#12: generate tei for 3r and 3v; add to single tei

cu-mkp · Mar 15, 2023 · 3cb9162 · 3cb9162
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diff --git a/texts/msfr640.xml b/texts/msfr640.xml
@@ -2343,10 +2343,7 @@
 			<pb facs="#f010"/>
 			<div>
 
-				<head>
-					<rs ref="#rs-m">Counterfeit coral</rs>
-					<note n="XXX"/>
-				</head>
+				<head><rs ref="#rs-m">Counterfeit coral</rs><note n="c_003r_02"/></head>
 
 				<p>
 					<metamark>+</metamark>
@@ -2450,8 +2447,15 @@
 					rendered greenish the blue color of paintings. This one is made like the other
 					one except that one puts <rs ref="#rs-m">coarse common turpentine</rs></p>
 
+
+
+
 				<pb facs="#f011"/>
 
+
+
+
+
 				<p>instead of <rs ref="#rs-m">fine turpentine</rs>. And you can put into two <rs
 						ref="#rs-ms">lb</rs> of <del><rs ref="#rs-fr">tou</rs></del>
 					<rs ref="#rs-m">common turpentine</rs> one <rs ref="#rs-ms">lb</rs> of <rs
@@ -2471,8 +2475,8 @@
 						ref="#rs-ms">lb</rs> is sold at xii <rs ref="#rs-cn">sous</rs>, &amp; at the
 					bottom of the <rs ref="#rs-tl">vessel</rs> remains the <rs ref="#rs-m"
 						>colophony</rs>, or <rs ref="#rs-m"><rs ref="#rs-la">pix
-						græca</rs></rs>.<note n="XXX"/> In this <rs ref="#rs-tl">vessel</rs>, <rs
-						ref="#rs-m">eau-de-vie</rs> is also made well, and there is no need to
+						græca</rs></rs>.<note n="c_003v_01"/> In this <rs ref="#rs-tl">vessel</rs>,
+						<rs ref="#rs-m">eau-de-vie</rs> is also made well, and there is no need to
 					distill it again. You do not need a <rs ref="#rs-tl">oven</rs> for this <rs
 						ref="#rs-tl"><rs ref="#rs-m">copper</rs> vessel</rs>, but only <rs
 						ref="#rs-m">charcoal</rs> around it if it has a flat bottom, but if it is

