Removed inline css and javascript

assets/scss/custom.scss

@@ -93,4 +93,31 @@ background: #1d2127 !important;
     .people-widget .col-sm-auto {
         width: 25%;
     }
+}
+
+
+/*.activities .col-md-6
+{
+    flex: 0 0 80%;
+    max-width: 80%;
+}
+
+.activities .col-md-6.order-first
+{
+    flex: 0 0 20% !important;
+    max-width: 20% !important;
+}*/
+
+
+#section-collection.activities p.summary
+{
+    overflow: hidden;
+    display: -webkit-box;
+    -webkit-line-clamp: 3;
+    -webkit-box-orient: vertical;
+}
+
+#section-collection.activities .article-style.toggle p.summary
+{
+     display: block;
 }

content/results/_index.md

@@ -23,5 +23,5 @@ sections:
     design:
       view: compact 
       columns: '1'
-      css_class: universal-wrapper
+      css_class: universal-wrapper activities
 ---

content/results/alchemy/index.md

@@ -1,6 +1,6 @@
 ---
 title: "Alchemy in 3D"
-summary: "[2014-2015] A 3D digitization for a journey into matter <p onclick='this.style.display=\"block\"; event.preventDefault();' style='overflow: hidden; display: -webkit-box; -webkit-line-clamp: 3; -webkit-box-orient: vertical;'>The Visual Computing Lab, in collaboration with the Opificio delle Pietre Dure and the Peggy Guggenheim Collection, worked the three-dimensional diagnostic analysis of the painting 'Alchemy' by Jackson Pollock. We created a high-res 3D of the geometry of the painting, usable as metric and scientific documentation, to measure, study and analyze the materic structure of the painting. The 3D models results have then been used to create an interactive kiosk and a physical reproduction of the painting for the exposition 'ALCHEMY BY JACKSON POLLOCK. Discovering the Artist at Work' (Peggy Guggenheim collection, Venice).</p>"
+summary: "_[2014-2015] A 3D digitization for a journey into matter_<p class=\"summary\">The Visual Computing Lab, in collaboration with the Opificio delle Pietre Dure and the Peggy Guggenheim Collection, worked the three-dimensional diagnostic analysis of the painting 'Alchemy' by Jackson Pollock. We created a high-res 3D of the geometry of the painting, usable as metric and scientific documentation, to measure, study and analyze the materic structure of the painting. The 3D models results have then been used to create an interactive kiosk and a physical reproduction of the painting for the exposition 'ALCHEMY BY JACKSON POLLOCK. Discovering the Artist at Work' (Peggy Guggenheim collection, Venice).</p>"
 authors: [Marco Callieri, Paolo Pingi, Marco Potenziani]
 tags: 
 - Digital Heritage

content/results/armenia/index.md

@@ -1,6 +1,6 @@
 ---
 title: "Three Armenian Manuscripts from Tuscany"
-summary: "[2019] An interactive Kiosk for a temporary exhibition <p onclick='this.style.display=\"block\"; event.preventDefault();' style='overflow: hidden; display: -webkit-box; -webkit-line-clamp: 3; -webkit-box-orient: vertical;'>The VC Lab created an iteractive kiosk for the temporary exhibition 'Three Armenian Manuscripts from Tuscany', taking palce at the Matenadaran Museum (Jerevan, Armenia) from June 9th 2019 to January 9 2020. The kiosk, designed to the general audience of museum visitors, presents the libraries that have preserved the three codices (using photos and 360° panoramas) and explore the three books with high-resolution images and RTIs. The kiosk is available at the exhibition on a touchscreen PC but also online.</p>"
+summary: "_[2019] An interactive Kiosk for a temporary exhibition_<p class=\"summary\">The VC Lab created an iteractive kiosk for the temporary exhibition 'Three Armenian Manuscripts from Tuscany', taking palce at the Matenadaran Museum (Jerevan, Armenia) from June 9th 2019 to January 9 2020. The kiosk, designed to the general audience of museum visitors, presents the libraries that have preserved the three codices (using photos and 360° panoramas) and explore the three books with high-resolution images and RTIs. The kiosk is available at the exhibition on a touchscreen PC but also online.</p>"
 authors: []
 tags: 
 - 

