-towards">My experience – to expose what I am biased towards</h2> +<p>I originally decided that I'd like to learn programming around 2012, when I wanted to make a Russian-language online platform similar to <a href="https://asyaplugged.in/know/drafts/rc-or-bootcamp/rookiemag.com">Rookie Mag</a>. I didn't understand that one could get away with finding a sort of suitable wordpress theme, and once I did, I felt so passionately about my ideal project that I figured I'd need to pay a programmer to make the exact theme that I'd envisioned for the platform. I was also inspired by this weird Russian listicle website called <a href="https://asyaplugged.in/know/drafts/rc-or-bootcamp/w-o-s.ru">W-O-S</a>, I loved how each article had some different animations and floating elements, and I especially loved the interactive quizzes.</p> +<p>I mention my inspiration for learning how to code as I think inspiration is imperative to take account of when deciding on the direction you will take it into the material world. My interest was in a counterculture of both Russian and American origins, and online media. So in 2015, I attended a mini course at the Moscow Coding School.</p> +<p>Well, first I took some introductory programming classes at Santa Monica College. At the time, the main prerequisite to any programming class was an introduction to computing as a whole. My homework assignment was to draw something in MS Paint. I hope this story can illuminate the reasons I recieved F (for failed) grades in my first year at SMC.</p> +<p>At Moscow Coding School, I learned introductory HTML, CSS, JavaScript, and WebGL. </p> +<h2 id="bootcamp">Bootcamp</h2> +<h2 id="self-study">Self Study</h2> +<h2 id="recurse-center-application">Recurse Center Application</h2> +<p>I have pubilished <a href="https://github.com/asyapluggedin/rc/blob/master/application/application-2022.md">my own application to rc on my github</a>.</p> +<h2 id="recurse-center">Recurse Center</h2> +<h2 id="self-doubt-and-imposter-syndrome">Self Doubt and Imposter Syndrome</h2> +<h2 id="employment">Employment</h2> +<h2 id="goals-and-outcomes">Goals and Outcomes</h2> + + + + + The Sunshine Act + 2022-08-15T00:00:00+00:00 + 2022-08-15T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/sunshine-act/ + + <span id="continue-reading"></span><h2 id="why-2022">Why 2022?</h2> +<p>This is something I made so I could graduate from UCLA lol.</p> + + + + + Store Bought Glow + 2022-08-14T00:00:00+00:00 + 2022-08-14T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/store-bought-glow/ + + <p>In progress...</p> + + + + + Visiting Apex Electronics Surplus + 2022-08-13T00:00:00+00:00 + 2022-08-13T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/apex-visit/ + + <p>This Friday I visited Apex Electronics Surplus in Sun Valley, CA.</p> +<h2 id="so-much-stuff">So much stuff!</h2> +<p>It was cool. I was very excited by the sheer size of the store and amount of available items, so I recorded a birthday wish for my little brother in one of the aisles. My little brother was the driving force behing my inspiration for <a href="https://asyaplugged.in/know/drafts/apex-visit/savefrys.com/">savefrys.com</a>, so it only felt appropriate to record a message at an electronics surplus store.</p> +<h2 id="the-thoughts">The Thoughts</h2> +<p>Reminded me of Claire L. Evans' blog post <a href="https://www.uncubemagazine.com/blog/12291851">Does Future Fact Depend on Present Fiction</a></p> + + + + + How to Make Telegram Stickers + 2022-08-13T00:00:00+00:00 + 2022-08-13T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/telegram-sticker-tutorial/ + + <p>This Friday I visited Apex Electronics Surplus in Sun Valley, CA.</p> +<h2 id="week-1">Week 1</h2> +<p>The first </p> +<h4 id="blockquote-with-attribution">Blockquote with attribution</h4> +<blockquote> +<p>Don't communicate by sharing memory, share memory by communicating.</p> — +<cite>Rob Pike<sup class="footnote-reference"><a href="#1">1</a></sup></cite></p> +</blockquote> +<h2 id="images">Images</h2> +<p><img src="../assets/test.png" alt="Image Backgorund" /> +<img src="https://asyaplugged.in/know/drafts/telegram-sticker-tutorial/" alt="Another Media" /></p> +<p><img src="https://plchldr.co/i/1280x720?bg=2ecc40" alt="Media CDN" /></p> +<p>{% hint style=&quot;warning&quot; %} 123 {% endhint %}</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>The above quote is excerpted from Rob Pike's +<a href="https://www.youtube.com/watch?v=PAAkCSZUG1c">talk</a> during Gopherfest, +November 18, 2015.</p> +</div> + + + + + Recurse Center Report: Half Batch + 2022-08-05T00:00:00+00:00 + 2022-08-05T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/recurse-center-report-1/ + + <p>This Friday marks the mid-point of my batch at the Recurse Center<sup class="footnote-reference"><a href="#1">1</a></sup>. I am in a 12 week batch, meaning I have completed 30 out of 60 days of the programming retreat. I already feel like a different person and a better programmer than when I started, and figured that it could be helpful for others to hear about my experience.</p> +<p>Because I intended to do a 12 week retreat from the very start, I will say that I was a little lax with planning my time to be at maximum efficiency. My main goal for the retreat was proving to myself that I enjoy regular programming and learning new things, even if they look very much strange, and feel very much challenging.</p> +<!--more--> +<h2 id="weekly-reports">Weekly Reports</h2> +<p>At Recurse, batch members are encouraged to post text check-ins in their respective Zulip streams. Thanks to this practice, I have been able to track and share my progress, as well as stay accountable to myself and learn from the obstacles blocking my workflows.</p> +<h3 id="week-1">Week 1</h3> +<p>I decided to excuse myself from the requirement of writing any code in the first week, as it is quite an overwhelming and social week, but in retrospect I wish I had challenged myself a bit more, and at least refactored some code in the project that I applied to RC with, so that I could present it during Friday presentations. However, I did:</p> +<ul> +<li>work on <a href="https://asyaplugged.in/do/sunshine-act/">sunshine act</a> pen and paper RPG game</li> +<li>write short bios of everyone so i could remember peoples names and personalities</li> +<li>experimented with check-in formatting</li> +<li>make a <a href="https://www.are.na/anastasia-davydova-lewis/recurse-center-2022">master channel on are.na</a> for all my RC batch related research</li> +<li>attend a pairing workshop</li> +<li>made ~1 new friend.</li> +</ul> +<h3 id="week-2">Week 2</h3> +<p>I became a lot more comfortable with all the RC software, so I set out to program every day. Despite such a clear intention, I only commited code on 3 of the 5 days, as I ended up feeling quite drained by the frequent &quot;coffee chats&quot;, planning to work on other people's projects, and attending the social events.</p> +<ul> +<li>attended the &quot;Building your volutional muscles&quot; workshop, enjoyed it very much</li> +<li>started learning <code>Go</code> for my TUI game, ascii tarot</li> +<li>got sidetracked from learning <code>Go</code> with elektronika project bc of embedded meeing</li> +<li>attended the creative coding, but failed at my task because of updated browser permissions issues in <code>p5.js</code></li> +<li>had a coffee chat with a career center staff member</li> +<li>presented</li> +<li>made ~6 new friends!</li> +</ul> +<h3 id="week-3">Week 3</h3> +<p>Learning Go felt a little out of left field, so I decided to spin up a &quot;quick and dirty&quot; static website. The theme I chose to base it off of was anything but quick to work with, however it did prove to make for some quite dirty coding work. Ultimately, I was pleased with my 4/5 daily commits, as well as the fact that I didn't have to poke around the Go reference documents for a short while.</p> +<ul> +<li>learned about <code>SQL</code></li> +<li>started working with <code>Zola</code> and the karzok theme, <code>npm</code> became the bane of my existence</li> +<li>met with a staff member to discuss time management and my struggle with &quot;doing other peoples homework&quot; instead of focusing on my own work</li> +<li>attended the &quot;Balancing learning generously with your own work&quot; workshop - really loved it</li> +<li>attended the &quot;feelings check-in&quot;</li> +<li>made ~4 new friends.</li> +</ul> +<h3 id="week-4">Week 4</h3> +<p>Attending the weekly intentions and reflections meetings was quite phenomenal. In general, I find intentionality incredibly meaningful and valuable in my own routine, so sharing such a practice with fellow Recursers changed my entire experience. I felt a lot closer to the community, and struggled less with accountability.</p> +<p>Another big change was replacing my coffee chat bot with the pairing bot. I noticed that the daily chit-chat meetings spawned by the coffee chat bot took a lot of energy out of me, but didn't translate into a sense of satisfaction with how much I was learning programming or making progress on a project, be it mine or someone elses. Switching up the bots helped a lot, as I could at the very least look at somebody else's code and ask about their goals at RC, rather than talk about our outside hobbies for an hour.</p> +<ul> +<li>started attending weekly intentions and reflections</li> +<li>presented during career panel</li> +<li>replaced coffee chat bot with pairing bot</li> +<li>shipped my personal website</li> +<li>paired with people on their projects, which was very rewarding.</li> +<li>got some excellent pointers on Go from someone who has worked at the Go team</li> +<li>had a meeting with the career center</li> +<li>made ~4 new friends.</li> +</ul> +<h3 id="week-5">Week 5</h3> +<p>This was the week I realized I needed to quickly make friends with everyone from the previous batch, which was ending the following week. I wish I had been more organized about my interactions with other people, as that's really one of the most valuable aspects of RC. Even if you do not work on something together, it's nice to at least get to know each other a little.</p> +<p>I also set out to have a &quot;solo&quot; day where I wouldn't attend any meetings or events, and just focus on some deep work. This was a good idea, and helped me feel more in control of my productivity.</p> +<ul> +<li>paired a bit</li> +<li>made progress on my website</li> +<li>went to the gym a lot</li> +<li>did some leetcode problems</li> +<li>strengthened ~2 of my existing RC friendships.</li> +</ul> +<h3 id="week-6">Week 6</h3> +<p>There is a long-standing tradition at RC to write &quot;niceties&quot; to members of the ending batch. I had 42 Recursers to write them for, as well as some extra for staff, which took a lot of time and effort. In the process I realized there were different types of Recursers – the very socially active, the more heads-down ultra-productive ones, the ones that host specialized events, and the ones that don't participate in the community very much. I realized that despite my own feelings about my subpar progress, I myself was a relatively successful Recurser, as I made the retreat's experience inspiring and fun for other members. Writing the niceties helped me reconsider my own goals and expectations of myself. I stopped worrying about completing a specific amount of leetcode problems or github commits, and decided to focus more on positively contributing to the experience of those currently at RC.</p> +<ul> +<li>completed niceties</li> +<li>made checkin and reflection templates for obsidian</li> +<li>began tinkering in hardware discussion groups</li> +<li>quit the google ux certificate coursera course bc didn't have the patience to learn things i already know for $30/mo</li> +<li>finally a successful creative coding project</li> +<li>wrote blog post for incoming batch as i decided to host creative coding going forward</li> +<li>made ~4 new friends!</li> +</ul> +<h2 id="takeaways">Takeaways</h2> +<p>In these six weeks, the accomplishment I am most proud of is a sense of confidence in my ability to program, and my identity as a programmer. So many of my friends will sometimes say that they are not qualified for a project because they have limited experience programming – I cannot imagine doing this myself anymore. I would rather let the hardware say &quot;no!&quot; to me by breaking, than to say no to it first myself. I've learned that the only way to tackle the unknown is with curiosity – it is best friends with bravery anyway, so bravery will swiftly follow wherever curiousity goes.</p> +<p>Concrete accomplishments, however:</p> +<ul> +<li>Gave two talks</li> +<li>Got a lot better at git</li> +<li>Mastered templating in Obsidian</li> +<li>Configured my VSCode dev environment to work well with remote collaborative versioning workflows</li> +<li>Shipped a static website</li> +<li>Learned a lot of new things about JavaScript, Sass, Go, Rust, Tera, SQL, and shaders.</li> +</ul> +<p>I'm very grateful for the chance to make so many new friends, too. Next week, the incoming batch will arrive. I am excited to show them around and host some events. I do not at all feel ready to take a senior post, but nonetheless I am curious how it will go in any event.</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>What is the Recurse Center? You'd probably learn best from their own <a href="https://www.recurse.com/">website</a>.</p> +</div> + + + + + Creative Coding at RC + 2022-08-04T00:00:00+00:00 + 2022-08-04T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/rc-creative-coding/ + + <h2 id="introduction-credits">Introduction &amp; Credits</h2> +<p>Welcome to the guide for the Creative Coding Meetup at the Virtual Recurse Center.</p> +<!--more--> +<p>The meetup was started by <a href="http://rfong.github.io/">Ray Fong</a>, then led by <a href="https://github.com/aturley">Andrew Joseph Turley</a>, who passed the torch to <a href="https://github.com/Plasma-Vortex">Howard Halim</a>, who finally passed it to me.</p> +<p>However, the <a href="https://recurse.zulipchat.com/#narrow/stream/224779-creative-coding">creative-coding</a> Zulip stream has messages going all the way back to February 20, with the first one from <a href="https://solsarratea.world/">Sol Sarratea</a>. We now coordinate in another stream, <a href="https://recurse.zulipchat.com/#narrow/stream/19042-397-Bridge/topic/Creative.20Coding.20Meetup">Creative Coding Meetup</a>.</p> +<h2 id="what-happens-at-creative-coding">What happens at Creative Coding?</h2> +<p>Each week a random prompt is picked, then we spend 90 minutes making something and meet back up to share what we made. Don't worry about perfectionism, just come have fun. +Here are some of the generators we have used to produce creative prompts:</p> +<ul> +<li><a href="http://stoney.sb.org/eno/oblique.html">Oblique Strategies</a></li> +<li><a href="https://codepen.io/jacob4/full/EVqeWM">Random Shakespeare Quote Generator</a></li> +<li><a href="https://perchance.org/emoji">perchance Random Emoji Generator</a> (set amount to 3, check &quot;unique?&quot; box)</li> +</ul> +<p>You can use whatever language or tools you are comfortable or uncomfortable with.</p> +<p>Creativity manifests in different ways, so don't feel restricted to making something visual, &quot;artistic&quot;, or even related to the chosen prompt. This is the place to make whatever your heart and mind desires!</p> +<p>Here are some common choices:</p> +<ul> +<li><a href="https://editor.p5js.org/">editor.p5js.org</a></li> +<li><a href="https://codepen.io/">codepen.io</a></li> +<li><a href="https://www.shadertoy.com/">shadertoy.com</a></li> +<li><a href="https://glitch.com/">glitch.com</a></li> +<li><a href="https://arcade.makecode.com/">arcade.makecode.com</a></li> +</ul> +<p>Coordinate in the <a href="https://recurse.zulipchat.com/#narrow/stream/19042-397-Bridge/topic/Creative.20Coding.20Meetup">Creative Coding Zulip topic</a>. +Showing off your work is encouraged!</p> +<h2 id="resources">Resources</h2> +<p>I am leisurely amalgamating a lot of materials on an <a href="https://www.are.na/anastasia-davydova-lewis/creative-coding-for-all">Are.na page, creative-coding-for-all.</a> Feel free to add to it! I also have some more structured resources to peruse here: +<br><br></p> +<h3 id="misc-inspiration">Misc Inspiration</h3> +<ul> +<li><a href="https://paytonturnage.com/writing/generating-art-with-haskell/">Generative Art with Haskell</a></li> +<li><a href="https://experiments.withgoogle.com/collection/chrome">Chrome Experiments</a></li> +</ul> +<h3 id="css-resources">CSS Resources</h3> +<ul> +<li><a href="https://colorffy.com/text-gradient-generator">CSS text gradient generator</a></li> +<li><a href="https://shadows.brumm.af/">CSS box shadow generator</a></li> +<li><a href="https://9elements.github.io/fancy-border-radius/">9elements – Fancy border radius generator</a></li> +<li><a href="https://haikei.app/">Haikei – SVG generator</a></li> +<li><a href="https://haikei.app/">Mesh Gradients by CSS Hero</a></li> +<li><a href="https://min-max-calculator.9elements.com/">9elements – Fluid Typography without media queries via min-max value</a></li> +<li><a href="https://ui.glass/generator/">Glassmorphism generator</a></li> +</ul> +<h3 id="ml-art-resources">ML Art Resources</h3> +<ul> +<li>Kadenze <a href="https://www.kadenze.com/courses/creative-applications-of-deep-learning-with-tensorflow/info">Creative Applications of Deep Learning with TensorFlow</a> class</li> +</ul> +<h3 id="some-ucla-design-media-class-websites-with-their-own-resource-reference-collections">Some UCLA Design | Media Class Websites with their own resource / reference collections</h3> +<ul> +<li><a href="http://pkmital.com/home/2021/09/01/ucla-course-on-cultural-appropriation-with-machine-learning/">Cultural Appropriation with Machine Learning</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/172/?page_id=101">Interactive Animation in Unity3D</a></li> +<li><a href="https://lmccart.github.io/DMA171-disability-design-web/#resources">Disability, Design, and the Web</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/289-2/">50 Years of Software Artists: Plotter Drawings to Non-fungible Tokens</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/152/resources">Tangible Media</a> – intro to working creatively with electronics.</li> +<li><a href="https://classes.dma.ucla.edu/Winter21/28/">Interactivity</a> – intro Processing class taught by Casey Reas, co-creator of Processing.</li> +<li><a href="https://classes.dma.ucla.edu/Fall19/161/#resources">Network Media</a> – html+css+js+p5.js taught by Lauren McCarthy, creator of p5.js.</li> +</ul> +<p>I recommend checking out the <a href="https://classes.dma.ucla.edu/?cTerm=Winter&amp;cYear=2021">past versions of core DMA classes</a>, as each one has its own website with varying resource lists. +<br><br></p> +<h3 id="history-context-of-media-art-generative-art-creative-coding">History, Context of Media Art, Generative Art, Creative Coding</h3> +<ul> +<li><a href="https://www.are.na/anastasia-davydova-lewis/ucla-dma101-design-media-arts">My Are.na class materials archive from the Media Art 101 class</a></li> +<li>&quot;When the Machine Made Art: The Troubled History of Computer Art&quot;, by Grant D. Taylor</li> +<li>&quot;Creative Code: Aesthetics + Computation&quot; by John Maeda</li> +<li>&quot;Generative Design&quot; by Benedikt Groß, Hartmut Bohnacker, Julia Laub</li> +</ul> +<h3 id="misc-creative-coders-and-their-work">misc creative coders and their work</h3> +<ul> +<li><a href="https://en.wikipedia.org/wiki/Vera_Moln%C3%A1r">Vera Molnár</a></li> +<li>Harold Cohen's AARON</li> +<li><a href="http://web.archive.org/web/20161103091706/http://silverbuffalo.org/NAA-NativeIT.html">Silver Buffalo on Native American IT</a></li> +<li><a href="https://blacktransarchive.com/">The Black Trans Archive</a></li> +<li><a href="https://web.archive.org/web/20020323214647/http://neutralground.sk.ca/artistprojects/spiderlanguage/index.html">Spider Language</a> – a First Nations contemporary art web</li> +<li><a href="https://super-sad-googles.glitch.me/">super sad googles</a></li> +<li><a href="https://facework.app/">facework.app</a></li> +<li><a href="https://store.steampowered.com/app/295790/Never_Alone_Kisima_Ingitchuna/">Never Alone on Steam</a> inspired by Donna Haraway's <a href="https://www.dukeupress.edu/staying-with-the-trouble">Staying with the Trouble: Making Kin in the Chthulucene</a></li> +<li><a href="https://www.damonzucconi.com/">Damon Zucconi</a></li> +<li><a href="https://brutalistwebsites.com/">Brutalist Websites</a></li> +<li><a href="https://lynnandtonic.com/">Lynn Fisher</a></li> +<li><a href="https://a-website-is-a-room.net/">a website is a room</a> archive of websites exploring the browser as a space</li> +<li><a href="https://www.werkplaatstypografie.org/#vitrine:https://www.werkplaatstypografie.org/vitrine/archive/">Werkplaatz Typographie Vitrine Archive</a></li> +<li><a href="https://x20xx.com/">x20xx.com</a></li> +</ul> +<h2 id="want-to-contribute-to-this-guide">Want to contribute to this guide?</h2> +<p>Submit <a href="https://github.com/asyapluggedin/asyaplugged.in/blob/main/content/know/2022-08-04-rc-creative-coding.md">a pull request in the github repo</a> for this blog.</p> + + + + + Education Index + 2022-07-28T00:00:00+00:00 + 2022-07-28T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/edu/cation-index/ + + <p>I believe one's education is worth much more when it is shared with the world. My academic experience has been somewhat idiosynchratic, so I thought to put together a dedicated blog section detailing some of the more remarkable elements of this personal history.</p> +<!--more--> +<h2 id="table-of-contents">Table of Contents</h2> +<p>The first </p> +<h2 id="childhood-education">Childhood Education</h2> +<p>Section <strong>in progress</strong>.</p> +<p>I remember attending:</p> +<ul> +<li>a preschool</li> +<li>a kindergarten somewhere on the east coast</li> +<li>first grade somewhere in San Francisco</li> +</ul> +<h3 id="theodore-judah-elementary-school">Theodore Judah Elementary School</h3> +<p>I attended this school from (year) to (year). I was placed in a <a href="https://www.theodorejudahelementary.org/post/gate">GATE cluster</a> in second grade, meaning that I was in a group with some third graders, as well as other GATE identified second graders.</p> +<h3 id="classical-gymnasium-at-the-greek-latin-office-of-yu-a-sichalina">Classical Gymnasium at the Greek-Latin Office of Yu.A. Sichalina</h3> + + + + + just some things i love + 2022-07-18T00:00:00+00:00 + 2022-08-02T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/love/ + + <h2 id="playlists-i-ve-made">Playlists I've Made</h2> +<ul> +<li><a href="https://open.spotify.com/playlist/3xS8F4L36SrQ5wRcI5t9hy?si=fa24cb282f9c42b6">Good Morning</a></li> +<li><a href="https://open.spotify.com/playlist/5ag9zNJVBjeE5QlmGrzzkt?si=7087b970ecb842ac">5K Training</a></li> +<li><a href="https://open.spotify.com/playlist/4RhwrKubXoddHzYoeMEq8N">songs i love so much i’d like them to play at my wake</a></li> +</ul> +<h2 id="misc">Misc</h2> +<ul> +<li><a href="https://drive.google.com/drive/folders/1B_9VvWcOdduy1uCITMy5h2AOW5gH-_oM?usp=sharing">Recipes I've reformatted and saved to my Google Drive</a></li> +</ul> +<h2 id="games-i-think-are-cool">Games I think are cool</h2> +<ul> +<li><a href="https://bezier.method.ac/">The Bézier Game</a> by Mark MacKay</li> +<li><a href="https://cantunsee.space/">Can't Unsee</a> by Alex Kotliarskyi and Keyan Zhang</li> +<li><a href="https://motovskikh.ru/en/world/">World Map Memory Test</a> by Leon Motovskikh</li> +</ul> + + + + + Hello World: Welcome to Asya's blog + 2022-07-11T00:00:00+00:00 + 2022-07-11T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/hello-world/ + + <p>Hello, and welcome to my website, specifically my blog.</p> +<!--more--> +<h2 id="what-s-going-on-with-the-whole-do-you-know-love-thing">What's going on with the whole &quot;do you know love&quot; thing?</h2> +<p>So, when I was first learning programming, I made a <a href="https://github.com/asyapluggedin/process">game</a> in Processing. I wanted to make a peculiar online psychology quiz, so one of the questions was &quot;Do you know love?&quot; with the only answer being an hard-to-click &quot;YES&quot;. I was inspired by Lacan's contention that jouissance is a phenomenon unknowable to humans, but as I needed some sort of &quot;click&quot; interaction to trigger the next question screen, I asked the question not about jouissance, but rather something more people are familiar with: love.</p> +<img src="https://asyaplugged.in/assets/process-love-level.png" alt="Level Image" width="300"> +<p>Shortly thereafter, I put the graphic from that quiz on the splash page of my old website, <a href="https://web.archive.org/web/20220000000000*/http://xnast.asia/">xnast.asia</a>. You could only enter the website if you successfully clicked &quot;YES&quot;. This was back in 2016. In 2022, I decided to make the website that you are currently on. I knew I wanted to have four different sections:</p> +<blockquote> +<ol> +<li>info / about me</li> +<li>portfolio / work case studies</li> +<li>blog</li> +<li>page of things that i love</li> +</ol> +</blockquote> +<p>I had an epiphany while gathering the inspiration and ideas for the design and development of <a href="https://asyaplugged.in/">asyaplugged.in</a> that I could articulate the menu of my new website with the splash page title of my previous website, just like so:</p> +<table><thead><tr><th>nav</th><th>question</th></tr></thead><tbody> +<tr><td>portfolio</td><td>do</td></tr> +<tr><td>about</td><td>you</td></tr> +<tr><td>blog</td><td>know</td></tr> +<tr><td>things i love</td><td>love</td></tr> +</tbody></table> +<p>I'd be interested in hearing from you what you think about this articulation, whether it was confusing for you, etc.</p> +<h2 id="what-does-asyapluggedin-mean-what-happened-to-xnastasia">What does asyapluggedin mean? What happened to xnastasia?</h2> +<p>Someday I will write a separate post about the permutations of my identity / avatar / sense of self, but until then, this brief explanation will have to suffice.</p> +<p>I felt that the <em>xnast.asia</em> url and <em>xnastasia</em> username was too hard to pronounce, and had a little bit of a pornographic vibe. Every time people typed &quot;x...n...a...s...t...&quot; into a search bar, I would never be the first thing to auto-populate the field. I've still held onto the url and most of the usernames, but once I came up with <em>asyapluggedin</em> I was so happy to swap all my online pointers to that.</p> +<p>My father has had the username mattpluggedin for the longest time, and so the &quot;plugged in&quot; username always made me feel nostalgic for the whole early internet / dotcom boom era, which plays a significant role in a lot my work. But I never thought to inherit the username before I came across the sci-fi book &quot;The Girl That Was Plugged In&quot;<sup class="footnote-reference"><a href="#1">1</a></sup>, which also is the title of an episode of sci-fi TV series &quot;Welcome to Paradox&quot;.</p> +<h2 id="do-you-have-an-rss-feed-can-i-tell-you-if-something-is-broken-or-typoed">Do you have an RSS feed? Can I tell you if something is broken or typoed?</h2> +<p>Yes and yes. You can access the RSS feed for my blog via <a href="https://asyaplugged.in/know/atom.xml">asyaplugged.in/know/atom.xml</a>.</p> +<p>I would also be very happy to hear any feedback on my blog or really, any aspect of the entire website. You can make a pull request on <a href="https://github.com/asyapluggedin/asyaplugged.in">github</a>, where my website is hosted, or just send me a message on whichever platform you prefer.</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>I learned about this book from Dr. Teddy Pozo's UCLA Game Lab Teledildonics lecture from Spring 2021.</p> +</div> + + + + + gestalt.sh/ift + 2021-06-11T00:00:00+00:00 + 2022-06-03T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/gestalt-shift/ + + <p><img src="https://asyaplugged.in/assets/gestalt.png" alt="Screenshot of gestalt.sh webpage" /></p> +<p>The 2021 UCLA Design | Media Arts Senior Exhibition took place online, at a website collaboratively designed &amp; developed by the graduating class.</p> +<h2 id="design-leadership-roles">Design &amp; Leadership Roles</h2> +<p>My role in this project adapted over the course of the academic quarter. I originally self-selected into a development role, but ended up contributing mostly in design and project management.</p> +<p>For context: traditionally, the graduating class is divided into three sections, each one led by a separate professor who assists the students in developing their senior thesis as well and helps produce the exhibition. In 2021, we did not have access to the physical EDA gallery space at UCLA nor classrooms to meet in. The meetings took place on Discord, a platform to which many were still only getting used to.</p> +<p>I took initiative to ensure that all the exhibition subcommittee members regularly met for discussions, and to facilitate reasonable production deadlines.</p> +<h2 id="design-process">Design Process</h2> +<p>For a class full of graduating students fatigued from remote instruction, designing the exhibition website around a visual riff on the Zoom screen was a decision made from a place of catharsis.</p> +<h2 id="production-process">Production Process</h2> +<p>See the collaborative <a href="https://www.figma.com/file/gxxEelPY5ETKjiybAK4okM/gestalt.sh-web-design?node-id=290%3A70">Figma file here</a>.</p> +<h2 id="development">Development</h2> +<p>The website (possibly still available at <a href="https://asyaplugged.in/do/gestalt-shift/gestalt.sh/ift">gestalt.sh</a> ) was developed using Wordpress and a custom Twig theme by <a href="https://chandlermcwilliams.com/">Chandler McWilliams</a> and Wiley Wiggins. I was not directly involved in the development process due to time constraints, but I was able to deploy some last-minute front-end changes via a pull request.</p> + + + + + Type Tap Go + 2020-08-15T00:00:00+00:00 + 2020-08-15T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/typetapgo/ + + <span id="continue-reading"></span><h2 id="quack">Quack!</h2> +<p>Type Tap Go is a mobile game made to teach people how to type efficiently on the phone, and compete with friends.</p> +<p>I came up with the idea in the summer of 2020 during the first Covid-19 lockdowns with Benjamin Bascom.</p> + + + + + ASCII Tarot + 2019-03-11T00:00:00+00:00 + 2022-08-31T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/ascii-tarot/ + +

