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content/posts/motion-picture-film-in-black-and-white.md → content/posts/motion-picture-film-in-black-and-white/index.md

@@ -4,6 +4,10 @@ date: 2023-10-17T17:11:42+01:00
 draft: false
 weight: 10
 tags: ["film", "photography"]
+cover:
+  image: "500t.jpg"
+  alt: "KODAK Vision3 500T; Nikon F60 + Nikkor 50mm f/1.4"
+  caption: "KODAK Vision3 500T; Nikon F60 + Nikkor 50mm f/1.4"
 ---
 
 KODAK Vision3 500T is a powerful film capable of delivering crisp results despite it's higher ISO. Can you develop Vision3 500T in B&W? Is processing 500T in black and white worth it?
@@ -12,8 +16,6 @@ KODAK Vision3 500T is a powerful film capable of delivering crisp results despit
 500T is meant to be processed in ECN-2, but you can process it like a black & white negative too. Keep in mind that using black & white developer and fixer means you are effectively bleach-bypassing your images hence producing a more contrasty look which is usually not associated with motion picture films.
 
 
-![KODAK Vision3 500T test shot](/images/vision3-500t-plants.jpg)
-KODAK Vision3 500T test shot; Nikon F60 + Nikkor 50mm f/1.4
 
 ### Processing in B&W
 To process 500T in black & white, you need to remove the remjet antihalation layer first (assuming you plan to reuse the developer). If you dillute the developer enough to make one-shot processing economic, you can remove remjet after processing without any issues.