content/results/badia/index.md

@@ -1,6 +1,6 @@
 ---
 title: "The Badia Camaldolese in Volterra"
-summary: "[2013-2014] Digitization for study and virtual reconstruction of the church <p onclick='this.style.display=\"block\"; event.preventDefault();' style='overflow: hidden; display: -webkit-box; -webkit-line-clamp: 3; -webkit-box-orient: vertical;'>This activity was carried out in the framework of the ArTeSalVa project, financed in the line POR-FSE 2007-2013 of Regione Toscana, involving the LARTTE laboratory of Scuola Normale Superiore of Pisa and the Visual Computing Lab of ISTI-CNR. In this project, focused on the analysis and study of historical buildings in an endangered state, we worked on the old Badia Camaldolese in Volterra (Pisa). The work was mostly focused on the church of the Saints Giusto and Clemente, now devoid of the roof and much of the structure. To better understand the history of the building and the events that led to its collapse, in this study, starting from a three-dimensional survey of the current state of the church, we created a virtual reconstruction of pre-collapse of the church.</p>"
+summary: "_[2013-2014] Digitization for study and virtual reconstruction of the church_<p class=\"summary\">This activity was carried out in the framework of the ArTeSalVa project, financed in the line POR-FSE 2007-2013 of Regione Toscana, involving the LARTTE laboratory of Scuola Normale Superiore of Pisa and the Visual Computing Lab of ISTI-CNR. In this project, focused on the analysis and study of historical buildings in an endangered state, we worked on the old Badia Camaldolese in Volterra (Pisa). The work was mostly focused on the church of the Saints Giusto and Clemente, now devoid of the roof and much of the structure. To better understand the history of the building and the events that led to its collapse, in this study, starting from a three-dimensional survey of the current state of the church, we created a virtual reconstruction of pre-collapse of the church.</p>"
 authors: []
 tags: 
 - 

content/results/capsella/index.md

@@ -1,6 +1,6 @@
 ---
 title: "Capsella Samagher"
-summary: "[2012-2013] (Museo Archeologico di Venezia)<br/>Digitization and restoration aid <p onclick='this.style.display=\"block\"; event.preventDefault();' style='overflow: hidden; display: -webkit-box; -webkit-line-clamp: 3; -webkit-box-orient: vertical;'>The goal of this project was the digitization (2D and 3D) of the Capsella Samagher, an early-Christian reliquary in the National Archaeology Museum of Venice. The digitization was a prerequisite for a diagnostic activity and a new initial conservative restoration. This Reliquary (height 18,5 cm, length 20,5 cm, width 16,01), which was discovered in Samagher (Pula, Croatia) in 1906 under the altar of the Church of St. Hermagoras, is in carved ivory with corner reinforcements and silver accessories. Probably of Roman craftsmanship, it is of exceptional value for the history of early Christian art. Funded by Gruppo INTESA SANPAOLO.</p>"
+summary: "_[2012-2013] Digitization and restoration aid (Museo Archeologico di Venezia)_<p class=\"summary\">The goal of this project was the digitization (2D and 3D) of the Capsella Samagher, an early-Christian reliquary in the National Archaeology Museum of Venice. The digitization was a prerequisite for a diagnostic activity and a new initial conservative restoration. This Reliquary (height 18,5 cm, length 20,5 cm, width 16,01), which was discovered in Samagher (Pula, Croatia) in 1906 under the altar of the Church of St. Hermagoras, is in carved ivory with corner reinforcements and silver accessories. Probably of Roman craftsmanship, it is of exceptional value for the history of early Christian art. Funded by Gruppo INTESA SANPAOLO.</p>"
 authors: []
 tags: 
 - 