<p><img src="/do/deck.png" alt="Deck of cards with blue ascii art design shrink-wrapped in plastic" /></p> +<p>Three years after I was first introduced to the Tarot, I designed a <a href="https://www.behance.net/gallery/42369763/ASCII-TAROT?locale=en_US">Tarot deck</a> myself (and was able to finish it within a month thanks to the motivation to submit it as part of my 2016 UCLA Media Arts application). While I initially learned the Tarot using physical cards and used them to structure conversations with my friends about challenging decisions we had to make, I spent a majority of my time consulting the cards in a digital format. My first deck was the <a href="https://www.theenchantedworld.net/enchanted-tarot">Enchanted Tarot</a> by Amy Zerner and Monte Farber, which not only had beautiful custom art riffing on the Rider-Waithe deck, a book of explications, but also an <a href="https://apps.apple.com/us/app/enchanted-tarot/id674639952">iOS app</a>, which I used very frequently. It is said that if one carries their Tarot deck with them, the cards will hold the energy of their owner's experiences and provide more relevant insights. I became intrigued by how this principle could be manifesting technologically, so I decided to pare down the digital Tarot to it's most simple, bare, form.</p> + + + + + DeepDenial + 2018-07-10T00:00:00+00:00 + 2018-07-10T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/deepdenial/ + + <p>DeepDenial was a one-day speculative political activism deepfake workshop I was invited to teach at the Hackers and Designers Summer Academy <em>(a program run out of the Sandberg Institute, the postgraduate programme of the Gerrit Rietveld Academie in Amsterdam)</em>.</p> +<p>The workshop was designed for students of varied technical as well as non-technical backgrounds. Participants practiced extracting and organizing data in order to apply a neural network for the purpose of making &quot;deepfakes&quot;, or videos with swapped faces.</p> +<p>In the news, deepfake technology initially came to light as it was being used to create abusive explicit content with unwilling face-swapped participants. Concerns are commonly voiced on the potential use of deepfaking for political propaganda. A central aspect of the <em>DeepDenial</em> workshop is the discussion of media ethics, surveillance vs sousveillance, and explorations of defensive propaganda. </p> +<p>By taking a hands-on approach to learn how to process video data for machine learning programs, attendees armed themselves with improved digital literacy and developed a keen sense for discerning tell-tale signs of AI-processed content.</p> + + + + + a living breathing + 2015-09-11T00:00:00+00:00 + 2015-09-11T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/a-living-breathing/ + + <p>o</p> + + + + + Affection Realities + 2015-09-11T00:00:00+00:00 + 2015-09-11T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/affection-realities/ + + <p>image go here</p> + + + + + Meditation Game + 2015-09-11T00:00:00+00:00 + 2015-09-11T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/meditation-game/ + + <p>image go here</p> + + + + diff --git a/category/blog/atom.xml b/category/blog/atom.xml new file mode 100644 index 0000000..920384c --- /dev/null +++ b/category/blog/atom.xml @@ -0,0 +1,592 @@ + + + Asya Davydova Lewis - blog + + + + Zola + 2024-02-08T00:00:00+00:00 + https://asyaplugged.in/category/blog/atom.xml + + Fixing Equinox + 2024-02-08T00:00:00+00:00 + 2024-02-08T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/fixing-equinox/ + + <p>Blog Text</p> + + + + + How I would run a Nail Salon + 2024-02-08T00:00:00+00:00 + 2024-02-08T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/how-i-would-run-a-nail-salon/ + + <p>Blog Text</p> + + + + + Nutrition Pinterest Aesthetics + 2024-02-08T00:00:00+00:00 + 2024-02-08T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/nutrition-pinterest-aesthetics/ + + <p>Blog Text</p> +<p>testing deplpyment</p> + + + + + January Gains + 2024-01-31T00:00:00+00:00 + 2024-02-02T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/january-gains/ + + <p>While it may be a little on-the-nose to start a personal accountability blog series in a January, it just so happened that I got extraordinarily motivated this recent December 2023 by my little brother. </p> +<ul> +<li>3.3 lbs muscle </li> +</ul> +<ul> +<li> +<p>7.5 lbs fat </p> +</li> +<li> +<p>left smith machine in the past </p> +</li> +<li> +<p>went from DB bench press to short bar </p> +</li> +<li> +<p>ate 60-90g protein / day </p> +</li> +<li> +<p>settled on a gym uniform that feels cute</p> +</li> +</ul> +<h4 id="february-goals">February Goals</h4> +<ul> +<li>continue recomp progress</li> +<li>bench the 35 long bar</li> +<li>improve VO2 max via kettlebell swings after each training session</li> +<li>eat 80-135g protein / day</li> +<li>spend less money on vegan protein shakes from the grocery store and try some protein powders for homemade protein shakes</li> +</ul> + + + + + Feeling Like a Space + 2022-11-15T00:00:00+00:00 + 2022-11-15T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/feeling-like-a-space/ + + <h3 id="hf-and-what-feeling-like-a-space-is-like">hf and what feeling like a space is like</h3> +<p>The 2015 <a href="https://academic.oup.com/jcmc/article/20/3/241/4067543">Homuncular Flexibility</a> paper recently resurfaced from a <a href="https://twitter.com/DilettanteryPod/status/1590386231707406345">trending post</a> on Twitter. I'd like to think that tweeting out the words HOLY SHIT and a link to a paper about something like, I don't know, <a href="https://arena-attachments.s3.amazonaws.com/17066439/7ae33aaff0f3aef21bdcd9ff7b424d8a.pdf?1656706134">deep image reconsctruction from fMRI imaging of brain activity</a> would have a similarly mass-exciting result, but I digress. The discussion around the human ability to learn how to control and sense bodies very different from their own prompted me to think about the way in which we have learned to embody digital spaces, which are of course very different from physical spaces.</p> +<p>Websites and screen-based interfaces produce the sensation</p> +<p>the 3D metaverse is still in its relatively early stages, </p> +<h3 id="else">else</h3> +<p>tools are interpreted by the brain as an extension of the human body. +haptic feedback, color schemes, </p> +<h3 id="work-arounds-affordances">work-arounds, affordances</h3> +<p>Self regulation via peripheral attention management. </p> +<p>I'm sure you've seen this recent video trend you're shown footage of eye catching gaming footage with an unrelated story is</p> +<p>Once I heard a &quot;focus hack&quot; where you put a makeup pallette on your workdesk and allow yourself to rest your gaze on it instead of reaching for your phone and getting sucked into an endless-scrolling distraction trap.</p> +<h3 id="feeling-like-a-language-feeling-like-an-era">feeling like a language, feeling like an era</h3> + + + + + Lecture Notes: Robin Arnott on Meditation & Gaming + 2022-08-18T00:00:00+00:00 + 2022-09-25T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/everything-is-boring/ + + <div class="video-container"> +<iframe width="560" height="315" src="https://www.youtube-nocookie.com/embed/n94J-9YxZPc" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> +</div> +<p>I experienced a rather significant personal paradigm shift after Robin Arnott's presentation &quot;Everything is Boring&quot; at the BDYHAX conference on February 24th, 2019. I have several versions of hand-written notes on it, and have spent countless late nights gesticulating on and on about the premise, so I figured to publish my notes (something between an inaccurate summary and personal comments) and suavely drop a hyperlink any time the itch to transmute this paradigm strikes, instead of acting like <a href="https://knowyourmeme.com/memes/pepe-silvia">this</a>. </p> +<p>The talk focuses on the issue at the center of the wellness-meditation economy: everything is boring. Using a psychological framework from Ken Wilber, it analyzes the wellness economy's own relative &quot;health&quot;, and demonstrates that both wellness and successful consumer interfaces have a much stronger connection to passion-based areas like entertainment, music and gaming, rather than mass infrastructure like medicine or workforce training.</p> +<p>Robin: if you're reading this, please respond to my emails – I would love to have access to the slides from this talk. It's great that there's now a video recording available, but I am struggling to find the proper chart images the talk is based on.</p> +<h2 id="introduction">Introduction</h2> +<p>Arnott is the CEO and cofounder of Andromeda Entertainment, a gaming publishing company focused on titles that draw inspiration from wellness, i.e. games that enrich players lives in meaningful ways, rather than just baiting and distracting them.</p> +<p>He has spoken quite a bit about game design as a mechanism for transcendence, but this talk focuses on Ken Wilber's Integral Theory – a psychological theory that can be used not only for understanding oneself and the people around us, but also understanding trends in culture learning how to aid the psychological developments of culture at large.</p> +<h2 id="integral-psychology">Integral Psychology</h2> +<p>Arnott believes one of the main issues with health technologies and the way we treat our bodies is it that it can be pretty joyless, boring and uninspiring. Analyzing current paradigms of health technologies, health economies, and our relationship with our body as a whole through the frame of Integral psychology offers some not-so-boring steps forward.</p> +<figure> +<img src="https://images.squarespace-cdn.com/content/v1/51a0ef99e4b0673a4c034ab8/1373221911253-I9CKMOFPCM86G3TNULLF/Screen-Shot-2013-03-29-at-7.07.30-PM.png" alt="integral theory map"> +<figcaption>Figure 1. Ken Wilber's Integral Psychology theory map.</figcaption> +</figure> +<p>Figure 2. &quot;Stages of Consciousness&quot; map.</p> +<p>Arnott highlights three color-coded stages as separate paradigms from each of them:</p> +<ul> +<li>orange paradigm: bureaucratic, scientific, evidence based</li> +<li>green paradigm: decentralized, pluralistic, postmodern, egalitarian</li> +<li>teal paradigm: integrated, evolving the present moment</li> +</ul> +<h2 id="have-you-ever-lied">Have you ever lied?</h2> +<p>Let's say, you tell some huge lie, for example you have been cheating on your partner and you don't tell them the truth. What are the consequences of this lie? How does it make you feel? How much does it affect other decisions you make? Your entire life becomes predicated on this one lie. You lose confidence in your decision-making and your actions. You cannot build a life on top of a foundation comprised of a lie.</p> +<h2 id="medical-economy">Medical Economy</h2> +<p>The medical economy operates on the social lie that the medical system has the answer to overcoming death. The orange medical system maintains the lie that YOU SHOULD NOT DIE.</p> +<h3 id="medical-gaze">Medical Gaze</h3> +<p>This argument reminds me of the &quot;medical gaze&quot;, the practice of objectifying the body of the patient as separate from their personal identity, coined by Michel Foucault's in <a href="https://en.wikipedia.org/wiki/The_Birth_of_the_Clinic">&quot;Birth of the Clinic&quot;</a>, which interrogates the dehumanization foundational to modern medicine, as well as the reasons why the scientific advances in medicine and healthcare have not succeeded in abolishing sickness and resolving the problems of humanity.</p> +<h2 id="the-green-paradigm-in-the-wellness-economy">The green paradigm in the wellness economy</h2> +<p>The wellness paradigm of meditation apps with their condescending &quot;nudge&quot; notifications, &quot;should&quot;-ing you, is also predicated on a lie. It condescends and infantilizes users under the false pretense that +SOMETHING IS WRONG WITH YOU. +You need to &quot;get better&quot;. If you miss a day, you are a failure. Your habits are pathologized when they do not serve the app's interests of high user engagement and retention.</p> +<p>Now, how often do you pick up your phone to use a self-improvement app? How much time per day do you spend on this app category? There's mounds of UX research showing that this app category does not perform well in the screen time olympics. +But what apps do you gravitate towards when you want to feel better? Spotify. Candy Crush. Snapchat. Tiktok.</p> +<p>Have you ever gone to a concert &amp; felt spiritually transformed?</p> +<h3 id="ux-as-infantilization">UX as Infantilization</h3> +<p>Arnott's focus on &quot;condescending infantilism&quot; reminds me of Jesse Baron's essay <a href="https://reallifemag.com/the-babysitters-club/">&quot;The Babysitters Club&quot;</a>.</p> +<h2 id="the-teal-paradigm-in-the-next-economy-of-health">The teal paradigm in the next economy of health</h2> +<p>The next economy of health is based in joy and transformation. +Body - Mind is an expression of Truth. +Music, entertainment, and socializing are healing economy models. +They do not have a &quot;should quality and your soul is open to them.</p> +<table><thead><tr><th style="text-align: left"></th><th style="text-align: left">medicine</th><th style="text-align: left">wellness</th><th style="text-align: left">the new economy ??</th></tr></thead><tbody> +<tr><td style="text-align: left"><strong>identity</strong></td><td style="text-align: left">individual</td><td style="text-align: left">pluralistic global data point in a large database</td><td style="text-align: left">spirit</td></tr> +<tr><td style="text-align: left"><strong>achievement</strong></td><td style="text-align: left">systematization</td><td style="text-align: left">access</td><td style="text-align: left">integrated wisdom</td></tr> +<tr><td style="text-align: left"><strong>relationship to the body</strong></td><td style="text-align: left">mechanical</td><td style="text-align: left">purging trauma</td><td style="text-align: left">maladaptive body patterns begin to dissolve</td></tr> +</tbody></table> + + + + + Why and how you should apply to the Recurse Center + 2022-08-16T00:00:00+00:00 + 2022-08-16T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/rc-or-bootcamp/ + + <p>My friend Priya made a blog post called &quot;Should I go to a coding bootcamp or self-study&quot;, which inspired me to share my own experiences and thoughts on the matter.</p> +<h2 id="my-experience-to-expose-what-i-am-biased-towards">My experience – to expose what I am biased towards</h2> +<p>I originally decided that I'd like to learn programming around 2012, when I wanted to make a Russian-language online platform similar to <a href="https://asyaplugged.in/know/drafts/rc-or-bootcamp/rookiemag.com">Rookie Mag</a>. I didn't understand that one could get away with finding a sort of suitable wordpress theme, and once I did, I felt so passionately about my ideal project that I figured I'd need to pay a programmer to make the exact theme that I'd envisioned for the platform. I was also inspired by this weird Russian listicle website called <a href="https://asyaplugged.in/know/drafts/rc-or-bootcamp/w-o-s.ru">W-O-S</a>, I loved how each article had some different animations and floating elements, and I especially loved the interactive quizzes.</p> +<p>I mention my inspiration for learning how to code as I think inspiration is imperative to take account of when deciding on the direction you will take it into the material world. My interest was in a counterculture of both Russian and American origins, and online media. So in 2015, I attended a mini course at the Moscow Coding School.</p> +<p>Well, first I took some introductory programming classes at Santa Monica College. At the time, the main prerequisite to any programming class was an introduction to computing as a whole. My homework assignment was to draw something in MS Paint. I hope this story can illuminate the reasons I recieved F (for failed) grades in my first year at SMC.</p> +<p>At Moscow Coding School, I learned introductory HTML, CSS, JavaScript, and WebGL. </p> +<h2 id="bootcamp">Bootcamp</h2> +<h2 id="self-study">Self Study</h2> +<h2 id="recurse-center-application">Recurse Center Application</h2> +<p>I have pubilished <a href="https://github.com/asyapluggedin/rc/blob/master/application/application-2022.md">my own application to rc on my github</a>.</p> +<h2 id="recurse-center">Recurse Center</h2> +<h2 id="self-doubt-and-imposter-syndrome">Self Doubt and Imposter Syndrome</h2> +<h2 id="employment">Employment</h2> +<h2 id="goals-and-outcomes">Goals and Outcomes</h2> + + + + + Visiting Apex Electronics Surplus + 2022-08-13T00:00:00+00:00 + 2022-08-13T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/apex-visit/ + + <p>This Friday I visited Apex Electronics Surplus in Sun Valley, CA.</p> +<h2 id="so-much-stuff">So much stuff!</h2> +<p>It was cool. I was very excited by the sheer size of the store and amount of available items, so I recorded a birthday wish for my little brother in one of the aisles. My little brother was the driving force behing my inspiration for <a href="https://asyaplugged.in/know/drafts/apex-visit/savefrys.com/">savefrys.com</a>, so it only felt appropriate to record a message at an electronics surplus store.</p> +<h2 id="the-thoughts">The Thoughts</h2> +<p>Reminded me of Claire L. Evans' blog post <a href="https://www.uncubemagazine.com/blog/12291851">Does Future Fact Depend on Present Fiction</a></p> + + + + + How to Make Telegram Stickers + 2022-08-13T00:00:00+00:00 + 2022-08-13T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/telegram-sticker-tutorial/ + + <p>This Friday I visited Apex Electronics Surplus in Sun Valley, CA.</p> +<h2 id="week-1">Week 1</h2> +<p>The first </p> +<h4 id="blockquote-with-attribution">Blockquote with attribution</h4> +<blockquote> +<p>Don't communicate by sharing memory, share memory by communicating.</p> — +<cite>Rob Pike<sup class="footnote-reference"><a href="#1">1</a></sup></cite></p> +</blockquote> +<h2 id="images">Images</h2> +<p><img src="../assets/test.png" alt="Image Backgorund" /> +<img src="https://asyaplugged.in/know/drafts/telegram-sticker-tutorial/" alt="Another Media" /></p> +<p><img src="https://plchldr.co/i/1280x720?bg=2ecc40" alt="Media CDN" /></p> +<p>{% hint style=&quot;warning&quot; %} 123 {% endhint %}</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>The above quote is excerpted from Rob Pike's +<a href="https://www.youtube.com/watch?v=PAAkCSZUG1c">talk</a> during Gopherfest, +November 18, 2015.</p> +</div> + + + + + Recurse Center Report: Half Batch + 2022-08-05T00:00:00+00:00 + 2022-08-05T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/recurse-center-report-1/ + + <p>This Friday marks the mid-point of my batch at the Recurse Center<sup class="footnote-reference"><a href="#1">1</a></sup>. I am in a 12 week batch, meaning I have completed 30 out of 60 days of the programming retreat. I already feel like a different person and a better programmer than when I started, and figured that it could be helpful for others to hear about my experience.</p> +<p>Because I intended to do a 12 week retreat from the very start, I will say that I was a little lax with planning my time to be at maximum efficiency. My main goal for the retreat was proving to myself that I enjoy regular programming and learning new things, even if they look very much strange, and feel very much challenging.</p> +<!--more--> +<h2 id="weekly-reports">Weekly Reports</h2> +<p>At Recurse, batch members are encouraged to post text check-ins in their respective Zulip streams. Thanks to this practice, I have been able to track and share my progress, as well as stay accountable to myself and learn from the obstacles blocking my workflows.</p> +<h3 id="week-1">Week 1</h3> +<p>I decided to excuse myself from the requirement of writing any code in the first week, as it is quite an overwhelming and social week, but in retrospect I wish I had challenged myself a bit more, and at least refactored some code in the project that I applied to RC with, so that I could present it during Friday presentations. However, I did:</p> +<ul> +<li>work on <a href="https://asyaplugged.in/do/sunshine-act/">sunshine act</a> pen and paper RPG game</li> +<li>write short bios of everyone so i could remember peoples names and personalities</li> +<li>experimented with check-in formatting</li> +<li>make a <a href="https://www.are.na/anastasia-davydova-lewis/recurse-center-2022">master channel on are.na</a> for all my RC batch related research</li> +<li>attend a pairing workshop</li> +<li>made ~1 new friend.</li> +</ul> +<h3 id="week-2">Week 2</h3> +<p>I became a lot more comfortable with all the RC software, so I set out to program every day. Despite such a clear intention, I only commited code on 3 of the 5 days, as I ended up feeling quite drained by the frequent &quot;coffee chats&quot;, planning to work on other people's projects, and attending the social events.</p> +<ul> +<li>attended the &quot;Building your volutional muscles&quot; workshop, enjoyed it very much</li> +<li>started learning <code>Go</code> for my TUI game, ascii tarot</li> +<li>got sidetracked from learning <code>Go</code> with elektronika project bc of embedded meeing</li> +<li>attended the creative coding, but failed at my task because of updated browser permissions issues in <code>p5.js</code></li> +<li>had a coffee chat with a career center staff member</li> +<li>presented</li> +<li>made ~6 new friends!</li> +</ul> +<h3 id="week-3">Week 3</h3> +<p>Learning Go felt a little out of left field, so I decided to spin up a &quot;quick and dirty&quot; static website. The theme I chose to base it off of was anything but quick to work with, however it did prove to make for some quite dirty coding work. Ultimately, I was pleased with my 4/5 daily commits, as well as the fact that I didn't have to poke around the Go reference documents for a short while.</p> +<ul> +<li>learned about <code>SQL</code></li> +<li>started working with <code>Zola</code> and the karzok theme, <code>npm</code> became the bane of my existence</li> +<li>met with a staff member to discuss time management and my struggle with &quot;doing other peoples homework&quot; instead of focusing on my own work</li> +<li>attended the &quot;Balancing learning generously with your own work&quot; workshop - really loved it</li> +<li>attended the &quot;feelings check-in&quot;</li> +<li>made ~4 new friends.</li> +</ul> +<h3 id="week-4">Week 4</h3> +<p>Attending the weekly intentions and reflections meetings was quite phenomenal. In general, I find intentionality incredibly meaningful and valuable in my own routine, so sharing such a practice with fellow Recursers changed my entire experience. I felt a lot closer to the community, and struggled less with accountability.</p> +<p>Another big change was replacing my coffee chat bot with the pairing bot. I noticed that the daily chit-chat meetings spawned by the coffee chat bot took a lot of energy out of me, but didn't translate into a sense of satisfaction with how much I was learning programming or making progress on a project, be it mine or someone elses. Switching up the bots helped a lot, as I could at the very least look at somebody else's code and ask about their goals at RC, rather than talk about our outside hobbies for an hour.</p> +<ul> +<li>started attending weekly intentions and reflections</li> +<li>presented during career panel</li> +<li>replaced coffee chat bot with pairing bot</li> +<li>shipped my personal website</li> +<li>paired with people on their projects, which was very rewarding.</li> +<li>got some excellent pointers on Go from someone who has worked at the Go team</li> +<li>had a meeting with the career center</li> +<li>made ~4 new friends.</li> +</ul> +<h3 id="week-5">Week 5</h3> +<p>This was the week I realized I needed to quickly make friends with everyone from the previous batch, which was ending the following week. I wish I had been more organized about my interactions with other people, as that's really one of the most valuable aspects of RC. Even if you do not work on something together, it's nice to at least get to know each other a little.</p> +<p>I also set out to have a &quot;solo&quot; day where I wouldn't attend any meetings or events, and just focus on some deep work. This was a good idea, and helped me feel more in control of my productivity.</p> +<ul> +<li>paired a bit</li> +<li>made progress on my website</li> +<li>went to the gym a lot</li> +<li>did some leetcode problems</li> +<li>strengthened ~2 of my existing RC friendships.</li> +</ul> +<h3 id="week-6">Week 6</h3> +<p>There is a long-standing tradition at RC to write &quot;niceties&quot; to members of the ending batch. I had 42 Recursers to write them for, as well as some extra for staff, which took a lot of time and effort. In the process I realized there were different types of Recursers – the very socially active, the more heads-down ultra-productive ones, the ones that host specialized events, and the ones that don't participate in the community very much. I realized that despite my own feelings about my subpar progress, I myself was a relatively successful Recurser, as I made the retreat's experience inspiring and fun for other members. Writing the niceties helped me reconsider my own goals and expectations of myself. I stopped worrying about completing a specific amount of leetcode problems or github commits, and decided to focus more on positively contributing to the experience of those currently at RC.</p> +<ul> +<li>completed niceties</li> +<li>made checkin and reflection templates for obsidian</li> +<li>began tinkering in hardware discussion groups</li> +<li>quit the google ux certificate coursera course bc didn't have the patience to learn things i already know for $30/mo</li> +<li>finally a successful creative coding project</li> +<li>wrote blog post for incoming batch as i decided to host creative coding going forward</li> +<li>made ~4 new friends!</li> +</ul> +<h2 id="takeaways">Takeaways</h2> +<p>In these six weeks, the accomplishment I am most proud of is a sense of confidence in my ability to program, and my identity as a programmer. So many of my friends will sometimes say that they are not qualified for a project because they have limited experience programming – I cannot imagine doing this myself anymore. I would rather let the hardware say &quot;no!&quot; to me by breaking, than to say no to it first myself. I've learned that the only way to tackle the unknown is with curiosity – it is best friends with bravery anyway, so bravery will swiftly follow wherever curiousity goes.</p> +<p>Concrete accomplishments, however:</p> +<ul> +<li>Gave two talks</li> +<li>Got a lot better at git</li> +<li>Mastered templating in Obsidian</li> +<li>Configured my VSCode dev environment to work well with remote collaborative versioning workflows</li> +<li>Shipped a static website</li> +<li>Learned a lot of new things about JavaScript, Sass, Go, Rust, Tera, SQL, and shaders.</li> +</ul> +<p>I'm very grateful for the chance to make so many new friends, too. Next week, the incoming batch will arrive. I am excited to show them around and host some events. I do not at all feel ready to take a senior post, but nonetheless I am curious how it will go in any event.</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>What is the Recurse Center? You'd probably learn best from their own <a href="https://www.recurse.com/">website</a>.</p> +</div> + + + + + Creative Coding at RC + 2022-08-04T00:00:00+00:00 + 2022-08-04T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/rc-creative-coding/ + + <h2 id="introduction-credits">Introduction &amp; Credits</h2> +<p>Welcome to the guide for the Creative Coding Meetup at the Virtual Recurse Center.</p> +<!--more--> +<p>The meetup was started by <a href="http://rfong.github.io/">Ray Fong</a>, then led by <a href="https://github.com/aturley">Andrew Joseph Turley</a>, who passed the torch to <a href="https://github.com/Plasma-Vortex">Howard Halim</a>, who finally passed it to me.</p> +<p>However, the <a href="https://recurse.zulipchat.com/#narrow/stream/224779-creative-coding">creative-coding</a> Zulip stream has messages going all the way back to February 20, with the first one from <a href="https://solsarratea.world/">Sol Sarratea</a>. We now coordinate in another stream, <a href="https://recurse.zulipchat.com/#narrow/stream/19042-397-Bridge/topic/Creative.20Coding.20Meetup">Creative Coding Meetup</a>.</p> +<h2 id="what-happens-at-creative-coding">What happens at Creative Coding?</h2> +<p>Each week a random prompt is picked, then we spend 90 minutes making something and meet back up to share what we made. Don't worry about perfectionism, just come have fun. +Here are some of the generators we have used to produce creative prompts:</p> +<ul> +<li><a href="http://stoney.sb.org/eno/oblique.html">Oblique Strategies</a></li> +<li><a href="https://codepen.io/jacob4/full/EVqeWM">Random Shakespeare Quote Generator</a></li> +<li><a href="https://perchance.org/emoji">perchance Random Emoji Generator</a> (set amount to 3, check &quot;unique?&quot; box)</li> +</ul> +<p>You can use whatever language or tools you are comfortable or uncomfortable with.</p> +<p>Creativity manifests in different ways, so don't feel restricted to making something visual, &quot;artistic&quot;, or even related to the chosen prompt. This is the place to make whatever your heart and mind desires!</p> +<p>Here are some common choices:</p> +<ul> +<li><a href="https://editor.p5js.org/">editor.p5js.org</a></li> +<li><a href="https://codepen.io/">codepen.io</a></li> +<li><a href="https://www.shadertoy.com/">shadertoy.com</a></li> +<li><a href="https://glitch.com/">glitch.com</a></li> +<li><a href="https://arcade.makecode.com/">arcade.makecode.com</a></li> +</ul> +<p>Coordinate in the <a href="https://recurse.zulipchat.com/#narrow/stream/19042-397-Bridge/topic/Creative.20Coding.20Meetup">Creative Coding Zulip topic</a>. +Showing off your work is encouraged!</p> +<h2 id="resources">Resources</h2> +<p>I am leisurely amalgamating a lot of materials on an <a href="https://www.are.na/anastasia-davydova-lewis/creative-coding-for-all">Are.na page, creative-coding-for-all.</a> Feel free to add to it! I also have some more structured resources to peruse here: +<br><br></p> +<h3 id="misc-inspiration">Misc Inspiration</h3> +<ul> +<li><a href="https://paytonturnage.com/writing/generating-art-with-haskell/">Generative Art with Haskell</a></li> +<li><a href="https://experiments.withgoogle.com/collection/chrome">Chrome Experiments</a></li> +</ul> +<h3 id="css-resources">CSS Resources</h3> +<ul> +<li><a href="https://colorffy.com/text-gradient-generator">CSS text gradient generator</a></li> +<li><a href="https://shadows.brumm.af/">CSS box shadow generator</a></li> +<li><a href="https://9elements.github.io/fancy-border-radius/">9elements – Fancy border radius generator</a></li> +<li><a href="https://haikei.app/">Haikei – SVG generator</a></li> +<li><a href="https://haikei.app/">Mesh Gradients by CSS Hero</a></li> +<li><a href="https://min-max-calculator.9elements.com/">9elements – Fluid Typography without media queries via min-max value</a></li> +<li><a href="https://ui.glass/generator/">Glassmorphism generator</a></li> +</ul> +<h3 id="ml-art-resources">ML Art Resources</h3> +<ul> +<li>Kadenze <a href="https://www.kadenze.com/courses/creative-applications-of-deep-learning-with-tensorflow/info">Creative Applications of Deep Learning with TensorFlow</a> class</li> +</ul> +<h3 id="some-ucla-design-media-class-websites-with-their-own-resource-reference-collections">Some UCLA Design | Media Class Websites with their own resource / reference collections</h3> +<ul> +<li><a href="http://pkmital.com/home/2021/09/01/ucla-course-on-cultural-appropriation-with-machine-learning/">Cultural Appropriation with Machine Learning</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/172/?page_id=101">Interactive Animation in Unity3D</a></li> +<li><a href="https://lmccart.github.io/DMA171-disability-design-web/#resources">Disability, Design, and the Web</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/289-2/">50 Years of Software Artists: Plotter Drawings to Non-fungible Tokens</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/152/resources">Tangible Media</a> – intro to working creatively with electronics.</li> +<li><a href="https://classes.dma.ucla.edu/Winter21/28/">Interactivity</a> – intro Processing class taught by Casey Reas, co-creator of Processing.</li> +<li><a href="https://classes.dma.ucla.edu/Fall19/161/#resources">Network Media</a> – html+css+js+p5.js taught by Lauren McCarthy, creator of p5.js.</li> +</ul> +<p>I recommend checking out the <a href="https://classes.dma.ucla.edu/?cTerm=Winter&amp;cYear=2021">past versions of core DMA classes</a>, as each one has its own website with varying resource lists. +<br><br></p> +<h3 id="history-context-of-media-art-generative-art-creative-coding">History, Context of Media Art, Generative Art, Creative Coding</h3> +<ul> +<li><a href="https://www.are.na/anastasia-davydova-lewis/ucla-dma101-design-media-arts">My Are.na class materials archive from the Media Art 101 class</a></li> +<li>&quot;When the Machine Made Art: The Troubled History of Computer Art&quot;, by Grant D. Taylor</li> +<li>&quot;Creative Code: Aesthetics + Computation&quot; by John Maeda</li> +<li>&quot;Generative Design&quot; by Benedikt Groß, Hartmut Bohnacker, Julia Laub</li> +</ul> +<h3 id="misc-creative-coders-and-their-work">misc creative coders and their work</h3> +<ul> +<li><a href="https://en.wikipedia.org/wiki/Vera_Moln%C3%A1r">Vera Molnár</a></li> +<li>Harold Cohen's AARON</li> +<li><a href="http://web.archive.org/web/20161103091706/http://silverbuffalo.org/NAA-NativeIT.html">Silver Buffalo on Native American IT</a></li> +<li><a href="https://blacktransarchive.com/">The Black Trans Archive</a></li> +<li><a href="https://web.archive.org/web/20020323214647/http://neutralground.sk.ca/artistprojects/spiderlanguage/index.html">Spider Language</a> – a First Nations contemporary art web</li> +<li><a href="https://super-sad-googles.glitch.me/">super sad googles</a></li> +<li><a href="https://facework.app/">facework.app</a></li> +<li><a href="https://store.steampowered.com/app/295790/Never_Alone_Kisima_Ingitchuna/">Never Alone on Steam</a> inspired by Donna Haraway's <a href="https://www.dukeupress.edu/staying-with-the-trouble">Staying with the Trouble: Making Kin in the Chthulucene</a></li> +<li><a href="https://www.damonzucconi.com/">Damon Zucconi</a></li> +<li><a href="https://brutalistwebsites.com/">Brutalist Websites</a></li> +<li><a href="https://lynnandtonic.com/">Lynn Fisher</a></li> +<li><a href="https://a-website-is-a-room.net/">a website is a room</a> archive of websites exploring the browser as a space</li> +<li><a href="https://www.werkplaatstypografie.org/#vitrine:https://www.werkplaatstypografie.org/vitrine/archive/">Werkplaatz Typographie Vitrine Archive</a></li> +<li><a href="https://x20xx.com/">x20xx.com</a></li> +</ul> +<h2 id="want-to-contribute-to-this-guide">Want to contribute to this guide?</h2> +<p>Submit <a href="https://github.com/asyapluggedin/asyaplugged.in/blob/main/content/know/2022-08-04-rc-creative-coding.md">a pull request in the github repo</a> for this blog.</p> + + + + + Hello World: Welcome to Asya's blog + 2022-07-11T00:00:00+00:00 + 2022-07-11T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/hello-world/ + + <p>Hello, and welcome to my website, specifically my blog.</p> +<!--more--> +<h2 id="what-s-going-on-with-the-whole-do-you-know-love-thing">What's going on with the whole &quot;do you know love&quot; thing?</h2> +<p>So, when I was first learning programming, I made a <a href="https://github.com/asyapluggedin/process">game</a> in Processing. I wanted to make a peculiar online psychology quiz, so one of the questions was &quot;Do you know love?&quot; with the only answer being an hard-to-click &quot;YES&quot;. I was inspired by Lacan's contention that jouissance is a phenomenon unknowable to humans, but as I needed some sort of &quot;click&quot; interaction to trigger the next question screen, I asked the question not about jouissance, but rather something more people are familiar with: love.</p> +<img src="https://asyaplugged.in/assets/process-love-level.png" alt="Level Image" width="300"> +<p>Shortly thereafter, I put the graphic from that quiz on the splash page of my old website, <a href="https://web.archive.org/web/20220000000000*/http://xnast.asia/">xnast.asia</a>. You could only enter the website if you successfully clicked &quot;YES&quot;. This was back in 2016. In 2022, I decided to make the website that you are currently on. I knew I wanted to have four different sections:</p> +<blockquote> +<ol> +<li>info / about me</li> +<li>portfolio / work case studies</li> +<li>blog</li> +<li>page of things that i love</li> +</ol> +</blockquote> +<p>I had an epiphany while gathering the inspiration and ideas for the design and development of <a href="https://asyaplugged.in/">asyaplugged.in</a> that I could articulate the menu of my new website with the splash page title of my previous website, just like so:</p> +<table><thead><tr><th>nav</th><th>question</th></tr></thead><tbody> +<tr><td>portfolio</td><td>do</td></tr> +<tr><td>about</td><td>you</td></tr> +<tr><td>blog</td><td>know</td></tr> +<tr><td>things i love</td><td>love</td></tr> +</tbody></table> +<p>I'd be interested in hearing from you what you think about this articulation, whether it was confusing for you, etc.</p> +<h2 id="what-does-asyapluggedin-mean-what-happened-to-xnastasia">What does asyapluggedin mean? What happened to xnastasia?</h2> +<p>Someday I will write a separate post about the permutations of my identity / avatar / sense of self, but until then, this brief explanation will have to suffice.</p> +<p>I felt that the <em>xnast.asia</em> url and <em>xnastasia</em> username was too hard to pronounce, and had a little bit of a pornographic vibe. Every time people typed &quot;x...n...a...s...t...&quot; into a search bar, I would never be the first thing to auto-populate the field. I've still held onto the url and most of the usernames, but once I came up with <em>asyapluggedin</em> I was so happy to swap all my online pointers to that.</p> +<p>My father has had the username mattpluggedin for the longest time, and so the &quot;plugged in&quot; username always made me feel nostalgic for the whole early internet / dotcom boom era, which plays a significant role in a lot my work. But I never thought to inherit the username before I came across the sci-fi book &quot;The Girl That Was Plugged In&quot;<sup class="footnote-reference"><a href="#1">1</a></sup>, which also is the title of an episode of sci-fi TV series &quot;Welcome to Paradox&quot;.</p> +<h2 id="do-you-have-an-rss-feed-can-i-tell-you-if-something-is-broken-or-typoed">Do you have an RSS feed? Can I tell you if something is broken or typoed?</h2> +<p>Yes and yes. You can access the RSS feed for my blog via <a href="https://asyaplugged.in/know/atom.xml">asyaplugged.in/know/atom.xml</a>.</p> +<p>I would also be very happy to hear any feedback on my blog or really, any aspect of the entire website. You can make a pull request on <a href="https://github.com/asyapluggedin/asyaplugged.in">github</a>, where my website is hosted, or just send me a message on whichever platform you prefer.</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>I learned about this book from Dr. Teddy Pozo's UCLA Game Lab Teledildonics lecture from Spring 2021.</p> +</div> + + + + + DeepDenial + 2018-07-10T00:00:00+00:00 + 2018-07-10T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/deepdenial/ + + <p>DeepDenial was a one-day speculative political activism deepfake workshop I was invited to teach at the Hackers and Designers Summer Academy <em>(a program run out of the Sandberg Institute, the postgraduate programme of the Gerrit Rietveld Academie in Amsterdam)</em>.</p> +<p>The workshop was designed for students of varied technical as well as non-technical backgrounds. Participants practiced extracting and organizing data in order to apply a neural network for the purpose of making &quot;deepfakes&quot;, or videos with swapped faces.</p> +<p>In the news, deepfake technology initially came to light as it was being used to create abusive explicit content with unwilling face-swapped participants. Concerns are commonly voiced on the potential use of deepfaking for political propaganda. A central aspect of the <em>DeepDenial</em> workshop is the discussion of media ethics, surveillance vs sousveillance, and explorations of defensive propaganda. </p> +<p>By taking a hands-on approach to learn how to process video data for machine learning programs, attendees armed themselves with improved digital literacy and developed a keen sense for discerning tell-tale signs of AI-processed content.</p> + + + + diff --git a/category/blog/index.html b/category/blog/index.html new file mode 100644 index 0000000..e69de29 diff --git a/category/essays/atom.xml b/category/essays/atom.xml new file mode 100644 index 0000000..e759b06 --- /dev/null +++ b/category/essays/atom.xml @@ -0,0 +1,30 @@ + + + Asya Davydova Lewis - essays + + + + Zola + 2022-08-14T00:00:00+00:00 + https://asyaplugged.in/category/essays/atom.xml + + Store Bought Glow + 2022-08-14T00:00:00+00:00 + 2022-08-14T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/store-bought-glow/ + + <p>In progress...</p> + + + + diff --git a/category/essays/index.html b/category/essays/index.html new file mode 100644 index 0000000..e69de29 diff --git a/category/index.html b/category/index.html new file mode 100644 index 0000000..e69de29 diff --git a/do.css b/do.css new file mode 100644 index 0000000..5691e31 --- /dev/null +++ b/do.css @@ -0,0 +1 @@ +html{height:100%;overflow:hidden;scroll-behavior:smooth}body{position:absolute;top:0;bottom:0;left:0;right:0;overflow:auto;font-family:"Inter",system-ui,-apple-system,"Segoe UI",Helvetica,Arial,sans-serif,"Apple Color Emoji","Segoe UI Emoji"}.welcome{padding-top:2em;color:var(--foreground);display:grid;grid-template-rows:1fr .5fr;justify-items:center}.welcome h1{font-size:60px;color:#383fff}.welcome p{font-size:30px}@media (max-width: 1000px){.welcome h1{font-size:40px}.welcome p{font-size:18px}.error h1{font-size:80px !important}.error h2{font-size:40px !important}.error h3{font-size:20px !important}}.error{color:var(--foreground);grid-template-rows:.1fr .1fr .1fr;grid-template-columns:inherit;grid-gap:inherit;grid-auto-rows:inherit;justify-items:center;font-weight:400;margin-bottom:2em}.error h1{font-size:250px}.error h2{font-size:100px}.error h3{font-size:50px}body[data-theme=black]>section a{border:2px solid aqua}body:not([data-theme=dark])>section a{border:2px solid var(--foreground)}img.pika{position:sticky;z-index:2;top:50%;left:50%;transform:translate(-50%, -50%) scale(20, 20);max-width:20px !important}section{padding-top:.3rem;padding-bottom:3rem;margin:0 auto;display:grid;position:relative;grid-template-columns:repeat(auto-fit, minmax(22%, 1fr));grid-auto-rows:24.5vw;min-height:width;width:98%;grid-gap:10px 10px}section a{display:block;position:relative;color:rgba(0,0,0,0) !important;background-size:cover;background-color:var(--background);text-decoration:none;text-align:center;padding:1em;overflow:hidden}section a img{max-width:110%;position:absolute;top:50%;left:50%;transform:translate(-50%, -50%)}section a span{display:block;position:absolute;top:50%;left:50%;transform:translate(-50%, -50%);font-size:20px;color:var(--foreground)}section a span.invisibletext{color:rgba(0,0,0,0)}section a div{opacity:0;transform:translateY(40px);transition:transform .4s,opacity .4s;color:var(--foreground)}section a:hover div{opacity:1;transform:translateY(0);color:var(--foreground)}section a time,section a p{display:block;position:relative;opacity:.8;padding-top:1.5rem}section a:hover{outline:1px solid var(--foreground);box-shadow:0px 0px 5px 5px var(--foreground)}section a:hover img{filter:blur(10px) opacity(90%)}section a:hover span{transform:scale(-1, -1) translate(50%, -65%);text-shadow:0px 0px 5px var(--background)}section a:hover span.invisibletext{color:var(--foreground)}section a:hover p{text-shadow:0px 0px 5px var(--background)}section a:nth-child(2){display:block;position:relative;color:var(--foreground);background-size:cover;background-color:var(--background);text-decoration:none;text-align:center;padding:1em}@media (max-width: 1000px){section{grid-template-columns:repeat(auto-fit, minmax(32%, 2fr));grid-auto-rows:34.5vw;width:98%;padding:0 10px}img.pika{transform:scale(10, 10);max-width:20px !important;top:40%}} \ No newline at end of file diff --git a/do/a-living-breathing/index.html b/do/a-living-breathing/index.html new file mode 100644 index 0000000..49ca4e6 --- /dev/null +++ b/do/a-living-breathing/index.html @@ -0,0 +1,2 @@ + a living breathing