diff --git a/texts/tl_p003r_1_tei.xml b/texts/tl_p003r_1_tei.xml
@@ -1,62 +1,59 @@
-<?xml version="1.0" encoding="UTF-8"?>
-<text>
-    <pb facs="#f010"/>
-    <div>
-
-        <head>
-            <rs ref="#rs-m">Counterfeit coral</rs>
-            <comment rid=""/>
-        </head>
-
-        <p>
-            <mark>+</mark>
-        </p>
-
-        <p>One needs to first make the branches of <rs ref="#rs-m">wood</rs> or take a bizarre <rs
-                ref="#rs-m">thorn branch</rs>, then melt a <rs ref="#rs-ms">lb</rs> of the most
-            beautiful <rs ref="#rs-m">clear pitch resin</rs> and put in one <rs ref="#rs-ms"
-                >ounce</rs> of <rs ref="#rs-m">subtly ground vermilion</rs> with <rs ref="#rs-m"><rs
-                    ref="#rs-pa">walnut</rs> oil</rs>, and if you add in a little <rs ref="#rs-m"
-                    ><rs ref="#rs-pl">Venice</rs>
-                <rs ref="#rs-fr">laque platte</rs></rs>, the color will be more vivid, and stir
-            everything in the <rs ref="#rs-m">resin</rs> melted over a <rs ref="#rs-m">charcoal</rs>
-            fire and not of flame, for fear that it catches fire. Next dip in your branches while
-            turning, &amp; if any filaments should remain on it, turn the branch over the heat of
-            the <rs ref="#rs-m">charcoal</rs>.</p>
-
-        <p rend="left-top" render="tall">
-            <rs ref="#rs-df"><rs ref="#rs-m">Colophony</rs></rs> is nothing other than recooked <rs
-                ref="#rs-m">resin</rs>. To do it well, take a <rs ref="#rs-tl"><rs ref="#rs-m"
-                    >leaded</rs> pot</rs> &amp; melt the <rs ref="#rs-m">resin</rs>, &amp; boil it
-            over the <rs ref="#rs-tl">brazier</rs> a good <rs ref="#rs-ms"><rs ref="#rs-tmp"
-                    >hour</rs></rs>, &amp; until it appears not to be thick, but clear &amp; liquid
-            like <rs ref="#rs-m">water</rs>, &amp; easily runs &amp; flows from the tip of a <rs
-                ref="#rs-tl">stick</rs> with which you grind it, &amp; test it. Then pour it through
-            a <rs ref="#rs-tl"><rs ref="#rs-m">coarse canvas</rs></rs> or a <rs ref="#rs-tl"><rs
-                    ref="#rs-m">very light tammy cloth</rs></rs>, such that when pouring it falls
-            into the strongest <rs ref="#rs-m">vinegar</rs> that you can find, for the <rs
-                ref="#rs-m">vinegar</rs> gives it strength &amp; prevents it from being so fragile.
-            Reiterate this two or three times &amp; it will be beautiful &amp; well purified. For
-            counterfeiting your <rs ref="#rs-m">coral</rs>, you can mix a <rs ref="#rs-ms">quarter
-                part</rs> of <rs ref="#rs-m">mastic</rs> into your <rs ref="#rs-m">purified
-                resin</rs> to render it more firm and more beautiful, &amp; if you were to take a
-            single tear of <rs ref="#rs-m">mastic</rs>, it would be all the better, but it would be
-            too long. </p>
-
-        <p rend="left-top">
-            <rs ref="#rs-m">Sulfur</rs> &amp; <rs ref="#rs-m">vermilion</rs> makes the same
-            effect.</p>
-
-        <p rend="top"> The <rs ref="#rs-m">coral</rs> made of <rs ref="#rs-m">gules red enamel</rs>
-            endures the <rs ref="#rs-tl">file</rs> and polishing.</p>
-
-        <p rend="right-top"> It is made like <rs ref="#rs-m">cement</rs> that is stronger mixed with
-                <rs ref="#rs-m"><rs ref="#rs-tl">pestled</rs>
-                <del>than of</del> glass</rs> rather than with <rs ref="#rs-m">brick</rs>. Thus,
-            here one mixes well <rs ref="#rs-tl">pestled</rs>
-            <rs ref="#rs-m">gules red enamel</rs>, which is red in body, with the <rs ref="#rs-m"
-                >vermilion</rs>. Thus with all colors of <rs ref="#rs-m">enamels</rs>.</p>
-
-    </div>
-
-</text>
+<?xml version="1.0" encoding="UTF-8"?><text><pb facs="#f010"/><div>
+
+<head><rs ref="#rs-m">Counterfeit coral</rs><note n="c_003r_02"/></head>
+
+    <p>
+        <metamark>+</metamark>
+    </p>
+
+<p>One needs to first make the branches of <rs ref="#rs-m">wood</rs> or take a
+bizarre <rs ref="#rs-m">thorn branch</rs>, then melt a <rs ref="#rs-ms">lb</rs> of the most
+beautiful <rs ref="#rs-m">clear pitch resin</rs> and put in one <rs ref="#rs-ms">ounce</rs> of
+<rs ref="#rs-m">subtly ground vermilion</rs> with <rs ref="#rs-m"><rs ref="#rs-pa">walnut</rs> oil</rs>, and if
+you add in a little <rs ref="#rs-m"><rs ref="#rs-pl">Venice</rs> <rs ref="#rs-fr">laque platte</rs></rs>, the
+color will be more vivid, and stir everything in the <rs ref="#rs-m">resin</rs> melted
+over a <rs ref="#rs-m">charcoal</rs> fire and not of flame, for fear that it catches fire. 
+Next dip in your branches while turning, &amp; if any filaments
+should remain on it, turn the branch over the heat of the
+<rs ref="#rs-m">charcoal</rs>.</p>
+
+<p rend="left-top" style="tall">
+
+<rs ref="#rs-df"><rs ref="#rs-m">Colophony</rs></rs> is nothing other than recooked <rs ref="#rs-m">resin</rs>. To do
+it well, take a <rs ref="#rs-tl"><rs ref="#rs-m">leaded</rs> pot</rs> &amp; melt the <rs ref="#rs-m">resin</rs>,
+&amp; boil it over the <rs ref="#rs-tl">brazier</rs> a good <rs ref="#rs-ms"><rs ref="#rs-tmp">hour</rs></rs>,
+&amp; until it appears not to be thick, but clear &amp; liquid like
+<rs ref="#rs-m">water</rs>, &amp; easily runs &amp; flows from the tip of a
+<rs ref="#rs-tl">stick</rs> with which you grind it, &amp; test it. Then pour it
+through a <rs ref="#rs-tl"><rs ref="#rs-m">coarse canvas</rs></rs> or a <rs ref="#rs-tl"><rs ref="#rs-m">very light tammy
+cloth</rs></rs>, such that when pouring it falls into the
+strongest <rs ref="#rs-m">vinegar</rs> that you can find, for the <rs ref="#rs-m">vinegar</rs> gives
+it strength &amp; prevents it from being so fragile. Reiterate this two
+or three times &amp; it will be beautiful &amp; well purified. For
+counterfeiting your <rs ref="#rs-m">coral</rs>, you can mix a <rs ref="#rs-ms">quarter part</rs> of
+<rs ref="#rs-m">mastic</rs> into your <rs ref="#rs-m">purified resin</rs> to render it more firm
+and more beautiful, &amp; if you were to take a single tear of
+<rs ref="#rs-m">mastic</rs>, it would be all the better, but it would be too long.
+
+</p>
+
+<p rend="left-top">
+
+<rs ref="#rs-m">Sulfur</rs> &amp; <rs ref="#rs-m">vermilion</rs> makes the same effect.</p>
+
+<p rend="top">
+
+The <rs ref="#rs-m">coral</rs> made of <rs ref="#rs-m">gules red enamel</rs> endures the
+<rs ref="#rs-tl">file</rs> and polishing.</p>
+
+<p rend="right-top">
+
+It is made like <rs ref="#rs-m">cement</rs> that is stronger mixed with <rs ref="#rs-m"><rs ref="#rs-tl">pestled</rs>
+<del>than of</del> glass</rs> rather than with <rs ref="#rs-m">brick</rs>. Thus, here one
+mixes well <rs ref="#rs-tl">pestled</rs> <rs ref="#rs-m">gules red enamel</rs>, which
+is red in body, with the <rs ref="#rs-m">vermilion</rs>. Thus with all colors of
+<rs ref="#rs-m">enamels</rs>.</p>
+
+</div>
+
+</text>
diff --git a/texts/tl_p003r_2_tei.xml b/texts/tl_p003r_2_tei.xml
@@ -17,7 +17,7 @@ it dries both <rs ref="#rs-env">in the shade</rs> and <rs ref="#rs-env">in the s
 <rs ref="#rs-tmp">in the summer</rs>. It is commonly sold 15 <rs ref="#rs-cn">sous</rs> a
 <rs ref="#rs-ms">lb</rs>.</p>
 