content/results/cenobium/index.md

@@ -1,6 +1,6 @@
 ---
 title: "CENOBIUM"
-summary: "[2006-2017] Romanesque Cloister Capitals in the Mediterranean Region <p onclick='this.style.display=\"block\"; event.preventDefault();' style='overflow: hidden; display: -webkit-box; -webkit-line-clamp: 3; -webkit-box-orient: vertical;'>CENOBIUM (Cultural Electronic Network Online: Binding up Interoperably Usable Multimedia) is a multimedia presentation of Romanesque cloister capitals from the Mediterranean region. High-resolution digital photographs, 3-D models, and panoramas will virtually link the capitals to their original surroundings, thus representing them within their original architectural and conceptual contexts. A project in collaboration with the Kunsthistorisches Institut in Florenz Max-Planck-Institut.</p>"
+summary: "_[2006-2017] Romanesque Cloister Capitals in the Mediterranean Region_<p class=\"summary\">CENOBIUM (Cultural Electronic Network Online: Binding up Interoperably Usable Multimedia) is a multimedia presentation of Romanesque cloister capitals from the Mediterranean region. High-resolution digital photographs, 3-D models, and panoramas will virtually link the capitals to their original surroundings, thus representing them within their original architectural and conceptual contexts. A project in collaboration with the Kunsthistorisches Institut in Florenz Max-Planck-Institut.</p>"
 authors: []
 tags: 
 - 

content/results/eccehomo/index.md

@@ -1,6 +1,6 @@
 ---
 title: "The ECCEHOMO project"
-summary: "[2018-2019] 3D Digitalisation for Data Integration <p onclick='this.style.display=\"block\"; event.preventDefault();' style='overflow: hidden; display: -webkit-box; -webkit-line-clamp: 3; -webkit-box-orient: vertical;'>The VC Lab participated at the diagnostic activity of the 'Ecce Homo' by Antonello da Messina within the IperionCH.it - E-RISH.it project. A complete 3D digitization of the artwork was performed to sample morphology of the pictorial surface at very high-resolution and to support further cross-correlation and analysis of the other data sampled. All the scientific data obtained are being integrated by mapping all the data on the 3D/2D space of the digital representation of the artwork. The aim is to make it easy to consult and view all the data on the Web through an Interactive System, both for scientific and dissemination purposes.</p>"
+summary: "_[2018-2019] 3D Digitalisation for Data Integration_<p class=\"summary\">The VC Lab participated at the diagnostic activity of the 'Ecce Homo' by Antonello da Messina within the IperionCH.it - E-RISH.it project. A complete 3D digitization of the artwork was performed to sample morphology of the pictorial surface at very high-resolution and to support further cross-correlation and analysis of the other data sampled. All the scientific data obtained are being integrated by mapping all the data on the 3D/2D space of the digital representation of the artwork. The aim is to make it easy to consult and view all the data on the Web through an Interactive System, both for scientific and dissemination purposes.</p>"
 authors: []
 tags: 
 - 

content/results/farnesina/index.md

@@ -1,6 +1,6 @@
 ---
 title: "The Loggia of Cupid and Psyche"
-summary: "[2017] The Interactive System for the Loggia Enhancement <p onclick='this.style.display=\"block\"; event.preventDefault();' style='overflow: hidden; display: -webkit-box; -webkit-line-clamp: 3; -webkit-box-orient: vertical;'>The VC Lab has developed, in collaboration with the Accademia Nazionale dei Lincei, the Interactive Digital System of the Loggia of Cupid and Psyche within the exhibition 'The Loggia of Cupid and Psyche – Raffaello and Giovanni da Udine – Colours of Prosperity: Fruits from the Old and New World' Villa Farnesina, Rome April 20 – July 20 2017. The system allows access to the ‘digital Loggia’ and permits the visitor to navigate freely through the high-resolution panoramic image of the painted ceiling, to admire it from a closer point of view and to consult the results of historical, botanical and scientific analyses performed on the selected species. The system is available online and with an interactive kiosk in the Farnesina building.</p>"
+summary: "_[2017] The Interactive System for the Loggia Enhancement_<p class=\"summary\">The VC Lab has developed, in collaboration with the Accademia Nazionale dei Lincei, the Interactive Digital System of the Loggia of Cupid and Psyche within the exhibition 'The Loggia of Cupid and Psyche – Raffaello and Giovanni da Udine – Colours of Prosperity: Fruits from the Old and New World' Villa Farnesina, Rome April 20 – July 20 2017. The system allows access to the ‘digital Loggia’ and permits the visitor to navigate freely through the high-resolution panoramic image of the painted ceiling, to admire it from a closer point of view and to consult the results of historical, botanical and scientific analyses performed on the selected species. The system is available online and with an interactive kiosk in the Farnesina building.</p>"
 authors: []
 tags: 
 - 