a living breathing
  • 91 words
  • 1 minute to read

    o

    This 28 minute film was made in 2015 with no budget. The currently available cut may have audio mixing issues, so for legibility you may follow the transcript here alongside the film.

    Co-directed with Michael Sanchez.

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    Affection Realities
    • 148 words
    • 1 minute to read

      image go here

      Curating

      In November 2015, I curated a group exhibition featuring ten international artists. I scouted the artists from social media, spanning all different platforms, from Yelp to Last.fm, from OkCupid to Tumblr. Instead of making my curatorial selection based on reputation or portfolio, I tried to choose people without (much) prior experience exhibiting their work, relying on my online aesthetic intution.

      In order to accuratelv execute my curatorial vision, I had to take complete control of the exhibition design and even temporarily re-brand the gallery. This included painting the whole space by hand and designing the press relcase to communicate an carnest, vet malformed attempt at a luxury art show. Through this experience the work of the artists who did not have prior experience exhibiting their work was snapped and thrown back onto on social media: but now, with a filter of legitimacy.

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      ASCII Tarot
      • 708 words
      • 4 minutes to read

        Deck of cards with blue ascii art design shrink-wrapped in plastic

        Three years after I was first introduced to the Tarot, I designed a Tarot deck myself (and was able to finish it within a month thanks to the motivation to submit it as part of my 2016 UCLA Media Arts application). While I initially learned the Tarot using physical cards and used them to structure conversations with my friends about challenging decisions we had to make, I spent a majority of my time consulting the cards in a digital format. My first deck was the Enchanted Tarot by Amy Zerner and Monte Farber, which not only had beautiful custom art riffing on the Rider-Waithe deck, a book of explications, but also an iOS app, which I used very frequently. It is said that if one carries their Tarot deck with them, the cards will hold the energy of their owner's experiences and provide more relevant insights. I became intrigued by how this principle could be manifesting technologically, so I decided to pare down the digital Tarot to it's most simple, bare, form.

        ASCII as an aesthetic, symbolic, and functional choice

        The ASCII Tarot deck was originally designed to be the foundation for a CLI tool. By simplifying the programming of a Tarot app, I hoped to have more control over the obfuscated inner workings of digitally powered divination. Among the CLI tools that I was inspired by, were projects like wttr.in, a curl wrapper for wego, a weather app for the terminal, as well as "hidden" emacs adaptations of popular games like pong and tetris. I was perplexed by the absence of a tarot app in system defaults, since I had been helped in so many rough moments by my trusty Enchanted iOS app.

        While incredibly beautiful and thoughtfully designed, I had my supsicions about the skeuomorphism of the Enchanted app's experience. When "cutting" the image of my deck into three, was the program actually dividing the dataset of 64 cards into three groups of 26? Would a human being shuffling be dividing the deck into three groups of exactly 26 cards? Or was the dual purpose of physical shuffling being somehow split in the digital form, really only acting as a brief moment of pause for the reader to meditate on their question? Wouldn't the shuffling then be somehow corrupted, if divorced from this meditation?

        These questions also began to arise when thinking about the images on the cards. When using a computing device, I noticed I wasn't so concerned with the colors or details of each card, but rather with the meaning that my experience reading Tarot had attached to each one. I felt like I would be more effective shuffling my Tarot meaning flashcards than the actual cards, given how often I consulted various online cheat sheets. The skeuomorphism of the card design bothered me as well, so it only made sense to fully embrace technological folklore by choosing ASCII art for my card design.

        Digital

        The Tarot has always been practiced IRL - only through the tactile motions of shuffling, through the candlelight flickers that ignite our anticipation, through our belief that the material will translate something from the corporeal - are we able to find out fate, and believe the narrative that is drawn.

        *

        Tarot Card Image

        *

        With the excitement of the world wide web, the late 1990's and early 2000's filled the internet with starry backgrounds and animations of divinatory motifs. 8-ball websites were generated, and early web surfers asked the god in the machine what their fate would become. Of course, the programmatic algorithm never could connect to the corporeal quite the same way, acting in a way more reminiscent of a predictably written fortune cookie (stupid american invention, by the way).

        *

        I created a full deck of tarot cards using ASCII art in an attempt to connect the innocence we had way back when on the web, with the physical ability to tell our fortunes. Perhaps it's a relic, perhaps it's a glimpse into the future...

        *

        \ No newline at end of file diff --git a/do/atom.xml b/do/atom.xml new file mode 100644 index 0000000..7ed6418 --- /dev/null +++ b/do/atom.xml @@ -0,0 +1,188 @@ + + + Asya Davydova Lewis - do + + + + Zola + 2022-08-31T00:00:00+00:00 + https://asyaplugged.in/do/atom.xml + + The Sunshine Act + 2022-08-15T00:00:00+00:00 + 2022-08-15T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/sunshine-act/ + + <span id="continue-reading"></span><h2 id="why-2022">Why 2022?</h2> +<p>This is something I made so I could graduate from UCLA lol.</p> + + + + + gestalt.sh/ift + 2021-06-11T00:00:00+00:00 + 2022-06-03T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/gestalt-shift/ + + <p><img src="https://asyaplugged.in/assets/gestalt.png" alt="Screenshot of gestalt.sh webpage" /></p> +<p>The 2021 UCLA Design | Media Arts Senior Exhibition took place online, at a website collaboratively designed &amp; developed by the graduating class.</p> +<h2 id="design-leadership-roles">Design &amp; Leadership Roles</h2> +<p>My role in this project adapted over the course of the academic quarter. I originally self-selected into a development role, but ended up contributing mostly in design and project management.</p> +<p>For context: traditionally, the graduating class is divided into three sections, each one led by a separate professor who assists the students in developing their senior thesis as well and helps produce the exhibition. In 2021, we did not have access to the physical EDA gallery space at UCLA nor classrooms to meet in. The meetings took place on Discord, a platform to which many were still only getting used to.</p> +<p>I took initiative to ensure that all the exhibition subcommittee members regularly met for discussions, and to facilitate reasonable production deadlines.</p> +<h2 id="design-process">Design Process</h2> +<p>For a class full of graduating students fatigued from remote instruction, designing the exhibition website around a visual riff on the Zoom screen was a decision made from a place of catharsis.</p> +<h2 id="production-process">Production Process</h2> +<p>See the collaborative <a href="https://www.figma.com/file/gxxEelPY5ETKjiybAK4okM/gestalt.sh-web-design?node-id=290%3A70">Figma file here</a>.</p> +<h2 id="development">Development</h2> +<p>The website (possibly still available at <a href="https://asyaplugged.in/do/gestalt-shift/gestalt.sh/ift">gestalt.sh</a> ) was developed using Wordpress and a custom Twig theme by <a href="https://chandlermcwilliams.com/">Chandler McWilliams</a> and Wiley Wiggins. I was not directly involved in the development process due to time constraints, but I was able to deploy some last-minute front-end changes via a pull request.</p> + + + + + Type Tap Go + 2020-08-15T00:00:00+00:00 + 2020-08-15T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/typetapgo/ + + <span id="continue-reading"></span><h2 id="quack">Quack!</h2> +<p>Type Tap Go is a mobile game made to teach people how to type efficiently on the phone, and compete with friends.</p> +<p>I came up with the idea in the summer of 2020 during the first Covid-19 lockdowns with Benjamin Bascom.</p> + + + + + ASCII Tarot + 2019-03-11T00:00:00+00:00 + 2022-08-31T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/ascii-tarot/ + + <p><img src="/do/deck.png" alt="Deck of cards with blue ascii art design shrink-wrapped in plastic" /></p> +<p>Three years after I was first introduced to the Tarot, I designed a <a href="https://www.behance.net/gallery/42369763/ASCII-TAROT?locale=en_US">Tarot deck</a> myself (and was able to finish it within a month thanks to the motivation to submit it as part of my 2016 UCLA Media Arts application). While I initially learned the Tarot using physical cards and used them to structure conversations with my friends about challenging decisions we had to make, I spent a majority of my time consulting the cards in a digital format. My first deck was the <a href="https://www.theenchantedworld.net/enchanted-tarot">Enchanted Tarot</a> by Amy Zerner and Monte Farber, which not only had beautiful custom art riffing on the Rider-Waithe deck, a book of explications, but also an <a href="https://apps.apple.com/us/app/enchanted-tarot/id674639952">iOS app</a>, which I used very frequently. It is said that if one carries their Tarot deck with them, the cards will hold the energy of their owner's experiences and provide more relevant insights. I became intrigued by how this principle could be manifesting technologically, so I decided to pare down the digital Tarot to it's most simple, bare, form.</p> + + + + + DeepDenial + 2018-07-10T00:00:00+00:00 + 2018-07-10T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/deepdenial/ + + <p>DeepDenial was a one-day speculative political activism deepfake workshop I was invited to teach at the Hackers and Designers Summer Academy <em>(a program run out of the Sandberg Institute, the postgraduate programme of the Gerrit Rietveld Academie in Amsterdam)</em>.</p> +<p>The workshop was designed for students of varied technical as well as non-technical backgrounds. Participants practiced extracting and organizing data in order to apply a neural network for the purpose of making &quot;deepfakes&quot;, or videos with swapped faces.</p> +<p>In the news, deepfake technology initially came to light as it was being used to create abusive explicit content with unwilling face-swapped participants. Concerns are commonly voiced on the potential use of deepfaking for political propaganda. A central aspect of the <em>DeepDenial</em> workshop is the discussion of media ethics, surveillance vs sousveillance, and explorations of defensive propaganda. </p> +<p>By taking a hands-on approach to learn how to process video data for machine learning programs, attendees armed themselves with improved digital literacy and developed a keen sense for discerning tell-tale signs of AI-processed content.</p> + + + + + a living breathing + 2015-09-11T00:00:00+00:00 + 2015-09-11T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/a-living-breathing/ + + <p>o</p> + + + + + Affection Realities + 2015-09-11T00:00:00+00:00 + 2015-09-11T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/affection-realities/ + + <p>image go here</p> + + + + + Meditation Game + 2015-09-11T00:00:00+00:00 + 2015-09-11T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/meditation-game/ + + <p>image go here</p> + + + + diff --git a/do/deepdenial/index.html b/do/deepdenial/index.html new file mode 100644 index 0000000..cf62dfd --- /dev/null +++ b/do/deepdenial/index.html @@ -0,0 +1,2 @@ + DeepDenial

        DeepDenial
        • 243 words
        • 2 minutes to read

        DeepDenial was a one-day speculative political activism deepfake workshop I was invited to teach at the Hackers and Designers Summer Academy (a program run out of the Sandberg Institute, the postgraduate programme of the Gerrit Rietveld Academie in Amsterdam).