-<p rend="left-bottom" render="tall">
+<p rend="left-bottom" style="tall">
 
 
 
@@ -35,7 +35,7 @@ of them.</p>
 
 <div>
 
-<p rend="left-middle" render="wide">    
+<p rend="left-middle" style="wide">    
 But it is used to heighten colors which have soaked in and to keep them
 from dust. <rs ref="#rs-m">Mastic varnish</rs> does not resist <rs ref="#rs-env">rain</rs>,
 whereas that of <rs ref="#rs-m">oil</rs> and <rs ref="#rs-m">rosin</rs> does.</p>  

diff --git a/texts/tl_p003r_3_tei.xml b/texts/tl_p003r_3_tei.xml
@@ -42,7 +42,7 @@ whether fine or crude</rs>. One needs to give, as you know, a little
 fire at the beginning and always keep <rs ref="#rs-m">cold water</rs> in the cooler
 on the top. The <rs ref="#rs-ms">lb</rs> is sold at xii <rs ref="#rs-cn">sous</rs>, &amp;
 at the bottom of the <rs ref="#rs-tl">vessel</rs> remains the <rs ref="#rs-m">colophony</rs>, or
-<rs ref="#rs-m"><rs ref="#rs-la">pix græca</rs></rs>.<comment rid=""/> In this <rs ref="#rs-tl">vessel</rs>, <rs ref="#rs-m">eau-de-vie</rs> is also made well,
+<rs ref="#rs-m"><rs ref="#rs-la">pix græca</rs></rs>.<note n="c_003v_01"/> In this <rs ref="#rs-tl">vessel</rs>, <rs ref="#rs-m">eau-de-vie</rs> is also made well,
 and there is no need to distill it again. You
 do not need a <rs ref="#rs-tl">oven</rs> for this <rs ref="#rs-tl"><rs ref="#rs-m">copper</rs> vessel</rs>, but
 only <rs ref="#rs-m">charcoal</rs> around it if it has a flat bottom, but if it is