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WilliamDiakite committed Aug 9, 2024
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20 changes: 10 additions & 10 deletions blog/RapportAnnuel202324-en.md
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tags: [Ouvroir, Annual Report, 2023, 2024]
---

**Key Events and Activities**
## Key Events and Activities

_Fall 2023_
### Fall 2023

Fall 2023 was marked by several enriching events, including a series of lunchtime talks covering topics ranging from surveillance in art to the Omeka platform. A highlight was the major conference and CIÉCO Study Day held in November, showcasing innovative research within the partnership led by Johanne Lamoureux. The lab also received its furniture to welcome students and researchers.

_Winter 2024_
### Winter 2024

At the beginning of 2024, Emmanuel Château-Dutier was in residence in France, and Kristine Tanton was on sabbatical to write two new books. The lab maintained a dynamic schedule with regular meetings, workshops on sound augmented reality, and presentations at conferences in Rennes and Ottawa. Active participation in events like CRIHN further enhanced the visibility and impact of the Ouvroir in the academic community.

_Spring 2024_
### Spring 2024

Spring was a period of consolidation and preparation for upcoming projects. Activities included numerous lab meetings to launch the four [digital tool projects](https://ouvroir.umontreal.ca/projets) in production. We also hosted presentations on ontologies and lunchtime talks highlighting experts like Benoit Deshayes.

_Summer 2024_
### Summer 2024

During the summer, the Ouvroir maintained a steady pace of work despite occasional absences for presentations at external events such as the CSDH Congress in Ottawa, DHNB in Reykjavik, and DH in Washington. Meetings with doctoral students stimulated collaboration and idea exchange before the summer vacation period. The lab staff began producing projects and preparing for the next year.

**Recurring Events and Initiatives**
## Recurring Events and Initiatives

The Ouvroir continued to engage its community through recurring events such as monthly fikas, regular newsletters, bi-monthly lunchtime talks, and weekly digital clinics. These events are essential for maintaining cohesion and productivity within the lab, fostering informal exchanges and deep academic discussions.

**Organizational Changes**
## Organizational Changes

During this period, there were organizational changes, notably with Zoë Renaudie replacing Lena Krause from November onwards. These transitions were managed effectively, ensuring continuity in ongoing projects and future initiatives. William Diakité continues to oversee technical coordination.

**Member News**
## Member News

Valentine successfully defended her thesis titled [_The Entry of Women Artists into the MAC Collection from 1964 to the Present: Statistical Analyses and Determinant Factors_](https://papyrus.bib.umontreal.ca/xmlui/handle/1866/33193), under the supervision of Johanne Lamoureux, impressing both her peers and mentors.
Marie-Odile Demay-Degoustine defended her doctoral thesis titled [_Forms and Discourses of Art History in Films and Television Shows about Art_](https://papyrus.bib.umontreal.ca/xmlui/handle/1866/33380). This exceptional work, supervised by Emmanuel Château-Dutier and William Uricchio, represents a significant advancement in the field of art history and media studies.

**Conclusion**
## Conclusion

In conclusion, the past year has been a period of growth and achievement for the Ouvroir of Art History and Digital Museology. Through a series of enriching events, fruitful collaborations, and ongoing innovations, the lab has solidified its reputation as a center of excellence in the fields of art history and digital museology in Canada and beyond.

**Future Perspectives**
## Future Perspectives

For the coming year, the Ouvroir will focus on expanding its international collaborations, developing new research projects, and strengthening its ties with the academic and museum communities. These initiatives aim to maintain an upward trajectory in research and innovation in service of the digital humanities.

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