        The workshop was designed for students of varied technical as well as non-technical backgrounds. Participants practiced extracting and organizing data in order to apply a neural network for the purpose of making "deepfakes", or videos with swapped faces.

        In the news, deepfake technology initially came to light as it was being used to create abusive explicit content with unwilling face-swapped participants. Concerns are commonly voiced on the potential use of deepfaking for political propaganda. A central aspect of the DeepDenial workshop is the discussion of media ethics, surveillance vs sousveillance, and explorations of defensive propaganda.

        By taking a hands-on approach to learn how to process video data for machine learning programs, attendees armed themselves with improved digital literacy and developed a keen sense for discerning tell-tale signs of AI-processed content.

        You can find more information about the workshop on the Hackers & Designers website.

        Reference materials for the workshop are collected on this Are.na Channel.

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        gestalt.sh/ift
        • 264 words
        • 2 minutes to read

          Screenshot of gestalt.sh webpage

          The 2021 UCLA Design | Media Arts Senior Exhibition took place online, at a website collaboratively designed & developed by the graduating class.

          Design & Leadership Roles

          My role in this project adapted over the course of the academic quarter. I originally self-selected into a development role, but ended up contributing mostly in design and project management.

          For context: traditionally, the graduating class is divided into three sections, each one led by a separate professor who assists the students in developing their senior thesis as well and helps produce the exhibition. In 2021, we did not have access to the physical EDA gallery space at UCLA nor classrooms to meet in. The meetings took place on Discord, a platform to which many were still only getting used to.

          I took initiative to ensure that all the exhibition subcommittee members regularly met for discussions, and to facilitate reasonable production deadlines.

          Design Process

          For a class full of graduating students fatigued from remote instruction, designing the exhibition website around a visual riff on the Zoom screen was a decision made from a place of catharsis.

          Production Process

          See the collaborative Figma file here.

          Development

          The website (possibly still available at gestalt.sh ) was developed using Wordpress and a custom Twig theme by Chandler McWilliams and Wiley Wiggins. I was not directly involved in the development process due to time constraints, but I was able to deploy some last-minute front-end changes via a pull request.

          \ No newline at end of file diff --git a/do/index.html b/do/index.html new file mode 100644 index 0000000..4a44be9 --- /dev/null +++ b/do/index.html @@ -0,0 +1,8 @@ + + + + + do + - Asya Davydova Lewis +
          The Sunshine Act

          role playing game

           gestalt.sh/ift gestalt.sh/ift

          2021 UCLA DMA Senior Exhibition Website

           Type Tap Go Type Tap Go

          iOS game prototype

           ASCII Tarot ASCII Tarot

          Tarot card deck in the ASCII art style.

           DeepDenial DeepDenial

          Workshop at Hackers and Designers Summer Academy

           a living breathing a living breathing

          experimental mockumentary film

           Affection Realities Affection Realities

          Group Exhibition

           Meditation Game

          user interface

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          Meditation Game
          • 38 words
          • 1 minute to read

            image go here

            UX Consulting

            First I helped Mindpet with some UX consulting.

            UX Writing

            Then I helped with UX writing.

            Design systems

            Then I helped with building a design system to articulate with the Unity build.

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            The Sunshine Act
            • 15 words
            • 1 minute to read

              Why 2022?

              This is something I made so I could graduate from UCLA lol.

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              Type Tap Go
              • 44 words
              • 1 minute to read

                Quack!

                Type Tap Go is a mobile game made to teach people how to type efficiently on the phone, and compete with friends.

                I came up with the idea in the summer of 2020 during the first Covid-19 lockdowns with Benjamin Bascom.

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                YES

                Do You Know Love
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know + + + + Zola + 2024-02-02T00:00:00+00:00 + https://asyaplugged.in/know/atom.xml + + January Gains + 2024-01-31T00:00:00+00:00 + 2024-02-02T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/january-gains/ + + <p>While it may be a little on-the-nose to start a personal accountability blog series in a January, it just so happened that I got extraordinarily motivated this recent December 2023 by my little brother. </p> +<ul> +<li>3.3 lbs muscle </li> +</ul> +<ul> +<li> +<p>7.5 lbs fat </p> +</li> +<li> +<p>left smith machine in the past </p> +</li> +<li> +<p>went from DB bench press to short bar </p> +</li> +<li> +<p>ate 60-90g protein / day </p> +</li> +<li> +<p>settled on a gym uniform that feels cute</p> +</li> +</ul> +<h4 id="february-goals">February Goals</h4> +<ul> +<li>continue recomp progress</li> +<li>bench the 35 long bar</li> +<li>improve VO2 max via kettlebell swings after each training session</li> +<li>eat 80-135g protein / day</li> +<li>spend less money on vegan protein shakes from the grocery store and try some protein powders for homemade protein shakes</li> +</ul> + + + + + Lecture Notes: Robin Arnott on Meditation & Gaming + 2022-08-18T00:00:00+00:00 + 2022-09-25T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/everything-is-boring/ + + <div class="video-container"> +<iframe width="560" height="315" src="https://www.youtube-nocookie.com/embed/n94J-9YxZPc" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> +</div> +<p>I experienced a rather significant personal paradigm shift after Robin Arnott's presentation &quot;Everything is Boring&quot; at the BDYHAX conference on February 24th, 2019. I have several versions of hand-written notes on it, and have spent countless late nights gesticulating on and on about the premise, so I figured to publish my notes (something between an inaccurate summary and personal comments) and suavely drop a hyperlink any time the itch to transmute this paradigm strikes, instead of acting like <a href="https://knowyourmeme.com/memes/pepe-silvia">this</a>. </p> +<p>The talk focuses on the issue at the center of the wellness-meditation economy: everything is boring. Using a psychological framework from Ken Wilber, it analyzes the wellness economy's own relative &quot;health&quot;, and demonstrates that both wellness and successful consumer interfaces have a much stronger connection to passion-based areas like entertainment, music and gaming, rather than mass infrastructure like medicine or workforce training.</p> +<p>Robin: if you're reading this, please respond to my emails – I would love to have access to the slides from this talk. It's great that there's now a video recording available, but I am struggling to find the proper chart images the talk is based on.</p> +<h2 id="introduction">Introduction</h2> +<p>Arnott is the CEO and cofounder of Andromeda Entertainment, a gaming publishing company focused on titles that draw inspiration from wellness, i.e. games that enrich players lives in meaningful ways, rather than just baiting and distracting them.</p> +<p>He has spoken quite a bit about game design as a mechanism for transcendence, but this talk focuses on Ken Wilber's Integral Theory – a psychological theory that can be used not only for understanding oneself and the people around us, but also understanding trends in culture learning how to aid the psychological developments of culture at large.</p> +<h2 id="integral-psychology">Integral Psychology</h2> +<p>Arnott believes one of the main issues with health technologies and the way we treat our bodies is it that it can be pretty joyless, boring and uninspiring. Analyzing current paradigms of health technologies, health economies, and our relationship with our body as a whole through the frame of Integral psychology offers some not-so-boring steps forward.</p> +<figure> +<img src="https://images.squarespace-cdn.com/content/v1/51a0ef99e4b0673a4c034ab8/1373221911253-I9CKMOFPCM86G3TNULLF/Screen-Shot-2013-03-29-at-7.07.30-PM.png" alt="integral theory map"> +<figcaption>Figure 1. Ken Wilber's Integral Psychology theory map.</figcaption> +</figure> +<p>Figure 2. &quot;Stages of Consciousness&quot; map.</p> +<p>Arnott highlights three color-coded stages as separate paradigms from each of them:</p> +<ul> +<li>orange paradigm: bureaucratic, scientific, evidence based</li> +<li>green paradigm: decentralized, pluralistic, postmodern, egalitarian</li> +<li>teal paradigm: integrated, evolving the present moment</li> +</ul> +<h2 id="have-you-ever-lied">Have you ever lied?</h2> +<p>Let's say, you tell some huge lie, for example you have been cheating on your partner and you don't tell them the truth. What are the consequences of this lie? How does it make you feel? How much does it affect other decisions you make? Your entire life becomes predicated on this one lie. You lose confidence in your decision-making and your actions. You cannot build a life on top of a foundation comprised of a lie.</p> +<h2 id="medical-economy">Medical Economy</h2> +<p>The medical economy operates on the social lie that the medical system has the answer to overcoming death. The orange medical system maintains the lie that YOU SHOULD NOT DIE.</p> +<h3 id="medical-gaze">Medical Gaze</h3> +<p>This argument reminds me of the &quot;medical gaze&quot;, the practice of objectifying the body of the patient as separate from their personal identity, coined by Michel Foucault's in <a href="https://en.wikipedia.org/wiki/The_Birth_of_the_Clinic">&quot;Birth of the Clinic&quot;</a>, which interrogates the dehumanization foundational to modern medicine, as well as the reasons why the scientific advances in medicine and healthcare have not succeeded in abolishing sickness and resolving the problems of humanity.</p> +<h2 id="the-green-paradigm-in-the-wellness-economy">The green paradigm in the wellness economy</h2> +<p>The wellness paradigm of meditation apps with their condescending &quot;nudge&quot; notifications, &quot;should&quot;-ing you, is also predicated on a lie. It condescends and infantilizes users under the false pretense that +SOMETHING IS WRONG WITH YOU. +You need to &quot;get better&quot;. If you miss a day, you are a failure. Your habits are pathologized when they do not serve the app's interests of high user engagement and retention.</p> +<p>Now, how often do you pick up your phone to use a self-improvement app? How much time per day do you spend on this app category? There's mounds of UX research showing that this app category does not perform well in the screen time olympics. +But what apps do you gravitate towards when you want to feel better? Spotify. Candy Crush. Snapchat. Tiktok.</p> +<p>Have you ever gone to a concert &amp; felt spiritually transformed?</p> +<h3 id="ux-as-infantilization">UX as Infantilization</h3> +<p>Arnott's focus on &quot;condescending infantilism&quot; reminds me of Jesse Baron's essay <a href="https://reallifemag.com/the-babysitters-club/">&quot;The Babysitters Club&quot;</a>.</p> +<h2 id="the-teal-paradigm-in-the-next-economy-of-health">The teal paradigm in the next economy of health</h2> +<p>The next economy of health is based in joy and transformation. +Body - Mind is an expression of Truth. +Music, entertainment, and socializing are healing economy models. +They do not have a &quot;should quality and your soul is open to them.</p> +<table><thead><tr><th style="text-align: left"></th><th style="text-align: left">medicine</th><th style="text-align: left">wellness</th><th style="text-align: left">the new economy ??</th></tr></thead><tbody> +<tr><td style="text-align: left"><strong>identity</strong></td><td style="text-align: left">individual</td><td style="text-align: left">pluralistic global data point in a large database</td><td style="text-align: left">spirit</td></tr> +<tr><td style="text-align: left"><strong>achievement</strong></td><td style="text-align: left">systematization</td><td style="text-align: left">access</td><td style="text-align: left">integrated wisdom</td></tr> +<tr><td style="text-align: left"><strong>relationship to the body</strong></td><td style="text-align: left">mechanical</td><td style="text-align: left">purging trauma</td><td style="text-align: left">maladaptive body patterns begin to dissolve</td></tr> +</tbody></table> + + + + + Recurse Center Report: Half Batch + 2022-08-05T00:00:00+00:00 + 2022-08-05T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/recurse-center-report-1/ + + <p>This Friday marks the mid-point of my batch at the Recurse Center<sup class="footnote-reference"><a href="#1">1</a></sup>. I am in a 12 week batch, meaning I have completed 30 out of 60 days of the programming retreat. I already feel like a different person and a better programmer than when I started, and figured that it could be helpful for others to hear about my experience.</p> +<p>Because I intended to do a 12 week retreat from the very start, I will say that I was a little lax with planning my time to be at maximum efficiency. My main goal for the retreat was proving to myself that I enjoy regular programming and learning new things, even if they look very much strange, and feel very much challenging.</p> +<!--more--> +<h2 id="weekly-reports">Weekly Reports</h2> +<p>At Recurse, batch members are encouraged to post text check-ins in their respective Zulip streams. Thanks to this practice, I have been able to track and share my progress, as well as stay accountable to myself and learn from the obstacles blocking my workflows.</p> +<h3 id="week-1">Week 1</h3> +<p>I decided to excuse myself from the requirement of writing any code in the first week, as it is quite an overwhelming and social week, but in retrospect I wish I had challenged myself a bit more, and at least refactored some code in the project that I applied to RC with, so that I could present it during Friday presentations. However, I did:</p> +<ul> +<li>work on <a href="https://asyaplugged.in/do/sunshine-act/">sunshine act</a> pen and paper RPG game</li> +<li>write short bios of everyone so i could remember peoples names and personalities</li> +<li>experimented with check-in formatting</li> +<li>make a <a href="https://www.are.na/anastasia-davydova-lewis/recurse-center-2022">master channel on are.na</a> for all my RC batch related research</li> +<li>attend a pairing workshop</li> +<li>made ~1 new friend.</li> +</ul> +<h3 id="week-2">Week 2</h3> +<p>I became a lot more comfortable with all the RC software, so I set out to program every day. Despite such a clear intention, I only commited code on 3 of the 5 days, as I ended up feeling quite drained by the frequent &quot;coffee chats&quot;, planning to work on other people's projects, and attending the social events.</p> +<ul> +<li>attended the &quot;Building your volutional muscles&quot; workshop, enjoyed it very much</li> +<li>started learning <code>Go</code> for my TUI game, ascii tarot</li> +<li>got sidetracked from learning <code>Go</code> with elektronika project bc of embedded meeing</li> +<li>attended the creative coding, but failed at my task because of updated browser permissions issues in <code>p5.js</code></li> +<li>had a coffee chat with a career center staff member</li> +<li>presented</li> +<li>made ~6 new friends!</li> +</ul> +<h3 id="week-3">Week 3</h3> +<p>Learning Go felt a little out of left field, so I decided to spin up a &quot;quick and dirty&quot; static website. The theme I chose to base it off of was anything but quick to work with, however it did prove to make for some quite dirty coding work. Ultimately, I was pleased with my 4/5 daily commits, as well as the fact that I didn't have to poke around the Go reference documents for a short while.</p> +<ul> +<li>learned about <code>SQL</code></li> +<li>started working with <code>Zola</code> and the karzok theme, <code>npm</code> became the bane of my existence</li> +<li>met with a staff member to discuss time management and my struggle with &quot;doing other peoples homework&quot; instead of focusing on my own work</li> +<li>attended the &quot;Balancing learning generously with your own work&quot; workshop - really loved it</li> +<li>attended the &quot;feelings check-in&quot;</li> +<li>made ~4 new friends.</li> +</ul> +<h3 id="week-4">Week 4</h3> +<p>Attending the weekly intentions and reflections meetings was quite phenomenal. In general, I find intentionality incredibly meaningful and valuable in my own routine, so sharing such a practice with fellow Recursers changed my entire experience. I felt a lot closer to the community, and struggled less with accountability.</p> +<p>Another big change was replacing my coffee chat bot with the pairing bot. I noticed that the daily chit-chat meetings spawned by the coffee chat bot took a lot of energy out of me, but didn't translate into a sense of satisfaction with how much I was learning programming or making progress on a project, be it mine or someone elses. Switching up the bots helped a lot, as I could at the very least look at somebody else's code and ask about their goals at RC, rather than talk about our outside hobbies for an hour.</p> +<ul> +<li>started attending weekly intentions and reflections</li> +<li>presented during career panel</li> +<li>replaced coffee chat bot with pairing bot</li> +<li>shipped my personal website</li> +<li>paired with people on their projects, which was very rewarding.</li> +<li>got some excellent pointers on Go from someone who has worked at the Go team</li> +<li>had a meeting with the career center</li> +<li>made ~4 new friends.</li> +</ul> +<h3 id="week-5">Week 5</h3> +<p>This was the week I realized I needed to quickly make friends with everyone from the previous batch, which was ending the following week. I wish I had been more organized about my interactions with other people, as that's really one of the most valuable aspects of RC. Even if you do not work on something together, it's nice to at least get to know each other a little.</p> +<p>I also set out to have a &quot;solo&quot; day where I wouldn't attend any meetings or events, and just focus on some deep work. This was a good idea, and helped me feel more in control of my productivity.</p> +<ul> +<li>paired a bit</li> +<li>made progress on my website</li> +<li>went to the gym a lot</li> +<li>did some leetcode problems</li> +<li>strengthened ~2 of my existing RC friendships.</li> +</ul> +<h3 id="week-6">Week 6</h3> +<p>There is a long-standing tradition at RC to write &quot;niceties&quot; to members of the ending batch. I had 42 Recursers to write them for, as well as some extra for staff, which took a lot of time and effort. In the process I realized there were different types of Recursers – the very socially active, the more heads-down ultra-productive ones, the ones that host specialized events, and the ones that don't participate in the community very much. I realized that despite my own feelings about my subpar progress, I myself was a relatively successful Recurser, as I made the retreat's experience inspiring and fun for other members. Writing the niceties helped me reconsider my own goals and expectations of myself. I stopped worrying about completing a specific amount of leetcode problems or github commits, and decided to focus more on positively contributing to the experience of those currently at RC.</p> +<ul> +<li>completed niceties</li> +<li>made checkin and reflection templates for obsidian</li> +<li>began tinkering in hardware discussion groups</li> +<li>quit the google ux certificate coursera course bc didn't have the patience to learn things i already know for $30/mo</li> +<li>finally a successful creative coding project</li> +<li>wrote blog post for incoming batch as i decided to host creative coding going forward</li> +<li>made ~4 new friends!</li> +</ul> +<h2 id="takeaways">Takeaways</h2> +<p>In these six weeks, the accomplishment I am most proud of is a sense of confidence in my ability to program, and my identity as a programmer. So many of my friends will sometimes say that they are not qualified for a project because they have limited experience programming – I cannot imagine doing this myself anymore. I would rather let the hardware say &quot;no!&quot; to me by breaking, than to say no to it first myself. I've learned that the only way to tackle the unknown is with curiosity – it is best friends with bravery anyway, so bravery will swiftly follow wherever curiousity goes.</p> +<p>Concrete accomplishments, however:</p> +<ul> +<li>Gave two talks</li> +<li>Got a lot better at git</li> +<li>Mastered templating in Obsidian</li> +<li>Configured my VSCode dev environment to work well with remote collaborative versioning workflows</li> +<li>Shipped a static website</li> +<li>Learned a lot of new things about JavaScript, Sass, Go, Rust, Tera, SQL, and shaders.</li> +</ul> +<p>I'm very grateful for the chance to make so many new friends, too. Next week, the incoming batch will arrive. I am excited to show them around and host some events. I do not at all feel ready to take a senior post, but nonetheless I am curious how it will go in any event.</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>What is the Recurse Center? You'd probably learn best from their own <a href="https://www.recurse.com/">website</a>.</p> +</div> + + + + + Creative Coding at RC + 2022-08-04T00:00:00+00:00 + 2022-08-04T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/rc-creative-coding/ + + <h2 id="introduction-credits">Introduction &amp; Credits</h2> +<p>Welcome to the guide for the Creative Coding Meetup at the Virtual Recurse Center.</p> +<!--more--> +<p>The meetup was started by <a href="http://rfong.github.io/">Ray Fong</a>, then led by <a href="https://github.com/aturley">Andrew Joseph Turley</a>, who passed the torch to <a href="https://github.com/Plasma-Vortex">Howard Halim</a>, who finally passed it to me.</p> +<p>However, the <a href="https://recurse.zulipchat.com/#narrow/stream/224779-creative-coding">creative-coding</a> Zulip stream has messages going all the way back to February 20, with the first one from <a href="https://solsarratea.world/">Sol Sarratea</a>. We now coordinate in another stream, <a href="https://recurse.zulipchat.com/#narrow/stream/19042-397-Bridge/topic/Creative.20Coding.20Meetup">Creative Coding Meetup</a>.</p> +<h2 id="what-happens-at-creative-coding">What happens at Creative Coding?</h2> +<p>Each week a random prompt is picked, then we spend 90 minutes making something and meet back up to share what we made. Don't worry about perfectionism, just come have fun. +Here are some of the generators we have used to produce creative prompts:</p> +<ul> +<li><a href="http://stoney.sb.org/eno/oblique.html">Oblique Strategies</a></li> +<li><a href="https://codepen.io/jacob4/full/EVqeWM">Random Shakespeare Quote Generator</a></li> +<li><a href="https://perchance.org/emoji">perchance Random Emoji Generator</a> (set amount to 3, check &quot;unique?&quot; box)</li> +</ul> +<p>You can use whatever language or tools you are comfortable or uncomfortable with.</p> +<p>Creativity manifests in different ways, so don't feel restricted to making something visual, &quot;artistic&quot;, or even related to the chosen prompt. This is the place to make whatever your heart and mind desires!</p> +<p>Here are some common choices:</p> +<ul> +<li><a href="https://editor.p5js.org/">editor.p5js.org</a></li> +<li><a href="https://codepen.io/">codepen.io</a></li> +<li><a href="https://www.shadertoy.com/">shadertoy.com</a></li> +<li><a href="https://glitch.com/">glitch.com</a></li> +<li><a href="https://arcade.makecode.com/">arcade.makecode.com</a></li> +</ul> +<p>Coordinate in the <a href="https://recurse.zulipchat.com/#narrow/stream/19042-397-Bridge/topic/Creative.20Coding.20Meetup">Creative Coding Zulip topic</a>. +Showing off your work is encouraged!</p> +<h2 id="resources">Resources</h2> +<p>I am leisurely amalgamating a lot of materials on an <a href="https://www.are.na/anastasia-davydova-lewis/creative-coding-for-all">Are.na page, creative-coding-for-all.</a> Feel free to add to it! I also have some more structured resources to peruse here: +<br><br></p> +<h3 id="misc-inspiration">Misc Inspiration</h3> +<ul> +<li><a href="https://paytonturnage.com/writing/generating-art-with-haskell/">Generative Art with Haskell</a></li> +<li><a href="https://experiments.withgoogle.com/collection/chrome">Chrome Experiments</a></li> +</ul> +<h3 id="css-resources">CSS Resources</h3> +<ul> +<li><a href="https://colorffy.com/text-gradient-generator">CSS text gradient generator</a></li> +<li><a href="https://shadows.brumm.af/">CSS box shadow generator</a></li> +<li><a href="https://9elements.github.io/fancy-border-radius/">9elements – Fancy border radius generator</a></li> +<li><a href="https://haikei.app/">Haikei – SVG generator</a></li> +<li><a href="https://haikei.app/">Mesh Gradients by CSS Hero</a></li> +<li><a href="https://min-max-calculator.9elements.com/">9elements – Fluid Typography without media queries via min-max value</a></li> +<li><a href="https://ui.glass/generator/">Glassmorphism generator</a></li> +</ul> +<h3 id="ml-art-resources">ML Art Resources</h3> +<ul> +<li>Kadenze <a href="https://www.kadenze.com/courses/creative-applications-of-deep-learning-with-tensorflow/info">Creative Applications of Deep Learning with TensorFlow</a> class</li> +</ul> +<h3 id="some-ucla-design-media-class-websites-with-their-own-resource-reference-collections">Some UCLA Design | Media Class Websites with their own resource / reference collections</h3> +<ul> +<li><a href="http://pkmital.com/home/2021/09/01/ucla-course-on-cultural-appropriation-with-machine-learning/">Cultural Appropriation with Machine Learning</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/172/?page_id=101">Interactive Animation in Unity3D</a></li> +<li><a href="https://lmccart.github.io/DMA171-disability-design-web/#resources">Disability, Design, and the Web</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/289-2/">50 Years of Software Artists: Plotter Drawings to Non-fungible Tokens</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/152/resources">Tangible Media</a> – intro to working creatively with electronics.</li> +<li><a href="https://classes.dma.ucla.edu/Winter21/28/">Interactivity</a> – intro Processing class taught by Casey Reas, co-creator of Processing.</li> +<li><a href="https://classes.dma.ucla.edu/Fall19/161/#resources">Network Media</a> – html+css+js+p5.js taught by Lauren McCarthy, creator of p5.js.</li> +</ul> +<p>I recommend checking out the <a href="https://classes.dma.ucla.edu/?cTerm=Winter&amp;cYear=2021">past versions of core DMA classes</a>, as each one has its own website with varying resource lists. +<br><br></p> +<h3 id="history-context-of-media-art-generative-art-creative-coding">History, Context of Media Art, Generative Art, Creative Coding</h3> +<ul> +<li><a href="https://www.are.na/anastasia-davydova-lewis/ucla-dma101-design-media-arts">My Are.na class materials archive from the Media Art 101 class</a></li> +<li>&quot;When the Machine Made Art: The Troubled History of Computer Art&quot;, by Grant D. Taylor</li> +<li>&quot;Creative Code: Aesthetics + Computation&quot; by John Maeda</li> +<li>&quot;Generative Design&quot; by Benedikt Groß, Hartmut Bohnacker, Julia Laub</li> +</ul> +<h3 id="misc-creative-coders-and-their-work">misc creative coders and their work</h3> +<ul> +<li><a href="https://en.wikipedia.org/wiki/Vera_Moln%C3%A1r">Vera Molnár</a></li> +<li>Harold Cohen's AARON</li> +<li><a href="http://web.archive.org/web/20161103091706/http://silverbuffalo.org/NAA-NativeIT.html">Silver Buffalo on Native American IT</a></li> +<li><a href="https://blacktransarchive.com/">The Black Trans Archive</a></li> +<li><a href="https://web.archive.org/web/20020323214647/http://neutralground.sk.ca/artistprojects/spiderlanguage/index.html">Spider Language</a> – a First Nations contemporary art web</li> +<li><a href="https://super-sad-googles.glitch.me/">super sad googles</a></li> +<li><a href="https://facework.app/">facework.app</a></li> +<li><a href="https://store.steampowered.com/app/295790/Never_Alone_Kisima_Ingitchuna/">Never Alone on Steam</a> inspired by Donna Haraway's <a href="https://www.dukeupress.edu/staying-with-the-trouble">Staying with the Trouble: Making Kin in the Chthulucene</a></li> +<li><a href="https://www.damonzucconi.com/">Damon Zucconi</a></li> +<li><a href="https://brutalistwebsites.com/">Brutalist Websites</a></li> +<li><a href="https://lynnandtonic.com/">Lynn Fisher</a></li> +<li><a href="https://a-website-is-a-room.net/">a website is a room</a> archive of websites exploring the browser as a space</li> +<li><a href="https://www.werkplaatstypografie.org/#vitrine:https://www.werkplaatstypografie.org/vitrine/archive/">Werkplaatz Typographie Vitrine Archive</a></li> +<li><a href="https://x20xx.com/">x20xx.com</a></li> +</ul> +<h2 id="want-to-contribute-to-this-guide">Want to contribute to this guide?</h2> +<p>Submit <a href="https://github.com/asyapluggedin/asyaplugged.in/blob/main/content/know/2022-08-04-rc-creative-coding.md">a pull request in the github repo</a> for this blog.</p> + + + + + Hello World: Welcome to Asya's blog + 2022-07-11T00:00:00+00:00 + 2022-07-11T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/hello-world/ + + <p>Hello, and welcome to my website, specifically my blog.</p> +<!--more--> +<h2 id="what-s-going-on-with-the-whole-do-you-know-love-thing">What's going on with the whole &quot;do you know love&quot; thing?</h2> +<p>So, when I was first learning programming, I made a <a href="https://github.com/asyapluggedin/process">game</a> in Processing. I wanted to make a peculiar online psychology quiz, so one of the questions was &quot;Do you know love?&quot; with the only answer being an hard-to-click &quot;YES&quot;. I was inspired by Lacan's contention that jouissance is a phenomenon unknowable to humans, but as I needed some sort of &quot;click&quot; interaction to trigger the next question screen, I asked the question not about jouissance, but rather something more people are familiar with: love.</p> +<img src="https://asyaplugged.in/assets/process-love-level.png" alt="Level Image" width="300"> +<p>Shortly thereafter, I put the graphic from that quiz on the splash page of my old website, <a href="https://web.archive.org/web/20220000000000*/http://xnast.asia/">xnast.asia</a>. You could only enter the website if you successfully clicked &quot;YES&quot;. This was back in 2016. In 2022, I decided to make the website that you are currently on. I knew I wanted to have four different sections:</p> +<blockquote> +<ol> +<li>info / about me</li> +<li>portfolio / work case studies</li> +<li>blog</li> +<li>page of things that i love</li> +</ol> +</blockquote> +<p>I had an epiphany while gathering the inspiration and ideas for the design and development of <a href="https://asyaplugged.in/">asyaplugged.in</a> that I could articulate the menu of my new website with the splash page title of my previous website, just like so:</p> +<table><thead><tr><th>nav</th><th>question</th></tr></thead><tbody> +<tr><td>portfolio</td><td>do</td></tr> +<tr><td>about</td><td>you</td></tr> +<tr><td>blog</td><td>know</td></tr> +<tr><td>things i love</td><td>love</td></tr> +</tbody></table> +<p>I'd be interested in hearing from you what you think about this articulation, whether it was confusing for you, etc.</p> +<h2 id="what-does-asyapluggedin-mean-what-happened-to-xnastasia">What does asyapluggedin mean? What happened to xnastasia?</h2> +<p>Someday I will write a separate post about the permutations of my identity / avatar / sense of self, but until then, this brief explanation will have to suffice.</p> +<p>I felt that the <em>xnast.asia</em> url and <em>xnastasia</em> username was too hard to pronounce, and had a little bit of a pornographic vibe. Every time people typed &quot;x...n...a...s...t...&quot; into a search bar, I would never be the first thing to auto-populate the field. I've still held onto the url and most of the usernames, but once I came up with <em>asyapluggedin</em> I was so happy to swap all my online pointers to that.</p> +<p>My father has had the username mattpluggedin for the longest time, and so the &quot;plugged in&quot; username always made me feel nostalgic for the whole early internet / dotcom boom era, which plays a significant role in a lot my work. But I never thought to inherit the username before I came across the sci-fi book &quot;The Girl That Was Plugged In&quot;<sup class="footnote-reference"><a href="#1">1</a></sup>, which also is the title of an episode of sci-fi TV series &quot;Welcome to Paradox&quot;.</p> +<h2 id="do-you-have-an-rss-feed-can-i-tell-you-if-something-is-broken-or-typoed">Do you have an RSS feed? Can I tell you if something is broken or typoed?</h2> +<p>Yes and yes. You can access the RSS feed for my blog via <a href="https://asyaplugged.in/know/atom.xml">asyaplugged.in/know/atom.xml</a>.</p> +<p>I would also be very happy to hear any feedback on my blog or really, any aspect of the entire website. You can make a pull request on <a href="https://github.com/asyapluggedin/asyaplugged.in">github</a>, where my website is hosted, or just send me a message on whichever platform you prefer.</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>I learned about this book from Dr. Teddy Pozo's UCLA Game Lab Teledildonics lecture from Spring 2021.</p> +</div> + + + + diff --git a/know/drafts/apex-visit/index.html b/know/drafts/apex-visit/index.html new file mode 100644 index 0000000..7198984 --- /dev/null +++ b/know/drafts/apex-visit/index.html @@ -0,0 +1,2 @@ + Visiting Apex Electronics Surplus