content/results/flexmaps/index.md

@@ -1,6 +1,6 @@
 ---
 title: "FlexMaps 2.0"
-summary: "[2020] New architectural challenges <p onclick='this.style.display=\"block\"; event.preventDefault();' style='overflow: hidden; display: -webkit-box; -webkit-line-clamp: 3; -webkit-box-orient: vertical;'>The FlexMaps 2.0 is an interdisciplinary research project that builds on the previous experience, the FlexMaps Pavilion (link: http://vcg.isti.cnr.it/activities/pavilion/), in which the concept of FlexMaps has been successfully applied on architectural shapes. The FlexMaps 2.0 is a wooden structure, whose shape has been selected among a set of possible shapes to challenge the realization of a complex topology within a restricted indoor space. The selected anticlastic design geometry is a non-developable vaulted surface with three outer arch profiles and a central hole. The structure exploits the strengths of the FlexMaps systems of using mesostructured spiral geometry. Thus, it is possilbe to produce bespoke panels with variable stiffness by only modifying the geometrical parameters of the spiral without changing the material.</p>"
+summary: "_[2020] New architectural challenges_<p class=\"summary\">The FlexMaps 2.0 is an interdisciplinary research project that builds on the previous experience, the FlexMaps Pavilion, in which the concept of FlexMaps has been successfully applied on architectural shapes. The FlexMaps 2.0 is a wooden structure, whose shape has been selected among a set of possible shapes to challenge the realization of a complex topology within a restricted indoor space. The selected anticlastic design geometry is a non-developable vaulted surface with three outer arch profiles and a central hole. The structure exploits the strengths of the FlexMaps systems of using mesostructured spiral geometry. Thus, it is possilbe to produce bespoke panels with variable stiffness by only modifying the geometrical parameters of the spiral without changing the material.</p>"
 authors: []
 tags: 
 - 

content/results/grid-shell/index.md

@@ -1,6 +1,6 @@
 ---
 title: "Reciprocal-framed grid shell"
-summary: "[2017] Reusable, Adaptable and Rapidly-Assembled Structures <p onclick='this.style.display=\"block\"; event.preventDefault();' style='overflow: hidden; display: -webkit-box; -webkit-line-clamp: 3; -webkit-box-orient: vertical;'>This project proposes a parametric workflow for the design of reusable, adaptable, reciprocal-framed grid shell, which can be used to cover large spaces, such as archaeological sites, temporary accommodation or services etc. This workflow has been applied for the case study of the Ancient Ships Archaeological Site free-form shelter in Pisa (88x48 meters).</p>"
+summary: "_[2017] Reusable, Adaptable and Rapidly-Assembled Structures_<p class=\"summary\">This project proposes a parametric workflow for the design of reusable, adaptable, reciprocal-framed grid shell, which can be used to cover large spaces, such as archaeological sites, temporary accommodation or services etc. This workflow has been applied for the case study of the Ancient Ships Archaeological Site free-form shelter in Pisa (88x48 meters).</p>"
 authors: []
 tags: 
 - 