                Visiting Apex Electronics Surplus
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                This Friday I visited Apex Electronics Surplus in Sun Valley, CA.

                So much stuff!

                It was cool. I was very excited by the sheer size of the store and amount of available items, so I recorded a birthday wish for my little brother in one of the aisles. My little brother was the driving force behing my inspiration for savefrys.com, so it only felt appropriate to record a message at an electronics surplus store.

                The Thoughts

                Reminded me of Claire L. Evans' blog post Does Future Fact Depend on Present Fiction

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                Feeling Like a Space
                • 241 words
                • 2 minutes to read

                hf and what feeling like a space is like

                The 2015 Homuncular Flexibility paper recently resurfaced from a trending post on Twitter. I'd like to think that tweeting out the words HOLY SHIT and a link to a paper about something like, I don't know, deep image reconsctruction from fMRI imaging of brain activity would have a similarly mass-exciting result, but I digress. The discussion around the human ability to learn how to control and sense bodies very different from their own prompted me to think about the way in which we have learned to embody digital spaces, which are of course very different from physical spaces.

                Websites and screen-based interfaces produce the sensation

                the 3D metaverse is still in its relatively early stages,

                else

                tools are interpreted by the brain as an extension of the human body. haptic feedback, color schemes,

                work-arounds, affordances

                Self regulation via peripheral attention management.

                I'm sure you've seen this recent video trend you're shown footage of eye catching gaming footage with an unrelated story is

                Once I heard a "focus hack" where you put a makeup pallette on your workdesk and allow yourself to rest your gaze on it instead of reaching for your phone and getting sucked into an endless-scrolling distraction trap.

                feeling like a language, feeling like an era

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                Fixing Equinox
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                Blog Text

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                How I would run a Nail Salon
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                Blog Text

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                Nutrition Pinterest Aesthetics
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                Blog Text

                testing deplpyment

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                Why and how you should apply to the Recurse Center
                • 320 words
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                My friend Priya made a blog post called "Should I go to a coding bootcamp or self-study", which inspired me to share my own experiences and thoughts on the matter.

                My experience – to expose what I am biased towards

                I originally decided that I'd like to learn programming around 2012, when I wanted to make a Russian-language online platform similar to Rookie Mag. I didn't understand that one could get away with finding a sort of suitable wordpress theme, and once I did, I felt so passionately about my ideal project that I figured I'd need to pay a programmer to make the exact theme that I'd envisioned for the platform. I was also inspired by this weird Russian listicle website called W-O-S, I loved how each article had some different animations and floating elements, and I especially loved the interactive quizzes.

                I mention my inspiration for learning how to code as I think inspiration is imperative to take account of when deciding on the direction you will take it into the material world. My interest was in a counterculture of both Russian and American origins, and online media. So in 2015, I attended a mini course at the Moscow Coding School.

                Well, first I took some introductory programming classes at Santa Monica College. At the time, the main prerequisite to any programming class was an introduction to computing as a whole. My homework assignment was to draw something in MS Paint. I hope this story can illuminate the reasons I recieved F (for failed) grades in my first year at SMC.

                At Moscow Coding School, I learned introductory HTML, CSS, JavaScript, and WebGL.

                Bootcamp

                Self Study

                Recurse Center Application

                I have pubilished my own application to rc on my github.

                Recurse Center

                Self Doubt and Imposter Syndrome

                Employment

                Goals and Outcomes

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                Store Bought Glow
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                In progress...

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                How to Make Telegram Stickers
                • 73 words
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                This Friday I visited Apex Electronics Surplus in Sun Valley, CA.

                Week 1

                The first

                Blockquote with attribution

                Don't communicate by sharing memory, share memory by communicating.

                — Rob Pike1

                Images

                Image Backgorund Another Media

                Media CDN

                {% hint style="warning" %} 123 {% endhint %}

                1

                The above quote is excerpted from Rob Pike's talk during Gopherfest, November 18, 2015.

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                Education Index
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                  I believe one's education is worth much more when it is shared with the world. My academic experience has been somewhat idiosynchratic, so I thought to put together a dedicated blog section detailing some of the more remarkable elements of this personal history.

                  Table of Contents

                  The first

                  Childhood Education

                  Section in progress.

                  I remember attending:

                  • a preschool
                  • a kindergarten somewhere on the east coast
                  • first grade somewhere in San Francisco

                  Theodore Judah Elementary School

                  I attended this school from (year) to (year). I was placed in a GATE cluster in second grade, meaning that I was in a group with some third graders, as well as other GATE identified second graders.

                  Classical Gymnasium at the Greek-Latin Office of Yu.A. Sichalina

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                  Education Index

                  Welcome to the Education section of my blog.

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                  Lecture Notes: Robin Arnott on Meditation & Gaming
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                  I experienced a rather significant personal paradigm shift after Robin Arnott's presentation "Everything is Boring" at the BDYHAX conference on February 24th, 2019. I have several versions of hand-written notes on it, and have spent countless late nights gesticulating on and on about the premise, so I figured to publish my notes (something between an inaccurate summary and personal comments) and suavely drop a hyperlink any time the itch to transmute this paradigm strikes, instead of acting like this.

                  The talk focuses on the issue at the center of the wellness-meditation economy: everything is boring. Using a psychological framework from Ken Wilber, it analyzes the wellness economy's own relative "health", and demonstrates that both wellness and successful consumer interfaces have a much stronger connection to passion-based areas like entertainment, music and gaming, rather than mass infrastructure like medicine or workforce training.

                  Robin: if you're reading this, please respond to my emails – I would love to have access to the slides from this talk. It's great that there's now a video recording available, but I am struggling to find the proper chart images the talk is based on.

                  Introduction

                  Arnott is the CEO and cofounder of Andromeda Entertainment, a gaming publishing company focused on titles that draw inspiration from wellness, i.e. games that enrich players lives in meaningful ways, rather than just baiting and distracting them.

                  He has spoken quite a bit about game design as a mechanism for transcendence, but this talk focuses on Ken Wilber's Integral Theory – a psychological theory that can be used not only for understanding oneself and the people around us, but also understanding trends in culture learning how to aid the psychological developments of culture at large.

                  Integral Psychology

                  Arnott believes one of the main issues with health technologies and the way we treat our bodies is it that it can be pretty joyless, boring and uninspiring. Analyzing current paradigms of health technologies, health economies, and our relationship with our body as a whole through the frame of Integral psychology offers some not-so-boring steps forward.

                  integral theory map
                  Figure 1. Ken Wilber's Integral Psychology theory map.

                  Figure 2. "Stages of Consciousness" map.

                  Arnott highlights three color-coded stages as separate paradigms from each of them:

                  • orange paradigm: bureaucratic, scientific, evidence based
                  • green paradigm: decentralized, pluralistic, postmodern, egalitarian
                  • teal paradigm: integrated, evolving the present moment

                  Have you ever lied?

                  Let's say, you tell some huge lie, for example you have been cheating on your partner and you don't tell them the truth. What are the consequences of this lie? How does it make you feel? How much does it affect other decisions you make? Your entire life becomes predicated on this one lie. You lose confidence in your decision-making and your actions. You cannot build a life on top of a foundation comprised of a lie.

                  Medical Economy

                  The medical economy operates on the social lie that the medical system has the answer to overcoming death. The orange medical system maintains the lie that YOU SHOULD NOT DIE.

                  Medical Gaze

                  This argument reminds me of the "medical gaze", the practice of objectifying the body of the patient as separate from their personal identity, coined by Michel Foucault's in "Birth of the Clinic", which interrogates the dehumanization foundational to modern medicine, as well as the reasons why the scientific advances in medicine and healthcare have not succeeded in abolishing sickness and resolving the problems of humanity.

                  The green paradigm in the wellness economy

                  The wellness paradigm of meditation apps with their condescending "nudge" notifications, "should"-ing you, is also predicated on a lie. It condescends and infantilizes users under the false pretense that SOMETHING IS WRONG WITH YOU. You need to "get better". If you miss a day, you are a failure. Your habits are pathologized when they do not serve the app's interests of high user engagement and retention.

                  Now, how often do you pick up your phone to use a self-improvement app? How much time per day do you spend on this app category? There's mounds of UX research showing that this app category does not perform well in the screen time olympics. But what apps do you gravitate towards when you want to feel better? Spotify. Candy Crush. Snapchat. Tiktok.

                  Have you ever gone to a concert & felt spiritually transformed?

                  UX as Infantilization

                  Arnott's focus on "condescending infantilism" reminds me of Jesse Baron's essay "The Babysitters Club".

                  The teal paradigm in the next economy of health

                  The next economy of health is based in joy and transformation. Body - Mind is an expression of Truth. Music, entertainment, and socializing are healing economy models. They do not have a "should quality and your soul is open to them.
                  medicinewellnessthe new economy ??
                  identityindividualpluralistic global data point in a large databasespirit
                  achievementsystematizationaccessintegrated wisdom
                  relationship to the bodymechanicalpurging traumamaladaptive body patterns begin to dissolve

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                  Hello World: Welcome to Asya's blog
                  • 573 words
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                  Hello, and welcome to my website, specifically my blog.

                  What's going on with the whole "do you know love" thing?

                  So, when I was first learning programming, I made a game in Processing. I wanted to make a peculiar online psychology quiz, so one of the questions was "Do you know love?" with the only answer being an hard-to-click "YES". I was inspired by Lacan's contention that jouissance is a phenomenon unknowable to humans, but as I needed some sort of "click" interaction to trigger the next question screen, I asked the question not about jouissance, but rather something more people are familiar with: love.

                  Level Image

                  Shortly thereafter, I put the graphic from that quiz on the splash page of my old website, xnast.asia. You could only enter the website if you successfully clicked "YES". This was back in 2016. In 2022, I decided to make the website that you are currently on. I knew I wanted to have four different sections:

                  1. info / about me
                  2. portfolio / work case studies
                  3. blog
                  4. page of things that i love

                  I had an epiphany while gathering the inspiration and ideas for the design and development of asyaplugged.in that I could articulate the menu of my new website with the splash page title of my previous website, just like so:
                  navquestion
                  portfoliodo
                  aboutyou
                  blogknow
                  things i lovelove

                  I'd be interested in hearing from you what you think about this articulation, whether it was confusing for you, etc.

                  What does asyapluggedin mean? What happened to xnastasia?

                  Someday I will write a separate post about the permutations of my identity / avatar / sense of self, but until then, this brief explanation will have to suffice.

                  I felt that the xnast.asia url and xnastasia username was too hard to pronounce, and had a little bit of a pornographic vibe. Every time people typed "x...n...a...s...t..." into a search bar, I would never be the first thing to auto-populate the field. I've still held onto the url and most of the usernames, but once I came up with asyapluggedin I was so happy to swap all my online pointers to that.

                  My father has had the username mattpluggedin for the longest time, and so the "plugged in" username always made me feel nostalgic for the whole early internet / dotcom boom era, which plays a significant role in a lot my work. But I never thought to inherit the username before I came across the sci-fi book "The Girl That Was Plugged In"1, which also is the title of an episode of sci-fi TV series "Welcome to Paradox".

                  Do you have an RSS feed? Can I tell you if something is broken or typoed?

                  Yes and yes. You can access the RSS feed for my blog via asyaplugged.in/know/atom.xml.

                  I would also be very happy to hear any feedback on my blog or really, any aspect of the entire website. You can make a pull request on github, where my website is hosted, or just send me a message on whichever platform you prefer.

                  1

                  I learned about this book from Dr. Teddy Pozo's UCLA Game Lab Teledildonics lecture from Spring 2021.

                  \ No newline at end of file diff --git a/know/index.html b/know/index.html new file mode 100644 index 0000000..a1e386f --- /dev/null +++ b/know/index.html @@ -0,0 +1,8 @@ + + + + + know + - Asya Davydova Lewis +
                  \ No newline at end of file diff --git a/know/january-gains/index.html b/know/january-gains/index.html new file mode 100644 index 0000000..4119618 --- /dev/null +++ b/know/january-gains/index.html @@ -0,0 +1,2 @@ + January Gains

                  January Gains
                  • 114 words
                  • 1 minute to read

                  While it may be a little on-the-nose to start a personal accountability blog series in a January, it just so happened that I got extraordinarily motivated this recent December 2023 by my little brother.

                  • 3.3 lbs muscle

                  • 7.5 lbs fat

                  • left smith machine in the past

                  • went from DB bench press to short bar

                  • ate 60-90g protein / day

                  • settled on a gym uniform that feels cute

                  February Goals

                  • continue recomp progress
                  • bench the 35 long bar
                  • improve VO2 max via kettlebell swings after each training session
                  • eat 80-135g protein / day
                  • spend less money on vegan protein shakes from the grocery store and try some protein powders for homemade protein shakes
                  \ No newline at end of file diff --git a/know/rc-creative-coding/index.html b/know/rc-creative-coding/index.html new file mode 100644 index 0000000..97ca535 --- /dev/null +++ b/know/rc-creative-coding/index.html @@ -0,0 +1,2 @@ + Creative Coding at RC

                  Creative Coding at RC
                  • 794 words
                  • 4 minutes to read

                  Introduction & Credits

                  Welcome to the guide for the Creative Coding Meetup at the Virtual Recurse Center.

                  The meetup was started by Ray Fong, then led by Andrew Joseph Turley, who passed the torch to Howard Halim, who finally passed it to me.

                  However, the creative-coding Zulip stream has messages going all the way back to February 20, with the first one from Sol Sarratea. We now coordinate in another stream, Creative Coding Meetup.

                  What happens at Creative Coding?

                  Each week a random prompt is picked, then we spend 90 minutes making something and meet back up to share what we made. Don't worry about perfectionism, just come have fun. Here are some of the generators we have used to produce creative prompts:

                  You can use whatever language or tools you are comfortable or uncomfortable with.

                  Creativity manifests in different ways, so don't feel restricted to making something visual, "artistic", or even related to the chosen prompt. This is the place to make whatever your heart and mind desires!

                  Here are some common choices:

                  Coordinate in the Creative Coding Zulip topic. Showing off your work is encouraged!

                  Resources

                  I am leisurely amalgamating a lot of materials on an Are.na page, creative-coding-for-all. Feel free to add to it! I also have some more structured resources to peruse here:

                  Misc Inspiration

                  CSS Resources

                  ML Art Resources

                  Some UCLA Design | Media Class Websites with their own resource / reference collections

                  I recommend checking out the past versions of core DMA classes, as each one has its own website with varying resource lists.

                  History, Context of Media Art, Generative Art, Creative Coding

                  misc creative coders and their work

                  Want to contribute to this guide?

                  Submit a pull request in the github repo for this blog.

                  \ No newline at end of file diff --git a/know/recurse-center-report-1/index.html b/know/recurse-center-report-1/index.html new file mode 100644 index 0000000..fc1c588 --- /dev/null +++ b/know/recurse-center-report-1/index.html @@ -0,0 +1,2 @@ + Recurse Center Report: Half Batch

                  Recurse Center Report: Half Batch
                  • 1349 words
                  • 7 minutes to read

                  This Friday marks the mid-point of my batch at the Recurse Center1. I am in a 12 week batch, meaning I have completed 30 out of 60 days of the programming retreat. I already feel like a different person and a better programmer than when I started, and figured that it could be helpful for others to hear about my experience.

                  Because I intended to do a 12 week retreat from the very start, I will say that I was a little lax with planning my time to be at maximum efficiency. My main goal for the retreat was proving to myself that I enjoy regular programming and learning new things, even if they look very much strange, and feel very much challenging.

                  Weekly Reports

                  At Recurse, batch members are encouraged to post text check-ins in their respective Zulip streams. Thanks to this practice, I have been able to track and share my progress, as well as stay accountable to myself and learn from the obstacles blocking my workflows.

                  Week 1

                  I decided to excuse myself from the requirement of writing any code in the first week, as it is quite an overwhelming and social week, but in retrospect I wish I had challenged myself a bit more, and at least refactored some code in the project that I applied to RC with, so that I could present it during Friday presentations. However, I did:

                  • work on sunshine act pen and paper RPG game
                  • write short bios of everyone so i could remember peoples names and personalities
                  • experimented with check-in formatting
                  • make a master channel on are.na for all my RC batch related research
                  • attend a pairing workshop
                  • made ~1 new friend.

                  Week 2

                  I became a lot more comfortable with all the RC software, so I set out to program every day. Despite such a clear intention, I only commited code on 3 of the 5 days, as I ended up feeling quite drained by the frequent "coffee chats", planning to work on other people's projects, and attending the social events.

                  • attended the "Building your volutional muscles" workshop, enjoyed it very much
                  • started learning Go for my TUI game, ascii tarot
                  • got sidetracked from learning Go with elektronika project bc of embedded meeing
                  • attended the creative coding, but failed at my task because of updated browser permissions issues in p5.js
                  • had a coffee chat with a career center staff member
                  • presented
                  • made ~6 new friends!

                  Week 3

                  Learning Go felt a little out of left field, so I decided to spin up a "quick and dirty" static website. The theme I chose to base it off of was anything but quick to work with, however it did prove to make for some quite dirty coding work. Ultimately, I was pleased with my 4/5 daily commits, as well as the fact that I didn't have to poke around the Go reference documents for a short while.

                  • learned about SQL
                  • started working with Zola and the karzok theme, npm became the bane of my existence
                  • met with a staff member to discuss time management and my struggle with "doing other peoples homework" instead of focusing on my own work
                  • attended the "Balancing learning generously with your own work" workshop - really loved it
                  • attended the "feelings check-in"
                  • made ~4 new friends.

                  Week 4

                  Attending the weekly intentions and reflections meetings was quite phenomenal. In general, I find intentionality incredibly meaningful and valuable in my own routine, so sharing such a practice with fellow Recursers changed my entire experience. I felt a lot closer to the community, and struggled less with accountability.

                  Another big change was replacing my coffee chat bot with the pairing bot. I noticed that the daily chit-chat meetings spawned by the coffee chat bot took a lot of energy out of me, but didn't translate into a sense of satisfaction with how much I was learning programming or making progress on a project, be it mine or someone elses. Switching up the bots helped a lot, as I could at the very least look at somebody else's code and ask about their goals at RC, rather than talk about our outside hobbies for an hour.

                  • started attending weekly intentions and reflections
                  • presented during career panel
                  • replaced coffee chat bot with pairing bot
                  • shipped my personal website
                  • paired with people on their projects, which was very rewarding.
                  • got some excellent pointers on Go from someone who has worked at the Go team
                  • had a meeting with the career center
                  • made ~4 new friends.

                  Week 5

                  This was the week I realized I needed to quickly make friends with everyone from the previous batch, which was ending the following week. I wish I had been more organized about my interactions with other people, as that's really one of the most valuable aspects of RC. Even if you do not work on something together, it's nice to at least get to know each other a little.

                  I also set out to have a "solo" day where I wouldn't attend any meetings or events, and just focus on some deep work. This was a good idea, and helped me feel more in control of my productivity.

                  • paired a bit
                  • made progress on my website
                  • went to the gym a lot
                  • did some leetcode problems
                  • strengthened ~2 of my existing RC friendships.

                  Week 6

                  There is a long-standing tradition at RC to write "niceties" to members of the ending batch. I had 42 Recursers to write them for, as well as some extra for staff, which took a lot of time and effort. In the process I realized there were different types of Recursers – the very socially active, the more heads-down ultra-productive ones, the ones that host specialized events, and the ones that don't participate in the community very much. I realized that despite my own feelings about my subpar progress, I myself was a relatively successful Recurser, as I made the retreat's experience inspiring and fun for other members. Writing the niceties helped me reconsider my own goals and expectations of myself. I stopped worrying about completing a specific amount of leetcode problems or github commits, and decided to focus more on positively contributing to the experience of those currently at RC.

                  • completed niceties
                  • made checkin and reflection templates for obsidian
                  • began tinkering in hardware discussion groups
                  • quit the google ux certificate coursera course bc didn't have the patience to learn things i already know for $30/mo
                  • finally a successful creative coding project
                  • wrote blog post for incoming batch as i decided to host creative coding going forward
                  • made ~4 new friends!

                  Takeaways

                  In these six weeks, the accomplishment I am most proud of is a sense of confidence in my ability to program, and my identity as a programmer. So many of my friends will sometimes say that they are not qualified for a project because they have limited experience programming – I cannot imagine doing this myself anymore. I would rather let the hardware say "no!" to me by breaking, than to say no to it first myself. I've learned that the only way to tackle the unknown is with curiosity – it is best friends with bravery anyway, so bravery will swiftly follow wherever curiousity goes.

                  Concrete accomplishments, however:

                  • Gave two talks
                  • Got a lot better at git
                  • Mastered templating in Obsidian
                  • Configured my VSCode dev environment to work well with remote collaborative versioning workflows
                  • Shipped a static website
                  • Learned a lot of new things about JavaScript, Sass, Go, Rust, Tera, SQL, and shaders.

                  I'm very grateful for the chance to make so many new friends, too. Next week, the incoming batch will arrive. I am excited to show them around and host some events. I do not at all feel ready to take a senior post, but nonetheless I am curious how it will go in any event.

                  1

                  What is the Recurse Center? You'd probably learn best from their own website.

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                  posts tagged aesthetics

                  \ No newline at end of file diff --git a/tags/creative-coding/atom.xml b/tags/creative-coding/atom.xml new file mode 100644 index 0000000..97f6363 --- /dev/null +++ b/tags/creative-coding/atom.xml @@ -0,0 +1,114 @@ + + + Asya Davydova Lewis - creative-coding + + + + Zola + 2022-08-04T00:00:00+00:00 + https://asyaplugged.in/tags/creative-coding/atom.xml + + Creative Coding at RC + 2022-08-04T00:00:00+00:00 + 2022-08-04T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/rc-creative-coding/ + + <h2 id="introduction-credits">Introduction &amp; Credits</h2> +<p>Welcome to the guide for the Creative Coding Meetup at the Virtual Recurse Center.</p> +<!--more--> +<p>The meetup was started by <a href="http://rfong.github.io/">Ray Fong</a>, then led by <a href="https://github.com/aturley">Andrew Joseph Turley</a>, who passed the torch to <a href="https://github.com/Plasma-Vortex">Howard Halim</a>, who finally passed it to me.</p> +<p>However, the <a href="https://recurse.zulipchat.com/#narrow/stream/224779-creative-coding">creative-coding</a> Zulip stream has messages going all the way back to February 20, with the first one from <a href="https://solsarratea.world/">Sol Sarratea</a>. We now coordinate in another stream, <a href="https://recurse.zulipchat.com/#narrow/stream/19042-397-Bridge/topic/Creative.20Coding.20Meetup">Creative Coding Meetup</a>.</p> +<h2 id="what-happens-at-creative-coding">What happens at Creative Coding?</h2> +<p>Each week a random prompt is picked, then we spend 90 minutes making something and meet back up to share what we made. Don't worry about perfectionism, just come have fun. +Here are some of the generators we have used to produce creative prompts:</p> +<ul> +<li><a href="http://stoney.sb.org/eno/oblique.html">Oblique Strategies</a></li> +<li><a href="https://codepen.io/jacob4/full/EVqeWM">Random Shakespeare Quote Generator</a></li> +<li><a href="https://perchance.org/emoji">perchance Random Emoji Generator</a> (set amount to 3, check &quot;unique?&quot; box)</li> +</ul> +<p>You can use whatever language or tools you are comfortable or uncomfortable with.</p> +<p>Creativity manifests in different ways, so don't feel restricted to making something visual, &quot;artistic&quot;, or even related to the chosen prompt. This is the place to make whatever your heart and mind desires!</p> +<p>Here are some common choices:</p> +<ul> +<li><a href="https://editor.p5js.org/">editor.p5js.org</a></li> +<li><a href="https://codepen.io/">codepen.io</a></li> +<li><a href="https://www.shadertoy.com/">shadertoy.com</a></li> +<li><a href="https://glitch.com/">glitch.com</a></li> +<li><a href="https://arcade.makecode.com/">arcade.makecode.com</a></li> +</ul> +<p>Coordinate in the <a href="https://recurse.zulipchat.com/#narrow/stream/19042-397-Bridge/topic/Creative.20Coding.20Meetup">Creative Coding Zulip topic</a>. +Showing off your work is encouraged!</p> +<h2 id="resources">Resources</h2> +<p>I am leisurely amalgamating a lot of materials on an <a href="https://www.are.na/anastasia-davydova-lewis/creative-coding-for-all">Are.na page, creative-coding-for-all.</a> Feel free to add to it! I also have some more structured resources to peruse here: +<br><br></p> +<h3 id="misc-inspiration">Misc Inspiration</h3> +<ul> +<li><a href="https://paytonturnage.com/writing/generating-art-with-haskell/">Generative Art with Haskell</a></li> +<li><a href="https://experiments.withgoogle.com/collection/chrome">Chrome Experiments</a></li> +</ul> +<h3 id="css-resources">CSS Resources</h3> +<ul> +<li><a href="https://colorffy.com/text-gradient-generator">CSS text gradient generator</a></li> +<li><a href="https://shadows.brumm.af/">CSS box shadow generator</a></li> +<li><a href="https://9elements.github.io/fancy-border-radius/">9elements – Fancy border radius generator</a></li> +<li><a href="https://haikei.app/">Haikei – SVG generator</a></li> +<li><a href="https://haikei.app/">Mesh Gradients by CSS Hero</a></li> +<li><a href="https://min-max-calculator.9elements.com/">9elements – Fluid Typography without media queries via min-max value</a></li> +<li><a href="https://ui.glass/generator/">Glassmorphism generator</a></li> +</ul> +<h3 id="ml-art-resources">ML Art Resources</h3> +<ul> +<li>Kadenze <a href="https://www.kadenze.com/courses/creative-applications-of-deep-learning-with-tensorflow/info">Creative Applications of Deep Learning with TensorFlow</a> class</li> +</ul> +<h3 id="some-ucla-design-media-class-websites-with-their-own-resource-reference-collections">Some UCLA Design | Media Class Websites with their own resource / reference collections</h3> +<ul> +<li><a href="http://pkmital.com/home/2021/09/01/ucla-course-on-cultural-appropriation-with-machine-learning/">Cultural Appropriation with Machine Learning</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/172/?page_id=101">Interactive Animation in Unity3D</a></li> +<li><a href="https://lmccart.github.io/DMA171-disability-design-web/#resources">Disability, Design, and the Web</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/289-2/">50 Years of Software Artists: Plotter Drawings to Non-fungible Tokens</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/152/resources">Tangible Media</a> – intro to working creatively with electronics.</li> +<li><a href="https://classes.dma.ucla.edu/Winter21/28/">Interactivity</a> – intro Processing class taught by Casey Reas, co-creator of Processing.</li> +<li><a href="https://classes.dma.ucla.edu/Fall19/161/#resources">Network Media</a> – html+css+js+p5.js taught by Lauren McCarthy, creator of p5.js.</li> +</ul> +<p>I recommend checking out the <a href="https://classes.dma.ucla.edu/?cTerm=Winter&amp;cYear=2021">past versions of core DMA classes</a>, as each one has its own website with varying resource lists. +<br><br></p> +<h3 id="history-context-of-media-art-generative-art-creative-coding">History, Context of Media Art, Generative Art, Creative Coding</h3> +<ul> +<li><a href="https://www.are.na/anastasia-davydova-lewis/ucla-dma101-design-media-arts">My Are.na class materials archive from the Media Art 101 class</a></li> +<li>&quot;When the Machine Made Art: The Troubled History of Computer Art&quot;, by Grant D. Taylor</li> +<li>&quot;Creative Code: Aesthetics + Computation&quot; by John Maeda</li> +<li>&quot;Generative Design&quot; by Benedikt Groß, Hartmut Bohnacker, Julia Laub</li> +</ul> +<h3 id="misc-creative-coders-and-their-work">misc creative coders and their work</h3> +<ul> +<li><a href="https://en.wikipedia.org/wiki/Vera_Moln%C3%A1r">Vera Molnár</a></li> +<li>Harold Cohen's AARON</li> +<li><a href="http://web.archive.org/web/20161103091706/http://silverbuffalo.org/NAA-NativeIT.html">Silver Buffalo on Native American IT</a></li> +<li><a href="https://blacktransarchive.com/">The Black Trans Archive</a></li> +<li><a href="https://web.archive.org/web/20020323214647/http://neutralground.sk.ca/artistprojects/spiderlanguage/index.html">Spider Language</a> – a First Nations contemporary art web</li> +<li><a href="https://super-sad-googles.glitch.me/">super sad googles</a></li> +<li><a href="https://facework.app/">facework.app</a></li> +<li><a href="https://store.steampowered.com/app/295790/Never_Alone_Kisima_Ingitchuna/">Never Alone on Steam</a> inspired by Donna Haraway's <a href="https://www.dukeupress.edu/staying-with-the-trouble">Staying with the Trouble: Making Kin in the Chthulucene</a></li> +<li><a href="https://www.damonzucconi.com/">Damon Zucconi</a></li> +<li><a href="https://brutalistwebsites.com/">Brutalist Websites</a></li> +<li><a href="https://lynnandtonic.com/">Lynn Fisher</a></li> +<li><a href="https://a-website-is-a-room.net/">a website is a room</a> archive of websites exploring the browser as a space</li> +<li><a href="https://www.werkplaatstypografie.org/#vitrine:https://www.werkplaatstypografie.org/vitrine/archive/">Werkplaatz Typographie Vitrine Archive</a></li> +<li><a href="https://x20xx.com/">x20xx.com</a></li> +</ul> +<h2 id="want-to-contribute-to-this-guide">Want to contribute to this guide?</h2> +<p>Submit <a href="https://github.com/asyapluggedin/asyaplugged.in/blob/main/content/know/2022-08-04-rc-creative-coding.md">a pull request in the github repo</a> for this blog.</p> + + + + diff --git a/tags/creative-coding/index.html b/tags/creative-coding/index.html new file mode 100644 index 0000000..8489617 --- /dev/null +++ b/tags/creative-coding/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged creative-coding

                  \ No newline at end of file diff --git a/tags/culture/atom.xml b/tags/culture/atom.xml new file mode 100644 index 0000000..0654938 --- /dev/null +++ b/tags/culture/atom.xml @@ -0,0 +1,30 @@ + + + Asya Davydova Lewis - culture + + + + Zola + 2022-08-14T00:00:00+00:00 + https://asyaplugged.in/tags/culture/atom.xml + + Store Bought Glow + 2022-08-14T00:00:00+00:00 + 2022-08-14T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/store-bought-glow/ + + <p>In progress...</p> + + + + diff --git a/tags/culture/index.html b/tags/culture/index.html new file mode 100644 index 0000000..0442701 --- /dev/null +++ b/tags/culture/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged culture

                  \ No newline at end of file diff --git a/tags/education/atom.xml b/tags/education/atom.xml new file mode 100644 index 0000000..985302d --- /dev/null +++ b/tags/education/atom.xml @@ -0,0 +1,114 @@ + + + Asya Davydova Lewis - education + + + + Zola + 2022-08-05T00:00:00+00:00 + https://asyaplugged.in/tags/education/atom.xml + + Recurse Center Report: Half Batch + 2022-08-05T00:00:00+00:00 + 2022-08-05T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/recurse-center-report-1/ + + <p>This Friday marks the mid-point of my batch at the Recurse Center<sup class="footnote-reference"><a href="#1">1</a></sup>. I am in a 12 week batch, meaning I have completed 30 out of 60 days of the programming retreat. I already feel like a different person and a better programmer than when I started, and figured that it could be helpful for others to hear about my experience.</p> +<p>Because I intended to do a 12 week retreat from the very start, I will say that I was a little lax with planning my time to be at maximum efficiency. My main goal for the retreat was proving to myself that I enjoy regular programming and learning new things, even if they look very much strange, and feel very much challenging.</p> +<!--more--> +<h2 id="weekly-reports">Weekly Reports</h2> +<p>At Recurse, batch members are encouraged to post text check-ins in their respective Zulip streams. Thanks to this practice, I have been able to track and share my progress, as well as stay accountable to myself and learn from the obstacles blocking my workflows.</p> +<h3 id="week-1">Week 1</h3> +<p>I decided to excuse myself from the requirement of writing any code in the first week, as it is quite an overwhelming and social week, but in retrospect I wish I had challenged myself a bit more, and at least refactored some code in the project that I applied to RC with, so that I could present it during Friday presentations. However, I did:</p> +<ul> +<li>work on <a href="https://asyaplugged.in/do/sunshine-act/">sunshine act</a> pen and paper RPG game</li> +<li>write short bios of everyone so i could remember peoples names and personalities</li> +<li>experimented with check-in formatting</li> +<li>make a <a href="https://www.are.na/anastasia-davydova-lewis/recurse-center-2022">master channel on are.na</a> for all my RC batch related research</li> +<li>attend a pairing workshop</li> +<li>made ~1 new friend.</li> +</ul> +<h3 id="week-2">Week 2</h3> +<p>I became a lot more comfortable with all the RC software, so I set out to program every day. Despite such a clear intention, I only commited code on 3 of the 5 days, as I ended up feeling quite drained by the frequent &quot;coffee chats&quot;, planning to work on other people's projects, and attending the social events.</p> +<ul> +<li>attended the &quot;Building your volutional muscles&quot; workshop, enjoyed it very much</li> +<li>started learning <code>Go</code> for my TUI game, ascii tarot</li> +<li>got sidetracked from learning <code>Go</code> with elektronika project bc of embedded meeing</li> +<li>attended the creative coding, but failed at my task because of updated browser permissions issues in <code>p5.js</code></li> +<li>had a coffee chat with a career center staff member</li> +<li>presented</li> +<li>made ~6 new friends!</li> +</ul> +<h3 id="week-3">Week 3</h3> +<p>Learning Go felt a little out of left field, so I decided to spin up a &quot;quick and dirty&quot; static website. The theme I chose to base it off of was anything but quick to work with, however it did prove to make for some quite dirty coding work. Ultimately, I was pleased with my 4/5 daily commits, as well as the fact that I didn't have to poke around the Go reference documents for a short while.</p> +<ul> +<li>learned about <code>SQL</code></li> +<li>started working with <code>Zola</code> and the karzok theme, <code>npm</code> became the bane of my existence</li> +<li>met with a staff member to discuss time management and my struggle with &quot;doing other peoples homework&quot; instead of focusing on my own work</li> +<li>attended the &quot;Balancing learning generously with your own work&quot; workshop - really loved it</li> +<li>attended the &quot;feelings check-in&quot;</li> +<li>made ~4 new friends.</li> +</ul> +<h3 id="week-4">Week 4</h3> +<p>Attending the weekly intentions and reflections meetings was quite phenomenal. In general, I find intentionality incredibly meaningful and valuable in my own routine, so sharing such a practice with fellow Recursers changed my entire experience. I felt a lot closer to the community, and struggled less with accountability.</p> +<p>Another big change was replacing my coffee chat bot with the pairing bot. I noticed that the daily chit-chat meetings spawned by the coffee chat bot took a lot of energy out of me, but didn't translate into a sense of satisfaction with how much I was learning programming or making progress on a project, be it mine or someone elses. Switching up the bots helped a lot, as I could at the very least look at somebody else's code and ask about their goals at RC, rather than talk about our outside hobbies for an hour.</p> +<ul> +<li>started attending weekly intentions and reflections</li> +<li>presented during career panel</li> +<li>replaced coffee chat bot with pairing bot</li> +<li>shipped my personal website</li> +<li>paired with people on their projects, which was very rewarding.</li> +<li>got some excellent pointers on Go from someone who has worked at the Go team</li> +<li>had a meeting with the career center</li> +<li>made ~4 new friends.</li> +</ul> +<h3 id="week-5">Week 5</h3> +<p>This was the week I realized I needed to quickly make friends with everyone from the previous batch, which was ending the following week. I wish I had been more organized about my interactions with other people, as that's really one of the most valuable aspects of RC. Even if you do not work on something together, it's nice to at least get to know each other a little.</p> +<p>I also set out to have a &quot;solo&quot; day where I wouldn't attend any meetings or events, and just focus on some deep work. This was a good idea, and helped me feel more in control of my productivity.</p> +<ul> +<li>paired a bit</li> +<li>made progress on my website</li> +<li>went to the gym a lot</li> +<li>did some leetcode problems</li> +<li>strengthened ~2 of my existing RC friendships.</li> +</ul> +<h3 id="week-6">Week 6</h3> +<p>There is a long-standing tradition at RC to write &quot;niceties&quot; to members of the ending batch. I had 42 Recursers to write them for, as well as some extra for staff, which took a lot of time and effort. In the process I realized there were different types of Recursers – the very socially active, the more heads-down ultra-productive ones, the ones that host specialized events, and the ones that don't participate in the community very much. I realized that despite my own feelings about my subpar progress, I myself was a relatively successful Recurser, as I made the retreat's experience inspiring and fun for other members. Writing the niceties helped me reconsider my own goals and expectations of myself. I stopped worrying about completing a specific amount of leetcode problems or github commits, and decided to focus more on positively contributing to the experience of those currently at RC.</p> +<ul> +<li>completed niceties</li> +<li>made checkin and reflection templates for obsidian</li> +<li>began tinkering in hardware discussion groups</li> +<li>quit the google ux certificate coursera course bc didn't have the patience to learn things i already know for $30/mo</li> +<li>finally a successful creative coding project</li> +<li>wrote blog post for incoming batch as i decided to host creative coding going forward</li> +<li>made ~4 new friends!</li> +</ul> +<h2 id="takeaways">Takeaways</h2> +<p>In these six weeks, the accomplishment I am most proud of is a sense of confidence in my ability to program, and my identity as a programmer. So many of my friends will sometimes say that they are not qualified for a project because they have limited experience programming – I cannot imagine doing this myself anymore. I would rather let the hardware say &quot;no!&quot; to me by breaking, than to say no to it first myself. I've learned that the only way to tackle the unknown is with curiosity – it is best friends with bravery anyway, so bravery will swiftly follow wherever curiousity goes.</p> +<p>Concrete accomplishments, however:</p> +<ul> +<li>Gave two talks</li> +<li>Got a lot better at git</li> +<li>Mastered templating in Obsidian</li> +<li>Configured my VSCode dev environment to work well with remote collaborative versioning workflows</li> +<li>Shipped a static website</li> +<li>Learned a lot of new things about JavaScript, Sass, Go, Rust, Tera, SQL, and shaders.</li> +</ul> +<p>I'm very grateful for the chance to make so many new friends, too. Next week, the incoming batch will arrive. I am excited to show them around and host some events. I do not at all feel ready to take a senior post, but nonetheless I am curious how it will go in any event.</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>What is the Recurse Center? You'd probably learn best from their own <a href="https://www.recurse.com/">website</a>.</p> +</div> + + + + diff --git a/tags/education/index.html b/tags/education/index.html new file mode 100644 index 0000000..0a0af28 --- /dev/null +++ b/tags/education/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged education

                  \ No newline at end of file diff --git a/tags/gaming/atom.xml b/tags/gaming/atom.xml new file mode 100644 index 0000000..3e60fba --- /dev/null +++ b/tags/gaming/atom.xml @@ -0,0 +1,76 @@ + + + Asya Davydova Lewis - gaming + + + + Zola + 2022-09-25T00:00:00+00:00 + https://asyaplugged.in/tags/gaming/atom.xml + + Lecture Notes: Robin Arnott on Meditation & Gaming + 2022-08-18T00:00:00+00:00 + 2022-09-25T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/everything-is-boring/ + + <div class="video-container"> +<iframe width="560" height="315" src="https://www.youtube-nocookie.com/embed/n94J-9YxZPc" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> +</div> +<p>I experienced a rather significant personal paradigm shift after Robin Arnott's presentation &quot;Everything is Boring&quot; at the BDYHAX conference on February 24th, 2019. I have several versions of hand-written notes on it, and have spent countless late nights gesticulating on and on about the premise, so I figured to publish my notes (something between an inaccurate summary and personal comments) and suavely drop a hyperlink any time the itch to transmute this paradigm strikes, instead of acting like <a href="https://knowyourmeme.com/memes/pepe-silvia">this</a>. </p> +<p>The talk focuses on the issue at the center of the wellness-meditation economy: everything is boring. Using a psychological framework from Ken Wilber, it analyzes the wellness economy's own relative &quot;health&quot;, and demonstrates that both wellness and successful consumer interfaces have a much stronger connection to passion-based areas like entertainment, music and gaming, rather than mass infrastructure like medicine or workforce training.</p> +<p>Robin: if you're reading this, please respond to my emails – I would love to have access to the slides from this talk. It's great that there's now a video recording available, but I am struggling to find the proper chart images the talk is based on.</p> +<h2 id="introduction">Introduction</h2> +<p>Arnott is the CEO and cofounder of Andromeda Entertainment, a gaming publishing company focused on titles that draw inspiration from wellness, i.e. games that enrich players lives in meaningful ways, rather than just baiting and distracting them.</p> +<p>He has spoken quite a bit about game design as a mechanism for transcendence, but this talk focuses on Ken Wilber's Integral Theory – a psychological theory that can be used not only for understanding oneself and the people around us, but also understanding trends in culture learning how to aid the psychological developments of culture at large.</p> +<h2 id="integral-psychology">Integral Psychology</h2> +<p>Arnott believes one of the main issues with health technologies and the way we treat our bodies is it that it can be pretty joyless, boring and uninspiring. Analyzing current paradigms of health technologies, health economies, and our relationship with our body as a whole through the frame of Integral psychology offers some not-so-boring steps forward.</p> +<figure> +<img src="https://images.squarespace-cdn.com/content/v1/51a0ef99e4b0673a4c034ab8/1373221911253-I9CKMOFPCM86G3TNULLF/Screen-Shot-2013-03-29-at-7.07.30-PM.png" alt="integral theory map"> +<figcaption>Figure 1. Ken Wilber's Integral Psychology theory map.</figcaption> +</figure> +<p>Figure 2. &quot;Stages of Consciousness&quot; map.</p> +<p>Arnott highlights three color-coded stages as separate paradigms from each of them:</p> +<ul> +<li>orange paradigm: bureaucratic, scientific, evidence based</li> +<li>green paradigm: decentralized, pluralistic, postmodern, egalitarian</li> +<li>teal paradigm: integrated, evolving the present moment</li> +</ul> +<h2 id="have-you-ever-lied">Have you ever lied?</h2> +<p>Let's say, you tell some huge lie, for example you have been cheating on your partner and you don't tell them the truth. What are the consequences of this lie? How does it make you feel? How much does it affect other decisions you make? Your entire life becomes predicated on this one lie. You lose confidence in your decision-making and your actions. You cannot build a life on top of a foundation comprised of a lie.</p> +<h2 id="medical-economy">Medical Economy</h2> +<p>The medical economy operates on the social lie that the medical system has the answer to overcoming death. The orange medical system maintains the lie that YOU SHOULD NOT DIE.</p> +<h3 id="medical-gaze">Medical Gaze</h3> +<p>This argument reminds me of the &quot;medical gaze&quot;, the practice of objectifying the body of the patient as separate from their personal identity, coined by Michel Foucault's in <a href="https://en.wikipedia.org/wiki/The_Birth_of_the_Clinic">&quot;Birth of the Clinic&quot;</a>, which interrogates the dehumanization foundational to modern medicine, as well as the reasons why the scientific advances in medicine and healthcare have not succeeded in abolishing sickness and resolving the problems of humanity.</p> +<h2 id="the-green-paradigm-in-the-wellness-economy">The green paradigm in the wellness economy</h2> +<p>The wellness paradigm of meditation apps with their condescending &quot;nudge&quot; notifications, &quot;should&quot;-ing you, is also predicated on a lie. It condescends and infantilizes users under the false pretense that +SOMETHING IS WRONG WITH YOU. +You need to &quot;get better&quot;. If you miss a day, you are a failure. Your habits are pathologized when they do not serve the app's interests of high user engagement and retention.</p> +<p>Now, how often do you pick up your phone to use a self-improvement app? How much time per day do you spend on this app category? There's mounds of UX research showing that this app category does not perform well in the screen time olympics. +But what apps do you gravitate towards when you want to feel better? Spotify. Candy Crush. Snapchat. Tiktok.</p> +<p>Have you ever gone to a concert &amp; felt spiritually transformed?</p> +<h3 id="ux-as-infantilization">UX as Infantilization</h3> +<p>Arnott's focus on &quot;condescending infantilism&quot; reminds me of Jesse Baron's essay <a href="https://reallifemag.com/the-babysitters-club/">&quot;The Babysitters Club&quot;</a>.</p> +<h2 id="the-teal-paradigm-in-the-next-economy-of-health">The teal paradigm in the next economy of health</h2> +<p>The next economy of health is based in joy and transformation. +Body - Mind is an expression of Truth. +Music, entertainment, and socializing are healing economy models. +They do not have a &quot;should quality and your soul is open to them.</p> +<table><thead><tr><th style="text-align: left"></th><th style="text-align: left">medicine</th><th style="text-align: left">wellness</th><th style="text-align: left">the new economy ??</th></tr></thead><tbody> +<tr><td style="text-align: left"><strong>identity</strong></td><td style="text-align: left">individual</td><td style="text-align: left">pluralistic global data point in a large database</td><td style="text-align: left">spirit</td></tr> +<tr><td style="text-align: left"><strong>achievement</strong></td><td style="text-align: left">systematization</td><td style="text-align: left">access</td><td style="text-align: left">integrated wisdom</td></tr> +<tr><td style="text-align: left"><strong>relationship to the body</strong></td><td style="text-align: left">mechanical</td><td style="text-align: left">purging trauma</td><td style="text-align: left">maladaptive body patterns begin to dissolve</td></tr> +</tbody></table> + + + + diff --git a/tags/gaming/index.html b/tags/gaming/index.html new file mode 100644 index 0000000..05f61d7 --- /dev/null +++ b/tags/gaming/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged gaming

                  \ No newline at end of file diff --git a/tags/hardware/atom.xml b/tags/hardware/atom.xml new file mode 100644 index 0000000..6e1c6f1 --- /dev/null +++ b/tags/hardware/atom.xml @@ -0,0 +1,34 @@ + + + Asya Davydova Lewis - hardware + + + + Zola + 2022-08-13T00:00:00+00:00 + https://asyaplugged.in/tags/hardware/atom.xml + + Visiting Apex Electronics Surplus + 2022-08-13T00:00:00+00:00 + 2022-08-13T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/apex-visit/ + + <p>This Friday I visited Apex Electronics Surplus in Sun Valley, CA.</p> +<h2 id="so-much-stuff">So much stuff!</h2> +<p>It was cool. I was very excited by the sheer size of the store and amount of available items, so I recorded a birthday wish for my little brother in one of the aisles. My little brother was the driving force behing my inspiration for <a href="https://asyaplugged.in/know/drafts/apex-visit/savefrys.com/">savefrys.com</a>, so it only felt appropriate to record a message at an electronics surplus store.</p> +<h2 id="the-thoughts">The Thoughts</h2> +<p>Reminded me of Claire L. Evans' blog post <a href="https://www.uncubemagazine.com/blog/12291851">Does Future Fact Depend on Present Fiction</a></p> + + + + diff --git a/tags/hardware/index.html b/tags/hardware/index.html new file mode 100644 index 0000000..0f8e13d --- /dev/null +++ b/tags/hardware/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged hardware

                  \ No newline at end of file diff --git a/tags/index.html b/tags/index.html new file mode 100644 index 0000000..98f300e --- /dev/null +++ b/tags/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis
                  \ No newline at end of file diff --git a/tags/journal/atom.xml b/tags/journal/atom.xml new file mode 100644 index 0000000..bec0291 --- /dev/null +++ b/tags/journal/atom.xml @@ -0,0 +1,58 @@ + + + Asya Davydova Lewis - journal + + + + Zola + 2024-02-02T00:00:00+00:00 + https://asyaplugged.in/tags/journal/atom.xml + + January Gains + 2024-01-31T00:00:00+00:00 + 2024-02-02T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/january-gains/ + + <p>While it may be a little on-the-nose to start a personal accountability blog series in a January, it just so happened that I got extraordinarily motivated this recent December 2023 by my little brother. </p> +<ul> +<li>3.3 lbs muscle </li> +</ul> +<ul> +<li> +<p>7.5 lbs fat </p> +</li> +<li> +<p>left smith machine in the past </p> +</li> +<li> +<p>went from DB bench press to short bar </p> +</li> +<li> +<p>ate 60-90g protein / day </p> +</li> +<li> +<p>settled on a gym uniform that feels cute</p> +</li> +</ul> +<h4 id="february-goals">February Goals</h4> +<ul> +<li>continue recomp progress</li> +<li>bench the 35 long bar</li> +<li>improve VO2 max via kettlebell swings after each training session</li> +<li>eat 80-135g protein / day</li> +<li>spend less money on vegan protein shakes from the grocery store and try some protein powders for homemade protein shakes</li> +</ul> + + + + diff --git a/tags/journal/index.html b/tags/journal/index.html new file mode 100644 index 0000000..a385b2c --- /dev/null +++ b/tags/journal/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged journal