content/results/griffin/index.md

@@ -1,6 +1,6 @@
 ---
 title: "Pisa Griffin"
-summary: "[2011-2014] A comparative study of three Islamic artworks <p onclick='this.style.display=\"block\"; event.preventDefault();' style='overflow: hidden; display: -webkit-box; -webkit-line-clamp: 3; -webkit-box-orient: vertical;'>The aim of this project is to perform a comparative study of three artworks (bronze casts of Islamic provenance), to discover evidence of similarities and to get new insight on their origin. Probably produced within the Islamic Mediterranean in the eleventh century, the Griffin was brought to Pisa after raids in Majorca. For centuries it was a guardian figure on top of the roof of Pisa Cathedral. The present project is focused on the Griffin but also includes alongside it other bronze animal sculptures such as the Mari-Cha Lion and the Lucca Falcon. Funded by Opera Primaziale Pisana.</p>"
+summary: "_[2011-2014] A comparative study of three Islamic artworks_<p class=\"summary\">The aim of this project is to perform a comparative study of three artworks (bronze casts of Islamic provenance), to discover evidence of similarities and to get new insight on their origin. Probably produced within the Islamic Mediterranean in the eleventh century, the Griffin was brought to Pisa after raids in Majorca. For centuries it was a guardian figure on top of the roof of Pisa Cathedral. The present project is focused on the Griffin but also includes alongside it other bronze animal sculptures such as the Mari-Cha Lion and the Lucca Falcon. Funded by Opera Primaziale Pisana.</p>"
 authors: []
 tags: 
 - 

content/results/hdri_analysis/index.md

@@ -1,6 +1,6 @@
 ---
 title: "Analysis of High Dynamic Range Images"
-summary: "[2014-2016] A Focus on Inverse Tone Mapping Content <p onclick='this.style.display=\"block\"; event.preventDefault();' style='overflow: hidden; display: -webkit-box; -webkit-line-clamp: 3; -webkit-box-orient: vertical;'>Since 2014, the Visual Computing Lab has investigated with the CNRS (Paris, France) the quality and detectability of Low Dynamic Range (LDR) or Standard Dynamic Range (SDR) content after being expaded using Inverse Tone Mapping Operators (ITMOs). This work highlights limitations of content expansion and how to detect it.</p>"
+summary: "_[2014-2016] A Focus on Inverse Tone Mapping Content_<p class=\"summary\">Since 2014, the Visual Computing Lab has investigated with the CNRS (Paris, France) the quality and detectability of Low Dynamic Range (LDR) or Standard Dynamic Range (SDR) content after being expaded using Inverse Tone Mapping Operators (ITMOs). This work highlights limitations of content expansion and how to detect it.</p>"
 authors: []
 tags: 
 - 

content/results/kiosk/index.md

@@ -1,6 +1,6 @@
 ---
 title: "RTI Museum Kiosks"
-summary: "[2012-2013] Web kiosks for coin collections<br/>(Fondazione Palazzo Blu and MIBAC) <p onclick='this.style.display=\"block\"; event.preventDefault();' style='overflow: hidden; display: -webkit-box; -webkit-line-clamp: 3; -webkit-box-orient: vertical;'>The project proposes an innovative way to present coins collections to better capture the interest of the museum visitors and to give them enhanced information, improving the current exposition setup. The kiosk is easy and intuitive to use for the ordinary public of the museum and it allows the real-time manipulation of RTI (Reflectance Transformation Imaging) of each coin face with a set of basic operations like zooming, panning, flipping the coin, changing of the light direction.</p>"
+summary: "_[2012-2013] Web kiosks for coin collections (Fondazione Palazzo Blu and MIBAC)_<p class=\"summary\">The project proposes an innovative way to present coins collections to better capture the interest of the museum visitors and to give them enhanced information, improving the current exposition setup. The kiosk is easy and intuitive to use for the ordinary public of the museum and it allows the real-time manipulation of RTI (Reflectance Transformation Imaging) of each coin face with a set of basic operations like zooming, panning, flipping the coin, changing of the light direction.</p>"
 authors: []
 tags: 
 -