                  \ No newline at end of file diff --git a/tags/ken-wilber/atom.xml b/tags/ken-wilber/atom.xml new file mode 100644 index 0000000..6dfce0b --- /dev/null +++ b/tags/ken-wilber/atom.xml @@ -0,0 +1,76 @@ + + + Asya Davydova Lewis - ken wilber + + + + Zola + 2022-09-25T00:00:00+00:00 + https://asyaplugged.in/tags/ken-wilber/atom.xml + + Lecture Notes: Robin Arnott on Meditation & Gaming + 2022-08-18T00:00:00+00:00 + 2022-09-25T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/everything-is-boring/ + + <div class="video-container"> +<iframe width="560" height="315" src="https://www.youtube-nocookie.com/embed/n94J-9YxZPc" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> +</div> +<p>I experienced a rather significant personal paradigm shift after Robin Arnott's presentation &quot;Everything is Boring&quot; at the BDYHAX conference on February 24th, 2019. I have several versions of hand-written notes on it, and have spent countless late nights gesticulating on and on about the premise, so I figured to publish my notes (something between an inaccurate summary and personal comments) and suavely drop a hyperlink any time the itch to transmute this paradigm strikes, instead of acting like <a href="https://knowyourmeme.com/memes/pepe-silvia">this</a>. </p> +<p>The talk focuses on the issue at the center of the wellness-meditation economy: everything is boring. Using a psychological framework from Ken Wilber, it analyzes the wellness economy's own relative &quot;health&quot;, and demonstrates that both wellness and successful consumer interfaces have a much stronger connection to passion-based areas like entertainment, music and gaming, rather than mass infrastructure like medicine or workforce training.</p> +<p>Robin: if you're reading this, please respond to my emails – I would love to have access to the slides from this talk. It's great that there's now a video recording available, but I am struggling to find the proper chart images the talk is based on.</p> +<h2 id="introduction">Introduction</h2> +<p>Arnott is the CEO and cofounder of Andromeda Entertainment, a gaming publishing company focused on titles that draw inspiration from wellness, i.e. games that enrich players lives in meaningful ways, rather than just baiting and distracting them.</p> +<p>He has spoken quite a bit about game design as a mechanism for transcendence, but this talk focuses on Ken Wilber's Integral Theory – a psychological theory that can be used not only for understanding oneself and the people around us, but also understanding trends in culture learning how to aid the psychological developments of culture at large.</p> +<h2 id="integral-psychology">Integral Psychology</h2> +<p>Arnott believes one of the main issues with health technologies and the way we treat our bodies is it that it can be pretty joyless, boring and uninspiring. Analyzing current paradigms of health technologies, health economies, and our relationship with our body as a whole through the frame of Integral psychology offers some not-so-boring steps forward.</p> +<figure> +<img src="https://images.squarespace-cdn.com/content/v1/51a0ef99e4b0673a4c034ab8/1373221911253-I9CKMOFPCM86G3TNULLF/Screen-Shot-2013-03-29-at-7.07.30-PM.png" alt="integral theory map"> +<figcaption>Figure 1. Ken Wilber's Integral Psychology theory map.</figcaption> +</figure> +<p>Figure 2. &quot;Stages of Consciousness&quot; map.</p> +<p>Arnott highlights three color-coded stages as separate paradigms from each of them:</p> +<ul> +<li>orange paradigm: bureaucratic, scientific, evidence based</li> +<li>green paradigm: decentralized, pluralistic, postmodern, egalitarian</li> +<li>teal paradigm: integrated, evolving the present moment</li> +</ul> +<h2 id="have-you-ever-lied">Have you ever lied?</h2> +<p>Let's say, you tell some huge lie, for example you have been cheating on your partner and you don't tell them the truth. What are the consequences of this lie? How does it make you feel? How much does it affect other decisions you make? Your entire life becomes predicated on this one lie. You lose confidence in your decision-making and your actions. You cannot build a life on top of a foundation comprised of a lie.</p> +<h2 id="medical-economy">Medical Economy</h2> +<p>The medical economy operates on the social lie that the medical system has the answer to overcoming death. The orange medical system maintains the lie that YOU SHOULD NOT DIE.</p> +<h3 id="medical-gaze">Medical Gaze</h3> +<p>This argument reminds me of the &quot;medical gaze&quot;, the practice of objectifying the body of the patient as separate from their personal identity, coined by Michel Foucault's in <a href="https://en.wikipedia.org/wiki/The_Birth_of_the_Clinic">&quot;Birth of the Clinic&quot;</a>, which interrogates the dehumanization foundational to modern medicine, as well as the reasons why the scientific advances in medicine and healthcare have not succeeded in abolishing sickness and resolving the problems of humanity.</p> +<h2 id="the-green-paradigm-in-the-wellness-economy">The green paradigm in the wellness economy</h2> +<p>The wellness paradigm of meditation apps with their condescending &quot;nudge&quot; notifications, &quot;should&quot;-ing you, is also predicated on a lie. It condescends and infantilizes users under the false pretense that +SOMETHING IS WRONG WITH YOU. +You need to &quot;get better&quot;. If you miss a day, you are a failure. Your habits are pathologized when they do not serve the app's interests of high user engagement and retention.</p> +<p>Now, how often do you pick up your phone to use a self-improvement app? How much time per day do you spend on this app category? There's mounds of UX research showing that this app category does not perform well in the screen time olympics. +But what apps do you gravitate towards when you want to feel better? Spotify. Candy Crush. Snapchat. Tiktok.</p> +<p>Have you ever gone to a concert &amp; felt spiritually transformed?</p> +<h3 id="ux-as-infantilization">UX as Infantilization</h3> +<p>Arnott's focus on &quot;condescending infantilism&quot; reminds me of Jesse Baron's essay <a href="https://reallifemag.com/the-babysitters-club/">&quot;The Babysitters Club&quot;</a>.</p> +<h2 id="the-teal-paradigm-in-the-next-economy-of-health">The teal paradigm in the next economy of health</h2> +<p>The next economy of health is based in joy and transformation. +Body - Mind is an expression of Truth. +Music, entertainment, and socializing are healing economy models. +They do not have a &quot;should quality and your soul is open to them.</p> +<table><thead><tr><th style="text-align: left"></th><th style="text-align: left">medicine</th><th style="text-align: left">wellness</th><th style="text-align: left">the new economy ??</th></tr></thead><tbody> +<tr><td style="text-align: left"><strong>identity</strong></td><td style="text-align: left">individual</td><td style="text-align: left">pluralistic global data point in a large database</td><td style="text-align: left">spirit</td></tr> +<tr><td style="text-align: left"><strong>achievement</strong></td><td style="text-align: left">systematization</td><td style="text-align: left">access</td><td style="text-align: left">integrated wisdom</td></tr> +<tr><td style="text-align: left"><strong>relationship to the body</strong></td><td style="text-align: left">mechanical</td><td style="text-align: left">purging trauma</td><td style="text-align: left">maladaptive body patterns begin to dissolve</td></tr> +</tbody></table> + + + + diff --git a/tags/ken-wilber/index.html b/tags/ken-wilber/index.html new file mode 100644 index 0000000..1729986 --- /dev/null +++ b/tags/ken-wilber/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged ken wilber

                  \ No newline at end of file diff --git a/tags/learning/atom.xml b/tags/learning/atom.xml new file mode 100644 index 0000000..553f655 --- /dev/null +++ b/tags/learning/atom.xml @@ -0,0 +1,43 @@ + + + Asya Davydova Lewis - learning + + + + Zola + 2022-08-16T00:00:00+00:00 + https://asyaplugged.in/tags/learning/atom.xml + + Why and how you should apply to the Recurse Center + 2022-08-16T00:00:00+00:00 + 2022-08-16T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/rc-or-bootcamp/ + + <p>My friend Priya made a blog post called &quot;Should I go to a coding bootcamp or self-study&quot;, which inspired me to share my own experiences and thoughts on the matter.</p> +<h2 id="my-experience-to-expose-what-i-am-biased-towards">My experience – to expose what I am biased towards</h2> +<p>I originally decided that I'd like to learn programming around 2012, when I wanted to make a Russian-language online platform similar to <a href="https://asyaplugged.in/know/drafts/rc-or-bootcamp/rookiemag.com">Rookie Mag</a>. I didn't understand that one could get away with finding a sort of suitable wordpress theme, and once I did, I felt so passionately about my ideal project that I figured I'd need to pay a programmer to make the exact theme that I'd envisioned for the platform. I was also inspired by this weird Russian listicle website called <a href="https://asyaplugged.in/know/drafts/rc-or-bootcamp/w-o-s.ru">W-O-S</a>, I loved how each article had some different animations and floating elements, and I especially loved the interactive quizzes.</p> +<p>I mention my inspiration for learning how to code as I think inspiration is imperative to take account of when deciding on the direction you will take it into the material world. My interest was in a counterculture of both Russian and American origins, and online media. So in 2015, I attended a mini course at the Moscow Coding School.</p> +<p>Well, first I took some introductory programming classes at Santa Monica College. At the time, the main prerequisite to any programming class was an introduction to computing as a whole. My homework assignment was to draw something in MS Paint. I hope this story can illuminate the reasons I recieved F (for failed) grades in my first year at SMC.</p> +<p>At Moscow Coding School, I learned introductory HTML, CSS, JavaScript, and WebGL. </p> +<h2 id="bootcamp">Bootcamp</h2> +<h2 id="self-study">Self Study</h2> +<h2 id="recurse-center-application">Recurse Center Application</h2> +<p>I have pubilished <a href="https://github.com/asyapluggedin/rc/blob/master/application/application-2022.md">my own application to rc on my github</a>.</p> +<h2 id="recurse-center">Recurse Center</h2> +<h2 id="self-doubt-and-imposter-syndrome">Self Doubt and Imposter Syndrome</h2> +<h2 id="employment">Employment</h2> +<h2 id="goals-and-outcomes">Goals and Outcomes</h2> + + + + diff --git a/tags/learning/index.html b/tags/learning/index.html new file mode 100644 index 0000000..827f493 --- /dev/null +++ b/tags/learning/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged learning

                  \ No newline at end of file diff --git a/tags/machine-learning/atom.xml b/tags/machine-learning/atom.xml new file mode 100644 index 0000000..75366ac --- /dev/null +++ b/tags/machine-learning/atom.xml @@ -0,0 +1,33 @@ + + + Asya Davydova Lewis - machine-learning + + + + Zola + 2018-07-10T00:00:00+00:00 + https://asyaplugged.in/tags/machine-learning/atom.xml + + DeepDenial + 2018-07-10T00:00:00+00:00 + 2018-07-10T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/deepdenial/ + + <p>DeepDenial was a one-day speculative political activism deepfake workshop I was invited to teach at the Hackers and Designers Summer Academy <em>(a program run out of the Sandberg Institute, the postgraduate programme of the Gerrit Rietveld Academie in Amsterdam)</em>.</p> +<p>The workshop was designed for students of varied technical as well as non-technical backgrounds. Participants practiced extracting and organizing data in order to apply a neural network for the purpose of making &quot;deepfakes&quot;, or videos with swapped faces.</p> +<p>In the news, deepfake technology initially came to light as it was being used to create abusive explicit content with unwilling face-swapped participants. Concerns are commonly voiced on the potential use of deepfaking for political propaganda. A central aspect of the <em>DeepDenial</em> workshop is the discussion of media ethics, surveillance vs sousveillance, and explorations of defensive propaganda. </p> +<p>By taking a hands-on approach to learn how to process video data for machine learning programs, attendees armed themselves with improved digital literacy and developed a keen sense for discerning tell-tale signs of AI-processed content.</p> + + + + diff --git a/tags/machine-learning/index.html b/tags/machine-learning/index.html new file mode 100644 index 0000000..20cdcb2 --- /dev/null +++ b/tags/machine-learning/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged machine-learning

                  \ No newline at end of file diff --git a/tags/product/atom.xml b/tags/product/atom.xml new file mode 100644 index 0000000..fa44c54 --- /dev/null +++ b/tags/product/atom.xml @@ -0,0 +1,50 @@ + + + Asya Davydova Lewis - product + + + + Zola + 2024-02-08T00:00:00+00:00 + https://asyaplugged.in/tags/product/atom.xml + + Fixing Equinox + 2024-02-08T00:00:00+00:00 + 2024-02-08T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/fixing-equinox/ + + <p>Blog Text</p> + + + + + How I would run a Nail Salon + 2024-02-08T00:00:00+00:00 + 2024-02-08T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/how-i-would-run-a-nail-salon/ + + <p>Blog Text</p> + + + + diff --git a/tags/product/index.html b/tags/product/index.html new file mode 100644 index 0000000..f0221bd --- /dev/null +++ b/tags/product/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged product

                  \ No newline at end of file diff --git a/tags/recurse-center/atom.xml b/tags/recurse-center/atom.xml new file mode 100644 index 0000000..7d43624 --- /dev/null +++ b/tags/recurse-center/atom.xml @@ -0,0 +1,251 @@ + + + Asya Davydova Lewis - recurse-center + + + + Zola + 2022-08-16T00:00:00+00:00 + https://asyaplugged.in/tags/recurse-center/atom.xml + + Why and how you should apply to the Recurse Center + 2022-08-16T00:00:00+00:00 + 2022-08-16T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/rc-or-bootcamp/ + + <p>My friend Priya made a blog post called &quot;Should I go to a coding bootcamp or self-study&quot;, which inspired me to share my own experiences and thoughts on the matter.</p> +<h2 id="my-experience-to-expose-what-i-am-biased-towards">My experience – to expose what I am biased towards</h2> +<p>I originally decided that I'd like to learn programming around 2012, when I wanted to make a Russian-language online platform similar to <a href="https://asyaplugged.in/know/drafts/rc-or-bootcamp/rookiemag.com">Rookie Mag</a>. I didn't understand that one could get away with finding a sort of suitable wordpress theme, and once I did, I felt so passionately about my ideal project that I figured I'd need to pay a programmer to make the exact theme that I'd envisioned for the platform. I was also inspired by this weird Russian listicle website called <a href="https://asyaplugged.in/know/drafts/rc-or-bootcamp/w-o-s.ru">W-O-S</a>, I loved how each article had some different animations and floating elements, and I especially loved the interactive quizzes.</p> +<p>I mention my inspiration for learning how to code as I think inspiration is imperative to take account of when deciding on the direction you will take it into the material world. My interest was in a counterculture of both Russian and American origins, and online media. So in 2015, I attended a mini course at the Moscow Coding School.</p> +<p>Well, first I took some introductory programming classes at Santa Monica College. At the time, the main prerequisite to any programming class was an introduction to computing as a whole. My homework assignment was to draw something in MS Paint. I hope this story can illuminate the reasons I recieved F (for failed) grades in my first year at SMC.</p> +<p>At Moscow Coding School, I learned introductory HTML, CSS, JavaScript, and WebGL. </p> +<h2 id="bootcamp">Bootcamp</h2> +<h2 id="self-study">Self Study</h2> +<h2 id="recurse-center-application">Recurse Center Application</h2> +<p>I have pubilished <a href="https://github.com/asyapluggedin/rc/blob/master/application/application-2022.md">my own application to rc on my github</a>.</p> +<h2 id="recurse-center">Recurse Center</h2> +<h2 id="self-doubt-and-imposter-syndrome">Self Doubt and Imposter Syndrome</h2> +<h2 id="employment">Employment</h2> +<h2 id="goals-and-outcomes">Goals and Outcomes</h2> + + + + + Recurse Center Report: Half Batch + 2022-08-05T00:00:00+00:00 + 2022-08-05T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/recurse-center-report-1/ + + <p>This Friday marks the mid-point of my batch at the Recurse Center<sup class="footnote-reference"><a href="#1">1</a></sup>. I am in a 12 week batch, meaning I have completed 30 out of 60 days of the programming retreat. I already feel like a different person and a better programmer than when I started, and figured that it could be helpful for others to hear about my experience.</p> +<p>Because I intended to do a 12 week retreat from the very start, I will say that I was a little lax with planning my time to be at maximum efficiency. My main goal for the retreat was proving to myself that I enjoy regular programming and learning new things, even if they look very much strange, and feel very much challenging.</p> +<!--more--> +<h2 id="weekly-reports">Weekly Reports</h2> +<p>At Recurse, batch members are encouraged to post text check-ins in their respective Zulip streams. Thanks to this practice, I have been able to track and share my progress, as well as stay accountable to myself and learn from the obstacles blocking my workflows.</p> +<h3 id="week-1">Week 1</h3> +<p>I decided to excuse myself from the requirement of writing any code in the first week, as it is quite an overwhelming and social week, but in retrospect I wish I had challenged myself a bit more, and at least refactored some code in the project that I applied to RC with, so that I could present it during Friday presentations. However, I did:</p> +<ul> +<li>work on <a href="https://asyaplugged.in/do/sunshine-act/">sunshine act</a> pen and paper RPG game</li> +<li>write short bios of everyone so i could remember peoples names and personalities</li> +<li>experimented with check-in formatting</li> +<li>make a <a href="https://www.are.na/anastasia-davydova-lewis/recurse-center-2022">master channel on are.na</a> for all my RC batch related research</li> +<li>attend a pairing workshop</li> +<li>made ~1 new friend.</li> +</ul> +<h3 id="week-2">Week 2</h3> +<p>I became a lot more comfortable with all the RC software, so I set out to program every day. Despite such a clear intention, I only commited code on 3 of the 5 days, as I ended up feeling quite drained by the frequent &quot;coffee chats&quot;, planning to work on other people's projects, and attending the social events.</p> +<ul> +<li>attended the &quot;Building your volutional muscles&quot; workshop, enjoyed it very much</li> +<li>started learning <code>Go</code> for my TUI game, ascii tarot</li> +<li>got sidetracked from learning <code>Go</code> with elektronika project bc of embedded meeing</li> +<li>attended the creative coding, but failed at my task because of updated browser permissions issues in <code>p5.js</code></li> +<li>had a coffee chat with a career center staff member</li> +<li>presented</li> +<li>made ~6 new friends!</li> +</ul> +<h3 id="week-3">Week 3</h3> +<p>Learning Go felt a little out of left field, so I decided to spin up a &quot;quick and dirty&quot; static website. The theme I chose to base it off of was anything but quick to work with, however it did prove to make for some quite dirty coding work. Ultimately, I was pleased with my 4/5 daily commits, as well as the fact that I didn't have to poke around the Go reference documents for a short while.</p> +<ul> +<li>learned about <code>SQL</code></li> +<li>started working with <code>Zola</code> and the karzok theme, <code>npm</code> became the bane of my existence</li> +<li>met with a staff member to discuss time management and my struggle with &quot;doing other peoples homework&quot; instead of focusing on my own work</li> +<li>attended the &quot;Balancing learning generously with your own work&quot; workshop - really loved it</li> +<li>attended the &quot;feelings check-in&quot;</li> +<li>made ~4 new friends.</li> +</ul> +<h3 id="week-4">Week 4</h3> +<p>Attending the weekly intentions and reflections meetings was quite phenomenal. In general, I find intentionality incredibly meaningful and valuable in my own routine, so sharing such a practice with fellow Recursers changed my entire experience. I felt a lot closer to the community, and struggled less with accountability.</p> +<p>Another big change was replacing my coffee chat bot with the pairing bot. I noticed that the daily chit-chat meetings spawned by the coffee chat bot took a lot of energy out of me, but didn't translate into a sense of satisfaction with how much I was learning programming or making progress on a project, be it mine or someone elses. Switching up the bots helped a lot, as I could at the very least look at somebody else's code and ask about their goals at RC, rather than talk about our outside hobbies for an hour.</p> +<ul> +<li>started attending weekly intentions and reflections</li> +<li>presented during career panel</li> +<li>replaced coffee chat bot with pairing bot</li> +<li>shipped my personal website</li> +<li>paired with people on their projects, which was very rewarding.</li> +<li>got some excellent pointers on Go from someone who has worked at the Go team</li> +<li>had a meeting with the career center</li> +<li>made ~4 new friends.</li> +</ul> +<h3 id="week-5">Week 5</h3> +<p>This was the week I realized I needed to quickly make friends with everyone from the previous batch, which was ending the following week. I wish I had been more organized about my interactions with other people, as that's really one of the most valuable aspects of RC. Even if you do not work on something together, it's nice to at least get to know each other a little.</p> +<p>I also set out to have a &quot;solo&quot; day where I wouldn't attend any meetings or events, and just focus on some deep work. This was a good idea, and helped me feel more in control of my productivity.</p> +<ul> +<li>paired a bit</li> +<li>made progress on my website</li> +<li>went to the gym a lot</li> +<li>did some leetcode problems</li> +<li>strengthened ~2 of my existing RC friendships.</li> +</ul> +<h3 id="week-6">Week 6</h3> +<p>There is a long-standing tradition at RC to write &quot;niceties&quot; to members of the ending batch. I had 42 Recursers to write them for, as well as some extra for staff, which took a lot of time and effort. In the process I realized there were different types of Recursers – the very socially active, the more heads-down ultra-productive ones, the ones that host specialized events, and the ones that don't participate in the community very much. I realized that despite my own feelings about my subpar progress, I myself was a relatively successful Recurser, as I made the retreat's experience inspiring and fun for other members. Writing the niceties helped me reconsider my own goals and expectations of myself. I stopped worrying about completing a specific amount of leetcode problems or github commits, and decided to focus more on positively contributing to the experience of those currently at RC.</p> +<ul> +<li>completed niceties</li> +<li>made checkin and reflection templates for obsidian</li> +<li>began tinkering in hardware discussion groups</li> +<li>quit the google ux certificate coursera course bc didn't have the patience to learn things i already know for $30/mo</li> +<li>finally a successful creative coding project</li> +<li>wrote blog post for incoming batch as i decided to host creative coding going forward</li> +<li>made ~4 new friends!</li> +</ul> +<h2 id="takeaways">Takeaways</h2> +<p>In these six weeks, the accomplishment I am most proud of is a sense of confidence in my ability to program, and my identity as a programmer. So many of my friends will sometimes say that they are not qualified for a project because they have limited experience programming – I cannot imagine doing this myself anymore. I would rather let the hardware say &quot;no!&quot; to me by breaking, than to say no to it first myself. I've learned that the only way to tackle the unknown is with curiosity – it is best friends with bravery anyway, so bravery will swiftly follow wherever curiousity goes.</p> +<p>Concrete accomplishments, however:</p> +<ul> +<li>Gave two talks</li> +<li>Got a lot better at git</li> +<li>Mastered templating in Obsidian</li> +<li>Configured my VSCode dev environment to work well with remote collaborative versioning workflows</li> +<li>Shipped a static website</li> +<li>Learned a lot of new things about JavaScript, Sass, Go, Rust, Tera, SQL, and shaders.</li> +</ul> +<p>I'm very grateful for the chance to make so many new friends, too. Next week, the incoming batch will arrive. I am excited to show them around and host some events. I do not at all feel ready to take a senior post, but nonetheless I am curious how it will go in any event.</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>What is the Recurse Center? You'd probably learn best from their own <a href="https://www.recurse.com/">website</a>.</p> +</div> + + + + + Creative Coding at RC + 2022-08-04T00:00:00+00:00 + 2022-08-04T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/rc-creative-coding/ + + <h2 id="introduction-credits">Introduction &amp; Credits</h2> +<p>Welcome to the guide for the Creative Coding Meetup at the Virtual Recurse Center.</p> +<!--more--> +<p>The meetup was started by <a href="http://rfong.github.io/">Ray Fong</a>, then led by <a href="https://github.com/aturley">Andrew Joseph Turley</a>, who passed the torch to <a href="https://github.com/Plasma-Vortex">Howard Halim</a>, who finally passed it to me.</p> +<p>However, the <a href="https://recurse.zulipchat.com/#narrow/stream/224779-creative-coding">creative-coding</a> Zulip stream has messages going all the way back to February 20, with the first one from <a href="https://solsarratea.world/">Sol Sarratea</a>. We now coordinate in another stream, <a href="https://recurse.zulipchat.com/#narrow/stream/19042-397-Bridge/topic/Creative.20Coding.20Meetup">Creative Coding Meetup</a>.</p> +<h2 id="what-happens-at-creative-coding">What happens at Creative Coding?</h2> +<p>Each week a random prompt is picked, then we spend 90 minutes making something and meet back up to share what we made. Don't worry about perfectionism, just come have fun. +Here are some of the generators we have used to produce creative prompts:</p> +<ul> +<li><a href="http://stoney.sb.org/eno/oblique.html">Oblique Strategies</a></li> +<li><a href="https://codepen.io/jacob4/full/EVqeWM">Random Shakespeare Quote Generator</a></li> +<li><a href="https://perchance.org/emoji">perchance Random Emoji Generator</a> (set amount to 3, check &quot;unique?&quot; box)</li> +</ul> +<p>You can use whatever language or tools you are comfortable or uncomfortable with.</p> +<p>Creativity manifests in different ways, so don't feel restricted to making something visual, &quot;artistic&quot;, or even related to the chosen prompt. This is the place to make whatever your heart and mind desires!</p> +<p>Here are some common choices:</p> +<ul> +<li><a href="https://editor.p5js.org/">editor.p5js.org</a></li> +<li><a href="https://codepen.io/">codepen.io</a></li> +<li><a href="https://www.shadertoy.com/">shadertoy.com</a></li> +<li><a href="https://glitch.com/">glitch.com</a></li> +<li><a href="https://arcade.makecode.com/">arcade.makecode.com</a></li> +</ul> +<p>Coordinate in the <a href="https://recurse.zulipchat.com/#narrow/stream/19042-397-Bridge/topic/Creative.20Coding.20Meetup">Creative Coding Zulip topic</a>. +Showing off your work is encouraged!</p> +<h2 id="resources">Resources</h2> +<p>I am leisurely amalgamating a lot of materials on an <a href="https://www.are.na/anastasia-davydova-lewis/creative-coding-for-all">Are.na page, creative-coding-for-all.</a> Feel free to add to it! I also have some more structured resources to peruse here: +<br><br></p> +<h3 id="misc-inspiration">Misc Inspiration</h3> +<ul> +<li><a href="https://paytonturnage.com/writing/generating-art-with-haskell/">Generative Art with Haskell</a></li> +<li><a href="https://experiments.withgoogle.com/collection/chrome">Chrome Experiments</a></li> +</ul> +<h3 id="css-resources">CSS Resources</h3> +<ul> +<li><a href="https://colorffy.com/text-gradient-generator">CSS text gradient generator</a></li> +<li><a href="https://shadows.brumm.af/">CSS box shadow generator</a></li> +<li><a href="https://9elements.github.io/fancy-border-radius/">9elements – Fancy border radius generator</a></li> +<li><a href="https://haikei.app/">Haikei – SVG generator</a></li> +<li><a href="https://haikei.app/">Mesh Gradients by CSS Hero</a></li> +<li><a href="https://min-max-calculator.9elements.com/">9elements – Fluid Typography without media queries via min-max value</a></li> +<li><a href="https://ui.glass/generator/">Glassmorphism generator</a></li> +</ul> +<h3 id="ml-art-resources">ML Art Resources</h3> +<ul> +<li>Kadenze <a href="https://www.kadenze.com/courses/creative-applications-of-deep-learning-with-tensorflow/info">Creative Applications of Deep Learning with TensorFlow</a> class</li> +</ul> +<h3 id="some-ucla-design-media-class-websites-with-their-own-resource-reference-collections">Some UCLA Design | Media Class Websites with their own resource / reference collections</h3> +<ul> +<li><a href="http://pkmital.com/home/2021/09/01/ucla-course-on-cultural-appropriation-with-machine-learning/">Cultural Appropriation with Machine Learning</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/172/?page_id=101">Interactive Animation in Unity3D</a></li> +<li><a href="https://lmccart.github.io/DMA171-disability-design-web/#resources">Disability, Design, and the Web</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/289-2/">50 Years of Software Artists: Plotter Drawings to Non-fungible Tokens</a></li> +<li><a href="https://classes.dma.ucla.edu/Fall21/152/resources">Tangible Media</a> – intro to working creatively with electronics.</li> +<li><a href="https://classes.dma.ucla.edu/Winter21/28/">Interactivity</a> – intro Processing class taught by Casey Reas, co-creator of Processing.</li> +<li><a href="https://classes.dma.ucla.edu/Fall19/161/#resources">Network Media</a> – html+css+js+p5.js taught by Lauren McCarthy, creator of p5.js.</li> +</ul> +<p>I recommend checking out the <a href="https://classes.dma.ucla.edu/?cTerm=Winter&amp;cYear=2021">past versions of core DMA classes</a>, as each one has its own website with varying resource lists. +<br><br></p> +<h3 id="history-context-of-media-art-generative-art-creative-coding">History, Context of Media Art, Generative Art, Creative Coding</h3> +<ul> +<li><a href="https://www.are.na/anastasia-davydova-lewis/ucla-dma101-design-media-arts">My Are.na class materials archive from the Media Art 101 class</a></li> +<li>&quot;When the Machine Made Art: The Troubled History of Computer Art&quot;, by Grant D. Taylor</li> +<li>&quot;Creative Code: Aesthetics + Computation&quot; by John Maeda</li> +<li>&quot;Generative Design&quot; by Benedikt Groß, Hartmut Bohnacker, Julia Laub</li> +</ul> +<h3 id="misc-creative-coders-and-their-work">misc creative coders and their work</h3> +<ul> +<li><a href="https://en.wikipedia.org/wiki/Vera_Moln%C3%A1r">Vera Molnár</a></li> +<li>Harold Cohen's AARON</li> +<li><a href="http://web.archive.org/web/20161103091706/http://silverbuffalo.org/NAA-NativeIT.html">Silver Buffalo on Native American IT</a></li> +<li><a href="https://blacktransarchive.com/">The Black Trans Archive</a></li> +<li><a href="https://web.archive.org/web/20020323214647/http://neutralground.sk.ca/artistprojects/spiderlanguage/index.html">Spider Language</a> – a First Nations contemporary art web</li> +<li><a href="https://super-sad-googles.glitch.me/">super sad googles</a></li> +<li><a href="https://facework.app/">facework.app</a></li> +<li><a href="https://store.steampowered.com/app/295790/Never_Alone_Kisima_Ingitchuna/">Never Alone on Steam</a> inspired by Donna Haraway's <a href="https://www.dukeupress.edu/staying-with-the-trouble">Staying with the Trouble: Making Kin in the Chthulucene</a></li> +<li><a href="https://www.damonzucconi.com/">Damon Zucconi</a></li> +<li><a href="https://brutalistwebsites.com/">Brutalist Websites</a></li> +<li><a href="https://lynnandtonic.com/">Lynn Fisher</a></li> +<li><a href="https://a-website-is-a-room.net/">a website is a room</a> archive of websites exploring the browser as a space</li> +<li><a href="https://www.werkplaatstypografie.org/#vitrine:https://www.werkplaatstypografie.org/vitrine/archive/">Werkplaatz Typographie Vitrine Archive</a></li> +<li><a href="https://x20xx.com/">x20xx.com</a></li> +</ul> +<h2 id="want-to-contribute-to-this-guide">Want to contribute to this guide?</h2> +<p>Submit <a href="https://github.com/asyapluggedin/asyaplugged.in/blob/main/content/know/2022-08-04-rc-creative-coding.md">a pull request in the github repo</a> for this blog.</p> + + + + diff --git a/tags/recurse-center/index.html b/tags/recurse-center/index.html new file mode 100644 index 0000000..856ef10 --- /dev/null +++ b/tags/recurse-center/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged recurse-center

                  \ No newline at end of file diff --git a/tags/solarpunk/atom.xml b/tags/solarpunk/atom.xml new file mode 100644 index 0000000..ff48d51 --- /dev/null +++ b/tags/solarpunk/atom.xml @@ -0,0 +1,34 @@ + + + Asya Davydova Lewis - solarpunk + + + + Zola + 2022-08-13T00:00:00+00:00 + https://asyaplugged.in/tags/solarpunk/atom.xml + + Visiting Apex Electronics Surplus + 2022-08-13T00:00:00+00:00 + 2022-08-13T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/apex-visit/ + + <p>This Friday I visited Apex Electronics Surplus in Sun Valley, CA.</p> +<h2 id="so-much-stuff">So much stuff!</h2> +<p>It was cool. I was very excited by the sheer size of the store and amount of available items, so I recorded a birthday wish for my little brother in one of the aisles. My little brother was the driving force behing my inspiration for <a href="https://asyaplugged.in/know/drafts/apex-visit/savefrys.com/">savefrys.com</a>, so it only felt appropriate to record a message at an electronics surplus store.</p> +<h2 id="the-thoughts">The Thoughts</h2> +<p>Reminded me of Claire L. Evans' blog post <a href="https://www.uncubemagazine.com/blog/12291851">Does Future Fact Depend on Present Fiction</a></p> + + + + diff --git a/tags/solarpunk/index.html b/tags/solarpunk/index.html new file mode 100644 index 0000000..fa466be --- /dev/null +++ b/tags/solarpunk/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged solarpunk

                  \ No newline at end of file diff --git a/tags/teaching/atom.xml b/tags/teaching/atom.xml new file mode 100644 index 0000000..ac51e54 --- /dev/null +++ b/tags/teaching/atom.xml @@ -0,0 +1,33 @@ + + + Asya Davydova Lewis - teaching + + + + Zola + 2018-07-10T00:00:00+00:00 + https://asyaplugged.in/tags/teaching/atom.xml + + DeepDenial + 2018-07-10T00:00:00+00:00 + 2018-07-10T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/do/deepdenial/ + + <p>DeepDenial was a one-day speculative political activism deepfake workshop I was invited to teach at the Hackers and Designers Summer Academy <em>(a program run out of the Sandberg Institute, the postgraduate programme of the Gerrit Rietveld Academie in Amsterdam)</em>.</p> +<p>The workshop was designed for students of varied technical as well as non-technical backgrounds. Participants practiced extracting and organizing data in order to apply a neural network for the purpose of making &quot;deepfakes&quot;, or videos with swapped faces.</p> +<p>In the news, deepfake technology initially came to light as it was being used to create abusive explicit content with unwilling face-swapped participants. Concerns are commonly voiced on the potential use of deepfaking for political propaganda. A central aspect of the <em>DeepDenial</em> workshop is the discussion of media ethics, surveillance vs sousveillance, and explorations of defensive propaganda. </p> +<p>By taking a hands-on approach to learn how to process video data for machine learning programs, attendees armed themselves with improved digital literacy and developed a keen sense for discerning tell-tale signs of AI-processed content.</p> + + + + diff --git a/tags/teaching/index.html b/tags/teaching/index.html new file mode 100644 index 0000000..b3703f0 --- /dev/null +++ b/tags/teaching/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged teaching

                  \ No newline at end of file diff --git a/tags/telegram/atom.xml b/tags/telegram/atom.xml new file mode 100644 index 0000000..91cdd6b --- /dev/null +++ b/tags/telegram/atom.xml @@ -0,0 +1,47 @@ + + + Asya Davydova Lewis - telegram + + + + Zola + 2022-08-13T00:00:00+00:00 + https://asyaplugged.in/tags/telegram/atom.xml + + How to Make Telegram Stickers + 2022-08-13T00:00:00+00:00 + 2022-08-13T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/telegram-sticker-tutorial/ + + <p>This Friday I visited Apex Electronics Surplus in Sun Valley, CA.</p> +<h2 id="week-1">Week 1</h2> +<p>The first </p> +<h4 id="blockquote-with-attribution">Blockquote with attribution</h4> +<blockquote> +<p>Don't communicate by sharing memory, share memory by communicating.</p> — +<cite>Rob Pike<sup class="footnote-reference"><a href="#1">1</a></sup></cite></p> +</blockquote> +<h2 id="images">Images</h2> +<p><img src="../assets/test.png" alt="Image Backgorund" /> +<img src="https://asyaplugged.in/know/drafts/telegram-sticker-tutorial/" alt="Another Media" /></p> +<p><img src="https://plchldr.co/i/1280x720?bg=2ecc40" alt="Media CDN" /></p> +<p>{% hint style=&quot;warning&quot; %} 123 {% endhint %}</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>The above quote is excerpted from Rob Pike's +<a href="https://www.youtube.com/watch?v=PAAkCSZUG1c">talk</a> during Gopherfest, +November 18, 2015.</p> +</div> + + + + diff --git a/tags/telegram/index.html b/tags/telegram/index.html new file mode 100644 index 0000000..714d112 --- /dev/null +++ b/tags/telegram/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged telegram

                  \ No newline at end of file diff --git a/tags/think-thonk/atom.xml b/tags/think-thonk/atom.xml new file mode 100644 index 0000000..4149722 --- /dev/null +++ b/tags/think-thonk/atom.xml @@ -0,0 +1,34 @@ + + + Asya Davydova Lewis - think-thonk + + + + Zola + 2022-08-13T00:00:00+00:00 + https://asyaplugged.in/tags/think-thonk/atom.xml + + Visiting Apex Electronics Surplus + 2022-08-13T00:00:00+00:00 + 2022-08-13T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/apex-visit/ + + <p>This Friday I visited Apex Electronics Surplus in Sun Valley, CA.</p> +<h2 id="so-much-stuff">So much stuff!</h2> +<p>It was cool. I was very excited by the sheer size of the store and amount of available items, so I recorded a birthday wish for my little brother in one of the aisles. My little brother was the driving force behing my inspiration for <a href="https://asyaplugged.in/know/drafts/apex-visit/savefrys.com/">savefrys.com</a>, so it only felt appropriate to record a message at an electronics surplus store.</p> +<h2 id="the-thoughts">The Thoughts</h2> +<p>Reminded me of Claire L. Evans' blog post <a href="https://www.uncubemagazine.com/blog/12291851">Does Future Fact Depend on Present Fiction</a></p> + + + + diff --git a/tags/think-thonk/index.html b/tags/think-thonk/index.html new file mode 100644 index 0000000..05d0a36 --- /dev/null +++ b/tags/think-thonk/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged think-thonk

                  \ No newline at end of file diff --git a/tags/thinkthonk/atom.xml b/tags/thinkthonk/atom.xml new file mode 100644 index 0000000..917cfe9 --- /dev/null +++ b/tags/thinkthonk/atom.xml @@ -0,0 +1,41 @@ + + + Asya Davydova Lewis - thinkthonk + + + + Zola + 2022-11-15T00:00:00+00:00 + https://asyaplugged.in/tags/thinkthonk/atom.xml + + Feeling Like a Space + 2022-11-15T00:00:00+00:00 + 2022-11-15T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/feeling-like-a-space/ + + <h3 id="hf-and-what-feeling-like-a-space-is-like">hf and what feeling like a space is like</h3> +<p>The 2015 <a href="https://academic.oup.com/jcmc/article/20/3/241/4067543">Homuncular Flexibility</a> paper recently resurfaced from a <a href="https://twitter.com/DilettanteryPod/status/1590386231707406345">trending post</a> on Twitter. I'd like to think that tweeting out the words HOLY SHIT and a link to a paper about something like, I don't know, <a href="https://arena-attachments.s3.amazonaws.com/17066439/7ae33aaff0f3aef21bdcd9ff7b424d8a.pdf?1656706134">deep image reconsctruction from fMRI imaging of brain activity</a> would have a similarly mass-exciting result, but I digress. The discussion around the human ability to learn how to control and sense bodies very different from their own prompted me to think about the way in which we have learned to embody digital spaces, which are of course very different from physical spaces.</p> +<p>Websites and screen-based interfaces produce the sensation</p> +<p>the 3D metaverse is still in its relatively early stages, </p> +<h3 id="else">else</h3> +<p>tools are interpreted by the brain as an extension of the human body. +haptic feedback, color schemes, </p> +<h3 id="work-arounds-affordances">work-arounds, affordances</h3> +<p>Self regulation via peripheral attention management. </p> +<p>I'm sure you've seen this recent video trend you're shown footage of eye catching gaming footage with an unrelated story is</p> +<p>Once I heard a &quot;focus hack&quot; where you put a makeup pallette on your workdesk and allow yourself to rest your gaze on it instead of reaching for your phone and getting sucked into an endless-scrolling distraction trap.</p> +<h3 id="feeling-like-a-language-feeling-like-an-era">feeling like a language, feeling like an era</h3> + + + + diff --git a/tags/thinkthonk/index.html b/tags/thinkthonk/index.html new file mode 100644 index 0000000..ca535ac --- /dev/null +++ b/tags/thinkthonk/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged thinkthonk

                  \ No newline at end of file diff --git a/tags/tutorial/atom.xml b/tags/tutorial/atom.xml new file mode 100644 index 0000000..fd9419b --- /dev/null +++ b/tags/tutorial/atom.xml @@ -0,0 +1,47 @@ + + + Asya Davydova Lewis - tutorial + + + + Zola + 2022-08-13T00:00:00+00:00 + https://asyaplugged.in/tags/tutorial/atom.xml + + How to Make Telegram Stickers + 2022-08-13T00:00:00+00:00 + 2022-08-13T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/drafts/telegram-sticker-tutorial/ + + <p>This Friday I visited Apex Electronics Surplus in Sun Valley, CA.</p> +<h2 id="week-1">Week 1</h2> +<p>The first </p> +<h4 id="blockquote-with-attribution">Blockquote with attribution</h4> +<blockquote> +<p>Don't communicate by sharing memory, share memory by communicating.</p> — +<cite>Rob Pike<sup class="footnote-reference"><a href="#1">1</a></sup></cite></p> +</blockquote> +<h2 id="images">Images</h2> +<p><img src="../assets/test.png" alt="Image Backgorund" /> +<img src="https://asyaplugged.in/know/drafts/telegram-sticker-tutorial/" alt="Another Media" /></p> +<p><img src="https://plchldr.co/i/1280x720?bg=2ecc40" alt="Media CDN" /></p> +<p>{% hint style=&quot;warning&quot; %} 123 {% endhint %}</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>The above quote is excerpted from Rob Pike's +<a href="https://www.youtube.com/watch?v=PAAkCSZUG1c">talk</a> during Gopherfest, +November 18, 2015.</p> +</div> + + + + diff --git a/tags/tutorial/index.html b/tags/tutorial/index.html new file mode 100644 index 0000000..02042b2 --- /dev/null +++ b/tags/tutorial/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged tutorial

                  \ No newline at end of file diff --git a/tags/wellness/atom.xml b/tags/wellness/atom.xml new file mode 100644 index 0000000..5a7e6bb --- /dev/null +++ b/tags/wellness/atom.xml @@ -0,0 +1,76 @@ + + + Asya Davydova Lewis - wellness + + + + Zola + 2022-09-25T00:00:00+00:00 + https://asyaplugged.in/tags/wellness/atom.xml + + Lecture Notes: Robin Arnott on Meditation & Gaming + 2022-08-18T00:00:00+00:00 + 2022-09-25T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/everything-is-boring/ + + <div class="video-container"> +<iframe width="560" height="315" src="https://www.youtube-nocookie.com/embed/n94J-9YxZPc" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe> +</div> +<p>I experienced a rather significant personal paradigm shift after Robin Arnott's presentation &quot;Everything is Boring&quot; at the BDYHAX conference on February 24th, 2019. I have several versions of hand-written notes on it, and have spent countless late nights gesticulating on and on about the premise, so I figured to publish my notes (something between an inaccurate summary and personal comments) and suavely drop a hyperlink any time the itch to transmute this paradigm strikes, instead of acting like <a href="https://knowyourmeme.com/memes/pepe-silvia">this</a>. </p> +<p>The talk focuses on the issue at the center of the wellness-meditation economy: everything is boring. Using a psychological framework from Ken Wilber, it analyzes the wellness economy's own relative &quot;health&quot;, and demonstrates that both wellness and successful consumer interfaces have a much stronger connection to passion-based areas like entertainment, music and gaming, rather than mass infrastructure like medicine or workforce training.</p> +<p>Robin: if you're reading this, please respond to my emails – I would love to have access to the slides from this talk. It's great that there's now a video recording available, but I am struggling to find the proper chart images the talk is based on.</p> +<h2 id="introduction">Introduction</h2> +<p>Arnott is the CEO and cofounder of Andromeda Entertainment, a gaming publishing company focused on titles that draw inspiration from wellness, i.e. games that enrich players lives in meaningful ways, rather than just baiting and distracting them.</p> +<p>He has spoken quite a bit about game design as a mechanism for transcendence, but this talk focuses on Ken Wilber's Integral Theory – a psychological theory that can be used not only for understanding oneself and the people around us, but also understanding trends in culture learning how to aid the psychological developments of culture at large.</p> +<h2 id="integral-psychology">Integral Psychology</h2> +<p>Arnott believes one of the main issues with health technologies and the way we treat our bodies is it that it can be pretty joyless, boring and uninspiring. Analyzing current paradigms of health technologies, health economies, and our relationship with our body as a whole through the frame of Integral psychology offers some not-so-boring steps forward.</p> +<figure> +<img src="https://images.squarespace-cdn.com/content/v1/51a0ef99e4b0673a4c034ab8/1373221911253-I9CKMOFPCM86G3TNULLF/Screen-Shot-2013-03-29-at-7.07.30-PM.png" alt="integral theory map"> +<figcaption>Figure 1. Ken Wilber's Integral Psychology theory map.</figcaption> +</figure> +<p>Figure 2. &quot;Stages of Consciousness&quot; map.</p> +<p>Arnott highlights three color-coded stages as separate paradigms from each of them:</p> +<ul> +<li>orange paradigm: bureaucratic, scientific, evidence based</li> +<li>green paradigm: decentralized, pluralistic, postmodern, egalitarian</li> +<li>teal paradigm: integrated, evolving the present moment</li> +</ul> +<h2 id="have-you-ever-lied">Have you ever lied?</h2> +<p>Let's say, you tell some huge lie, for example you have been cheating on your partner and you don't tell them the truth. What are the consequences of this lie? How does it make you feel? How much does it affect other decisions you make? Your entire life becomes predicated on this one lie. You lose confidence in your decision-making and your actions. You cannot build a life on top of a foundation comprised of a lie.</p> +<h2 id="medical-economy">Medical Economy</h2> +<p>The medical economy operates on the social lie that the medical system has the answer to overcoming death. The orange medical system maintains the lie that YOU SHOULD NOT DIE.</p> +<h3 id="medical-gaze">Medical Gaze</h3> +<p>This argument reminds me of the &quot;medical gaze&quot;, the practice of objectifying the body of the patient as separate from their personal identity, coined by Michel Foucault's in <a href="https://en.wikipedia.org/wiki/The_Birth_of_the_Clinic">&quot;Birth of the Clinic&quot;</a>, which interrogates the dehumanization foundational to modern medicine, as well as the reasons why the scientific advances in medicine and healthcare have not succeeded in abolishing sickness and resolving the problems of humanity.</p> +<h2 id="the-green-paradigm-in-the-wellness-economy">The green paradigm in the wellness economy</h2> +<p>The wellness paradigm of meditation apps with their condescending &quot;nudge&quot; notifications, &quot;should&quot;-ing you, is also predicated on a lie. It condescends and infantilizes users under the false pretense that +SOMETHING IS WRONG WITH YOU. +You need to &quot;get better&quot;. If you miss a day, you are a failure. Your habits are pathologized when they do not serve the app's interests of high user engagement and retention.</p> +<p>Now, how often do you pick up your phone to use a self-improvement app? How much time per day do you spend on this app category? There's mounds of UX research showing that this app category does not perform well in the screen time olympics. +But what apps do you gravitate towards when you want to feel better? Spotify. Candy Crush. Snapchat. Tiktok.</p> +<p>Have you ever gone to a concert &amp; felt spiritually transformed?</p> +<h3 id="ux-as-infantilization">UX as Infantilization</h3> +<p>Arnott's focus on &quot;condescending infantilism&quot; reminds me of Jesse Baron's essay <a href="https://reallifemag.com/the-babysitters-club/">&quot;The Babysitters Club&quot;</a>.</p> +<h2 id="the-teal-paradigm-in-the-next-economy-of-health">The teal paradigm in the next economy of health</h2> +<p>The next economy of health is based in joy and transformation. +Body - Mind is an expression of Truth. +Music, entertainment, and socializing are healing economy models. +They do not have a &quot;should quality and your soul is open to them.</p> +<table><thead><tr><th style="text-align: left"></th><th style="text-align: left">medicine</th><th style="text-align: left">wellness</th><th style="text-align: left">the new economy ??</th></tr></thead><tbody> +<tr><td style="text-align: left"><strong>identity</strong></td><td style="text-align: left">individual</td><td style="text-align: left">pluralistic global data point in a large database</td><td style="text-align: left">spirit</td></tr> +<tr><td style="text-align: left"><strong>achievement</strong></td><td style="text-align: left">systematization</td><td style="text-align: left">access</td><td style="text-align: left">integrated wisdom</td></tr> +<tr><td style="text-align: left"><strong>relationship to the body</strong></td><td style="text-align: left">mechanical</td><td style="text-align: left">purging trauma</td><td style="text-align: left">maladaptive body patterns begin to dissolve</td></tr> +</tbody></table> + + + + diff --git a/tags/wellness/index.html b/tags/wellness/index.html new file mode 100644 index 0000000..ea0907c --- /dev/null +++ b/tags/wellness/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged wellness

                  \ No newline at end of file diff --git a/tags/writing/atom.xml b/tags/writing/atom.xml new file mode 100644 index 0000000..e6f6be5 --- /dev/null +++ b/tags/writing/atom.xml @@ -0,0 +1,61 @@ + + + Asya Davydova Lewis - writing + + + + Zola + 2022-07-11T00:00:00+00:00 + https://asyaplugged.in/tags/writing/atom.xml + + Hello World: Welcome to Asya's blog + 2022-07-11T00:00:00+00:00 + 2022-07-11T00:00:00+00:00 + + + + + Unknown + + + + + + https://asyaplugged.in/know/hello-world/ + + <p>Hello, and welcome to my website, specifically my blog.</p> +<!--more--> +<h2 id="what-s-going-on-with-the-whole-do-you-know-love-thing">What's going on with the whole &quot;do you know love&quot; thing?</h2> +<p>So, when I was first learning programming, I made a <a href="https://github.com/asyapluggedin/process">game</a> in Processing. I wanted to make a peculiar online psychology quiz, so one of the questions was &quot;Do you know love?&quot; with the only answer being an hard-to-click &quot;YES&quot;. I was inspired by Lacan's contention that jouissance is a phenomenon unknowable to humans, but as I needed some sort of &quot;click&quot; interaction to trigger the next question screen, I asked the question not about jouissance, but rather something more people are familiar with: love.</p> +<img src="https://asyaplugged.in/assets/process-love-level.png" alt="Level Image" width="300"> +<p>Shortly thereafter, I put the graphic from that quiz on the splash page of my old website, <a href="https://web.archive.org/web/20220000000000*/http://xnast.asia/">xnast.asia</a>. You could only enter the website if you successfully clicked &quot;YES&quot;. This was back in 2016. In 2022, I decided to make the website that you are currently on. I knew I wanted to have four different sections:</p> +<blockquote> +<ol> +<li>info / about me</li> +<li>portfolio / work case studies</li> +<li>blog</li> +<li>page of things that i love</li> +</ol> +</blockquote> +<p>I had an epiphany while gathering the inspiration and ideas for the design and development of <a href="https://asyaplugged.in/">asyaplugged.in</a> that I could articulate the menu of my new website with the splash page title of my previous website, just like so:</p> +<table><thead><tr><th>nav</th><th>question</th></tr></thead><tbody> +<tr><td>portfolio</td><td>do</td></tr> +<tr><td>about</td><td>you</td></tr> +<tr><td>blog</td><td>know</td></tr> +<tr><td>things i love</td><td>love</td></tr> +</tbody></table> +<p>I'd be interested in hearing from you what you think about this articulation, whether it was confusing for you, etc.</p> +<h2 id="what-does-asyapluggedin-mean-what-happened-to-xnastasia">What does asyapluggedin mean? What happened to xnastasia?</h2> +<p>Someday I will write a separate post about the permutations of my identity / avatar / sense of self, but until then, this brief explanation will have to suffice.</p> +<p>I felt that the <em>xnast.asia</em> url and <em>xnastasia</em> username was too hard to pronounce, and had a little bit of a pornographic vibe. Every time people typed &quot;x...n...a...s...t...&quot; into a search bar, I would never be the first thing to auto-populate the field. I've still held onto the url and most of the usernames, but once I came up with <em>asyapluggedin</em> I was so happy to swap all my online pointers to that.</p> +<p>My father has had the username mattpluggedin for the longest time, and so the &quot;plugged in&quot; username always made me feel nostalgic for the whole early internet / dotcom boom era, which plays a significant role in a lot my work. But I never thought to inherit the username before I came across the sci-fi book &quot;The Girl That Was Plugged In&quot;<sup class="footnote-reference"><a href="#1">1</a></sup>, which also is the title of an episode of sci-fi TV series &quot;Welcome to Paradox&quot;.</p> +<h2 id="do-you-have-an-rss-feed-can-i-tell-you-if-something-is-broken-or-typoed">Do you have an RSS feed? Can I tell you if something is broken or typoed?</h2> +<p>Yes and yes. You can access the RSS feed for my blog via <a href="https://asyaplugged.in/know/atom.xml">asyaplugged.in/know/atom.xml</a>.</p> +<p>I would also be very happy to hear any feedback on my blog or really, any aspect of the entire website. You can make a pull request on <a href="https://github.com/asyapluggedin/asyaplugged.in">github</a>, where my website is hosted, or just send me a message on whichever platform you prefer.</p> +<div class="footnote-definition" id="1"><sup class="footnote-definition-label">1</sup> +<p>I learned about this book from Dr. Teddy Pozo's UCLA Game Lab Teledildonics lecture from Spring 2021.</p> +</div> + + + + diff --git a/tags/writing/index.html b/tags/writing/index.html new file mode 100644 index 0000000..3b2dc16 --- /dev/null +++ b/tags/writing/index.html @@ -0,0 +1,2 @@ + Asya Davydova Lewis

                  posts tagged writing

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